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Drama and Song

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ArethaFranklin_Feb1968.jpg

Aretha Franklin, Feb-1968 (age 25)


singer, songwriter

musician, dramatist

cultural icon

Queen of Soul

Aretha Franklin

Earthbody-Entry Wednesday-25-Mar-1942

Earthbody-Exit 16-Aug-2018 (age 76)

FranklinAretha_18h30m_d1d9d10.png

master singer of American genres soul, blues, rock-n-roll, and Italian opera * 1942-2018 * Aretha Louise Franklin

birth data from https://en.wikipedia.org/wiki/Aretha_Franklin * tentatively rectified by BP Lama Jyotisha

charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama

Rising Nakshatra

Feminine Nativities

Uttaraphalguni * Aryaman * Bhaga * Falgun * Utthram


BPL commentary

For Uttaraphalguni births of a feminine valence, the condition of radiant, romantic, intelligent, creative, idealistic, central, confident, gaming, self-reflexive, pitrikaraka Surya may considerably affect the outcome.

Father-figures, politicians, celebrity, royalty, entitled roles, brilliant dramatists, radiant deities, sparkling genius, glittering creativity, intelligentsia, speculators, poets, romantic lovers, gamblers, and game-players may be especially influential.

Instructional guidance provided by emissaries from the civilizations of Denebola. Their purpose to brighten and glorify the divine intelligence through spectacular creativity.


Brilliantly dramatic

Uttara-phalguni women are famously confident and willful. Monarchic entitlement pairs with aristocratic service via noblesse oblige. While much depends upon the characteristics of sparkling nakshatrapathi Surya, the feminine Falgun is often found in bright environments of royalty, celebrity, theatre, creative arts, amusements, and games.

Uttaraphalguni ladies radiate a profound love for living creatures, both wild and domestic. On behalf of the animal kingdom and its denizens, the women of Aryaman may undertake political activism. As righteous (and self-righteous) human mistresses of the animal world, their political style may include fiery displays of romantic idealism. They may collect animals.

Simha-Leya pada-1 features charismatic centrality and stage presence, focused into the physical embodiment. Pada-1 must hold the center of attention, whether in celebrity politics, entertainment and fashion, dramatic acting, or all three. Typically an elder husband and many romances.

Kanya Pada 2-3-4 = equally dazzling, idealistic, smart, and flamboyant, but more focused upon expressing the genius of the imagination. Often a splendid dramatist and performing musician due to nakshatrapathi Surya. Typically a younger husband and many romances.

Themes of political power, radiant confidence, and bright celebrity drama may contextualize Utthram's terrestrial experience. Applies also to Chandra in Uttaraphalguni

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 95


"A joyous healthy disposition yet quietly so.

  • She has a very soft pleasing voice,

  • bubbling over with fun and humor.

She is born to a family with social background

and loves to mingle with her friends in various social activities

  • yet she is not frivolous,

  • but beneath her joyous manner, rather serious minded.

She has fixed principles from which she will not deviate.

She prefers to choose her friends

  • from among the people who are artistically inclined and cultured.

She is efficient and adept at managing her home and her domestic life."

Biographical details matched to Vimshottari Dasha Calendar


Guru Mahadasha * age birth until 13.1

25-Mar-1942 Earth-birth in Memphis, Tennessee, USA * Guru-Shani bhukti

07-Mar-1952 decease of mother * Guru-Mangala bhukti * Kuja rules 1121th-from-4th

28-Jan-1955 first child (Aretha's age 12) * Guru-Rahu bhukti


Shani Mahadasha * age 13.1 until 32.1

1960 began independent musical recording and performance career * Shani-Budha bhukti * Budha karmesha

1966 changed recording companies (to Atlantic Records) beginning a bhukti of robust commercial success * Shani-Chandra bhukti * Chandra-10-Mithunaya commerce rules 11-income, gains


Budha Mahadasha * age 32.1 until age 49.1

27-July-1984 grieved decease of father * Budha-Rahu bhukti


Ketu Mahadasha age 49.1 until 56.1


Zukra Mahadasha age 56.1 until 76.1

1998 worldwide acclaim for her remarkable Grammy Ceremony performance of the operatic aria Nessun Dorma while servingas a last-minute replacement for her sick friend Ave Maria 1935-2007 tenor Luciano Pavarotti * Zukra-Zukra swabhukti * atmakaraka Zukra rules 10th-navamsha

2011 beginning of health decline via pancreatic cancer * Zukra-Shani bhukti * Shani rogesha health

16-Aug-2018 (age 76) Lightbody Lift-off (via pancreatic cancer) * Zukra-Ketu bhukti * chidradasha

Salient features of the Nativity

Surya * pitrikaraka * jyotikaraka

  • Surya in bhava-7 * center of relationships, focus on agreements, brightly negotiating, confident in brokerage and trade, intelligence for equity, peer entitlements, eye on contractual relationships * sparkling center of thedeal-making drama
  • Surya-Meena * Bhaskara * the illuminator

Surya--Uttarabhadra (enduring fortune) occupies the career defining 10th-from-Chandra

FATHER

Franklin's father was a famed preacher in the tradition of African-American Christian worship. Known as the "man with the million dollar voice", he was invited to deliver emotionally rousing sermons in Black churches throughout the Eastern USA. His celebrity reputation was so compelling that he formed peer relationships with notable singers, performers, and ministers of the day. Dad's most prominent friend was USA Civil Rights 1929-1968 Rev. Martin Luther King. Aretha Franklin toured with Dr. King's social justice operations, and she sang at King's funeral.

Surya-7 often indicates that the primary relationship in life is with the Father. Confirmed by bhava-9 containing Guru, Shani, Mangala + yuvatipathi Guru occupies 9 = a dramatic case of karako bhavo nashto


Chandra * matrikaraka * garha-karaka

  • Chandra-Mithunaya * comforted by rhythmic signal messaging
  • Chandra in Punarvasu * comforted by restoration of abundance * protectors of sensitive wise instruction, familiar rhythms of script and chant, expansive details, generous planning, philosophical explanations
  • Chandra in classroom-10 * comfort in orderly ranks * socially recognized for emotional qualities * parental style of leadership * familiar with strict protocol * accustomed to regulations * soothed by systems * acculturated to executive routines * settled into the rhythm of iconic roles * needs to feel the repeating pulse of visibility * calmed by hierarchical steps + sequences * anchored into roles of recognition + respect; * undulating lawfulness

MOTHER

Mom was a well-known musician and vocalist.

MARRIAGE emotional support partnership


Kuja * bhratru-karaka

Kuja rules the emotionally adversarial 6th-from-Chandra

Kuja rules the emotionally associative, community-linking, economically fruitful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra

  • Mangala-Vrizabha * vigorous pursuit of lineage collections, * proactive in acquisition, hoards, herds, banking, treasuries * energized sounds + colors * dynamic arts of speech and song * push toward accumulations * champion of historic preservation
  • Mangala in bhava-9 * karako bhavo nashto * drive toward doctrine, champion of paradigmatic belief, pursuit of patronage, dynamic preaching, energized philosophical conquests, aggressive or sexualized paternal energies, dominating father-figures. Often Kuja-9 = challenges to the father's life and lifestyle.
  • Kuja-yuti-Guru * multiple competitions, many brother-figures, energized growth, dynamic generosity, masculine force joins optimistic expansion, champion of humanistic worldview, potential for aggressive preaching, indoctrinating actions
  • Kuja-yuti-Shani * repressed movements * constant tension between sexual energy vs social rules * dynamic structuring * competitive force must cooperate with disciplined hierarchies * potential for punitive reactions to change * required containment of natural forces * military officer * musculo-skeletal challenges.

Budha * bandhava-karaka * zisya-karaka

lagnesha

Budha rules Karakamsha-1

  • Budha-Kumbha * connecting communications * systematic pronouncements * articulation of social-scientific networks * descriptive inter-webbed definitions * diagrams the marketplace linkages *futuristic conversations * messages about communities * discusses economic transactions * explains large-scale social participation linkage * hands-arms-shoulders send distributive-associative gestures

  • Budha in bhava-6 * narrative of argument, accusation, pollution, complaint * discusses conflict, medical treatment plans, remedies, litigation. Detailed argument, accusation. Dialog of treason, describer of broken promise, explainer of toxicity, . Delivers instructions for ministries of service, talks about injustice, articulates the case against adversaries, ailments, debts. Excellent position for medical, military, or service-ministry professionals

  • Budha-yuti-Ketu * explainer of impermanence * affinity for dissociative, dissolving roles expressing skills of communication, explanation, description, instruction * explainer of impermanence, articulation of surrender, signals abandonment, message of the observing Witness, talkative spirits

Lagnesha Budha also rules Chandra-Mithunaya-10. Budha-yuti-Ketu in rogabhava-6 suggests mental and physical health issues of a constitutional nature. On the one hand, Ketu is distinctly oblivious to the accusations, jealousies, and phobias of Budha-yuti-Ketu-6. On the other hand, Budha controls the social identity, placing the person into conflicted, polluted, and unfair situations throughout life. Ms. Franklin enjoyed a legendary career in American music, for which she is admired around the world.

However, in addition to her spectacular success as a musical performer, Aretha Franklin also suffered from addictions to cigarette smoking and alcohol, obesity, from high blood pressure, from a phobia of airplane flying, and from notorious toxic feuding with other musical performers in her genre. When asked about her overwhelming obesity, about the four fathers of her four sons, about her own father's notoriously immoral behavior, or about any other topic which might elicit criticism, her universal response was denial (Ketu).

The year before her death from pancreatic cancer, she claimed to have had a lifesaving medical operation which would add 15-or-20 years to her life. Karmesha in 6 = 9th-from-10th = does not harm career. However it does indicate chronic mental and physical imbalances, and these were well documented in the life of the legendary Queen of Soul.


Guru * dhavakaraka * bahuta-karaka \

Guru rules the marriage-partner 7th-from-Chandra

  • Guru-Urisha * much treasury, many voices, many collections, believes in history, doctrine of values containment, financial guidance, expands the scope of voice-speech-song, multiple treasuries
  • Guru in bhava-9 * karako bhavo nashto * swabhava * many and diverse doctrines * multiple beliefs * much preaching * broad understanding of teachings * multiple father-figures * father may sermonize * many guru-professor figures * extensive worldview * patron of philosophical perspectives
  • Guru-yuti-Mangala bhratri-karaka * multiple brother-figures * permission to compete-and-win * expansive conquests * progressive philosophy * large-scale invasive actions * vigorous champion of optimistic belief
  • Guru-yuti-Shani atta-karaka * multiple elder-figures * permission to hold respected positions * abundant structure * develops many rules * expansive hierarchies * diverse systems * optimistic social philosophy * large-scale responsibilities

Guru rules the reputation-defining 10th-from-Chandra


Zukra * svadhu-karaka * kalatra-karaka

atmakaraka

Zukra rules the 10th navamsha

  • Zukra-Makara-Draco * appreciation of social status, pleasures of structure, hierarchical arrangements
  • Zukra-5 * pleasure of dramatic gaming enjoys center-stage equity * feminine-figures are prominent in the creative * political environments * pleasing designs to adorn the heart * graceful solar plexus * literary and fine arts * appreciation of creativity
  • Zukra-5 maha-parivartamsha Shani-9

Shani * duro-karaka * jara-karaka

  • Shani-Vrizabha * heavy old valuables * must endure the sounds of proletarian speech-and-song * obliged to conform to the official bankers * dry, antique genetic stock * required preservation of aging assets * must materialize orderly values conservation * slow elderly evaluators judge the worth of hoards * must endure pressure to store the precious inventories * must bear the weight of historic treasuries * vital energy compression stress zone = neck-jaw * strictly imposed rules governing warehoused collections * lack of necessary seeds and foodstuffs * must preserve lineage knowledge despite scarce available resources
  • Shani in Bhava-9 * Structured, orderly, time-conscious paradigm of belief. One must preach the old doctrine, old principles; punitive, unyielding ideologies, cautious, conventional father-figures; tense and fearful religious teachers, chronic rigidity of worldview; heavy legacy pressure against freely chosen convictions. Resistance to new teachings. Preacher's fatigue. Resentment toward changes in catechism. Intolerance for sacerdotal innovation. Support for socially-approved, rigidly dutiful roles as high priest, guru-figure, professor, rabbi, sermonizer, proselyte, Old Believer.
  • Shani-yuti-Mangala * social resistance to competitive action * pragmatic pursuits * cautious innovation * limited pace of progress * delayed (but not denied) championship * physical discipline * constraints on instinctive movement *conventionally regulated sports * tension from contradictory push-pull impulses.
  • Shani-yuti-Guru ** resistance against expansion * slow elder teachers * pragmatic philosophy * limited scope of understanding * doctrinal discipline * constrained growth * conventionally regulated beliefs * faith in the rule of law * class-structured ideology
  • Zukra-1 maha-parivartamsha Shani-5

Shani-11 casts disciplining drishti into 11, 3, 6

Zukra-5 maha-parivartamsha Shani-9


Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Purvaphalguni musical entertainment * Rahu-Singha * nichha * shimmering illusion of charisma * craving for attention * extraordinary entertainments * mask of radiant confidence * over-reaching, unique intelligence * marvelous drama * fascinating entitlements * illusory flash of brilliant gambling and games* seeks special importance via apparent (but perhaps not authentic) attributes of brilliant risk-taking, fabulousspeculation, political power, celebrity roles
  • Rahu in bhava-8 * passion for secrets * in swabhava of Competitive Kuja, the Shadowy Specter seeks privilege via glamorous or unusual secrets, recycling, rebirth, reinvention; rejuvenation. The Chandala in 8 desires a special, important, therapeutic role in transformative, hidden knowledge, confidential, revolutionary, catastrophic role. May be the secretary (secret-keeper) of a powerful individual or group. Opportunistic in-laws, inheritance, alimonies. Exciting, ambitious family of the lifepartner (in-laws). Rahu-8 trespasses the cultural boundaries of undisclosed assets, dangerous secrets, emergency situations. Rahu the Poseur may pose as a tantric initiator, disaster manager, keeper of dangerous secrets, identity-changing healer, or holder of secret empowerments.

Ketu * kavandha-karaka * chidra-karaka

  • Ketu-Kumbha * dissociates from distribution webs, incomplete economy, empty profits, dissolute systems, severed connections, not limited by community, disarrayed ecology, ignores restriction on network linkage, applies linkage to the misty abyss
  • Ketu in classroom-2 * wanders from the preserved values, disperses family affluence, absent from lineage history, surrenders the accumulated knowledge, irrelevance of the mouth, the foods, and the stored goods; disregards conventional boundaries of speech-language. One abandons a collection, dismisses the treasuries, or walks away from the hoard.
  • Ketu-yuti-Budha * surrendered articulation, empty talk, unsustainable explanations, disconnected siblings, apathetic evangelism, incomplete details, misnomers, fragmented schedules, unfulfilled deliveries, illogical messaging, impermanent plans, spiritual liberation via gestures and discussion. For commercial nativities, may dissolve the ensemble, workgroup, cohort, or team.
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