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Drama-Song

Commerce and Material Economy


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COHORT

born ten months after

born 6 months after

born two months after


born 8 days before

born four months before


Born and Raised during the militarization of Fascist Italy under


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SL in her 80's

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50+ year career in

fashion accessories design

perfume + jewelry + eyewear

luxury-goods commerce

drama + song + cinema


Sophia Loren

Sofia Costanza Brigida Villani Scicolone Ponti

a.k.a. Sofia Villani Scicolone

a.k.a. Sophia Lazzaro


Earth-birth Thu-20-Sep-1934


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Sophia Loren [age 23] in 1957, the year of her marriage to Carlo Ponti


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Sophia Loren in her 60's

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cinematic dramatist

fashion eyewear

entrepreneur

1934-

Sofia Villani Scicolone = Sophia Loren


birth information from https://en.wikipedia.org/wiki/Sophia_Loren

tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = generated by Shri Jyoti Star - www.vedicsoftware.com

- adapted by BP Lama

Rising Nakshatra

Feminine Public-Figure Examples

Jyeṣṭha - Varta - Thrikketta


BPL COMMENTARY

For Jyeṣṭhā births of a feminine valence, the condition of conversational, discursive, explanatory, instructional, argumentative, commercializing, evangelical Kumara may considerably affect the outcome.

For those born into the Budha-ruled paradigm of Varta, siblings, cousins, schoolmates, bandmates, team-mates, entourage, ensemble, neighbors, managers, cohort, coterie, collaborative group, publishers, messengers, merchants, commercial agents, reporters, writers, scripts, plans, schedules, instructions, radio-television-internet, news-media, conferences, committees, discussions, travel itineraries, and texts may be especially influential.

Instructional guidance is provided by emissaries from the civilizations of Antares. Their purpose is to communicate a forceful, dynamic, healing regeneration via sexual energy transfer and discovery of secrets.


Penetrating Communications

Budha-ruled Jyeṣṭhā gentlewomen are typically outspoken, incisive and decisive, competitive, descriptive, and energetic communicators. Thrikketta-born maintain a deep sense of mental seniority often leading to impatience with those less quick-witted .

Articulate and pro-active in their messaging style, these women are natural political activists.

ज्येष्ठा are often accomplished writers in literary genre ranging from autobiography to committee reports. Kita-born ladies find a ready audience on topics of a hidden, eruptive, undisclosed, or forbidden nature. Jyeṣṭhā women are also natural trauma healers, investigative journalists, forensic scientists, and detectives.

Ketta-born ladies wield a penetrating ability to explain complex human sexual and psychological narratives. They are often found in powerful messaging roles, where secret information is revealed by a skillful shifting of the interpretive lens.

Due to nakshatra-pati Bantering Budha, the skills of śakradaivata include all of the commercial fields plus psychotherapy and recovery work, self-help writing, and training of healers. Thriketta-born feminines may also be found in the verbal realms of transformative criticism and promotion of mystical renewal.

Themes of verbal contest, sexual energy transfer, and healing discovery may contextualize Jyeṣṭhā's terrestrial experience. Also applicable to Chandra in Jyeṣṭha - Antares


LorenPonti_200x.jpg

Sophia Loren and her husband Carlo Ponti in elder years. When they first married in 1957, she was age-23 and he was age-45. They had been married for fifty years when he deceased in 2007.

QUOTATION: Shil-Ponde. Hindu Astrology Joytisha-Shastra .p 98


" ...independent self-sufficient , capable, dignified, proud.

  • If she is not born in a wealthy or well-to-do family, she will herself become wealthy through her own efforts .

In such case, her family will be dependent on her and she will be recognized as the head of the family .

  • She is careful and canny regarding money matters .

Being proud, she has a tendency to dramatize herself

  • and secretly glories in being the pivot or centre around which her family affairs revolve.

She will, at some time in her life,

  • occupy a very influential position

  • and be greatly respected." [end quote]



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Sophia Loren in the 1950's


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Biographical Details matched to Vimshottari Dasha bhukti


  • Two Women 1934- luxury eyeframes Sophia Loren + [Surya-yuti-Budha-uchcha] Known for her remarkable drama performances, SL had an additional career in the business of fashion eyeglass frames. Benefitting from her expressive celebrity style and her careful attention to every detail of the manufacturing and marketing processes, SL spectacle frames [Surya spectacles] have for decades been featured in the popular women's optical market.

    • Two Women 1934- luxury eyeframes Sophia Loren declared that Carlo Ponti was her sole lifepartner. A parental, ethnically familiar protector, Ponti was 22 years her senior with grown children. In their first decade, Ponti suffered from a long, complex, unfair divorce problem due to rogesha Guru-Tula.

    • Yet Guru is also dharmesha, signaling his empowerment in paternal roles. After negotiating an obstacle course of difficulties lasting a decade, her certainty was still rooted [4]. They remained married for the next 50 years until his death. Their showcase homes featured in glossy magazines [4] due to Guru's ruler flamboyant Simha-Shukra-2.

    • Two Women 1934- luxury eyeframes Sophia Loren [arranging-diplomatic Dhaniṣṭha-3] According to her autobiography, at the age of 16, SL knew that her one-and-only, father of her children, would be the Italian cinema director, Carlo Ponti. 22 years her senior, Ponti was a parental figure [4]. SL had a fatherless childhood. [Shukra-Singha] theatre, praised for creativity [Shukra-4] + parenting, security, household.

    • For sixteen years, their romantic relationship was plagued by major problems [Shukra rogesha]. Shukra is both lagnesha and rogesha. Both partners had affairs. Ponti was already in a long-term marriage with family and could not obtain a divorce [Shukra-4 is a married parent].
    • Dhava-karaka Guru occupies 6. The Guru Mahadasha 1954-1970 brought constant media attention to their illicit love, while SL's career earnings also skyrocketed [11]. SL's yuvati-pati = nicha-Mangala-yuti-Ketu [3, gossip tabloids] enjoyed a scandal-driven feeding frenzy. A legal union seemed unattainable.
    • Ultimately, a substantial financial bargain [Shukra] - made possible via SL's international stardom - was arranged [Shukra] with Ponti's first wife. The lovebirds were married and SL produced two sons. Their luxury homes [lagnesha Shukra-4] were showcased [Simha] in celebrity magazines. Their children grew and prospered.



[Mangala Mahadasha][age birth until age 2.2 ]

Dec-1931 until Mar-1934 Janma Sade-Sati Makara

  • [age 00]
  • [3, cinema, commerce, cameras, scripts, teamwork, management, production]

Thu-20-Sep-1934 Earth-birth as Sofia Costanza Brigida Villani Scicolone at the Clinica Regina Margherita in Roma, Italia * Mangala-Guru bhukti ++ dvithya Sade-Sati

1935 [SL age 01] invasion of Abyssinia by Benito Mussolini. The dictator spends the national treasury building weapons and manpower for the Empire-building war. Italian economy is drained by war-spending, and the people become impoverished. SL grows up with increasing resource-scarcity. * Mangala-Shani bhukti * Shani scarcity


[Rahu Mahadasha] [age 2.2 until age 20.2]

1950 [SL age 16] begins cinema career * Rahu-Budha bhukti * Budha scripts

1950 [SL age 16] meets cinema director Carlo Ponti, a 22-years-older older married man with a family. According to SL, their connection was tangible. * Rahu-Budha bhukti * Budha rules Kanya 7th-navamsha

1956 [SL age 22] begin international visibility via five-film contract with Paramount Studios * Rahu-Surya bhukti * Surya karmesha contains Shukra-Simha-10


[Guru Mahadasha] [age 20.2 until age 36.2]

17-Sep-1957 [SL age 23] [CP age 45] [Guru in bhava-12] [distant lands] rules 12th-from-Chandra. Although cinema-director Carlo Ponti remained married to his first wife, SL agreed to a double-proxy marriage-1-of-1 in Mejico. The invisible [12] wedding was not legally accepted by most countries. * Guru-Guru svabhukti * Guru rules Meena Svamsha ++ samchara Rahu-Ketu Tula-Mesha contact fantasy-Guru -- but no contact to marriage axes

1960 [SL age 26] starring role in the critically acclaimed + popularly successful film Two Women = dozens of prizes * Guru-Shani bhukti * Shani rules 3-cinema, contains Chandra-Rahu-Shani ++ dvadasa Sade-Sati

Feb-1961 until Jan-1964 Janma Sade-Sati Makara

  • [age 27-30]
  • [3, cinema, commerce, cameras, scripts, teamwork, management, production]

1962 [SL age 28] granted the Academy Award [Oscar] Best Actress for a foreign-language performance * Guru-Budha bhukti * Budha rules 11-awards for work-accomplished ++ janma Sade-Sati

1965 [SL age 31] Following SL's 14 year liaison with beloved Ponti [illegitimated by Italian law] Carlo Ponti's first wife agrees to a divorce in France. SL and Ponti are free to marry * Guru-Ketu bhukti * Ketu liberation ++ dvithya Sade-Sati

09-Apr-1966 [SL age 32] CP + SL = legally [re]married * Guru-Shukra bhukti ++ samchara Rahu-Ketu Vṛṣa-Vṛścika contact navamsha R-K. ++ dvithya Sade-Sati

29-Dec-1968 [SL age 36] celebrated the birth of child-1, musical orchestra director Carlo Ponti Jr.* Guru-Surya bhukti * Budha rules 9th-from-Chandra


[Shani Mahadasha] [age 36.2 until age 55.2]

1976 [SL age 42] grieved the decease of bio-dad . SL said that she had met her dad only three times during her life * Shani-Shani svabhukti * Shani rules 7th-from-pitristhana--9

1980 [SL age 46] initiated, designed + modeled an eponymous internationally successful line of spectacles for women [as of 2023, still globally popular among women's designer-branded eyewear] * Shani-Shukra bhukti * Shukra-10 design, reputation ++ Shukra rules 7-balanced designs, contracts

1982 [SL age 48] served 18-day prison sentence for tax evasion. No harm to her career * Shani-Shukra bhukti * Shukra rules 12-prison

09-May-1991 [SL age 57] grieved the decease of mother, Romilda Villani * Shani-Guru chidradasha * Guru rules 12th-from-matrikaraka Chandra ++ janma Sade-Sati

Mar-1990 until Mar-1993 Janma Sade-Sati Makara

  • [age 57-60]
  • [3, cinema, commerce, cameras, scripts, teamwork, management, production]

[Budha Mahadasha] [age 55.2 until age 72.2]

10-Jan-2007 [SL age 72] [CP age 94] grieved the decease of lifepartner Carlo Ponti * Budha-Shani chidradasha * Shani rules 7th-from-7th-from-Chandra


[Ketu Mahadasha] [age 76.6 until age 83.6]


[Shukra Mahadasha] [age 83.6 until age 103.6]

Jan-2020 until Jan-2023 Janma Sade-Sati Makara

  • [age 87-90]
  • [3, cinema, commerce, cameras, scripts, teamwork, management, production]

Salient features of the nativity



[Surya]

pitri-karaka [father] jyoti-karaka [light]

[dutiful-hierarchical karmesha for Vṛścika indriya-lagna]

[usually is the mother's eldest child]

[bright center of community service ministry]

[genius for logical argument]

[focused intelligence for marketplace gains]

[resentful complaining laboring father may be friendly, socialite, distributor, earner]

...

[profitable-systematic Uttaraphalgunī-3] [navamsha Surya-Kumbha] intuitively confident populist entertainments

[Surya-yuti-Budha-uchcha]

  • [Surya-Kanya] Poshanya * Pushna - the nourisher * brightly charismatic confidence of Center-stage Surya radiates through the analytical logical rashi of Budha
  • [Surya in bhava-11] center of community * genius for associative systems * radiates through the gridwork * entitled to work-and-earn * network intelligence * focus on interlinked ecologies * uniquely creative marketplace revenues * exemplifies knotting-netting-knitting connectivity * distributed light * eye on friendships * celebrated by crowds * sparkling center of social-economic drama * father may be an earner-socialite-organizer
  • [Surya-yuti-Budha] confidently conversational * bright messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * gestures conduct the spiritual rays of the Sun * radiantly descriptive * articulate in drama * skillful game-player * self-confident announcements * talks about ideals * narrative of power-politics * recites love poems * describes divine romance

OUTCOMES - Surya

friendly, gainful, community-connected, mass-participation, proletarian, marketplace focused [Surya in bhava-11] rules

  • 10-public recognition, respect, social authority, command, responsibility, orderly regulation, iconic roles
  • contains sparkling, visually beautiful [Shukra-Singha]

Tabloid Press [3]

Surya-yuti-Budha] camera, photographs, newspaper-magazine, cinema, dramatic scripting, tabloid press,

SL career was built not only upon her cinematic drama skills and camera-ready face [2], but also upon the decades of tabloid press photo-stories featuring her enduring affair with Ponti, her glamorous Hollywood co-stars, her spectacular home near Roma, and her charming family life.

SL's passionate marriage story [Shukra-2, love stories] caused a public furor among the proletarian audience of the 1950's and 1960's.

[Surya in bhava-3] rules Simha Svamsha suggesting that

  • an elder spouse would be preferred.
  • At time of the tabloid celebrated [but legally unsuccessful] double-proxy marriage in 1957, Sophia 23 + Carlo 45.

professional dramatics would be focused into cinema and modeling [3] rather than live theatre [5].

Also that the more enduring activity would be commerce, even while cinema-drama continued into her last decades.

FATHER

Dad = Riccardo Scicolone, a construction worker. [Surya-Kanya] rules-4, building.

According to SL's autobiography, SL met her father a total of three times. Dad was the father of Sofia and her younger sister Maria. However, dad was married to another woman. Romilda, Sophia, and Maria were his extramarital family. In 1930's Italy, divorce was severely stigmatized, so Dad had little motivation to marry her mom.

/ Only three times / may be a media-promotional story,

[Surya-yuti-Budha] Surya ruling 12th-from-self is a distancer, but not an annihilator. Surya also rules 7th-from-Chandra, albeit [Surya-Kanya] does occupy the mysterious and often camouflaged 8th-from-Chandra. More likely, the parents had an ongoing relationship which may have been veiled from their two daughters, in order to prevent gossip.

pitristhāna ruled by [Guru in bhava-4] who intakes drishti of nicha-Kuja-1 would suggest that the parents had some deep emotional conflict -- since Guru is rogesha.

  • However the main source of amplified self-story is lagnesha [Somana-yuti-Rahu] combined with [Somana-yuti-Shani] [nishturabashi yoga]. The figure of the mother is a more natural culprit. Ketu-1 tends to identify with the script.
  • In Roman-Catholic Italy, divorce was strictly illegal, and their age-gap kept tongues wagging. The couple met when SL = 16 and Ponti = 38.
  • Her [Somana-yuti-Rahu] [7] seels a protective, parental yet unusual spouse.

[Chandra]

matrikaraka [mother] * garha-karaka [village]

[philosophical-doctrinal dharmesha for Vṛścika indriya-lagna]

...

[calculating-tactical Dhaniṣṭha-2] [navamsha Chandra-Kanya] intuitively sensitive to injustice, aggrieved, helpful, critiquing

  • [Chandra-Makara-Draco] comforted by hierarchy * sensitive to class-status * needs ritual ordering
  • [Chandra in Dhaniṣṭha - Delphinus] soothed by forceful climbing * protectors of structured competition * pursues routines of systematic dominance
  • [Chandra in classroom-3] comfortable with cohort-collaboration * familiar with interactive communication * calmed by repetitive announcements * feels the tidal pulse of daily chat * feels sheltered in the parlor * soothed by siblings * intuitive information delivery * settled into the habits of writing * needs continuous commerce * accustomed to routine messaging * emotionally attuned to the rhythms of conversation * undulating signals * ethno-cultural gestures * intuitive handcraft * mother may be a manager, administrator, shopkeeper, craftswoman, publisher
  • [Somana-yuti-Shani] [nishturabashi yoga] emotionally constricted * punitive parents * sensitive to class boundaries * soothed by structure * needs rigid routines * heavy maternal workload * comfortable with elders * familiar with hierarchies * fearful mother * calmed by strict rules * feels like a worker
  • [Somana-yuti-Rahu] emotionally expedient * sensitive to exotic folks * risk-rewarding mother * over-stimulated feelings * unconventional parenting style * comfortable in mixed-culture environments * undulating desires * craves passionate nurturing * feels exceptional

OUTCOMES - CHANDRA

[publishing, commercial, cooperative-cohort, managing, procedural Chandra in classroom-3] rules

  • 9-patronage, father-figures, paradigm of belief, ideology, theory, globalism, worldview, life-principles

CAREER - CHANDRA

[folk reputation 10th-from-Chandra = harmonious clandestine privacy, imagination, interiority Tulā-12]

  • 3- cinema, photography-modeling, eyewear business, manufacturing-sales-advertising , magazine features
  • [nicha-Mangala-yuti-Ketu] casts Kuja-drishti into 3 = in 7th-from-Chandra, Emphatically known for scandalous issues with lifepartnership legalization.
[Chandra-Makara-Draco] [Chandra in Dhaniṣṭha - Delphinus][Chandra in classroom-3][Somana-yuti-Shani] [Somana-yuti-Rahu]

MOTHER

Mom = Romilda Villani [1910–1991]

Many of SL's roles have a mother-daughter element, reflecting the influence of her aspiring-actress mother and SL need {Chandra] to play out the extraordinary tensions of

MARRIAGE partnership emotional equity support expectations

[Chandra in classroom-10]

[7th-from-Chandra-3] lifepartnership 1-of-1

when SL = 16 ++ Ponti = 38, Carlo Ponti, a parent-figure 22 years her senior, entered her life

the extraordinary volatility of their early attempts to marry, plagued with government and ecclesiastical resistance [Makara] to their union, nourishingly fed the tabloid press

  • plays out the nicha-Kuja-Shani opposition mixed with R-K over-the-top extremes of bureaucratic drama
  • Rahu-the-Poseur generated a Fake Marriage during Rahu-Shukra bhukti as attempt-1,
  • but only the second marriage paperwork during Guru-Shani bhukti was bureaucratically legitimate [Shani]

7th-from-Chandra = [nīcha-Kuja-yuti-Ketu] [1]

  • must-let-go [Ketu]
  • cannot-let-go [Aśleṣa Kuja]

Rahu-Shukra bhukti* Shukra occupies 8th-from-Rahu [trickery]

  • The first ceremony, a marriage-by-double-proxy with two attorneys standing-in for the husband-and-wife. This expedient legitimation device [Shani-yuti-Rahu] had been used through the centuries to formalize royal marriages. The method was anciently recognized by the Roman-rite Catholic Church. Yet, the proxy marriage was adjudged [7, judgements] in Italy as an act of bigamy for Ponti. The Mexican contract was later annulled.

Guru-Shani bhukti

  • finally all of the rules for all of the institutions - sacred and secular - could be satisfied. The couple married, produced a healthy family, and grew old in happy mutual affection. When the widow SL was asked if she would remarry, she replied, " Oh, no, I could never love again. Carlo was my everything.
  • [Guru in bhava-4] suggests only one husband.

[Chandra in classroom-7] seeks a caretaker spouse

  • alliance formed for purpose of protection, co-parenting, provision of foundational stability

[Guru in bhava-4] with no companion graha suggests only one husband, and he is dedicated to the provision of dwellings, vehicles, routines of life

  • their celebrated, opulent estate near Roma ++ later beautiful properties were gifted by the spouse [albeit SL earned her own income significantly not only from film but from her spectacles business]
  • furthermore [Guru in bhava-4] occupies 10th-from-Chandra, suggesting that one's public reputation is defined by the husband

OUTCOMES - CHANDRA

CAREER - 10th-from-Chandra

MOTHER

MARRIAGE


[Kuja]

bhratru-karaka [brother] virya-karaka [virile]

[nīcha]

[energizing-identifying lagnesha co-ruler of Vṛścika indriya- lagna]

[inimical-medicating rogesha for Vṛścika indriya- lagna]

[karako bhavo nashto for father, patrons, chieftains, indoctrinators]

[dynamic preaching adversarial fighter-father]

...

[class-conscious Aśleṣā-2] [navamsha Kuja-Makara-uchcha ] intuitively forward-pushing competitive corporate hierarchical champion

[nicha-Kuja-yuti-Ketu]

  • [Mangala-Karkata] active pursuit of security * proactive nourishment * drive toward rooting + settling * vigorous defensive movement * police protector * fence-builder * push toward land ownership * promotes construction of settlements * innovative farming + fishing * energetically ethnic * champion of local cultures
  • [Mangala in bhava-9] drive toward doctrine * champion of paradigmatic belief * pursuit of patronage * dynamic preaching * philosophy of innovation * believes in conquest * aggressive or sexualized paternal energies * dominating military father-figures * growth-challenging paternal behavior
  • [Kuja-yuti-Ketu] vigorous break-ups * enervated * passive-aggressive * high-energy collapse * fierce pursuit of impermanence * pointless fights * diffused sexuality * dynamic wandering * apathetic brother-figures * potential for aggressive self-annihilation * pushes toward non-attachment * liberation by force

OUTCOMES - MANGALA

1 identity, physicality, attributes of personality, appearance

Maternal Grandmother

SL was sent to her grandparents' home for safety during war years. It was a sadly common story among Italian women, their children starving and their houses bombed. It may have been a survival decision to resort to prostitution during the war.

Mangala drishti into 6 during Mangala Mahadasha meant that SL had a dangerous, insecure childhood.

Raised in poverty during the extremes of the losing side of WW-2, SL would have felt the conflict, both personally, and through emotional awareness of the turmoil afflicting her parents and grandparents.

In time of distress, SL's grandmother ran a private lounge that was popular with American GI's. Yet the one thing SL could do, even as a child in awful circumstances, was to charm and entertain. Yogakaraka Kuja rules 5-10 and Kuja sends drishti into Chandra-Shani-Rahu-7

CARETAKERS

Part of her drive to succeed in her own way on her own terms is likely accountable to the tensions and undependable behaviors of her caretakers [Old Pathways Karkata].

Constant physical tension due to Shani-Makara-Draco-7 in mutual drishti with Mangala-Karkata-1

Although personally exhausting [Ketu] the public fixation [Aśleṣa-Kuja] on her emotionally expressive, sensual even primitive physique was enduring due to Shani-drishti into-1.


[Budha]

jamayah-karaka [sibling] sandesha-karaka [message] shisya-karaka [student]

[uchcha] [svakshetra]

[mysterious-revealing randhresha for Vṛścika indriya- lagna]

[friendly-economic vriddhi-pati for Vṛścika indriya- lagna]

[narrative of critical economic analysis]

[earnings from gridworked logical argumentation]

[gainfully connected problem-solving strategies]

[calculating network of friends]

...

[domestic-protective Hasta-4] [navamsha Budha-Karkata] intuitively detailed logical description of home, household, garden, fencing, terrain

[uchcha-Budha-yuti-Surya]

  • [Budha-Kanya] ministering service communications * articulation of digestive process * talks about aid to the suffering * formulates descriptive complaints * precise programmatic conversations * delivers detailed pronouncements * grammatical expertise * logical arguments * messages about accuracy * specifies error * hands-arms-shoulders make helping gestures
  • [Budha in bhava-11] narrative of marketplace information * describes ecological gridwork * calculates economic profit * reports on revenues * describes distributive networks * talks about social participation * Sibling-type friendships * conversations about voluntary connections * announces achievements * delivers interlinking instructions * discussion in large assemblies * defines the webworks of community
  • [Budha-yuti-Surya] amusing explanations * entertaining chatter * central roles in communication * brightly clear descriptions * dramatic enunciation * confidently delivers instruction * articulation of radiant certainty * political messenger * talkative father-figures

OUTCOMES - BUDHA

economics, systematic, distributive, social-networking, friendly associative, fundraising, mercantile [Budha in bhava-11] rules

  • 8 occult, mystery, revelation, discovery, non-disclosure, disguise, emergency, sudden identity change,
  • 11-marketplace gridworks, gain-of-goals, friendships, mass-participation, crowds

CAREER - BUDHA


[Guru]

dhava-karaka [husband] bahuta-karaka [variety]

[svabhava]

[collecting-preserving dhanesha for Vṛścika indriya- lagna]

[witty-creative vidya-pati for Vṛścika indriya- lagna]

...

[contractual-adjustable Chitra-3] [vargottamsha] [navamsha Guru-Tula]

  • [Guru-Tula] many trades * variety of exchanges * optimistic negotiations * believes in justice * doctrine of contractual exchange * multiple alliances * permission to bargain * diversity of arrangements * equable guidance * widens the scope of balanced design
  • [Guru in bhava-12] great interiority * many meditations * much divination * many hospitalizations * many spiritual retreats * numerous psychic way-showers * many large private spaces * extensive trance guidance * a patron of sanctuary enclosures * in a wifely nativity, husbandly-companion may be benevolently invisible

OUTCOMES - GURU

Ancestral palatial homes

SL recounted that Carlo Ponti promised to buy her the most beautiful house in Italy. Their estate outside of Roma was photographed by the celebrity press, and SL declared her deep happiness there.

Brihaspati's ruler [Shukra-2] located in 11th-from-4, Shukra brings profits from investment in lands and vehicles


[Shukra]

svadu-karaka [sweet] kalatra-karaka [wifely companion]

[bargaining-partnering yuvati-pati for Vṛścika indriya-lagna]

[retreating-contemplative vyaya-pati for Vṛścika indriya-lagna]

[women may have regal-political seniority]

[celebrated symbol of brightly creative values]

[ceremonial beauty icon]

[enjoys public theatrical display]

...

[analytical-strategic Pūrvaphalgunī- 2] [navamsha Shukra-Kanya-nicha] intuitively harmonizing exploitive unbalanced unfair contracts

  • [Shukra-Singha] appreciation of regal confidence * likes admiration * enjoys applause * prefers creative partners * attracted to artistic performers * bargains to play radiant central roles * delighted by celebrity * charmed by romantic pleasures * pleased by ceremonial display * brightly theatrical arrangements
  • [Shukra-10] seeks pleasure via regulated order * enjoys regulatory authority * socially prominent contractual agreements * reputation for for gracious balancing * respects feminine-figures * harmonious style of governance * likes pleasing designs to adorn the upper legs * nice knees * lovely calves * rule-maker imposing equity * appreciation of hierarchical rank * legislates justice * in a husbandly nativity, wifely-companion may hold an elite social position

OUTCOMES - SHUKRA

[Shukra-Singha] = usually coppery skin + golden glowing appearance


[Shani]

duro-karaka [endurance] * jara-karaka [Jahre, years]

[svakshetra]

[busy-collaborative sahaja-pati for Vṛścika indriya- lagna]

[homebound-anchoring bandesha for Vṛścika indriya- lagna]

[drafty old stone parlors]

[rigidly class-conscious siblings]

[hierarchical business systems]

[separative conventional process handling]

[legally fixed scheduling itineraries]

[required messaging about governance order]

[strict mental regulation]

...

[calculating-strategic Dhaniṣṭha-2] [navamsha Shani-Kanya] intuitively structured orderly lawful ministries of service

[Atmakaraka endurance, stamina, maturity, dignity, lawfulness, scarcity, delays, respect for elders, regulations, normalcy, class-consciousness]

[Shani-yuti-Rahu]

  • [Shani-Makara-Draco] heavy old institutions * obliged to conform to the time-clock * rigidly ranked class-systems * strict regimes * pressure to complete socially required duties * structural compression upon knees-calves-skeleton * strictly imposed protocols * must normalize old rules * unyielding pressure of public judgment * class-conscious elders * punitive regulators * must endure proletarian manners * must continue disciplined work * scarce building resources * maintainer of old hierarchies
  • [Shani in Bhava-3] steady time-structured dialogue * heavy responsibility for business * obstructionist younger siblings * disciplined handwork * required Writing and Publishing * must message * obliged to explain * cautious instructions * orderly teamwork * tense interactions * communicative fatigue * chronic sadness * stops spontaneous announcements * mental depression due to old repeating thoughts * may limit the hearing * tight time management * regulated schedules * elders preserve materialistic mentality
  • [Shani-yuti-Chandra] [nishturabhashi yoga] social resistance to natural rhythms * imposition of pragmatic routines * delayed security * class-conscious mother * limited creature-comforts * parental policing * stubborn guilt * obligatory caretaking duties *emotional withholding * punitive parents * class-structured ethnicity * uncomfortable discipline * oppressed sensitivities * dries-freezes the flow of nourishing liquids * needs regulatory order * blocked feelings * must earn emotional affection
  • [Shani-yuti-Rahu] stiff resistance to unbridled ambition * formally regulated cultural mixing * disciplined thrills * class-based limitations upon privilege * repressed quest for intriguing importance * socially constrained opportunism * shimmering illusion of systematic conformity * irregular achievements * over-reaching elders * restricted risks

OUTCOMES - SHANI

Extraordinary trouble with movie-magazine scandals


[Rahu]

rajyalobha-karaka [ambition] picchala-karaka [slippery]

[for Urisha indriya-lagna]

[Rahu casts passionate drishti into 1-3-5]

[passion for conventional beliefs]

[seeks prestigious high-ranked patronage]

[ideology of socially approved opportunity]

[craves privilege of preaching on social norms]

[over-reaching father may take risks in public reputation]

...

[face-voice-finance Śrāvaṇa-2] [navamsha Rahu-Urisha-uchcha] intuitively over-reaching fascination with wealth, treasuries, luxuries, jewels

  • [Rahu-Makara-Draco] shimmering illusion of dignity * craving for social status * mirage of legitimate authority * mask of hierarchy * over-reaching acts of institutional leadership * fascinating ascent to respected position * unorthodox methods of social ordering * extraordinary claims to statutory jurisdiction * extravagant elitism * thrilling seniority * seeks special importance via apparent [but perhaps not authentic] attributes of responsible governance * bossy pretense * seeks privilege via regulator-roles
  • [Rahu in bhava-3] passion for prestige communication *in svabhava of Busy Budha, the Shadowy Specter = glamorous writing - outsider who cleverly insinuates into culturally important communicator roles * exotic photography * unusual journalistic reporting * thrilling announcements * unorthodox commentary * mesmerizing messaging * craves publication * ambitious sibling-cousins * mixed-culture collaborative teams * desire for conversations * over-reaching commerce * exciting gestures * opportunistic approach to manufacturing * entranced by information technology * boundary-breaching sibling-cohort * unconventional explanations * remarkable retinue * entrancing evangelism * seeks privilege via project management
  • [Rahu-yuti-Soma] amplified emotion * magnified familiarity * extraordinary mother * exotic habits * tricky routines * opportunistic patriotism * fascinating (but perhaps illusory) appearance of sympathetic caretaking * hypnotic rhythms * emotionally attuned to cross-cultural mixing
  • [Rahu-yuti-Shani] amplified public formality * pragmatic exaggeration * exotic social conventions * slippery hierarchies * tricky rules * opportunistic elders * fascinating [but perhaps illusory] strict conformism * regulated risk-taking * hypnotic outsider insinuates normalcy * orderly cross-cultural mixing * thrilling legitimations

OUTCOMES - RAHU

SL was almost constantly the prey of tabloid magazine paparazzi,


[Ketu]

kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum]

[energizing-identifying lagnesha co-ruler for Vṛścika indriya- lagna]

[disinterested in routine cultural beliefs]

[although little interested in familiar doctrines, there is no barrier to preaching odd philosophies]

[father may be wandering farmer, fisherman, police, fencebuilder]

[father often absent or eccentric when at home]

[passively fixated on ambitiously ministering-assisting Rahu in Partha-3 sibling-cousins, secretaries, team-mates, co-workers, neighbors]

...

[transformative-regenerating Pushya-4] [navamsha Ketu-Vṛścika-uchcha]

[nicha-Mangala-yuti-Ketu]

  • [Ketu-Karkata] calmly dissociates from foundational habits * surrenders material security * placidly empty shelters * disregards conventional caretaking * not limited by customary routines * patriotic martyr * ignores restriction on farming-and-fishing * abandons owned-stewarded property * forgives the ancestors * releases a soothing pink cloud of ancient rhythms into the misty abyss
  • [Ketu in classroom-9] disinterested in fixed credenda * wandering worldview *disengaged from faith doctrine * disregards theory * liberating philosophy * irrelevance of patriarchal dogma * ambivalence toward conventional convictions * spacey father * weird beliefs * empty public guidance * forsaken by preceptors * ignores the ordinary understandings * incoherent ideology * unless other graha in 9, may prefer to live free from father-figures
  • [Ketu-yuti-Kuja] surrendered championship * abandons fighting * incoherent actions * disconnected brethren * unsustainable domination * apathetic competitions * eccentric disability * unfulfilled quest * pushes toward awareness of impermanence * incomplete births * spiritual liberation via forward movement

OUTCOMES - KETU

Two notable miscarriages preceding birth of two healthy sons

During [Rahu Mahadasha] [age 9.6 until age 27.6], SL began fashion-modeling rather than attending high school.

Ketu themes of divorce, betrayal, and disregard for bourgeoise morality fueled her publicity engine. At a time of social change, the working class, tabloid-reading public was gripped by SL's relatable story of entrapment by outdated rules [nīcha-Mangala-yuti-Ketu]

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