born 5 months after
born 4 months after
born 3 months afer
born 2 months after
born in Nov-1942 along with
born 2 months before
born 7 months before
born 10 months before
Iconic Counterculture Musician
virtuoso electric guitarist * rock-funk-blues
a.k.a. James Marshall Hendrix
dematerialization 18-Sep-1970 (age 27)
Blues-Rock guitarist + songwriter + iconic performer * 1942-1970 * James Marshall Hendrix
data from https://en.wikipedia.org/wiki/Jimi_Hendrix * tentatively rectified by BP Lama Jyotishavidya
charts + graphs + tables = produced by Shri Jyoti Star * adapted by BP Lama
born on day-6 Shashti of Krishna Paksha
Citthirai * Vismakarma * Azinech * Alaraph * Arista * Dana
For Chitra - Tvastri births of a masculine valence, the condition of kinesthetic, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome.
For those born into the Mangala-ruled paradigm of Visvakarma, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, builders, drivers, drillers, diggers, exploders, aggressors, pursuers, competitions and battles may be especially influential.
Guided by instructors from civilizations of Spica. Their purpose is architectural engineering and crafting of beautiful, functional, and artistic alliances, arrangements, and designs.
Designs + Arrangements
Kuja-ruled Chaitra fellows have a knack for competition. Goal-oriented and kinetic in building, patterning Tvastri, they strive for dominant power in engineering, artisan mechanics, architecture, and applied design arts such as skilled handcraft. Tvastri-born have a natural affinity for tools, engines, driving, building.
Kanya pada 1-2 express Kuja's rulership of 3-writing + 8-mystical transformations, while also displaying the frustrating tension of chatty Budha versus active Kuja. Literary Budha plays a stronger role for pada 1-2, producing scholars and writers who argue about architectonics, engineering design, color values, and mechanics. Pada 1-2 = also skilled in handcraft and may be professors-cum-tradesmen, fine-arts painters, model-builders, or practicing musicians.
Thula - Vanika pada 3-4 express Kuja's rulership of 2-collections, assets + 7-contractual equity. Zukra's bargaining behavior and financial skills play a stronger role for pada 3-4, who enjoy the mutual attractions of Zukra-Mangala. In music, arts, and engineering, they pursue harmonious arrangements. They often play stringed instruments, and write beautiful songs. They are often found in the design world, in financial negotiations, and in dynamic meditator roles.
Themes of productive touch including artistic design, musical instruments, mechanical engineering, and crafting of dynamic arrangements contextualize Vismakarma's terrestrial experience. Incoming drishti from Kuja can mobilize their progressive, pioneering actions. Also applies to Chandra in Chitra-Spica.
QUOTATION from Shil-Ponde. (1939).Hindu Astrology Joytisha-Shastra. p 84
"Chitra natives are quiet, thoughtful, and profound.
Very slow in movement and of great dignity in bearing and manner.
they make good students in their youth.
they are also extremely clever with their hands,
they like to do things or fashion things with their hands
Biographical data matched to
Vimshottari Dasha calendar |
Guru Mahadasha * age birth until age 1.4
Earth-birth Friday-27-Nov-1942 in Seattle, Washington, USA * Guru-Rahu chidradasha
Shani Mahadasha * age 1.4 until age 20.4
Sep-1945 until Jul-1948 (JH age 3-5) Janma Sade-Sati Karkata overlaps Shani-Shani svabhukti
1955 (JH age 15) begins playing guitar * Shani-Rahu bhukti
1961-1962 (JH age 19-20) US Army enlisted service. Paratrooper Jump School. Administrative discharge by commanding officer. * Shani-Guru chidradasha * Guru rules 4- national defense, stability, protection
Budha Mahadasha * age 20.4 until decease age 27 * 1963-1970
Jan-1964 until Dec-1966 Shani Ashtamsha Kumbha (6, drugs) overlaps Budha-Budha svabhukti
Feb-1964 (JH age 22) showing high manual skill, JH wins top prize in Harlem's Apollo Theatre performance competition, beginning a series of guitar-roles in professional music bands * Budha-Budha svabhukti * Budha lagnesha-Karmesha * Budha-yuti-Zukra + Budha-yuti-Surya * Budha manual skills
1964-1965 (JH age 22-23 ) joins and leaves and joins and leaves various Blues-focused music bands, increasing visibility and prestige * Budha-Budha svabhukti * Budha lagnesha-Karmesha * Budha-3 bands-of-brothers
1966 (JH age 24) meets his media-savvy promoter-manager (3) Relocate to England for career * Budha-Zukra bhukti * Zukra music rules career 10th navamsha
Nov-1966 (JH age 24) The Jimi Hendrix Experience (band name) gains a broad fan-base in the UK * Budha-Zukra bhukti * Zukra music rules 10th navamsha * Zukra rules 11th-from-Chandra = income ++ fanbase
Spring-1967 (JH age 25) musical recordings gain chart-topping popularity, . Following his manager's advice to increase media exposure, JH plays on numerous television shows * Budha-Zukra bhukti * Zukra music rules 10th navamsha * Zukra-3 television
Jun-1967 (JH age 25) celebrated performance at the Monterey Pop Festival. Supporter Paul McCartney had insisted that JH be invited to play. A documentary film of the festival made JH's guitar-burning sacrifice into a national media product * Budha-Zukra bhukti * Zukra music rules Urisha 10th navamsha * Zukra rules 11th-from-11th (9) -revenues, large-group assemblies, pop-culture * Zukra-3 cinema, advertising
1967-1968 (JH age 26) JH on-stage theatrics include setting fire to his guitar, vivid hats-costumes. JH attains iconic status in youth-counterculture music * Budha-Zukra bhukti * Zukra music rules 10th navamsha containing Mangala-Shani-Rahu * Budha-yuti-Surya-display
Spring-1968 (JH age 26) manager quits due to chaotic recording sessions + JH behavioral issues * Budha-Zukra bhukti * Zukra rules 12th-from-3 = dissolution of management (contains fractious Mangala)
1969 (JH age 27) JH = highest-paid rock musician in the Anglosphere * Budha-Zukra bhukti * Zukra-3 rules 9-fortune
Jun-1969 (JH age 27) Experience band, breakup * Budha-Surya bhukti * Surya rules 12-isolation, ego
Aug-1969 (JH age 27) legendary performance at the Woodstock Festival. A documentary film of the festival transformed JH's closing rendition of the Star Spangled Banner into a leading American counterculture symbol * Budha-Surya bhukti * Budha-yuti-Zukra + Budha-yuti-Surya * Surya rules Rahu-Simha-12 imagination * Surya rules Simha Svamsha center-stage brilliance
Jan-1970 although still performing for enthusiastic audiences, JH shows disorientation, exhaustion * Budha-Surya bhukti * Surya-3 rules 12-dissolution of identity, withdrawal
18-Sep-1970 (JMH age 27) dematerialization via overdose of barbiturates * Budha-Chandra bhukti * Somana-yuti-Guru maraka rules-7 ++ Rahu-opposition-via-6 (drugs)
Biographical data matched to
Vimshottari Dasha calendar |
Shani in Bhava-9 both rules-6 and aspects-6. Upon exiting this required military service (6), dad was challenged to maintain the typical low-paying service jobs on offer to a Black ex-serviceman (Ketu the Wanderer in 6). Dad was said to have been frugal (Shani) and struggled with alcohol (6) but nevertheless he maintained custody of JH and brother. Shani-9 is often a grumpy dad but also a lawful and consistent dad. Shani also rules 5. Once JH musical career was moving, Dad was a steady supporter.
CAREER - SURYASurya rules Simha-Svamsha = Purvaphalguni. Center-stage theatrics, fire-sacrifice, musical display, political messages (during USA anti-Vietnam + Black civil rights protests)
MARRIAGE partnership support expectations
CAREER - CHANDRA
Chandra rules 11-fanclubs, community
Atmakaraka * forward drive, competition, dance, athleticism, explosion, fire
CAREER - KUJA
Mangala in bhava-2 drishti into 5-theatre + 8-eruption + 9-father, beliefs
Family culture (2)
Generally, Mangala-2 indicates a competitive, physicalized, energetic family.
In shock-shakti Visaka, one is accustomed to violence, pushes forward to win, fearless of catastrophic transformation, accepts the reality of carnage.
Mangala in bhava-2 = family culture often involves aggressive shouting (Kuja energy in 2 voice) and challenge to dominance. Albeit, Kuja is more muted and diplomatic in Thula. JH's parents fought bitterly but JH himself shouted in a musical (Thula) style.
Pyrotechnics, loud sounds
Yogakaraka Mangala is the primary source of JH's spectacular stage pyrotechnics, his pattern of showing-off, his bravado, and his willingness to use outrageous loud sounds, such as amplifier feedback, as components of his marvelously Mangala-ized over-the-top musical performance style.
The most iconic images of JH involve fire (burning guitar on stage). Mangala governs penetrating, forceful Zukra-Surya-Budha-Vrischika-3 bandmates, writing, revolutionary techniques (3).
Mangala rules Chitra lagna, adding extraordinary manual skill. Many famous guitarists have Chitra radical lagna.
CAREER - BUDHA
Budha in bhava-3 lagnesha rules the emotionally motivated evangelical communicative cohort instructive descriptive team-working administrative managerial announcing publishing reporting explanatory conversational lyrical messaging 3rd-from-Chandra.
CAREER - GURU
CAREER - ZUKRA
Musical artistic Zukra rules
Shani * duro-karaka (endurance) * jara-karaka (years)
CAREER - SHANI
Shani in Bhava-9 rules
Rahu * rajyalobha-karaka (ambition) * picchala-karaka (slippery)
CAREER - RAHU
Ketu * * kavandha-karaka (headless) * chidra-karaka (gaping) * vasana-karaka (vacuum)
CAREER - KETU
file update: 17-Nov-2020
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