Formerly married to
Moneyball 1963- dramatist Brad Pitt
born 11 months after
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D'eux 1968- balladeer Celine Dion
born seven months before
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Zorro 1969- drama-commerce Catherine Zeta Jones
born 14 months before
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POTUS-pair-45 fashion 1970- Melania Knavs Trump
Dramatist + Fashion Model
Philanthropist
Entertainment Media Commercial Producer
a.k.a. Jennifer Joanne Aniston
Earth-birth Tuesday-11-Feb-1969
cinema fashion drama-commerce * 1969 - * Jennifer Aniston
birth information from http://en.wikipedia.org/wiki/Jennifer_Aniston * tentatively rectified by BP Lama
charts + graphs + tables = produced by Shri Jyoti Star * adapted by BP Lama
Rising Nakshatra
Feminine Nativities
Citthirai * Vismakarma * Azinech * Alaraph * Arista * Dana
BPL commentary
For Chitra - Tvastri births of a feminine valence, the condition of kinesthetic, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome.
For those born into the Mangala-ruled paradigm of Visvakarma, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, builders, drivers, drillers, diggers, exploders, aggressors, pursuers, competitions and battles may be especially influential.
Guided by instructors from civilizations of Spica. Their purpose is architectural engineering and crafting of beautiful, functional, and artistic alliances, arrangements, and designs.
Designs + Arrangements
Kuja-ruled Vismakarma ladies are blessed with direct, muscular physical and sexual energy. They are often found in environments where beautiful designs plus physical agility are valued. Chitrani drawing skills often place them into garment-making and decoration. They typically excel in competitive , vitality-focused fields such as fashion modeling, cinematic acting, musical performance, choreography and dance, and athletics which emphasize balanced movement.
Kanya pada 1-2 expresses Kuja's rulership of 3-writing-commerce + 8-secret transformations, while also displaying the frustrating tension of chatty Budha versus active Kuja. Budha's Writing skills may emerge in pada 1-2. Kanya-Chaitra are often found in media communications and commercial aspects of design work, where their pro-active process management is distinctive. Trust and relationship integrity may be growth-challenging.
Tula-Vanika Pada 3-4 emphasizes Kuja's rulership of 2-collections, treasuries + 7-contracts, alliances. Shukra's bargaining behavior and financial skills rise in pada 3-4 due to the pleasant attractions of Shukra-Mangala. Ladies often enjoy considerable wealth via face, voice, marriage, and family lineage. In music, arts, and partnership-craft, they pursue harmonious arrangements. They often play stringed instruments, and write beautiful songs. In the arts, entertainment, beauty, and design industries, their contractual deals are often luxuriously beneficial.
Themes of competitive movement, agile beauty, dynamic design, and financial equity may contextualize Chaitra's terrestrial experience. Incoming drishti from Kuja can mobilize their progressive, pioneering actions. Also applies to Chandra in Chitra-Spica
QUOTATION from Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra . p 96.
"An expensive and luxurious person.
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One who is fond of clothes and beautiful surroundings and revels in them.
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She spends much money on jewels, perfumes, cosmetics
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and her taste in these matters is expensive .
She likes to change costumes several times a day
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and always look like an animated fashion plate .
Variety is the spice of life to this woman
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and she will be inconstant and fickle in love affairs,
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having many during her life and marrying often.
Many actresses, musicians, artists and opera singers have Chitra rising.
If she is born on the day before the New Moon, with this asterism rising,
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she will have a husband who will die four years after her marriage to him
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and she will never have any children...."
Jennifer Aniston before television stardom
*
Jennifer Aniston age 17, high school
The father of Jennifer Aniston = dramatist Mr. Giannis Anastasakis = professional stage name John Aniston; born July 24, 1933. Photo Feb-2012
Estranged mother of Jennifer Aniston, the actress Nancy Dow (photo 2011).
JA in 2015 (age 46) with her second husband, dramatist Justin Theroux (m. 2015-2017)
Biographical events matched to the
Vimshottari Dasha
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Friends 1969- drama-fashion Jennifer Aniston
Budha Mahadasha * age birth until age 7-months
11-Feb-1969 Earth-birth in Sherman Oaks, California, USA * Budha-Shani bhukti * Shani activates 5-drama
Ketu Mahadasha * age 7-months until age 7.7
Shukra Mahadasha * age 7.7 until age 27.7
1979 (JA age 10) ; parents' divorce * Shukra-Shukra svabhukti * Shukra-yuti-Shani * Shukra gives effect of rogesha Shani * gochara R-K Kanya-Meena indriya-lagna
1980 (JA age 11) one of her school paintings was displayed at the Metropolitan Museum of Art in NYC * Shukra-Surya bhukti* Surya activates 10th-from-Chandra
Dec-1984 until Dec-1987 Janma Sade-Sati Vṛścika
1987 (JA age 18) earned diploma from N.Y. High School of Performing Arts * Shukra-Guru bhukti * Guru activates 4th-from-4th
1989 (JA age 20) first television acting role * Shukra-Shani bhukti * Shani activates 5-performing arts
Sep-1994 begin popular Friends TV drama (JA age 25) * Shukra-Budha bhukti * Budha lagnesha + karmesha
Surya Mahadasha * age 27.7 until age 33.7
29-Jul-2000 exchange of vows in marriage-1-of-2 with Brad Pitt * Surya-Shani bhukti * Shani activates Kumbha navamsha-7 * gochara Rahu-Ketu via Mithunaya-Dhanus
Chandra Mahadasha * age 33.7 until 43.7
May-2004 complete the 10-years ongoing, popular Friends television drama * Chandra-Rahu bhukti
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gochara Karkata-Shani enters Karkata-8th navamsha in Jan-2005.
Mar-2005 (JA age 36) divorce from husband-1 Brad Pitt * Chandra-Rahu bhukti ++ Rahu-Return
Mangala Mahadasha * age 43.7 until age 50.7
Nov-2014 until Jan-2017 Janma Sade-Sati Vṛścika
Aug-2015 (JA age 46) exchange of vows in marriage-2-of-2 with dramatist Justin Theroux * Mangala-Shani bhukti * Shani activates navamsha-7 * gochara R-K Kanya-Meena contact R-K ++ dvithya Sade-Sati
25-May-2016 (JA age 47) grieved the decease of alienated Mother * Mangala-Budha bhukti * Budha activates 7th-from-4th ++ dvithya Sade-Sati
2017 (JA age 48) divorce-2-of-2 * Mangala-Ketu bhukti ++ dvadasa Sade-Sati
Rahu Mahadasha * age 50.7 until age 68.7
Guru Mahadasha * age 68.7 until age 84.7
Shani Mahadasha * age 84.7 until age 103.7
;
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Friends 1969- drama-fashion Jennifer Aniston
Surya * pitri-karaka (father) * jyoti-karaka (light)
Atmakaraka solipsism, center-stage roles, fashion, drama, certainty, glamour, radiance, ego
- Surya-Makara-Draco * Savitra * the stimulator * brightly charismatic confidence of Center-stage Surya radiates through the hierarchical structuring rashi of Shani
- Surya in bhava-5 [svabhava] * center of sparkling entitlements * poetic romance * literary-artistic intelligence * splendid speculations * radiates brightly political celebrity * focus on glamour * genius for dramatic entertainments * eye on smart gambling * brilliant in games * bright center of creative performance * father may be a dramatist-speculator-politician
- Surya-yuti-Budha * confidently conversational * bright messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * gestures conduct the spiritual rays of the Sun * radiantly descriptive * articulate in drama * skillful game-player * self-confident announcements * talks about ideals * narrative of power-politics * recites love poems * describes divine romance
FATHER
Dad = Yannis Anastassakis = John Aniston = long-serving daytime soap-opera television dramatist = Surya in bhava-5 radiant theatre
Surya-yuti-Budha television Budha = communications media
- Similar to dad, JA has enjoyed a career in television, cinema, and commercial entertainment production
CAREER - SURYA
Surya in bhava-5 rules the emotionally familiar, career-focused 10th-from-Chandra = Simha drama
Chandra * matrikaraka (mother) * garha-karaka (village)
- Chandra-Vṛścika [nīcha] * comforted by mystery * sensitive to trauma-healing * needs discovery
- Chandra in Jyeṣtha-Antares * calmed by competitive signals * protector of prophetic messages * familiar face of direct announcements
- Chandra in classroom-3 * comfortable with cohort-collaboration * familiar with interactive communication * calmed by repetitive announcements * feels the tidal pulse of daily chat * feels sheltered in the parlor * soothed by siblings * intuitive information delivery * settled into the habits of writing * needs continuous commerce * accustomed to routine messaging * emotionally attuned to the rhythms of conversation * undulating signals * ethno-cultural gestures * intuitive handcraft * mother may be a manager, shopkeeper, craftswoman, publisher
- Somana-yuti-Kuja * Emotionally pro-active * sensitive to brotherly figures * needs to win * comforted by direct forward movement * invigorates the undulating routine * soothed by pioneering innovation * competitive mother * calmed by routine exercise * feels like a champion
CAREER - CHANDRA
Chandra in classroom-3 rules marketplace-gains = 11. Revenues from television, advertising, scripts, sales.
Arudha lagna -Karkata-9 = celebrity, fortune
Chandra's nakshatra is Mula, which adds complications of emotional disregard for consequences, and to some degree implicit expectation of catastrophe
MOTHER
Mom = Nancy Dow, a fashion model + actress. [nīcha] Chandra activates 11-economics, material goals and achievements. Somana-yuti-Kuja = a yoga for profitability and income.
[nīcha] Chandra is often a jealous mother. Daughter and mother suffered a high-profile, contentious relationship reported in the press. Mom attacked her daughter's reputation in television interviews.
Most of daughter's adult life spent in a ,maternal no-contact status due to mom's emotional volatility When nichha, Somana-yuti-Kuja may suggest invasive aggressions. Without daughter's permission, mom wrote a gossip book "From Mother and Daughter to Friends". Mom was not invited to the wedding ceremonies. Dad was welcomed.
Speaking of her mother Nancy Dow, JA mentioned
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"She had a temper," she says. "I can't tolerate that. If I get upset, I will discuss. I will never scream and get hysterical like that. I was never taught that I could scream. One time, I raised my voice to my mother, and I screamed at her, and she looked at me and burst out laughing. She was laughing at me screaming back. And it was like a punch in my stomach."
MARRIAGE partnership emotional equity support expectations
- bhava-9 = father, celebrity, high fortunes, worldview, higher philosophies
- Spouse-1 = Typically, a father-figure, engaged in a similar profession or resembling the dad
- lifemate-1 = high-profile dramatist Moneyball 1963- drama-commerce Brad Pitt (m. 2000-2004)
- dad = Yannis Anastassakis = John Aniston = long-serving daytime soap-opera television dramatist
Guru-Kanya * Guru in bhava-1 * Guru-yuti-Ketu
- first husband Brad Pitt = appearance-oriented, body-identified (1)
- likely some dissolute behaviors [Ketu].
- Guru activates 4 + 7 suggesting that husband-1 would have an established life foundation (Pitt's conventional long-married Midwest parents).
- More prominently, Guru activates JA's exceptionally ambitious Rahu-Meena * Rahu in bhava-7 * Shukra-yuti-Rahu * Shani-yuti-Rahu = his role in propelling her celebrity career
8th-from-7th-from-Chandra-3 = 2nd-from-Chandra
- bhava-4 stability, security, routine, life foundations, parenting, protection
- Dhanusya
- Spouse-2= Typically, a sheltering figure resembling or culturally similar to the parents
- May be engaged in the same profession as the mother, or have other sheltering, nourishing, defensive, or anchoring qualities
- dramatist Justin Theroux (m. 2015-2017)
- husband-2 = associated with Ketu-Kanya * Ketu in classroom-1 * Guru-yuti-Ketu
- following their ceremonial vows, the second alliance endured for less than one year
- Ketu's ruler Budha-5 suggests husband-2 = career in drama
PARENTS
Both of JA's parents were professional dramatists. Relationships with the two parents = described as markedly different.
- JA's relationship with dad = represented as supportively basking (Surya Baskara) in the daughter's celebrity success.
- Surya in bhava-5 = dad matches the celebrity world ++ Surya-yuti-Budha = Dadlinked to JA via her lagnesha Budha
- Mom = represented as thwarting + jealous of the daughter's celebrity success.
- Somana-yuti-Kuja = competitive mother ++ Chandra-Vṛścika [nīcha] Generally, indicates that mom would be outspoken in regard to her children + likely lacking emotional awareness
Kuja * bhratru-karaka (brother) * virya-karaka (virile)
- Mangala-Vṛścika [svakshetra] * vigorous pursuit of hidden assets * proactive exploration * energetic initiation * exposure of shocking secrets * plunges the tantric depths * push toward discovery * champion of emergency action
- Mangala in bhava-3 * drive toward commerce * push toward scripted communication * active touring * vigorous pronouncements * invasive management * energized process * hyperactive mentality * athletic sibling-figures * promotional sales * photographs of the muscular physique * dynamic marketing * champion of teamwork * pursuit of business
- Kuja-yuti-Chandra * invigorated feelings * energized intuition * dynamic nurturance * competitive caretaking * often the dominant parent * needs to win * forward thrusting emotions * seeks security via conquest
CAREER - KUJA
Mangala in bhava-3 management, business, administration rules the adversarial, jealous, accusing activates 6th-from-Chandra [nīcha]. Associated with addiction seeking stress-relief. Ms. Aniston is a long time cigarette smoker
JA's divorces (6) = embedded into her personality. The divorce from her first husband, widely reported as a miserable and unwanted event for the actress, and emotionally excruciatingly painful , created a national narrative of betrayal and infidelity.
Dara-karaka (Jaimini) = the graha which holds the 7th-from-the-highest degree within the radical kundali. This graha = a significator of spouse and of the social relationship of marriage.
For Ms. Aniston, the dara-karaka = Mangala-Vṛścika-1 at zero-degrees, .holding also zero-degrees in Karkata navamsha-7. Spousal partners are somewhat powerless (dead state) to fulfill partnership roles and that additionally the function of partners is usurped by the self because Kuja-1 lagnesha svakshetra svabhava is deeply focused on the physical body and the social individuality which is antithetical to concerns of union and trust.
Budha * jamayah-karaka (sibling) * sandeza-karaka (message) * zisya-karaka (student)
- Budha-Makara-Draco * bureaucratic communications * articulation of lawfully orderly process * proletarian phrasing * delivers procedure for imposing rules * descriptive explanations of the social order * messages about governance * documentation of regulatory procedures * diagrams the hierarchies * status-conscious mentality * hands-arms-shoulders send normalizing gestures
- Budha in bhava-5 * narrative of splendid signaling * discusses entitlements * self-referential conversations * describer of divine intelligence * explainer of romance * delivers political instructions * writes poetry * proclaims love * defines creative literature * plays games * discusses fame * lectures about idealism * debates with royalty * chats with children * publishes unique opinions * articulator of artistic performance * declaims with radiant confidence
- Budha-yuti-Surya * amusing explanations * entertaining chatter * central roles in communication * brightly clear descriptions * dramatic enunciation * confidently delivers instruction * articulation of radiant certainty * political messenger * talkative father-figures
CAREER - BUDHA
Budha in bhava-5 rules
- the suddenly transformative, extramarital, new-identity 8th-from-Chandra
- emotionally associative, community-linking, economically fruitful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra
moudhya-dosha Budha suggests that when off-script, Ms. Aniston may struggle to speak articulately. However, when on-script, Shani-7 ruler of Budha-5 favors orderly, on-script dramatic speaking.
Guru * dhava-karaka (husband) * bahuta-karaka (variety)
- Guru-Kanya * much ministry of service * many servants * numerous employees * indoctrination of laborers * much logical argumentation * conflicted guidance * permission to help * generously assists many victims * optimistic about medication * believes in aid * doctrine of benevolent humility
- Guru in bhava-1 [dik-bala] * much vitality * philosophical personality * permission for unrestricted action * generous disposition * numerous identities * expands the scope of competition * many cheerful sporting activities * believes in birthright * expansive aura * extra height-or-girth * embodiment of tolerant cheer * a patron of personal benefit * in a wifely nativity, husbandly-companion may be an expander-philanthropist-benefactor
- Guru-yuti-Ketu upeksha-karaka * multiple options for severance * broad permission to abandon unsustainable connections * diverse wanderings * many occasions of surrender * philosophy of impermanence * large-size vacuums * many holy pilgrimages, large vacuums in life
CAREER - GURU
Dhana-yoga
Guru-1 rules- 4-homes, vehicles, foundational education ++ 7-contracts, peer advising, marriage, bargains
Guru-yuti-Ketu occupies the Karakamsha Kanya-1 physical appearance
signifying Economic gainfulness and fan-clubs
Guru-yuti-Ketu rules the drama-seeking 5th-from-Chandra and the family-seeking, lineage-values 2nd-from-Chandra (also 2nd marriage, afflicted by Ketu)
within a wifely nativity, dhava-karaka Guru-yuti-Ketu profiles the husband (s)
Das/Behari commentary upon Guru in Kanya:
- "Choosy about friends, analytical mind, observant, promising, much traveling. Unorthodox about marriage partner. Gain through literary pursuits, speculation commercial investments. Ailments of bowels and lack of concentration."
Brihaspati also receives drishti of His enemy [uchcha] Shukra. Shukra's drishti upon 11 = amplified by Rahu and Shani, increases revenues and fan-club
Shukra * svadu-karaka (sweet) * kalatra-karaka (wifely companion)
* Malavya Yoga amplified by Rahu
- Shukra-Meena [uchcha] * appreciation of music * likes fantasy * often looks beautiful * envisions harmony * prefers an imaginative partner * attracted to dreamy artists * intuitively balanced designs * sensual feet * bargains for sanctuary * enjoys symbolic clairsentience * contemplative aesthetic
- Shukra-7 [svabhava] * seeks pleasure via interpersonal relationships * enjoys contractual harmony * adjustable partnerships * pleasing designs to adorn the lower back * kidney-adrenal over-use * often too much sugar * lovely external genitalia * gracious advisers * balanced mutual agreement * fair financial arrangements * appreciation of equity * pleasurable deal-making * in a husbandly nativity, wifely-companion may be an advocate-counselor-attorney
- Shukra-yuti-Shani * sweetly serious deal-making * mature relationships * graciously responsible * beautiful bones * appreciation for neutrality * strict negotiations * pleasant legal mediation * rigorous bargaining * enduring agreements * regulated contracts * architectural elegance * pragmatic design * lawful arrangements * realistic finance * prefers relationships with orderly partners * in a husbandly nativity, preference for a seasoned, class-conscious wife
- Shukra-yuti-Rahu * sweetened adventure * gracious ambition * appreciation for opportunities * thrilling negotiations * passionate sensuality * over-reaching agreements * exceptional beauty * enjoys cultural mixing * barrier-bending relationships * unorthodox arrangements * diplomatic equity balances exhilarating chance * risk-rewarding contracts * unconventionally attractive * pleasantly mesmerizing appearance * prefers exciting partners
CAREER - SHUKRA
Suave Shukra activates the privacy-seeking, meditative 12th-from-Chandra ++ the relationship-seeking 7th-from-Chandra
QUOTATION Das/Behari commentary upon Shukra-Meena:
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Charitable, large-hearted, popular, wealthy, learned, devoted to saints; love for art, music and drama; fickle in love affairs, accepts a low-bred spouse; trouble and difficulty through your own miscalculations. [end quote]
Shani * duro-karaka (endurance) * jara-karaka (years)
- Shani-Meena * oppressive dreams * socially responsible imagination * fear of vast waters * required immersion * must use symbolic images * aging affects the bedroom * structural compression upon aching feet * strictly imposed sanctuary * endures proletarian prayer * slow elder diviners * limited access to ancient ancestor guides * pragmatically constrained intuition * must sustain the astral resonance * scarce contemplative resources * maintainer of old interior visions
- Shani in Bhava-7 [dik-bala] * (beneficial placement) * enduring partnerships * heavy vows * must balance-and-rebalance * lawful relationships * tense bargaining * grim determination to maintain the contract * chronic marital responsibilities * compression of the visible genitalia * pressured bargaining * negotiation fatigue * unyielding alliances * slow-moving advisors * resists new arrangements * elders maintain respected old promises
- Shani-yuti-Shukra * resistance against equity * limited luxuries * sturdily handsome * orderly feminine figures * pragmatic finance * contractual discipline * socially constrained harmony * conventionally regulated pleasures * trust in age * mutuality over time * class-structured arrangements
- Shani-yuti-Rahu * stiff resistance to unbridled ambition * formally regulated cultural mixing * disciplined thrills * class-based limitations upon privilege * repressed quest for intriguing importance * socially constrained opportunism * shimmering illusion of systematic conformity * irregular achievements * over-reaching elders * restricted risks
CAREER - SHANI
Shani-7 provides loyalty to the contract. Shani generally produces a mixed experience for Kanya nativities, since He activates 5-creaativity, celebrity, romance ++ 6-broken promises, accusation, addiction, pollution, disagreement
Stoic Shani activates the ensemble-working, emotionally motivated evangelical communicative cohort instructive descriptive team-working administrative managerial announcing publishing reporting explanatory conversational lyrical messaging 3rd-from-Chandraand the emotional comfort-seeking 4th-from-Chandra which also indicates the maternal grandmother. The mother's mother would have also been gifted in drama, gambling, politics, and charismatic celebrity.
Shani-yuti-Rahu =Amatya-karaka = another indicator of complex relationship with a talented, but attention-seeking mother
Rahu * rajyalobha-karaka (ambition) * picchala-karaka (slippery) \
- [Uttarabhadra] Rahu-Meena * shimmering illusion of immersion * craving for symbolic guidance * extravagant imagination * mirage of dreamlike wisdom * mesmerizing aura of concealing fog * mask of Other-Worldly wisdom * fascinating prayers * extraordinary ancestor guides * fabulous clairsentience * intriguing sleep-states * seeks special importance via apparent (but perhaps not authentic) attributes of deep trance * exceptional private intuition * unorthodox interior guidance * seeks privilege via contemplative-roles
- Rahu in bhava-7 * passion for partnership * in svabhava of Suave Shukra, the Shadowy Specter seeks opportunistic arrangements * expedient use of the law-courts * amplified bargains * extraordinary relationships * extravagant promises * outsider who cleverly insinuates into pairing roles * desires important brokerage * unorthodox negotiations * fascinating match-making * thrilling unions * non-standard pacts * attorneys find loop-holes * irregular equity * exaggerated agreements * unusual exchange valuation * mirage of fairness * partnerships feature mixed race-class-creed-gender-age * may pose as the Perfect Partner * self-promoting deal-maker * mesmerizing diplomat * appears as a pleasant advocate * social mobility via instrumental alliances
- Rahu-yuti-Shukra * amplified attractions * magnified beauty * exotic taste * tricky partners * opportunistic feminine-figures * fascinating (but perhaps illusory) appearance of luxurious pleasure * strange-and-wonderful designs * thrilling relationships * barrier-bending brokerage * unusual contracts * hypnotic arrangements * gracious balance of cross-cultural mixing * entrancing music
- Rahu-yuti-Shani * amplified public formality * pragmatic exaggeration * exotic social conventions * slippery hierarchies * tricky rules * opportunistic elders * fascinating (but perhaps illusory) strict conformism * regulated risk-taking * hypnotic outsider insinuates normalcy * orderly cross-cultural mixing * thrilling legitimations
CAREER - RAHU
Ketu * * kavandha-karaka (headless) * chidra-karaka (gaping) * vasana-karaka (vacuum)
- Ketu-Kanya * humbly dissociates from accusatory complaints * incomplete service * empty disagreements * odd arguments * not limited by stigmatized conditions * ignores restriction on helpfulness * eccentric service to the disadvantaged * releases a living green cloud of servitude into the misty abyss
- Ketu in classroom-1 * eccentric expression of the fleshly container * oddly unique identity * ambivalent toward kinetic movement * incoherent embodiment * other-defined chameleon * surrenders individual completeness * identity depends upon Important Others (Rahu-7) * liberation via abdication of birthrights
- Ketu-yuti-Guru * misunderstandings * unsustainable convictions * abandons empty theories * believes in non-existence * vacuous catechism * wandering teachers * apostasy * wisdom of surrender * incomplete comprehension * doctrines of impermanence * Other-Worldly viewpoint * walks away in disbelief * liberating philosophy * for wifely nativities, Ketu may release the dhavakaraka husbandly-companion.
CAREER - KETU
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