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Drama-Song

Commerce and Material Economy

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COHORT

born ten months after

born 6 months after

born two months after

born 8 days before

born four months before

Born and Raised during the militarization of Fascist Italy under

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SL in her 80's

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50+ year career in

fashion accessories design

perfume + jewelry + eyewear

luxury-goods commerce

drama + song + cinema

Sophia Loren

Sofia Costanza Brigida Villani Scicolone Ponti

a.k.a. Sofia Villani Scicolone

a.k.a. Sophia Lazzaro

Earth-birth Thu-20-Sep-1934

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Sophia Loren [age 23] in 1957, the year of her marriage to Carlo Ponti

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Sophia Loren in her 60's

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cinematic dramatist

fashion eyewear

entrepreneur

1934-

Sofia Villani Scicolone = Sophia Loren

birth information from http://en.wikipedia.org/wiki/Sophia_Loren

tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = produced by Shri Jyoti Star software - adapted by BP Lama

Rising Nakshatra

Feminine Nativities

Rohiṇī - Aldebaran

BPL commentary

For Rohini births in the feminine valence, the condition of reflective, sheltering, undulating, rhythmic, routinized, culturally rooted, boundary-defending, security-seeking, nourishing, parental, matrikaraka Chandra may considerably affect the outcome.

For those born into the Soma-ruled paradigm of Suravi, mother-figures, protectors, guardians, elemental spirits, natural environments, waters, roots, eggs, gardeners, farmers, fisher-folk, caretakers, foundation-builders, police, schoolteachers, parents, providers of nourishment , and defenders of the root culture, may be especially influential.

Guidance for the Rohiṇī-born is provided by instructors from the civilizations of Al-debaran. Their purpose is to sweetly protect , defend, and shelter all the creatures and environments which come under their care.

Praujapatya-born ladies are often found in the domestic arts, in caretaking and protective roles, or in specialties of home decor and property valuation. Their purpose is calming. Typically feminine births in Rohini indicate a comfortable, grounded focus into the realms of beauty, banking, luxury goods, and family lineage treasuries.

All four pada occur within Vrishabha rashi. Surabhi-born thus express a tension between the materialistic, partnership-driven duality of Shukra versus the emotionally based, need-driven behaviors of Chandra. One seeks to be cared for in a sensual fashion.

Known for their intuitive negotiation and equity-seeking skills, Rohini ladies are found in the worlds of finance, food, fashion, investment, evaluation, collections, and treasuries, with special emphasis on real-estate and jewelry.

Themes of luxury accommodation, sensual nourishment, family affluence, and personal beauty may contextualize Rohini's terrestrial experience. Applies also to Chandra in Rohiṇī - Aldebaran

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Sophia Loren and her husband Carlo Ponti in elder years. When they first married in 1957, she was age-23 and he was age-45. They had been married for fifty years when he deceased in 2007.

QUOTATION from: Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra . p 92

" ...a round face, fair complexion, and a very nice figure.

  • Certain parts of Rohini Rising will correspond with a very beautiful face and body.

  • Some of the most beautiful women are born [in Rohini].

Besides her beauty of face and figure she will have a keen intellect;

  • she will be an interesting conversationalist,

  • good at discussion and repartee,

  • yet withal an attentive and interested listener .

She will be devoted to her parents

  • and her domestic life should be very happy,

because her personal inclinations will be clean, honest, and upright ."

Special note from: QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 105

  • " If a woman be born with the third or fourth part of Rohini rising, she will have a beautiful face and body, and will be successful as an actress or dancer."

LorenSophia_1950s.jpg

Sophia Loren in the 1950's

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Biographical Details matched to Vimshottari Dasha bhukti

  • Two Women 1934- drama-commerce Sophia Loren

    • Two Women 1934- luxury eyeframes Sophia Loren declared that Carlo Ponti was her sole lifepartner. A parental, ethnically familiar protector, Ponti was 22 years her senior with grown children. In their first decade, Ponti suffered from a long, complex, unfair divorce problem due to rogesha Guru-Tula.

    • Yet Guru is also dharmesha, signaling his empowerment in paternal roles. After negotiating an obstacle course of difficulties lasting a decade, her certainty was still rooted [4]. They remained married for the next 50 years until his death. Their showcase homes featured in glossy magazines [4] due to Guru's ruler flamboyant Simha-Shukra-2.

[Mangala Mahadasha ] [age birth until age 2.2 ]

20-Sep-1934 Earth-birth at the Clinica Regina Margherita in Roma, Italia * Mangala-Ketu bhukti

1935 [SL age 01] invasion of Abyssinia by Benito Mussolini. The dictator spends the national treasury building weapons and manpower for the Empire-building war. Italian economy is drained by war-spending, and the people become impoverished. SL grows up with increasing scarcity. * Mangala-Shukra bhukti * Shukra rogesha, wartime finance

[Rahu Mahadasha] [age 2.2 until age 20.2]

1950 [SL age 16] begins cinema career * Rahu-Shukra bhukti * lagnesha Shukra-Simha theatre

1950 [SL age 16] meets cinema director Carlo Ponti, a 22-years-older older married man with a family. According to SL, their connection was tangible. * Rahu-Shukra bhukti * lagnesha Shukra-Simha

[Guru Mahadasha] [age 20.2 until age 36.2]

1956 [SL age 22] begin international visibility via five-film contract with Paramount Studios * Guru-Guru svabhukti * Guru rules 11-income, payments

17-Sep-1957 [SL age 23] [CP age 45] non-legitimated paper marriage-1-of-1 with film director Carlo Ponti, arranged by double-proxy in Mejico * Guru-Shani bhukti * [Rahu-yuti-Shani] ++ samchara Rahu-Ketu Tula-Mesha via Tula-6-illicit contracts

1960 [SL age 26] starring role in the critically acclaimed + popularly successful film Two Women = dozens of prizes * Guru-Budha bhukti * uchcha-Budha-5 drama

1962 [SL age 28] Academy Award [Oscar] Best Actress for a foreign-language performance * Guru-Shukra bhukti * lagnesha Shukra-Simha-4 homeland performances ++ dvadasa Sade-Sati

  • Jan-1964 until Dec-1966 Janma Sade-Sati Kumbha
  • [age 28-31]
  • [via 10, public reputation, visibility, iconic roles]

1965 [SL age 31] Following a 14 year liaison with beloved Ponti [illegitimated by Italian law] Carlo Ponti's first wife agrees to a divorce in France. * Guru-Shukra bhukti * Shukra rogesha, divorce ++ janma Sade-Sati

09-Apr-1966 [SL age 32] CP + SL = legally [re]married * Guru-Chandra bhukti * Chandra rules Karkata Svamsha - samchara Rahu-Ketu Vṛṣa-Vṛścika contact navamsha R-K. ++ janma Sade-Sati

29-Dec-1968 [SL age 36] celebrated the birth of child-1, musical orchestra director Carlo Ponti Jr.* Guru-Rahu chidradasha

[Shani Mahadasha] [age 36.2 until age 55.2]

1976 [SL age 42] grieved the decease of father . SL said that she had met her dad only three times during her life * Shani-Ketu bhukti

1980 [SL age 46] initiated, designed + modeled an eponymous internationally successful line of spectacles for women [as of 2022, still among the most popular women's designer-branded eyewear globally] Shani-Shukra bhukti * Shukra lagnesha eponymous + Shukra rules 6 = medical appliance

1982 [SL age 48] served 18-day prison sentence for tax evasion. No harm to her career * Shani-Chandra bhukti * Chandra rules [nicha-Mangala-yuti-Ketu] in 8th-from-8th, minor trauma, commercial tax disregard

[Budha Mahadasha] [age 55.2 until age 72.2]

09-May-1991 [SL age 57] grieved the decease of mother, Romilda Villani * Budha-Budha svabhukti * Budha rules 2nd-from-4 ++ dvadasa Sade-Sati

  • Mar-1993 until Jun-1995 Janma Sade-Sati Kumbha
  • [age 59-62]
  • [via 10, public reputation, visibility, iconic roles]

[Ketu Mahadasha] [age 72.2 until age 79.2]

10-Jan-2007 [SL age 72] [CP age 94]* grieved the decease of lifepartner Carlo Ponti * Ketu-Ketu svabhukti

[Shukra Mahadasha] [age 79.2 until age 99.2]

  • Jan-2023 until Apr-2025 Janma Sade-Sati Kumbha
  • [age 89-92]
  • [via 10, public reputation, visibility, iconic roles]

Salient features of the nativity

[Surya]

pitri-karaka [father] jyoti-karaka [light]

[svabhava]

[homebound-anchoring bandesha for Urisha indriya-lagna]

[applauded center of service ministry]

[celebrated for offering assistance]

[confident political analysis] [intelligent display of ailments and imbalanced conditions]

[genius for expression of homeland character]

[if with uchcha-Budha, fortune from speculative finance]

...

[profitable-systematic Uttaraphalgunī-3] [navamsha Surya-Kumbha] intuitively confident populist entertainments

[Surya-yuti-Budha-uchcha]

  • [Surya-Kanya] Poshanya * Pushna - the nourisher * brightly charismatic confidence of Center-stage Surya radiates through the analytical logical rashi of Budha
  • [Surya in bhava-5] center of sparkling entitlements * poetic romance * literary-artistic intelligence * splendid speculations * radiates brightly political celebrity * focus on glamour * genius for dramatic entertainments * eye on smart gambling * brilliant in games * bright center of creative performance * father may be a dramatist-speculator-politician
  • [Surya-yuti-Budha] confidently conversational * bright messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * gestures conduct the spiritual rays of the Sun * radiantly descriptive * articulate in drama * skillful game-player * self-confident announcements * talks about ideals * narrative of power-politics * recites love poems * describes divine romance

OUTCOMES - Surya

[Surya in bhava-5] rules

  • 2- eyes -face - voice- mouth - glamour - diva contains [Pūrvaphalgunī- 2] [Shukra-Singha]

Tabloid Press [3]

Surya-yuti-Budha] camera, photographs, newspaper-magazine, cinema, dramatic scripting, tabloid press,

SL career was built not only upon her cinematic drama skills and camera-ready face [2], but also upon the decades of tabloid press photo-stories featuring her enduring affair with Ponti, her glamorous Hollywood co-stars, her spectacular home near Roma, and her charming family life.

SL's passionate marriage story [Shukra-2, love stories] caused a public furor among the proletarian audience of the 1950's and 1960's.

[Surya in bhava-3] rules Simha Svamsha suggesting that

  • an elder spouse would be preferred.
  • At time of the tabloid celebrated [but legally unsuccessful] double-proxy marriage in 1957, Sophia 23 + Carlo 45.

professional dramatics would be focused into cinema and modeling [3] rather than live theatre [5].

Also that the more enduring activity would be commerce, even while cinema-drama continued into her last decades.

FATHER

Dad = Riccardo Scicolone, a construction worker. [Surya-Kanya] rules-4, building.

According to SL's autobiography, SL met her father a total of three times. Dad was the father of Sofia and her younger sister Maria. However, dad was married to another woman. Romilda, Sophia, and Maria were his extramarital family. In 1930's Italy, divorce was severely stigmatized, so Dad had little motivation to marry her mom.

/ Only three times / may be a media-promotional story,

[Surya-yuti-Budha] Surya ruling 12th-from-self is a distancer, but not an annihilator. Surya also rules 7th-from-Chandra, albeit [Surya-Kanya] does occupy the mysterious and often camouflaged 8th-from-Chandra. More likely, the parents had an ongoing relationship which may have been veiled from their two daughters, in order to prevent gossip.

pitristhāna ruled by [Guru in bhava-4] who intakes drishti of nicha-Kuja-1 would suggest that the parents had some deep emotional conflict -- since Guru is rogesha.

  • However the main source of amplified self-story is lagnesha [Somana-yuti-Rahu] combined with [Somana-yuti-Shani] [nishturabashi yoga]. The figure of the mother is a more natural culprit. Ketu-1 tends to identify with the script.
  • In Roman-Catholic Italy, divorce was strictly illegal, and their age-gap kept tongues wagging. The couple met when SL = 16 and Ponti = 38.
  • Her [Somana-yuti-Rahu] [7] seels a protective, parental yet unusual spouse.

[Chandra]

matrikaraka [mother] * garha-karaka [village]

[busy-communicative bhratru-pati for Urisha indriya-lagna]

...

[arranging-diplomatic Dhaniṣṭha-3] [navamsha [Chandra-Tula] intuitively sensitive adjusting arranging bargaining contracts alliances

  • [Chandra-Kumbha] comforted by friendship * sensitive to gridworks * needs marketplace connection
  • [Chandra in Dhaniṣṭha - Delphinus] soothed by forceful climbing * protectors of structured competition * pursues routines of systematic dominance
  • [Chandra in classroom-10] comfortable with high reputation * socially recognized protector * parental style of leadership * Familiar Face to the public * sensitive to social protocol * accustomed to regulations * soothed by peak position * acculturated to executive routines * settled into the rhythm of respected roles * feels the repeating pulse of elite status * calmed by climbing hierarchical steps ** anchored into lawful responsibility * undulating authority * mother may be a dignitary, a well-known figure, a principal, a prominent parent

OUTCOMES - CHANDRA

[Chandra in classroom-10] public visibility, reputation - rules

  • 3- cinema, photography-modeling, eyewear business, manufacturing-sales-advertising , magazine features
  • 3 contains [nicha-Mangala-yuti-Ketu] yuvati-pati, marriage. Emphatically known for scandalous issues with lifepartnership legalization.

MOTHER

Mom = Romilda Villani [1910–1991]

Many of SL's roles have a mother-daughter element, reflecting the influence of her aspiring-actress mother and SL need {Chandra] to play out the extraordinary tensions of

MARRIAGE partnership emotional equity support expectations

[Chandra in classroom-10]

[7th-from-Chandra-10] lifepartnership 1-of-1

when SL = 16 ++ Ponti = 38, Carlo Ponti, a parent-figure 22 years her senior, entered her life

  • Karkata security anchoring protection contains [nicha-Mangala-yuti-Ketu]
  • bhava-1 identity, physicality, attributes of personality, appearance

the extraordinary volatility of their early attempts to marry, plagued with government and ecclesiastical resistance [Makara] to their union, nourishingly fed the tabloid press

  • plays out the nicha-Kuja-Shani opposition mixed with R-K over-the-top extremes of bureaucratic drama
  • Rahu-the-Poseur generated a Fake Marriage during Rahu-Shukra bhukti as attempt-1,
  • but only the second marriage paperwork during Guru-Shani bhukti was bureaucratically legitimate [Shani]

7th-from-Chandra = [nīcha-Kuja-yuti-Ketu] [1]

  • must-let-go [Ketu]
  • cannot-let-go [Aśleṣa Kuja]

Rahu-Shukra bhukti* Shukra occupies 8th-from-Rahu [trickery]

  • The first ceremony, a marriage-by-double-proxy with two attorneys standing-in for the husband-and-wife. This expedient legitimation device [Shani-yuti-Rahu] had been used through the centuries to formalize royal marriages. The method was anciently recognized by the Roman-rite Catholic Church. Yet, the proxy marriage was adjudged [7, judgements] in Italy as an act of bigamy for Ponti. The Mexican contract was later annulled.

Guru-Shani bhukti

  • finally all of the rules for all of the institutions - sacred and secular - could be satisfied. The couple married, produced a healthy family, and grew old in happy mutual affection. When the widow SL was asked if she would remarry, she replied, " Oh, no, I could never love again. Carlo was my everything.
  • [Guru in bhava-4] suggests only one husband.

[Chandra in classroom-7] seeks a caretaker spouse

  • alliance formed for purpose of protection, co-parenting, provision of foundational stability

[Guru in bhava-4] with no companion graha suggests only one husband, and he is dedicated to the provision of dwellings, vehicles, routines of life

  • their celebrated, opulent estate near Roma ++ later beautiful properties were gifted by the spouse [albeit SL earned her own income significantly not only from film but from her spectacles business]

  • furthermore [Guru in bhava-4] occupies 10th-from-Chandra, suggesting that one's public reputation is defined by the husband

OUTCOMES - CHANDRA

CAREER - 10th-from-Chandra

MOTHER

MARRIAGE

[Kuja]

bhratru-karaka [brother] virya-karaka [virile]

[nīcha]

[balancing-bargaining yuvati-pati Urisha indriya-lagna]

[contemplative-imagining vyaya-pati for Urisha indriya-lagna]

...

[class-conscious Aśleṣā-2] [navamsha Kuja-Makara-uchcha ] intuitively forward-pushing competitive corporate hierarchical champion

[nicha-Kuja-yuti-Ketu]

  • [Mangala-Karkata] active pursuit of security * proactive nourishment * drive toward rooting + settling * vigorous defensive movement * police protector * fence-builder * push toward land ownership * promotes construction of settlements * innovative farming + fishing * energetically ethnic * champion of local cultures
  • [Mangala in bhava-3] drive toward commerce * push toward scripted communication * active touring * vigorous pronouncements * invasive management * energized process * hyperactive mentality * athletic sibling-figures * promotional sales * photographs of the muscular physique * dynamic marketing * champion of teamwork * pursuit of business
  • [Kuja-yuti-Ketu] vigorous break-ups * enervated * passive-aggressive * high-energy collapse * fierce pursuit of impermanence * pointless fights * diffused sexuality * dynamic wandering * apathetic brother-figures * potential for aggressive self-annihilation * pushes toward non-attachment * liberation by force

OUTCOMES - MANGALA

Maternal Grandmother

SL was sent to her grandparents' home for safety during war years. It was a sadly common story among Italian women, their children starving and their houses bombed. It may have been a survival decision to resort to prostitution during the war.

Mangala drishti into 6 during Mangala Mahadasha meant that SL had a dangerous, insecure childhood.

Raised in poverty during the extremes of the losing side of WW-2, SL would have felt the conflict, both personally, and through emotional awareness of the turmoil afflicting her parents and grandparents.

In time of distress, SL's grandmother ran a private lounge that was popular with American GI's. Yet the one thing SL could do, even as a child in awful circumstances, was to charm and entertain. Yogakaraka Kuja rules 5-10 and Kuja sends drishti into Chandra-Shani-Rahu-7

CARETAKERS

Part of her drive to succeed in her own way on her own terms is likely accountable to the tensions and undependable behaviors of her caretakers [Old Pathways Karkata].

Constant physical tension due to Shani-Makara-Draco-7 in mutual drishti with Mangala-Karkata-1

Although personally exhausting [Ketu] the public fixation [Aśleṣa-Kuja] on her emotionally expressive, sensual even primitive physique was enduring due to Shani-drishti into-1.

[Budha]

jamayah-karaka [sibling] sandeza-karaka [message] zisya-karaka [student]

[uchcha] [svakshetra]

Putra-sukha yoga

[collecting-evaluating dhanesha for Urisha indriya-lagna]

[witty-creative vidya-pati for Urisha indriya-lagna]

...

[dramatizing-displaying Chitra-1] [navamsha Budha-Simha] intuitively detailed logical description of theatrical process, politics, romance, creativity, children

[uchcha-Budha-yuti-Surya]

  • [Budha-Kanya] ministering service communications *  articulation of digestive process * talks about aid to the suffering * formulates descriptive complaints * precise programmatic conversations *  delivers detailed pronouncements * grammatical expertise * logical arguments *  messages about accuracy * specifies error * hands-arms-shoulders make helping gestures
  • [Budha in bhava-5] narrative of splendid signaling * discusses entitlements * self-referential conversations * describer of divine intelligence * explainer of romance * delivers political instructions * writes poetry * proclaims love * defines creative literature * plays games * discusses fame * lectures about idealism * debates with royalty * chats with children * publishes unique opinions * articulator of artistic performance * declaims with radiant confidence
  • [Budha-yuti-Surya] amusing explanations * entertaining chatter * central roles in communication * brightly clear descriptions * dramatic enunciation * confidently delivers instruction * articulation of radiant certainty * political messenger * talkative father-figures

OUTCOMES - BUDHA

[Budha-Kanya] rules

  • 3 - media communications, tabloid press, photographs, cinema, commercial business, manufacturing [eyewear]
  • 12 - private rooms, distant lands, sacred enclosure, invisibility, imagination

[Guru]

dhava-karaka [husband] bahuta-karaka [variety]

[Sarala Yoga]

[mysterious-initiatory randhresha for Urisha indriya-lagna]

[friendly-gainful vriddhi-pati for Urisha indriya-lagna]

...

[contractual-adjustable Chitra-3] [navamsha Guru-Tula]

  • [Guru-Tula] many trades * variety of exchanges * optimistic negotiations * believes in justice * doctrine of contractual exchange * multiple alliances * permission to bargain * diversity of arrangements * equable guidance * widens the scope of balanced design
  • [Guru in bhava-6] broad ranging ministries of service * extensive distress * ideological disagreements * many injuries * much victimization [being eaten] * tolerance for diverse diagnoses * abundant digestive imbalance * many grievances * much betrayal * numerous unfair accusations * broad scope of disorderly conduct * cheerful acceptance of human misery * believes in problematicity * patron of pharmacies * many medicaments * in a wifely nativity, husbandly-companion may aid the suffering

OUTCOMES - GURU

Ancestral palatial homes

SL recounted that Carlo Ponti promised to buy her the most beautiful house in Italy. Their estate outside of Roma was photographed by the celebrity press, and SL declared her deep happiness there.

Brihaspati's ruler [Shukra-2] located in 11th-from-4, Shukra brings profits from investment in lands and vehicles

[Shukra]

svadu-karaka [sweet] kalatra-karaka [wifely companion]

[dikbala]

[energizing-identifying lagnesha for Urisha indriya-lagna]

[medicating-inimical rogesha for Urisha indriya-lagna]

...

[analytical-strategic Pūrvaphalgunī- 2] [navamsha Shukra-Kanya-nicha] intuitively harmonizing exploitive unbalanced unfair contracts

  • [Shukra-Singha] appreciation of regal confidence * likes admiration * enjoys applause * prefers creative partners * attracted to artistic performers * bargains to play radiant central roles * delighted by celebrity * charmed by romantic pleasures * pleased by ceremonial display * brightly theatrical arrangements
  • [Shukra-4] seeks pleasure via home-based routines * likes the seasonal rhythms of nature * enjoys real-estate finance * attractive gardens * strong feminine presence in the home * aesthetic of domestic stability * pleasing designs to adorn the chest * beautiful breasts * lovely torso * appreciation of owned-stewarded properties * in a husbandly nativity, wifely-companion may be a homemaker-farmer-driver-schoolteacher-police

OUTCOMES - SHUKRA

[Shukra-Singha] = usually coppery skin + golden glowing appearance

[Shani]

duro-karaka [endurance] * jara-karaka [Jahre, years]

[svakshetra]

[Yogakaraka doctrinal-guiding dharmesha for Urisha indriya-lagna]

[Yogakaraka dutiful-exective karmesha for Urisha indriya-lagna]

[conforms to conventional orthodoxy]

[maintains the hierarchical doctrine]

[rigidly class-conscious father]

[believes in the rule of law-and-order]

[philosophical understanding limited by social norms]

[prefers older respected lawful religious teachings]

...

[calculating-strategic Dhaniṣṭha-2] [navamsha Shani-Kanya] intuitively structured orderly lawful ministries of service

[Atmakaraka endurance, stamina, maturity, dignity, lawfulness, scarcity, delays, respect for elders, regulations, normalcy, class-consciousness]

[Shani-yuti-Rahu]

  • [Shani-Makara-Draco] heavy old institutions * obliged to conform to the time-clock * rigidly ranked class-systems * strict regimes * pressure to complete socially required duties * structural compression upon knees-calves-skeleton * strictly imposed protocols * must normalize old rules * unyielding pressure of public judgment * class-conscious elders * punitive regulators * must endure proletarian manners * must continue disciplined work * scarce building resources * maintainer of old hierarchies
  • [Shani in Bhava-9] slow time-structured worldview * must maintain the patriarchal faith * imposes the old convictions * delayed understanding * punitive ideologies * cautiously conventional professors * judgmental father * conservative religious hierarchy * global scale of responsibilities * heavy doctrinal pressures * blocks new viewpoints * preacher's fatigue * intolerance for sacerdotal innovation * pragmatic time-tested principles * materialistic paradigm of belief * rigidly dutiful guidance * elders preserve strict sacred rules
  • [Shani-yuti-Rahu] stiff resistance to unbridled ambition * formally regulated cultural mixing * disciplined thrills * class-based limitations upon privilege * repressed quest for intriguing importance * socially constrained opportunism * shimmering illusion of systematic conformity * irregular achievements * over-reaching elders * restricted risks

OUTCOMES - SHANI

Extraordinary trouble with Church authorities.

[Rahu]

rajyalobha-karaka [ambition] picchala-karaka [slippery]

[for Urisha indriya-lagna]

[Rahu casts passionate drishti into 1-3-5]

[passion for conventional beliefs]

[seeks prestigious high-ranked patronage]

[ideology of socially approved opportunity]

[craves privilege of preaching on social norms]

[over-reaching father may take risks in public reputation]

...

[face-voice-finance Śrāvaṇa-2] [navamsha Rahu-Urisha-uchcha] intuitively over-reaching fascination with wealth, treasuries, luxuries, jewels

  • [Rahu-Makara-Draco] shimmering illusion of dignity * craving for social status * mirage of legitimate authority * mask of hierarchy * over-reaching acts of institutional leadership * fascinating ascent to respected position * unorthodox methods of social ordering * extraordinary claims to statutory jurisdiction * extravagant elitism * thrilling seniority * seeks special importance via apparent [but perhaps not authentic] attributes of responsible governance * bossy pretense * seeks privilege via regulator-roles
  • [Rahu in bhava-9] passion for prestige preaching * in svabhava of Saptarishi Guru, the Shadowy Specter gives glamorous guidance * thrilling surge of theoretical understanding *dazzling dharma * outsider who cleverly insinuates into patriarchal wisdom roles * seeks importance via sacred teachings * fantastic philosophy * compulsive catechesis * privilege-seeking proselytism * intriguing ideology * ambitious father-figures * extraordinary professors * barrier-breaching guru-figures * exciting culturally-mixed worldview * may pose as a pope * shimmering illusion of sacerdotal sangha * fabulous faith community * surreptitious appropriation of priesthood * entrancing ecclesiastics * smoky specter of ultimate principles * extravagant globalism * trespasses cultural boundaries of patronage * mirage of exemplary fatherhood * opportunistic third marriage (if any) * social mobility sought via paradigms of belief
  • [Rahu-yuti-Shani] amplified public formality * pragmatic exaggeration * exotic social conventions * slippery hierarchies * tricky rules * opportunistic elders * fascinating [but perhaps illusory] strict conformism * regulated risk-taking * hypnotic outsider insinuates normalcy * orderly cross-cultural mixing * thrilling legitimations

OUTCOMES - RAHU

[Ketu]

kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum]

[for Urisha indriya-lagna]

[disregards customary discourse conventions]

[eccentric rhythms of administrative routines]

[incoherent settlement planning]

[empty patriotic announcements]

[liberating abstract security discussions]

[scattered defensive mentality]

...

[transformative-evolutionary Pushya-4] [navamsha Ketu-Vṛścika-uchcha]

[regenerating-secretive Pushya-4] [navamsha Ketu-Vrischika] [vargottamsha]

[nicha-Mangala-yuti-Ketu]

  • [Ketu-Karkata] calmly dissociates from foundational habits * surrenders material security * placidly empty shelters * disregards conventional caretaking * not limited by customary routines * ignores restriction on farming-and-fishing * abandons owned-stewarded property * forgives the ancestors * releases a soothing pink cloud of  ancient rhythms into the misty abyss
  • [Ketu in classroom-3] eccentric communications * disinterested in daily chat * writes on foggy abstract topics * dissolves messaging boundaries * implausible prophecy * wandering discussions * can handle esoteric information * irrelevance of normal mental narrative * abandons management tasks * dismisses the standard explanations * disregards conventional discourse * unless other graha in 3, may prefer to live free from younger siblings
  • [Ketu-yuti-Kuja] surrendered championship * abandons fighting * incoherent actions * disconnected brethren * unsustainable domination * apathetic competitions * eccentric disability * unfulfilled quest * pushes toward awareness of impermanence * incomplete births * spiritual liberation via forward movement

OUTCOMES - KETU

Two notable miscarriages preceding birth of two healthy sons

During [Rahu Mahadasha] [age 9.6 until age 27.6], SL began fashion-modeling rather than high school.

SL was almost constantly the prey of tabloid magazine paparazzi,

Ketu themes of divorce, betrayal, and disregard for bourgeoise morality fueled her publicity engine. At a time of social change, the working class, tabloid-reading public was gripped by SL's relatable story of entrapment by outdated rules [nīcha-Mangala-yuti-Ketu]
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