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Vimshottari Dasha - Rashi - Gochara - Bhava - Graha - Ratna - Nakshatra - Amsha - Karaka - Varga - Bala

indifferent to the brothers, to the competitions, to the war, to the championship (but check for other graha yuti this pair)

scattered muscular movements

discharged, disabled, impartial toward dynamic, forward-moving energy

physical disorientation

  1. [Ketu in classroom-1]
  2. [Ketu in classroom-2]
  3. [Ketu in classroom-3]
  4. [Ketu in classroom-4]
  5. [Ketu in classroom-5]
  6. [Ketu in classroom-6]
  7. [Ketu in classroom-7]
  8. [Ketu in classroom-8]
  9. [Ketu in classroom-9]
  10. [Ketu in classroom-10]
  11. [Ketu in classroom-11]
  12. [Ketu in classroom-12]
  1. [Ketu-Mesha]
  2. [Ketu-Urisha]
  3. [Ketu-Mithuna]
  4. [Ketu-Karkata]
  5. [Ketu-Singha]
  6. [Ketu-Kanya]
  7. [Ketu-Tula]
  8. [Ketu-Vṛścika] = [svakshetra]
  9. [Ketu-Dhanus]
  10. [Ketu-Makara-Draco]
  11. [Ketu-Kumbha]
  12. [Ketu-Meena]

  1. [Mangala in bhava-1] = [svabhava]

  2. [Mangala in bhava-2]

  3. [Mangala in bhava-3]

  4. [Mangala in bhava-4]

  5. [Mangala in bhava-5]

  6. [Mangala in bhava-6]

  7. [Mangala in bhava-7]

  8. [Mangala in bhava-8] = [svabhava]

  9. [Mangala in bhava-9]

  10. [Mangala in bhava-10] = [dikbala]

  11. [Mangala in bhava-11]

  12. [Mangala in bhava-12]

  1. [Mangala-Mesha] = [mūlatrikoṇa if between 0-18 deg] = [svakshetra]

  2. [Mangala-Urisha]

  3. [Mangala-Mithuna]

  4. [Mangala-Karkata] = [nīcha]

  5. [Mangala-Singha]

  6. [Mangala-Kanya]

  7. [Mangala-Tula]

  8. [Mangala-Vṛścika] = [svakshetra]

  9. [Mangala-Dhanus]

  10. [Mangala-Maraka] = [uchcha]

  11. [Mangala-Kumbha]

  12. [Mangala-Meena]

OM kram kreem kroum sah bhaumaya namah

OM shram shreem shroum sah ketave namah

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केतु ketu Ketu

yuti

मङ्गल maṅgala Mangala

Ketu

शिखिन् śikhin = comet, reaching peak knowledge

आकाश ākāśa = ether, space, vacuity

Kuja

कुज ku-ja = born from Earth

अङ्गारक aṅgāraka = charcoal, coal

असृग्ग्रह asṛg-graha

[asrug-graha] = blood-planet

भूमिपुत्र bhūmi-putra = offspring of Earth

Cauda Draconis - Caesura

[cut] - Comet-tail [Ketu-tārā]

Tail of the Dragon - South Node - Catabibazon

yati

conjunct

Mars Ars Ares Aries Arian Ori Orion

Simud- Bahram

Gugulanna- Nergal

Heru-deshet

Tiw - Tyr = Tiwesdæg [Old Norse] - Tuesday

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Shri Ganesha

"Tibetian Ganpati"

bird_EgretGoldenPondFog_byViolaLoretti.jpgKetu-yuti-Kuja

bhava-1 = [svabhava of Kuja]

Eccentric energy with unboundaried vigorous identity and appearance. Dismisses any challenge to their peculiar, forward-pushing physical competition.

bhava-2 [2, finance, family lineage, storytelling][2, banking, capitalization, resource-hoard]

Eccentric energy with unboundaried vigorous evaluations and assessments Dismisses any challenge to their peculiar, forward-pushing financial innovations.

bhava-3 [3, cinema, entrepreneurial business, advertising, magazines]

Eccentric energy with unboundaried vigorous announcements and publications. Dismisses any challenge to their peculiar, forward-pushing publicity.

bhava-4 [4, patriotism, foundations]

Eccentric energy with unboundaried vigorous patriotism and environmentalism. Dismisses any challenge to their peculiar, forward-pushing infrastructure engineering.

bhava-5 [5, entertainment, children, drama, idealism]

Eccentric energy with unboundaried vigorous theatre and display. Dismisses any challenge to their peculiar, forward-pushing creativity and production of children.

bhava-6 - generally fortunate for upagraha + papagraha in dushtamsha

Eccentric energy with unboundaried vigorous disputation and complaints. Dismisses any challenge to their peculiar, forward-pushing problematizing and arguments.

bhava-7 marriage, contractual bargains, advocacy, agreement

Eccentric energy with unboundaried vigorous alliances and yokes. Dismisses any challenge to their peculiar, forward-pushing bargaining and deal-making.

bhava-8 nondisclosure, coverage, camouflage, masking, tax evasion, hidden assets

= [svabhava of Kuja] + generally fortunate for upagraha + papagraha in dushtamsha

Eccentric energy with unboundaried vigorous secret-keeping and disguise. Dismisses any challenge to their peculiar, forward-pushing discovery and emergence.

bhava-9 - [karako bhavo nashto for father, patrons, chieftains, indoctrinators] [9, father-figures, patronage, worldview]] [9, father, patronage, beliefs]

Eccentric energy with unboundaried vigorous life-principles and philosophical beliefs. Dismisses any challenge to their peculiar, forward-pushing ideological convictions.

bhava-10 [10, social visibility,commanding positions, leadership]

Eccentric energy with unboundaried vigorous leadership and respect. Dismisses any challenge to their peculiar, forward-pushing executive command.

bhava-11 [11, marketplace gains, mass-participation systems, revenue, achievements, associative linkage, distribution networks, fanclubs, interest-groups, array, community, economy, ecological webs, fanclubs]

Eccentric energy with unboundaried vigorous associations and networks. Dismisses any challenge to their peculiar, forward-pushing profit-making and goal-achievement.

bhava-12 = generally fortunate for upagraha + papagraha in dushtamsha, but produces Kuja Dosha

  • [12, wandering, ghosts, identity disintegration, desaparecidos , privacy, distant lands, research, quietude, isolation, sanctuary, fantasy, contemplation, symbolism + invisible empowerments]
  • [12, imagination, phantoms, symbolic understandings, seclusion, Other Worlds, interiority, contemplative wisdom, meditation, withdrawal, research, retreat, inner-vision, clandestine actions, foreign sojourn]

Eccentric energy with unboundaried vigorous imagination and envisioning. Dismisses any challenge to their peculiar, forward-pushing interior guidance and clairsentience and claircognizance.

bird_MourningDove.jpgKetu-yuti-Kuja

Professor Ketu teaches His curriculum in environments that are characterized as "out of conventional order".

For example, Ketu-10 = detached from conventional social order whereas Ketu-4 = detached from conventional housing order or schooling order.

When Professor Ketu= born conjoint Mangala the Mover, the scattering patterns of Ketu-Akasha tend to disperse the intensity of Kuja's forward-driving pursuit.

Mangala's default drives are muscular movement and sexual conquest. All Mangala energy is pushing, forward moving, and vitalizing.

However, the goal varies according to Kuja's rashi and bhava. [uchcha] Mangala directs His energies into socially motivated pursuit of class-rank and position, whereas [nīcha] Mangala directs His vitality into activities of emotionally motivated bondage and control.

EXAMPLE

POTUS-06 American System 1767-1868 John Quincy Adams

described his disorienting marriage to Louisa Johnson Adams as the worst mistake of his life.

  • JQA's Chandra-yuti-Rahu-Makara-10 reveals his destiny for governance leadership roles. However, the foundation of any career is the homebase, and when Chandra-yuti-Rahu occupy 10 the home-base may be afflicted by a Ketu-ish spouse.

  • The problems arose right from the beginning, when the misapprehension and misinterpretation characteristic of Budha-yuti-Ketu confused the inquiry into his wife's background. Louisa was described [Budha] as a well-connected heiress.

  • Actually, Louisa = an anxiety-suffering daughter of a bankrupt merchant. The couple had children, but their eldest committed suicide. Conditions were much compounded via Aśleṣa- [nīcha] Kuja also in 4 with Budha-Ketu.

Kuja-Karka acts decisively to bind and secure. [nīcha] Kuja made the marriage decision seem urgent. Along with his parents, J-Q would have felt an emotionally-motivated impulse to act quickly to secure the situation . The marriage vow was hastily sealed on the basis of incorrect understanding. Lifelong consequences included financial insufficiency and marital disagreements.

therefore, in order to correctly identify the environment of this extraordinary pair, it is essential to appreciate both their bhava location and their rashi qualities.

Dispersal in all directions, or a single rather peculiar direction, of the kinetic animal sexual impulse.

Detachment from the goal of conquest. Windy cooling of the heat of the chase.

Quixotic pursuit.

Masculine-identified may be somewhat disconnected from one's own urgent, competitive sexuality. Feminine-identified may feel rather ambivalent toward men in general.

Often the script calls for a dysfunctional brother or masculine cousin. Other masculines can be agents too.

  • Material Girl 1958- dance song cinema Madonna has a mentally ill, often homeless brother

EXAMPLE

King of Pop 1958-2009 Thriller Michael J. Jackson [ātmakāraka Kuja] + [Kṛttikā-Kuja-yuti-Ketu-Aśvini] [Guru-yuti-Rahu-11 mutual-drishti with Ketu-yuti-Mangala-5] [5, children, theatre, showmanship, speculation, intelligence]

  • MJJ was accused multiple times of dissolved boundaries [Ketu-5] with underage male [Kuja] children.
  • Each scandal was settled out of court to avoid [Ketu] the truth-telling of a jury-trial. Mangala rules 8th-from-7 = masking the lawcourt. Accusations were neither proven nor disproven [Ketu ambivalence]

Once the personal, embodied sexual and competitive impulses are dispersed in consciousness, it becomes possible to channel the dynamic, athletic, competitive, and sexual energies of others. Thus Kuja-yuti-Ketu helps male dramatists to project intensely masculine roles,

EXAMPLE

  • Moneyball 1963- drama-commerce Brad Pitt + [Pūrvāṣāḍhā-Kuja-yuti-Surya-Mūla] + [Pūrvāṣāḍhā-Kuja-yuti-Chandra-Pūrvāṣāḍhā] + [Pūrvāṣāḍhā-Kuja-yuti-Budha-Pūrvāṣāḍhā] + [Pūrvāṣāḍhā-Kuja-yuti-Shukra-Vaishva] + [Pūrvāṣāḍhā-Kuja-yuti-Ketu-Pūrvāṣāḍhā] [5, celebrity, romance, children, drama] = WBP's most celebrated drama-rols have developed brotherly, physicalized, combative, masculine vitality themes

For both masculine-figures and feminine-figures (and those in-between) Kuja-yuti-Ketu generally assists the psychic projection of diffused sexual imagery into the public subconscious.

  • Material Girl 1958- dance song cinema Madonna = celebrated performer of zero-boundaries [Ketu] sexualized dancing [Kuja]

  • Two Women 1934- luxury eyeframes Sophia Loren [regulatory-hierarchical Aśleṣā-2] = [navamsha Kuja-Makara-uchcha] + [nīcha- Aśleṣā-Mangala-yuti-Ketu-Pushya] [3, cinema, entrepreneurial business, advertising, magazines]

  • [Kuja-3] manipulative, needy, traumatized by war-torn parents, iconic, and culturally transformative [Kuja rules 12, diving into the imagination]

  • Contempt 1934- animal-activist Brigitte Bardot [Ketu-Karkata] yuti [Mangala-Karkata-nīcha] [5, entertainment, romance, idealization] exuality icon

  • Moneyball 1963- drama-commerce Brad Pitt

  • King of Pop 1958-2009 Thriller Michael J. Jackson [ātmakāraka Kuja] + [Kṛttikā-Kuja-yuti-Ketu-Aśvini] [Guru-yuti-Rahu-11 mutual-drishti with Ketu-yuti-Mangala-5] [5, children, theatre, showmanship, speculation, intelligence]

Disconnected from competition. Tends toward passive-aggressive style of action. Uses indirect methods to hunt, capture, and win. One is no less successful with this combination of Kuja-yuti-Ketu. However, amanipulative rather than conquesting or boasting style of action is indicated.

Extremely sensitive abdominal region.

With the de-emphasis of animal impulse, raw sexual pursuit [Kuja] can be expressed in impersonal ways and diffused into non-fleshly channels:

into photography, literature , performance arts

into competitive political manipulation

or into social service projects

Ketu-yuti-Kuja may be perceived as being dishonorably manipulative and indirect in situations which which call for great straightforwardness. One may be surprised to discover that while one has "won" the goal through whatever devious strategy was effective, one is less admired for the achieved success and indeed more feared and disliked.

Dissatisfied and doubting of one's brothers (siblings) and one's sexual prowess.

Distrust of aggressive action, hunting, anyone with a dominant personality. Discontented in fraternal relationships.

Unable to fully connect with the brothers or comrades-in-arms. Also unable to fully disconnect from the brothers (in all senses of brother).

Even after death or a public declaration of separation, one longs for fulfillment of the fraternal presence.

Resignation to a separative, psychologically distanced relationship with one's brothers, comrades-in-arms, and fellow competitors.

EXAMPLE

My Inventions 1856-1943 Nikola Tesla

  • NT suffered a bitter and lasting resentment toward his competitor General Electric 1847-1931 Thomas Edison. Tesla and Edison were in the same generational cohort. Tesla asserted that Edison was completely wrong-headed in his electrical development models.

  • Even more acrimoniously, Tesla accused Edison of outright theft. Tesla became increasingly dismissive [Ketu] of Edison in later years. Tesla claimed that Edison had himself invented rather little -- rather Edison stole hundreds of patent designs from hapless, distracted inventors like Tesla.

Ineffable sense of loss for the siblings, who seems to have been taken away by circumstances beyond one's control. Longing for the imagined satisfaction of completed union with the heroic brethren.

Chronically discontent with one's military, competitive, athletic, heroic, muscular skills and achievements. Always wanting to be stronger, faster, more warlike. Yet, the animal instincts are too vague, and one cannot concentrate sufficient energy into the physique.

Ambivalent about the act of sexual pursuit. Wants to be sexually active and involved, but resigned to the flat feeling that one's sexual vitality is somewhat blunted.

(if other graha are involved in the Ketu cluster, the postures of saintly resignation and distracted ambivalence may be psychologically complex.

EXAMPLE

Moneyball 1963- drama-commerce Brad Pitt + [Pūrvāṣāḍhā-Kuja-yuti-Surya-Mūla] + [Pūrvāṣāḍhā-Kuja-yuti-Chandra-Pūrvāṣāḍhā] + [Pūrvāṣāḍhā-Kuja-yuti-Budha-Pūrvāṣāḍhā] + [Pūrvāṣāḍhā-Kuja-yuti-Shukra-Vaishva] + [Pūrvāṣāḍhā-Kuja-yuti-Ketu-Pūrvāṣāḍhā] [5, celebrity, romance, children, drama]

  • = following a litigious, accusing, highly-publicized divorce-2, WBP wisely stopped commenting [Ketu] and retreated [Ketu] into his professional works. He continued to earn praise and revenues for polished cinematic skills.

Unacknowledged anger and diffused competitive instincts. Likes to fight but may take bribes on the outcome, or work for the opposing team without scruple. Natural double-agent , or mercenary soldier. Has no moral or political attachment to the outcome of the war.

Inability to register A sense of personal certaintyregarding the portfolio of Kuja: competition, sexual pursuit, warfare, invasion, exploration, discovery, passion. one may compete indefinitely, driven by a need to dominate, without ever achieving a clear public victory or a clear personal sense of success.

Uncomfortable in their own skin. Ambivalent about winning or losing, yet very sensitive on the point. Sore loser.

Polarizing catalysis expressing clear physical directive. Ambivalent about the cycle of birth and death, and his place in it. Little patience for sustained efforts, and tendency toward passive-aggressive physical responser.

Behaviorally, the effective equivalent of [nīcha] Kuja . Not overly attached to The earthen body . Therefore, can accept - and often surmount - tremendous risks of life and limb.

Beneficial for high-risk occupations where safety is a dream. By transit, stimulates disease of connective tissue, blood coagulation, and other disconnection types of imbalance-seeking-a-remedy.

In bhava-4

The childhood home is competitive and prone toward absenteeism of both parents [Ketu-4] . The adult native tends to replicate this pattern, bringing the warrior energies of Kuja into the adult home, along with Ketu's characteristic disengagement and disdain.

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Mourning Dove
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