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born two months after

close friend of


Young poet and educator Thakur * likely 1880's




Polymath + Pioneer + Liberal Educator

1913 - Nobel Prize in Literature

Poet + Songwriter + Musician + Translator + Playwright + Artist

Author of Gitanjali

Political Activist + Social Philosopher

Leader of Indian Independence Movement + Anti-Nationalist

Rabindranath Tagore

a.k.a. Rabindranth Thakur

a.k.a. Robindronath Thakur (Kushari)

a.k.a. Bhānusiṃha (nom de plume)

a.k.a. Bhanu Singha Thakur (Bhonita)

Earth-birth Tuesday-07-May-1861

dematerialization 07-Aug-1941 (age 80)

dates and timelines from the most excellent resource Scottish Center for Tagore Studies







1861 - 1941

Rabindranath Thakur * Tagore

birth data from

tentatively rectified by BP Lama Jyotishavidya

charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama

Rising Nakshatra

Masculine Nativities

Purva-bhadra * Aja-eka-pada

BPL commentary

For Purvabhadra births of a masculine valence, the condition of prosperous, preaching, inclusive, broad-scope, philosophical, humanistic Brihaspati may considerably affect the outcome. Masculine births under auspice of Puna, Visaka, or Purvabhadra may find that their worldview is greatly shaped by the character of priestly teachers and guides.

For those born into the Guru-ruled paradigm of Aja-ekapada, teachers, preachers, professors, patrons, agents of generosity and guidance, guru-figures, ideologues, indoctrinators, theorists, know-it-alls, proselytes, philosophers, pontificators, patriarchs, pundits, pater-nosters, proponents of principled understanding, wise-ones, wizards, druids, and paradigms of belief may be especially influential.

Instructional guidance is provided by emissaries from the civilizations of Pegasus. Their purpose is expansion of prosperity = proshtha.

High forehead. The majority of Purvabhadra nativities are wanderers. Universalist perspective. The majority of Purvabhadra are higher dimensional Seva-wanderers who assume guidance roles. Those born into the paradigm of Aja-eka-pada are often excellent dancers who bring understanding of growth patterns via Posture and Dance .

Kumbha-Ghata pada 1-2-3 expresses Guru's rulership of 2-collections, affluence ++ 11-revenues, friendships. Guru-and-Shani are mutually neutral. Pada 1-2-3 births are found in the overlap between Guru's financial-social expansions (2-11) and Shani's ability to bridge the physical-astral worlds (1-12). Pada 1-2-3 are often involved in large-scale social economic networks which have both a public identity and an invisible private reality, such as international finance or government-corporate aid groups. They can also be social scientific theorists and writers on topics of large-scale social behavior.

Meena-Antya pada-4 expresses Guru's rulership of 1-embodiment ++ 10-leadership, reputation. Brihaspati activates both Purvabhadra nakshatra ++ Meena rashi, creating a concentrated effect of expansive Saptarishi growth patterns. Pada-4 is less concerned with financial affluence and more attuned to visionary truth. Pada-4 may become leaders in wisdom fields such as divinity, philosophy, spiritual healing, clairsentient understanding, envisioning practices, or ancestor guidance.

Themes of broad scope, theoretical understanding, and visionary imagination may contextualize Ajaekapada's terrestrial experience Applies also to Chandra in Purvabhadra-Pegasus

QUOTATION from: Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra .p 88

"... high-strung and nervous in temperament .

They are not very strong constitutionally.

They are rather grave and serious in demeanor

  • and are more interested in the discussion of serious topics than in trivial matters.

they belong to the Mental Group and are by no means orthodox ,

  • preferring to arrive at their beliefs through a process of logical reasoning."



Rabindranath Tagore sitting with his friend, Theory of Relativity 1879-1955 Physics Albert Einstein in 1934


Tagore_Rabindranath_1915.jpgBiographical details matched to Vimshottari Dasha calendar

Budha Mahadasha * age birth until age 12.4

07-May-1861 Earth-birth in Jorasanko Thakur Bari, Calcutta, British India * Budha-Shukra bhukti

Ketu Mahadasha * age 12.4 until age 19.4

08-Mar-1876 (RT age 14) grieved the decease of mother (mom age 45) * Ketu-Mangala bhukti * Mangala matrimaraka rules 2nd-from-Chandra

1877 (RT age 16) publication of first short-stories and drama * Ketu-Rahu bhukti * Rahu-11 achievements

1878 travels to England for studies preparatory to Law * Ketu-Shani * Shani activates 12-foreign lands

Shukra Mahadasha * age 19.4 until age 39.4

1880 returns to Bangala, having learned about local folksongs, but having ; completed no degree studies * Shukra-Shukra svabhukti * Shukra activates 4-homeland

09-Dec-1883 (RT age 22) exchange vows of marriage-1-of-1 with Bhabatarini Raichadhuri (her age 10) * Shukra-Shukra svabhukti * samchara Rahu-Ketu via Tula-Mesha contact Shukra in D-1 + D-9

19-Apr-1884 (RT age 22) traumatic suicide of his close companion, sister-in-law Kadambari (Matangini) * Shukra-Surya bhukti * Surya activates 2nd-from-7th-from-11th-from-Chandra = death of elder brother's wife * gochara R-K zero deg Tula-Mesha *

25-Oct-1886 (RT age 24) celebrated the birth of his first child Madhurilata (Bela) * Shukra-Mangala bhukti * Mangala activates 9th-from-Chandra

Surya Mahadasha * age 39.4 until age 45.4

1901 builds Santiniketan Ashrama with school * Surya-Rahu bhukti ; * Rahu-11 community ;

23-Nov-1902 (RT age 40) grieved the decease of wife Mrinalini (Bhabatarini) * Surya-Guru bhukti * Guru activates 7th-from-7th-from-Chandra

1903 (RT age 41) grieved the decease of daughter Renuka Devi (child age 12) * Surya-Shani bhukti

19-Jan-1905 (RT age 43) grieved decease of father * Surya-Budha bhukti * Budha activates 12th-from-Surya

1905 withdrawal from Swadeshi movement * Surya-Ketu bhukti * Ketu withdrawal

Chandra Mahadasha * age 45.4 until age 55.4

Apr-1907 until Jul-1909 Janma Sade-Sati Meena

1912 ; publication of translated compendium of Bengali traditional stories-and-songs called ; the Gitanjali * Chandra-Budha bhukti * Budha publication

10-Dec-1913 (RT age 52) earned the 1913 Nobel Prize in Literature for English translations of Gitanjali * Chandra-Ketu bhukti * ;Mangala-yuti-Ketu * Budha-3 translations parivartamsha Kuja-5 prizes

Mangala Mahadasha * age 55.4 until age 63.4

Rahu Mahadasha *age 63.4 until until decease age 80 ; = 1923-1941

23-Dec-1921 (RT age 60) founding of Visva-Bharati University using funds from the Nobel award * Mangala-Shukra bhukti * Shukra activates 9-university

Feb-1937 until Apr-1939 Janma Sade-Sati Meena

07-Aug-1941 (RT age 80) dematerialization * Rahu-Mangala bhukti * Mangala-yuti-Ketu


TagoreRabindranath_SukumarRay1905.jpgDistinctive features of the nativity


pitri-karaka (father) * jyoti-karaka (light)





  • Surya-Mesha* Suryaya * the supreme one * brightly charismatic confidence of Center-stage Surya radiates through the vital competitive dominating rashi of Mangala
  • Surya in bhava-3 * center of commerce * mercantile intelligence * smart reports * dramatic instructional delivery * creative descriptions * sparkling retinue * splendid games of manual-skill * self-referential announcements * admirable handcraft * cinematic genius * smart technology * focus on teamwork * entertaining explanations * administrative entitlements * confident writing * eye on process management * regal messaging * bright center of discourse * brilliant gesturing * father may be a businessman-craftsman-communicator
  • Surya-yuti-Budha * confidently conversational * bright messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * gestures conduct the spiritual rays of the Sun * radiantly descriptive * articulate in drama * skillful game-player * self-confident announcements * talks about ideals * narrative of power-politics * recites love poems * describes divine romance
  • Surya-yuti-Shukra * confidently harmonious * brightly creative bargainer * uniquely intelligent feminine-figures * entitled to pleasures * aesthetic expressions align with the spiritual rays of the Sun * financial politics * graciously creative * dramatic promises * radiantly diplomatic * self-reflexively attractive * father may be artist-broker-arranger


Dad = Debenranath Tagore (1817–1905) a prominent local property manager Surya-Mesha-3

  • A successful Bengali businessman, dad had been left well-capitalized by his own industrialist father.

paternal grandfather = 9th-from-Surya = Rahu-11

  • dad's dad was exceptionally gainful. In addition to their extensive Bangla holdings, the family owned properties in England. When RT went to UK to study, he and relatives lived in one of the paternal line's comfortable British homes.
  • Dad managed Surya-yuti-Budha a collection of agricultural estates and trading operations Surya-yuti-Shukra * Shukra trading * Surya activates -4-from-4 = 7 estates.

In addition, dad was a champion Surya-Mesha of religious reform.

  • Debendranath Thakur promoted doctrinal and behavioral reform of the ancient traditions, which were seen to have fallen into corruption through neglect.
  • Surya-yuti-Budha activates 8-rejuvenation


TR became an iconic figure in Bengali musical theatre, song-dance, arts and folk drama = Surya-yuti-Shukra + center-stage brilliant Surya [uchcha]

Surya's numerous connections = RT has been described as

  • polymath
  • internationally recognized creative artist
  • commercial businessman
  • conversationalist (cluster in 3 parivartamsha 3rd-from-3rd)
  • educational reformer (not transformer, rather reformer = 2nd-from-4 = Mangala-Ketu-5)
  • literary translator Surya-yuti-Budha

Surya + Shukra-yuti-Budha = charismatic [Surya] + handsome, financially privileged, artistic [Shukra] + literary [Budha]. Tagore's song lyrics were widely celebrated.

Sparkling Surya's primary role is iconic and aristocratic.

  • Arya nobility of spirit, reinforced by the unyielding land-rents contracts (Surya activates 7)
  • kept the family ensconced in elite entitlements [Surya].
  • Surya-Mesha-3 = gloriously regal communicator.


matrikaraka (mother) * garha-karaka (village)

[Chandra-2 parivartamsha Guru-6-uchcha]

  • Chandra-Meena * comforted by ancestral guidance * settled into rhythmic intuition * needs sanctuary
  • Chandra in Revatika-Pashu * soothed by wayfaring rhythms * protector of poetic interpretation * needs to feel wisely dreamlike
  • Chandra in classroom-2 * comfort in collections* familiar with history * needs to tell stories * accustomed to storage * nourished by heritage knowledge * settled into the rhythm of languages * feels the repeating pulse of inventory counting * emotionally attuned to accumulated values * calmed by conservation * undulating voice * intuits the incantations * acculturated to sound-speech-song * mother may be a traditionalist, historian, librarian, singer


Mom = Sarada Devi (1830–1875). Rabi was his mother's 13th child. RT grieved her decease when he was 14 years old.

  • Chandra-2 parivartamsha Guru-6 indicates her devotional singing (2) and health issues (6)

MARRIAGE partnership emotional equity support expectations

7th from Chandra-2

  • mmarriage-1
  • Kanya service aid, subordinate roles, youthful, student-like
  • bhava-8 non-disclosure, masking, hidden power
  • Mrinalini (Bhabatarini)
  • TThakur paired with a ten-year-old member of his intermarrying community.
  • According to the heritage custom, his young wife then entered his family compound as a servant [Kanya].
  • Mrinalini served faithfully until her ; death marking 18 years of service-marriage. RT ensured that she learned how to read. (Kanya logic)

Tagore famously enjoyed many deeply partnered but non-marital relationships. Partnership experience is enriched and expanded = ; Shukra + 2 additional graha suggests 3 life-mates

  1. Kadambari Devi = Aśvini Budha ruled by Ketu-Mangala-5 (romance)
  2. Mrinalini Devi = Bharani Shukra ruled by Ketu-Mangala-5 (children)
  3. Victoria Ocampo (Vijaya) = Bharani [uchcha] Surya ruled by Ketu-Mangala-5 (poetry)


  • Tagore wrote more than 2000 songs, poems, and stories Chandra in Revatika-Pashu
  • his oeuvre evoked the local rhythms and patois (2) of Bangla culture.

Tagore-Thakur penned songs and stories that had been long memorized (2) and performed in the surrounding countryside.

  • He recorded the ancient chants, traditionally beloved by Bangla denizens [Chandra].

Even to foreign readers, RT's sonorous lyrics felt familiar and appealing.

  • Chandra-2 parivartamsha [uchcha] Guru-6 * dancing, singing, folk imagery of animals (6, also Revatika animals)

Cultural conservation = legendary preservation and expansion of traditional Bangla songs and poetry


bhratru-karaka (brother) * virya-karaka (virile)

[Budha-3 parivartamsha Kuja-5]

  • Mangala-Mithunaya * vigorous pursuit of interaction * competitive commerce * proactive information delivery * energetic group collaboration * dynamic debate * dominating gestures * lively writing * kinetic conversation * push toward explanatory instruction * champion of process management
  • Mangala in bhava-5 * drive toward creativity * pursuit of games * pioneering speculation * dynamic style of flamboyant display * competitive children * energized by romance * political conquests * productive intelligence * push toward celebrity * champion of romance * promotes choice-making *propulsive genius * actively charming
  • Kuja-yuti-Ketu * vigorous break-ups * enervated * passive-aggressive * high-energy collapse * fierce pursuit of impermanence * pointless fights * diffused sexuality * dynamic wandering * apathetic brother-figures * potential for aggressive self-annihilation * pushes toward non-attachment * liberation by force masculine force joins apathetic surrender * potential for aggressive annihilation of initiations


Mangala in bhava-5 innovation, conquest, pioneering

Kuja activates

  • 3-Writing, publication
  • exceptional literary output due to Budha-3 parivartamsha Kuja-5
  • 10 leadership, symbolic roles

RT traveled the world advocating for children (5)


jamayah-karaka (sibling) * sandeza-karaka (message) * zisya-karaka (student)


[Budha-3 parivartamsha Kuja-5]

  • Budha-Mesha * innovative communications * pioneering pronouncement * articulation of dynamic movement * discusses physical experience * vigorous descriptive explanations * growth-challenging conversation * messages about contests * vocabulary of vitality * hands-arms-shoulders send competitive gestures
  • Budha in bhava-3 narrative of cohort collaboration * chatty siblings * articulate announcements * discusses commerce * instructions for management * conversations about information technology * clever programming * logical reporting * talks about daily business * handles information * skillful printing * scripted dialog * text instructions * writes lyrics * detailed media-messaging * communication tactics * explains marketing * quick manufacturing * descriptive process * signaling gestures
  • Budha-yuti-Surya * amusing explanations * entertaining chatter * central roles in communication * brightly clear descriptions * dramatic enunciation * confidently delivers instruction * articulation of radiant certainty * political messenger * talkative father-figures
  • Budha-yuti-Shukra * explainer of balanced arrangements * diplomatic conversations * parity-seeking discussions * manual adjustments * enjoys words * sweet descriptions * delivers instruction about relationships * articulator of equity in agreements * message of fairly bargained contracts * skilled in songwriting * talkative sister-cousin-cohort * detailed lyricist * attracts chatty partners


Budha in bhava-3 [svabhava] = icon of Bharati-Bangla ; arts and literature

Busy Budha occupies bhava-3-3 = chatty, scripting, writing, publications, messages, explanations, presentations

Kumara-Budha activates

  • 5-genius, entitlement, fame, artistic performance, divine intelligence, special entitlements
  • 8-hidden relationships, undisclosed assets, sudden eruption of force, emergency
  • Budha-3 parivartamsha Kuja-5 = ; intensification of publication patterns when ruler of 3 occupies 3rd-from-3rd

Writing and Publishing Kuja promotes productivity ++ Busy Budha activates Chandra in Revatika

  • RT said to have written more than 2000 songs, mostly in the Bangla traditions
  • RT's poems are read and studied worldwide.
  • RT was the most celebrated literary figure in India during his lifetime and beyond.

Theatrical performance + musical instruments (3 manual skills)

  • RT's numerous musical plays used many musical instruments includingding ektara * Budha-yuti-Shukra

3rd from Budha Mentality


dhava-karaka (husband) * bahuta-karaka (variety)

[Atmakaraka globalism, humanism, worldview, expansion, understanding, credenda, ideology]


[Chandra-2 parivartamsha Guru-6-uchcha]

  • Guru-Karkata* big shelters * various caretakers * many provisions * benevolent routines * believes in defense * permission to protect * expansive patriotism * broad understanding of local cultures * develops gardens * prosperous settlements * multiple dwellings * many patronizing parent-figures
  • Guru in bhava-6 * broad ranging ministries of service * extensive distress * ideological disagreements * many injuries * much victimization [being eaten] * tolerance for diverse diagnoses * abundant digestive imbalance * many grievances * much betrayal * numerous unfair accusations * broad scope of disorderly conduct * cheerful acceptance of human misery * believes in problematicity * patron of pharmacies * many medicaments * in a wifely nativity, husbandly-companion may aid the suffering

Guru's positive expansive auspice occupies a shad-ashtaka 6-8 challenge-angle as counted from Dhanus-Rahu-11.

  • As a distinguished Bangla poet and patron [Guru] of many needy local villages, as well as a global missionary of liberal education, Thakur-Tagore had to manage an unbalanced group of desires, abilities, and potentials.

His life mission required working with the victim class, the suffering, the extremely poor, the socially polluted, the insanely superstitious.

  • RT freely socialized with folks who were ostracized as impure or filthy.
  • He did and he prospered.

For Kumbha nativities, Guru is the money-maker

Atmakaraka Guru-Karkata -6 rules Rahu-11 ++ Chandra-2

Heir to a legendary land-owning Bangla Brahmin family, Tagore's income was mainly produced by the hordes of extremely poor villagers living on lands that were owned by the Kushari-Thakur-Thakara-Tagore Family

His affluent family culled their wealth from rents and profits on their extensive peasant landholdings.

The fields were worked by survival-agriculture tenant farmers

The land-rent process was both exploitive (6) and traditional (2). Despite being a champion of economic reform in Bangla culture, RT continued to profit (11) from the archaic rents (2). ;


svadu-karaka (sweet) * kalatra-karaka (wifely companion)

  • Shukra-Mesha * appreciation of direct movement * likes innovation * aesthetic of physicality * attracted to champions * pleasures of conquest * kinetic sensuality * prefers a lithely sporting partner * sweetly competitive * aristocratic agreements
  • Shukra-3 * seeks pleasure via communications * talks about relationships * sweetens the administrative tasks * smooth style of messaging * enjoys commercial harmony * pleasant retinue * satisfied by literacy * balanced numeracy skills * prefers collaborative teamwork * aesthetically phrased announcements * appreciation of conversation * nice designs to adorn the ears * attractive shoulders * lovely arms * graceful hands * chatty sisters- aunts-neighbors * attuned to the cohort * likes musical groups * fair-and-balanced reporting * in a husbandly nativity, wifely-companion may be a manager-communicator-writer
  • Shukra-yuti-Surya * balanced roles in drama * appreciation for political display * pleasantly charming * self-focused diplomacy * radiant bright beauty * self-reflexive bargaining * sweet entitlements * negotiating father-figure * self-directed arrangements * focus on trade exchange * solipsistic romance * idealistic contracts * enjoys the game of deal-making * prefers self-confident partners
  • Shukra-yuti-Budhaudha * sweetened messages * gracious explanations * talented in singing-songwriting * articulate negotiations * advocates for reasoning process * talkative feminine-figures * pleasant conversations * bargaining for business * sibling-cohort collaborative harmony * enjoys the company of students * detailed contracts * prefers logical arrangements


Shukra activates Urisha-Mriga Svamsha

Shukra activates Tula-9 Arudha Lagna

Yogakaraka Shukra activates 4 + 9

Schooling, Cultural Roots

  • vibrant celebration of the ethnic roots and cultures
  • attachment to the land and its farming, fishing, house-building settlers
  • patron of education

Sensitive Artistic Communication = 3rd-from-Chandra = Urisha

Shukra-3 rules the emotionally talkative, communicative cohort instructive descriptive team-working administrative managerial announcing publishing reporting explanatory conversational lyrical messaging 3rd-from-Chandra

Shukra suffers moudhya-dosha = combustion.

Most of Shukra's independent power to harmonize and accommodate the needs of others has been burned away by Shukra-yuti-Surya = noble. glamorous, self-referential.

Wifely profile

RT's wife Mrinalini was a very young maiden (age ten) at time of their ritual marriage. She was also twelve years his junior = youthful Kumara influencing kalatrakaraka Shukra Budha-yuti-Shukra ++ Budha activates Kanya = 7th-from-Chandra.

  • Thakur's first husbandly decision was to arrange tuition for his wife to learn to read and write Budha-yuti-Shukra.
  • She became a capable household manager, helpmate, and project assistant.

Shani * duro-karaka (endurance) * jara-karaka (years)

[lagnesha for Kumbha indriya-lagna]

  • Shani-Simbha-Magha (challenging placement) * heavy old legacy drama * must accept center-stage pressures * structural compression upon heart-spine * conventional limits upon creative self-expression * tightly governed speculation * social restrictions upon personal genius * must be responsible in romance * no time for frivolous drama * fearful in games * time-conscious children * resents royal entitlements * proletarian entertainments * restricted intelligence * slow, elderly politicians * restrained entitlement * obligatory ceremonies * scarcity of amusements * maintainer of old sovereignties
  • Shani in Bhava-7 [dik-bala] (beneficial placement) * enduring partnerships * heavy vows * must balance-and-rebalance * lawful relationships * tense bargaining * grim determination to maintain the contract * chronic marital responsibilities * compression of the visible genitalia * pressured bargaining * negotiation fatigue * unyielding alliances * slow-moving advisors * resists new arrangements * elders maintain respected old promises


Shani activates Kumbha 10th navamsha = social networks = contains atmakaraka Guru

Shani activates Kumbha lagnesha

Kumbha-1 Karakamsha = social recognition of the unique iconic personality

A singularly disciplined taskmaster, undeterred by center-stage political glamour, ; Shani-Simha resists political, royal, or unearned entitlements.

  • Shani-Simha-7 also displays his dad's austerity campaign of religious fundamentalismsm, intended to purge (austere Shani) the local worship traditions of centuries' worth of superstition and folk accruals.

Rahu * rajyalobha-karaka (ambition) * picchala-karaka (slippery)


[passion for inspirational earnings]

[ambitious preaching on marketplace systems]

[seeks importance in philosophical community]


  • Rahu-Dhanus * shimmering illusion of wisdom * craving for philosophical principle * mirage of generous patronage * extraordinary theory * extravagant preaching * unorthodox approach to higher truth * mask of global humanism* fascinating doctrine * over-reaching catechisms * fabulous proselytism * seeks special importance via apparent (but perhaps not authentic) attributes of philosophical belief * seeks privilege via guru-roles
  • Rahu in bhava-11 * passion for rewards * in Roguish Rahu's svabhava co-ruled by materialistic Shani * the Shadowy Specter seeks privilege via glamorous social attainments * outsider who cleverly insinuates into social-networking roles * risky marketplace gains * instrumental revenues * astounding awards * extraordinary economies * desires system linkage * * contrived assemblies * opportunistic community activism * ambitious friends * craves profitability * culturally-mixed gridworks * expedient fellowship * appears as a voluntary associate * fascinating achiever * thrillingly high earnings * boundary-breeching connections * trespasses the normal cultural limits on distribution networks


Rahu in bhava-11 = drishti penetrates 3 + 5 + 7

  • Surya-3-politics, celebrity, literary creativity
  • Budha-3 explanations, instructions, lyrics, text
  • Shukra-3 music, dance, performance arts
  • Mangala-yuti-Ketu-5 publication, dynamic barrier-crashing, disregard for separations of race-caste-religion
  • Shani-Simha-7 [dik-bala] Shani maintains public respectability despite a risk-rewarded personality

Rahu-11 awards for achievement

  • Nobel prize for Literature in 1913.
  • After 1913, RT was feted with an astounding number of ceremonial awards

Rahu Mahadasha * age 63.4 until until decease age 80 ; = 1923-1941


During the 18 years of Rahu Mahadasha, Thakur vigorously promoted several progressive schemes for education, child-welfare, and cultural diversity

  • 23-Dec-1921 (RT age 60) founding of Visva-Bharati University using funds from the Nobel award * Mangala-Shukra bhukti * Shukra activates 9-university


kavandha-karaka (headless) * chidra-karaka (gaping) * vasana-karaka (vacuum)

  • Ketu-Mithunaya * dissociates from conversation * incomplete messages * empty instructions * absent from discussion * wandering mentality * fragmented signals * not limited by conventional talk * dialog of liberation * ignores normal business * forgives the sibling-cohort * incoherent scripts * releases a plant-green cloud of explanatory gestures into the misty abyss
  • Ketu in classroom-5 * ambivalent toward ceremony * eccentric offspring * wandering eldest child * demonstrates dramatic confidence in non-existent things * apathetic toward political displays * ungrounded speculation * disregards standard intelligence * disoriented creativity * incoherent romantic ideals * disinterested in games * liberation via surrender of entitlements * unless other graha in 5 or Ketu's ruler is strong, may prefer to live free from children
  • Ketu-yuti-Kuja * restless * surrendered championship * abandons fighting * inconsistent actions * disconnected brethren * odd innovations * unsustainable domination * apathetic competitions * peculiar disability * unfulfilled quest * pushes toward impermanence * incomplete births * liberation via vigorous movement


Ketu gains inordinate influence in RT's nativity due to the interlocking parivartamsha of Budha-3 ++ Kuja-5. These are the two parts of the writing machine.


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