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Drama-Song

Commerce and Material Economy


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COHORT

born ten months after

born 6 months after

born two months after

born 8 days before

born four months before


Born and Raised during the militarization of Fascist Italy under


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SL in her 80's

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50+ year career in

fashion accessories design

perfume + jewelry + eyewear

luxury-goods commerce

drama + song + cinema


Sophia Loren

a.k.a. Sofia Villani Scicolone

a.k.a. Sophia Lazzaro


Earth-birth Thu-20-Sep-1934


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Sophia Loren [age 23] in 1957, the year of her marriage to Carlo Ponti


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Sophia Loren in her 60's

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cinematic dramatist

fashion eyewear

entrepreneur

1934-

Sofia Villani Scicolone = Sophia Loren


birth information from http://en.wikipedia.org/wiki/Sophia_Loren

tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = produced by Shri Jyoti Star software - adapted by BP Lama

Rising Nakshatra

Feminine Nativities

Pushya - Sidhya

Tisya - Poosam - Pushyami - Paukshakya - Vutkrita - Barhaspatya - Indrapurohita - Avra


BPL commentary

For Pushyami births of a feminine valence, the influence of rigid, chronological, lawful, enduring strictly structural sober serious systematic Shani can considerably affect the outcome.

For those born into the Shani-ruled paradigm of Vutkrita, elder persons, old rules, rigid structures, age and time, resistance to change, status hierarchies, social class barriers, large organizations, public opinion, bureaucracies, regulatory requirements, legal systems, and corporate or institutional officials may be especially influential.

Instructional guidance is provided from the civilizations of Asellus. Their purpose is the lawful, hierarchically ordered maintenance of the customary folk habits in the place of settlement.


Laws and Customs

All four pada of Tisya occur within Chandra-ruled Karkata rashi. Births into pada 1-2-3-4 uniformly express the tension between emotionally protective soothing Somana versus lawfully ordering Shani.

Both deeply caring and socially regulatory, Vukrita ladies are often found at the director level of hierarchical organizations that are dedicated to family, parent, and citizen welfare.

Deeply patriotic and protectionist by nature, they have a gift for combining a secure family life with larger social responsibilities. Sidhya feminine figures are influential in the material world, respected for their orderly yet sensitive conduct, and particularly dedicated to the safety of women and children.

Themes of parental duty, civic responsibility, patriotism, dignity of the family, and foundational legal protections may contextualize Pushya's terrestrial experience. Applies also to Chandra in Pushya - Sidhya.


LorenPonti_200x.jpg

Sophia Loren and her husband Carlo Ponti in elder years. When they first married in 1957, she was age-23 and he was age-45. They had been married for fifty years when he deceased in 2007.

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 93


"Distinctly the club-woman type is found here.

She is well-read, cultured and active in all community and social affairs.

In her home she entertains and is fond of indoor games, bridge parties and social gatherings

  • at which she is a charming and capable hostess.

  • She will have her own money

  • or her husband will be generous in his allowances to her

and she will spend much of it on church and club activities

  • and with charitable organizations.

If she cares to adopt some public career,

  • she will become very well known ."


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Sophia Loren in the 1950's


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Biographical Details matched to Vimshottari Dasha bhukti



[Chandra Mahadasha] [age birth until age 2.6]

Dec-1931 until Mar-1934 Janma Sade-Sati Makara [7]

20-Sep-1934 Earth-birth at the Clinica Regina Margherita in Roma, Italia * Chandra-Ketu bhukti

1935 [SL age 01] invasion of Abyssinia by Benito Mussolini. Italian economy impoverishes the people in favor of funding for war * Chandra-Ketu bhukti


Mangala Mahadasha [age 2.6 until age 9.6]


[Rahu Mahadasha] [age 9.6 until age 27.6]

1950 [SL age 17] begins cinema career * Rahu-Budha bhukti * uchcha-Budha-3 cinema, publication, scripts

1956 [SL age 24] begin international visibility with a five-film contract with Paramount Studios * Rahu-Shukra bhukti *

17-Sep-1957 [SL age 23] [CP age 45] non-legitimated paper marriage-1-of-1 with film director Carlo Ponti by double-proxy in Mejico * Rahu-Shukra bhukti * samchara Rahu-Ketu Tula-Mesha

1960 [SL age 28] starring role in the critically acclaimed + popularly successful film Two Women = dozens of prizes * Rahu-Chandra bhukti [Somana-yuti-Rahu] * Chandra lagnesha


[Guru Mahadasha] [age 27.6 until age 43.6]

Feb-1961 until Jan-1964 Janma Sade-Sati Makara [7]

1962 [SL age 30] Academy Award [Oscar] Best Actress for a foreign-language performance * Guru-Guru svabhukti * Guru rules 9-celebrity fortunes

1965 [SL age 33] Ponti's first wife agrees to a divorce in France. * Guru-Shani bhukti * Shani rules 7-contract, 8-sudden changes ++ dvithya Sade-Sati

09-Apr-1966 [SL age 35] CP + SL = legally remarried * Guru-Shani bhukti * Shani rules Kumbha Svamsha - samchara Rahu-Ketu Vṛṣa-Vṛścika contact navamsha R-K.

29-Dec-1968 [SL age 36] celebrated the birth of child-1 musical orchestra director Carlo Ponti Jr.* Guru-Budha bhukti * Budha rules 9th-from-Chandra

1976 [SL age 43] grieved the decease of father . SL said that she had met her dad only three times during her life * Guru-Rahu chidradasha


[Shani Mahadasha] [age 43.6 until age 62.6]

1980 [SL age 47] initiated, designed + modeled an eponymous internationally successful line of spectacles for women [as of 2022, still among the most popular women's designer-branded eyewear globally] Shani-Shani svabhukti [ Shani-yuti-Chandra ] lagnesha eponymous

1982 [SL age 49] served 18-day prison sentence for tax evasion. No harm to her career * Shani-Budha bhukti * Budha rules 12-prison

Mar-1990 until Mar-1993 Janma Sade-Sati Makara [7]

09-May-1991 [SL age 59] grieved the decease of mother, Romilda Villani * Shani-Mangala bhukti * [Mangala-yuti-Ketu] ++ janma Sade-Sati


[Budha Mahadasha] [age 62.6 until age 79.6]

10-Jan-2007 [SL age 75] grieved the decease of lifepartner Carlo Ponti [CP age 94] * Budha-Rahu bhukti [Rahu-yuti-Soma] [Rahu-yuti-Shani]


[Ketu Mahadasha] [age 79.6 until age 86.6]

Jan-2020 until Jan-2023 Janma Sade-Sati Makara [7]


[Shukra Mahadasha] [age 86.6 until age 106.6]

Salient features of the nativity



[Surya]

pitri-karaka [father] jyoti-karaka [light]

[collecting-preserving dhana-pati for Karkata indriya-lagna]

...

[profitable Uttaraphalguni-3] [navamsha Surya-Kumbha] intuitively confident populist entertainments

[Surya-yuti-Budha-uchcha]

  • [Surya-Kanya] Poshanya * Pushna - the nourisher * brightly charismatic confidence of Center-stage Surya radiates through the analytical logical rashi of Budha
  • [Surya in bhava-3] center of commerce * mercantile intelligence * smart reports * dramatic instructional delivery * creative descriptions * sparkling retinue * splendid games of manual-skill * self-referential announcements * admirable handcraft * cinematic genius * smart technology * focus on teamwork * entertaining explanations * administrative entitlements * confident writing * eye on process management * regal messaging * bright center of discourse * brilliant gesturing * father may be a businessman-craftsman-communicator
  • [Surya-yuti-Budha] confidently conversational * bright messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * gestures conduct the spiritual rays of the Sun * radiantly descriptive * articulate in drama * skillful game-player * self-confident announcements * talks about ideals * narrative of power-politics * recites love poems * describes divine romance

OUTCOMES - Surya

[Surya in bhava-3] rules

  • 2- eyes -face - voice- mouth - glamour - diva contains [Pūrvaphalgunī- 2] [Shukra-Singha]

Tabloid Press [3]

Surya-yuti-Budha] camera, photographs, newspaper-magazine, cinema, dramatic scripting, tabloid press,

SL career was built not only upon her cinematic drama skills and camera-ready face [2], but also upon the decades of tabloid press photo-stories featuring her enduring affair with Ponti, her glamorous Hollywood co-stars, her spectacular home near Roma, and her charming family life.

SL's passionate marriage story [Shukra-2, love stories] caused a public furor among the proletarian audience of the 1950's and 1960's.

[Surya in bhava-3] rules Simha Svamsha suggesting that

  • an elder spouse would be preferred.
  • At time of the tabloid celebrated [but legally unsuccessful] double-proxy marriage in 1957, Sophia 23 + Carlo 45.

professional dramatics would be focused into cinema and modeling [3] rather than live theatre [5].

Also that the more enduring activity would be commerce, even while cinema-drama continued into her last decades.

FATHER

Dad = Riccardo Scicolone, a construction worker.

According to SL's autobiography, SL met her father a total of three times. Although Dad was the father of Sofia and her younger sister Maria, the Dad would not marry her mom.

While / only three times / may be a media-promotional story, [Surya-yuti-Budha] Vyayapati can indicate a distant dad, but not an abandoner. Surya ruling 12th-from-self is also a distancer, but not an annihilator.

pitristhana ruled by [Guru in bhava-4] who intakes drishti of nicha-Kuja-1 would suggest that the parents had some deep emotional conflict -- since Guru is rogesha.

  • However the main source of amplified self-story is lagnesha [Somana-yuti-Rahu] combined with [Somana-yuti-Shani] [nishturabashi yoga]. The figure of the mother is a more natural culprit. Ketu-1 tends to identify with the script.
  • In Roman-Catholic Italy, divorce was strictly illegal, and their age-gap kept tongues wagging. The couple met when SL = 16 and Ponti = 38.
  • Her [Somana-yuti-Rahu] [7] seels a protective, parental yet unusual spouse.

[Chandra]

matrikaraka [mother] * garha-karaka [village]

[energizing-identifying lagnesha for Karkata indriya-lagna]

...

[collaborative Śrāvaṇa-3] [navamsha Chandra in Mithunaya] intuitively sensitive administrative management

  • [Chandra-Makara-Draco] comforted by hierarchy * sensitive to class-status * needs ritual ordering
  • [Chandra in Śrāvaṇa - Hari] soothed by careful listening * protectors of undulating shamanic sound * needs customary lawfulness
  • [Chandra in classroom-7] comfortable with arrangements * familiar with bargaining * needs harmony * soothed by match-making * feels the pulse of deal-making * allied to the mother * accustomed to adjudication * habitual negotiator * calmed by customary arrangements * rhythmic rebalancing * needs fair contracts * sheltered by a parenting partner * nourished by agreements * undulating equity * mother may be a match-maker, attorney, advocate, judge
  • [Somana-yuti-Shani] [nishturabashi yoga] emotionally constricted * punitive parents * sensitive to class boundaries * soothed by structure * needs rigid routines * heavy maternal workload * comfortable with elders * familiar with hierarchies * fearful mother * calmed by strict rules * feels like a worker
  • [Somana-yuti-Rahu] emotionally expedient * sensitive to exotic folks * risk-rewarding mother * over-stimulated feelings * unconventional parenting style * comfortable in mixed-culture environments * undulating desires * craves passionate nurturing * feels exceptional

MOTHER

Mom = Romilda Villani [1910–1991]

Many of SL's roles have a mother-daughter element, reflecting the influence of her her aspiring-actress mother and SL need {Chandra] to play out the extraordinary tensions of

MARRIAGE partnership emotional equity support expectations

[7th-from-Chandra-07]

when SL = 16 ++ Ponti = 38, Carlo Ponti, a parent-figure 22 years her senior, entered her life

marriage 1-of-1

  • Karkata security anchoring protection contains [nicha-Mangala-yuti-Ketu]
  • bhava-1 identity, physicality, attributes of personality, appearance

the extraordinary volatility of their early attempts to marry, plagued with government and ecclesiastical resistance [Makara] to their union, nourishingly fed the tabloid press

  • plays out the nicha-Kuja-Shani opposition mixed with R-K over-the-top extremes of bureaucratic drama
  • Rahu-the-Poseur generated a Fake Marriage during Rahu-Shukra bhukti as attempt-1,
  • but only the second marriage paperwork during Guru-Shani bhukti was bureaucratically legitimate [Shani]

7th-from-Chandra = [nīcha-Kuja-yuti-Ketu] [1]

  • must-let-go [Ketu]
  • cannot-let-go [Aśleṣa Kuja]

Rahu-Shukra bhukti* Shukra occupies 8th-from-Rahu [trickery]

  • The first ceremony, a marriage-by-double-proxy with two attorneys standing-in for the husband-and-wife. This expedient legitimation device [Shani-yuti-Rahu] had been used through the centuries to formalize royal marriages. The method was anciently recognized by the Roman-rite Catholic Church. Yet, the proxy marriage was adjudged [7, judgements] in Italy as an act of bigamy for Ponti. The Mexican contract was later annulled.

Guru-Shani bhukti

  • finally all of the rules for all of the institutions - sacred and secular - could be satisfied. The couple married, produced a healthy family, and grew old in happy mutual affection. When the widow SL was asked if she would remarry, she replied, " Oh, no, I could never love again. Carlo was my everything.
  • [Guru in bhava-4] suggests only one husband.

[Chandra in classroom-7] seeks a caretaker spouse

  • alliance formed for purpose of protection, co-parenting, provision of foundational stability

[Guru in bhava-4] with no companion graha suggests only one husband, and he is dedicated to the provision of dwellings, vehicles, routines of life

  • their celebrated, opulent estate near Roma ++ later beautiful properties were gifted by the spouse [albeit SL earned her own income significantly not only from film but from her spectacles business]
  • furthermore [Guru in bhava-4] occupies 10th-from-Chandra, suggesting that one's public reputation is defined by the husband

OUTCOMES - CHANDRA

[Chandra-Makara-Draco] [Chandra in Śrāvaṇa - Hari] [Chandra in classroom-7] [Somana-yuti-Shani] [Somana-yuti-Rahu]


[Kuja]

bhratru-karaka [brother] virya-karaka [virile]

[svabhava] [nīcha]

[Kuja Dosha for alliance-1]

[Yogakaraka dutiful karmesha for Karkata indriya-lagna]

[Yogakaraka political vidya-pati for Karkata indriya lagna]

[commanding extortionist personality]

...

[optimistic Aśleṣā-1] [navamsha Kuja-Dhanus] intuitively forward-pushing competitive inspirational international worldview

[nicha- Kuja-yuti-Ketu]

  • [Mangala-Karkata] active pursuit of security * proactive nourishment * drive toward rooting + settling * vigorous defensive movement * police protector * fence-builder * push toward land ownership * promotes construction of settlements * innovative farming + fishing * energetically ethnic * champion of local cultures
  • [Mangala in bhava-1] forward fighter * muscular champion * competitive winner * drive toward performance vitality * embodied action * primal sexuality * pursuit of progress * direct movement * physical engineering * thrusting vigor * dominating personality * pushy * dynamic innovator * energized conquests * athletic body
  • [Kuja-yuti-Ketu] vigorous break-ups * enervated * passive-aggressive * high-energy collapse * fierce pursuit of impermanence * pointless fights * diffused sexuality * dynamic wandering * apathetic brother-figures * potential for aggressive self-annihilation * pushes toward non-attachment * liberation by force

OUTCOMES - MANGALA

Maternal Grandmother

SL was sent to her grandparents' home for safety during war years. It was a sadly common story among Italian women, their children starving and their houses bombed. It may have been a survival decision to resort to prostitution during the war.

Mangala drishti into 4 during Mangala Mahadasha meant that SL had a dangerous, insecure childhood.

Raised in poverty during the extremes of the losing side of WW-2, SL would have felt the conflict, both personally, and through emotional awareness of the turmoil afflicting her parents and grandparents.

In time of distress, SL's grandmother ran a private lounge that was popular with American GI's. Yet the one thing SL could do, even as a child in awful circumstances, was to charm and entertain. Yogakaraka Kuja rules 5-10 and Kuja sends drishti into Chandra-Shani-Rahu-7

CARETAKERS

Part of her drive to succeed in her own way on her own terms is likely accountable to the tensions and undependable behaviors of her caretakers [Old Pathways Karkata].

Constant physical tension due to Shani-Makara-Draco-7 in mutual drishti with Mangala-Karkata-1

Although personally exhausting [Ketu] the public fixation [Aśleṣa-Kuja] on her emotionally expressive, sensual even primitive physique was enduring due to Shani-drishti into-1.


[Budha]

jamayah-karaka [sibling] sandeza-karaka [message] zisya-karaka [student]

[uchcha] [svakshetra] [svabhava]

[busy-messaging bhratru-pati for Karkata indriya-lagna]

[retreating-contemplative vyaya-pati for Karkata indriya-lagna]

...

[patriotic Hasta-4 [navamsha Budha-Karkata] intuitively detailed logical description of homelife, folkways, domestic process

[uchcha-Budha-yuti-Surya]

  • [Budha-Kanya] ministering service communications * articulation of digestive process * talks about aid to the suffering * formulates descriptive complaints * precise programmatic conversations * delivers detailed pronouncements * grammatical expertise * logical arguments * messages about accuracy * specifies error * hands-arms-shoulders make helping gestures
  • [Budha in bhava-3] narrative of cohort collaboration * chatty siblings * articulate announcements * discusses commerce * instructions for management * conversations about information technology * clever programming * logical reporting * talks about daily business * handles information * skillful printing * scripted dialog * text instructions * writes lyrics * detailed media-messaging * communication tactics * explains marketing * quick manufacturing * descriptive process * signaling gestures
  • [Budha-yuti-Surya] amusing explanations * entertaining chatter * central roles in communication * brightly clear descriptions * dramatic enunciation * confidently delivers instruction * articulation of radiant certainty * political messenger * talkative father-figures

OUTCOMES - BUDHA

[Budha-Kanya] rules

  • 3 - media communications, tabloid press, photographs, cinema, commercial business, manufacturing [eyewear]
  • 12 - private rooms, distant lands, sacred enclosure, invisibility, imagination


[Guru]

dhava-karaka [husband] bahuta-karaka [variety]

[inimical-medicating rogesha for Karkata indriya-lagna]

[philosophical-doctrinal dharmesha for Karkata indriya-lagna]

...

[contractual Chitra-3] [navamsha Guru-Tula]

  • [Guru-Tula] many trades * variety of exchanges * optimistic negotiations * believes in justice * doctrine of contractual exchange * multiple alliances * permission to bargain * diversity of arrangements * equable guidance * widens the scope of balanced design
  • [Guru in bhava-4] many local roots * growth of homes * fertile gardens * many diploma-licenses * abundant owned-stewarded property * many vehicles * multiple protective caretakers * multiple mother-figures * much shipping-transport * tolerance for parochial perspectives * numerous deeds of title * a patron of environmental stewardship * in a wifely nativity, husbandly-companion may be a grower-builder-schoolteacher-miner-shipper-landowner

OUTCOMES - GURU

Ancestral palatial homes

SL recounted that Carlo Ponti promised to buy her the most beautiful house in Italy. Their estate outside of Roma was photographed by the celebrity press, and SL declared her deep happiness there.

Brihaspati's ruler [Shukra-2] located in 11th-from-4, Shukra brings profits from investment in lands and vehicles


[Shukra]

svadu-karaka [sweet] kalatra-karaka [wifely companion] [svabhava]

[homebound-anchoring bandesha for Karkata indriya-lagna]

friendly-profitable labha-pati for Karkata indriya-lagna]

...

[analytical Pūrvaphalgunī- 2] [navamsha Shukra-Kanya-nicha] intuitively harmonizing exploitive unbalanced unfair contracts

[Dhanayoga Shukra-2 rules-11]

  • [Shukra-Singha] appreciation of regal confidence * likes admiration * enjoys applause * prefers creative partners * attracted to artistic performers * bargains to play radiant central roles * delighted by celebrity * charmed by romantic pleasures * pleased by ceremonial display * brightly theatrical arrangements
  • [Shukra-2] seeks pleasure via gathered treasuries * enjoys banked assets * bargains toward collected equity * feminine-figures predominate the family * gracious storyteller * pretty preservations * balanced linguistic expression * beautiful voice * pleasing designs to adorn the face * aesthetics of mouth + jaw + teeth + hair * graceful neck * prefers historical values * appreciation of speech-and-song * in a husbandly nativity, wifely-companion may be a banker-collector-historian-preserver * in a husbandly nativity, wifely-companion may be a banker-collector-historian-preserver

OUTCOMES - SHUKRA

[Shukra-Singha] = usually coppery skin + golden glowing appearance


[Shani]

duro-karaka [endurance] * jara-karaka [Jahre, years]

[svakshetra] [dikbala] [Śaśaka Yoga]

[bargaining-partnering yuvati-pati for Karkata indriya-lagna]

[mysterious-revealing randhreshafor Karkata indriya-lagna]

[obliged to maintain lawful alliances]

[must uphold contractual agreements]

[stubbornly secretive, regenerating, mature, unyielding, pragmatic, rigidly class-conscious, lawfully contractual life partner]

...

[calculating Dhaniṣṭha-2] [navamsha Shani-Kanya] intuitively structured orderly lawful ministries of service

[Atmakaraka endurance, stamina, maturity, dignity, lawfulness, scarcity, delays, respect for elders, regulations, normalcy, class-consciousness]

[Shani-yuti-Rahu]

  • [Shani-Makara-Draco] heavy old institutions * obliged to conform to the time-clock * rigidly ranked class-systems * strict regimes * pressure to complete socially required duties * structural compression upon knees-calves-skeleton * strictly imposed protocols * must normalize old rules * unyielding pressure of public judgment * class-conscious elders * punitive regulators * must endure proletarian manners * must continue disciplined work * scarce building resources * maintainer of old hierarchies
  • [Shani in Bhava-7] [dikbala] enduring partnerships * heavy vows * must balance-and-rebalance * lawful relationships * tense bargaining * grim determination to maintain the contract * chronic marital responsibilities * compression of the visible genitalia * pressured bargaining * negotiation fatigue * unyielding alliances * slow-moving advisors * resists new arrangements * elders maintain respected old promises
  • [Shani-yuti-Chandra [nishturabhashi yoga] social resistance to natural rhythms * imposition of pragmatic routines * delayed security * class-conscious mother * limited creature-comforts * parental policing * stubborn guilt * obligatory caretaking duties * e motional withholding * punitive parents * class-structured ethnicity * uncomfortable discipline * oppressed sensitivities * dries-freezes the flow of nourishing liquids * needs regulatory order * blocked feelings * must earn emotional affection
  • [Shani-yuti-Rahu] stiff resistance to unbridled ambition * formally regulated cultural mixing * disciplined thrills * class-based limitations upon privilege * repressed quest for intriguing importance * socially constrained opportunism * shimmering illusion of systematic conformity * irregular achievements * over-reaching elders * restricted risks

OUTCOMES - SHANI

Extraordinary trouble with Church authorities.


[Rahu]

rajyalobha-karaka [ambition] picchala-karaka [slippery]

[for Karkata indriya-lagna]

...

[financial Śrāvaṇa-2] [navamsha Rahu-Urisha-uchcha] intuitively over-reaching fascination with wealth, treasuries, luxuries, jewels

  • [Rahu-Makara-Draco] shimmering illusion of dignity * craving for social status * mirage of legitimate authority * mask of hierarchy * over-reaching acts of institutional leadership * fascinating ascent to respected position * unorthodox methods of social ordering * extraordinary claims to statutory jurisdiction * extravagant elitism * thrilling seniority * seeks special importance via apparent [but perhaps not authentic] attributes of responsible governance * bossy pretense * seeks privilege via regulator-roles
  • [Rahu in bhava-7] passion for prestige alliance * in svabhava of Suave Shukra, the Shadowy Specter seeks opportunistic arrangements * strategic use of the law-courts * expediently amplified bargains * extraordinary relationships * extravagant promises * outsider who cleverly insinuates into partnerships * astounding advisors * unorthodox negotiations * marvellous match-making * thrilling surge of brokered agreement * non-standard pacts * surprisingly advantageous loop-holes * exaggerated equity * unusual exchange valuation * sweet mirage of fair treatment * enthralling mixed-culture treaties * may pose as an impartial counselor * disguised as a deal-maker * mesmerizing diplomacy * appears as a pleasant advocate * social mobility sought via convenient contracts
  • [Rahu-yuti-Soma] amplified emotion * magnified familiarity * extraordinary mother * exotic habits * tricky routines * opportunistic patriotism * fascinating (but perhaps illusory) appearance of sympathetic caretaking * hypnotic rhythms * emotionally attuned to cross-cultural mixing
  • [Rahu-yuti-Shani] amplified public formality * pragmatic exaggeration * exotic social conventions * slippery hierarchies * tricky rules * opportunistic elders * fascinating [but perhaps illusory] strict conformism * regulated risk-taking * hypnotic outsider insinuates normalcy * orderly cross-cultural mixing * thrilling legitimations

OUTCOMES - RAHU


[Ketu]

kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum]

[for Karkata indriya-lagna]

...[regenerating Pushya-4] [navamsha Ketu-Vrischika]

[nicha-Mangala-yuti-Ketu]

  • [Ketu-Karkata] calmly dissociates from foundational habits * surrenders material security * placidly empty shelters * disregards conventional caretaking * not limited by customary routines * ignores restriction on farming-and-fishing * abandons owned-stewarded property * forgives the ancestors * releases a soothing pink cloud of ancient rhythms into the misty abyss
  • [Ketu in classroom-1] eccentric expression of the fleshly container * oddly unique identity * ambivalent toward kinetic movement * incoherent embodiment * other-defined chameleon * surrenders individual completeness * identity depends upon Important Others (Rahu-7) * liberation via abdication of birthrights
  • [Ketu-yuti-Kuja] surrendered championship * abandons fighting * incoherent actions * disconnected brethren * unsustainable domination * apathetic competitions * eccentric disability * unfulfilled quest * pushes toward awareness of impermanence * incomplete births * spiritual liberation via forward movement

OUTCOMES - KETU

Two notable miscarriages preceding birth of two healthy sons

During [Rahu Mahadasha] [age 9.6 until age 27.6, SL began fashion-modeling rather than high school.

SL was almost constantly the prey of tabloid magazine paparazzi,

Ketu themes of divorce, betrayal, and disregard for bourgeoise morality fueled her publicity engine. At a time of social change, the working class, tabloid-reading public was gripped by SL's relatable story of entrapment by outdated rules [nīcha] Mangala-yuti-Ketu]

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