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COHORT born 5 months after
born 4 months after
born 2 months after
born 2 months before
born 7 months before
born 10 months before
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Iconic Counterculture Musician Singer - Songwriter fine-arts painter illustrator The Grateful Dead https://en.wikipedia.org/wiki/Grateful_Dead a.k.a. Jerome John Garcia Earth-birth = Saturday-01-Aug-1942 bio-decease = 09-Aug-1995 [age 53]
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Grateful Dead bandmate songwriter musician fine-arts painting and drawing touring entertainer 1942-1995 Jerry Garcia data from en.wikipedia.org/wiki/Jerry_Garcia
tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = generated by Shri Jyoti Star - www.vedicsoftware.com - adapted by BP Lama born on day-6 Shashti of Krishna Paksha |
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Rising Nakshatra Masculine Nativity Pūrvāṣāḍhā - ApahAsadhash - Pooraadam - Purvasharha - Ambudaiva BPL COMMENTARY For Pūrvāṣāḍhā births of a masculine valence, the condition of sweetly musical, artistic, harmony-seeking, negotiating, balancing, arranging, designing, matching, pairing, sensually pleasuring akarshana-karaka Bright Beautiful Bhrigu may considerably affect the outcome. Due to the definitive influence of kalatra-karaka Shukra, gentlemen born into the realms of Bharani - Yamya, Pūrvaphalgunī - Yonī, or Pūrvāṣāḍhā may find that their life-understanding is greatly shaped by the character of the feminine companion(s). For those born into the Shukra-ruled paradigm of Ambu-daiva, feminine figures such as sisters, aunts, and wives, along with partnerships, sensual pleasures, arrangements, valuation, pricing, equity, bargains, trades, treaties, trusts and treaties, adjustments, justice, finance, artistic beauty, treasuries, storage, align ment, attunement, harmonies, and music , may be especially influential. Instructional guidance is provided by emissaries from the civilizations of Sinnuntu. their purpose is expansion of inspirational beauty and melodious sound. Inspirational diplomatic grace Pūrvāṣāḍhā are often musical entertainers and poets, with a gift for playing many instruments and making lyrical arrangements that appeal to everyday folks. Typically, Apah-born are attracted to a global worldview or to some sacred doctrine. They are self-indulgent and pure of heart. Their complexion may feature a Guru-golden glow. Masculine births in Asadhash tend toward a discordant costume sense representing the incommensurable agenda of Shukra vs. Guru. In addition to Shukra endowments in diplomacy, beauty, and musical arrangements, their Guru-influenced humanism and compassion often includes inspirational roles that benefit women, musicians, and creative artists. Like all Shukra-governed births, Apah-born must take care to avoid the misuse of drugs and alcohol. Ambu-daiva's true purpose is inspirational guidance. Yet, Shukra 's sweet-seeking may also attract the false balance of intoxication. Themes of generous arrangements, affluence, favor, harmony, blessing, beauty, artistry, and luxurious indulgence may contextualize Apah's terrestrial experience. Applies also to Chandra in Pūrvāṣāḍhā - Apah |
QUOTATION Pūrvāṣāḍhā from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra. p 86 " ... corresponds to rather a low type of character . One who does not wish for and does not get the gracious things out of life.
Quarrelsome and low in appearance and manner.
He vainly considers himself above his station in life
[end quote, Shil Pondey, 1939]
Grateful Dead guitarist and singer-songwriter, Jerry Garcia in his 30's during the 1970's
Jerry Garcia in 1984, age 42 |
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Biographical data matched to
Vimshottari Dasha
calendar
[Budha Mahadasha] = [age birth until age 7.5]
Sat-01-Aug-1942 = Earth-birth in San Francisco, California , USA * Budha-Rahu bhukti spr-1948 [JJG age 6] grieved bio-decease of musician father , via river drowning while on family fishing holiday * Budha-Shani chidra-dasha * Shani rules 7th-from-Surya [Ketu Mahadasha] = [age 7.5 until age 14.5] 1949 [JJG age 7] After their father's death, JJG and his older brother = sent to live with their maternal grandparents. They remain for the next five years. * Ketu-Ketu svabhukti * Ketu dislodging, releasing 1953 [JJG age 11] Mom remarries * Ketu-Rahu bhukti [Shukra Mahadasha] = [age 14.5 until age 34.5]
sum-1957 [JJG age 14] begins smoking both marijuana and tobacco, starting a lifelong habit * Shukra-Shukra svabhukti * Shukra rogesha, pleasant toxins, pollution 1960 [JJG age 17] criminal conviction for auto theft - of his mother's car [likely at the behest of mother's second husband]. Judge offers option to join the Army, to avoid jail. JJG enlists. * Shukra-Shukra svabhukti * Shukra rogesha, crimes, betrayal * Shukra rules 8th-from-Chandra emotional shock 14-Dec-1960 [JJG age 18] general discharge from US-Army, due to poor attitude and numerous AWOL citations. * Shukra-Surya bhukti * dharmesha Surya rules 12th-from-10 withdrawal from official position [contains oppositional-defiant Rahu-yuti-Mangala] 20-Feb-1961 [JJG age 18] while mentally dithering [Shukra rules 3rd-from-Chandra] about whether to choose the path of fine-arts painting versus the path of guitar music, violent car crash becomes a wake-up call. JJG chooses the music path. * Shukra-Chandra bhukti * Chandra randhresha ++ Shukra music rules 8th-from-Chandra = double-force identity-change 03-Apr-1963 [JJG age 20] consecration of wedding-1-of-3 with folksinger, Sara Ruppenthal * Shukra-Mangala bhukti * Rahu-yuti-Mangala ++ samchara Rahu-Ketu via Mithuna-Dhanus contact Dhanus indriya lagna 08-Dec-1963 [JJG age 20] celebrated the birth of child-1, the first of his four daughters Guru-yuti-Shukra * Shukra-Mangala bhukti * Kuja rules 9th-from-Chandra 1964 [JJG age 21] meets future wife-2, Carolyn Adams * Shukra-Rahu bhukti ++ dvadasa Sade-Sati Apr-1966 until Jun-1968 Janma Sade-Sati Meena
Dec-1966 [JJG age 23] moves-in with Carolyn Adams, who is and remains legally married to another man until 1978. * Shukra-Rahu bhukti 1967 [JJG age 24] following JJG infidelities, divorce-1 legally concludes marriage-1 with folksinger, Sara R. * Shukra-Guru bhukti *[Arudra-Guru-yuti-Shukra-Arudra] * Shukra rogesha = divorce ++ janma Sade-Sati 02-Feb-1970 [JJG age 28] celebrated birth of daughter-2, Annabelle Walker Garcia, with lifepartner Carolyn Adams * Shukra-Shani bhukti * Shani rules 11th-from-Chandra = next child following previous 9th-from-Chandra ++ samchara Rahu-Ketu via Meena -Kanya contact Chandra-Meena + Rahu-Opp ++ dvithya Sade-Sati 28-Sep-1970 [JJG age 28] following her injuries from a car wreck, grieved the bio-decease of tavern-keeping, musician mother * Shukra-Shani bhukti * Shani rules 12th-from-matrikaraka Chandra + Rahu-Opp ++ dvithya Sade-Sati = via 2nd-from-Chandra 21-Sep-1974 [JJG age 32] celebrated the birth of daughter-3, Trixie - with lifepartner Carolyn Adams * Shukra-Budha bhukti * Surya-yuti-Budha * Surya rules 5th-from-5 1975 [JJG age 32] Begin domestic relationship with with film-maker, Deborah Koons. Twenty years later, the pair would formally wed *Shukra-Budha bhukti * Surya-yuti-Budha * Surya rules Simha-svamsha 1975-1985 [JJG age 28-38] compounding his painful diabetes, JJG adds a heroin addiction - beginning a lifelong cycle of self-medication with narcotic drugs * Shukra-Ketu chidra-dasha until Chandra-Rahu bhukti 1975 [JJG age 33] following the birth of two daughters, JJG and Mountain Girl separate. She remains married to her legal husband, not JJG. * Shukra-Ketu chidra-dasha [Surya Mahadasha] = [age 34.5 until age 40.5]
31-Dec-1981 [JJG age 39] Wedding-2-of-3. [div. 1994] Despite having separated in 1975, JJG and Carolyn Adams [a.k.a, Mountain Girl] officially wed. The disconnected couple continued to live 500 miles apart [Ketu]. Their belated legal union was reportedly a tax decision, while stupefied JJG was hemorrhaging cash to support his addictions. * Surya-Ketu bhukti ++ samchara Rahu-Ketu via Karkata-Makara contact navamsha R-K [Chandra Mahadasha] = [age 40.5 until age 50.5]
1985 [JJG age 43] Grateful Dead bandmates stage an intervention, demanding JJG to either get treatment to quit heroin and cocaine, or exit their legendary band * Chandra-Rahu bhukti * Rahu-yuti-Mangala = ambitious use of force Jul-1986 [JJG age 44] 5-day, nearly-fatal diabetic coma * Chandra-Guru bhukti * Arudra-Guru-yuti-Shukra-Arudra = Shukra rogesha 20-Dec-1987 [JJG age 45] while still married to Carolyn Adams, celebrated birth of daughter-4-of-4 with artist, Manasha Matheson * Chandra-Shani bhukti * Shani-6 rules 11th-from-Chandra = child-4 ++ samchara Rahu-Ketu via Meena -Kanya contact Chandra-Meena 1989 [JJG age 47] heroin relapse * Chandra-Ketu bhukti 17-Aug-1990 [JJG age 48] unofficial, unwitnessed, unregistered wedding ceremony with artist, Manasha Matheson, conducted in the living room of their house * Chandra-Ketu bhukti [Mangala Mahadasha] = [age 50.5 until decease age 53]
Jan-1993 [JJG age 51] state of distress, re-unites with partner-Koons from 15 years previous * Mangala-Rahu bhukti 1993 [JJG age 51] Carolyn Adams initiates divorce-2, legally concluding their official non-cohabiting 14-year marriage [1981-1993] * Mangala-Rahu bhukti ++ dvadasa Sade-Sati via [3]contact Ketu 1993-1994 [JJG age 51-52] reckoned as a period of severe cognitive-and-physical decline * Mangala-Rahu bhukti * Rahu-Simha-9 occupies 6th-from-Chandra ++ dvadasa Sade-Sati via [3]contact Ketu 14-Feb-1994 [JJG age 52] consecration of official wedding-3-of-3 with film-maker, Deborah Koons * Mangala-Rahu bhukti ++ samchara Rahu-Ketu via Vṛścika-Vrishabha ++ dvadasa Sade-Sati via [3] contact Ketu Jun-1995 until Apr-1998 Janma Sade-Sati Meena
09-Aug-1995 [JJG age 53] following decades of diabetic disease and narcotic self-medication, blessed liberation from the Earthen-body via heart-attack while staying in a drug rehabilitation facility * Mangala-Shani bhukti * maraka Shani rules-2 ++ janma Sade-Sati |
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Distinctive Features of the Nativity
[Sparkling Splendid Surya] pitri-karaka [father] -- jyoti-karaka [light] [philosophical-doctrinal dharmesha for Dhanus-born]
[camouflaged glowing center of entrancing rhythms] [secret nourishing healing intelligence for sacral-plexus, pelvis] [creative awareness of hidden ancient light] [parentally protective presence in crisis intervention environments] [focus of folkways mysteries] [sensitive star of the old-ways rejuvenation] [ritualized father-figure may be obscured by flowing waters] [believing father holds undisclosed defensive roles] [father or self, may be spiritual conduit for shocking ancestral discoveries] ... ... [regenerating-discovering Pushya-4] = [navamsha Surya-Vrischika] + [Pushya-Surya-yuti-Budha-Pushya-ashta]
OUTCOMES - MAGNIFICENT MARTANDA self-reflexively emerging, brightly transformative, charmingly volatile, regal style of self-reinvention, discovery focused, radiantly recycling, politically camouflaged, splendidly disguised, center-stage rejuvenator [Surya in bhava-8] rules
CAREER - SPARKLING SURYA [Surya in bhava-8] = [Surya-Karkata] Surya rules Simha Svamsha bright center of rhythmic trance, focus of folkways mysteries, star of the old-ways rejuvenation priestly icon of a multi-decade nationwide lifestyle community = Deadheads, characterized by tribal feelings and a repeating liturgy [Surya rules 9] of rhythmic undulation
FATHER José Ramón Garcia = Joe Garcia born in Galicia [Spain] emigrated to California as a young adult in 1919 Dad = clarinet and piccolo musician. He played in bands in the San Francisco area.
Rahu-yuti-Mangala [9] sudden violent effects for father
[Surya-yuti-Budha] [8] = rulers of 7 + 9 + 10 = indicates potential for several father-figures.
Eventually JJG 's mom remarried, supplying a bonus-dad.
[Comfortable Caretaking Chandra] matrikaraka [mother] -- garha-karaka [village] = [dikbala] = [svabhava] [mysterious-initiatory randhresha for Dhanus - Haya indriya-lagna]
[comforted by stable habitual private reflection] [culturally sensitive to transformative randhresha imaginative vision] [needs to sense the fluid pulse of interior guidance] [protector of the ancestral sanctuaries] [emotionally aligned to entrancing randhresha meditative rhythms] [environmentalist feelings attuned to watery lake-dwelling deva] [anchoring withdrawn mother may be charitable localist, secret-keeping randhresha contemplative schoolteacher, dreamlike householder, sleepy gardener, claircognizant protector of ancient rituals ] ... ... [socializing-gridworked Revatī-Pashu-3] + [navamsha Chandra in Kumbha] intuitively sensitive to revenue profitability, mass-market populist distributive egalitarian feelings [ātmakāraka comforting rhythms, undulating rituals, security, predictability, caretaking, familiarity, home-base]
OUTCOMES - ANCESTRAL SOMA sensitively parental, protecting the ancient ways, routinely stabilizing, sustaining the household, rhythmically seasonal, needs a garden,predictable habits, culturally situated, customary guardian, emotionally caretaking, needs to defend the security of the vulnerable [Chandra in classroom-4] rules
CAREER - CARETAKING CHANDRA
habitual rhythm, comforting routines, soothing cycles, predictable way of life, safe dwellings] 4, comforting rhythms, undulating rituals, home-base repeating ancestral folkways rhythms, crossing and recrossing the countryside. ...............
Garcia toured and wrote with his musical band . They rarely varied the routine, and they all aged together = 3rd-from-Chandra = bands-of-brothers contains Shani-6 fixed, aging cohort
Early in the formation of the joyous cult assembly, a dedicated fanbase had memorized the lyrics to all of their favorite songs.
MOTHER Mom = Ruth Marie Clifford, of Swedish and British ancestry [Chandra in classroom-4] rules 8, mystical transformation, shamanic pulse, recycling Mom = widowed then remarried [8, identity-change] tavern-keeper, musician of piano [Chandra in Revatī - Pashu] navamsha Chandra-Varuna shows mom's socialite sensitivities, collectivism, friendships Maternal Grandparents After his mom was widowed his age 6. JJG and his elder brother [also a musician] lived with nearby maternal grandparents during the formative years, age 6-11. 4th-from-Chandra maternal grand-mom Grandmom Tillie May Olsen = of Swedish ancestry. Bhava-7 contains the expansively musical, writing, and publishing [Guru-yuti-Shukra] JJG reflected that his grandma listened to bluegrass and Opry, the country rhythms of which later formed the basis of his own hybrid rock-bluegrass musical style. 9th-from-Chandra maternal grand-dad William Henry Clifford of Irish ancestry is represented by Shani-drishti into Kuja-ruled bhava-12 Vrischika = Ruled by [Kuja-yuti-Rahu] [9] Following the tragic death of JJG's father, maternal Grand-dad quietly [12] stepped into the father-figure role [9] during JJG age 6-11 MARRIAGE partnership emotional equity support expectations JJG sought legitimating partners [10]. JJG 's primary relationship pattern was anchored through his people-feeding, music-hosting, tavern-keeper Revati mom. three legal marriages + one union with child, and abundantly numerous supplemental relationships due to [Guru-yuti-Shukra] ++ navamsha [Guru-yuti-Shukra-uchcha] [Competitive Champion Kuja] bhratru-karaka [brother] -- virya-karaka [virility] [witty-creative vidya-pati for Dhanus - Haya indriya-lagna] [contemplative-retreating vyaya-pati for Dhanus - Haya indriya-lagna] [karako bhavo nashto for father, patrons, chieftains, indoctrinators]
[dynamic humanistic demonstrative fighter] [broad global understanding of political ideals] [energized flamboyant ideological displays] [theatrically-driven dominant celebrity] [worldview based in forceful championship of brilliant entitlement] [vigorously promotes philosophical convictions about ceremonial empowerment] [regally gambling entertaining father may be patron, patriarch, pushy believer, showy indoctrinator, self-referential pro-active preacher] ... [ensemble-managing Magha-3] = [navamsha Mangala-Mithuna] + [Magha-Kuja-yuti-Rahu-Magha]
OUTCOMES - MOVING MANGALA dynamically philosophical, vigorously globalist, forward-pushing preacher, innovatively dogmatic, pro-actively ideological worldview, kinetically charitable, energetically patronizing, champion of extensive philanthropic action [Mangala in bhava-9] rules
CAREER - COMPETITIVE KUJA vidya-pati-5 [Mangala in bhava-9] + [Kuja-yuti-Rahu] = celebrity, fame, prestige= Ruler of 5-entertainments located in 5th-from-5 dharmasthana-Simha.
Mangala innovation
Rahu-amplified Mangala Holding a patriarchal priestly cult status within his worshipful fan base, JJG held such a remarkable celebrity empowerment that, within his own subculture, he was virtually a king [Simha]. The rules seemed not to apply to him [Rahu]
HEALTH CHALLENGES Garcia struggled with diabetes, obesity, and recurring cycles of narcotic self-medication for chronic pain [Shani-6] throughout his life. powerfully amplified forward-moving [Kuja-yuti-Rahu] occupies the emotionally unbalanced [6th-from-Chandra-randhresha] = addictions [Mangala in bhava-12] fantasizing, imagination
[Busy Bantering Budha] jamayah-karaka [sibling] -- sandesha-karaka [message] -- shisya-karaka [student] [balancing-bargaining yuvati-pati for Dhanus - Haya indriya-lagna] [dutiful-commanding karmesha for Dhanus - Haya indriya-lagna]
[protection of detailed ethno-national secrets] [caretaking narrative of transformative self-reinvention] [ritualized instructions for sudden mystical initiation] [safe boundary techniques for undulating emergency arrangements yuvati-pati ] [sheltered planning for hidden intervention] [parentally explains the ancestral path of identity change] [calming manager of discretely covered institutional karmesha defense information] [may faciliate discovery of undisclosed land deeds] [familiar administrator of ancient masked assets] ... [mysterious-evolving Pushya-4] = [navamsha Budha-Vrischika] + [ashta-Pushya-Budha-yuti-Surya-Pushya]
OUTCOMES - BANTERING BUDHA talkative initiator, camouflage manager, articulate disrupter, transformative communicator, identity-changing conversation, mysterious gesturing, rebirth explainer, detailed describer of occult process [Budha in bhava-8] rules
CAREER - BUSY BUDHA Budha ashtangata harana [Budha in bhava-8] = karmesha rules Kanya-10 Budha rules both 10 and 10th-from-10 songwriting Budha in regenerating Pushya-4] [Surya-yuti-Budha] narrative rhythms and repeating routines. The band toured [Budha] endlessly, even after Garcia died. JJG = iconic symbol of a unique [Surya] subculture. The Deadhead cult audience would travel hundreds of miles to see the band's reliable repertoire performed in a scripted style. communications roles delivering a coherent public narrative
[Generous Growing Guru] dhava-karaka [husband] -- bahuta-karaka [variety] [energizing-identifying lagnesha for Dhanus - Haya indriya-lagna] [rhythmic bandesha for Dhanus - Haya indriya-lagna]
[numerous communications partnerships] [broadly philosophical messaging arrangements] [many commercial managers] [multiple alliances with collaborative spouses] [variety of conversational scripts form the basis of cooperative pairings] [generous mutual understanding of shared mercantile expansion] [identified lagnesha with multiplicity of teamwork agreements, business deals, detailed negotiation] [bandesha in 4th-from-4 = diverse discussions about real-estate contracts] ... [fantasizing-guided Arudra-4] = [navamsha Guru-Meena ] intuitively expansive communicative messaging visionary imagination + [Arudra-Guru-yuti-Shukra-Arudra] [ātmakāraka expansion of scope, philosophical worldview, paradigm of belief, principled humanism, philanthropy]
OUTCOMES - GENEROUS GURU expansively agreeable, abundantly contractual, multiple alliances, numerous arrangements, optimistic negotiator, broad-scope of brokerage [Guru in bhava-7] rules
CAREER - BENEVOLENT BRIHASPATI [Shukra-yuti-Guru] combines rulers of 1 + 4 + 6 + 11
[Sweetly Suave Shukra] svadu-karaka [sweet] -- kalatra-karaka [wifely companion] = [svabhava] [inimical-medicating rogesha for Dhanus - Haya indriya-lagna] [friendly-gainful labha-pati for Dhanus - Haya indriya-lagna]
[conversational relationships with adversarial rogesha intermediaries] [gainfully labha-pati instructional trade-exchanges] [detailed interpersonal agreements] [media-messaging middleman roles] [graciously explanatory representation] [likes to confer about mutual commercial earningst labha-pati] [harmonious word-crafted arrangments] [aesthetics of reciprocity in business and teamwork] [pleasantly sweet go-between eases project management] [may write-publish descriptively on themes of attraction and pairing] [chatty personal and professional partners may be mercantile attorney, talkative advocate, discursive bargainer, collaborative broker] ... [fantasizing-guided Arudra-4] = [navamsha Shukra-Meena -uchcha] intuitively harmonizing expansive visionary imagination + [Arudra-Guru-yuti-Shukra-Arudra]
OUTCOMES - SWEETENING SHUKRA sensually balancing, appreciative of equity, harmoniously arranging, aesthetically pairing, financially contractual, musical-artistic partnerships, bargaining purpose of relationships, advocates for fairness, sweetly adjusting, diplomatic negotiator [Shukra-7] rules
CAREER - BRIGHT BHRIGU-TANAYA Shukra rules Urisha 10th-navamsha within mass gatherings, social-participation movements. [Shukra-7] governs musical-theater Pūrvaphalgunī Svamsha
Drugs during * Shukra-Shukra svabhukti * Shukra rogesha, pleasant toxins, pollution
So Many Ladies [Shukra-Mithuna] greatly expanded via [Shukra-yuti-Guru] [Shukra-yuti-Guru] combines rulers of 1 + 4 + 6 + 11
Four daughters [Shukra] were born via three mothers. In addition, JJG enjoyed abundant [Guru] extramarital romantic relationships.
[Sober Structural Shani] duro-karaka [endurance] -- jara-karaka [Jahre, years] = [favorable location for Shani = papa-graha in maha-dusthamsha] [acquisitive-evaluative dhana-pati for Dhanus - Haya indriya-lagna] [collaborative-communicative sahaja-pati for Dhanus - Haya indriya-lagna]
[staunchly traditional old enemies] [complaining storytelling elders] [lawfully manages historically conflicted bloodlines] [long term ailments of neck-throat-voice-tongue-teeth-hair-eyes] [laboring mercantile family lineage yet financial dhana-pati adequacy] [chronic mouth-teeth disorders yet reliable singing voice] [sweet simple proletarian melodies] [health limitations on food-and-drink] [must restrict pleasure drugs and alcoholic liquors] [mother's relatives [6] may be conventional business-people sahaja-pati with long-term asset-storage conflicts] [mother's hoarding sibling-cousins or cohort may be squabbling over precious collections, jealous of others' affluence, pessimistic about evaluating servants, disputatious about memory] .... ... [managing-commercial Rohiṇī-3] = [navamsha Shani-Mithuna] intuitively ordering systems of communicative business transaction
OUTCOMES - STRUCTURAL SHANI formally aggrieved, chronic complaints, old injuries, rigidly adversarial, constricted crime, enduring accusations, regulatory litigation, orthodox exploitation, conventionally laboring, responsible service ministry, systematically helping, imposing argumentation, lawfully unjust, seriously serves the disadvantage [Shani in Bhava-6] rules
CAREER - SOBER SHANI [Shani in Bhava-6] casts Parashari drishti upon
Shani-6 rules++ casts His socially-responsible 10th-drishti into sahaja-bhava-3 = meeting deadlines, showing up on time, and cooperation within small groups. Despite JJG 's later drug excesses and disease conditions, he was consistently able to maintain a detailed touring schedule and sustain communications [3] within performance ensembles. Shani drishti into 8 - healing transformations, interventions, threats
Shani's ruler [Shukra-yuti-Guru in Mithuna-1] songwriting, public media events CREATIVE ARTS steady, long-term, creative, celebrity career. JJG toured with a musical band 3rd-from-Chandra. for 30 years [Shani],
Stoic Shani rules-and-aspects Kumbha-3 bands, tours, lyrics, cohort == the emotionally associative, community-linking, economically fruitful, profit-regulated, friendly, participatory, goal-oriented, socially-networked [11th-from-Chandra] = fans, community, social networks
Despite crippling self-medication with narcotics, cycles of disease crisis, multiple marriages, children, divorces, tax problems, relationship upheavals, and an active additional fine-arts avocation -- the band kept touring. [Shani]
Consistent and steady populist-genre [Shani] songwriting, fine-arts painting, books, cinema
HEALTH = chronic - and if untreated, permanent -- health imbalances traceable to diet and digestion [diabetes] [Shani in Bhava-6] drishti into 3 = illness and addiction related to touring, cohort, mental-traffic patterns [Risk-rewarding Rāhu] rajyalobha-karaka [ambition] -- picchala-karaka [slippery] = [nīcha] = [for Dhanus indriya-lagna] [Rahu-9 casts passionately paradigmaticly believing drishti into 1-3-5]
[righteous desire to expound principled political convictions] [craving for exhilarating ceremonial display of credenda] [over-reaching use of passionately dramatic preaching ]
[wants sparkling red-and-gold pageantry to entertain the faithful sangha] [excitingly confident demonstrations of belief] [anbitious mixed-culture priests create mirage of higher wisdom] [seeks charitable patronage of royalty and celebrity figures] [pretentious romantic gambler father-figure may exhibit patriarchal entitlement] ...... [rhythmic-protective Magha-4] = [navamsha Rahu-Karkata] + [Magha-Rahu-yuti-Mangala-Magha]
OUTCOMES - RISK-REWARDING RAHU [Rahu-yuti-Mangala] located in Simha-9 father-figures, paradigm of belief, higher understanding, globalism = [6th-from-Chandra] He continued until his death age 53. Among numerous other health challenges, he was also a diabetic heroin addict. Rahu in 6th-from is protective Rahu in any 6th-amsha triumphs over animosity, criminal accusation, jail time
at age 1, convicted of stealing his mother's car, JJG followed the judge's recommendation to avoid jail by enlisting in the US-Army [6th-from]
JJG = frequent patron of detox residential treatment spas [12]
[Collapsing unshackling Ketu] kavandha-karaka [headless] -- chidra-karaka [gaping] -- vasana-karaka [vacuum] [for Dhanus - Haya indriya-lagna]
[disregards obsolete marketplace discourse conventions] [peculiar use of economic announcements] [incoherently friendly associative gestures] [eccentric populist marketing publications] [disinterested in managing scientific details]
[inconsistent yet profitable daily chatter] [systematicly liberating abstract discussions] [abandons interlinked planning schedules] [ambivalent toward mass-participation conversation] [scattered futuristic mentality] [typically disconnected from networked sibling] .... .... [social-ordering, class-conscious Vāruṇa-2] = [navamsha Ketu-Makara]
OUTCOMES - EVACUATING KETU 3, bands-of-brothers, ensemble, teamwork |
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