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Drama-Song

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COHORT

born 5 months after

born 4 months after

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born 2 months before

born 7 months before

born 10 months before

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Iconic Counterculture Musician

Singer - Songwriter

fine-arts painter

illustrator

The Grateful Dead

Jerry Garcia

a.k.a. Jerome John Garcia

Earth-birth Saturday-01-Aug-1942

dematerialization 09-Aug-1995 [age 53]

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Grateful Dead bandmate

songwriter musician

fine-arts painting and drawing

touring entertainer

1942-1995

Jerry Garcia

data from https://en.wikipedia.org/wiki/Jerry_Garcia

tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = generated by Shri Jyoti Star - www.vedicsoftware.com

- adapted by BP Lama

born on day-6 Shashti of Krishna Paksha

Rising Nakshatra

Masculine Public-Figure Examples

Punarvasu-Aditya

Purnavasi - Vutvrta - Jamitra

BPL COMMENTARY

For Punarvasu births of a masculine valence, the condition of prosperous, preaching, inclusive, broad-scope, philosophical, humanistic Guru may considerably affect the outcome.

Masculine births under auspice of Puna, Viśākha, or Purvabhadra may find that their worldview is greatly shaped by the character of priestly teachers and guides.

For those born into the Guru-ruled paradigm of Jamitra, teachers, preachers, professors, patrons, agents of generosity and guidance, guru-figures, ideologues, indoctrinators, theorists, know-it-alls, proselytes, pontificators, patriarchs, pandits, prelates, pater-nosters, proponents of principled understanding, wise-ones, wizards, druids, and paradigms of belief may be especially influential.

Guidance is provided by emissaries from the realm of the Twin Gardeners called Castor-and-Pollux. Their purpose is restoration, renewal, and rehabilitation of lost knowledge.

High forehead. Punarvasu often has a global perspective. The majority of Aditya-born nativities are higher dimensional Seva-wanderers who assume interpretive guidance roles.

Instructing, Explaining, describing

[Mithuna - Dvamdva] pada 1-2-3 represents Guru's rulership of 7-agreements ++ 10- leadership, while also expressing the tension between broad-view Brihaspati versus detail-oriented Bantering Budha.

Pada 1-2-3 are blessed with an expansive capacity for evocative description or inspirational speaking. Often excellent writers who can facilitate spiritual growth via specific explanation and detailed description.

Pada 1-2-3 are often found in the literary arts, in teaching roles, in academic advising, as travel guides, and as poets who describe the natural world.

[Karkata - Kadaga] -pada-4 represents Guru's rulership of 6-imbalance ++ 9-philosophical principles. Pada-4 also embodies the tension between global, paternalistic Saptarishi versus local, undulating, motherly Somana.

As master gardeners and natural herbal physicians, they understand the wisdom of the mineral, plant, and animal kingdoms. Pada-4 may also emerge into the religious professions where they may grow a garden of psycho-intuitive understanding that develops into doctrine.

Although the Higher Teacher seeks wisdom, for Karkata-Punarvasu the guru-figure may also be adversarial, impoverished, polluted, or ailing (due to Brihaspati activates 6).

Themes of restoration of lost knowledge , gardening, fertility of understanding, wish fulfillment, and conceptual teaching may contextualize Aditya's terrestrial experience. Applies also to Chandra in Punarvasu - Aditya

Punarvasu QUOTATION

from Shil-Ponde (1939) Hindu Astrology Joytisha-Shastra . p 81

" ... from Arudra to Punarvasu, a startling chan ge in mental development.

In Punarvasu, the native is possessed of profound intelligence,

  • capable of delving into and understanding all manner of philosophical and metaphysical postulates.

He revels in abstract thought

  • and has a lively and profound imagination.

He may be also poet of high attainment, expressing a fire and vitality in his verse

  • which is the result of an unusually passionate temperament

He will, however, be only moderately successful by worldly standards during his lifetime

  • although unlike the Arudra native, he will not experience poverty."

[end quote, Shil Pondey, 1939]

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Grateful Dead guitarist and singer-songwriter, Jerry Garcia in his 30's during the 1970's

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Jerry Garcia in 1984, age 42
Biographical data matched to Vimshottari Dasha calendar

[Budha Mahadasha] [age birth until age 17]

Sat-01-Aug-1942 = Earth-birth in San Francisco, California , USA * Budha-Budha svabhukti

spr-1948 [JJG age 6] grieved decease of his musician father , via river drowning while on family fishing holiday * Budha-Shukra bhukti * Shukra-yuti-Guru * Guru rules 2nd-from-pitristhana

1949 [JJG age 7] After their father's death, JJG and his brother are sent to live with their maternal grandparents. They remain for the next five years. * Budha-Shukra bhukti * Shukra rules 8th-from-Chandra, emotional shock, forceful identity-change

[ Ketu Mahadasha] [age 17 until age 24]

1960 [JJG age 17] criminal conviction for auto theft - of his mother's car. Judge offers option to join the Army, to avoid jail. JJG enlists. * Ketu-Shukra bhukti * Shukra rules 12-retreat * Shukra rules 8th-from-Chandra , emotional shock, forceful identity-change

14-Dec-1960 [JJG age 18] general discharge from US-Army, due to poor attitude and numerous AWOL citations. * Ketu-Shukra bhukti * Shukra rules 12-desaparacido, AWOL * Shukra rules 8th-from-Chandra identity-change

20-Feb-1961 [JJG age 18] while mentally dithering [Shukra rules 3rd-from-Chandra] about whether to choose the path of fine-arts painting versus the path of guitar music, violent car crash becomes a wake-up call. JC chooses the music path. * Ketu-Shukra bhukti * Shukra music rules 8th-from-Chandra = identity-change

03-Apr-1963 [JJG age 20] consecration of wedding-1-of-3 with folksinger, Sara Ruppenthal * Ketu-Rahu bhukti ++ samchara Rahu-Ketu via Mithuna-Dhanus contact Mithuna indriya lagna

08-Dec-1963 [JJG age 20] celebrated the birth of child-1, the first of his four daughters Guru-yuti-Shukra * Ketu-Guru bhukti

1964 [JJG age 21] meets future wife-2, Carolyn Adams * Ketu-Guru bhukti * [Arudra-Guru-yuti-Shukra-Arudra] ++ dvadasa Sade-Sati

[Shukra Mahadasha] [age 14.1 until age 34.1]

Apr-1966 until Jun-1968 Janma Sade-Sati Meena

  • [4, security, home, routines, repetition, rhythm, anchoring, deeded-properties, parenting, cultural foundations, gardening, transport]
  • [age 23-26]

1967 [JJG age 24] following JJG infidelities, divorce-1 legally concludes marriage-1 with folksinger, Sara R. * Shukra-Shukra sva bhukti *[Arudra-Guru-yuti-Shukra-Arudra] * Shukra rules 6th-from-7 dissolution of contract ++ janma Sade-Sati

02-Feb-1970 [JJG age 28] celebrates the birth of daughter-2, Annabelle Walker Garcia, with partner Carolyn Adams [marriage via childbirth] * Shukra-Surya bhukti * Surya-yuti-Budha lagnesha ++ samchara Rahu-Ketu via Meena-Kanya contact Chandra-Meena + Rahu-Opp ++ dvithya Sade-Sati

28-Sep-1970 [JJG age 28] following her injuries from a car wreck, grieved the bio-decease of tavern-keeping, musician mother * Shukra-Surya bhukti * Shukra rules 12th-from-matribhava + Rahu-Opp ++ dvithya Sade-Sati

1974 [JJG age 32] Begin relationship with with film-maker, Deborah Koons. Twenty years later, they would formally marry * Shukra-Rahu bhukti

21-Sep-1974 [JJG age 32] celebrated the birth of daughter-3, Trixie - with partner Carolyn Adams * Shukra-Rahu bhukti

1975-1985 [JJG age 28-38] compounding his existing medical diabetes, JJG adds a heroin addiction * Shukra-Rahu bhukti until Shukra-Ketu chidra-dasha

31-Dec-1981 [JJG age 39] consecration of wedding-2-of-3 [div. 1994] with Carolyn Adams [Mountain Girl]. The parents of two daughters, the couple had separated years earlier. Their belated legal marriage was reportedly motivated by tax concerns * Shukra-Shani bhukti * Shani-12 separation, rules 8-taxes ++ samchara Rahu-Ketu via Karkata-Makara contact navamsha R-K axis

Jul-1986 [JJG age 44] 5-day, near-fatal diabetic coma * Shukra-Ketu chidra-dasha

[Surya Mahadasha] [age 34.1 until age 40.1]

20-Dec-1987 [JJG age 45] celebrates the birth of daughter-4-of-4 with artist, Manasha Matheson * Surya-Rahu bhukti * ++ samchara Rahu-Ketu via Meena-Kanya contact Chandra-Meena

1989 [JJG age 47] heroin relapse * Surya-Shani bhukti * Shani-12 rules 8 = sarala yoga, dangerous event escaped

17-Aug-1990 [JJG age 48] unofficial, unwitnessed, unregistered wedding ceremony with artist, Manasha Matheson, conducted in the living room of their house * Surya-Budha bhukti * Budha verbiage

[Chandra Mahadasha] [age 40.1 until age 50.1]

Jan-1993 [JJG age 51] in state of distress, re-unites with partner from 15 years previous * Chandra-Chandra svabhukti * Chandra neediness, familiarity, comfort

1993 [JJG age 51] Carolyn Adams initiates divorce-2, legally concluding their 14-year marriage [1981-1993] * Chandra-Mangala bhukti * [Magha-Kuja-yuti-Rahu-Magha] rogesha = divorce ++ dvithya Sade-Sati

1993-1994 [JJG age 51-52] reckoned as a period of severe cognitive-and-physical decline * Chandra-Mangala bhukti * [Magha-Kuja-yuti-Rahu-Magha] rogesha + Kuja-3 mentality occupies 6th-from-Chandra

14-Feb-1994 [JJG age 52] consecration of wedding-3-of-3 with film-maker, Deborah Koons * Chandra-Rahu bhukti ++ samchara Rahu-Ketu via Vṛścika-Vrishabha contact Urisha svamsha ++ dvithya Sade-Sati

Jun-1995 until Apr-1998 Janma Sade-Sati Meena

  • [4, security, home, routines, repetition, rhythm, anchoring, deeded-properties, parenting, cultural foundations, gardening, transport]
  • [age 53-56]

09-Aug-1995 [JJG age 53] following decades of diabetic disease and substance misuse , blessed liberation from the Earthen-body via heart-attack while staying in a drug rehabilitation facility * Chandra-Guru bhukti * maraka Guru rules-7 ++ janma Sade-Sati

Distinctive Features of the Nativity

[Sparkling Splendid Surya]

pitri-karaka [father] -- jyoti-karaka [light]

[communicative vikrama-pati for Mithuna indriya-lagna ]

check Chandra + Chandra-drishti to source Surya's rhythmic certainty, sensitive radiance, soothingly confident display

[creatively vocalizing certainty in undulating speech-song]

[sensitive business vikrama-pati decisions highlight collection, capitalization, and accruals]

[protective parental management of business-and-family events]

[identified with rhythmic storytelling and ensemble teamwork vikrama-pati]

[familiar face-voice-hair-music = undulating center of attention]

[confidently intelligent knowledge of customary historical sound-color values]

[routinized traditionalist father may be financially-focused center of folkways family]

... ...

[regenerating-discovering Pushya-4] [navamsha Surya-Vrischika]

+ [Pushya-Surya-yuti-Budha-Pushya-ashta]

  • [Surya-Karkata] [Bhanu - ray of light] * brightly charismatic confidence of Center-stage Surya radiates through the nourishing caretaking rashi of Chandra

  • [Surya in bhava-2] center of heritage collections - creative values-fulfillment = confident story-telling = dazzling bardic tradition = intelligence for languages = genius for sound-and-color = radiant genetically preserved knowledge = focus on stored assets = banking entitlements = bright face-speech-song = eye on capital resources [including human capital] = father heart of family = sparkling star of entreasurement-drama = evaluating father may be banker, singer, assessor, historian, tale-teller, collector, herder, preservationist

  • [Surya-yuti-Budha] confidently conversational * brightly explaining messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * gestures conduct the spiritual rays of the Sun * radiantly descriptive * articulate in drama * skillful game-player * self-confident announcements * talks about ideals * narrative of power-politics * recites love poems * describes divine romance

OUTCOMES - MAGNIFICENT MARTANDA

regally vociferous, sparkling face-eyes-voice,, shining eyes-hair-teeth, confidently oratorical, dramatically musical, flamboyantly financial, center of the family line, brilliantly sonorous, self-assuredly historical, politically traditional [Surya in bhava-2] rules

  • 3-communications, messaging, sermons, scripts, radio-television, media-products, Writing and Publishing, letters of correspondence, announcements, planning, schedules, sales, marketing, documentation, reporting, cohort, entourage, committee-work, process management, commercial business, instruction, explanation, discussion, diagrams, labeling, event management, signage, training, itinerary, tours

CAREER - SPARKLING SURYA

[Surya in bhava-2] = [Surya-Karkata]

bright center of rhythmic trance, focus of folkways mysteries, star of the old-ways rejuvenation

priestly icon of a multi-decade nationwide lifestyle community Deadheads, characterized by tribal feelings and a repeating liturgy [Surya rules 9] of rhythmic undulation [Rahu-Karkata 10th navamsha]

  • Although an iconic figure, JJG was never the sole center of the Grateful Dead and other bands.
  • Never inclined toward the singular focus royalty-celebrity lifestyle often feigned by popular stage performers.

FATHER

Garcia's father was born in Galicia [Spain] emigrating to California as a young adult.

Dad was a clarinet and piccolo musician [Surya-2 musician] who played in bands in the San Francisco area. He became a tavern-keeper .

During Budha-Shukra bhukti, when Jerry was only six years old, dad was killed by drowning during a family holiday .

[Surya-yuti-Budha] = rulers of 1 + 3 + 4 = indicates several father-figures.

After JJG 's father's tragic decease, his maternal grandfather stepped into the father-figure role. Since 4th-from-Chandra [mother's parents] = JJG's Mithuna-indriya lagna, the grandparents had a defining influence upon JJG's personality development.

Eventually JJG 's mom remarried, supplying a bonus-dad. Since 8th-from-Surya stepfather contains Ketu-Kumbha, the bonus-dad relationship was mainly empty.

[Comfortable Caretaking Chandra]

matrikaraka [mother] -- garha-karaka [village]

[storytelling-collecting dhana-pati for Mithuna indriya-lagna]

check Guru + Guru-dristi for defining source of Chandra's broad philosophical worldview

[visionary patriotic leadership routines] [culturally iconic fantasizing figurehead roles]

[serenely imaginative ancestral caretaking authority]

[poetic familiar face to the parochial nation]

[socially recognized symbolic guide speaks about preserving ancient values]

[high-visibility emotionally sensitive charitable ethical protector]

[publicly approved rhythmic cycles of dreamlike wholistic narrative]

[intuitive, privately prayerful mother may be respected local philanthropist]

... ...

[optimistic-ideological Revatī-Pashu-1] [navamsha Chandra-Dhanus] intuitively sensitive inspirational principled faith-guided priestly feelings

  • [Chandra in Revatī - Pashu] soothed by wayfaring rhythms * protector of poetic interpretation * needs to feel wisely dreamlike

  • [Chandra-Meena] comforted by ancestral guidance * settled into rhythmic intuition * needs contemplative sanctuary

  • [Chandra in classroom-10] comfortable with high reputation * socially recognized protector * parental style of leadership * Familiar Face to the public * sensitive to social protocol * accustomed to regulatory duties * soothed by peak position * acculturated to executive routines * settled into the rhythm of elevated roles * feels the repeating pulse of elite status * calmed by climbing hierarchical steps * anchored into lawful responsibility * undulating authority * mother may be a dignitary, prominent parent, cultural icon, respected caretaker

OUTCOMES - ANCESTRAL SOMA

sensitively ordering, protectively lawful, routinely governing, parentally regulating, rhythmically dutiful, customary commander, predictable hierarch, culturally respected, emotionally responsible, needs to hold elite positions [Chandra in classroom-10] rules

  • 2-acquisition, family legacy, tradition, language-lexicon, preserved memory, banking, collections, entreasurement, herd-hoard, treasury containment, financial capital, accrued amounts, asset evaluation, knowledge of history, speech-song, heritage values, color-sound, arts-and-music, face-voice-eyes-teeth-mouth-hair, genetics, stored resources, health of the father

CAREER - CARETAKING CHANDRA

  • [folk reputation 10th-from-Chandra = habitual public duties conducted via Dhanus-7. Known for inspirational, optimistic, dogmatic style of diplomacy, arrangements, representation, consultancy, advising, peerage, brokerage, contractual bargains]

habitual rhythm, comforting routines, soothing cycles, predictable way of life, safe dwellings]

...............

  • the highly profitable [lagnesha-11] touring cycle of the Grateful Dead followed a predictable calendar [4] of gatherings [11] in familiar places. [4]
  • rhythmic routines, familiar cultural patterns, folk tropes, soothing seasonal connections
  • Like migrating wildlife, the fans returned to the same performance locales , year after year.

Garcia toured and wrote with his musical band [lagnesha Budha-11].

  • ROUTINES of Chandra-4
  • The show went on the road [4] constantly for thirty years [one complete gochara Shani orbit]
  • Yet, their list of venues did not change [4 habitual] and their musical repertoire was profoundly stable.

Early in the formation of the joyous cult assembly, adedicated fanbase had memorized the lyrics to all of their favorite songs. [Budha-11 assemblies, lyrics]

  • Singing-along in drug-induced trance, the voluntary collective experienced deep communal connection
  • The resulting liturgical calendar of seasonal, predictable, familiar singing-and-swaying worship provided an anchoring sensation [4] for many otherwise lost on an unfamilar planet.

MOTHER

Mom = Ruth Marie Clifford, of Swedish and British ancestry

[Chandra in classroom-7] rules 11-income, community, gatherings

Mom was a widowed tavern-keeper, anetworker in the local musician's community [Chandra in Revatī - Pashu] and a source of many friendships for Jg

[navamsha Chandra resides in psychic Uttarashadha with disconnecting Ketu]

Maternal Grandparents

After his mom was widowed his age 6. JJG and his elder brother [also a musician] lived with nearby maternal grandparents during the formative years, age 6-11.

4th-from-Chandra grandmom

Grandmom Tillie May Olsen = of Swedish ancestry. Bhava-10 contains the expansively musical, writing, and publishing [Guru-yuti-Shukra] JJG reflected that his grandma listened to bluegrass and Opry, the country rhythms of which later formed the basis of his own musical style.

9th-from-Chandra grand-dad

William Henry Clifford of Irish ancestry is represented by Shani-drishti into Kuja-ruled fraternal bhava-3 Vrischika = musical bands and cohort-ensemble. Ruled by also fraternal [Kuja-yuti-Rahu] [3]

Grand-dad would have provided role-modeling on meeting deadlines, showing up on time, and cooperation within small groups. Despire JJG 's later drug excesses and diseases, he was consistently able to maintain a detailed touring schedule and sustain communications [3] within musical ensembles.

MARRIAGE partnership emotional equity support expectations

[7th-from-Chandra-7] [like most people with [Chandra in classroom-7] JJG sought caretaker partners. JJG 's primary relationship pattern was anchored through his people-feeding, music-hosting, tavern-keeper Revati mom.

three legal marriages + one union with child, and abundantly numerous supplemental relationships due to [Guru-yuti-Shukra] ++ navamsha

[Guru-yuti-Shukra-uchcha]

[Competitive Champion Kuja]

bhratru-karaka [brother] -- virya-karaka [virility]

[inimical-medicating rogesha for Mithuna indriya-lagna]

[friendly-profitable labha-pati for Mithuna indriya-lagna]

check Surya + Surya drishti to source Kuja's sparkling chivalrous actions, brilliant political energy, self-dramatizing athletic prowess

...

[ensemble-managing Magha-3] [navamsha Mangala-Mithuna]

+ [Magha-Kuja-yuti-Rahu-Magha]

  • [Mangala-Singha] vigorous pursuit of fame * creatively moving political theatre * proactive drama * push toward celebrity entitlement * champion of pageantry * military parades * brilliantly energized celebrations * invigorating parties * charmingly dominating at games * Sexually active romance * flamboyant gambling

  • [Mangala in bhava-3] drive toward commerce * push toward scripted communication * active touring * vigorous pronouncements * invasive management * energized process * hyperactive mentality * athletic sibling-figures * promotional sales * photographs of the muscular physique * dynamic marketing * champion of teamwork * pursuit of business

  • [Kuja-yuti-Rahu] thrill of muscular action * competitive ambition * passion to win * fascinating physicality * compulsive drive toward heroic battle * dynamic desires * champion of culture-clash * forward thrust toward opportunity * forceful pursuit of privilege

OUTCOMES - MOVING MANGALA

promotionally communicative, engineer of scripted explanations, energetically instructional, administratively pushy, forcefully broadcasting, muscularly managing, driven to document, producer of media-messaging, maker of meetings, pro-actively publishing, aggressively announcing [Mangala in bhava-3] rules

  • 6-ministries of service, dehumanization, misconduct, war, jail, slavery, pollution, argumentation, healthcare workers, ailment, injury, medical treatment, hypocrisy, crime, cheating, animosity, toxins, complaints, accusation, litigation, imbalanced conditions, injustice, betrayed promises, servants, laborers, hostility, animosity, disagreement, dehumanization

  • 9-ideology , paradigm of belief, profession of faith, principled convictions, higher understanding, father-figures, priestly patronage, preaching, patriarchal entitlements, philosophical convictions, theory, public spiritual guidance, celebrated doctrines, sangha, sacred teachings, credenda, globalism, dharma, worldview, weltanschauung, mother's health

CAREER - COMPETITIVE KUJA

  • Within the USA rock-musician community, JJG was reputed for his technical ability to play a variety of string instruments . His specialty was improvisation [Kuja, pioneering] while playing a standard repertory of existing songs.

[Kuja-yuti-Rahu] = 3, bands-of-brothers, ensemble, teamwork

Ruler of 5-entertainments located in 5th-from-5 dharmasthana-Simha.

  • Simha] is exceptionally, super-auspicious for a celebrated theatrical performance career which challenges Taboo limits

Rahu-amplified Mangala

Holding a patriarchal cult status within his fan base, JJG held such a remarkable celebrity empowerment that, within his own subculture, he was virtually a king [Simha]

  • when still in high school, JJG began rock-band musical ensemble that performed creative shows He played profitably for admiring audiences continuously from adolescence until death, age 53.

HEALTH CHALLENGES

Garcia struggled with diabetes, obesity, and recurring self-medication [6] throughout his life.

powerfully amplified forward-moving [Kuja-yuti-Rahu] + randhresha Mangala occupies the emotionally unbalanced [6th-from-Chandra] = addictions

[Mangala in bhava-12] fantasizing, imagination

  • JJG was a visionary painter, musician
  • as a biographical writer, his notable narrative of OOB experience in ET-ship [12]

[Busy Bantering Budha]

jamayah-karaka [sibling] -- sandesha-karaka [message] -- shisya-karaka [student]

[energizing-identifying lagnesha for Mithuna indriya-lagna]

[homebound-anchoring bandesha for Mithuna indriya-lagna]

check Chandra + Chandra drishti to source Budha's parental discourse, patriotic dialog, boundary-defending plans

[talks about ethno-cultural historical traditions]

[sensitive conversations about banking and asset collections]

[detailed discussions about domestic values]

[managed planning for local environmental resource conservation]

[commercial interest in valuable landed properties]

[younger sibling-cousin or students may be engaged in real-estate finance]

...

[mysterious-evolving Pushya-4] [navamsha Budha-Vrischika]

[ashta-Pushya-Budha-yuti-Surya-Pushya]

  • [Budha-Karkata] comfortable communications * hand-arm-shoulders make protective gestures * rhythmic articulation of root culture * discusses ancestral morality * prescriptive routines * argues for foundational stability * describes protective fencing * parochial talk * converses about caretaking * environmental wardens * issues customary pronouncements * delivers land-use information * patriotic declarations * habitually chats about the local settlement

  • [Budha in bhava-2] narrative of values-fulfillment * conversations about natural resources * talks about history * instructions for asset conservation * explains banking procedures * cherished recordings * discusses sound values * articulation of speech-song * quick-darting eyes-face * tells stories * defines storage methods * describes family lineage * manual preservation of collections * chats about knowledge base * conserves libraries * quick with language * manages archives * repeats from memory

  • [Budha-yuti-Surya] amusing explanations * entertaining chatter * central roles in communication * brightly clear descriptions * dramatic enunciation * confidently delivers instruction * articulation of radiant certainty * political messenger * talkative father-figures

OUTCOMES - BANTERING BUDHA

discusses finance, assets manager, articulate singer-musician, traditional communicator, knowledgeable conversation, memorable gesturing, explains legacy values Budha in bhava-2] rules

  • 1- distinctive attributes of personality, dense material incorporation, individual personification, earthen embodiment, physical integrity, kinetic energy, dance, style of movement, athletic prowess, muscular mobility, unique character, kinetic vitality, circumstances of birth, tangible appearance, coherent social identity

  • 4 cultural foundations, property boundaries, way of Life, protection, defense , homeland, household, routines, rituals, mother, parents, customary rhythms, caretakers, socialization schooling, gardens, waterways, transportation, housing, social security, sense of place, environmentalism, citizenship, belonging, ethnic basis, ethnoreligion, patriotism, real-estate, farming, land-ownership, burial, predictability, health of the elder sibling

CAREER - BUSY BUDHA

lagnesha Budha ashtangata harana

[Budha in bhava-11]

communications roles delivering a coherent public narrative within mass gatherings, social-participation movements.

  • identified with Massive gatherings within an empathic telepathic culture [Chandra-ruled Karkata]
  • identified with profitability and networked connection
  • the eternally-touring Grateful Dead ensemble, its musical recordings, and its brand merchandise -- was an earnings machine

Chitra + Budha lagnesha

  • within the rock-musician community, JJG was reputed for his technical ability to play well on a variety of stringed instruments [Chitra, manual skill]

[Generous Growing Guru]

dhava-karaka [husband] -- bahuta-karaka [variety]

--- [dikbala]

[bargaining-balancing yuvati-pati for Mithuna indriya-lagna]

[dutiful-hierarchical karmesha for Mithuna indriya-lagna]

check Budha + Budha-drishti to source Brihaspati's windy preaching, detailed theories, scheduled charity

[personality exemplifies mercantile ideology]

[paragon of cheerful businesslike relationships yuvati-pati ]

[expansively communicative preacher-and-teacher]

[may embody the wisdom of manual skill-craft]

[may discursively transmit detailed philosophical beliefs]

[identified with credenda of collaborative teamwork]

[identified with guiding messenger worldview]

[develops the wisdom of compassionate thinking]

[publishes the articles of broadly inclusive interactive faith]

[personalized understanding of principles of interpretation]

[often a counseling benefactor to writers and announcers]

[reputation karmesha for abundant scripts, songwriting, or documentation]

[For wifely nativity, husbandly-companion may be generously descriptive, wisely managing, respected karmesha conversationalist]

...

[fantasizing-guiding Arudra-4] [navamsha Guru-Meena] intuitively expansive communicative messaging visionary imagination

+ [Arudra-Guru-yuti-Shukra-Arudra]

[ātmakāraka

  • [Guru-Mithuna ] cheerful communication * many merchants * conversations about belief * doctrine of inclusive messaging * expansive evangelism * detailed guidance discussions * propagation of mercantile information * widens the scope of management * many documents * permission to report * multiple administrative projects

  • [Guru in bhava-1] much vitality * philosophical personality * permission for unrestricted action * generous disposition * numerous identities * expands the scope of competition * many cheerful sporting activities * believes in birthright * expansive aura * extra height-or-girth * embodiment of tolerant cheer * a patron of personal benefit * in a wifely nativity, husbandly-companion may be an expander, philanthropist, benefactor, grower

  • [Guru-yuti-Shukra] sodarya-karaka * multiple feminine-figures * permission to make deals * abundant pleasures * blossoming treasures * expansion of art * inspirational music * optimistic diplomatic philosophy * large-scale alignments * broad scope of partnerships * diverse financial arrangements

OUTCOMES - GENEROUS GURU

expansively active, abundantly energized, jovial competitor, multiple identities, numerous offspring, optimistic innovator, generous grower of children-partnerships-worldview, broad-scope of embodied inspiration [Guru in bhava-1] rules

  • 7-covenant, promise, trust, contractual relationships, social justice, advocacy, legal judgments, lawcourts, appeals, representation, equity, diplomacy, partners, justice, marriage, legal and formal partnerships, negotiation, alliance-crafting, match-making, fair arrangements, even deals, advocacy, trading, bargaining, brokerage, haggling, go-between, middleman, meddler

  • 10-career, profession, dignity, regulatory roles, governance duties, social authority, symbolic recognition, iconic visibility, leadership responsibility. top status, reputation, commanding positions, honor, high regard, public respect, executive power, elite rank, lawful imposition, organizational director

CAREER - BENEVOLENT BRIHASPATI

[Sweetly Suave Shukra]

svadu-karaka [sweet] -- kalatra-karaka [wifely companion]

[political-theatrical vidya-pati for Mithuna indriya-lagna]

[retreating-contemplative vyaya-pati for Mithuna indriya-lagna]

check Budha + Budha-drishti to source Shukra's suavely announcing, sweetly described, mutually informative dialogs

[embodies communicative grace in theatrical display vidya-pati]

[negotiating teamworking character] [collaborative bargaining within the cohort]

[vividly personalized dreamlike announcements vyaya-pati]

[identified with harmonious writing and publishing]

[physically enacts scripted instructions for relationship exchange]

[musical-artistic interaction in peer relationships]

[discusses contractual methods for acquisition of treasury]

[pleasure of smooth conversation and balanced gesture]

[chatty partners may be pleasant event-planner, equable merchant, accommodating editor, suave project manager]

...

[fantasizing-guiding Arudra-4] [navamsha Shukra-Meena-uchcha] intuitively harmonizing expansive visionary imagination

+ [Arudra-Guru-yuti-Shukra-Arudra]

  • [Shukra-Mithuna] appreciates iterative process * values beautifully detailed artifacts * attracted to writer-editor-publishers * likes businesspeople * balanced gestures * diplomatic communications * prefers a communicative partner * equable cooperative teamwork * smooth handling of management tasks * aesthetic of skilled handcraft * delivers balanced specific explanations * enjoys correspondence * satisfied by conversation * articulated messaging arrangements

  • [Shukra-1] seeks pleasure via handsome embodiment * enjoys the company of womenfolk * graciously attractive appearance * active style of balancing * pursues adjustable arrangements * appreciation of muscular vitality * pleasing designs to adorn the head * aesthetic of new life * physical exercise to balance the brain * identified with brokerage * seeks the sweet midpoint of dynamic negotiations * energetic pursuit of equity * identified with acts of diplomacy * bargains vigorously for fair exchange * in a husbandly nativity, wifely-companion may be an athlete, innovator, champion, pioneer

  • [Guru-yuti-Shukra] sweetened expansions * gracious diversity * appreciation for philosophical doctrine * adjustable catechism * numerous negotiations * humanistic agreements * generous beauty * balanced patronage * arrangements according to priestly paradigm of belief

OUTCOMES - SWEETENING SHUKRA

pleasantly competitive, aesthetically postured, balanced style of movement, natural maker of arrangements, energetic mediator, fair bargains, gracious appearance, diplomatic personality, harmoniously embodied, prefering luxurious attributes, attracted to active companions [Shukra-1] rules

  • 5- Politics, center-stage roles, theatre, demonstration, display, charming brilliance, genius, poetry, choice-making, showmanship, gambling and gamesmanship, romantic idealism, creativity, fashion-shows, flamboyance, celebrity entitlements, confidence, artistic performance, drama, children, financial speculation, intelligence, entertainments, fun

  • 12 enclosures, the bed, fantasies, privacy, interior spiritual guidance, clandestine undertakings, intuitive awareness, non-linear conceptual undertanding, concealment, seclusion, invisibility, dissolved identity, meditation, contemplation, dreamworlds, astral plane, imaginary scenarios, sanctuary sleep, distant lands, health of the avowed partner

CAREER - BRIGHT BHRIGUTANAYA

Shukra rules Tula Svamsha

[Shukra-10] public reputation = governs musical-theater Pūrvaphalgunī Svamsha

Feminine Partners

[Shukra-Mithuna] greatly expanded via Brihaspati

So Many Ladies

[Shukra-yuti-Guru] combines rulers of 2 + 4 + 7 + 9

JJG was married four times during the 32-year span from his age 20 until age 52.

Four daughters [Shukra] were born.

In addition, he enjoyed abundant extramarital romantic relationships.

  • Each relationship, whether legal avowed or not, seemed to boost his creativity, inspiring new songs, paintings, and poems that were richly enjoyed by his ever-increasing fan-base..

[Sober Structural Shani]

duro-karaka [endurance] -- jara-karaka [Jahre, years]

[acquisitive-evaluative dhana-pati for Dhanus - Haya indriya-lagna]

[collaborative-communicative sahaja-pati for Dhanus - Haya indriya-lagna]

check Shukra + Shukra-drishti to source Shani's entreasuring discipline, evaluating strictures, traditional rules

[staunchly traditional old enemies]

[complaining storytelling elders}

[lawfully manages historically conflicted bloodlines]

[laboring mercantile family lineage yet financial adequacy]

[chronic mouth-teeth disorders yet reliable singing voice]

[sweet simple proletarian melodies]

[health limitations on food-and-drink]

[must restrict pleasure drugs and alcoholic liquors]

.... ...

[managing-commercial Rohiṇī-3] [navamsha Shani-Mithuna] intuitively ordering systems of communicative business transaction

  • [Shani-Urisha] heavy old valuables * must endure the sounds of proletarian speech-and-song * obliged to conform to the official bankers * antiquated genetic stock * required preservation of aging assets * must normalize conservation * slow elderly evaluators * must judge the worth of hoards * must endure pressure to store the precious inventories * must bear the weight of historic treasuries * structural compression upon neck-jaw * orderly warehousing * fixed rules govern collection * must gather seeds * must eat dry foodstuffs * must preserve lineage knowledge * scarce financial resources * maintainer of old heritage

  • [Shani in Bhava-12] slow time-structured envisioning * burdensome duties in Other Worlds * limited privacy * public regulation of private environments * must work with foreigners * socially opaque responsibilities * blocked dreams * intimidated by phantoms * resists clairsentient guidance * cautiously conventional fantasies * fears imprisonment * regimented sanctuaries * lack of spontaneity in the bedroom * chronic insomnia * dried flow of interior inspiration * cold feet * psychic fatigue * mandatory isolation * tightly regulated scientific research * elders preserve the old enclosures

OUTCOMES - STRUCTURAL SHANI

dutifully secluded, works diligently in private spaces, responsibly imaginative, insightfully intuitive maturity, must regulate the bedroom, structured meditation, burdensome duties in distant lands [Shani in Bhava-12] rules

  • 8-unexpected eruptions of regenerating force, occult initiation, mystical revelation, shocking intervention, opaque empowerments, invasive surgery, intensive healing, evolution, violent explosion, sudden identity change, rejuvenation, recycling, rebirth, hidden assets, upheaval, undisclosed secrets, transformative events, discovery, in-laws of first marriage, health of younger sibling-cousin

  • 9-ideology , paradigm of belief, profession of faith, principled convictions, higher understanding, father-figures, priestly patronage, preaching, patriarchal entitlements, philosophical convictions, theory, public spiritual guidance, celebrated doctrines, sangha, sacred teachings, credenda, globalism, dharma, worldview, weltanschauung, mother's health

CAREER - SOBER SHANI

Shani's ruler [Shukra-yuti-Guru in Mithuna-1] songwriting, public media events

CREATIVE ARTS

[Shani in Bhava-12] [dharmesha] steady, long-term, creative, celebritycareer.

JJG toured with a musical band 3rd-from-Chandra. for 30 years [Shani],

  • many times expressing exhaustion [Shani]
  • but always, usually for reasons of indebtedness [Shani rogesha] returning to this work.

Stoic Shani activates the emotionally associative, community-linking, economically fruitful, profit-regulated, friendly, participatory, goal-oriented, socially-networked [11th-from-Chandra] = fans, community, social networks

  • After the essential Grateful Dead songbook was established, the fans distinctively did not want to hear completely new creative material [Shani resists change].

Despite crippling addictions, health crisis, multiple marriages, children, divorces, tax problems, relationship upheavals, and an active additional fine-arts avocation -- the band kept touring.

  • The key feature of most Grateful Dead occasions, aside from the live and taped music, was the arising of a street-drug [6] marketplace [Kumbha]

Consistent and steady populist-genre [Shani] songwriting, fine-arts painting, books, cinema

  • Shani occupies the emotionally motivated evangelical communicative cohort instructive descriptive team-working administrative managerial announcing publishing reporting explanatory conversational lyrical messaging 3rd-from-Chandra.

HEALTH

[Shani in Bhava-9] rules 6-Kumbha = chronic health imbalances traceable to the paternal line [9]

[Shani in Bhava-9] rogesha drishti into 3 = illness and addiction related to touring

Shani casts drishti upon

  • 11 [earnings]
  • 3 [publication, scripting]
  • 4 [personal security, landed properties]

[Risk-rewarding Rāhu]

rajyalobha-karaka [ambition] -- picchala-karaka [slippery]

= [nīcha]

[for Dhanus indriya-lagna]

[Rahu-9 casts passionately paradigmaticly believing drishti into 1-3-5]

check Surya + Surya-drishti to source Rahu's apparently ingenious, brilliant mirage of celebrity

[ambition to deliver political instruction]

[passion for privileged narratives of celebrity entitlement]

[exhilarating communication about creative genius]

[announcement of thrilling dramatic information]

[exceptionally glamorous business process]

[exaggerated brightly flamboyant cohort ensemble]

[over-reaching scope of commercial self-confidence]

[compulsively theatrical technical skill]

[boundary-challenging showmanship in media publication]

[sibling-cousin or work-mate may be opportunistically enterprising charismatic manager]

......

[rhythmic-protective Magha-4] [navamsha Rahu-Karkata]

+ [Magha-Rahu-yuti-Mangala-Magha]

  • [Rahu-Singha] shimmering illusion of charisma * craving for attention * extraordinary entertainments * mask of radiant confidence * over-reaching, unique intelligence * marvelous drama *  fascinating entitlements * illusory flash of brilliant gambling * extravagant games * seeks special importance via apparent [but perhaps not authentic] attributes of  brilliant risk-taking * fabulous speculations * glittering political power * seeks privilege via celebrity roles

  • [Rahu in bhava-3] passion for prestige communication *in svabhava of Busy Budha, the Shadowy Specter = glamorous writing - outsider who cleverly insinuates into culturally important communicator roles * exotic photography * unusual journalistic reporting * thrilling announcements * unorthodox commentary * mesmerizing messaging * craves publication * ambitious sibling-cousins * mixed-culture collaborative teams * desire for conversations * over-reaching commerce * exciting gestures * opportunistic approach to manufacturing * expedient application of information technology * boundary-breaching sibling-cohort * astonishing dialogs * unconventional explanations * remarkable retinue * entranced by one's own evangelism * seeks privilege via project management

  • [Rahu-yuti-Mangala] amplified competition * magnified championship * exotic pursuits * tricky innovation * opportunistic brother-warriors * fascinating [but perhaps illusory] appearance of dynamic energy * hypnotic attack * passion for engines * craves hot movement * invasive force of cross-cultural mixing

OUTCOMES - RISK-REWARDING RAHU

[Rahu-yuti-Mangala] located in Simha-9 father-figures, paradigm of belief, higher understanding, globalism = [6th-from-Chandra]

during Ketu-Rahu bhukti

  • JJG began self-medicating at age 15

He continued until his death age 53. Among numerous other health challenges, he was also a diabetic heroin addict.

Mangala provides ] Sarala Yoga [and Rahu in 6th-from is protective

Rahu in any 6th-amsha triumphs over animosity, criminal accusation, jail time

  • Despite many police arrests [6] JJG never spent time in prison nor even jail more than overnight.
  • [He did spend a stunning portion of his life inside hotel rooms -12]

Convicted of stealing his mother's car age 17, JJG followed the judge's recommendation to avoid jail by enlisting in the US-Army [6th-from]

  • During Army training, he stayed comfortably in hometown San Francisco, bed-and-board provided, was mainly AWOL, and actions which would normally have produced a dishonorable discharge indeed produced a general discharge

JJG was a frequent patron of detox residential treatment spas [12]

  • He died in one while sleeping [12]
  • thus avoiding all deathbed harrassment [no anxious relatives]

[Collapsing unshackling Ketu]

kavandha-karaka [headless] -- chidra-karaka [gaping] -- vasana-karaka [vacuum]

[for Mithuna indriya-lagna]

check Shani + Shani-drishti to source Ketu's orderly wandering, socially approved emptiness, legitimate surrender

[disregards community belief conventions]

[peculiar use of proletarian credenda]

[incoherently friendly sacral plexus]

[eccentric crowd-pleasing populist ceremonies]

[disinterested in scientific theories]

[inconsistent yet profitable philosophical socializing]

[free-roaming mass-participation temple sermons]

[abandons interlinked sangha]

[systematicly ambivalent toward professors]

[scattered disoriented futuristic pandits]

[typically disconnected from socialite father-figure]

[economic shifts uproot the patriarchal guidance]

[no principled doctrinal barriers limit the freedom to understand communnity gridworks]

[depending upon Shani, may earn surprisingly high marketplace revenues]

[may be passively fixated upon ambitiously speculative-political Rahu in Singha-3 sibling-cousins, secretaries, team-mates, castmates, classmates, co-workers, neighbors]

.... ....

[social-ordering, class-conscious Varuna-2] [navamsha Ketu-Makara]

  • [Ketu-Kumbha] sociably dissociates from distribution webs * odd friends * walks away from regulated systems * incomplete nexus * empty profits * dissolves knitting * severed connections * not limited by conventional community * disarrayed ecologies * collectivist martyrdom * ignores restriction on futurism * releases a purple cloud of knotted linkage into the misty abyss

  • [Ketu in classroom-9] disinterested in fixed credenda * wandering worldview *disengaged from faith doctrine * disregards theory * liberating philosophy * irrelevance of patriarchal dogma * ambivalence toward conventional convictions * spacey father * weird beliefs * empty public guidance * forsaken by preceptors * ignores the ordinary understandings * incoherent ideology * unless other graha in 9, may prefer to live free from father-figures

OUTCOMES - EVACUATING KETU

[Ketu in classroom-9] absentee father

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