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Drama-Song

Commerce and Material Economy

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born ten months after

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Born and Raised during the militarization of Fascist Italy under

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50+ year career in

fashion accessories design

perfume + jewelry + eyewear luxury-goods commerce

drama + song + cinema

Sophia Loren

a.k.a. Sofia Villani Scicolone

a.k.a. Sophia Lazzaro

Earth-birth Thu-20-Sept-1934

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Sophia Loren in 1957, year of her marriage to Carlo Ponti, her age 23

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cinematic dramatist + fashion eyewear + entrepreneur * 1934- * Sofia Villani Scicolone = Sophia Loren

birth information from http://en.wikipedia.org/wiki/Sophia_Loren * tentatively rectified by BP Lama

charts + graphs + tables = produced by Shri Jyoti Star software * adapted by BP Lama

Rising Nakshatra

Feminine Nativities

Rohini * Brahmi

BPL commentary

For Rohini births in the feminine valence, the condition of reflective, sheltering, undulating, rhythmic, routinized, culturally rooted, boundary-defending, security-seeking, nourishing, parental, matrikaraka Chandra may considerably affect the outcome.

For those born into the Soma-ruled paradigm of Suravi, mother-figures, protectors, guardians, elemental spirits, natural environments, waters, roots, eggs, gardeners, farmers, fisher-folk, caretakers, foundation-builders, police, schoolteachers, parents, providers of nourishment , and defenders of the root culture, may be especially influential.

Guidance for the Rohini-born is provided by instructors from the civilizations of Al-debaran. Their purpose is to sweetly protect , defend, and shelter all the creatures and environments which come under their care.

Praujapatya-born ladies are often found in the domestic arts, in caretaking and protective roles, or in specialties of home decor and property valuation. Their purpose is calming. Typically feminine births in Rohini indicate a comfortable, grounded focus into the realms of beauty, banking, luxury goods, and family lineage treasuries.

All four pada occur within Vrishabha rashi. Surabhi-born thus express a tension between the materialistic, partnership-driven duality of Zukra versus the emotionally based, need-driven behaviors of Chandra. One seeks to be cared for in a sensual fashion.

Known for their intuitive negotiation and equity-seeking skills, Rohini ladies are found in the worlds of finance, food, fashion, investment, evaluation, collections, and treasuries, with special emphasis on real-estate and jewelry.

Themes of luxury accommodation, sensual nourishment, family affluence, and personal beauty may contextualize Rohini's terrestrial experience. Applies also to Chandra in Rohini

QUOTATION from: Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra . p 92

"...a round face, fair complexion, and a very nice figure.

  • Certain parts of Rohini Rising will correspond with a very beautiful face and body.

  • Some of the most beautiful women are born [in Rohini].

Besides her beauty of face and figure she will have a keen intellect;

  • she will be an interesting conversationalist,

  • good at discussion and repartee,

  • yet withal an attentive and interested listener .

She will be devoted to her parents

  • and her domestic life should be very happy,

because her personal inclinations will be clean, honest, and upright ."

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Sophia Loren in the 1950's

Biographical Details matched to Vimshottari Dasha bhukti

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Sophia Loren and her husband Carlo Ponti in elder years. When they first married in 1957, she was age-23 and he was age-45. They had been married for fifty years when he deceased in 2007.

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Mangala Mahadasha * age 1.1 until age 2.2

20-Sept-1934 Earth-birth at the Clinica Regina Margherita in Roma, Italia * Mangala-Ketu bhukti

1935 (SL age 01) invasion of Abyssinia by Benito Mussolini. Italian economy impoverishes the people in favor of funding for war * Mangala-Zukra bhukti * Zukra rogesha

Rahu Mahadasha * age 2.2 until age 20.2

1950 (SL age 17) begins film career * Rahu-Zukra bhukti * Zukra lagnesha

Guru Mahadasha * age 20.2 until age 36.2

1956 (SL age 24) begin international career with a five-film contract with Paramount Studios * Guru-Guru swabhukti * Guru rules 11-earnings, goals

17-Sep-1957 * (SL age 23; CP age 45) paper marriage-1 with film director Carlo Ponti by double-proxy in Mejico. * Guru-Shani bhukti * Shani rules Makara 7th navamsha * samchara Rahu-Ketu Thula-Mesha contact navamsha Chandra-Thula

1960 (SL age 28) starring role in the critically acclaimed + popularly successful film Two Women = dozens of prizes * Guru-Budha bhukti * Budha rules 5-celebrity + 2-face, speech

1962 Academy Award (Oscar) Best Actress for a foreign-language performance * Guru-Zukra bhukti * Zukra lagnesha

1965 * Ponti's first wife agrees to a divorce in France. * Guru-Zukra bhukti * Zukra lagnesha ++ Sade-Sati

09-Apr-1966 * CP + SL = legally remarried * Guru-Chandra bhukti * Chandra rules Karkata swamsha * samchara Rahu-Ketu Vrishabha-Vrizchika contact navamsha R-K.

29-Dec-1968 * celebrated the birth of child-1 musical orchestra director Carlo Ponti Jr.* Guru-Rahu childradasha

Shani Mahadasha * age 36.2 until age 52.2

1976 grieved the decease of father (whom she had met only three times) * Shani-Ketu bhukti

1980 SL initiated, designed + modeled an eponymous internationally successful line of spectacles for women (as of 2020, still among the most popular women's designer-branded eyewear globally) * Shani-Zukra bhukti * Zukra design + Simha vision, light, eyesight

1982 served 18-day prison sentence for tax evasion. No harm to her career * Shani-Chandra bhukti * Chandra rules 8th-from-8th tax evasion

Budha Mahadasha * age 52.2 until age 69.2

09-May-1991 (SL's age 59) grieved the decease of mother, Romilda Villani * Budha-Budha swabhukti * Budha rules 2nd-from-4th ++ Sade-Sati

Ketu Mahadasha * age 69.2 until age 76.2

10-Jan-2007 * grieved the decease of husband Carlo Ponti (CP age 94) * Ketu-Ketu swabhukti

Apr-2022 until Apr-2025 * Janma Sade-Sati Kumbha

Zukra Mahadasha * age 79.2 until 99.2

Salient features of the nativity

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Sophia Loren in her 60's

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SL in her 80's

Surya * pitrikaraka * Jyotikaraka

  • Surya-Kanya * Poshanya * Pushna * the nourisher * brightly charismatic confidence of Center-stage Surya radiates through the analytical logical rashi of Budha
  • Surya in bhava-5 * swabhava * center of sparkling entitlements * poetic romance * literary-artistic intelligence * splendid speculations * radiates brightly political celebrity * focus on glamour * genius for dramatic entertainments * eye on smart gambling * brilliant in games * bright center of creative performance * father may be a dramatist-speculator-politician
  • Surya-yuti-Budha * confidently conversational * bright messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * gestures conduct the spiritual rays of the Sun * radiantly descriptive * articulate in drama * skillful game-player * self-confident announcements * talks about ideals * narrative of power-politics * recites love poems * describes divine romance

FATHER

Dad = Riccardo Scicolone, a construction worker.

According to SL's autobiography, SL met her father a total of three times. Although Dad was the father of Sofia and her younger sister Maria, the Dad would not marry her mom.

Shani-yuti-Rahu in pitristhana = mutual drishti with nichha-Kuja-yuti-Ketu-3 suggests a permanent tension in the father's character, and in SL's character as well. Like everything in SL's media-promotional story (3), the paternal abandonment may have been exaggerated (Rahu-9)

CAREER - Surya

Surya in bhava-5 drama

Surya-yuti-Budha drama

Chandra * matrikaraka * garha-karaka

  • Chandra-Kumbha * comforted rhythmic pulsing network linkage
  • Chandra in Dhaniztha-Vasu * comforted by forceful climbing * protectors of structured competition * soothed by lawful conquest * needs to impose an orderly takeover * pursues routines of systematic dominance
  • Chandra in classroom-10 * comfortable with orderly public conduct * socially recognized for emotional characteristics * parental style of leadership * a Great Protector * familiar with strict protocol * accustomed to regulations * soothed by systems * acculturated to executive routines * settled into the rhythm of respected roles * needs to feel the repeating pulse of elite status * calmed by climbing hierarchical steps * anchored into lawful responsibility * undulating authority

MOTHER

Mom = Romilda Villani (1910–1991)

Many of SL's roles have a mother-daughter element, reflecting the influence of her her aspiring-actress mother.

Maternal Grandmother

It was a sadly common story among Italian women, starving and their houses bombed, to resort to prostitution during the war. SL's grandmother ran a private lounge popular with American GI's.

SL was sent to her grandparents' home for safety during war years. Maternal Grandparents = 4th-from-Chandra-10 = Urisha lagna = radical lagna

When Chandra rules nichha-Mangala-yuti-Ketu located in 6th-from-Chandra, both of the parents may become desapparacidos.

Raised in poverty during the extremes of the losing side of WorldWar-2, SL would have felt the conflict, both personally, and through emotional awareness of the turmoil afflicting both of her parents.

Part of her drive to succeed in her own way on her own terms is likely accountable to the tensions and undependable behaviors of her caretakers (Karkata).

MARRIAGE partnership support expectations

7th-from-Chandra-10

They met when SL = 16 ++ Ponti = 38

marriage 1

  • Carlo Ponti, a parent-figure 22 years her senior

  • SL had a dangerous, insecure childhood

  • Simha bhava-4 parenting, protection, security

  • 7th-from-Chandra-10 often indicates an alliance formed for purpose of protection, co-parenting, provision of foundational stability

  • Guru-6 with no companion graha suggests only one husband

  • lagnesha Zukra-Singha * Zukra-4 * digbala provides their flamboyantly (Simha) celebrated estate near Roma ++ later beautiful properties
  • 7th-from-Chandra-Kumbha often indicates a spouse within the realms of politics, drama, or games

marriage-2

  • to same husband, Carlo Ponti
  • whether marriage-2 is considered to be indistinct from marriage-1 or whether marriage-2 is considered to be separately represented by bhava-11 containing Kuja, the outcome for SL was economic gain (11) along with lifetime security (4) and a stunningly beautiful house

Yuvathipathi nichha-Kuja-yuti-Ketu adds complexity to the pattern of must-let-go (Ketu) ++ cannot-let-go (Azlesa Kuja)

The first ceremony, a marriage-by-double-proxy with two attorneys standing-in for the husband-and-wife. This expedient legitimation device had been used through the centuries to formalize royal marriages. The method was anciently recognized by the Roman-rite Catholic Church. Yet the proxy marriage was adjudged in Italy as an act of bigamy for Ponti, and the contract was later annulled.

CAREER - Chandra rules Karkata swamsha

Chandra in classroom-10 rules Karkata (Azlesa) swamsha suggesting a widely recognized "familiar face"

Chandra rules 3 = media communications, tabloid press, photographs, cinema, commercial business, manufacturing (eyewear)

Kuja * bhratru-karaka * virya-karaka

  • Mangala-Karkata * nichha * active pursuit of security * proactive nourishment * drive toward rooting + settling * vigorous defensive movement * police protector * fence-builder * push toward land ownership * promotes construction of settlements * innovative farming + fishing * energetically ethnic * champion of local cultures
  • Mangala in bhava-3 * drive toward commerce * push toward scripted communication * active touring * invasive management * energized process * hyperactive mentality * athletic sibling-figures * promotional sales * photographs of the muscular physique * dynamic marketing * champion of teamwork * pursuit of business
  • Kuja-yuti-Ketu * vigorous break-ups * high-energy collapse * fierce pursuit of impermanence * pointless fights * diffused sexuality * dynamic wandering * apathetic brother-figures * potential for aggressive self-annihilation * pushes toward liberation by forceful rebirth

Remarkable Mangala outcomes * Mangala-Karkata won't let go

Constant physical tension due to Shani-Makara-Draco-9 in mutual drishti with Mangala-Karkata-3

CAREER-Mangala

Mangala in bhava-3 media communications

Mangala-Karkata * nichha-3 + uttama-Kuja-7 rules Vrischika 10th-from-Chandra.

Although personally exhausting (Ketu) the public fixation (Azlesa-Kuja) on her private life was enduring.

SL career was built not only upon her legendary cinematic drama skills, but also upon the decades of tabloid press photo-stories featuring her enduring affair with Ponti, her glamorous Hollywood co-stars, her spectacular home near Roma, and her family life.

SL's passionate marriage story was legend in the tabloid press of the 1950's and 1960's. In Roman-Catholic Italy, divorce was strictly illegal. The couple met when SL = 16 and Ponti = 38. At time of the tabloid celebrated double-proxy marriage in 1957, Sophia 23 + Carlo 45. Age gap accounted via her Karkata (Azlesa) swamsha.

SL's romance with the married cinema director Carlo Ponti, who tried and failed to extract a divorce from his legal wife, caused a lasting public furor.

Nichha-Mangala-yuti-Ketu-3 (newspapers) indicates the passive-aggressive (Azlesa) conduct of the tabloid photographers and journalists who hounded her, seeking fuel for scandal.

Ketu themes of divorce, betrayal, and disregard for bourgeoise morality fueled her publicity engine. At a time of social change, the working class, tabloid-reading public was gripped by SL's relatable story of entrapment by outdated rules (nichha-Kuja)

SL = cultural icon

Chandra-10 rules nichha-Mangala-yuti-Ketu-3

An unwitting icon of public discourse in the Euro-western cultures, in a business where "there's no such thing as bad publicity", the drama of age difference, bigamy, divorce, and passion was endlessly popular.

In 1950's North America, divorce was still scandalous, legally difficult, and usually it victimized women. By the 1960's, many jurisdictions had introduced no-fault divorce, eliminating court trials, and divorce began to lose its social stigma.

By the time SL was legitimately married and the mother of two sons with her beloved Carlo, the divorce stigma had significantly faded from many Euro cultures.

Budha * bandhava-karaka * zisya-karaka

  • Budha-Kanya * uttama * moolatrikona * ministering service communications *  articulation of digestive process * talks about aid to the suffering * formulates descriptive complaints * programmatic conversations *  delivers detailed pronouncements * grammatical expertise * logical arguments *  messages about accuracy * specifies error * hands-arms-shoulders make helping gestures
  • Budha in bhava-5 * narrative of drama, politics, creativity * discusses children, entitlement, entertainment * self-referential conversations * describer of divine intelligence * explainer of romance * delivers instructions for politics * writes poetry * proclaims love * defines creative literature * plays games, * discusses fame * lectures about idealism * chats with royalty + children * publishes opinions about uniqueness * articulator of artistic performance * declaims with radiant confidence
  • Budha-yuti-Surya * amusing explanations * central roles in communication * brightly clear descriptions * dramatic enunciation * confidently delivers instruction * articulation of radiant certainty * political messenger * talkative father-figures

dhana-yoga via Budha

eyes -face - glamour - diva

Surya-yuti-Budha -uttama * Budha-5 rules 2 +5

SL has earned a substantial fortune by using her cinema-earned capital to invest in luxury-goods businesses (Budha commerce).

Budha-Kanya * uttama grants financial + computational capabilities.

Uttama-Budha = accurate, discriminating mentality. In addition to her dramatic talents and sensual appearance, SL = notoriously smart.

Budha Mahadasha * age 52.2 until age 69.2

Most of SL's public visibility was connected with her highly successful eyewear business during her age 52-69. While making celebrity appearances, SL always wore the newest edition of her enduringly popular ladies' fashion-frames. She professionally modeled many of her products.

Budha-Kanya * uttama rules 2-eyes ++ karakamsha bhava-5 = 3rd-from-3rd shop-keeping enterprise. Her eyeglass-frames business was an commercial success, providing durable, high-fashion spectacles for the first time to the international women's market. Other popular selling included perfumes and jewelry items (Budha-5 glamour).

Guru * dhavakaraka * bahuta-karaka

  • Guru-Thula * many trades * variety of exchanges * much negotiation * believes in justice * doctrine of contractual exchange * multiple alliances * diversity of arrangements * equable guidance * widens the scope of balanced design
  • Guru in bhava-6 * broad ranging ministries of service * extensive distress * ideological disagreements * many injuries * much victimization * tolerance for diverse diagnoses * abundant digestive imbalance * many grievances * much betrayal * numerous accusations * broad scope of disorderly conduct * cheerful acceptance of human misery * believes in problematicity * patron of pharmacies * many medicaments * in a wifely nativity, husband-figure may help the suffering

Many illnesses, betrayals, digestive challenges

Brihaspati's ruler Zukra-4 lagnesha brings some disagreement into the home, often in the form of unsatisfied employees

Zukra * svadhu-karaka * kalatra-karaka

lagnesha

  • Zukra-Singha * appreciation of regal confidence * likes admiration * enjoys applause * attracted to creative performers * bargains to play radiant central roles * delighted by celebrity * charmed by romantic pleasures * pleased by dramatic display * brightly theatrical arrangements
  • Zukra-4 * digbala * seeks pleasure via home-based routines * likes the seasonal rhythms of nature * enjoys real-estate finance * attractive gardens * strong feminine presence in the home * aesthetic of domestic stability * pleasing designs to adorn the chest * beautiful breasts * lovely torso * appreciation of owned properties

SL recounted that Carlo Ponti promised to buy her the most beautiful house in Italy. Their estate outside of Roma was photographed by the celebrity press, and SL declared her deep happiness there.

Appearance lagnesha

Zukra-Singha = usually coppery skin + golden glowing appearance

SLr striking visage contradicted the petite, slender, NW-Euro type. Considered unusually tall at 69 inches (5-foot-9) SL had a coppery complexion (Simha) + beautifully arranged large bones. Her physical beauty was accompanied by a variety of entertainment talents (Simha) including a capable singing voice (Purvaphalguni swamsha) .

Shani * duro-karaka * jara-karaka

atmakaraka

  • Shani-Makara-Draco * heavy old institutions, obliged to conform to the time-clock * rigidly ranked hierarchies, strict governance regimes, pressure to complete socially required duties, vital energy compression stress zone = knees-calves-skeleton, strictly imposed hierarchies, rigidly unyielding public policies* must materialize time-ordered social approval * punitive judgments of elder regulators * must endure lowest-common-denominator proletarian structures * must continue to govern the public despite scarce available resources
  • Shani in Bhava-9 * slowly time-structured rehearsal of the principles of belief * must preach the patriarchal faith * must impose the old convictions * punitive ideologies * cautiously conventional professors * judgmental father-figures * unyielding religious teachers * chronic rigidity of worldview * heavy doctrinal pressure against individual truth * resistance to new viewpoints * preacher's fatigue * intolerance for sacerdotal innovation * supports socially-approved, rigidly dutiful guru-roles * elders preserve strict sacred rules
  • Shani-yuti-Rahu * stiff resistance to unbridled ambition * formally regulated cultural mixing * disciplined thrills * class-based limitations upon privilege * repressed quest for intriguing importance * socially constrained opportunism * shimmering illusion of systematic conformity * irregular achievements * over-reaching elders * restricted risks

Shani-yuti-Rahu-9 engaged in mutual drishti with nichha-Mangala-yuti-Ketu-3 predicts an emotional-social experience that would challenge Church authority (9) and provide an endless flow of scandalous media-messages (3). It predicts volatility, passion, severe disappointments, threats to survival, and success by endurance.

Shani-9 produces persistence while under pressure from the patriarchal order.

Constant physical tension due to Shani-Makara-Draco-9 in mutual drishti with Mangala-Karkata-3

Since CP was previously married and the laws (Shani) of the nation of Italy did not permit legal divorce in those days, they both risked homeland prosecution for bigamy. Although patriotic Italians, they were forced to live outside of Italy. Although their careers both flourished as a result of the publicity, SL was promoted as a scandalous vixen and subject of tabloid fodder for many years.

SL recounted her great unhappiness due to Church interference in her love-life during the end of Rahu Mahadasha age 16-20. = 3-9 axis in the unhappy 6-12 angle from her lagnesha Zukra-4.

Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Rahu-Makara-Draco * shimmering illusion of dignity * craving for social status * mirage of legitimate authority * mask of hierarchy * over-reaching acts of institutional leadership * fascinating ascent to respected position * unorthodox methods of social ordering * extraordinary claims to statutory jurisdiction * extravagant elitism * thrilling seniority * seeks special importance via apparent (but perhaps not authentic) attributes of responsible governance * bossy pretense * seeks privilege via regulator-roles
  • Rahu in bhava-9 * passion for philosophy, preaching * in swabhava of Saptarishi Guru, the Shadowy Specter seeks privilege via glamorous o doctrine, theory, dharma, worldview. * outsider who cleverly insinuates into fatherly roles Rahu-9 desires a thrilling, important guidance role in catechesis * exceptional principled discourses of abstract ideas, ideology, philosophy, indoctrination. Ambitious father-figure * extraordinary professors * barrier-bending holy teachers * Thrives in culturally-mixed preaching environments, university, temple, sangha, congregation. Surreptitious attempt to appear as a global, humanistic, ideologically-framed agent of understanding. Rahu the Poseur may pose as a charitable philanthropist, a wisdom-purveyor, a proselyte of principled understanding, a guru-figure, a philosopher, or a globalist humanitarian. Rahu-9 trespasses the cultural boundaries of patronage, fatherhood, paradigm of belief. Exciting, opportunistic third marriage (if any).
  • Rahu-yuti-Shani * amplified public formality * magnified systematics * exotic social conventions * tricky regulations * opportunistic elders * fascinating (but perhaps illusory) appearance of strictly lawful structures * hypnotic ascent to privileged rank * pragmatic cross-cultural mixing

Rahu-CAREER

Rahu drishti into 1-personality + 3-commerce-cinema + 5-drama-glamour

Rahu Mahadasha * age 2.2 until age 20.2

Two Women 1934- luxury eyeframes Sophia Loren grew up in urban squalor as the child of an aspiring actress who had been abandoned by SL's construction-worker father. Sophia was mainly raised under the roof of her maternal grandparents.

Boundaries were broken by a profusion of various impoverished relatives. (Ketu + nichha Mangala-in 12th-from-4 erodes security) The onset of war (Kuja) destroyed food and water resources. SL recounted that as a child she slept in a bedroom with eight other people. Her mother siphoned car radiators to obtain water for the children.

The violence of World-War-2 in Italy did support the trade of her musical mother and grandmother. They provided comforting entertainments for gentlemen soldiers. Yet Sophia was never abandoned. Three generations of women worked together in poverty and violence to survive and thrive.

Career begins age 17

Also, Rahu-Urisha * uttama in 10th navamsha also indicates exceptional roles in pleasure-and-beauty.

SL's refined products are generally oriented to women (jewelry, eyeglasses, perfumes). The luxury objects generally use her own designs and iconic dramatic feminine lagnesha Zukra-Singha image.

extraordinary financial success in fields of fashion design, cinema of human love relationships, and luxury-goods

Ketu * kavandha-karaka * chidra-karaka * vasana-karaka (vacuum)

  • Ketu-Karkata * calmly dissociates from foundational habits * surrenders material security * placidly empty shelters * disregards conventional caretaking * not limited by customary routines * ignores restriction on farming-and-fishing * surrenders property ownership * forgives the ancestors * releases a soothing pink cloud of  ancient rhythms into the misty abyss
  • Ketu in classroom-3 * eccentric communications * disinterested in daily chat * writes on foggy abstract topics * dissolves messaging boundaries * committee-work fatigue * wandering discussions * can handle esoteric information * irrelevance of normal mental narrative * abandons management tasks * dismisses the standard explanations * walks away from conventional discourse * unless other graha in 3, may prefer to live free from younger siblings
  • Ketu-yuti-Kuja-nichha * surrendered championship * abandons fighting * incoherent actions * disconnected brothers * unsustainable domination * apathetic competitions * eccentric disability * unfulfilled quest * pushes toward awareness of impermanence * incomplete births * spiritual liberation via forward movement

Two notable miscarriages preceding birth of two healthy sons
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