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Drama-Song

Politics

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Notable friendships with

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Barbra Streisand in 2000

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Barbra Streisand in 1966

Singer + dramatist

Entertainment Media Producer

cinema director

businesswoman

Political Activist

Philanthropist + Fundraiser

Barbra Streisand

a.k.a. Barbara Joan Streisand

Earthbody-Entry Friday-24-Apr-1942

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balladeer, dramatist, charitable fundraiser, political activist * 1942- * Barbara Joan Streisand

birth data from http://en.wikipedia.org/wiki/Barbra_Streisand * tentatively rectified by BP Lama

charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama

Rising Nakshatra

Feminine Nativities

Purvazadha * Apah

BPL commentary

For Purva-azadha births of a feminine valence, the condition of sweetly musical, artistic, harmony-seeking, negotiating, balancing, arranging, designing, matching, pairing, sensually pleasuring akarshana-karaka Bright Bhrigu may considerably affect the outcome.

For those born into the Zukra-ruled paradigm of Ambudaiva, feminine figures such as sisters, aunts, and wives, along with partnerships, sensual pleasures, arrangements, valuation, pricing, equity, bargains, trades, treaties, trusts, adjustments, justice, finance, artistic beauty, treasuries, alignment, attunement, harmonies, and music, may be especially influential.

Instructional guidance is provided by emissaries from the civilizations of Sinnuntu. Their purpose is expansion of inspirational beauty and melodious sound.

Inspirational diplomatic grace

Feminine births in Purva-azadha carry a special benevolence for music, beauty, treasuries, ornaments, design, and gracious relationships. Purvazadha ladies are often dramatists, musicians, and entertainers. Often, they sing beautifully and play stringed instruments. They love to travel and serve as a muse to creative partners.

Feminine births in Asadhash tend to benefit from the sweetness and relationship orientation of Zukra. In addition to Zukra endowments in diplomacy, beauty, and finance, they may be splendid singers, theatrical designers, and graceful fashion models. Purvazadha are often lyricists and poets, with a gift for playing many instruments. Their tonal arrangements may appeal to everyday folks. These ladies are self-indulgent and pure of heart.

Brihaspati represents their typically generous husbands and their characteristic faith. Typically Apah-born are attracted to sacred doctrine. Guru-influenced humanism and compassion often expands the range of inspirational roles that benefit women, musicians, and creative artists. Their complexion may feature a Guru-golden glow.

Like all Zukra-governed births, Apah-born must take care to avoid the misuse of drugs and alcohol. Ambudaiva's true purpose is inspirational guidance which leads to natural states of balance and pleasure. Yet, Zukra's sweet-seeking may also attract the false balance of intoxication.

Themes of generous arrangements, affluence, favor, harmony, blessing, beauty, artistry, and luxurious indulgence may contextualize Apah's terrestrial experience. Applies also to Chandra in Purva-azadha

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 99

"Lovely eyes set in a beautiful face,

  • with small cupid's bow lips

  • and brown, naturally curly hair,

  • describes the native with Purvazadha rising at birth.

She is also to be distinguished by the small well-proportioned feet.

She has a generous positive character

and should be successful in some occupation

  • which would enable her to employ her natural ability

  • as an organizer and manager .

She is apt to have been born in an influential family."

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Barbra Streisand 1973 The Way We Were

Biographical Events matched to Vimshottari Dasha bhukti

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Barbra Streisand holding her 1969 Oscar for best actress in the movie, Funny Girl

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Barbra Streisand 1968 Funny Girl

Shani Mahadasha * age birth until age 1.4

24-Apr-1942 Earth-birth in Brooklyn, Kings County, New York, USA * Shani-Guru chidradasha

1943 grieved decease of father (her age 15 months) * Shani-Guru chidradasha ++ Sade-Sati * Guru rules 12th-from-Surya

Budha Mahadasha * age 1.4 until age 18.4

Ketu Mahadasha* age 18.4 until age 27.4

21-Mar-1963 exchange of vows in marriage-1 * Ketu-Mangala bhukti * Mangala rules Vrischika swamsha * R-K gochara Karkata-Makara contact Chandra-Karkata

29- Dec-1966 celebrated the birth of child-1, actor Jason Gould * Ketu-Budha chidradasha * Surya-yuti-Budha * Budha gives effect of Surya rules-9

Zukra Mahadasha * age 27.4 until age 47.4

1969 won the Academy Award (Oscar) for best actress in Funny Girl * Zukra-Zukra swabhukti * Zukra rules 11 = awards for work accomplished

1976 widely praised popular film A Star Is Born * Zukra-Rahu bhukti

Surya Mahadasha * age 47.4 until age 53.4

Chandra Mahadasha * age 46.6 until age 56.6

01-July-1998 exchange of vows in marriage-2 with dramatist James Brolin * Chandra-Shani bhukti * Zukra-3 parivartamsha Shani-6 * R-K gochara Simha-Kumbha contact radical Rahu-Ketu

30-Mar-2002 grieved the decease of mother (Diana Streisand Kind, mom aged 93) * Chandra-Zukra bhukti * Zukra-3 parivartamsha Shani-6 * Shani rules 7th-from-Chandra

Mangala Mahadasha * age 53.4 until age 60.4

Rahu Mahadasha * age 60.4 until age 78.4

Guru Mahadasha * age 78.4 until age 94.4

Distinctive features of the Nativity

extraordinary double parivartamsha creates an extraordinarily enduring career in music + media + cinema

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Barbra Streisand has been a committed supporter of the Democratic Party spanning a multi-decade entertainment career. Here in 2013 with POTUS-pair-42 + USA Secy State 1947- Hillary Clinton

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2013 Barbra Streisand, a major Democratic Party fundraiser, posing with POTUS-42 My Life 1946- Bill Clinton

Surya * pitrikaraka

  • Surya-Meza * uttama * Suryaya * the supreme one
  • Surya in bhava-5 * swabhava * center of sparkling * poetic romance * intelligence for speculation * father-figure plays central * entitled roles * radiates brightly political * celebrity * focus on glamour * genius for dramatic entertainments * eye on gambling + games * bright center of creative performance
  • Surya-yuti-Budha * confidently conversational * bright messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * speaks and gestures in alignment with the spiritual rays of the Sun * radiantly descriptive * articulate in drama and games * self-confident announcements * talks about ideals, power-politics, poetic love, and romance

FATHER

Dad = a high school English teacher * Surya-12 rules 4-education ++ Surya-yuti-Budha composition. Sadly, he died from complications of an epileptic seizure when little BS was only 15 months old.

Mom remarried an abusive second husband 8th-from-Surya = stepfather = Vrischika-12 showing secret invisible spaces. BS became one of his victims while her mother remained in denial. Chandra in classroom-8

Career

legendary singing career, involvement in politics, mastery of cinematic drama roles

Chandra * matrikaraka * garha-karaka

  • Chandra-Karkata * comforted by rhythmic tidal maternal soothing
  • Chandra in Pushyami * comforted by lawful customs * protectors of the ethno-social structure, sensitive legislators, sober caretakers, legally minded environmentalists
  • Chandra in classroom-8 * comfort in crisis * familiar with catastrophic events * needs to feel the pulse of repeating identity transformation * soothed by secrecy * accustomed to regular routines of upheaval * seeks the deep rhythm of initiations * acculturated to exploratory occult sensitivities * need for unsettling discoveries * nourished by self-reinvention * emotionally attuned to patterns of undulating shakti-shocks

MOTHER

BS expressed a strong devotion to her long-living mother . Lagnesha Guru-6 rules-4

Marriages

7th-from-Chandra-8 * alliance-1

  • bhava-2 = voice, face, genetics, values-fulfillment, lineage continuity.
  • Lifepartner-1 = dramatic actor

2nd-from-Chandra-8 = alliance-2

  • Rahu-Singha-9. second lifemate = celebrity Hollywood dramatist
  • Rahu-9 rules uttama-Surya-5. Spouse high-profile drama career + strong masculine presence

Kuja * bhratru-karaka * virya-karaka

  • Mangala-Mithunaya * vigorous pursuit of conversation * proactive delivery of information * push toward explanatory instruction * champion of process management
  • Mangala in bhava-7 * drive toward bargaining * pursuit of agreement * impatient with stagnant arrangements * invasive negotiation * diplomatic dynamics * energized contracts * innovative conquests * pushes toward liaison * invigorates alliances
  • Kuja-7 parivartamsha Budha-5

The Voice

Mangala-2 drishti into 5-8-9

Dynamic Mangala occupies the communicative 3rd-from-Budha and * uttama-Surya-yuti-Budha AND Budha-12 parivartamsha Mangala-2

Budha * bandhava-karaka * zisya-karaka

  • Budha-Meza * innovative communications * pioneering pronouncement * articulation of dynamic movement * discusses physical experience * vigorous descriptive explanations * challenging conversation * messages about contests * vocabulary of vitality * hands-arms-shoulders send competitive gestures
  • Budha in bhava-5 * narrative of drama, politics, creativity * discusses children, entitlement, entertainment * self-referential conversations *describer of divine intelligence * explainer of romance * delivers instructions for politics * writes poetry * proclaims love * defines creative literature * plays games, * discusses fame * lectures about idealism * chats with royalty + children * publishes opinions about uniqueness * articulator of artistic performance * declaims with radiant confidence
  • Budha-yuti-Surya * explainer of dramatic intelligence * affinity for central roles expressing skills of communication, explanation, description, instruction * explainer of dramatic intelligence * affinity for central roles expressing skills of communication, explanation, description, instruction * articulation of radiant authority * message of willpower and charisma * confidently talkative father
  • Budha-5 parivartamsha Mangala-7

Guru * dhavakaraka * bahuta-karaka

lagnesha

  • Guru-Urisha * much treasury, many voices, many collections, believes in history, doctrine of values containment, financial guidance, expands the scope of voice-speech-song, multiple treasuries
  • Guru in bhava-6 * much ministry of service * extensive distress * philosophical disagreements * many ailments* numerous physicians * diverse diagnoses * abundant digestive imbalance * many grievances * numerous accusations * broad scope of war + crime + conflict *cheerful acceptance of human miseries * extensive animosity * believes in problematicity * patron of pharmacies * many medicaments
  • Guru-yuti-Shani atta-karaka ** multiple elder-figures * permission to hold respected positions * abundant structure * develops many rules * expansive hierarchies * diverse systems * optimistic social philosophy * large-scale responsibilities

Guru-yuti-Shani-6 rules personality, uniqueness-1

+++ occupies the emotionally associative, community-linking, economically gainful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra

Zukra * svadhu-karaka * kalatra-karaka

  • Zukra-Kumbha * appreciation of social networks * likes connectivity * attracted to marketplace environments * pleasures of friendly arrangements * enjoys regulated systems * aesthetic of scientific * economic linkage
  • Zukra-3 * pleasure of explanatory description * gracious messaging * enjoys commercial harmony * aesthetic instructions * feminine-figures (sisters * aunts * neighbors) dominate the cohort * appreciation of communications * aesthetic instructions * pleasing designs to adorn the ears * arms * shoulders * and hands * feminine-figures (sisters * aunts * neighbors) dominate the cohort * appreciation of balanced communications
  • Zukra-yuti-Ketu * sweetened surrender, gracious abandonment, appreciation for dissolving emptiness, disoriented negotiations
  • Zukra-3 parivartamsha Shani-6

Zukra dhanakaraka

Zukra-song rules and occupies 10th navamsha Vrishabha

Shani * duro-karaka * jara-karaka \

yogakaraka for Vrishabha lagna nativities * Shani rules 9-philosophy ++ 10 - leadership

  • Shani-Vrizabha * heavy old valuables * must endure the sounds of proletarian speech-and-song * obliged to conform to the official bankers * dry, antique genetic stock * required preservation of aging assets * must materialize orderly values conservation * slow elderly evaluators judge the worth of hoards * must endure pressure to store the precious inventories * must bear the weight of historic treasuries * vital energy compression stress zone = neck-jaw * strictly imposed rules governing warehoused collections * lack of necessary seeds and foodstuffs * must preserve lineage knowledge despite scarce available resources
  • Shani in Bhava-6 (beneficial placement) * Structured, orderly, time-conscious enemies. One must serve the problematic. One must outlast the adversaries. Endurance in military siege. Tense digestion, Cautious, conventional crimes; chronic conditions of criticism and guilt; constitutional illness-injury syndromes; Physicians resist innovation. Heavy legacy pressure against change in disease condition. Service fatigue; burnout. Resentment toward new treatments or medications. Support for socially-approved dutiful roles as social worker or disadvantaged, healthworker or sick, pharmacist or drug addict, criminal or cop, debtor or loanmaker, underpaid or underpayer, victim or victimizer, slaver or slave.
  • Shani-yuti-Guru * resistance against expansion * slow elder teachers * pragmatic philosophy * limited scope of understanding * doctrinal discipline * constrained growth * conventionally regulated beliefs * faith in the rule of law * class-structured ideology
  • Shani-6 parivartamsha Zukra-3

Shani in Bhava-6work-ethic

+++ occupies political, entertaining, confident Krittika = enduring commitment to political activism

Shani occupies the emotionally associative, community-linking, economically fruitful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra

Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Rahu-Singha * nichha * shimmering illusion of charisma * craving for attention * extraordinary entertainments * mask of radiant confidence * over-reaching, unique intelligence * marvelous drama *  fascinating entitlements * illusory flash of brilliant gambling + games* seeks special importance via apparent (but perhaps not authentic) attributes of  brilliant risk-taking, fabulous speculation, political power* seeks privilege via celebrity roles
  • Rahu in bhava-9 * passion for philosophy, preaching * in swabhava of Saptarishi Guru, the Shadowy Specter seeks privilege via glamorous or unusual doctrine, theory, dharma, worldview. Rahu-9 desires a thrilling, important guidance role in catechesis, principled discourses of abstract ideas, ideology, philosophy, indoctrination. Ambitious father-figure * extraordinary professors * barrier-bending holy teachers * Thrives in culturally-mixed preaching environments, university, temple, sangha, congregation. Surreptitious attempt to appear as a global, humanistic, ideologically-framed agent of understanding. Rahu the Poseur may pose as a charitable philanthropist, a wisdom-purveyor, a proselyte of principled understanding, a guru-figure, a philosopher, or a globalist humanitarian. Rahu-9 trespasses the cultural boundaries of patronage, fatherhood, paradigm of belief. Exciting, opportunistic third marriage (if any).

Rahu in bhava-9 = Simha occupies 2nd-from-Chandra = Rahu's ruler uttama-Surya-5 = dramatic performance excellence

Ketu * kavandha-karaka * chidra-karaka

  • Ketu-Kumbha * dissociates from distribution webs, dissociates from distribution webs, incomplete economy, empty profits, dissolute systems, severed connections, not limited by community, disarrayed ecology, ignores restriction on network linkage, applies linkage to the misty abyss, severed connections, not limited by community, disarrayed ecology, ignores restriction on network linkage
  • Ketu in classroom-3 * absentee sibling, off-topic communications, disinterested in daily discourse, dissolved messaging boundaries, disregards conventional discussions, eccentric or esoteric modes of writing, irrelevance of the mental narrative. One abandons the management tasks, dismisses the standard explanations, walks away from the usual descriptions.
  • Ketu-yuti-Zukra * surrendered arrangements * unfulfilled promises * disconnected bargaining * unsustainable contracts * incomplete harmony * fragmented negotiations * abandoned alliances * absence of equity * apathetic brokerage * eccentric music * distrust * dissatisfaction in relationships * Spiritual liberation via release of vows * For husbandly nativities, may dissolve the wifely-figures.

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Barbra Streisan in 2018, age 76
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