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Drama and Song

Commerce and Material Economy


Formerly married to

Moneyball 1963- dramatist Brad Pitt

born seven months before



Dramatist, Philanthropist

Fashion Model

Entertainment Media Commercial Producer

Jennifer Joanne Aniston

Earthbody-Entry Tuesday-11-Feb-1969


cinema fashion drama-commerce * 1969 - * Jennifer Aniston

birth information from * tentatively rectified by BP Lama

charts, graphs, and tables produced by Shri Jyoti Star * adapted by BP Lama

Rising Nakshatra

Feminine Nativities

Chitra-Tvastri * Citthirai * Vismakarma * Azinech * Alaraph * Arista * Dana

BPL commentary

For Chitra-Tvastri births of a feminine valence, the condition of pioneering, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome.

For those born into the Mangala-ruled paradigm of Visvakarma, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, builders, drivers, drillers, diggers, exploders, aggressors, pursuers, competitions and battles may be especially influential.

Guided by instructors from civilizations of Spica. Their purpose is architectural engineering and crafting of beautiful, functional, and artistic alliances, arrangements, and designs.

Designs + Arrangements

Kuja-ruled Vismakarma ladies are blessed with direct, muscular physical and sexual energy. They are often found in environments where beautiful designs plus physical agility are valued. Chitrani typically excel in competitive, vitality-focused fields such as fashion modeling, cinematic acting, musical performance, choreography and dance, and athletics which emphasize balanced movement.

Kanya pada 1-2 expresses Kuja's rulership of 3-writing-commerce + 8-secret transformations, while also displaying the frustrating tension of chatty Budha versus active Kuja. Budha's Writing skills may emerge in pada 1-2. Kanya-Chaitra are often found in media communications and commercial aspects of design work, where their pro-active process management is distinctive. Trust and relationship integrity may be challenging.

Thula-Vanika Pada 3-4 emphasizes Kuja's rulership of 2-collections, treasuries + 7-contracts, alliances. Zukra's bargaining behavior and financial skills rise in pada 3-4 due to the pleasant attractions of Zukra-Mangala. Ladies often enjoy considerable wealth via face, voice, marriage, and family lineage. In music, arts, and partnership-craft, they pursue harmonious arrangements. They often play stringed instruments, and write beautiful songs. In the arts, entertainment, beauty, and design industries, their contractual deals are often luxuriously beneficial.

Themes of competitive movement, agile beauty, dynamic design, and financial equity may contextualize Chaitra's terrestrial experience. Applies also to Chandra in Chitra

QUOTATION from Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra . p 96.

"An expensive and luxurious person.

  • One who is fond of clothes and beautiful surroundings and revels in them.

  • She spends much money on jewels, perfumes, cosmetics

  • and her taste in these matters is expensive .

She likes to change costumes several times a day

  • and always look like an animated fashion plate .

Variety is the spice of life to this woman

  • and she will be inconstant and fickle in love affairs,

  • having many during her life and marrying often.

Many actresses, musicians, artists and opera singers have Chitra rising.

If she is born on the day before the New Moon, with this asterism rising,

  • she will have a husband who will die four years after her marriage to him

  • and she will never have any children...."


Biographical events matched to the Vimshottari Dasha

Jennifer Aniston before television stardom


After stardom


Ms. Aniston with her second husband, dramatist Justin Theroux (m. 2015-2017)

Budha Mahadasha * age birth until age 7-months

11-Feb-1969 Earth-birth in Sherman Oaks, California, USA * Budha-Shani bhukti * Shani rules 5-drama

Ketu Mahadasha * age 7-months until age 7.7

Zukra Mahadasha * age 7.7 until age 27.7

1979 parents' divorce (her age 10) * Zukra-Zukra swabhukti * Zukra-yuti-Shani * Zukra gives effect of rogesha Shani * gochara R-K Kanya-Meena radical lagna

1980 (JA age 11) one of her school paintings was displayed at the Metropolitan Museum of Art in NYC * Zukra-Surya bhukti * Surya rules 10th-from-Chandra

1987 (age 18) earned diploma from N.Y. High School of Performing Arts * Zukra-Guru bhukti * Guru rules 4th-from-4th

1989 (age 20) first television acting role * Zukra-Shani bhukti * Shani rules 5-performing arts

Sep-1994 begin popular Friends TV drama (age 25) * Zukra-Budha bhukti * Budha lagnesha + karmesha

Surya Mahadasha * age 27.7 until age 33.7

29-July-2000 exchange of vows in marriage-1 with Moneyball 1963- dramatist Brad Pitt * Surya-Shani bhukti * Shani rules navamsha-7 * gochara Rahu-Ketu via Mithunaya-Dhanuzya

Chandra Mahadasha * age 33.7 until 43.7

May-2004 end of 10-years ongoing, popular Friends television drama * Chandra-Rahu bhukti

Mar-2005 divorce from Moneyball 1963- drama-commerce Brad Pitt * Chandra-Rahu bhukti

Mangala Mahadasha * age 43.7 until age 50.7

Janma Sade-Sati Vrischika Nov-2014 until Jan-2017

Aug-2015 exchange of vows in marriage-2 with dramatist Justin Theroux* Mangala-Shani bhukti * Shani rules navamsha-7 * gochara R-K Kanya-Meena contact R-K ++ Sade-Sati

25-May-2016 grieved the decease of alienated Mother * Mangala-Budha bhukti * Budha rules 7th-from-4th ++ Sade-Sati

2017 end of exchange of vows in marriage-2 * Mangala-Ketu bhukti ++ Sade-Sati

Rahu Mahadasha * age 50.7 until age 68.7

Guru Mahadasha * age 68.7 until 84.7

Shani Mahadasha * age 84.7 until age 103.7

Distinctive Features of the Nativity


Jennifer Aniston age 17, high school


The father of Jennifer Aniston, dramatist Mr. Giannis Anastasakis (professional stage name John Aniston; born July 24, 1933). Photo Feb-2012

Estranged mother of Jennifer Aniston, the actress Nancy Dow (photo 2011).

Surya * pitrikaraka * jyotikaraka


  • Surya-Makara-Draco * Savitra * the stimulator
  • Surya in bhava-5 * swabhava * center of sparkling, poetic romance * intelligence for speculation * father-figure plays central, entitled roles * radiates brightly political celebrity * focus on theatrical glamour * genius for dramatic entertainments * eye on gambling + games * bright center of creative performance
  • Surya-yuti-Budha * confidently conversational * bright messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * speaks and gestures in alignment with the spiritual rays of the Sun * radiantly descriptive * articulate in drama and games * self-confident announcements * talks about ideals, power-politics, poetic love, and romance


Dad = Yannis Anastassakis = John Aniston = long-serving daytime soap-opera television dramatist = Surya-3 radiant theatre of television

Surya in bhava-3 ++ Surya-yuti-Budha lagnesha = like dad, Ms. Aniston has enjoyed a career in television, cinema, and commercial (3) entertainment production


Surya in bhava-3 rules the emotionally career-focused 10th-from-Chandra = Simha drama

Chandra * matrikaraka * garha-karaka

  • Chandra-Vrizchika * nichha * comforted by rhythmic penetration of mystery
  • Chandra in Jyeztha-Kita * comforted by competitive signals * protector of soothing prophetic messages, narrative of cultural pioneering, familiar face of direct announcements
  • Chandra in classroom-3 * comfort in cohort * familiar with communication * calming repetitive announcements * needs to feel the tidal pulse of daily chat * sheltered in the parlor * soothed by younger siblings * intuitive information delivery * settled into the habits of writing and commerce * accustomed to routine messaging; emotionally attuned to the rhythms of conversation * undulating signals * ethno-cultural gestures * intuitive handcraft
  • Somana-yuti-Kuja * Emotionally pro-active * sensitive to brotherly figures * needs to win * comforted by direct forward movement * invigorates the undulating routine * soothed by pioneering innovation * competitive mother * feels like a champion

Chandra in classroom-3 rules marketplace-gains = 11. Revenues from television, advertising, scripts, sales.

Arudha lagna -Karkata-9 = celebrity, fortune

Chandra's nakshatra is Mula, which adds complications of emotional disregard for consequences, and to some degree implicit expectation of catastrophe


Mom = Nancy Dow, a fashion model + actress. nichha-Chandra rules 11-economics, material goals and achievements. Somana-yuti-Kuja = a yoga for profitability and income. Nichha-Chandra is often a jealous mother. Daughter and mother suffered a high-profile, contentious relationship reported in the press. Mom attacked her daughter's reputation in television interviews. Most of daughter's adult life spent in a ,maternal no-contact status due to mom's emotional volatility When nichha, Somana-yuti-Kuja may suggest invasive aggressions. Without daughter's permission, mom wrote a gossip book "From Mother and Daughter to Friends" Mom was not invited to the wedding ceremonies. Dad was welcomed.

Speaking of her mother Nancy Dow, JA mentioned

  • "She had a temper," she says. "I can't tolerate that. If I get upset, I will discuss. I will never scream and get hysterical like that. I was never taught that I could scream. One time, I raised my voice to my mother, and I screamed at her, and she looked at me and burst out laughing. She was laughing at me screaming back. And it was like a punch in my stomach."

MARRIAGE expectations of partnership support


  • bhava-9 = father, celebrity, high fortunes, worldview, higher philosophies
  • Spouse-1 = typically a father-figure, engaged in a similar profession or resembling the dad
  • lifemate-1 = high-profile dramatist Moneyball 1963- drama-commerce Brad Pitt (m. 2000-2004)
  • dad = Yannis Anastassakis = John Aniston = long-serving daytime soap-opera television dramatist

Guru-Kanya * Guru in bhava-1 * Guru-yuti-Ketu

  • first husband Brad Pitt = appearance-oriented, body-identified (1)
  • likely some dissolute behaviors (Ketu).
  • Guru rules 4 + 7 suggesting that husband-1 would have an established life foundation (Pitt's conventional long-married Midwest parents).
  • More prominently, Guru rules JA's exceptionally ambitious Rahu-Meena-Antya * Rahu in bhava-7 * Zukra-yuti-Rahu * Shani-yuti-Rahu = his role in propelling her celebrity career

8th-from-7th-from-Chandra-3 = 2nd-from-Chandra

  • bhava-4 stability, security, routine, life foundations, parenting, protection
  • Spouse-2= typically a sheltering figure resembling or culturally similar to the parents
  • May be engaged in the same profession as the mother, or have other sheltering, nourishing, defensive, or anchoring qualities
  • dramatist Justin Theroux (m. 2015-2017)


  • husband-2 = associated with Ketu-Kanya * Ketu in classroom-1 * Guru-yuti-Ketu
  • following their ceremonial vows, the second alliance endured for less than one year
  • Ketu's ruler Budha-5 suggests husband-2 = career in drama


Both of JA's parents were professional dramatists. Relationships with the two parents = described as markedly different.

  • JA's relationship with dad = represented as supportively basking (Surya Baskara) in the daughter's celebrity success.
  • Surya in bhava-5 = dad matches the celebrity world ++ Surya-yuti-Budha = Dadlinked to JA via her lagnesha Budha
  • Mom = represented as thwarting + jealous of the daughter's celebrity success.
  • Somana-yuti-Kuja = competitive mother ++ Chandra-Vrizchika * nichha generally indicates that mom would be outspoken in regard to her children + likely lacking emotional awareness

Kuja * bhratru-karaka * virya-karaka

  • Mangala-Vrizchika * Swakshetra * vigorous pursuit of secrets * proactive exploration * push toward discovery * champion of emergency action * champion of emergency action
  • Mangala in bhava-3 * drive toward commerce * push toward scripted communication * active touring * invasive management * energized process * hyperactive mentality * athletic sibling-figures * promotional sales * photographs of the muscular physique * dynamic marketing * champion of teamwork * pursuit of business
  • Kuja-yuti-Chandra * invigorated feelings * energized intuition * dynamic nurturance * masculine force joins parental care * potential for aggressive emotionalized actions

Mangala in bhava-3 management, business, administration rules the adversarial, jealous, accusing rules 6th-from-Chandra-nichha. Associated with addiction seeking stress-relief. Ms. Aniston is a long time cigarette smoker

JA's divorces (6) = embedded into her personality. The divorce from her first husband, widely reported as a miserable and unwanted event for the actress, and emotionally excruciatingly painful , created a national narrative of betrayal and infidelity.

Dara-karaka (Jaimini) = the graha which holds the 7th-from-the-highest degree within the radical kundali. This graha = a significator of spouse and of the social relationship of marriage.

For Ms. Aniston, the dara-karaka = Mangala-Vrischika-1 at zero-degrees, .holding also zero-degrees in Karkata navamsha-7. Spousal partners are somewhat powerless (dead state) to fulfill partnership roles and that additionally the function of partners is usurped by the self because Kuja-1 lagnesha swakshetra swabhava is deeply focused on the physical body and the social individuality which is antithetical to concerns of union and trust.

Budha * bandhava-karaka * zisya-karaka

  • Budha-Makara-Draco * bureaucratic communications * articulation of lawfully orderly process * proletarian phrasing * delivers procedure for imposing rules * descriptive explanations of the social order * messages about governance * documentation of regulatory procedures * diagrams the hierarchies * status-conscious mentality * hands-arms-shoulders send normalizing gestures
  • Budha in bhava-5 * narrative of drama, politics, creativity * discusses children, entitlement, entertainment, describer of divine intelligence, explainer of romance, delivers instructions for politics, poetry, creative literature, games, love, fame, human delights , talks about idealism, royalty, uniqueness, artistic performance, radiant confidence, celebration, glitter and glamour, splendor
  • Budha-yuti-Surya * explainer of dramatic intelligence * affinity for central roles expressing skills of communication, explanation, description, instruction * explainer of dramatic intelligence * affinity for central roles expressing skills of communication, explanation, description, instruction * articulation of radiant authority * message of willpower and charisma * confidently talkative father

Budha in bhava-5 drama rules the suddenly transformative, extramarital, new-identity 8th-from-Chandra ++ emotionally associative, community-linking, economically fruitful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra

moudhya-dosha Budha suggests that when off-script, Ms. Aniston may struggle to speak articulately. However when on-script, Shani-7 ruler of Budha-5 favors orderly, on-script dramatic speaking.

Guru * dhavakaraka * bahuta-karaka

  • Guru-Kanya * much ministry of service, many servants + employees, much labor, many argumentations, much medication, exploitable beliefs, doctrine of humility
  • Guru in bhava-1 * dig-bala * much vitality * jolly personality * generous disposition * numerous identities * much jovial competition * many cheerful sporting activities * believes in direct action * expansive aura * extra height-or-girth * embodiment of jovial cheer * a patron of generous optimism
  • Guru-yuti-Ketu upeksha-karaka * multiple options for severance * broad permission to abandon unsustainable connections * diverse wanderings * many occasions of surrender * philosophy of impermanence * large-size vacuums * many holy pilgrimages, large vacuums in life


Guru-1 rules- 4-homes, vehicles, foundational education ++ 7-contracts, peer advising, marriage, bargains

Guru-yuti-Ketu occupies the Karakamsha Kanya-1 physical appearance

signifying Economic gainfulness and fan-clubs

Guru-yuti-Ketu rules the drama-seeking 5th-from-Chandra and the family-seeking, lineage-values 2nd-from-Chandra (also 2nd marriage, afflicted by Ketu)

within a wifely nativity, dhava-karaka Guru-yuti-Ketu profiles the husband (s)

Das/Behari commentary upon Guru in Kanya:

  • "Choosy about friends, analytical mind, observant, promising, much traveling. Unorthodox about marriage partner. Gain through literary pursuits, speculation commercial investments. Ailments of bowels and lack of concentration."

Brihaspati also receives drishti of His enemy uttama-Zukra. Zukra's drishti upon 11 = amplified by Rahu and Shani, increases revenues and fan-club

Zukra * svadhu-karaka * kalatra-karaka

* Malavya Yoga amplified by Rahu

* karaka bhavo nashto

  • Zukra-Meena * uttama * appreciation of music * likes imagery * attracted to spiritual equity * intuitively artistic * pleasures of imagination * enjoys symbolic clairsentience * dreamlike arrangements
  • Zukra-7 * swabhava * pleasure of interpersonal relationships * enjoys contractual harmony * pleasant partnerships * pleasing designs to adorn the lower back * kidney-adrenal over-use * external genitalia * feminine-figures advise and bargain * appreciation of equity
  • Zukra-yuti-Shani * sweetened structures, mature relationships, gracious lawfulness, beautiful bones, appreciation for neutrality, strict negotiations, pleasant legal mediation, architectural rigor, enduring agreements * arrangements abide by regulatory law. This benevolent combination signals success in artistic endeavor of a pragmatic, materialistic character, such as music composition or fashion design. Deepens the artistic discipline. Shani contributes mature realism to Zukra's love of balance + beauty. In a husbandly nativity, may prefer a senior, responsible wife.
  • Zukra-yuti-Rahu * sweetened adventure * gracious ambition * appreciation for exciting opportunism * masked negotiations * over-reaching agreements * exceptional beauty * enjoys cultural mixing * barrier-bending, culturally unusual arrangements * diplomatic equity balanced with exhilarating risk * risk-rewarding contracts * typically an unconventionally attractive, pleasantly mesmerizing appearance.. A mesmerizingly (Rahu) attractive (Zukra) appearance.

Zukra rules the privacy-seeking, meditative 12th-from-Chandra ++ the relationship-seeking 7th-from-Chandra

QUOTATION Das/Behari commentary upon Zukra-Meena:

  • Charitable, large-hearted, popular, wealthy, learned, devoted to saints; love for art, music and drama; fickle in love affairs, accepts a low-bred spouse; trouble and difficulty through your own miscalculations. [end quote]

Shani * duro-karaka * jara-karaka

  • Shani-Meena * heavy old dreams, tightly regulated imagination, obliged to conform to the will of the cetaceans, vital energy compression stress zone = feet, strictly imposed conditions of sanctuary, must endure lowest-common-denominator proletarian prayer, slow elder diviners, limited access to ancient ancestor guides, must materialize the vision, must sustain the effort of connecting the material senses with the astral vision despite scarce available resources
  • Shani in Bhava-7 * digbala * (beneficial placement) * Structured, orderly, time-conscious partnerships. One must balance and re-balance. Cautious, conventional relationships. Tense negotiations. Chronic responsibilities toward the spouse; compression of the visible genitalia; heavy legacy pressure against freely chosen contracts. Bargaining fatigue. Resistance to new arrangements. Resentment toward changes in partner's behavior. Support for socially-approved, rigidly dutiful roles as married person, contract-holder, match-maker, attorney, diplomat, judge.
  • Shani-yuti-Zukra * resistance against equity * limited luxuries * slow-elder sisterly figures * pragmatic finance * contractual discipline * socially constrained harmony * conventionally regulated pleasures * trust in age + time * class-structured arrangements
  • Shani-yuti-Rahu * stiff resistance to unbridled ambition * formally regulated cultural mixing * disciplined thrills * class-based limitations upon privilege * repressed quest for intriguing importance * socially constrained opportunism * shimmering illusion of systematic conformity * irregular achievements * over-reaching elders * restricted risks

Shani-7 provides loyalty to the contract. Shani generally produces a mixed experience for Kanya nativities, since He rules 5-creaativity, celebrity, romance ++ 6-broken promises, accusation, addiction, pollution, disagreement

Shani rules the ensemble-working, emotionally motivated evangelical communicative cohort instructive descriptive team-working administrative managerial announcing publishing reporting explanatory conversational lyrical messaging 3rd-from-Chandraand the emotional comfort-seeking 4th-from-Chandra which also indicates the maternal grandmother. The mother's mother would have also been gifted in drama, gambling, politics, and charismatic celebrity.

Shani-yuti-Rahu =Amatya-karaka = another indicator of complex relationship with a talented, but attention-seeking mother

Rahu * rajyalobha-karaka * picchala-karaka (slippery) \

  • Rahu-Meena-Antya * shimmering illusion of immersion * craving for symbolic guidance * mirage of imaginative wisdom * mesmerizing aura of concealing fog * mask of dreamlike Other Worlds * fascinating prayers *extraordinary ancestor guides * fabulous clairsentience * intriguing sleep-states * seeks special importance via apparent (but perhaps not authentic) attributes of deep trance, private intuition, interior guidance * seeks privilege via contemplative-roles
  • Rahu in bhava-7 * passion for partnership * in swabhava of Suave Zukra, the Shadowy Specter seeks privilege via glamorous or unusual arrangements, amplified bargains, vows, promises. Rahu-7 desires an important brokerage role in rule-bending, exceptional, expedient, non-standard negotiations. Fascinating match-making. Thrilling deals and pacts. Agent of flashy contracts. Exciting, opportunistic, ambitious partners (personal and professional). Rahu-7 trespasses the cultural boundaries of negotiated agreements, covenants, agreed terms of exchange. Mixed-culture marriage. Rahu the Poseur may pose as the Perfect Partner, a middleman, a bargainer, a diplomat, a fascinating arranger, an agreeable advocate. Rahu-7 grants advantageous career positioning via instrumental alliances.
  • Rahu-yuti-Zukra * amplified attractions * magnified beauty * exotic art-music-architecture * tricky partners * opportunistic feminine-figures * fascinating (but perhaps illusory) appearance of luxurious pleasure * strange-and-wonderful designs * thrilling relationships * barrier-bending style of deal-making * unusual contracts * hypnotic arrangements * gracious balance of cross-cultural mixing
  • Rahu-yuti-Shani * amplified public formality * magnified systematics * exotic social conventions * tricky regulations *opportunistic elders * fascinating (but perhaps illusory) appearance of strictly lawful structures * hypnotic ascent to privileged social rank * pragmatic cross-cultural mixing

Ketu * kavandha-karaka * chidra-karaka

  • Ketu-Kanya * dissociates from accusatory complaints * incomplete service * empty disagreements * dissolute arguments * not limited by stigmatized conditions * ignores restriction on imbalance * ministry of service to those who are homeless, wandering, or in medical disorder
  • Ketu in classroom-1 * * wanders from the fleshly container, disperses coherently unique identity, ambivalent toward the power of muscular movement, absent from embodiment, other-defined chameleon, irrelevance of the personality. One abandons an independent lifestyle + chooses to depend upon Important Others (Rahu-7).
  • Ketu-yuti-Guru * freedom to abandon empty theories * many vacuums * wandering teachers * wisdom of surrender * misunderstandings due to incomplete comprehension * doctrine of impermanence * Other-Worldly viewpoint * walks away in disbelief * uninterested in charity * liberating philosophy * for wifely nativities, Ketu may release the dhavakaraka husband-figure..

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