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born two months after
close friend of
potentially alternate incarnation of
Young poet and educator Thakur * likely 1880's
1934 -- Rabindranath Tagore [b. 1861] sitting with his 18-yrs-younger friend, Albert Einstein [b. 1879] |
"The Bard of Bengal" 1913 Nobel Prize in Literature Poet + Songwriter Musician Translator Playwright + Artist Author of the celebrated collection of Bengali songs, Gitanjali Polymath Pioneer Liberal Educator Political Activist Social Philosopher Leader of Indian Independence Movement + Anti-Nationalist a.k.a. Rabindranth Thakur a.k.a. Robindronath Thakur [Kushari] a.k.a. Bhā nusiṃ ha [nom de plume] a.k.a. Bhanu Singha Thakur [Bhonita] Earth-birth Tuesday-07-May-1861 dematerialization 07-Aug-1941 [age 80] dates and timelines from the most excellent resource Scottish Center for Tagore Studies https://www.scots-tagore.org |
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polymath poet philosopher song-writer educator 1861 - 1941 Rabindranath Thakur * Tagore birth data from https://en.wikipedia.org/wiki/Rabindranath_Tagore tentatively rectified by BP Lama Jyotishavidya charts, graphs and tables = generated by Shri Jyoti Star - www.vedicsoftware.com - adapted by BP Lama |
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Rising Nakshatra Masculine Nativity Yoni - Bhagadaivata - Prakphalguni - Arjuni BPL COMMENTARY For Purvaphalguni - Yoni - births of a masculine valence, the condition of sweetly musical, artistic, harmony-seeking, negotiating, balancing, arranging, designing, matching, pairing, sensually pleasuring akarshana-karaka Bright Beautiful Bhrigu may considerably affect the outcome. Due to the definitive influence of kalatra-karaka Shukra, gentlemen born into the realms of Bharani - Yamya, Pūrvaphalgunī - Yonī, or Pūrvāṣāḍhā may find that their worldview is greatly shaped by the character of the feminine companions. For those born into the Shukra-ruled paradigm of Vutavabana, feminine figures such as sisters, aunts, and wives, along with partnerships, contracts, bargains, sensual pleasures, lovers, artistic beauty, luxurious scents, treasuries, financial arrangements, and music , may be especially influential. Instructional guidance provided by emissaries from the civilizations of Zosma. Their purpose is to dramatize, glamorize, and politicize the grand theatrical values of creative life. Diplomatic charm [Suave Shukra] -ruled Purvaphalguni gentlemen are often found in the sparkling bright worlds of politics , romantic idealism, entertainment, speculative finance, and spectator sports. Yoni-born chaps often display a thick mane of leonine hair and a charming sense of humor. They are happiest when enjoying a choreographed sport, playing music, dancing with agility and grace, or performing a richly costumed dramatic role for an appreciative audience, Delighted by spectacle and applause, they glitter and smile at parties, political campaigns, gambling and games.. Depending upon the placements of dhanakaraka Shukra and dhana=pati Budha, the Purvarjuni-born may also excel in financial showmanship, bargaining toward a political or commercial agreement, and the high drama of romantic relationships. Like all Shukra-governed births, Bhagadaivata-born must take care to avoid the misuse of drugs and alcohol. Political success depends upon the charisma of lagnesha Surya. Financial success depends upon the dual-dhanakaraka Shukra and Budha. Themes of political celebrity, lavish musical entertainments, arts and fashion, and financial agreements may contextualize Pubba's terrestrial experience. Applies also to Chandra-Purvaphalguni. |
QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra. p 83 " A physical rather than a mental type.
He must guard against impulsiveness since he is apt to act without sufficient thought
He is very active physically and will be proficient at various sports
These people seem never to rest and are constantly in motion.
[end quote]
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[Budha Mahadasha] [age birth until age 5.4]
Tue-07-May-1861 Earth-birth in the Jorasanko Thakur Bari, Calcutta, Bengal Presidency, British India [22.5850-N 88.3592-E] [present-day Kolkata, Bengal, India]. RT was the youngest of his parents' thirteen surviving children. * Budha-Rahu bhukti Ketu Mahadasha ][age 5.4 until 12.4] [Shukra Mahadasha] [age 5.4 until age 32.4] 08-Mar-1876 [RT age 14] [mom age 45] grieved the decease of mother * Shukra-Shukra svabhukti * Shukra rules 12th-from-bandhusthana 1877 [RT age 16] publication of first short-stories and drama * Shukra-Surya bhukti + Surya lagnesha pen-name Bhanu + Shukra rules 3-publishing 1878 [RT age 17] on his father's insistence, RT travels to England for studies preparatory to Law * Shukra-Chandra bhukti [Chandra-8 parivartamsha Guru-12-uchcha] * Chandra rules 12-foreign lands 1880 [RT age 19] returns to Bangala, having learned about British local folksongs, but not having completed any degree studies * Shukra-Rahu bhukti * Rahu-5 creative arts 09-Dec-1883 [RT age 22] [Mrinalini age 10] consecration of marriage-1-of-1 with Bhabatarini Raichadhuri * Shukra-Guru bhukti * Guru rules Meena 7th-navamsha ++ samchara Rahu-Ketu via Tula-Mesha contact Shukra-Mesha 19-Apr-1884 [RT age 22] traumatic suicide of his intimate companion, sister-in-law Kadambari [Matangini] * Shukra-Guru bhukti * Guru rules 8-shock, sudden upheaval [Chandra-8 parivartamsha Guru-12-uchcha] * https://www.scots-tagore.org/kadambari-devi 25-Oct-1886 [RT age 24] celebrated the birth of first child, daughter Madhurilata [Bela] * Shukra-Shani bhukti 1890 [RT age 28] begins the administrative work of managing his vast ancestral estate, composed of farmlands and farming villages in the Kushtia district [present-day Bangladesh]. Shukra-Budha bhukti * Budha rules 2-11 finance, Budha managements [Surya Mahadasha] [age 32.4 until age 38.4] [1893-1899] [Chandra Mahadasha] [age 38.4 until age 48.4] [1899-1909]
1901 [RT age 39] builds Santiniketan Ashrama with school * Chandra-Mangala bhukti * [Budha-9 parivartamsha Kuja-11] * Mangala rules 4-schools, dwellings 23-Nov-1902 [RT age 41] [Bhabatarini age 20] grieved the decease of wife, Mrinalini* Chandra-Guru bhukti * Guru-12 rules 12th-from-Shukra 1903 [RT age 41] grieved the decease of daughter, Renuka Devi [child age 12] * Chandra-Guru bhukti 19-Jan-1905 [RT age 43] grieved decease of father * Chandra-Shani bhukti 1905 [RT age 43] withdrawal from Swadeshi movement * Chandra-Shani bhukti * Shani rules 6-conflict Apr-1907 until Jul-1909 Janma Sade-Sati Meena
[Mangala Mahadasha] [age 48.4 until age 55.4] [1909-1916]
1912 [RT age 51] Following vigorous campaigning by RT's colleague, the English-language poet and translator William Butler Yeats, RT was nominated for the Nobel Prize -- for a book that was not yet published [typical Rahu]. Yeats had seen only snippets of an English translation of RT's Gitanjali . On the eve of the award ceremony, no one had yet read even a completed draft. * Mangala-Shani bhukti * Shani-1 rules 6-distress ++ Shani rules 11th-from-Chandra friendship 10-Dec-1913 [RT age 52] awarded the 1913 Nobel Prize in Literature for English translation of [parts of the] Gitanjali , a compendium of Bengali traditional stories-and-songs. RT becomes an exotic literary cause-celebre * Mangala-Budha bhukti [Budha-9 parivartamsha Kuja-11] = 11-awards for work accomplished [Rahu Mahadasha] [age 55.4 until age 73.4] [1911-1934] 23-Dec-1921 [RT age 60] founding of Visva-Bharati University using funds from the Nobel award * Rahu-Shani bhukti * Shani rules 4th-from-bandhusthana, schooling, foundation [Guru Mahadasha] [age 73.5 until decease, age 80] [1934-1941]
Feb-1937 until Apr-1939 Janma Sade-Sati Meena
07-Aug-1941 [RT age 80] liberation from the Earthen-body * Guru-Budha bhukti *་ maraka Budha rules 2 ++ dvithya Sade-Sati |
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[Sparkling Surya] pitri-karaka [father] jyoti-karaka [light] [uchcha] [karako bhavo nashto for father, patrons, chieftains, indoctrinators] [energizing-identifying lagnesha for Simha indriya-lagna] ... [secretive-eruptive Bharani-4] [navamsha Surya-Vrischika] [uchcha-Surya-yuti-Budha] [uchcha-Surya-yuti-Shukra]
OUTCOMES - SURYA self-reflexively sermonizing, brightly philosophical, charmingly self-righteous, regal style of pontificating, doctrinally focused, radiantly patriarchal, politically ideological, splendidly patronizing, center-stage religious guide [Surya in bhava-9] rules
CAREER - SURYA [Rahu in bhava-5] drishti penetrates every graha except Chandra-Guru
TR became an iconic figure in Bengali musical theatre, song-dance, cultural arts, and folk drama = Surya-yuti-Shukra + center-stage brilliant Surya [uchcha]
Surya's numerous connections = RT has been described as
Sparkling Surya's primary role is iconic and aristocratic.
PATERNAL GRANDFATHER [paternal grandfather = 9th-from-Surya = [Rahu in bhava-5]
dad's dad was exceptionally prosperous from speculative finance [5] and cross-cultural risk-taker[Rahu].
FATHER [karako bhavo nashto for father, patrons, chieftains, indoctrinators]
www.scots-tagore.org/debendranath-tagore Dad = Debenranath Tagore [1817– 1905] a prominent political and intellectual figure who would have been worshipped as a superior person in the stratified culture of his day [Surya-Mesha] [9]
Dad was the financial manager [Surya-yuti-Budha manager] and rent-collector [Budha rules 2-assets + 11 income]
In addition, dad was a champion Surya-Mesha of religious reform. [Surya in bhava-9]
[4 = 8th-from-9 dharmasthana] rejuvenating worship reforms
Local worship practices [4] in his view, had fallen into corruption through neglect.
[Comfortable Chandra] matrikaraka [mother] * garha-karaka [village] [retreating-contemplative vyaya-pati for Simha indriya-lagna] [folk reputation 10th-from-Chandra = entitled, celebrated, dramatic, creative, inspirational optimistic dogmatic Dhanus-5] check Guru and Guru-drishti for the scope of Chandra's philosophical sensibilities [identified with transformative visionary understanding] [intuitive clairsentient revolutionary] [soothed by periodic interior upheavals] [needs meditation at fixed intervals] [attuned to shocking dreamworld images] [all-one feelings may suddenly stop-and-start] [essential need for sanctuary in-or-near water] [anonymously charitable] [at some juncture in the lifespan, old inner spiritual guidance utterly dies, catalyzing an emotional rebirth into a new comprehensive symbolic worldview] [comfortable with disruptive cetacean influence] [sympathetic to oceanic tumult] [anchored by ancestral guides sensing rhythmic rejuvenation] [traumatized mother may be quietly moody] [mother's contemplative grounding may fluctuate] [mother may seem secretly entranced, mysterious or unpredictable] ... ... [community-connected Revatī-Pashu-3] [navamsha Chandra in Kumbha ] intuitively sensitive to the plight of the common man - mass-market populist [Chandra-8 parivartamsha Guru-12-uchcha] combines the rulers of 5 + 8 + 12 providing both [Sarala Yoga] and [Vimala Yoga]
OUTCOMES - CHANDRA emotionally volatile, intuitively healiing, sensitive to chaos, needs transformative experience, soothed by spiritual initiation, feels protected in energetic emerging environments [Chandra in classroom-8] rules
CAREER-CHANDRA
[Chandra] rhythm, metre, pace, pulse, routine of traditional ways-of-life rules
dancing, singing, folk imagery of animals Revati [Chandra-8 parivartamsha Guru-12-uchcha] RT was a master of many [Guru] musical instruments. Tagore wrote more than 2000 songs, poems, and stories Revati-Chandra
Tagore-Thakur penned Ancestral songs and stories that had been long performed in the surrounding countryside.
Even to foreign readers, RT's sonorous lyrics felt familiar and appealing.
MOTHER https://www.scots-tagore.org/sarada-devi
MARRIAGE partnership emotional equity support expectations https://www.scots-tagore.org/mrinalini-devi [7th from Chandra-8] lifepartnership-1-of-1 Mrinalini [Bhabatarini] [1873-1902]
At his age 22, RT was ceremonially yoked with Mrinalini, a ten-year-old member of his intermarrying community.
RT arranged to have his tiny wife tutored, so that she could read-and-write like most members of his family.
Mrinalini served faithfully until her death [her age 28] marking 18 years of service-marriage. [Rahu cycle + Shani cycle] Three core partnerships Tagore famously enjoyed several deeply partnered but non-marital relationships. [uchcha-Guru-7] Partnership experience is enriched and expanded by Shukra + Budha + Surya additional graha suggesting 3 life-mates
[Competitive Kuja] bhratru-karaka [brother] virya-karaka [virile] [Yogakaraka homebound-anchoring bandesha for Simha indriya-lagna][Yogakaraka believing-guiding dharmesha for Simha indriya-lagna] [Dhanayoga = Mangala-11 rules 11th-from-11] ... [arranging-advocating Mriga-3] [navamsha Mangala-Tula] [Budha-9 parivartamsha Kuja-11] combines the rulers of 2 + 4 + 9 + 11
OUTCOMES - MANGALA [Budha-9 parivartamsha Kuja-11][Yogakaraka] combines the rulers of 2 + 4 + 9 + 11 [Rahu in bhava-5] drishti penetrates every graha except Chandra-Guru [Mangala in bhava-11] innovation, conquest, pioneering Mangala intakes amplifying drishti of [Rahu in bhava-5] [Yogakaraka] [Mangala in bhava-11] [Mriga-3] activates
Kuja-11 drishti energizes, stimulates, activates, moves, and provokes
[Mangala Mahadasha] [age 48.4 until age 55.4] [1909-1916]
[Bantering Budha] jamayah-karaka [sibling] sandeza-karaka [message] * zisya-karaka [student] [conserving-entreasuring dhana-pati for Simha indriya-lagna] [gainful-friendly vriddhi-pati for Simha indriya-lagna] [Double Dhanayoga only for Simha-born][ruler of 11 occupies 11th-from-11] ++ [Budha-9 rules 2 + 11] [profits from dominating discussions] [narrative of competitive father-figure] [dominating ideological viewpoint] [represents the wealth of warrior-chieftains] [communicates about conquest] [solicits patronage for innovative pursuits] [dynamic confessional testimony] ... [explanatory-publishing Aśvini-3] [navamsha Budha-Mithuna] [Budha-9 parivartamsha Kuja-11] combines the rulers of 2 + 4 + 9 + 11
OUTCOMES - BUDHA mercurially philosophical, paternally communicative, mercantile worldview, businesslike father-figure, narrative of higher understanding, inspirational publishing, globally descriptive, broad-scope conversations [Budha in bhava-9] rules
CAREER - BUDHA [Rahu in bhava-5] drishti penetrates every graha except Chandra-Guru Budha activates Kanya Svamsha Budha rules Mithuna [10th navamsha] publication, translation, transcription, description Budha is the money-maker for Simha lagna [Generous Guru] dhava-karaka [husband] bahuta-karaka [variety] [uchcha] [svabhava] [witty-creative vidya-pati for Simha indriya-lagna] [mysterious-revealing randhresha for Simha indriya-lagna] [multiple protective sanctuaries] [abundant private nourishment] [expansive imaginary realms] [wisdom from distantly invisible lands] ... [networking-friendly Aśleṣa-3] [navamsha Guru-Kumbha] [Chandra-8 parivartamsha Guru-12-uchcha] combines the rulers of 5 + 8 + 12 providing both [Sarala Yoga] and [Vimala Yoga] [Atmakaraka globalism, humanism, worldview, expansion, understanding, credenda, ideology]
OUTCOMES - GURU privately philosophical, expansively imaginative, broadly visionary, cheerfully insightful, contemplatively secluded, tolerantly prayerful, invisibly guided [Guru in bhava-12] rules
CAREER - BRIHASPATI [Atmakaraka] Brihaspati rules Dhanus-5 Arudha Lagna contains [Rahu in bhava-5] [Suave Shukra] svadu-karaka [sweet] kalatra-karaka [wifely companion] [busy-collaborative sahaja-pati for Simha indriya-lagna] [dutiful-executive karmesha for Simha indriya-lagna] ... [mysterious-revelatory Bharani-4] [navamsha Shukra-Vrischika] intuitively harmonizing trading balancing negotiating mystical transformative leadership publications [Shukra-yuti-Surya-uchcha]
OUTCOMES - SHUKRA sensually philosophical, appreciative of higher understanding, harmoniously patronizing, aesthetically wisdom-guiding, financially optimistic, musical-artistic father-figure, global scope of relationships [Shukra-9] rules
CAREER - SHUKRA RT was said to have written [or transcribed] more than 2000 songs [Rahu in bhava-5] drishti penetrates every graha except Chandra-Guru Surya + [Shukra-yuti-Budha] = charismatic [Surya] + handsome, financially privileged, artistic [Shukra] + literary [Budha].
[Sober Shani] duro-karaka [endurance] * jara-karaka [Jahre, years] [inimical-medicating rogesha for Simha indriya-lagna] [balancing-bargaining yuvati-pati for Simha indriya-lagna] [rigidly ceremonial personality] [maintains a normalized dramatic appearance] [limited independent rights] [unbalanced social pressure upon physical appearance] [self-discipline applied to complete disagreeable tasks] [chronic personality conflicts] [often ill exploited medicated] ... [rhythmic-customary Magha-4][navamsha Shani-Karkata]
OUTCOMES - SHANI dutifully earth-embodied, identified as a diligent worker, responsibly innovative, mature appearance, must regulate the physical attributes, structured style of movement, slowed vitality, burdensome required maintenance the incarnate form [Shani in Bhava-1] ; rules
CAREER - SHANI [Risk-taking Rahu] rajyalobha-karaka [ambition] picchala-karaka [slippery] [for Simha indriya-lagna] [Rahu-5 casts passionately dramatic speculative drishti into 9-11-1] [wants to be a sparkling center-stage prestigious preacher] [gains importance via intelligence for higher understanding] [passion for doctrinal politics] [seeks splendor via theological-ideological display] [craves dramatic teaching opportunities] [fabulous principled ceremonial performance] [astonishing genius for romantic games] [brilliantly philosophical inspiration for children-or-students] ... [secretive-revealing Pūrvāṣāḍhā-4] [navamsha Rahu-Karkata] rhythms rituals routines
OUTCOMES - RAHU [Rahu in bhava-5] drishti penetrates every graha except Chandra-Guru ; Gitanjali 1861-1941 lyrical poet Rabindranath Tagore [secretive-revealing Pūrvāṣāḍhā-4] [in 10th-from-Chandra] 5, celebrity, creativity, genius] [Rahu in bhava-5] drishti penetrates every graha except Chandra-Guru 9 Shukra-Surya-Budha + 11 Ketu + Mangala + 1 Shani [Collapsing Ketu] kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum] [for Simha indriya-lagna] [passively fixated on ambitiously inspirational-dogmatic Rahu-Dhanus-5 children, celebrities, idealists, creative artists, politicians, speculators] [dispersed engagement with commercial earnings] [dissolution of business profits] [restless apathy toward marketplace transactions] [surrenders management revenues] [apatheticly forgives the trespass of sibling-cousins] [abandons unsustainable conversational friendships] [absent from empty chattering connections] [disregards detailed community conventions] [eccentricly articulated distribution systems] ... ... [musical-heritage Punarvasu-2] [navamsha Ketu-Urisha]
OUTCOMES - KETU |
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