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Gochara Rahu Transits 1900-2099 CE
Rahu from Bali pre-1937 * Tropenmuseum -- Wikimedia Commons
AUM ram ravahe namah
Raghu * Rakha * Rahuva * Rehula
Chandala * Karumpaambu
Hari * Simha
Head of the Dragon * North Node
Leonis * Felix * Panthera
gambling excitement, over-reaching charm, hyper-dramatic
thrill of sparkling celebrity, opportunities in center-stage
Reina * Queen Catherine of Aragon
Grand Foyer de Palais Garnier, Paris France
Rahu in bhava-1 * political, dramatic passion for privileged identity, vitality, appearance
Rahu in bhava-2 * political, dramatic passion for privileged treasuries of history, language, storage, knowledge, value, voice
Rahu in bhava-3 * political, dramatic passion for privileged communication, writings, instructions
Rahu in bhava-4 * political, dramatic passion for privileged property, routine, roots
Rahu in bhava-5 * political, dramatic passion for privileged creativity, children, intelligence, games
Rahu in bhava-6 * political, dramatic passion for conflict, victims, remedies
Rahu in bhava-7 * political, dramatic passion for privileged partnership
Rahu in bhava-8 * political, dramatic passion for privileged secrets
Rahu in bhava-9 * political, dramatic passion for privileged philosophy, preaching
Rahu in bhava-10 [svabhava] political, dramatic passion for public visibility, privileged leadership power
Rahu in bhava-12 [passion for back-room politics] [ancestor-guides encourage genius power-plays] [brilliant center of private drama]
Prideful ambition to be recognized as unique and smart.
Residing in Simha rashi, the chalakaraka is motivated by a great Ambition for Applause.
Quest for the Regal Splendor.
Rahu-Simha is fascinated by genius + glittering royalty-celebrity roles
Rahu seduces the native into pretentious political relationships.
Pitrikaraka Surya = the determiner
* the center-stage excitement of a brilliantly theatrical appearance, usually fascinated by politics
Excitement of family politics, face, voice, song. Usually a melodrama about money. Spectacular rise in the worlds of musical entertainment, politics, and fashion..
the excitement of writing, correspondence, meetings, business, publishing, and communicating * usually exotic, mixed-cultural messages
the excitement of a fashionable, glittering home + fascinating vehicles * house-proud, prestige location * usually favoring red and golden tones
the excitement of political campaigns, brilliant children, uniqueness of the intelligent personality * usually a game-player, mesmerized by showmanship and entertainments
the excitement of political service * exhilarating and typically successful Rahu-6 = policy-shaping, ministry calling attention to the dispossessed, the marginalized, animals, slaves, the wrongly medicated, other mistreated folk
the excitement of a culturally different, fascinating spouse * tends to marry-up * seeks expedient relationships with Important People
Excitement of deep political secrecy, hidden assets, undisclosed relationships * often fascinating, theatrical in-laws
excitement of flamboyant guru-figures * often dad is a politician or other celebrity * global humanist politics
excitement of institutional leadership authority * fascination with power and respect * usually the boss of a politically-charged hierarchy
The excitement of earnings, usually high income from drama, games, creativity, politics * often an influential, dramatic elder sibling
excitement of theatre in the bedroom, in the monastery, in the private environments * politics of hospitals, espionage, invisible yet fascinating distant lands * foreign politics
Snake-like Naga gets fascinated by the goal of privileged entitlement to the prize of theatrical charisma.
If Rahu occupies bhava 1-3-6-10 or 11, and His Professor Surya is strong, the brilliant power of personal charm can maintain throughout all supportive dasha periods.
If Surya is weak however, when quite near to the goal and nearly assured of success, masked Naga may be ejected by legitimate celebrity privilege-holders when His pretentious speculation is exposed.
Great leap forward into Celebrity Privileges
Find lord Ravi and know His effects in the radix and navamsha. Rahu will amplify Ravi's effects, and also the effects of any other graha occupying Simha.
Rahu-Simha takes a Great Leap Forward via political, fashion, entertainment, speculative, and theatrical performance charisma.
If Shani-yuti-Rahu, opportunity for illegitimate or deceptive practices - one may be either the perpetrator or the victim, but the context is political-theatrical and risk-rewarding Rahu's goal is fame.
Entitlement to enter the realm of political power without having earned the privilege. May marry into political or theatrical standing, gamble one's way in via games and speculation (including political campaigns) or otherwise leap into a much higher celebrity rank than suggested by the station of birth.
Rahu magnifies the confidence that one's political or creative empowerment has been obtained by legitimate means.
Desires center-stage attention, recognition of one's inherent genius.
Rahu-Simha= while great attention is paid to the building public confidence in one's entitlement to hold center-stage roles, Simha's natural radiance is not bright, clear, and healing but rather smoky, diffused, and potentially toxic.
In Simha, Rahu's desire-inflaming passions acquire Surya-like political and theatrical characteristics.
| Mahadasha of Rahu for Rahu-Simha
Trajectory via Celebrity, Artistic Performance, Personal Charisma, Creative Intelligence, Politics, Fashion, Glamour, and Games
The Rahu experience begins with center-stage attention (according to the bhava) which dramatically highlights one either physically, psychologically, or spiritually.
An enunciation of brilliant genius is required. The environment supports flamboyant, fashionable behaviors, and the important actors typically hold rank of stage director, political advisor, or master of games.
Performance from inside, applause from outside
the native might engage in self-flattering behavior driven by a sudden, obsessive attraction to an unusual source of ego-validation.
The centering of the scope of the social personality or the body might start (or seem to start) from completely external circumstances, such as taking a dramatic role in a stage play or attending a celebrity event with royalty.
Also one may accept the role of pre-eminent male [Surya] in a family, accepting the central role of Father (Ravi) in exotic circumstances, such as becoming the romantic lover [Simha] of a women whose children lack a father.
The male native with Rahu-Simha often finds that fatherhood has some barrier-bending, taboo-twisting attributes, both in regard to his childhood experience of men who are fathers and one's own fathering trajectory.
The longer the Rahu period, the more opportunity for dramatic development. After the initial urgently-seeking-attention event, there is continuous development of the fashionable, literary, theatrical, performance capabilities.
If Rahu is associated with a Maraka graha, the craving for validation of one's attractiveness and talent may be punctuated by deaths or severe loss such as divorce. The death or tragic separation can be self-inflicted due to Rahu's restless discontent to keeping catapulting forward to higher levels of privilege.
Rahu brings important new actors into the life scene, and these actors are typically from a different cultural background. the native is coronated into the culture of the new actor, and may be asked to assume a royal role, so that the audience attention remains focused on the center of political power.
One needs to acquire or remember elements of this new actor's worldview in order for the native to make the leap into one's next life phase.
file update = 08-May-2021
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