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Drama-Song

Politics

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COHORT

born 8 months after

born one month after

***

born 2 months before

born 3 months before

born 6 months before

14 mos before

Notable friendships with

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Barbara Joan Streisand in 1966 [BJS age 24]

singer - dramatist

cinema director

Entertainment Media Producer

businesswoman

Political Activist

Philanthropist

Fundraiser

Barbra Streisand

a.k.a. Barbara Joan Streisand

Earth-birth Friday-24-Apr-1942

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Barbra Streisand in 2000 [BJS age 58]

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balladeer - dramatist

cinema director-producer

charitable fundraiser -- political activist

1942-

Barbara Joan Streisand

double parivartamsha combines the rulers of = 1 + 2 + 3 + 5 ++ 8 + 9 +10

= eight bhava receiving parivartamsha heightened cross-trained vitality

birth data from en.wikipedia.org/wiki/Barbra_Streisand

tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = produced by Shri Jyoti Star - www.vedicsoftware.com

- adapted by BP Lama

Rising Nakshatra

Feminine Public-Figure Examples

Chitra - Tvastri

Citthirai - Visvakarma - Azinech - Alaraph - Arista - Dana

BPL COMMENTARY

For Chitra - Tvastri births of a feminine valence, the condition of kinesthetic, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome.

For those born into the Mangala-ruled paradigm of Visvakarma, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, builders, drivers, drillers, diggers, exploders, aggressors, pursuers, competitions and battles may be especially influential.

Guided by instructors from civilizations of Spica. their purpose is architectural engineering and crafting of beautiful, functional, and artistic alliances, arrangements, and designs.

Designs + Arrangements

[Competitive Champion Kuja]-ruled Vismakarma ladies are blessed with direct, muscular physical and sexual energy. They are often found in environments where beautiful designs plus physical agility are valued. Chitrani drawing skills often place them into garment-making and decoration. They typically excel in competitive , vitality -focused fields such as fashion modeling , cinematic acting, musical performance, choreography and dance, and athletics which emphasize balanced movement.

Kanya pada 1-2 expresses Kuja's rulership of 3-writing-commerce + 8-secret transformations, while also displaying the frustrating tension of chatty Budha versus active Kuja. Budha's Writing skills may emerge in pada 1-2. Kanya-Chaitra are often found in media communications and commercial aspects of design work, where their pro-active process management is distinctive. Trust and relationship integrity may be growth-challenging.

[Tula - Vanika] Pada 3-4 emphasizes Kuja's rulership of 2-collections, treasuries + 7-contracts, alliances. Shukra's bargaining behavior and financial skills rise in pada 3-4 due to the pleasant attractions of Shukra-Mangala.

Ladies often enjoy considerable wealth via face, voice, marriage, and family lineage. In music, arts, and partnership-craft, they pursue harmonious arrangements. They often play stringed instruments, and write beautiful songs. In the arts, entertainment, beauty, and design industries, their contractual deals may be luxuriously beneficial.

Themes of competitive movement , agile beauty, dynamic design, and financial equity may contextualize Chaitra's terrestrial experience. Incoming drishti from Kuja can mobilize their progressive, pioneering actions. Also applies to Chandra in Chitra - Spica.

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Streisand and Brolin in their 50's

QUOTATION Tvastri

from Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra . p 96 .

" An expensive and luxurious person.

  • One who is fond of clothes and beautiful surroundings and revels in them.

  • She spends much money on jewels, perfumes, cosmetics

  • and her taste in these matters is expensive .

She likes to change costumes several times a day

  • and always look like an animated fashion plate .

Variety is the spice of life to this woman

  • and she will be inconstant and fickle in love affairs,

  • having many during her life and marrying often.

Many actresses, musicians, artists and opera singers have Chitra rising.[....]

[end quotation]

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[parents of Barbara Joan Streisand]

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1956, high school, barbara Streisand [age 14]

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1973 , Barbra Streisand The Way We Were [age 31]

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Barbra Streisand + Hillary Clinton [2013] BJS = committed supporter of the Democratic Party spanning a multi-decade entertainment career. [BJS Uttaraphalguni svamsha]

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Barbra Streisand 1968 Funny Girl [BJS age 26]

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Barbra Streisand, in her mid-70's, performing at a political fundraiser

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Barbra Streisand holding her 1969 Oscar for best actress in the movie, Funny Girl

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2013 Barbra Streisand, amajor Democratic Party fundraiser, posing with POTUS-42 My Life 1946- Bill Clinton

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Barbra Streisand in 2018 [age 76]

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B Streisand [age 73] with lifepartner-2, James Brolin [age 74] in 2015

Biographical Events matched to Vimshottari Dasha bhukti

[Budha Mahadasha] = [age birth until age 7.1]

Fri-24-Apr-1942 = Earth-birth in Brooklyn, Kings County, New York, USA * Budha-Rahu bhukti

04-Aug-1943 [BJS = age 15-mos] grieved sudden, unexpected bio-decease of father due to hospital error * Budha-Rahu bhukti * Rahu-12 hospitals++ dvadasa Sade-Sati

Sep-1945 until Jul-1948 Janma Sade-Sati Karkata

  • [11, fundraising, community-connections, friendship, social ecologies, goal-orientation, material achievement, marketplace revenue]

  • [age 4-7]

[Ketu Mahadasha] = [age 7.1 until age 14.1]

1949 [BJS age 7] remarriage of BJS mother, Diana Rosen * Ketu-Ketu svabhukti ++ dvithya Sade-Sati

1956 [BJS age 14] mother Diana Rosen separates from her second husband, eliminating the predatory stepfather from BJS home * Ketu-Budha chidra-dasha * Budha rules 2nd-from-2nd from Chandra + lagnesha

[Shukra Mahadasha] = [age 14.1 until age 34.1]

1958 [BJS age 16] accelerated graduation from Erasmus High School * Shukra-Shukra svabhukti * Shukra rules 4th-from-Chandra diploma

1960 [BJS age 18] begins a career-long representation relationship with theatrical agent, Marty Erlichman. He would negotiate her entertainment industry contracts and serve as her television producer. * Shukra-Chandra bhukti * Chandra rules 11-economic network, friendship

1960 [BJS age 18] after several years of theatrical acting classes, BJS unexpectedly begins a singing career * Shukra-Chandra bhukti * Chandra rules 11-economic network, earnings

1962 [BJS age 20] meets future husband, actor Elliot Gould [Goldstein] at a Broadway theatrical singing audition * Shukra-Mangala bhukti+ [Kuja-10 parivartamsha Budha-8] * Budha rules Kanya svamsha

Jan-1963 [age 20] first musical recording at CBS records. Laying the foundation for BJS to blossom as the top-selling female vocalist in the USA. * Shukra-Mangala bhukti + + [Kuja-10 parivartamsha Budha-8]

13-Sep-1963 [BJS age 21] consecration of wedding-1-of-2 with dramatic actor, Elliot Gould [Goldstein] * Shukra-Rahu bhukti ++ R-K gochara Karkata-Makara contact Chandra-Karkata

29- Dec-1966 [BJS age 24] celebrated the birth of child-1, actor Jason Gould * Shukra-Guru bhukti

1967 [BJS age 24] despite sold-out concerts and national popularity, new mother BJS takes a 27-year hiatus from musical touring * Shukra-Guru bhukti * Guru rules 6th-from-Chandra

12-Feb-1969 [BJS age 27] announced marital separation from lifepartner-1, E. Gould * Shukra-Guru bhukti * Guru rules 6th-from-Chandra

1969 [BJS age 27] won the Academy Award [Oscar] for best actress in cinema role, Funny Girl * Shukra-Shani bhukti + + Shani rules 5- prizes, celebrity ++ parivartamsha rulers of 5 + 9

21-Apr-1969 [BJS age 27] one week after receiving the Funny Girl award, grieved the bio-decease of step-father, Louis Kind * Shukra-Shani bhukti * Shani rules 7th-from-2nd-from-Chandra = decease of mother's 2nd-husband

Jul-1971 [BJS age 29] 30 months after announcing their separation with co-parenting rights, finalization of divorce-1, officially ending marriage-1 with dramatist Elliot Gould * Shukra-Shani bhukti * Shani rogesha = delayed divorce ++ gochara Rahu-Return

1973 [BJS age 31] begin nine-year relationship with stylist-manager Jon Peters * Shukra-Budha bhukti * Budha rules Kanya svamsha

1973 [BJS age 31] second Academy Award for The Way We Were , Best Actress * Shukra-Budha bhukti * Budha lagnesha-karmesha

Jul-1975 until Sep-1977 Janma Sade-Sati Karkata

  • [11, fundraising, community-connections, friendship, social ecologies, goal-orientation, material achievement, marketplace revenue]
  • [age 33-36]

[Surya Mahadasha] = [age 34.1 until age 40.1]

1976 [BJS age 34] critical applause and financial praise for A Star Is Born cinema success * Surya-Chandra bhukti * Chandra rules 11, awards for work-accomplished , earnings ++ janma Sade-Sati

[Chandra Mahadasha] = [age 40.1 until age 50.1]

[Mangala Mahadasha] = [age 50.1 until age 57.1]

01-Jul-1996 [BJS age 54] meets future lifepartner-2 James Brolin at Hollywood restaurant, while dining with friends * Mangala-Budha bhukti * Budha rules Kanya 7th-navamsha

01-Jul-1998 [BJS age 56] consecration of wedding-2-of-2 with dramatist James Brolin * Mangala-Shukra bhukti ++ R-K gochara Simha-Kumbha contact natal R-K + Saturn-Return

Sep-2004 until Nov-2006 Janma Sade-Sati Karkata

  • [11, fundraising, community-connections, friendship, social ecologies, goal-orientation, material achievement, marketplace revenue]
  • [age 61-64]

[Rahu Mahadasha] = [age 57.1 until age 75.1]

27-Mar-2002 [BJS age 60] [mom aged 93] grieved the bio-decease of mother, Diana Rosen Streisand Kind, via Alzheimer's Disease * Rahu-Guru bhukti * Guru-yuti-Shani * Shani rules 7th-from-matrikaraka++ dvadasa Sade-Sati

[Guru Mahadasha] = [age 75.1 until age 91.1]

Jul-2034 until Aug-2036 Janma Sade-Sati Karkata

  • [11, fundraising, community-connections, friendship, social ecologies, goal-orientation, material achievement, marketplace revenue]
  • [age 92-95]

[Shani-Urisha] - [Shani in Bhava-9] + [Krittika-Shani-yuti-Guru-Mriga] + + [Shukra-6 parivartamsha Shani-9]

Distinctive features of the Nativity

[Sparkling Splendid Surya]

pitri-karaka [father] -- jyoti-karaka [light]

[retreating-contemplative vyaya-pati for Kanya indriya-lagna]

  • check Mangala + Mangala-drishti to source Surya's forward-pushing certainty, noble entitlements, competitive displays

= [uchcha] = [Vimala Yoga]

[retreating-contemplative vyaya-pati for Kanya indriya-lagna]

[camouflaged center of brilliantly self-assured perception]

[hidden healing intelligence for brain-blood]

[focused demonstrations of mysterious physical initiation]

[dynamically active, creatively kinetic presence in crisis intervention environments]

[may express certainty on matters of pioneering esoteric vyaya-patitransformation]

[self-referential father may be secretive and invasively dominating]

[father or self, may radiate other-worldly vyaya-pati championship entitlements]

...

[rhythmic-undulating Aśvini-4] = [navamsha Surya-Karkata] intuitively confident protective sheltering defense

+ [uchcha-Aśvini-Surya-yuti-Budha-Bharani-asta]

  • [Surya-Mesha] [Suryaya - the supreme one] * brightly charismatic confidence of Center-stage Surya radiates through the vital competitive dominating rashi of Mangala

  • [Surya in bhava-8] center of revelation * spectacular explosions * heart of rebirth * splendid emergence * intelligence for trauma healing * political secrecy * confident rejuvenation * brightly transformative * focus on discovery * initiatory entitlements * eye on hidden assets * sparkling star of mysterious evolutionary changes * camouflaged father may be interventions healer, undercover agent, brilliantly disguised

  • [Surya-yuti-Budha] confidently conversational * brightly explaining messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * gestures conduct the spiritual rays of the Sun * radiantly descriptive * articulate in drama * skillful game-player * self-confident announcements * talks about ideals * narrative of power-politics * recites love poems * describes divine romance

OUTCOMES - MAGNIFICENT MARTANDA

self-reflexively emerging, brightly transformative, charmingly volatile, regal style of self-reinvention, discovery focused, radiantly recycling, politically camouflaged, splendidly disguised, center-stage rejuvenator [Surya in bhava-8] rules

  • 12 - enclosures, the bed, fantasies, privacy, interior spiritual guidance, clandestine undertakings, intuitive awareness, non-linear conceptual undertanding, concealment, seclusion, invisibility, dissolved identity, meditation, contemplation, dreamworlds, astral plane, imaginary scenarios, sanctuary sleep, distant lands, distress of the avowed partner

CAREER - SPARKLING SURYA

Surya rules [Uttaraphalguni svamsha]

= [uchcha-Aśvini-Surya-yuti-Budha-Bharani-asta]

= [uchcha-Surya] rules Rahu-Simha-12 in 2nd-from-Chandra = voice-face, music-heritage, ++ 2nd-marriage

FATHER

bio-dad = Emmanuel "Manny" Streisand

Dad earned MA-Education from Columbia Teachers College. He worked as a high school English teacher.

Guru in pitristhana rules-4 = schooling + + [Surya-yuti-Budha] = writing composition.

Sadly, when little BJS was only 15 months old, bio-dad died from a shocking, entirely unexpected Surya in bhava-8 hospital mistake in treating his brain injury [Mesha]. Masked cause [8] = likely a covered-up morphine overdose.

Shani in pitristhana shows the enduring effect of father's legacy in BJS life - manifesting as her legendary work-ethic and psycho-mental stamina [Shani-9 drishti into Chandra-11].

Bonus-father = ignored boundaries, sexual molestation

Pitristhana contains + [Mriga-Guru-yuti-Shani-Kṛttikā]

multiple father-figures due to Guru-9

  • Shani rogesha shows exploitive traits of one of the additional fathers = Louis Kind, the harmful stepfather

Yet, Shani vidyapati also suggests an additional father-figure in the entertainment world who is cautious and wise = her longtime theatrical agent, Marty Erlichman.

  • BJS remembers Erlichman's excellent guidance as fatherly, and essential to her success.

Shukra-6 rules pitristhana

During even years of BJS age 7-14 = era of violated feminine boundaries

[Ketu Mahadasha] = [age 7.1 until age 14.1] [Ketu-Kumbha] = [Ketu in classroom-6] + [Varuna-Ketu-yuti-Shukra-Pūrvābhādra]

  • Ketu-Ketu svabhukti = BJS widowed Mom remarried to an abusive second husband
  • Ketu-Budha chidra-dasha = mom divorces the predator
  • According to BJS, bonus-dad was a gambler [Rahu-Yoni-12] who scattered [Ketu] their finances [Shukra] and molested her as a young girl Ketu-yuti-Shukra [6]

In her biography, BJS describes both parents [bio-mom and step-father] as selfish and rude toward their three children.

[Shukra Mahadasha] + [Shukra-6 parivartamsha Shani-9] = [age 14.1 until age 34.1]

  • As soon as her mom divorced the molestor, BJS returned to high school. She took many drama classes. She found her singing voice [Shukra rules-2] Soon after earning her HS diploma, BJS began to get paid work in musical theatre.

Maternal grandfather = Meena-7

Louis Rosen, the father of BJS mother Diana Rosen, was said to have been a gifted synagogue cantor with a famously beautiful singing voice. He is one of the multiple father-figures spreading influence from pitri-sthana.

maternal-grandfather's splendid voice = [uchcha-Aśvini-Surya-yuti-Budha-Bharani-asta] in familiar-face, socially recognized 10th-from-Chandra

[Comfortable Caretaking [Chandra]

matrikaraka [mother] -- garha-karaka [village]

= [svakshetra]

[friendly-gainful vriddhi-pati for Parthya indriya-lagna]

[comforted by familiar local friendships]

[culturally sensitive to ritual aims of economic linkage]

[needs to feel ethno-tribal pulse in mass-participation assemblies]

[habitually earns from customary connections]

[protector of the gainful ancestral group bonds]

[community membership confers a feeling of rhythmic routine]

[emotionally attached to parochial goal achievement]

[planetary-protection sensibilities attuned to fluid environments]

[householder mom usually the center of social life]

[caretaking nourishing mother may be a parental socialite, patriotic fundraiser, gardening community activist ]

...

[systematic-profitable Aśleṣa-3] = [navamsha Chandra in Kumbha] intuitively sensitive mass-participation, populism, economic systems, gain-of-goals

  • [Chandra-Karkata] comforted by maternal soothing * settled into tidal rhythms * needs to protect

  • [Chandra in Aśleṣa - Naga] soothed by restraining embrace * guards the ethno-cultural environment * needs familiar folk narratives

  • [Chandra in classroom-11] comfort in networks * calmed by earnings * familiar with fellowship * routine associations * accustomed to distributive systems * settled into community rhythms * acculturated to social participation * needs popularity * feels the repeating pulse of connectivity * soothed by profitable linkage * undulating friendships * mother may be a socialite, fundraiser, missionary, community-activist

OUTCOMES - ANCESTRAL SOMA

sentimentally friendly, emotionally gainful, feels grounded through mass gatherings, anchored into community linkage, sensitive to elder sibling, needs profitable market connections, sense of belonging to social participation networks [Chandra in classroom-11] rules

  • 11-fruitful revenues, interconnected income, profits, material achievement, social networking, friendships, community linkage, fan-clubs, mass participation gatherings, collectivism, marketplace gridworks, distribution, association, populism, economic systems, fundraising, gains-and-goals, awards for work accomplished, health of the enemies

CAREER - CARETAKING CHANDRA

  • [folk reputation 10th-from-Chandra transformative revelatory shocking rejuventating exploratory discoveries = in the invasive warlike champion style of Mesha [8]

Aśleṣa Chandra rules 11- achievements, aims, objectives, distribution networks, associative gridworks, revenues

increased articulatory ability and professional comfort with the world of words due to Budha-ruled [Chandra in Aśleṣa - Naga]] while Budha occupies 10th-from-Chandra

populist 11th-amsha. BJS = enormously popular singer with devoted fans from multiple age-generations

MOTHER

Diana Rosen was a Russian-Jewish emigre to New York.

Mom worked as a bookkeeper and school secretary. [Chandra in classroom-11 = community-connected, salary-earning, friendly. Chandra in Aśleṣa = administrative, secretarial

According to BJS, mom was a harsh critic [Chandra in Aśleṣa + Kuja drishti into matribhava].

Yet, she had a beautiful soprano voice [Rahu-Simha-12 in 2nd-from-Soma] . Mom's own father = famed synagogue cantor in Russia. Yet, mom never developed the singing career that she desired [12, disappearance]

  • Yet, while mother's singing career in plunged into obscurity [also 10th-from-Chandra = masked-8]
  • nevertheless, daughter BJS can develop a singing career, due to her powerhouse double-parivartamsha which incorporates the secretive, disguised Surya-Mesha brilliance -- but is not forced to hide it.

MARRIAGE partnership emotional equity support expectations

[7th-from-Chandra-11] = lifepartnership-1-of-2

dramatic actor, Elliott Gould [a.k.a. Goldstein].

  • bhava-5 = theatrical entertainer
  • Makara = regulation, hierarchy, dignified reputation, lawful observance

Elliot Gould = father of BJS child. Gould has said that his Jewish cultural identity [Makara social identity] is the ground of his life and purpose. Following their divorce, regular [Makara] co-parenting schedule was diligently observed.

*******

2nd-from-[7th-from-Chandra-11] lifepartnership-2-of-2

Hollywood dramatist James Brolin [a.k.a. Craig Kenneth Bruderlin]

  • bhava-12 privacy, seclusion, studio enclosure = contains [Rahu-Singha]
  • Simha theatre, entertainment, politics, display, having fun

The retired couple share a brightly entitled drama-world lifestyle [Rahu-Simha]. BJS compliments her devoted husband as a provider of physical security and feeling of viable protection [needs of Chandra-Karkata]. He also has children and grandchildren, which has diversified her family [Rahu in 2nd-from Chandra]

[Competitive Champion Kuja]

bhratru-karaka [brother] -- virya-karaka [virility]

= [dikbala]

[busy-communicative sahaja-pati for Kanya indriya-lagna]

[mysterious-discovering randhresha for Kanya indriya-lagna]

  • check Budha + Budha drishti to source Kuja's announcing incursion, mercantile competition, debating thrust

[proactively competitive executive communications]

[energized detailed government explanations]

[challenges structure of conventional public announcements sahaja-pati]

[institutional champion of disaster-recovery randhresha progress]

[leads with pro-active social engineering policies for commerce]

[transactional warrior may contest the rules for organizational intervention randhresha]

[seeks hierarchical authority using description and diagram]

[weaponized publicity energy promotes elite upward climb]

[vigorously successful rise to administrative recognition]

[prominent talkative brother-cousin or fellow-fighter may be mercantile sahaja-pati commander]

...

[transformative-rejuvenating Mriga-4] = [navamsha Kuja-Vrischika] iintuitively innovative discovery-revealing

+ + [Kuja-10 parivartamsha Budha-8]

  • [Mangala-Mithuna] vigorous pursuit of interaction * competitive commerce * proactive information delivery * energetic group collaboration * dynamic debate * dominating gestures * lively writing * kinetic conversation * push toward explanatory instruction * champion of process management

  • [Mangala in bhava-10] drive toward high position * pursuit of social authority * fights for rank * pushes upward gaining status * invasive regulation * hierarchical dynamics * dominating executive roles * energized governing conquests * champion of leadership elites

OUTCOMES - MOVING MANGALA

commercially competitive, self-promoting project manager, socially recognized announcements, forward-pushing sales career, militarized executive marketer, social regulator via active communication, talking head, leadership in energetically innovative publications, champion of professional information delivery [Mangala in bhava-10] rules

  • 3-communications, messaging, sermons, scripts, radio-television, media-products, Writing and Publishing, letters of correspondence, announcements, planning, schedules, sales, marketing, documentation, reporting, cohort, entourage, committee-work, iterative stepwise process, manufacturing, commercial business, instruction, explanation, discussion, diagrams, labeling, event management, signage, training, itinerary, tours

  • 8-unexpected eruptions of regenerating force, occult initiation, mystical revelation, shocking intervention, opaque empowerments, invasive surgery, intensive healing, evolution, violent explosion, sudden identity change, rejuvenation, recycling, rebirth, hidden assets, upheaval, undisclosed secrets, transformative events, discovery, in-laws of first marriage, health of younger sibling-cousin

CAREER - MOTIVATED MANGALA

competitive, communicative, innovative Kuja = messaging, commercial 3rd from Budha + + [Kuja-10 parivartamsha Budha-8]

= combines the rulerships of 1 + 3 + 8 + 10

Professionally-driven, energetic, competitive Mangala-10 rules the realms of cinema acting + production + scriptwriting - songwriting + project management

Writing-publishing-scripts

Mangala in bhava-10 also occupies 3rd from Budha,

  • ensemble, writing, production, management, projects
  • BJS = influential popular songwriter-singer, cinema scriptwriter, cinema director-producer.

Mangala-10 drishti into 1 + 4 + 5

Pro-actively managed [Kuja-Mithuna] Vigorous theatrical performance [Kuja-10 drishti into 5]

+ + [Kuja-10 parivartamsha Budha-8] joins the extraordinary double parivartamsha that creates vitalized career in music + media + cinema communications messaging imagery

[Busy Bantering Budha]

jamayah-karaka [sibling] -- sandesha-karaka [message] -- shisya-karaka [student]

[energizing-identifying lagnesha for Kanya indriya-lagna]

[dutiful-hierarchical karmesha for Kanya indriya-lagna]

  • check Kuja + Kuja-drishti to source Budha's competitive announcements, conquesting management style, pioneering interpretations

[warrior narratives of mysterious conquest]

[articulated description of unexpected championship]

[verbal fighter uses transformative skillful wordcraft ]

[public reputation karmesha for innovative hidden messaging]

[identified lagnesha with competitive taboo-breaking signals]

[secretive commanding karmesha direct-action communications]

[pushy scripted media-messaging delivers forcefully revelatory discoveries]

[chivalrous gestures may mask underlying urge to dominate]

[pro-active sibling-cousin may hold disguised promotional roles]

...

[dramatizing-displaying Bharani-1] = [navamsha Budha-Simha] intuitively explaining drama-politics

+ [uchcha-Aśvini-Surya-yuti-Budha-Bharani-asta]

+ + [Kuja-10 parivartamsha Budha-8]

  • [Budha-Mesha] innovative communications * pioneering pronouncement * articulation of dynamic movement * discusses physical experience * vigorous descriptive explanations * growth-challenging conversation * messages about contests * vocabulary of vitality * hands-arms-shoulders send competitive gestures

  • [Budha in bhava-8] narrative of forward evolution * mysterious information * unexpected eruptions of factual data * shocking revelation * emergency messages * writes about revolutionary cycles * speaks-and-sings about dynamic rebirth * detailed discoveries * describes transformative change * explains initiation * delivers instructions for new identity * hand-arm gestures signal healing renewal

  • [Budha-yuti-Surya] illuminating explanations * entertaining chatter * central roles in communication * brightly clear descriptions * dramatic enunciation * confidently delivers instruction * articulation of radiant certainty * political messenger * talkative father-figures

OUTCOMES - BANTERING BUDHA

talkative initiator, camouflage manager, articulate disrupter, hidden manipulator, transformative communicator, identity-changing conversation, mysterious gesturing, rebirth explainer, detailed describer of occult process [Budha in bhava-8] rules

  • 1- distinctive attributes of personality, dense material incorporation, individual personification, earthen embodiment, physical integrity, kinetic energy, dance, style of movement, athletic prowess, muscular mobility, unique character, kinetic vitality, circumstances of birth, forward push, tangible appearance, coherent social identity

  • 10-career, profession, dignity, regulatory roles, governance duties, social authority, symbolic recognition, iconic visibility, leadership responsibility, top status, reputation, commanding positions, honor, high regard, public respect, executive power, elite rank, lawful imposition, organizational director

CAREER - BUSY BUDHA

+ + [Kuja-10 parivartamsha Budha-8]

= combines the rulerships of 1 + 3 + 8 + 10

[asta-Budha in bhava-8] occupies the leading, decision-making, social-ordering 10th-from-Chandra indicates the importance of diplomatic bargaining skills

Budha Mesha = forceful evolutionary cycles of self-reinvention of identity lagnesha and public career karmesha

++ Budha-8 located in professionally gainful, goal-achieving 11th-from-10

[Generous Growing Guru]

dhava-karaka [husband] -- bahuta-karaka [variety]

= [svabhava]

[homebound-anchoring bandesha for Kanya indriya-lagna]

[contractual-bargaining jaya-pati for Kanya indriya-lagna]

  • check Shukra + Shukra-drishti to source Brihaspati's pleasant generosity, evaluating expansion, cherished beliefs

[karako bhavo nashto for father, patrons, chieftains, indoctrinators]

[multiple sacred values doctrines]

[many patrimonial assets via financial contract jaya-pati and shipping-transport bandesha]

[heritage globalism produces wisely inclusive worldview]

[sacred understanding of musical tradition]

[expansive offerings of historical knowledge]

[abundantly generous principled charitable monies]

[theoretical assessment of broad humanistic truths]

[many accumulating father-figures]

[philosophical father may guide legacy university studies, financial faith-community, or hoarding sangha of believers]

[for wifely nativity, husbandly-companion = profile similar to father]

[more than one doctrinally identified, bargaining jaya-pati acquisitive, sensual father-figure]

[first father may be schoolteacher, householder, gardener bandesha + jaya-pati ] [see any graha-yuti-Guru for characteristics of additional father-figures]

[for wifely nativity, the husbandly companion - and the father himself - may be guru of enrichment, believing luxury banker, professor of fine-arts and languages, ceremonial priestly cantor, affluent patriarch]

......

[calculating-strategic Mriga-2] = [navamsha Guru-Kanya] intuitively generous ministries of aid

[ātmakāraka humanism, expansion, doctrine, generosity, internationalism, abundance, beliefs]

+ [Mriga-Guru-yuti-Shani-Kṛttikā]

  • [Guru-Urisha] optimistic about capitalization * big hoard * sumptuous feasts * many voices * many collections * doctrine of resource conservation * believes in historical knowledge * philosophy of values fulfillment * permission for pleasure * financial guidance * many cattle * expands the scope of voice-speech-song * multiple treasuries

  • [Guru in bhava-9] tolerance for diverse doctrines * multiple beliefs * expansive ideology * much inspirational sermonizing * broad humanistic understanding * sanctimonious patriarchs * guidance roles in public religion * muultiple father-guru-professor figures * extensive worldview * patron of philosophy * in a wifely nativity, husbandly-companion may be an ideologue or spiritual guide

  • [Guru-yuti-Shani] atta-karaka ** multiple elder-figures * permission to hold respected positions * abundant structure * numerous law-makers * expansive hierarchies * tolerance for diverse systems * optimistic philosophy of social regulation * large-scale responsibilities

OUTCOMES - GENEROUS GURU

expansively philosophical, abundantly global, multiple worldviews, numerous patrons, optimistic father-figures, diversely ideological, tolerantly preaching, broad-scope of understanding [Guru in bhava-9] rules

  • 4 cultural foundations, The Founders, property boundaries, way of Life, protection, defense , homeland, household, routines, rituals, mother, parents, customary rhythms, caretakers, socialization schooling, gardens, waterways, transportation, housing, social security, sense of place, environmentalism, citizenship, belonging, ethnic basis, ethno-religion, patriotism, real-estate, farming, land-ownership, burial, predictability, health of the elder sibling

  • 7-covenant, promise, trust, contractual relationships, social justice, advocacy, legal judgments, lawcourts, appeals, representation, equity, diplomacy, partners, justice, marriage, legal and formal partnerships, negotiation, alliance-crafting, match-making, fair arrangements, even deals, advocacy, trading, bargaining, brokerage, haggling, go-between, middleman, meddler

CAREER - BENEVOLENT BRIHASPATI

ātmakāraka Guru rules 7 = contracts, arrangements [personal and musical]

+ [Mriga-Guru-yuti-Shani-Kṛttikā]

= combined Rulers of 4 + 5 + 6 + 7

BJS = known for her remarkable ability to self-reinvent [8] transform her identity, expand her repetoire of entertainment-industry expertise.

self-rejuvenating abundant marketplace income = Guru-1 occupies 11th-from-Chandra-3

++

[friendly-gainful vriddhi-pati] renowned popular fundraiser [11] for political progressive causes and health charities

  • randhresha identity transformations, self-reinvention, trauma healing, rejuvention, discovery, hidden relationships
  • dhava-karaka in navamsha Kanya-8 Guru-yuti-Rahu = the extraordinary proliferation of partnering arrangements. BJS enjoyed numerous famed relationships with entertainers, politicians, and industry players.
  • 11-fan base, revenues, social network of music-industry friendships
  • ātmakāraka Guru also rules Dhanus 11th navamsha, creating an Inspirational and massively popular seven-decade Music career

Dhava-karaka Guru

  • Husband-1 [Guru in bhava-1] identity-reinforcing, friend
  • 8th-from Guru = husband-2 = 8, identity-transforming

[Guru-yuti-Shani] popularity with multiple social classes

appeal to vast gatherings [11] many age-groups, tolerant to diversity

  • = occupies the emotionally associative, community-linking, economically gainful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra

[Sweetly Suave Shukra]

svadu-karaka [sweet] -- kalatra-karaka [wifely companion]

[valuing-preserving dhana-pati for Kanya indriya-lagna]

[believing-philosophical dharmesha for Kanya indriya-lagna]

  • check Shani + Shani-drishti to source Shukra's pleasantly populist, smoothly interconnected, gracefully associative advocacy

[artistic arrangements help the laboring masses]

[sweetly serves the disadvantaged with popular musical harmonies dhana-pati ]

[unfairly bargained marketplace contracts balanced by uplifting beliefs dharmesha]

[seeks to remedy unbalanced economic alliances]

[may smooth disputes via self-medication for injury or sickness related to skin, nerves, electrical gridwork of the Earthen-body]

[valuable dhana-pati friendly connections with goal-oriented social workers]

[agent of music-or-beauty within marginalized proletarian networks]

[distributive financial linkage may assist vast arrays of people]

[cherisheddhana-patirelationships support associative ministries of aid]

[may be financially mistreated by profit-seeking women]

[believing dharmesha womenfolk may have graceful, appreciated community-service roles]

[family-of-origin [dhana-pati often advocate for social-participation assistance to impoverished or marginalized]

[for husbandly-companion, wifely-figure may be pleasant philanthropic dharmesha socialite,peaceably friendly criminal attorney, interlinked public-health nurse, and may suffer fromelectrolyte-imbalance, ailments of nerve-system, or skin][also wifely-companion may be friendly pharmacist, clinical nursing scientist, socializing servant, networked helper, systematic aide]

...

[musical-evaluating Pūrvābhādra-2] = [navamsha Shukra-Urisha] intuitively financial evaluations, harmonizing musical-arts

+ [Pūrvābhādra-Shukra-yuti-Ketu-Rohiṇī ]

+ + [Shukra-6 parivartamsha Shani-9 ]

  • [Shukra-Kumbha] appreciation of social networks * likes knitting-knotting * attracted to marketplace revenues * pleased by large-group connectivity * prefers a friendly partner * collectivist arrangements * enjoys regulated systems * sweetly gracious within big crowds * scientific aesthetic * financially balanced economic linkage

  • [Shukra-6] seeks pleasure via self-medication * enjoys exploitive arrangements * suffers from compromised equity * feminine employees * attracted to animals * valuable servants * appreciation of enemies * pleasing designs to adorn the lower abdomen * toxicity from sugars * aesthetic of slavery * unfair contracts * relationship injustice * criminal bargains * accepts injustice * accommodates poverty * seeks peace in times of war * for husbandly nativity, wifely-companion may be nurse, pharmacist, clinical practitioner, servant, helper, aide

  • [Shukra-yuti-Ketu] sweetened surrender * gracious abandonment * attracts vacuous feminine-figures * appreciation for fair terms of dissolution * disoriented negotiations * unconcerned with conventional beauty * empty contracts * apathetic arrangements * impermanent agreements * prefers relationships with spiritual partners

OUTCOMES - SWEETENING SHUKRA

sensually conflicted, appreciative of assistance, harmoniously laboring, aesthetically complaining, financially exploitive, musical-artistic narrative of servitude, unbalanced relationships, advocates for workers, sweetly argumentative, aggrieved negotiator [Shukra-6] rules

  • 2-acquisition, family legacy, tradition, language-lexicon, preserved memory, banking, collections, entreasurement, herd-hoard, treasury containment, financial capital, accrued amounts, asset evaluation, knowledge of history, speech-song, heritage values, color-sound, arts-and-music, face-voice-eyes-teeth-mouth-hair, genetics, stored resources, health of the father

  • 9-ideology , paradigm of belief, profession of faith, principled convictions, higher understanding, father-figures, priestly patronage, preaching, patriarchal entitlements, philosophical convictions, theory, public spiritual guidance, celebrated doctrines, sangha, sacred teachings, credenda, globalism, dharma, worldview, weltanschauung, mother's health

CAREER - BRIGHT BHRIGU-TANAYA

+ + [Shukra-6 parivartamsha Shani-9]

= combined rulers of 2 + 5 + 6 + 9

  • 2- voice, face, genetics, values-fulfillment, lineage continuity
  • 2-Dynamic historic meaning-producing sound-and-color accruing financial values

Shukra rules 2-kutumbha-bhava family heritage

  • Scion of musically gifted maternal line - grandfather temple cantor, mother soprano singer.

Despite the unbalanced implications of Shukra-6 and + [Pūrvābhādra-Shukra-yuti-Ketu-Rohiṇī ]

+ + [Kumbha-Shukra-6 parivartamsha Urisha-Shani-9 ] = fortunate

[Shukra Mahadasha] = [age 14.1 until age 34.1] launched a globally recognized career in musical theatre

  • [Shukra-Kumbha] = [Shukra-] + [Pūrvābhādra-Shukra-yuti-Ketu-Varuna] + + [Shukra-6 parivartamsha Shani-9]

  • first phase of career - paid singing/comedy performances - Shukra-Chandra bhukti = 1960, age 18 - also acquires a caretaking, parental, lifetime career manager

  • by age 20, within the New York musical-theatre world, and with her manager's wise guidance, BJS vocal-performance reputation [10] grew significantly during Shukra-Mangala [Mithuna-10]

and so it continued.

Shukra occupies

  • 5th-from-2 [voice-face]
  • ++ 10th-from-9 [humanistic principles, higher understanding, guidance figures] contains the multi-faceted supports = + [Krittika-Shani-yuti-Guru-Mriga] + + [Shukra-6 parivartamsha Shani-9]

[Sober Structural Shani]

duro-karaka [endurance] -- jara-karaka [Jahre, years]

[witty-creative vidya-pati for Kanya indriya-lagna]

[inimical-medicating rogesha for Kanya indriya-lagna]

  • check Shukra + Shukra-drishti to source Shani's entreasuring discipline, evaluating strictures, historical rules

[class-conscious financial banking ideology]

[believes in traditional sound-color-music-tastes]

[orthodox understanding of remembered history]

[maintains longstanding patronage of stored valuable possessions]

[hoary old priesthood of treasures and pleasures]

[lawfully enriched knowledgeable patriarchs]

[unfairly rogesha strict teachings on genetic lineage]

[creative vidya-pati understanding of music, beauty and money]

[fear of punitive heritage doctrine]

[father may be intimidated preservationist]

[dogmatic father may acquire affluence via illicit means rogesha]

[father-figure may be a capitalizing ideologue, conserver of accrued values, sound-and-language sermonizing professor]

....

[profitable-networked Kṛttikā-3] = [navamsha Shani-Kumbha] intuitively ordering marketplace economics distributive connections mass assemblies

+ [Krittika-Shani-yuti-Guru-Mriga]

+ + [Shukra-6 parivartamsha Shani-9]

  • [Shani-Urisha] heavy old valuables * must endure the sounds of proletarian speech-and-song* obliged to conform to the official bankers * antiquated genetic stock * required preservation of aging assets * must normalize conservation * slow elderly evaluators * must judge the worth of hoards * must endure pressure to store the precious inventories * must bear the weight of historic treasuries * structural compression upon neck-jaw * orderly warehousing * fixed rules govern collection * must gather seeds * must eat dry foodstuffs * must preserve lineage knowledge * scarce financial resources * maintainer of old heritage

  • [Shani in Bhava-9] slow time-structured worldview * must maintain the patriarchal faith * imposes the old convictions * delayed understanding * punitive ideologies * cautiously conventional professors * judgmental father * conservative religious hierarchy * global scale of responsibilities * heavy doctrinal pressures * blocks new viewpoints * preacher's fatigue * intolerance for sacerdotal innovation * pragmatic time-tested principles * empirically guided paradigm of belief * rigidly dutiful guidance * elders preserve strict sacred rules

  • [Shani-yuti-Guru] social resistance to generous expansions * slow elder teachers * pragmatic philosophy * limited scope of understanding * doctrinal discipline * constrained growth * conventionally regulated beliefs * optimism limited by resistant old structures * faith in the rule of law * class-hierarchical ideology

OUTCOMES - STRUCTURAL SHANI

ideologically rigid, religiously regulatory, philosophically conventional, staunchly sermonizing, respectfully patronizing, doctrinally disciplined [Shani in Bhava-9] rules

  • 5- Politics, center-stage roles, theatre, demonstration, display, charming brilliance, genius, poetry, choice-making, showmanship, gambling and gamesmanship, romantic idealism, creativity, fashion-shows, flamboyance, celebrity entitlements, confidence, artistic performance, drama, children, financial speculation, intelligence, entertainments, fun

  • 6-ministries of service, dehumanization, misconduct, war, jail, slavery, pollution, argumentation, healthcare workers, ailment, injury, medical treatment, hypocrisy, crime, cheating, animosity, toxins, complaints, accusation, litigation, imbalanced conditions, injustice, betrayed promises, servants, laborers, hostility, animosity, disagreement, dehumanization

CAREER - SOBER SHANI

+ + [Shukra-6 parivartamsha Shani-9]

= combined rulers of 2 + 5 + 6 + 9

+ [Mriga-Guru-yuti-Shani-Kṛttikā]

= combined Rulers of 4 + 5 + 6 + 7

Disciplined, hard-working, accustomed to effort, rehearsals, practices - often having to deal with unprepared or underqualified co-workers [Ketu-6]

Also, BJS recounted her recurrent stage-fright = Shani vidya-pati = performance anxiety, creative pressure

[Shani in Bhava-9] +++ occupies political, entertaining, confident Kṛttikā - Pleyades = enduring commitment to political activism

while Shani-Kumbha occupies navamsha-6= duty to help the exploited

+ + [Shani- casts organizing, time-conscious10th-drishti into Shukra-6]

Shani's social responsibility and self-discipline = generally prevents the addictive, low-worth patterns of Shukra-6, replacing with work-ethic and unrelenting ministry of service

multi-faceted [Guru] long-lasting [Shani] arts career.

  • Prepared, pragmatic + + [Shukra-6 parivartamsha Shani-9] provides a disciplined, systematic approach toward the notoriously capricious music and artistic [Urisha] performance industry.
  • there were likely plenty of betrayals along the way, due to Shukra. However, Ketu-6 = a helpful asset in 6, tending to release bitter disappointments rather than cling to grievances

Navamsha Mirror = reinforcement

  • [financial-musical Pūrvābhādra-2] = [navamsha Shukra-Urisha]
  • [friendly-profitable Kṛttikā-3] = [navamsha Shani-Kumbha]

+ + [Shukra-6 parivartamsha Shani-9] + [Mriga-Guru-yuti-Shani-Kṛttikā]

provides a range of abilities which yield remarkable resilience in an unfaithful industry with a short attention span

  • within the navamsha, the same 6-9 amsha relationship applies between the Two Friends
  • but they have swapped rashi
  • = Shukra-Urisha ++ Shani -Kumbha
  • which is immensely reinforcing

Not only Shukra-Shani swap rashi from D-1 to D-9

, but also they maintain their pillar angle in navamsha, signaling career longevity in arts-and-music

[Shani in Bhava-9]= occupies the emotionally associative, community-linking, economically fruitful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra

  • ruler of 5 [Shani] occupies 5th-from-5 = long-term creative achievements,
  • gains of revenue via cautiously speculative intelligence [Shani-9 = 11th-from-11]
  • popularity [everyman Shani] and value [Shukra] increasing [vriddhi] over time

[Risk-rewarding Rāhu]

rajyalobha-karaka [ambition] -- picchala-karaka [slippery]

[advantageous location for Rahu = papa-graha in dusthamsha-12]

= [nīcha] = [beneficial placement for Kanya indriya-lagna]

  • check Surya + Surya-drishti to source Rahu's apparently ingenious, entrancingly dramatic, brilliant mirage of celebrity

[Rahu casts passionately private seclusion-craving drishti into 4-6-8]

[wants to be a prestigious celebrity yet obsessed with privacy]

[passion for splendid back-room shows]

[interior certainty conferred by brilliant apparitions]

[desires unseen unorthodox political centrality]

[yearns for access to heart-and-spine research enclosures]

[hungry to gain advantage of genius power-plays within secluded places]

  • [potential for fabulously or fraudulently exaggerated imaginative showmanship]

[seeks opportunity to flaunt dramatic sparkle in isolated ceremonial sanctuaries]

[ambitious artistic performer sparkles in clandestine romance]

[radiant displays of astonishing dreamlike illusion]

[craving for long intelligently entitled sojourns in distant lands]

[inner guidance from glittering psychic fatherly-figures]

[seeks importance via clairsentiently creative empowerments]

...

[calculating-helping Pūrvaphalgunī-2] = [navamsha Rahu-Kanya] intuitively over-reaching passion for helping arguing ministries

  • [Rahu-Singha] shimmering illusion of charisma * craving for attention * extraordinary entertainments * mask of radiant confidence * over-reaching, unique intelligence * marvelous drama *  fascinating entitlements * illusory flash of brilliant gambling * extravagant games * seeks special importance via apparent [but perhaps not authentic] attributes of  brilliant risk-taking * fabulous speculations * glittering political power * seeks privilege via celebrity roles

  • [Rahu in bhava-12] passion for prestige privacy * in svabhava of Saptarishi Guru, the Shadowy Specter seeks glamorous invisible retreat * astonishing culturally mixed interior guidance * outsider who cleverly insinuates into visionary roles * thrilling psychic adventures * seeks importance via enclosures * exciting invisible phantoms * opportunities via mother's beliefs * extraordinary presence of disembodied spirits * self-promoting dreams * exceptional results from imaginative research * entranced by one's own fantasies * mesmerizing Other-Worlds * trespasses the private boundaries of symbolic inspiration * may pose as a dream-interpreter * may appear as a magician from distant lands

OUTCOMES - RISK-REWARDING RAHU

[Rahu in bhava-12] [Simha] brilliant, thrilling, entertaining imagination

Rahu-12 drishti cast into 4 + 6 + 8

Rahu-amplified 8 containing [uchcha-Aśvini-Surya-yuti-Budha-Bharani-asta]

World-renowned entertainer and legendary political fundraiser = BJS awed audiences with champion supreme vocal display,

Rahu-Singha extraordinary brilliant Voice in [2nd-from-Chandra]

  • BJS exquisite singing awed audiences. Within the USA commercial music industry, BJS = called "The Voice"

Rahu's ruler [uchcha-Surya-8] = occupies career-promoting 10th-from-Chandra

Political activism [Simha] = vibrantly ambitious , yet always behind-the-scenes [12]- never elected or appointed to any political position,

  • Following the end of her first marriage, BJS is said to have been offered a top political-wife position.
  • But she was ultimately not willing to limit the independent expression of her creative intelligence. [Rahu-drishti-into-uchcha-Surya]

Second marriage

  • [Rahu in bhava-12] indicates the specifically private nature of wedding-2 with a fellow Hollywood dramatist [Simha]
  • The pair are known to be occasional socializers within their entertainers-cohort, but otherwise reclusive [12]

Rahu-Simha-12 [disappearance] drishti into Surya-Mesha-uchcha [8]

BJS is known for creating the boomerang Streisand Effect .

  • The phrase means that if a celebrity [Simha] tries to obscure a photo or suppress a narrative ... their attempt to disappear the image serves to draw further attention [Simha] to the object.

[Rahu-12, passion for privacy - yet a highly public career]

  • In BJS' case, some photos of one of her California homes were posted in a little-used internet real-estate repository. BJS demanded that the photos be removed from public view [Rahu-12-Simha, Diva entitlements ] ... but this entitled claim had no legal basis in the internet age. As a result of her diva-style outrage, the photo-viewing increased astronomically.

[Collapsing unshackling Ketu]

kavandha-karaka [headless] -- chidra-karaka [gaping] -- vasana-karaka [vacuum]

= [liberating location for Ketu = papa-upagraha in maha-dusthamsha]

[beneficial placement for Kanya indriya-lagna]

  • check Shani + Shani-drishti to source Ketu's orderly wandering, socially approved emptiness, legitimate surrender

[unconcerned with community quarrels]

[scatters the economic conflicts]

[disengaged witness to marketplace imbalances]

[liberated from disagreements within the collectivity]

[effortless disregard toward the complaints of friends]

  • [may be passively fixated upon ambitiously speculative-political Rahu in Singha-12 symbolists, ancestor spirits, visionaries, astral wayshowers, abstractors, dreamers, private guides]

[observes dispassionately while adversaries accuse one of empty achievements]

[summarily dismisses the nervous ailments]

[vacuous apathy toward systematic blaming arguments]

[economic shifts disperse litigious enemies]

...

[conceptual-guided Varuna-4] = [navamsha Ketu-Meena] intuitively dispersed imaginative dreaming

+ [Rohiṇī-Ketu-yuti-Shukra-Pūrvābhādra]

  • [Ketu-Kumbha] sociably dissociates from distribution webs * odd friends * walks away from regulated systems * incomplete nexus * empty profits * dissolves knitting * severed connections * not limited by conventional community * disarrayed ecologies * collectivist martyrdom * ignores restriction on futurism * releases a purple cloud of knotted linkage into the misty abyss

  • [Ketu in classroom-6] beneficial] * ungrounded enemies * disregards criminal boundaries * absentee maternal relatives * dissolves limits on medications * ambivalent toward exploitations * disinterested in disagreement * disregards accusations * ignores the physicians * walks away from sickness * abandons suffering * vacuous conflicts * liberation via surrender of guilt-and-blame * unless other graha in 6, may prefer to live free from mother's relatives

  • [Ketu-yuti-Shukra] unsatisfied * unsustainable arrangements * invalid promises * broken bargains * dissolved contracts * beautiful injustice * sweetly unfulfilled vows * fragmented negotiations * nicely abandoned alliances * absence of equity * apathetic brokerage * peculiar music * distrust * pleasantly empty relationships - liberating release of vows * for husbandly nativities, may dissolve-or-disconnect the wifely-figures.

OUTCOMES - EVACUATING KETU

See comments on + [Rohiṇī-Ketu-yuti-Shukra-Pūrvābhādra] , Ketu Mahadasha, the step-father, and exploited boundaries [Ketu-6] in the Surya section, above.
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