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Rashi * Samchara * Bhava * Graha * Ratna * Nakshatra * Amsha * Varga

Rahu-Ketu Main Page

Gochara Rahu Transits 1900-2099 CE

  1. Rahu in bhava-1
  2. Rahu in bhava-2
  3. Rahu in bhava-3
  4. Rahu in bhava-4
  5. Rahu in bhava-5
  6. Rahu in bhava-6
  7. Rahu in bhava-7
  8. Rahu in bhava-8
  9. Rahu in bhava-9
  10. Rahu in bhava-10
  11. Rahu in bhava-11
  12. Rahu in bhava-12
  1. Rahu-Meza-Arya
  2. Rahu-Urisha * uttama
  3. Rahu-Mithunaya
  4. Rahu-Karkata
  5. Rahu-Singha * nichha
  6. Rahu-Kanya-Parthya
  7. Rahu-Thula-Vanika
  8. Rahu-Vrizchika
  9. Rahu-Dhanuzya
  10. Rahu-Makara-Draco
  11. Rahu-Kumbha * swakshetra
  12. Rahu-Meena-Antya

Aum ram ravahe namah

Professor Rahuva

Raghu * Rakha * Rahuva* Rehula

Chandala * Karumpaambu

occupies

Meena

Matsya * Antya

Caput Draconis

Dragon's Head * North Node * Anabibazon

resides in

Piscetis

hyper-imaginative * seeks opportunity in private settings

Thrill of the dream world

excitement of foggy places filled with spirits * craves clairsentience

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Public Figures

Rahu in bhava-1 * passion for vitality

Rahu in bhava-2 * passion for treasuries

Rahu in bhava-3 * passion for communication

***

Rahu in bhava-4 * passion for prestige property, routine, roots

  • The French Chef, WW-2 spy Julia Child

  • Tantra 1931-1990 professor OSHO Rajneesh

Rahu in bhava-5 * passion for politics, celebrity, games

Rahu in bhava-6 * passion for conflict, remedies

  •  

Rahu in bhava-7 * passion for partnership

***

Rahu in bhava-8 * passion for secrets

***

Rahu in bhava-9 * passion for philosophy, preaching, father

***

Rahu in bhava-10 * passion for public visibility

Rahu in bhava-11 * passion for profits, prizes, achievements, goals

Rahu in bhava-12 * passion for privacy

Rahu the Rogue in Meena rashi = privilege-seeking quest of the chalakaraka is motivated by Ambition to Imagine.

Quest for Inner Vision and Sanctuary Retreat.

 fascinated by esoteric visionary roles

Extravagantly Imaginative Rahu-Meena may be empowered to produce a trance-like fascination via music, ephemeral beauty, or works of contemplative art

Entrancing Music

Entrancing Beauty

Entrancing contemplative imagery = poetic writing

Entrancing images of dreamlike privilege

Rahu the Poseur may glimmer seductively in clandestine or sanctuary-retreat settings.

Great leap forward via divinatory insights, fantastic ideas, dreams and visions, private environments

Shamanistic instincts

Find Professor Guru and know His effects in the radix and navamsha. Rahu will amplify Guru's effects, and also the effects of any other graha occupying Meena.

FATHER and Stepfather

Because Rahu must deliver the results of His ruler, a wide variety of results are possible depending on the condition of Brihaspati within the nativity, including Guru's rashi, nakshatra, bhava, and angle from Chandra-lagna.

  • POTUS-38 Time to Heal 1913-2006 Gerald R. Ford * Guru-Purvazasha-6 located in 2nd-from-nichha-Chandra. Dad abandoned the family when little Gerald (who was originally named Leslie) was 16 days old. Dad was characterized as a wealthy playboy who was abusive and lacked maturity. Mom remarried. The stepdad Ford was a political organizer and salesman. Little Leslie was renamed and raised as Gerald Jr. 8th-from-9th = bhava-4 ruled by a wealth, stable Zukra-11 (networker, community organizer). 8th-from-Surya = Makara-7 orderly relationships. The bio-dad played a minor, sporadic, and ultimately inconsequential role but according to Ford's memoires, the fact of having a socially irregular father-narrative (Rahu-9) did shape his thinking about fatherhood and social policy for families.

Behind-closed-doors entitlements.

Phantom communications.

private arrangements.

  • POTUS-37 Watergate 1913-1994 Richard Nixon was a complex man. With Dhanuzya (globalism) populated by Surya + Mangala + Budha + Guru, Mr. Nixon envisioned himself a brilliant mind on world affairs, a diplomat extraordinaire, and a globalizer in the post-war era of peaceful international cooperation. Rahu's ruler Guru-6 was a great expander of worldview. However, he was (or became) clinically paranoid (6 mental illness). Nixon came to "hear" (Rahu in the emotionally talkative, communicative cohort evangelical instructional team-working administrative managerial announcing publishing reporting explanatory conversational lyrical messaging 3rd-from-Chandra) that he must take measures to "protect his legacy" even before his legacy had developed. Nixon installed a secret audio-tape system (Rahu = tape) to record all conversations and phone-calls in the White House Although this surreptitious device indeed provided Mr. Nixon with a short-term advantage (Rahu advantage) in that he knew (or thought he knew) what others "really believed" (Dhanuzya belief) about him, this illicit mechanism ultimately caused risk-rewarding Rahu's Great Fall. * Career death by snake-tape

Rahu magnifies the desire to seek sanctuary in the world of intuitive, private perceptions.

Likes foreign travel. Increases the psychic capabilities.

May be able to harvest a deeply stored subconscious inventory of memory.

  • Memories Dreams Reflections 1875-1961 Carl Jung * ancient folktales and symbols

Can amplify childlike play or paranoia, depending on the supporting planets.

Prone toward clandestine activities, whether these are disappearing into an ashram for a week of prayer, traveling incognito, a long-term bedroom affair, or conducting unauthorized espionage in distant lands.

  • Effect depends upon which spirits one is channeling...

In Meena, Rahu's desire-inflaming passions acquire Guru-like dream- sanctuary and bridging-to-higher-planes characteristics.

Hunger to change the world, via doctrine and via charity, toward greater generosity and inclusiveness.

Generally will succeed in this mission, if there is good support from Professor Guru .

One who works for social change through breaking barriers of caste and class; a dreamer who lives in the desire-world of freedom to cross all boundaries through psychic skill and compassionate desire.

Professor Rahu amplifies Guru's two bhava, by intensity and by days

Rahu in Dhanusha or Rahu-Meena is a placement which effectively doubles the length of all Guru bhukti in the Vimshottari dasha (Except does not double Shani-Guru bhukti ).

In the total picture, when Rahu resides in a rashi of Guru, the two bhava which are ruled by Professor Guru are very much amplified and expanded. Rahu comes first, setting the climate of ambition and opportunism.

Because Rahu periods immediately precede Guru bhukti s, the potency of experience of the Guru-ruled bhava = increased.

  • Increase = not only in terms of psychological and material intensity of experience.

  • Increase = also by tripling the amount of time normally allocated to functions of Guru (functions of bhava rulership, karaka expressions, effects of winner of planetary war.)

Mahadasha of Rahu for Rahu-Meena
  • General trends, environments, experiences of the Rahu mahadasha

Opportunistic Trajectory via environments featuring Privacy, Bridge Travel, Clairsentience, Spiritual Guidance, cosmic inter-travel, and Dreams

Mahadasha of Rahu and most bhukti of Rahu (depending on Rahu's angle to the mahadasha pati) will exhibit the script qualities of Meena. The purpose of Meena is remembering important wisdom acquired during parallel lives .

Typical starting scene is a dreamscape, a distant land, a therapeutic enclosure, or a walled setting such as a military or refugee camp, a hospital room, a monastery cell or personal bedroom.

The Rahu experience begins with some variety of imaginative insight (according to the bhava) whichsensitizes the nativeeither physically, psychologically, or spiritually.

An enunciation of divinatory clairsentienceis required. The environment supports childlike, reflective, prayerful and enclosed behaviors, and the important actors typically are either quite young or lack the barriers of conventionalized adults, such as meditators, poets, artists, musicians, and others sensitive to the communications of spirits.

Imagination from inside, nightmare from outside

Rahu-Meena might engage in fantasizing behavior driven by a sudden, obsessive attraction * akarshana *. The unbounded expansion of the scope of the personality integrity or the body might start (or seem to start) from completely external circumstances, such as daily private prayer, meditation practice, taking a retreat, or developing a very private bedroom relationship. Conditions include clandestine activities such as smuggling and espionage.

Rahu-Meena might start the cycle with a desire to feel the intuitive childlike openness to imagery and the grand expanse of the universe, or a desire to reconnect with ancestors long away from their bodies, or those in distant lands who can only communicate via symbolic code (exempli gratia,, French-speaking and code-knowing Julia Child was a US-govt spy working with the French Resistance during WW-II).

There may be sudden deployment to distant lands which facilitates recovery of past-life personality components.

The longer the Rahu period, the more opportunity for dramatic development. After the enclosure event, there is continuous engagement with ancestors and the spirit world.

Drugs-Alcohol

The downside of Rahu-Meena = in quest to keep the clairsentient channels open, or conversely to attempt to avoid feeling overwhelmed by excessive psychic traffic, one may abuse mood-altering drugs or alcohol.

Hallucinogenic or psychotropic drugs can serve as boundary-breakers to facilitate communications with spirits especially the artistic or musical Muse. Also during these periods children may suddenly be born into the native 's life, quite unexpectedly, as a result of manifestation of ancestor spirits.

If Rahu is associated with a Maraka graha, the craving for direct intuitive apprehension of the meaning of images may be punctuated by deaths or severe loss such as divorce. The death or profound separation can be self-inflicted due to Rahu's restless discontent.

Rahu brings important new actors into the life scene, and these actors are typically from a different cultural background. the native is imagined into the culture of the new actor, and may be asked to divine the presence of beings without bodies, so that a spirit can be guided into the path of materialization.

One needs to acquire or remember elements of this new actor's worldview in order for the native to make the leap into one's next life phase.

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Le Grande Foyer of the Paris Opera in Paris, France

Om_mani.jpgfile update:24-Jan-2020

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