Drama-Song

COHORT

born 5 months after

• R-E-S-P-E-C-T 1942-2018 singer Aretha Franklin

born 4 months after

• Yentl 1942- drama-song-activist Barbra Streisand

born 2 months after

• Silly Love Songs 1942- Beatle Paul McCartney

born 2 months before

• Zanjeer 1942- drama-politics Amitabh Bachchan

• Experience 1942-1970 guitarist Jimi Hendrix

• POTUS-46 Pandemic 1942- Joe Biden

born 7 months before

• My Sweet Lord 1943-2001 Beatle George Harrison

born 10 months before

• USA-Congress 1943- Newt Gingrich

Iconic Counterculture Musician

Singer

Songwriter

fine-arts painter

illustrator

The Grateful Dead

Jerry Garcia

a.k.a. Jerome John Garcia

Earth-birth Saturday-01-Aug-1942

dematerialization 09-Aug-1995 [age 53]

Grateful Dead bandmate

songwriter musician

fine-arts painting and drawing

entertainer

1942-1995

Jerry Garcia

data from http://en.wikipedia.org/wiki/Jerry_Garcia

tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = produced by Shri Jyoti Star * adapted by BP Lama

born on day-6 Shashti of Krishna Paksha

Rising Nakshatra

Masculine Nativities

Chitra-Spica

Citthirai - Vismakarma - Azinech - Alaraph - Arista - Dana

BPL commentary

For Chitra - Tvastri births of a masculine valence, the condition of kinesthetic, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome.

For those born into the Mangala-ruled paradigm of Visvakarma, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, builders, drivers, drillers, diggers, exploders, aggressors, pursuers, competitions and battles may be especially influential.

Guided by instructors from civilizations of Spica. Their purpose is architectural engineering and crafting of beautiful, functional, and artistic alliances, arrangements, and designs.

Designs + Arrangements

[Kuja] -ruled Chaitra fellows have a knack for competition. Goal-oriented and kinetic in building, patterning Tvastri, they strive for dominant power in engineering, artisan mechanics, architecture, and applied design arts such as skilled handcraft. As authors, Chaitrika often illustrate their works with fine drawings. Tvastri-born have a natural affinity for tools, engines, driving, building.

Kanya pada 1-2 express Kuja's rulership of 3-writing + 8-mystical transformations, while also displaying the frustrating tension of chatty Budha versus active Kuja. Literary Budha plays a stronger role for pada 1-2, producing scholars and writers who argue about architectonics, engineering design, color values, and mechanics. Pada 1-2 = also skilled in handcraft and may be professors-cum-tradesmen, fine-arts painters, model-builders, or manually gifted musicians.

[Tula-Vanika] pada 3-4 express Kuja's rulership of 2-collections, assets + 7-contractual equity. Shukra's bargaining behavior and financial skills play a stronger role for pada 3-4, who enjoy the mutual attractions of Shukra-Mangala. In music, arts, and engineering, they pursue harmonious arrangements. They often play stringed instruments, and write beautiful songs. Chaitrika pada 3-4 can be found in the design world, in financial negotiations, and in dynamic meditator roles.

Themes of productive touch including artistic design, musical instruments, mechanical engineering, and crafting of dynamic arrangements contextualize Vismakarma's terrestrial experience. Incoming drishti from Kuja can mobilize their progressive, pioneering actions. Also applies to Chandra in Chitra-Spica.

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra. p 84

" Chitra natives are quiet, thoughtful, and profound.

Very slow in movement and of great dignity in bearing and manner.

• they like to read books on serious and philosophical subjects.

they make good students in their youth.

they are also extremely clever with their hands ,

• which are strong, supple, and dexterous.

they like to do things or fashion things with their hands

• and could be sculptors or artists or surgeons."

Grateful Dead guitarist and singer-songwriter, Jerry Garcia in his 30's during the 1970's

Jerry Garcia in 1984, age 42

• Grateful Dead 1942-1995 guitarist Jerry Garcia

Budha Mahadasha * age birth until age 11.9

• [Budha-Karkata] [Budha in bhava-11] [Surya-yuti-Budha]

01-Aug-1942 Earth-birth in San Francisco, California, USA * Budha-Shukra bhukti

1948 [JG age 6] drowning grieved decease of father * Budha-Rahu bhukti

Ketu Mahadasha * age 11.9 until age 18.9

• [Ketu-Kumbha] [Ketu in classroom-6]

1960 [JG age 17] criminal conviction for auto theft - of his mother's car. Judge offers option to join the Army, to avoid jail. JG enlists. * Ketu-Shani bhukti * Shani rules 6-crime, military

14-Dec-1960 [JG age 18] general discharge from US-Army, due to poor attitude and numerous AWOL citations. * Ketu Budha chidradasha [Surya-yuti-Budha] Surya rules 6th-from-Chandra broken contracts

20-Feb-1961 [JG age 18] while mentally dithering [Budha] about whether to choose the path of fine-arts painting versus the path of guitar music, a violent car crash becomes a wake-up call. JC chooses the music path. * Ketu Budha chidradasha * karmesha Budha career ++ Rahu-Return in 12, interior guidance

[Shukra Mahadasha] age 18.9 until age 38.9

• [Shukra-Mithunaya] [Shukra-7] [Guru-yuti-Shukra]

03-Apr-1963 [JG age 20] consecration of marriage-1-of-4 with folksinger, Sara Ruppenthal * Shukra-Shukra svabhukti * samchara Rahu-Ketu via Mithuna-Dhanus contact Shukra-Mithunaya

08-Dec-1963 [JG age 20] celebrated the birth of child-1, the first of his four daughters * Shukra-Shukra svabhukti * Shukra rules 5th-from-5

Apr-1966 until Jun-1968 Janma Sade-Sati Meena [7, relationships, balance]

28-Sep-1970 [JG age 28] grieved the decease of mother following her injuries from a car wreck * Shukra-Rahu bhukti ++ dvithya Sade-Sati

1974 [JG age 32] Begin relationship with with film-maker, Deborah Koons. Twenty years later, they would formally marry. * Shukra-Shani * Shani rules Kumbha 7th-navamsha

1975-1985 [JG age 28-38] heroin addiction * diabetes * Shukra-Shani bhukti until Surya-Shani bhukti * Shani rules 6-medication

[Surya Mahadasha] age38.9 until age 44.9

• [Surya-Karkata] [Surya in bhava-11] [Surya-yuti-Budha]

31-Dec-1981 [JG age 39] consecration of marriage-2-of-4 with Carolyn "Mountain Girl" Adams. The parents of two daughters, the couple had separated years earlier. The belated legal marriage was reportedly motivated by tax law [Shani]* Surya-Surya svabhukti * Surya rules Simha Svamsha * samchara Rahu-Ketu via Karkata-Makara contact navamsha R-K axis

[Chandra Mahadasha] age 44.9 until decease age 53

• [Chandra in Revati - Pashu] [Chandra-Meena] [Chandra in classroom-7]

Jul-1986 [JG age 44] 5-day, near-fatal diabetic coma * Surya-Shukra bhukti = maraka Shukra rules-2 * Shukra drugs, food, insulin

1989 [JG age 47] heroin relapse * Chandra-Rahu bhukti

17-Aug-1990 [JG age 48] consecration of marriage-3-of-4 with artist, Manasha Matheson. The couple produced a daughter. * Chandra-Guru bhukti * [Guru-yuti-Shukra]

14-Feb-1994 [JG age 52] consecration of marriage-4-of-4 with film-maker, Deborah Koons * Chandra-Budha bhukti * [Surya-yuti-Budha] Surya rules Simha Svamsha * samchara Rahu-Ketu via Vṛścika-Vrishabha ++ dvadasa Sade-Sati

Jun-1995 until Apr-1998 Janma Sade-Sati Meena [7, relationships, balance]

09-Aug-1995 [JG age 53] dematerialization via heart-attack while staying in a drug rehabilitation facility, following decades of diabetic disease and substance misuse * Chandra-Shukra bhukti * maraka Shukra rules-2 ++ janma Sade-Sati

• Grateful Dead 1942-1995 guitarist Jerry Garcia

[Surya]

pitri-karaka [father] jyoti-karaka [light]

[retreating-contemplative vyaya-pati for Kanya indriya-lagna]

[usually is the eldest child]

[bright center of ethno-national community]

...

[regenerating Pushya-4] [navamsha Surya-Vrischika]

[Surya-yuti-Budha]

• [Surya-Karkata] Bhanu - ray of light * brightly charismatic confidence of Center-stage Surya radiates through the nourishing caretaking rashi of Chandra
• [Surya in bhava-11] center of community * genius for associative systems * radiates through the gridwork * entitled to work-and-earn * network intelligence * focus on interlinked ecologies * uniquely creative marketplace revenues * exemplifies knotting-netting-knitting connectivity * distributed light * eye on friendships * celebrated by crowds * sparkling center of social-economic drama * father may be an earner-socialite-organizer
• [Surya-yuti-Budha] confidently conversational * bright messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * gestures conduct the spiritual rays of the Sun * radiantly descriptive * articulate in drama * skillful game-player * self-confident announcements * talks about ideals * narrative of power-politics * recites love poems * describes divine romance

OUTCOMES - SURYA

[Surya in bhava-11] governs Simha Svamsha , suggesting a profitable career in entertainment

[Surya in bhava-11] [Surya-Karkata] bright center of rhythmic community, focus of folkways social movement, star of the old-ways assembly

iconic symbol of a multi-decade nationwide social movement of tribal feelings and rhythmic undulation // Deadheads //

Surya-11 = center of the web which has no center

• Although an iconic figure, JG was never the sole center of the Grateful Dead and other bands.
• Never inclined toward the singular focus royalty-celebrity lifestyle often feigned by popular stage performers.

FATHER

Garcia's father was born in Galicia [Spain], emigrating to California. Surya rules 12, foreign lands.

Dad was a clarinet and piccolo musician who played in bands in the San Francisco area. He became a tavern-keeper [Surya in bhava-11] . Dad was killed by drowning during a family holiday when Jerry was only six years old. Vyayapati Surya, ruler of [Rahu in bhava-12] = astrally directing father, known by dreams and shadow [Rahu].

[Chandra]

matrikaraka [mother] * garha-karaka [village]

[friendly-gainful vriddhi-pati for Parthya indriya-lagna]

...

[class-conscious Revatika-2] [navamsha Chandra-Makara-Draco] intuitively sensitive hierarchical regulatory ordering

[Atmakaraka habitual rhythm, comforting routines, soothing cycles, predictable way of life, safe dwellings]

• [Chandra in Revati - Pashu] soothed by wayfaring rhythms * protector of poetic interpretation * needs to feel wisely dreamlike
• [Chandra-Meena] comforted by ancestral guidance * settled into rhythmic intuition * needs contemplative sanctuary
• [Chandra in classroom-7] comfortable with arrangements * familiar with bargaining * needs harmony * soothed by match-making * feels the pulse of deal-making * allied to the mother * accustomed to adjudication * habitual negotiator * calmed by customary arrangements * rhythmic rebalancing * needs fair contracts * s heltered by a parenting partner * nourished by agreements * undulating equity * mother may be a match-maker, attorney, advocate, judge

OUTCOMES - CHANDRA

CAREER

[10th-from-Chandra] = Dhanus-4 ruled by high-visibility [Guru in bhava-10]

• the highly profitable [lagnesha-11] touring cycle of the Grateful Dead followed a predictable calendar [4] of gatherings [11] in familiar places. [4]
• rhythmic routines, familiar cultural patterns, folk tropes, soothing seasonal connections
• Like migrating wildlife, the fans returned to the same performance locales , year after year.

Garcia toured and wrote with his musical band [lagnesha Budha-11].

• The show went on the road [4] constantly for thirty years [one complete gochara Shani orbit]
• Yet, their list of venues did not change [4 habitual] and their musical repertoire was profoundly stable.

Early in the formation of the joyous cult assembly, a dedicated fanbase had memorized the lyrics to all of their favorite songs. [Budha-11 assemblies, lyrics]

• Singing-along in drug-induced trance, the voluntary collective experienced deep communal connection
• The resulting liturgical calendar of seasonal, predictable, familiar singing-and-swaying worship provided an anchoring sensation [4] for many otherwise lost on an unfamilar planet.

MOTHER

Mom = Ruth Marie Clifford, of Swedish and British ancestry

[Chandra in classroom-7] rules 11-income, community, gatherings

Mom was a widowed tavern-keeper, a networker in the local musician's community [Chandra in Revati - Pashu] and a source of many friendships for JG

[navamsha Chandra resides in psychic Uttarashadha with disconnecting Ketu]

Maternal Grandparents

After his mom was widowed his age 6. JG and his elder brother [also a musician] lived with nearby maternal grandparents during the formative years, age 6-11.

4th-from-Chandra grandmom

Grandmom Tillie May Olsen = of Swedish ancestry. Bhava-10 contains the expansively musical, writing, and publishing [Guru-yuti-Shukra] JG reflected that his grandma listened to bluegrass and Opry, the country rhythms of which later formed the basis of his own musical style.

9th-from-Chandra grand-dad

William Henry Clifford of Irish ancestry is represented by Shani-drishti into Kuja-ruled fraternal bhava-3 Vrischika = musical bands and cohort-ensemble. Ruled by also fraternal [Kuja-yuti-Rahu] [12]

Grand-dad would have provided role-modeling on meeting deadlines, showing up on time, and cooperation within small groups. Despire JG's later drug excesses and diseases, he was consistently able to maintain a detailed touring schedule and sustain communications [3] within musical ensembles.

MARRIAGE partnership emotional equity support expectations

[7th-from-Chandra-7]

Like most people with [Chandra in classroom-7] JG sought caretaker partners. JG's primary relationship pattern was anchored through his people-feeding, music-hosting, tavern-keeper Revati mom.

three legal marriages + one union with child, and abundantly numerous supplemental relationships due to [Guru-yuti-Shukra] ++ navamsha [Guru-yuti-Shukra-uchcha]

[Kuja]

bhratru-karaka [brother] virya-karaka [virile]

[Sarala Yoga]

[busy-messaging sahaja-pati for Kanya indriya-lagna]

[mysterious-revealing randhresha for Kanya indriya-lagna]

[Kuja Dosha for alliance-1]

[vigorous heart-centered clandestine sexuality]

[behind-the-scenes fiery entitled romance]

[flamboyantly dramatizes romantic private conversations]

[brilliantly active imagination]

[unseen energies promote sudden political change]

[creative drive produces energized messaging-conflict-bargains]

...

[ensemble Magha-3] [navamsha Mangala-Mithuna]

[Kuja-yuti-Rahu]

• [Mangala-Singha] vigorous pursuit of fame * creatively moving political theatre * proactive drama * push toward celebrity entitlement * champion of pageantry * military parades * brilliantly energized celebrations * invigorating parties * charmingly dominating at games * s exually active romance * flamboyant gambling
• [Mangala in bhava-12] drive toward privacy * pursuit of inner guidance * invaders from distant lands * hyperactive ancestors * restless sanctuary * fights isolation * clairsentient dynamics * bedroom vitality * invisible conquests * aggressive phantoms * innovative research * progressive action in distant lands * imaginative discovery
• [Kuja-yuti-Rahu] thrill of muscular action * competitive ambition * passion to win * fascinating physicality * compulsive drive toward heroic battle * dynamic desires * champion of culture-clash * forward thrust toward opportunity * forceful pursuit of privilege

OUTCOMES - MANGALA

[Mangala in bhava-12] rules

• 3-ensemble, committee, musical-band, siblings, commerce, publication, messaging, business, administration, writing, correspondence
• 8-sudden unexpected transformative events, identity change, tantric initiations, volatile eruptive energies, surgery, mysterious forces, hidden assets, interventions

HEALTH CHALLENGES

Garcia struggled with diabetes, obesity, and recurring self-medication [6] throughout his life.

powerfully amplified forward-moving [Kuja-yuti-Rahu] + randhresha Mangala occupies the emotionally unbalanced [6th-from-Chandra] = addictions

[Mangala in bhava-12] fantasizing, imagination

• JG was a visionary painter, musician
• as a biographical writer, his notable narrative of OOB experience in ET-ship [12]

[Budha]

jamayah-karaka [sibling] sandeza-karaka [message] zisya-karaka [student]

[energizing-identifying lagnesha for Kanya indriya-lagna]

[dutiful-hierarchical karmesha for Kanya indriya-lagna]

[narrative of ethno-cultural community]

[leadership in homeland economics]

...

[mysterious Pushya-4] [navamsha Budha-Vrischika]

[Budha-yuti-Surya] [Budha ashtangata harana]

• [Budha-Karkata] comfortable communications * hand-arm-shoulders make protective gestures * rhythmic articulation of root culture * discusses ancestral morality * prescriptive routines * argues for foundational stability * describes protective fencing * parochial talk * converses about caretaking * environmental wardens * issues customary pronouncements * delivers land-use information * patriotic declarations * habitually chats about the local settlement
• [Budha in bhava-11] narrative of marketplace information * describes ecological gridwork * calculates economic profit * reports on revenues * describes distributive networks * talks about social participation * s ibling-type friendships * conversations about voluntary connections * announces achievements * delivers interlinking instructions * discussion in large assemblies * defines the webworks of community
• [Budha-yuti-Surya] amusing explanations * entertaining chatter * central roles in communication * brightly clear descriptions * dramatic enunciation * confidently delivers instruction * articulation of radiant certainty * political messenger * talkative father-figures

OUTCOMES - BUDHA

lagnesha [Budha in bhava-11]

communications roles delivering a coherent public narrative within mass gatherings, social-participation movements.

• identified with Massive gatherings within an empathic telepathic culture [Chandra-ruled Karkata]
• identified with profitability and networked connection
• the eternally-touring Grateful Dead ensemble, its musical recordings, and its brand merchandise -- was an earnings machine

Chitra + Budha lagnesha

• within the rock-musician community, JG was reputed for his technical ability to play well on a variety of stringed instruments [Chitra, manual skill]

[Guru]

dhava-karaka [husband] bahuta-karaka [variety]

[homebound-securing bandhesha for Kanya indriya-lagna]

[negotiating-brokering yuvati-pati for Kanya indriya-lagna]

...

[fantasizing Arudra-4] [navamsha Guru-Meena] [intuitively expansive communicative messaging visionary imagination

[Guru-yuti-Shukra]

• [Guru-Mithunaya ] cheerful communication * many merchants * conversations about belief * doctrine of inclusive messaging * expansive evangelism * detailed guidance discussions * widens the scope of management * many documents * permission to report * multiple administrative projects
• [Guru in bhava-10] many public responsibilities * multiple diverse leadership duties * numerous recognized teachings * principled guide of hierarchy * high visibility inspirational roles * reputation for faith * s alient figure in ideology or theory * patron of benevolent regulations * numerous obligations * often a respected preacher-teacher * patriarchal ruler of social order * in a wifely nativity, husbandly-companion may be a doctrinal authority
• [Guru-yuti-Shukra] sodarya-karaka * multiple feminine-figures * permission to make deals * abundant pleasures * blossoming treasures * expansion of art * inspirational music * optimistic diplomatic philosophy * large-scale alignments * broad scope of partnerships * diverse financial arrangements

OUTCOMES - BRIHAS-PATI

[Shukra]

svadu-karaka [sweet] kalatra-karaka [wifely companion)

[svabhava]

[lifemate may be a mercantile attorney-advocate-bargainer-broker]

[conversational relationships]

...

[fantasizing Arudra-4] [navamsha Shukra-Meena-uchcha] intuitively harmonizing expansive visionary imagination

[Guru-yuti-Shukra]

• [Shukra-Mithunaya] appreciation of detail * beautiful accessories * attracted to writers * likes businesspeople * balanced gestures * diplomatic communications * prefers a communicative partner * aesthetic of handiwork * pleasures of specific explanations * enjoys correspondence * s atisfied by conversation * articulated messaging arrangements
• [Shukra-10] seeks pleasure via regulated order * enjoys regulatory authority * s ocially prominent contractual agreements * reputation for for gracious balancing * respects feminine-figures * harmonious style of governance * likes pleasing designs to adorn the upper legs * nice knees * lovely calves * rule-maker imposing equity * appreciation of hierarchical rank * legislates justice * in a husbandly nativity, wifely-companion may hold an elite social position
• [Guru-yuti-Shukra] sweetened expansions * gracious diversity * appreciation for philosophical doctrine * adjustable catechism * numerous negotiations * humanistic agreements * generous beauty * balanced patronage * arrangements according to priestly paradigm of belief

OUTCOMES - SHUKRA

CAREER

[Shukra-10] public reputation = governs musical-theater Purvaphalguni Svamsha

• Musical, songwriting [Shukra-Mithunaya] activates Urisha [10th navamsha]

Feminine Partners

[Shukra-Mithunaya] greatly expanded via Brihaspati

• multiple feminine partners, including 4 marriages, due to [Shukra-yuti-Guru]

So Many Ladies

[Shukra-yuti-Guru] combines rulers of 2 + 4 + 7 + 9

JG was married four times during the 32-year span from his age 20 until age 52.

Four daughters [Shukra] were born.

In addition, he enjoyed abundant extramarital romantic relationships.

• Each relationship, whether legal avowed or not, seemed to boost his creativity, inspiring new songs, paintings, and poems that were richly enjoyed by his ever-increasing fan-base..

[Shani]

duro-karaka [endurance] * jara-karaka [Jahre, years]

[acquisitive-evaluative dhanesha for Dhanus-Haya indriya-lagna]

[busy-collaborative sahaja-pati for Dhanus-Haya indriya-lagna]

...

[managing-commercial Rohini-3] [navamsha Shani-Mithuna] intuitively ordering systems of communicative business transaction

• [Shani-Urisha] heavy old valuables * must endure the sounds of proletarian speech-and-song * obliged to conform to the official bankers * antiquated genetic stock * required preservation of aging assets * must normalize conservation * slow elderly evaluators * must judge the worth of hoards * must endure pressure to store the precious inventories * must bear the weight of historic treasuries * structural compression upon neck-jaw * orderly warehousing * fixed rules govern collection * must gather seeds * must eat dry foodstuffs * must preserve lineage knowledge * scarce financial resources * maintainer of old heritage
• [Shani in Bhava-9] slow time-structured worldview * must maintain the patriarchal faith * imposes the old convictions * delayed understanding * punitive ideologies * cautiously conventional professors * judgmental father * conservative religious hierarchy * global scale of responsibilities * heavy doctrinal pressures * blocks new viewpoints * preacher's fatigue * intolerance for sacerdotal innovation * pragmatic time-tested principles * materialistic paradigm of belief * rigidly dutiful guidance * elders preserve strict sacred rules

OUTCOMES - SHANI

Shani's ruler [Shukra-yuti-Guru in Mithuna-10] songwriting, public media events

CAREER in CREATIVE ARTS

vidya-pati-5 [Shani in bhava-9] steady, long-term, creative, celebrity career.

JG toured with a musical band 3rd-from-Chandra. for 30 years [Shani],

• many times expressing exhaustion [Shani]
• but always, usually for reasons of indebtedness [Shani rogesha] returning to this work.

Stoic Shani activates the emotionally associative, community-linking, economically fruitful, profit-regulated, friendly, participatory, goal-oriented, socially-networked [11th-from-Chandra] = fans, community, social networks

• After the essential Grateful Dead songbook was established, the fans distinctively did not want to hear completely new creative material [Shani resists change].

Despite crippling addictions, health crisis, multiple marriages, children, divorces, tax problems, relationship upheavals, and an active additional fine-arts avocation -- the band kept touring.

• The key feature of most Grateful Dead occasions, aside from the live and taped music, was the arising of a street-drug [6] marketplace [Kumbha]

Consistent and steady populist-genre [Shani] songwriting, fine-arts painting, books, cinema

• Shani occupies the emotionally motivated evangelical communicative cohort instructive descriptive team-working administrative managerial announcing publishing reporting explanatory conversational lyrical messaging 3rd-from-Chandra.

HEALTH

[Shani in Bhava-9] rules 6-Kumbha = chronic health imbalances traceable to the paternal line [9]

[Shani in Bhava-9] rogesha drishti into 3 = illness and addiction related to touring

Shani casts drishti upon

• 11 [earnings]
• 3 [publication, scripting]
• 4 [personal security, landed properties]

[Rahu]

rajyalobha-karaka [ambition] picchala-karaka [slippery]

[nīcha]

[for Kanya indriya-lagna]

brilliant displays of illusion

...

[rhythmic Magha-4] [navamsha Rahu-Karkata]

• [Rahu-Singha] shimmering illusion of charisma * craving for attention * extraordinary entertainments * mask of radiant confidence * over-reaching, unique intelligence * marvelous drama *  fascinating entitlements * illusory flash of brilliant gambling * extravagant games * seeks special importance via apparent [but perhaps not authentic] attributes of  brilliant risk-taking * fabulous speculations * glittering political power * seeks privilege via celebrity roles

• [Rahu in bhava-12] passion for prestige privacy * in svabhava of Saptarishi Guru, the Shadowy Specter seeks glamorous invisible retreat * exciting culturally mixed interior guidance * outsider who cleverly insinuates into visionary roles * thrilling psychic adventures * seeks importance via enclosures * exciting invisible events * opportunities via mother's beliefs * extraordinary spirits * self-promoting dreams * exceptional results from imaginative research * mesmerizing Other-Worlds * trespasses the cultural boundaries of private inspiration * may pose as a dream-interpreter * may appear as a magician from distant lands
• [Rahu-yuti-Mangala] amplified competition * magnified championship * exotic pursuits * tricky innovation * opportunistic brother-warriors * fascinating [but perhaps illusory] appearance of dynamic energy * hypnotic attack * passion for engines * craves hot movement * invasive force of cross-cultural mixing

OUTCOMES - RAHU

[Rahu-yuti-Mangala] located in Simha-12 private spaces, hotel rooms = [6th-from-Chandra]

during Ketu-Rahu bhukti

• JG began self-medicating at age 15

He continued until his death age 53. Among numerous other health challenges, he was also a diabetic heroin addict.

Mangala provides [Sarala Yoga] and Rahu in 6th-from is protective

Rahu in any 6th-amsha triumphs over animosity, criminal accusation, jail time

• Despite many police arrests [6] JG never spent time in prison nor even jail more than overnight.
• [He did spend a stunning portion of his life inside hotel rooms -12]

Convicted of stealing his mother's car age 17, JG followed the judge's recommendation to avoid jail by enlisting in the US-Army [6th-from]

• During Army training, he stayed comfortably in hometown San Francisco, bed-and-board provided, was mainly AWOL, and actions which would normally have produced a dishonorable discharge indeed produced a general discharge

JG was a frequent patron of detox residential treatment spas [12]

• He died in one while sleeping [12]
• thus avoiding all deathbed harrassment [no anxious relatives]

[Ketu]

kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum]

[for Kanya indriya-lagna]

[scatters the economic conflicts]

[disengaged witness to marketplace imbalances]

[liberated from disagreements within the collectivity]

[disregard toward the complaints of the friends]

[adversaries accuse one of empty achievements]

[dismisses the nervous ailments]

[apathetic toward systematic arguments]

...

[class-conscious Shatataraka-2] [navamsha Ketu-Makara]

• [Ketu-Kumbha] sociably dissociates from distribution webs * odd friends * walks away from regulated systems * incomplete nexus * empty profits * dissolves knitting * s evered connections * not limited by conventional community * disarrayed ecologies * ignores restriction on futurism * releases a purple cloud of knotted linkage into the misty abyss
• [Ketu in classroom-6] [beneficial] ungrounded enemies * disregards criminal boundaries * absentee maternal relatives * dissolves limits on medications * ambivalent toward exploitations * disinterested in disagreement * disregards accusations * ignores the physicians * walks away from sickness * abandons suffering * vacuous conflicts * liberation via surrender of guilt-and-blame * unless other graha in 6, may prefer to live free from mother's relatives

OUTCOMES - KETU

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