- - COHORT born ten months after
born 6 months after
born two months after
born 8 days before
born four months before
Born and Raised during the militarization of Fascist Italy under
SL in her 80's |
50+ year career in fashion accessories design perfume + jewelry + eyewear luxury-goods commerce drama + song + cinema Sofia Costanza Brigida Villani Scicolone Ponti a.k.a. Sofia Villani Scicolone a.k.a. Sophia Lazzaro Earth-birth Thu-20-Sep-1934
1957, Sophia Loren [age 23] the year of her double-proxy marriage to Carlo Ponti |
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cinematic dramatist publicized celebrity fashion eyewear entrepreneur 1934- Sofia Villani Scicolone Lazzaro = Sophia Loren birth information from https://en.wikipedia.org/wiki/Sophia_Loren
tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = generated by Shri Jyoti Star - www.vedicsoftware.com - adapted by BP Lama |
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Rising Nakshatra Feminine Public-Figure Examples Bhaga = Falgun = Utthram BPL COMMENTARY For Uttaraphalguni births of a feminine valence, the condition of radiant, romantic, intelligent, creative, idealistic, central, confident, gaming, self-reflexive, pitrikaraka Surya may considerably affect the outcome. For those born into the Surya-ruled paradigm of Uttora, father-figures, politicians, celebrity, royalty, entitled roles, brilliant dramatists, radiant deities, sparkling genius, glittering creativity, intelligentsia, speculators, poets, romantic lovers, gamblers, and game-players may be especially influential. Instructional guidance provided by emissaries from the civilizations of Denebola. Their purpose to brighten and glorify the divine intelligence through spectacular creativity. Brilliantly dramatic Uttara-phalguni women are famously confident and willful. Monarchic entitlement pairs with aristocratic service via noblesse oblige . While much depends upon the characteristics of sparkling nakshatra-pati Surya, the feminine Falgun is often found in bright environments of royalty, celebrity, theatre, creative arts, amusements, and games. Uttaraphalguni ladies radiate a profound love for living creatures, both wild and domestic. On behalf of the animal kingdom and its denizens, the women of Aryaman may undertake political activism. As righteous (and self-righteous) human mistresses of the animal world , their political style may include fiery displays of romantic idealism. They may collect animals. [Simha - Leya] pada-1 features charismatic centrality and stage presence, focused into the physical embodiment. Pada-1 must hold the center of attention, whether in celebrity politics, entertainment and fashion, dramatic acting, or all three. Typically, one attracts an elder husband along with many romances. Kanya Pada 2-3-4 = equally dazzling, idealistic, smart, and flamboyant, but more focused upon expressing the genius of the imagination. Often a splendid dramatist and performing musician due to nakshatra-pati Surya. Typically, one attracts a generous husband. Themes of political power, radiant confidence, and bright celebrity drama may contextualize Utthram's terrestrial experience. Applies also to Chandra in Uttaraphalgunī - Aryaman |
QUOTATION Aryaman from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 95 " A joyous healthy disposition yet quietly so.
She is born to a family with social background and loves to mingle with her friends in various social activities
She has fixed principles from which she will not deviate. She prefers to choose her friends
She is efficient and adept at managing her home and her domestic life." [end quote, Shil Pondey, 1939]
Sophia Loren in the 1950's
Sophia Loren in her 60's |
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Sophia Loren and her husband Carlo Ponti in elder years. When they first married in 1957, she was age-23 and he was age-45. They had been married for fifty years when he deceased in 2007. |
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Biographical Details matched to Vimshottari Dasha bhukti
[age birth until age 3-months ] Thu-20-Sep-1934 Earth-birth as Sofia Costanza Brigida Villani Scicolone at the Clinica Regina Margherita in Roma, Italia * Chandra-Surya chidradasha ++ janma Sade-Sati SL was born during a brief gochara Shani-vakri into Makara [Mangala Mahadasha] [age 3-months until age 7.3 ]
Dec-1931 until Mar-1934 Janma Sade-Sati Makara
1935 [SL age 01] invasion of Abyssinia by Benito Mussolini. The dictator spends the national treasury on building weapons and manpower for the Empire-building war. Italian economy is drained by war-spending, and the people become terrorized. [8] SL grows up with increasing volatility [8]. * Mangala-Mangala svabhukti * Mangala randhresha sudden unexpected eruptions of force [Rahu Mahadasha] [age 7.3 until age 25.3]
1950 [SL age 16] begins cinema career * Rahu-Budha bhukti * Budha lagnesha-karmesha 1950 [SL age 16] meets cinema director Carlo Ponti, a 22-years-older married man with a family. According to SL, their connection was tangible. * Rahu-Budha bhukti * Budha rules Kanya 7th-navamsha 1956 [SL age 22] begin international visibility via five-film contract with Paramount Studios * Rahu-Shukra bhukti * Shukra rules 10th-from-Chandra + Shukra contracts 17-Sep-1957 [SL age 23] [CP age 45] Although cinema-director Carlo Ponti remained married to his first wife, SL agreed to a double-proxy marriage-1-of-1 in Mejico. The unorthodox [Rahu] wedding was not legally accepted by most countries. In Italy , the proxy-wedding was interpreted as illegal bigamy, and the document was eventually annulled.. * Rahu-Chandra bhukti * Rahu-yuti-Shani ++ samchara Rahu-Ketu Tula-Mesha contact Guru -- but no contact to marriage axes + Chandra rules [nīcha- Aśleṣā-Mangala-yuti-Ketu-Pushya] https://en.wikipedia.org/wiki/Proxy_marriage [Guru Mahadasha] [age 25.3 until age 41.5]
1960 [SL age 26] starring role in the critically acclaimed + popularly successful film Two Women = dozens of artistic prizes * Guru-Guru svabhukti * Guru in 10th-from-Chandra visibility ++ dvadasa Sade-Sati Feb-1961 until Jan-1964 Janma Sade-Sati Makara
1962 [SL age 28] granted the Academy Award [Oscar] Best Actress for a foreign-language performance * Guru-Shani bhukti * Shani rules 5-prizes for genius, creativity, talent ++ janma Sade-Sati 1965 [SL age 31] Following SL's 14 year liaison with beloved Ponti [illegitimated by Italian law] Carlo Ponti's first wife finally agrees to a divorce in France. SL and Ponti are free to marry * Guru-Budha bhukti * Budha rules Kanya 7th-navamsha ++ dvithya Sade-Sati via Kumbha-6 lawsuits 09-Apr-1966 [SL age 32] [CP age 54] = legally wed with Carlo Ponti * Guru-Budha bhukti * Budha rules Kanya 7th-navamsha ++ samchara Rahu-Ketu Vṛṣa-Vṛścika contact navamsha R-K 29-Dec-1968 [SL age 34] celebrated the birth of child-1, a son, musical orchestra director Carlo Ponti Jr.* Guru-Shukra bhukti * Shukra rules 5th-from-Chandra [Shani Mahadasha] [age 41.5 until age 60.5 ]
1976 [SL age 42] grieved the bio-decease of bio-dad . SL said that she had met her dad only three times during her life * Shani-Shani svabhukti 1980 [SL age 46] initiated, designed + modeled an eponymous internationally successful line of spectaclesfor women [as of 2023, still globally popular among women's designer-branded eyewear] * Shani-Budha bhukti * Budha-lagnesha-karmesha = product name-recognition 1982 [SL age 48] served 18-day prison sentence for tax evasion. No harm to her career * Shani-Ketu bhukti Mar-1990 until Mar-1993 Janma Sade-Sati Makara
09-May-1991 [SL age 57] grieved the bio-decease of mother, actress Romilda Villani * Shani-Rahu bhukti ++ janma Sade-Sati [Budha Mahadasha] [age 60.5 until age 77.5]
10-Jan-2007 [SL age 72] [CP age 94] grieved the bio-decease of lifepartner Carlo Ponti * Budha-Rahu bhukti [ Ketu Mahadasha] [age 77.5 until age 84.5]
[Shukra Mahadasha] [age 84.5 until age 104.5]
Jan-2020 until Jan-2023 Janma Sade-Sati Makara
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Salient features of the nativity
[Sparkling Splendid Surya] pitri-karaka [father] -- jyoti-karaka [light] [contemplative-retreating vyaya-pati for Kanya indriya-lagna] check Budha + Budha-drishti to source Surya's logical intelligence, analytical certainty, fatherly assistance [bright center of clandestine service] [identified with ministry to foreign lands] [brilliantly embodied argumentative imagination] [dramatization of intangible exploitation] [behind-the-scenes political engagement with servitude and war] ... [profitable-systematic Uttaraphalgunī-3] [navamsha Surya-Kumbha] intuitively confident populist entertainments [Aryaman- Surya-yuti-Budha-Hasta-uchcha]
OUTCOMES - MAGNIFICENT MARTANDA self-reflexively confident, bright Earthen-body aura, regal style of movement, embodied intelligence, radiantly kinetic, politically competitive, splendidly innovative [Surya in bhava-1] rules
CAREER - SPARKLING SURYA Surya in bhava-1] rules emotionally transformative, self-reinventing [8th-from-Chandra] Two Women 1934- luxury eyeframes Sophia Loren + [Surya-yuti-Budha-uchcha] Known for her remarkable drama performances, sL had an additional career in the business of fashion eyeglass frames. Benefitting from her expressive celebrity style and her careful attention to every detail of the manufacturing and marketing processes, sL spectacle frames [Surya spectacles] have for decades been featured in the popular women's optical market.
Tabloid Press [3] Surya-yuti-Budha] camera, photographs, newspaper-magazine, cinema, dramatic scripting, tabloid press, SL career was built not only upon her cinematic drama skills and camera-ready face [2], but also upon the decades of tabloid press photo-stories featuring her enduring affair with Ponti, her glamorous Hollywood co-stars, her spectacular home near Roma, and her charming family life. SL's passionate marriage story [Shukra-2, love stories] caused a public furor among the proletarian audience of the 1950's and 1960's. [Surya in bhava-3] suggesting that
professional dramatics would be focused into cinema and modeling [3] rather than live theatre [5]. Also that the more enduring activity would be commerce, even while cinema-drama continued into her last decades. FATHER Dad = Riccardo Scicolone, aconstruction worker. [Surya-Kanya] rules-4, building. According to SL's autobiography, sL met her father a total of three times. Dad was the father of Romilda's two daughters, sofia and her younger sister Maria. However, dad was married to another woman. Romilda, sophia, and Maria were his extramarital family. In 1930's Italy, divorce was severely stigmatized. Dad was present in the home, but socially invisible to his children.
Rahu-9 suggests exaggeration in paternal matters. / Only three times / may be a media-promotional story, [Surya-yuti-Budha] Surya ruling 12th-from-self is a distancer, but not an annihilator. Surya also rules 7th-from-Chandra, albeit [Surya-Kanya] does occupy the mysterious and often camouflaged 8th-from-Chandra. More likely, the parents had an ongoing relationship which may have been veiled from their two daughters, in order to prevent gossip. pitristhāna ruled by [Guru in bhava-4] who intakes drishti of nīcha-Kuja-1 would suggest that the parents had some deep emotional conflict -- since Guru is rogesha.
[Comfortable Caretaking Chandra] matrikaraka [mother] -- garha-karaka [village] [friendly-gainful vriddhi-pati for Parthya indriya-lagna] check Shani + Shani-drishti to source Chandra's orderly feelings, structured rhythms, class-conscious sensibilities [comfortable with formalized, conventional politics] [feels dramatic pulse of normalizing governance] [needs to display mainstream associative vriddhi-pati connections] [sensitive to material status achievement] [soothed by habitual local expression of lawfully interlinked groups] [sense of belonging to socially-approved communities while following the regular, normalized ethno-rhythms] [profitable vriddhi-pati show of patriotic parental dignity] [celebrity intelligence flows naturally in commonwealth legislative roles] [respected mother may brightly demonstrate her elite-mannered friendly feelings] ... [rhythmic-defensive Śrāvaṇa -4] [navamsha Karkata Chandra ] intuitively sensitive parental caretaking [Śrāvaṇa-Somana-yuti-Shani-Dhanistha] [Śrāvaṇa-Somana-yuti-Rahu-Śrāvaṇa]
OUTCOMES - ANCESTRAL SOMA sensitively ordering, protectively lawful, routinely governing, parentally regulating, rhythmically dutiful, customary commander, predictable hierarch, culturally respected, emotionally responsible, needs to hold elite positions [Chandra in classroom-10] rules
CAREER - CARETAKING CHANDRA
Two Women 1934- luxury eyeframes Sophia Loren cinema career followed by inspirationally successful eyewear business, continuing glamour photographs into her 80's
Demonized by new media [Chandra-Kumbha] [10] [arranging-diplomatic Dhaniṣṭha-3] Chandra rules the 6th-from-Chandra containing 3- new-reporting contains [nīcha-Kuja-yuti-Ketu] in mutual exchange with [Rahu-yuti-Shani] [9, ecclesiastical doctrine] SL was almost constantly hunted by tabloid magazine paparazzi, MOTHER Mom = Romilda Villani [1910–1991] An aspiring actress Many of SL's roles have a mother-daughter element, reflecting the influence of her mother and SL need {Chandra] to play out the extraordinary tensions of Rahu-Ketu in 6/12 from Soma. MARRIAGE partnership emotional equity support expectations [7th-from-Chandra-10] lifepartnership 1-of-1
COMPLICATIONS of MARRIAGe their early attempts to marry were plagued by conflict
Shukra-Singha = both lagnesha and rogesha Pūrvaphalgunī- 2 = navamsha Shukra-Kanya-nīcha ] During SL's Rahu-Shukra bhukti, when SL = 16 ++ Ponti = 38,
Due to the prominence of Chandra in classroom-10 ruling 3-news reporting,
FIRST ATTEMPT TO MARRY - fail Guru-Shani bhukti * [Rahu-yuti-Shani] ++ samchara Rahu-Ketu Tula-Mesha contact Guru -- but no contact to marriage axes Shani rules 12th-from-Chandra ++ 6th-from-Shukra https://en.wikipedia.org/wiki/Proxy_marriage
SECOND ATTEMPT TO MARRY - success Guru-Chandra bhukti * Chandra rules Karkata navamsha ++ samchara Rahu-Ketu Vṛṣa-Vṛścika contact navamsha R-K. ++ janma Sade-Sati
7th-from-Chandra contains Shukra-Singha [4] later fruits As a lifepartner, ponti was dedicated to the provision of dwellings, vehicles, routines of life
[Competitive Champion Kuja] bhratru-karaka [brother] -- virya-karaka [virility] [collaborative-communicative sahaja-pati for Parthya indriya-lagna] [mysterious-secretive randhresha for Parthya indriya-lagna] check Chandra + Chandra drishti to source Kuja's emotionally-driven, energeticly defending, ritualized thrust [energeticly advancing pursuit pursuit of safely managed profitable gains] [dynamic investigation of secretive marketplace manipulations] [emotionally motivated competition for marine and agricultural revenues] [sensitive use of systematic passive-aggressive force to reach community goals] [vigorous engineering of protective friendship linkage] [gainful activation of ancestral ritual initiations] [pulsing push toward foundational economic security for the collective] [interconnected announcements about nationalistic accomplishments] ... [regulatory-hierarchical Aśleṣā-2] [navamsha Kuja-Makara-uchcha ] intuitively forward-pushing competitive corporate hierarchical champion [Aśleṣā-Mangala-yuti-Ketu-Pushya]
OUTCOMES - MOVING MANGALA progressively gridworking, competitively earning, energized distributions, pro-actively community-connecting, innovatively gainful, vigorously systematic, pursuing networked revenues, promotes friendly association, champion of mass-participation linkage [Mangala in bhava-11] rules
CAREER - COMPETITIVE KUJA
Maternal Grandmother SL was sent to her grandparents' home for safety during war years. It was a sadly common story among Italian women, their children starving and their houses bombed. It may have been a survival decision to resort to prostitution during the war. Mangala drishti into 6 during Mangala Mahadasha meant that SL had a dangerous, insecure childhood. Raised in poverty during the extremes of the losing side of WW-2, sL would have felt the conflict, both personally, and through emotional awareness of the turmoil afflicting her parents and grandparents.
In time of distress, sL's grandmother ran a private lounge that was popular with American GI's. Yet the one thing SL could do, even as a child in awful circumstances, was to charm and entertain. Yogakaraka Kuja rules 5-10 and Kuja sends drishti into Chandra-Shani-Rahu-7
CARETAKERS Part of her drive to succeed in her own way on her own terms is likely accountable to the tensions and undependable behaviors of her caretakers [Old Pathways Karkata]. Constant physical tension due to Shani-Makara-Draco-7 in mutual drishti with Mangala-Karkata-1 Although personally exhausting [Ketu] the public fixation [Aśleṣa-Kuja] on her emotionally expressive, sensual even primitive physique was enduring due to Shani-drishti into-1.
[Busy Bantering Budha] jamayah-karaka [sibling] -- sandesha-karaka [message] -- shisya-karaka [student] [svakshetra] -- [Bhadra Yoga] [energizing-identifying lagnesha for Kanya indriya-lagna] [dutiful-hierarchical karmesha for Kanya indriya-lagna] [discusses logical processing of public communications] [describes rational methods for data analysis] [talks about examination of embodied human mentality] [identified with investigation of resentful accusations] [answers complaints of categorical dissatisfaction with respected publications] [announces the detailed exposition of social problems] [articulate verbal description uses precise vocabulary] [individualistic administrator of notable service-oriented business projects] [known for actively expressing personal grievances] [physically motivated to render medical-military assistance]
[critical-thinking siblings, cousins, co-workers, neighbors may help to publicize the reputation] ... [theatrical-displaying Chitra-1] [navamsha Budha-Simha] intuitively detailed logical description of drama, fashion, glory, demonstrations, games, politics, romance, poetry [Aryaman- Surya-yuti-Budha-Hasta-uchcha]
OUTCOMES - BANTERING BUDHA personalized announcement, cleverly conversational personality, uniquely descriptive, identified with writing-and-publishing, innovatively bantering. conductor of conferences, kinetic mentalized manager, natural explainer, project-oriented thinking, pioneering communicator, busily delivering instructions, acts like a mercantile scheduler-planneborn to talk [Budha in bhava-1] -- [dikbala] rules
CAREER - BUSY BUDHA
[Generous Growing Guru] dhava-karaka [husband] -- bahuta-karaka [variety] [homebound-anchoring bandesha for Kanya indriya-lagna] [bargaining-balancing yuvati-pati for Kanya indriya-lagna] check Shukra + Shukra-drishti for Guru's expansively diplomatic, compromising adjustability ... [contractual-adjustable Chitra-3] [vargottamsha] [navamsha Guru-Tula]
OUTCOMES - BENEVOLENT BRIHASPATI expansively enriching, abundantly knowledgeable, multiple family lineages, numerous traditions, optimistic accumulator, jovial speaking-and-singing, broad-scope of historical understanding [Guru in bhava-2] rules
CAREER - GENEROUS GURU [Brihaspati in bhava-2] optimism, capital, values activates
10th-from-Chandra contains Guru-Chitra design Two Women 1934- luxury eyeframes Sophia Loren [regulatory-hierarchical Aśleṣā-2] [navamsha Kuja-Makara-uchcha] [Aśleṣā-Mangala-yuti-Ketu-Pushya] Celebrated global business in design and manufacture of women's eyeglass-frames. Became the leading brand in this niche. Focus on attractive shape, materials, colors, and textures. Guru bandesha in 10th-from-Chandra occupies 11th-from-4 = the homes contribute to earnings
Public-reputation Guru in 10th-from-Chandra = bandesha, yuvati-pati Expansive Public view of household [4] and marriage = 7 SL married cinema director Carlo Ponti, 22 yrs her senior. During a fifty-year union, the pair built a family home with children [4] They shared dwellings [4] that featured splendid gardens, palatial architecture, and gold ornaments. [Dhanus-4] [Sweetly Suave Shukra] svadu-karaka [sweet] -- kalatra-karaka [wifely companion]
[collecting-preserving dhanesha for Kanya indriya-lagna] [philosophical-believing dharmesha for Kanya indriya-lagna] check Surya + Surya-drishti to source Shukra's glittering advocacy, dramatized bargains, self-central arrangements [womenfolk may have deeply contemplative, speculative intuition for regal-political matters] [celebrated visionary may have brightly creative imaginative intelligence] [applauded as a delightfully wise, solipsistic philosophical guide] [enjoys secluded romantic retreats] [pleasantly arranged clandestine roles involve dreamlike theatrical display] [valuable backchannel position for charming partners and self-confident peer advisors] ...... [analytical-strategic Pūrvaphalgunī-2] [navamsha Shukra-Kanya-nīcha ] intuitively harmonizing exploitive unbalanced unfair contracts
OUTCOMES - SWEETENING SHUKRA pleasantly meditative, aesthetically contemplative, privately sensual, seeking balanced invisible arrangements, musically intuitive, harmoniously researching, prefering luxurious bedrooms, wealth-via-contractual agreements, attracted to imaginative companions [Shukra-12] rules
CAREER - BRIGHT BHRIGUTANAYA [Shukra-Singha] = usually coppery skin + golden glowing appearance Ancestral palatial homes with gaudy furnishingsSL recounted that Carlo Ponti promised to buy her the most beautiful house in Italy. Their estate outside of Roma was photographed by the celebrity press, and SL declared her deep happiness there. [Revenues from the publication of the photographs were also a source of joy.] [Sober Structural Shani] duro-karaka [endurance] -- jara-karaka [Jahre, years] [Jah [Jahre, years] [witty-creative vidya-pati for Kanya indriya-lagna] [inimical-medicating rogesha for Kanya indriya-lagna] [imposes lawful order upon creative arts performance] [heavy responsibilities for regulating creative entitlements] [strict social rules impose limitations on children and entertainment] [speculativepolitics of conventional government hierarchy] [normalizing restrictions on romantic games] ... [calculating-strategic Dhaniṣṭha-2] [navamsha Shani-Kanya] intuitively structured orderly lawful ministries of service [ātmakāraka endurance, stamina, maturity, dignity, lawfulness, scarcity, delays, respect for elders, regulations, normalcy, class-consciousness] [Śrāvaṇa-Shani-yuti-Chandra-Śrāvaṇa] [Śrāvaṇa-Rahu-yuti-Shani-Shravista]
OUTCOMES - STRUCTURAL SHANI formally disciplined showmanship, chronic political pressures, fear of unruly children, rigidly legalistic demonstration, constricted romance, enduring obligations for ceremonial performance, regulated creativity, orthodox approach to gambling and games, conventional intelligence, responsible for maintaining order in dramatic scenarios, systematically speculative, imposing structure upon artistic performance, lawfully entitled to hold central roles, seriously legitimating political ideas [Shani in Bhava-5] rules
CAREER - STRUCTURAL SHANI Extraordinary trouble [Shani rogesha] with fabricated [Rahu] movie-magazine scandals [Risk-rewarding Rāhu] rajyalobha-karaka [ambition] -- picchala-karaka [slippery] [for Kanya indriya-lagna] [Rahu-5 casts passionately dramatic speculative drishti into 9-11-1] check Shani + Shani-drishti to source Rahu's apparently lawful, mirage of regulatory ordering [compelling desire to demonstrate acts of normalized speculation] [enthusiastic display of social-status markers] [craving for exhilarating political legislation] [glamourized celebration of conventional entertainments] [potential for fraudulently or fabulously exaggerated legitimacy, in matters of politics, drama, celebrity, romance, creative performance, game-playing and gambling, financial speculation, and children] [excitingly fabulous, goverment drama] [over-reaching public conformism in uniquely attention-getting artistic performance] [may involve uniform-wearing showcase roles for extraordinary children] ... [face-voice-finance Śrāvaṇa-2] [navamsha Rahu-Urisha-uchcha] intuitively over-reaching fascination with wealth, treasuries, luxuries, jewels [Śrāvaṇa-Rahu-yuti-Soma-Śrāvaṇa] [Śrāvaṇa-Rahu-yuti-Shani-Shravista]
OUTCOMES - RISK-REWARDING RAHU
[Collapsing unshackling Ketu] kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vac [vacuum] [for Kanya indriya-lagna] check Chandra + Chandra-drishti to source Ketu's ephemerally calming, vaguely ancestral rhythms [dispersed engagement with secure earnings] [dissolution of customary income for services rendered, awards-for-achievement] [restless apathy toward marketplace fluctuations] [surrenders real-estate revenues] [apatheticly forgives the trespass of profit-seeking parent-caretakers] [abandons unsustainable habitual friendships] [absent from empty routine connections] [disregards ancient community conventions] [eccentricly ritualized distribution systems] [passively fixated on ambitious regulatory Rahu-Makara-Draco-5 children, celebrities, idealists, creative artists, politicians, speculators] ... [transformative-regenerating Pushya-4] [navamsha Ketu-Vṛścika-uchcha] [Aśleṣā-Mangala-yuti-Ketu-Pushya]
OUTCOMES - EVACUATING KETU Two notable miscarriages preceding birth of two healthy sons During [Rahu Mahadasha] [age 9.6 until age 27.6], sL began fashion-modeling rather than attending high school.
Ketu themes of divorce, betrayal, and disregard for bourgeoise morality fueled her publicity engine. At a time of social change, the working class, tabloid-reading public was gripped by SL's relatable story of entrapment by outdated rules [nīcha-Mangala-yuti-Ketu] |
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