left-handed
COHORT born 5 months after
born 4 months after
born 3 months after
born 2 months after
born in Nov-1942 along with
born 2 months before
born 7 months before
born 10 months before
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Jimi Hendrix in 1969-1970
Iconic Counterculture Musician Singer Songwriter virtuoso electric guitarist rock-funk-blues father of two a.k.a. James Marshall Hendrix Earth-birth Friday-27-Nov-1942 dematerialization 18-Sep-1970 [age 27] |
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Blues-Rock guitarist songwriter iconic counterculture stage performer 1942-1970 James Marshall "Jimi" Hendrix data from
https://en.wikipedia.org/wiki/Jimi_Hendrix tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = generated by Shri Jyoti Star - www.vedicsoftware.com - adapted by BP Lama born on day-6 Shashti of Krishna Paksha |
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Rising Nakshatra Masculine Public-Figure Examples Arudra - Betelgeuse * Trinetra BPL COMMENTARY For Arudra - Betelgeuse births of masculine valence, the disposition of mesmerizing, hypnotic, shadowy, exciting, passionate, ambitious, opportunistic, privilege-seeking Professor Rāhu may considerably affect the outcome . For those born into the Rahu-ruled paradigm of Rudhira, exotics, ethnic mixers, opportunists, fascinators, mesmerizers, privilege-seekers, impostors, rogues, intensifiers of passion and desire, self-proclaimers, self-promoters, agents-provocateur , charlatans, masters of smoke and oils, and entrancingly ambitious persons may be especially influential. Instructional guidance is provided by emissaries from Orion. Their purpose is to communicate the passionate animal vitality via stormy, turbulent, swaying, exciting gesture and signal. Passionately Communicative [Risk-rewarding Rāhu] -ruled Arudra - Betelgeuse fellows are often found in muscular, passionate, body-intensive roles. Mesmerizing dancers, they use the communicative signaling of hands, shoulders, legs, hips, and pelvic thrust to great advantage. Stage performers of high excellence, arudra - Betelgeuse gentlemen are often admired for their pulsing sensuality and animal magnetism. Thiruvaathira chaps may be gifted in all varieties of manual labor, handcraft, commerce, painting, descriptive writing, evocative song-writing, and the arts of beckoning, seductive gesture [Budha].
Private Hendricks graduates from boot camp. Assigned to 101st Airborne on 31-May-1961 |
QUOTATION Arudra from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra, p 81. " Corresponds with a healthy, robust body and nature.
He depends entirely on his muscles and his body to meet the demands of existence. Such being the case, laborers, professional athletes
Since such people are invariably exploited
In fact, poverty is predominant among them." [end quote]
James Marshall Hendricks 1966 [age 24] plays supporting guitar in a more conventional band |
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Biographical data matched to
Vimshottari Dasha
calendar
// Jimi Hendrix, born Johnny Allen Hendrix at 10:15 a.m. On November 27, 1942, at Seattle' s King County Hospital, was later renamed James Marshall by his father, James “Al” Hendrix. // https://www.jimihendrix.com/biography BPL note on rectification of birth time As with so many reported birth times, 10h-15m does not survive even a preliminary confirmation using only the date of his mom's decease as a test of viability. It is sadly a commonplace that folks-and-fanclubs expediently manufacture birth times. Both the native's family and their biographers do this as a matter of convenience. [Shani Mahadasha] [age birth until age 10.4] [1942 until 1953]
Earth-birth Friday-27-Nov-1942 in Seattle, Washington , USA * Shani-Shukra bhukti Sep-1945 until Jul-1948 Janma Sade-Sati Karkata
1945 [JH age 3] father returns from WW-2 Air Force service in Europe. Parents attempt a brief, alcohol-fueled reconciliation * Shani-Chandra bhukti * [Somana-yuti-Guru] rules 6th-from-Chandra ++ Janma Sade-Sati 1947 [JH age 5] Parents fighting violently. * Shani-Mangala bhukti * Mangala rogesha * Janma Sade-Sati [Budha Mahadasha] [age 10.4 until age 27.4] [1953 until 1970]
1951 [JH age 9] Always-working Dad sues for divorce and custody of the two oldest boys. A period of calm ensures. * Budha-Budha svabhukti * Budha lagnesha identity, bandhesha homelife. 1955 [JH age 13] begins listening intently to Elvis Presley radio songs and playing guitar , agift from his dad * Budha-Budha svabhukti 02-Feb-1958 [JH age 15] [mom's age 32] grieves decease of mother, Lucille Jeter Mitchell, via liver cirrhosis * Budha-Shukra bhukti * Shukra rules 2nd-from-matribhava-4 May-1961 [JH age 18] arrested for riding in a stolen car with other teenage boys [Rahu-3 cohort ] * Budha-Chandra bhukti * [Somana-yuti-Guru] rules 6th-from-Chandra crime 31-May-1961 [JH age 18] arrives at Ford Ord to begin arduous Basic Training. Joins Paratrooper Jump School = The Screaming Eagles = Army 101st Airborne Division * Budha-Chandra bhukti * [Somana-yuti-Guru] rules 6th-from-Chandra military service, servitude 31-May-1962 [JH age 20] Following 26 certified parachute jumps, JH passion for off-duty music club negates his Army focus. Adsep discharge by commanding officer for behavioral inattention to tasks. * Budha-Mangala bhukti * Kuja rogesha broken contract Jan-1964 until Dec-1966 Shani Ashtamsha Kumbha Feb-1964 [JH age 22] showing extraordinary left-handed manual skill, JH wins top prize in Harlem's Apollo Theatre performance competition, beginning a series of guitar-roles in professional music bands * Budha-Rahu bhukti * Rahu-3 bands, hands 1964-1965 [JH age 22-23 ] joins and leaves, and joins and leaves, various Blues-focused music bands, increasing visibility and performance recognition * Budha-Rahu bhukti * Rahu-3 bands, hands 24-Sep-1966 [JH age 24] meets his media-savvy promoter-manager-representative-negotiator. Relocate to England to boost career prospects. Within two days, JH was playing with Eric Clapton * Budha-Guru bhukti * Guru karmesha, career = Guru rules 7-contract negotiation Nov-1966 [JH age 24] The Jimi Hendrix Experience [band name] gains a broad fan-base in the UK * Budha-Guru bhukti * Guru karmesha, career, recogition 11-Feb-1967 [JH age 24] unacknowledged child-1 born in Minneapolis, adaughter Tamika, with an road-touring assistant [Shukra-6] worker * Budha-Guru bhukti Spr-1967 [JH age 25] musical recordings gain chart-topping popularity . Following his manager's advice to increase media exposure, JH plays on numerous television shows * Budha-Guru bhukti * Guru karmesha, career, recogition * Guru-2 music Jun-1967 [JH age 25] celebrated performance at the Monterey Pop Festival. Supporter Paul McCartney had insisted that JH be invited to play. A documentary film of the festival made JH's guitar-burning sacrifice into a national icon of protest * Budha-Guru bhukti * Guru karmesha, career, recogition * Guru-2 music 1967-1968 [JH age 26] JH gains fame for on-stage theatrics such as setting fire to his guitar, spectacular hats-costumes. JH attains iconic status in youth-counterculture music * Budha-Shani chidradasha * Shani rules 8-counterculture, revolution + 9-celebrity performance, priesthood, divine theatre Spr-1968 [JH age 26] due to chaotic recording sessions, mentor-manager quits + JH behavioral issues * Budha-Shani chidradasha * Shani rules 12th-from-10, dissolution of executive, loss-of-boss Jun-1969 [JH age 27] breakup of the celebrated but unstable band // Experience // * Budha-Shani chidradasha * Shani randhresha = sudden identity change 1969 [JH age 27] the highest-paid rock musician in the Anglosphere, JH net worth was estimated at 5M_USD when he died the next year, in 1970 * Budha-Shani chidradasha * Shani-12 sarala yoga rules 11th-from-11th Aug-1969 [JH age 27] legendary performance at the Woodstock Festival. A documentary film of the festival transformed JH's closing rendition of the Star Spangled Banner into a leading American counterculture symbol. * Budha-Shani chidradasha * Shani-12 randhresha = transformative, eruptive, rejuvenating events 05-Oct-1969 [JH age 27] birth of child-2, a son James Daniel Sundquist, in Stockholm * Budha-Shani chidradasha * Shani rules 9. Contains Ketu. Son later transitioned into daughter. [ Ketu Mahadasha] [age 27.4 until decease age 27
Jun-1970 [JMH age 27] although still performing for enthusiastic audiences, JH shows disorientation, exhaustion. Observers comment on manic behavior * Ketu-Ketu svabhukti 18-Sep-1970 [JMH age 27] blessed liberation from the Earthen-body, via overdose of barbiturates * Ketu-Ketu svabhukti |
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Biographical data matched to
Vimshottari Dasha
calendar
[Sparkling Splendid Surya] pitri-karaka [father] jyoti-karaka [light] [team-working bhratru-pati for Mithuna indriya-lagna] [bright center of conflicted mystery] [secret ministry of aid to teammates] [hidden medical conditions] [brilliant writing on revelatory rebirth] ... [arranging-dealing Anuradha-3] [navamsha Surya-Tula-nīcha ] intuitively confident balancing arrangements
OUTCOMES - MAGNIFICENT MARTANDA self-reflexively ministering, brightly in service, charmingly disagreeable, regal style of complaining, victim focused, radiantly litigious, politically aggrieved, splendidly argumentative, center-stage helper [Surya in bhava-6] rules
CAREER - SPARKLING SURYA serving, helping, assistive, argumentative, accusatory, victimized, exploited and exploiting
FATHER - a complex figure Dad = Al Hendricks Dad worked as a US-Air-Force enlisted security guard, protecting airfield equipment. During WW-2 dad was ranked as an essential worker and he was rarely granted home-visit time. Dad first met his three-year-old son JH in 1945, at the end of WW-2. Dad was often away on military work assignment and although known to his sons, he was functionally an absentee dad. [Surya-Anuradha-6 military] [Ketu-9 absentee father] [Surya-yuti-Budha] + Surya rules 3-commerce Following JH decease, dad gained control over JH estate, including image licensing and music royalties. He managed a profitable company which sold iconic JH merchandise. [Comfortable Caretaking Chandra] matrikaraka [mother] * garha-karaka [village] --- [svakshetra] [conserving-acquiring dhana-pati for Mithuna indriya- lagna] ... [calculating-serving Pushya-2] [navamsha Chandra-Kanya] intuitively sensitive helpful-critiquing [Pushkara Navamsha]
OUTCOMES - ANCESTRAL CHANDRA sensitively accumulating, protectively knowledgeable, routinely resource-conserving, legacy parenting, rhythmically collecting, customary preservationist, predictable speech-song, culturally traditional, emotionally remembering, needs to tell valuable stories [Chandra in classroom-2] rules
CAREER - CARETAKING CHANDRA
[Somana-yuti-Guru] generally indicates multiple mother figures. With his dad mainly absent due to military work, and his mom deteriorating into promiscuous self-medicating lifestyle, JH was caretaken by numerous mother-figures, including his maternal grandmother and other caring kin-women. MOTHER MARRIAGE partnership emotional equity support expectations [Competitive Champion Kuja] bhratru-karaka [brother] virya-karaka [virile] [inimical-medicating rogesha for Mithuna indriya-lagna] [gainful-networking labha-pati for Mithuna indriya-lagna] check Shukra + Shukra drishti to source Kuja's sweetly meddlesome, actively bargaining, energetic brokerage [vigorously deal-making political campaigns] [energeticly equalizing stage performance] [dynamic theatrical enactment of relationship pursuit] [expresses dramatic creativity with quest for justice] [promotes demonstrations of alliance-building] [praised for pro-active coordinated movement] [physicalized drive to contractually adjudicate while playing romantic poetic games] [may battle over partner entitlements with one's own children or students] ... [musical-historical Viśākha-2] [navamsha Kuja-Urisha] intuitively forward-driving energy kinetic sound music values [Shukra-6 parivartamsha Mangala-5] [ātmakāraka forward drive, competition, dance, athleticism, explosion, fire]
OUTCOMES - MOVING MANGALA energetic center-stage performer, brightly kinetic dramatist, champion of romantic pursuit, vigorously gambling, dynamically creative, competitively political, sparkling entertainer, pioneering displays, dominant winner in gambling and games [Mangala in bhava-5] rules
CAREER - COMPETITIVE KUJA [ātmakāraka] center-stage, artistic performance, romantic, gambling, creative, sparkling, displaying, competitive [Mangala in bhava-5] [Shukra-6 parivartamsha Mangala-5] [Busy Bantering Budha] jamayah-karaka [sibling] sandesha-karaka [message] shisya-karaka [student] [svabhava] [energizing-identifying lagnesha for Mithuna indriya-lagna] [homebound-anchoring bandesha for Mithuna indriya-lagna] check Kuja + Kuja-drishti to source Budha's penetrating analysis, rejuvenating discourse, narrative of shocking discovery ... [arranging-dealing Anuradha-3] [navamsha Budha-Tula] [Budha-yuti-Surya] [Budha ashtangata harana]
OUTCOMES - BANTERING BUDHA mercurially helpful, assisting communicatively, mercantile argumentation, manufactures medicines, defines disease, military tactitian, businesslike servants, naarrative of ministry, describes the grievances, announces accusations, discusses injustice, detailed litigation, handles animals, verbally aids the disadvantaged, conversations about labor [Budha in bhava-6] rules
CAREER - BUSY BUDHA [Budha-yuti-Surya] ++ [Budha-yuti-Shukra] activates the emotionally motivated evangelical communicative cohort instructive descriptive team-working administrative managerial announcing publishing reporting explanatory conversational lyrical messaging 3rd-from-Chandra. lagnesha = [Budha-yuti-Shukra] = songwriter, radio-television performer. [Generous Growing Guru] dhava-karaka [husband] bahuta-karaka [variety] [uchcha] [balancing-bargaining yuvati-pati for Mithuna indriya-lagna] [dutiful-executive karmesha for Mithuna indriya-lagna] ... [rhythmic-habitual Punarvasu-4] [vargottamsha] [navamsha Guru-Karkata-uchcha] intuitively expansive ethno-national sacred-teaching localistic philosophical ancient-roots tribalism
OUTCOMES - BENEVOLENT BRIHASPATI expansively enriching, abundantly knowledgeable, multiple family lineages, numerous traditions, optimistic accumulator, jovial speaking-and-singing, broad-scope of historical understanding [Guru in bhava-2] rules
CAREER - GENEROUS GURU [Guru-yuti-Chandra] rules the emotionally unbalanced [6th-from-Chandra] = mother's ill-health, addictions [Sweetly Suave Shukra] svadu-karaka [sweet] kalatra-karaka [wifely companion] [creative-gambling vidya-pati for Mithuna indriya-lagna] [contemplative-retreating vyaya-pati for Mithuna indriya-lagna] [imbalanced penetrating relationships] [seeks medical harmony] ... [Shukra-yuti-Surya] [Shukra ashtangata harana] [Shukra-6 parivartamsha Mangala-5]
OUTCOMES - SWEETENING SHUKRA sensually conflicted, appreciative of assistance, harmoniously laboring, aesthetically complaining, financially exploitive, musical-artistic narrative of servitude, unbalanced relationships, advocates for workers, sweetly argumentative, aggrieved negotiator [Shukra-6] rules
CAREER - BRIGHT BHRIGU [Shukra-6] rules musical-theatrical-inspirational Pūrvāṣāḍhā Svamsha [Sober Structural Shani] duro-karaka [endurance] * jara-karaka [Jahre, years] [mysterious-discovering randhresha for Mithuna indriya-lagna] [believing-philosophical dharmesha for Mithuna indriya-lagna] check Shukra + Shukra-drishti to source Shani's entreasuring discipline, evaluating strictures, traditional rules ... [musical-heritage Rohiṇī-2] [vargottamsha] [navamsha Shani-Urisha] intuitively ordering systems of historically valued sound-and-color
OUTCOMES - STRUCTURAL SHANI dutifully secluded, works diligently in private spaces, responsibly imaginative, insightfully intuitive maturity, must regulate the bedroom, structured meditation, burdensome duties in distant lands [Shani in Bhava-12] rules
CAREER - SOBER SHANI [Risk-rewarding Rāhu] rajyalobha-karaka [ambition] picchala-karaka [slippery] [nīcha] [for Mithuna indriya-lagna] [Rahu-3 casts passionately publishing mercantile drishti into 7-9-11] check Surya + Surya-drishti to source Rahu's apparently ingenious, brilliant mirage of celebrity [ambition to deliver political instruction] [passion for privileged narratives of celebrity entitlement] [exhilarating communication about creative genius] [announcement of thrilling dramatic information] [exceptionally glamorous business process] [exaggerated brightly flamboyant cohort ensemble] [opportunistically enterprising charismatic sibling-cousin] [over-reaching scope of commercial confidence] [compulsively theatrical technical skill] [boundary-challenging showmanship in media publication] ... [musical-heritage Magha-2] [navamsha Rahu-Urisha-uchcha]
OUTCOMES - RISK-REWARDING RAHU iconic counterculture musical performer, symbolized and produced extraordinary stage theatrics during volatile, exciting social times skilled guitarist, active stage performer, productive gifted songwriter, exiting lyrics [Collapsing unshackling Ketu] kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum]
[for Mithuna indriya-lagna] check Shani + Shani-drishti to source Ketu's orderly wandering, socially approved emptiness, legitimate surrender [disregards community belief conventions] [peculiar use of proletarian credenda] [incoherently friendly sacral plexus] [eccentric crowd-pleasing populist ceremonies] [disinterested in scientific theories] [inconsistent yet profitable philosophical socializing] [free-roaming mass-participation temple sermons] [abandons interlinked sangha] [systematicly ambivalent toward professors] [scattered disoriented futuristic pandits] [typically disconnected from socialite father-figure] [economic shifts uproot the patriarchal guidance] [no principled doctrinal barriers limit the freedom to understand communnity gridworks] [depending upon Shani, may earn surprisingly high marketplace revenues] [passively fixated on ambitiously speculative-political Rahu in Singha-3 sibling-cousins, secretaries, team-mates, castmates, classmates, co-workers, neighbors] ... [transformative-disguising Dhaniṣṭha-4] [navamsha Ketu-Vṛścika-uchcha]
OUTCOMES - EVACUATING KETU |
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