Formerly married to
Moneyball 1963- dramatist Brad Pitt
born seven months before
-
Zorro 1969- drama-commerce Catherine Zeta Jones
Dramatist + Philanthropist
Fashion Model
Entertainment Media Commercial Producer
Earthbody-Entry Tuesday-11-Feb-1969
cinema fashion drama-commerce * 1969 - * Jennifer Aniston
birth information from http://en.wikipedia.org/wiki/Jennifer_Aniston * tentatively rectified by BP Lama
charts + graphs + tables = produced by Shri Jyoti Star * adapted by BP Lama
Rising Nakshatra
Feminine Nativities
Chitra-Tvastri * Citthirai * Vismakarma * Azinech * Alaraph * Arista * Dana
BPL commentary
For Chitra-Tvastri births of a feminine valence, the condition of pioneering, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome.
For those born into the Mangala-ruled paradigm of Visvakarma, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, builders, drivers, drillers, diggers, exploders, aggressors, pursuers, competitions and battles may be especially influential.
Guided by instructors from civilizations of Spica. Their purpose is architectural engineering and crafting of beautiful, functional, and artistic alliances, arrangements, and designs.
Designs + Arrangements
Kuja-ruled Vismakarma ladies are blessed with direct, muscular physical and sexual energy. They are often found in environments where beautiful designs plus physical agility are valued. Chitrani typically excel in competitive, vitality-focused fields such as fashion modeling, cinematic acting, musical performance, choreography and dance, and athletics which emphasize balanced movement.
Kanya pada 1-2 expresses Kuja's rulership of 3-writing-commerce + 8-secret transformations, while also displaying the frustrating tension of chatty Budha versus active Kuja. Budha's Writing skills may emerge in pada 1-2. Kanya-Chaitra are often found in media communications and commercial aspects of design work, where their pro-active process management is distinctive. Trust and relationship integrity may be challenging.
Thula-Vanika Pada 3-4 emphasizes Kuja's rulership of 2-collections, treasuries + 7-contracts, alliances. Zukra's bargaining behavior and financial skills rise in pada 3-4 due to the pleasant attractions of Zukra-Mangala. Ladies often enjoy considerable wealth via face, voice, marriage, and family lineage. In music, arts, and partnership-craft, they pursue harmonious arrangements. They often play stringed instruments, and write beautiful songs. In the arts, entertainment, beauty, and design industries, their contractual deals are often luxuriously beneficial.
Themes of competitive movement, agile beauty, dynamic design, and financial equity may contextualize Chaitra's terrestrial experience. Applies also to Chandra in Chitra
QUOTATION from Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra . p 96.
"An expensive and luxurious person.
One who is fond of clothes and beautiful surroundings and revels in them.
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She spends much money on jewels, perfumes, cosmetics
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and her taste in these matters is expensive .
She likes to change costumes several times a day
and always look like an animated fashion plate .
Variety is the spice of life to this woman
and she will be inconstant and fickle in love affairs,
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having many during her life and marrying often.
Many actresses, musicians, artists and opera singers have Chitra rising.
If she is born on the day before the New Moon, with this asterism rising,
she will have a husband who will die four years after her marriage to him
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and she will never have any children...."
Friends 1969- drama-fashion Jennifer Aniston
Jennifer Aniston before television stardom
After stardom
Ms. Aniston with her second husband, dramatist Justin Theroux (m. 2015-2017)
Budha Mahadasha * age birth until age 7-months
11-Feb-1969 Earth-birth in Sherman Oaks, California, USA * Budha-Shani bhukti * Shani rules 5-drama
Ketu Mahadasha * age 7-months until age 7.7
Zukra Mahadasha * age 7.7 until age 27.7
1979 parents' divorce (JA age 10) * Zukra-Zukra swabhukti * Zukra-yuti-Shani * Zukra gives effect of rogesha Shani * gochara R-K Kanya-Meena radical lagna
1980 (JA age 11) one of her school paintings was displayed at the Metropolitan Museum of Art in NYC * Zukra-Surya bhukti* Surya rules 10th-from-Chandra
- Janma Sade-Sati Vrischika Dec-1984 until Dec-1987
1987 (JA age 18) earned diploma from N.Y. High School of Performing Arts * Zukra-Guru bhukti * Guru rules 4th-from-4th
1989 (JA age 20) first television acting role * Zukra-Shani bhukti * Shani rules 5-performing arts
Sep-1994 begin popular Friends TV drama (JA age 25) * Zukra-Budha bhukti * Budha lagnesha + karmesha
Surya Mahadasha * age 27.7 until age 33.7
29-July-2000 exchange of vows in marriage-1 with Moneyball 1963- dramatist Brad Pitt * Surya-Shani bhukti * Shani rules Kumbha navamsha-7 * gochara Rahu-Ketu via Mithunaya-Dhanuzya
Chandra Mahadasha * age 33.7 until 43.7
May-2004 end of 10-years ongoing, popular Friends television drama * Chandra-Rahu bhukti
gochara Karkata-Shani enters Karkata-8th navamsha in Jan-2005.
Mar-2005 divorce from Moneyball 1963- drama-commerce Brad Pitt * Chandra-Rahu bhukti
Mangala Mahadasha * age 43.7 until age 50.7
Janma Sade-Sati Vrischika Nov-2014 until Jan-2017
Aug-2015 exchange of vows in marriage-2 with dramatist Justin Theroux* Mangala-Shani bhukti * Shani rules navamsha-7 * gochara R-K Kanya-Meena contact R-K ++ Sade-Sati
25-May-2016 grieved the decease of alienated Mother * Mangala-Budha bhukti * Budha rules 7th-from-4th ++ Sade-Sati
2017 end of exchange of vows in marriage-2 * Mangala-Ketu bhukti ++ Sade-Sati
Rahu Mahadasha * age 50.7 until age 68.7
Guru Mahadasha * age 68.7 until 84.7
Shani Mahadasha * age 84.7 until age 103.7
Friends 1969- drama-fashion Jennifer Aniston
Jennifer Aniston age 17, high school
The father of Jennifer Aniston = dramatist Mr. Giannis Anastasakis = professional stage name John Aniston; born July 24, 1933. Photo Feb-2012
Estranged mother of Jennifer Aniston, the actress Nancy Dow (photo 2011).
Surya * pitrikaraka * jyotikaraka
- Surya-Makara-Draco * Savitra * the stimulator * brightly charismatic confidence of Center-stage Surya radiates through the hierarchical structuring rashi of Shani
- Surya in bhava-5 * swabhava * center of sparkling entitlements * poetic romance * literary-artistic intelligence * splendid speculations * radiates brightly political celebrity * focus on glamour * genius for dramatic entertainments * eye on smart gambling * brilliant in games * bright center of creative performance * father may be a dramatist-speculator-politician
- Surya-yuti-Budha * confidently conversational * bright messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * gestures conduct the spiritual rays of the Sun * radiantly descriptive * articulate in drama * skillful game-player * self-confident announcements * talks about ideals * narrative of power-politics * recites love poems * describes divine romance
FATHER
Dad = Yannis Anastassakis = John Aniston = long-serving daytime soap-opera television dramatist = Surya in bhava-5 radiant theatre
Surya-yuti-Budha television Budha = communications media
- Similar to dad, JA has enjoyed a career in television, cinema, and commercial entertainment production
CAREER - SURYA
Surya in bhava-5 rules the emotionally familiar, career-focused 10th-from-Chandra = Simha drama
Chandra * matrikaraka * garha-karaka
- Chandra-Vrizchika * nichha * comforted by rhythmic penetration of mystery
- Chandra in Jyeztha-Kita * comforted by competitive signals * protector of prophetic messages * familiar face of direct announcements
- Chandra in classroom-3 * comfortable with the cohort * familiar with interactive communication * calmed by repetitive announcements * needs to feel the tidal pulse of daily chat * feels sheltered in the parlor * soothed by younger siblings * intuitive information delivery * settled into the habits of writing and commerce * accustomed to routine messaging * emotionally attuned to the rhythms of conversation * undulating signals * ethno-cultural gestures * intuitive handcraft
- Somana-yuti-Kuja * Emotionally pro-active * sensitive to brotherly figures * needs to win * comforted by direct forward movement * invigorates the undulating routine * soothed by pioneering innovation * mother is competitive * calmed by routine exercise * feels like a champion
Chandra in classroom-3 rules marketplace-gains = 11. Revenues from television, advertising, scripts, sales.
Arudha lagna -Karkata-9 = celebrity, fortune
Chandra's nakshatra is Mula, which adds complications of emotional disregard for consequences, and to some degree implicit expectation of catastrophe
MOTHER
Mom = Nancy Dow, a fashion model + actress. nichha-Chandra rules 11-economics, material goals and achievements. Somana-yuti-Kuja = a yoga for profitability and income. Nichha-Chandra is often a jealous mother. Daughter and mother suffered a high-profile, contentious relationship reported in the press. Mom attacked her daughter's reputation in television interviews. Most of daughter's adult life spent in a ,maternal no-contact status due to mom's emotional volatility When nichha, Somana-yuti-Kuja may suggest invasive aggressions. Without daughter's permission, mom wrote a gossip book "From Mother and Daughter to Friends" Mom was not invited to the wedding ceremonies. Dad was welcomed.
Speaking of her mother Nancy Dow, JA mentioned
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"She had a temper," she says. "I can't tolerate that. If I get upset, I will discuss. I will never scream and get hysterical like that. I was never taught that I could scream. One time, I raised my voice to my mother, and I screamed at her, and she looked at me and burst out laughing. She was laughing at me screaming back. And it was like a punch in my stomach."
MARRIAGE expectations of partnership support
- bhava-9 = father, celebrity, high fortunes, worldview, higher philosophies
- Spouse-1 = typically a father-figure, engaged in a similar profession or resembling the dad
- lifemate-1 = high-profile dramatist Moneyball 1963- drama-commerce Brad Pitt (m. 2000-2004)
- dad = Yannis Anastassakis = John Aniston = long-serving daytime soap-opera television dramatist
Guru-Kanya * Guru in bhava-1 * Guru-yuti-Ketu
- first husband Brad Pitt = appearance-oriented, body-identified (1)
- likely some dissolute behaviors (Ketu).
- Guru rules 4 + 7 suggesting that husband-1 would have an established life foundation (Pitt's conventional long-married Midwest parents).
- More prominently, Guru rules JA's exceptionally ambitious Rahu-Meena-Antya * Rahu in bhava-7 * Zukra-yuti-Rahu * Shani-yuti-Rahu = his role in propelling her celebrity career
8th-from-7th-from-Chandra-3 = 2nd-from-Chandra
- bhava-4 stability, security, routine, life foundations, parenting, protection
- Spouse-2= typically a sheltering figure resembling or culturally similar to the parents
- May be engaged in the same profession as the mother, or have other sheltering, nourishing, defensive, or anchoring qualities
- dramatist Justin Theroux (m. 2015-2017)
- husband-2 = associated with Ketu-Kanya * Ketu in classroom-1 * Guru-yuti-Ketu
- following their ceremonial vows, the second alliance endured for less than one year
- Ketu's ruler Budha-5 suggests husband-2 = career in drama
PARENTS
Both of JA's parents were professional dramatists. Relationships with the two parents = described as markedly different.
- JA's relationship with dad = represented as supportively basking (Surya Baskara) in the daughter's celebrity success.
- Surya in bhava-5 = dad matches the celebrity world ++ Surya-yuti-Budha = Dadlinked to JA via her lagnesha Budha
- Mom = represented as thwarting + jealous of the daughter's celebrity success.
- Somana-yuti-Kuja = competitive mother ++ Chandra-Vrizchika * nichha generally indicates that mom would be outspoken in regard to her children + likely lacking emotional awareness
Kuja * bhratru-karaka * virya-karaka
- Mangala-Vrizchika * Swakshetra * vigorous pursuit of secrets * proactive exploration * push toward discovery * champion of emergency action * champion of emergency action
- Mangala in bhava-3 * drive toward commerce * push toward scripted communication * active touring * invasive management * energized process * hyperactive mentality * athletic sibling-figures * promotional sales * photographs of the muscular physique * dynamic marketing * champion of teamwork * pursuit of business
- Kuja-yuti-Chandra * invigorated feelings * energized intuition * dynamic nurturance * competitive caretaking * often the dominant parent * needs to win * forward thrusting emotions * seeks security via conquest
Mangala in bhava-3 management, business, administration rules the adversarial, jealous, accusing rules 6th-from-Chandra-nichha. Associated with addiction seeking stress-relief. Ms. Aniston is a long time cigarette smoker
JA's divorces (6) = embedded into her personality. The divorce from her first husband, widely reported as a miserable and unwanted event for the actress, and emotionally excruciatingly painful , created a national narrative of betrayal and infidelity.
Dara-karaka (Jaimini) = the graha which holds the 7th-from-the-highest degree within the radical kundali. This graha = a significator of spouse and of the social relationship of marriage.
For Ms. Aniston, the dara-karaka = Mangala-Vrischika-1 at zero-degrees, .holding also zero-degrees in Karkata navamsha-7. Spousal partners are somewhat powerless (dead state) to fulfill partnership roles and that additionally the function of partners is usurped by the self because Kuja-1 lagnesha swakshetra swabhava is deeply focused on the physical body and the social individuality which is antithetical to concerns of union and trust.
Budha * bandhava-karaka * zisya-karaka
- Budha-Makara-Draco * bureaucratic communications * articulation of lawfully orderly process * proletarian phrasing * delivers procedure for imposing rules * descriptive explanations of the social order * messages about governance * documentation of regulatory procedures * diagrams the hierarchies * status-conscious mentality * hands-arms-shoulders send normalizing gestures
- Budha in bhava-5 * narrative of drama, politics, creativity * discusses children, entitlement, entertainment, describer of divine intelligence, explainer of romance, delivers instructions for politics, poetry, creative literature, games, love, fame, human delights , talks about idealism, royalty, uniqueness, artistic performance, radiant confidence, celebration, glitter and glamour, splendor
- Budha-yuti-Surya * amusing explanations * central roles in communication * brightly clear descriptions * dramatic enunciation * confidently delivers instruction * articulation of radiant certainty * political messenger * talkative father-figures
Budha in bhava-5 drama rules the suddenly transformative, extramarital, new-identity 8th-from-Chandra ++ emotionally associative, community-linking, economically fruitful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra
moudhya-dosha Budha suggests that when off-script, Ms. Aniston may struggle to speak articulately. However, when on-script, Shani-7 ruler of Budha-5 favors orderly, on-script dramatic speaking.
Guru * dhavakaraka * bahuta-karaka
- Guru-Kanya * much ministry of service * many servants * numerous employees * indoctrination of laborers * much logical argumentation * conflicted guidance * generously assists many victims * much medication * believes in helpfulness * doctrine of benevolent humility
- Guru in bhava-1 * dig-bala * much vitality * philosophical personality * permission for unrestricted action * generous disposition * numerous identities * expands the scope of competition * many cheerful sporting activities * believes in birthright * expansive aura * extra height-or-girth * embodiment of tolerant cheer * a patron of personal benefit * in a wifely nativity, husband-figure may be an expander-philanthropist-benefactor
- Guru-yuti-Ketu upeksha-karaka * multiple options for severance * broad permission to abandon unsustainable connections * diverse wanderings * many occasions of surrender * philosophy of impermanence * large-size vacuums * many holy pilgrimages, large vacuums in life
Dhana-yoga
Guru-1 rules- 4-homes, vehicles, foundational education ++ 7-contracts, peer advising, marriage, bargains
Guru-yuti-Ketu occupies the Karakamsha Kanya-1 physical appearance
signifying Economic gainfulness and fan-clubs
Guru-yuti-Ketu rules the drama-seeking 5th-from-Chandra and the family-seeking, lineage-values 2nd-from-Chandra (also 2nd marriage, afflicted by Ketu)
within a wifely nativity, dhava-karaka Guru-yuti-Ketu profiles the husband (s)
Das/Behari commentary upon Guru in Kanya:
- "Choosy about friends, analytical mind, observant, promising, much traveling. Unorthodox about marriage partner. Gain through literary pursuits, speculation commercial investments. Ailments of bowels and lack of concentration."
Brihaspati also receives drishti of His enemy uttama-Zukra. Zukra's drishti upon 11 = amplified by Rahu and Shani, increases revenues and fan-club
Zukra * svadhu-karaka * kalatra-karaka
* Malavya Yoga amplified by Rahu
- Zukra-Meena * uttama * appreciation of music * likes fantasy * often looks beautiful * visions of harmony * attracted to dreamy artists * intuitively balanced designs * sensual feet * pleasures of imagination * enjoys symbolic clairsentience * contemplative aesthetic
- Zukra-7 * swabhava * seeks pleasure via interpersonal relationships * enjoys contractual harmony * adjustable partnerships * pleasing designs to adorn the lower back * kidney-adrenal over-use * often too much sugar * lovely external genitalia * prefers feminine advisers * balances the terms of mutual agreement * nice financial arrangements * appreciation of equity
- Zukra-yuti-Shani * sweetly serious deal-making * mature relationships * graciously responsible * beautiful bones * appreciation for neutrality * strict negotiations * pleasant legal mediation * rigorous bargaining * enduring agreements * regulated contracts * architectural elegance * pragmatic design * lawful arrangements * success in disciplined artistic endeavor, such as music composition or fashion design * realistic finance * in a husbandly nativity, preference for a seasoned, orderly, socially dignified wife
- Zukra-yuti-Rahu * sweetened adventure * gracious ambition * appreciation for opportunities * thrilling negotiations * passionate sensuality * over-reaching agreements * exceptional beauty * enjoys cultural mixing * barrier-bending relationships * unorthodox arrangements * diplomatic equity balances exhilarating chance * risk-rewarding contracts * unconventionally attractive, pleasantly mesmerizing appearance * prefers exciting partners
Zukra rules the privacy-seeking, meditative 12th-from-Chandra ++ the relationship-seeking 7th-from-Chandra
QUOTATION Das/Behari commentary upon Zukra-Meena:
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Charitable, large-hearted, popular, wealthy, learned, devoted to saints; love for art, music and drama; fickle in love affairs, accepts a low-bred spouse; trouble and difficulty through your own miscalculations. [end quote]
Shani * duro-karaka * jara-karaka
- Shani-Meena * heavy old dreams, tightly regulated imagination, obliged to conform to the will of the cetaceans, vital energy compression stress zone = feet, strictly imposed conditions of sanctuary, must endure lowest-common-denominator proletarian prayer, slow elder diviners, limited access to ancient ancestor guides, must materialize the vision, must sustain the effort of connecting the material senses with the astral vision despite scarce available resources
- Shani in Bhava-7 * digbala * (beneficial placement) * slowly time-structured contractual partnerships * heavy vows * must balance-and-rebalance * cautiously conventional relationships. * tense bargaining * chronic marital responsibilities * compression of the visible genitalia * pressure against freely chosen contracts * negotiation fatigue * resistance toward new arrangements * elders maintain old contractual obligations
- Shani-yuti-Zukra * resistance against equity * limited luxuries * conservatively slow feminine figures * pragmatic finance * contractual discipline * socially constrained harmony * conventionally regulated pleasures * trust in age + time * class-structured arrangements
- Shani-yuti-Rahu * stiff resistance to unbridled ambition * formally regulated cultural mixing * disciplined thrills * class-based limitations upon privilege * repressed quest for intriguing importance * socially constrained opportunism * shimmering illusion of systematic conformity * irregular achievements * over-reaching elders * restricted risks
Shani-7 provides loyalty to the contract. Shani generally produces a mixed experience for Kanya nativities, since He rules 5-creaativity, celebrity, romance ++ 6-broken promises, accusation, addiction, pollution, disagreement
Shani rules the ensemble-working, emotionally motivated evangelical communicative cohort instructive descriptive team-working administrative managerial announcing publishing reporting explanatory conversational lyrical messaging 3rd-from-Chandraand the emotional comfort-seeking 4th-from-Chandra which also indicates the maternal grandmother. The mother's mother would have also been gifted in drama, gambling, politics, and charismatic celebrity.
Shani-yuti-Rahu =Amatya-karaka = another indicator of complex relationship with a talented, but attention-seeking mother
Rahu * rajyalobha-karaka * picchala-karaka (slippery) \
- Rahu-Meena-Antya * shimmering illusion of immersion * craving for symbolic guidance * mirage of imaginative wisdom * mesmerizing aura of concealing fog * mask of dreamlike Other Worlds * fascinating prayers *extraordinary ancestor guides * fabulous clairsentience * intriguing sleep-states * seeks special importance via apparent (but perhaps not authentic) attributes of deep trance, private intuition, interior guidance * seeks privilege via contemplative-roles
- Rahu in bhava-7 * passion for partnership * in swabhava of Suave Zukra, the Shadowy Specter seeks opportunity via boundary-breeching arrangements * expedient use of the law-courts * amplified bargains * extraordinary relationships * glamorous promises * outsider who cleverly insinuates into pairing roles * desires important brokerage roles * unorthodox negotiations * fascinating match-making * thrilling unions * non-standard pacts * opportunistic attorneys * trespasses the cultural boundaries of contractual equity * clever covenants * instrumentally agreed exchange valuation * captivating appearance of fair terms * mixed race-class-creed-gender-age in marriage * may pose as the Perfect Partner * self-promoting deal-maker * mesmerizing diplomat * appears as an agreeable advocate * seeks privilege via instrumental alliances
- Rahu-yuti-Zukra * amplified attractions * magnified beauty * exotic taste * tricky partners * opportunistic feminine-figures * fascinating (but perhaps illusory) appearance of luxurious pleasure * strange-and-wonderful designs * thrilling relationships * barrier-bending brokerage * unusual contracts * hypnotic arrangements * gracious balance of cross-cultural mixing * entrancing music
- Rahu-yuti-Shani * amplified public formality * magnified systematics * exotic social conventions * tricky regulations * opportunistic elders * fascinating (but perhaps illusory) appearance of strictly lawful structures * hypnotic ascent to privileged rank * pragmatic cross-cultural mixing
Ketu * kavandha-karaka * chidra-karaka * vasana-karaka (vacuum)
- Ketu-Kanya * humbly dissociates from accusatory complaints * incomplete service * empty disagreements * odd arguments * not limited by stigmatized conditions * ignores restriction on helpfulness * eccentric service to the disadvantaged * releases a living green cloud of servitude into the misty abyss
- Ketu in classroom-1 * eccentric expression of the fleshly container * oddly unique identity * ambivalent toward kinetic movement * incoherent embodiment * other-defined chameleon * surrenders individual completeness * identity depends upon Important Others (Rahu-7) * liberation via abdication of birthrights
- Ketu-yuti-Guru * freedom to abandon empty theories * many vacuums * wandering teachers * wisdom of surrender * misunderstandings due to incomplete comprehension * doctrine of impermanence * Other-Worldly viewpoint * walks away in disbelief * uninterested in charity * liberating philosophy * for wifely nativities, Ketu may release the dhavakaraka husband-figure..
file update:
16-Jan-2020
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