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Vimshottari Dasha - Rashi - Gochara - Bhava - Graha - Ratna - Nakshatra - Amsha - Karaka - Varga - Bala
Surya occupies 2nd-from-Chandra
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OM grinih suryaya namah सूर्य sūrya Professor Surya मार्तण्ड mārtaṇḍa = arising from a motionless source सवितृ savitṛ = generator, stimulator अर्यमन् aryaman = best friend अम्बरमणि ambara-maṇi = sky-jewel भानु bhānu = bright one पूषन् pūṣan = radiant flower ख kha = khaga = sky-going दिनकर dinakara = day-maker मित्र mitra = neighbor, companion occupies कोशागार kośā-gāra = cask, case, treasury, storehouse कुटुम्ब kuṭumba = family, household, relation by descent कुल kula = clan, tribe, race, flock, herd धन dhana = capital, surplus, valuables, storage Soule - Saul - So-Ra
Sun
Apollo - Paul - Baal Sirius - Osiris Utu - Ata - Aitha - Aten - Aton - OM - On = Amon-Ra - Aurya resides in the second house Lucrum |
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Portrait of Maharaja Gulab Singh of Jammu and Kashmir with his two sons, Ranbir Singh and Hira Singh. Pahari School = 1840 (circa) = Panjab Hills © Trustees of the British Museum |
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EXAMPLES [Surya-Mesha] उच्च [uchcha] [inimical-medicating rogesha for Meena - Antya indriya-lagna]
[intelligently entitled financial champion] [self-confident competitive demonstrations of musical sound] [political expression of dominant heritage values] [radiant dramatic conquesting lineage] [inventive enrichment via invasive actions of pioneers] [brightly aggressive monetary mishandling rogesha] [may litigate rogesha about invasive drilling for valuable resources] [aristocratic father-figure may be indomitable money preserver, nobly entitled banker, knightly-virtuous resource-hoarder, assertive keeper of medicines rogesha, arrogantly brilliant musician] [creative-gaming vidya-pati for Mesha indriya-lagna]
[self-confident musical knowledge] [political vidya-pati expression of historic evaluative pricing] [radiant dramatic sound values] [brightly declares authenticity of inherited entitlements vidya-pati ] [sparklingly showy acquisitive lineage] [regal enrichment via flashy finance of family line] [bright pageantry vidya-pati may demonstrate banking collections] [may be central figure in warehousing of valuable resources] [assessor father-figure may be affluent money preserver, heritage banker, traditional hoarder, evaluating keeper of precious things, brilliant singer or speaker] [homebound-anchoring bandesha for Urisha indriya-lagna]
[intelligent financial conversation] [self-confident business knowledge] [political expression of administrative price-setting decisions] [radiantly dramatic discussions about transactional values] [brightly patriotic bandesha use of personally managed land ownership] [identified with commercial property rights bandesha] [may be central figure in warehousing of valuable resources for local bandesha handling and sales] [talkative father-figure may be financial manager, mercantile banker, conversational resource-keeper, maker of neighborly real-estate bandesha documentation, ensemble musician]
***
[Surya occupies Karkata] = [Surya in bhava-2] [communicative vikrama-pati for Mithuna indriya-lagna]
[creatively vocalizing certainty in undulating speech-song] [sensitive business vikrama-pati decisions highlight collection, capitalization, and accruals] [protective parental management of business-and-family events] [identified with rhythmic storytelling and ensemble teamwork vikrama-pati] [familiar face-voice-hair-music = undulating center of attention] [confidently intelligent knowledge of customary historical sound-color values] [may showcase agricultural resources via media-messaging production vikrama-pati] [routinized traditionalist father may be financially-focused center of sheltering folkways family line]
***
[Surya occupies Simha] = [svakshetra] [mūlatrikoṇa if within 1-10 deg] [conserving-entreasuring dhana-pati for Karkata indriya lagna] [political drama of historical values dhana-pati] [sparkling financial confidence] [charismatic lineage speech tones] [genius for traditional theatre] [self-confident storytelling dhana-pati via vociferous knowledge] [creative expression of autocratic price-setting decisions] [radiant pageantry showcases heritage values] [decorates ceremonial settings with sparkling red-and-gold ornaments ] [may hoard valuable resources for gambling and romance] [regally entitled father-figure may demonstrate family history, dramatizing banker, admired resource-keeper,collector of flashy assets dhana-pati , charming musician]
[energetic-innovative lagnesha for Simha indriya-lagna]
[identified lagnesha with drama of heritage complaints] [confidently evaluates the authenticity of servitude narratives] [assesses the politics of food aid] [brightly showcases medical truths] [speaks about historical helping traditions] [may be self-identified lagnesha as grievance mouthpiece] [brilliantly regal analysis of curated collections] [creatively confident in decisive intellectual discrimination] [center-stage victimized storyteller] [exploitative view of banking and finance] [logical enunciation of resentful accusation] [radiates sight-sound-truth values of personalized lagnesha service ministry] [analytical father may be argumentative spokesperson, calculating banker, elaborating tale-teller, humble singer, computational librarian]
***
[Surya-Tula] = [nīcha] [retreating-contemplative vyaya-pati for Kanya indriya-lagna]
[intelligent bargaining of tentative clandestine vyaya-pati agreements] [vaguely dithering voice of promised equity] [self-confident deal-making knowledge] [diplomatic display of remembered historic values] [politically aligned resource preserver] [radiant verbal expression of behind-the-scenes vyaya-pati mediation] [speaks imaginative language of inner adjudication] [self-confident advocacy uses visionary intuitive vyaya-pati knowledge] [family heritage may be prone to vacillating and indecisive self-doubt] [brokering father-figure may be compromising collector of precious assets, traditional counselor, unseen financial middleman, quietly justice-seeking storyteller, master of private fair trades] [friendly-gainful vriddhi-pati for Tulā indriya-lagna]
[Dhanayoga = Surya-2 rules-11] [bright center of gridwork vriddhi-pati secrets] [central roles involving hidden marketplace power] [intelligence for economic rejuvenation] [brilliantly camouflaged values-based fundraiser vriddhi-pati] [evolutionary voice of catastrophic change] [self-confident knowledge of identity-transformation] [concealed demonstrations of remembered historic values] [resource preserver during political disaster] [radiant verbal expression of revelation narratives] [speaks occult language] [family heritage may be prone to sudden emergency declarations] [controlling father-figure may be disguised collector of precious assets, traditional shaman, masked financier, quietly healing storyteller, master surgeon]
[dutiful-hierarchical karmesha for Vṛścika indriya-lagna]
[publicly recognizable karmesha preaching mouthpiece] [brilliantly regal belief-based reputation karmesha ] [creatively confident in philosophical teaching] [center-stage uplifting storyteller] [ideological view of banking and finance] [respected karmesha for enunciation of sacred understanding] [ radiates sight-sound-truth values of global worldview] [believing father may be indoctrinated banker, principled collector, humanistic preservationist, patriarchal tradition-keeper, self-righteous singer]
***
[Surya occupies Makara-Draco] [philosophical-doctrinal dharmesha for Dhanus - Haya indriya-lagna]
[bright focus of stored lawful knowledge][confidently speaks on hierarchical values][center-stage roles in conventional acquisitions] [speech-song expresses socially-approved family memories] [central roles in normalizing doctrinal dharmesha heritage] [intelligence for displaying socially prominent collections] [status-ranked voice of patriarchal sacerdotes dharmesha] [self-assured demonstrations of legalized historical catechesis] [speaks standardized forms of language] [resource preserver tells socially-regulated stories] [radiant verbal expression of formalized remembered narratives] [family heritage may be prone to conformist declarations] [class-conscious father-figure may be priestly dharmesha warehouser of precious assets, eminent banker, respected singer-musician, institutional historian, status-seeking financier]
***
[secretive-transformative randhresha for Makara - Draco indriya-lagna]
[self-confident proletarian musical knowledge] [disruptive randhresha political economics of historic evaluative pricing] [radiantly dramatic distributed sound values] [brightly declares authenticity of populist entitlements] [creatively networked acquisitive family lineage] [regal enrichment via mass participation revenues] [intelligent use of crowd-concealment randhresha may hide gridworked banking collections] [may be central figure in warehousing of valuable profit-making resources] [systematic father-figure may be associative money preserver, undisclosed randhresha electronic banker, friendly hoarder, interlinked keeper of precious things, brilliant plebian singer or speaker]
***
[contractual-bargaining jaya-pati for Kumbha indriya-lagna]
[confidently identified with intuitive values] visionary icon of heritage knowledge]
***
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splendid center of the treasuries-drama politics of historical values, ways of keeping, conservation of memory stored records, legacy, languages, song, preserved food confidence in matters of collections, catalogues, libraries, databases intellectual approach to evaluation, assets, assessments confident icon of worthiness, story-telling, heritage, genetics radiant speech-song-face-voice-hair
Single-focus Professor Surya occupies svabhava of Surya 's enemy dual-focus Shukra. radiates sensually acquisitive [Shukra] personal charisma [Surya] into
creative, center-stage performance style in roles =
personality-identified with
The classroom universe seems to revolve around the dramatic self-center of
The type of appreciation is determined by the character of the upagraha-graha-in-2. [Surya in bhava-2] = family-of-origin is charismatic and theatrical in their ability to appreciate - even glorify - the native . Even when there may be other light-reducting qualities of the family culture [such as Shani-2 or nīcha-Surya-2] still, one hears the applause of the the lineage-bearers. Unless Surya-yuti-Shani, feminine-figures blessed with Surya-2 may confer a bright, sunny face highlighting the paternal lineage.
Pitri-karaka in bhava-2 * Father-figure Father may be knowledgeable, confident speak, singer, and bearer of a notably confident lineage. [Surya in bhava-2] contributes to the perception that the culture of one's family lineage is theatrical, political, creative, self-righteous, egocentric, and charmingly bright. The family heritage may contain performing artists, gamers and gamblers, politicians charismatic figures, or patriarchs. Pitrikaraka Surya suggests that the father-figure typically has a dominant role in defining the family lineage. Pitri-karaka Surya in bhava-2 may indicate a self-radiant, strong-willed or outspoken father who may confidently assert his own values and opinions (2) without undue concern for the values and opinions of others. OOften the father= engaged in acquisition of treasuries, food storage, banking, database or library, warehousing, collections, museums, and other expressions of the human urge to " keep" lineage values-fulfillment . If Surya = weakened by concern with relationship bargains or with the lawful social order (in Tula, Makara, or Kumbha) then the father's kingly self-confidence may be hollowed. The Surya-2 Learner could suffer paternal bullying behavior, selfishness (rather than self-confidence) or other self-proving over-compensations from the father-figure. Self-referential Surya pitrikaraka suggests that Dad may be known to his society as
Whether the reputation of the Learner's father = admired or disliked often depends upon the dhana-pati values-treasuries, aand its angle to Surya-2. Preserving, containing patriarch The father-figure tends to accumulate affluence in some material form which can vary as herds, hoards, heaps, and hearings (songs). Father may possess and be socially recognized as the representative of a treasury of languages, knowledge of history, catalogues of song-chant-recitation, animal husbandry, ornaments, musical skill etc. EXAMPLE POTUS-pair-01 tobacco 1731-1802 Martha Custis Washington [theatrical-creative Mriga-1] + [Mriga-Surya-yuti-Kuja-Mriga] + [Mriga-Surya-yuti-Budha-Arudra] + [Mriga-Surya-yuti-Ketu-Arudra]
Self-referential Surya -2 imposes His personality very strongly upon his immediate family-of-origin environment. For husbandly Learners, professor Surya-2 represents the adult male functioning as a self-focused father-figure who claims the center-stage role within his own family * kutumba, 2 EXAMPLE Golf 1975- champion Tiger Woods [ceremonial-displaying Pūrvāṣāḍhā-1]
In wifely nativities, pitrikaraka Surya-2 father may = sparkling, self-referential center of the family VALUES, Pricing, Assessment, Worth, Virtue Self-referential intensity of righteousness and creative intelligence enters the domain of values lineage, art and music, accumulated wealth, face, hair, eyes, and voice. Supportive placement for a dentist, voice expert, or eye surgeon. In pale-cool bhava-2, brilliant heat of Professor Surya somewhat disconnects one from history and values-traditions, positioning one as an independent evaluator of affluence and beauty. If Shukra is favorable, an aesthetic philosopher, with strong but distinctive artistic taster. EXAMPLE Twilight of the Idols 1844-1900 Ubermenschh Friedrich Nietzsche [balancing-adjudicating Chitra-3] [navamsha Surya-Tula-nīcha] = [vargottamsha] + + [Surya-2 parivartamsha Shukra-12]
Face Face may be bright, strong, and full of character, but the facial features and hair, particularly the mouth, are subject to the effects of excessive pitta-heat (e.g., sunburns, rosacea). EXAMPLE
One models oneself upon the self-promoting aspect of the father-figure in one's own family. One will assert a unique and independent style in family life. A cultural philosopher who radiates confidence: I am the Center of Knowledge (2). Identified personally with material luxury, financial wealth and face-based beauty, but has a unique, often unconventional style of expressing these gifts. Articulation of Historic values In weaker rashi placements (Tula, makara, Kumbha) Professor Surya may identify with either the historic and conservative elite, or perhaps become a representative of working class beliefs and values. In uttamsha = Mesha, or svakshetra =Simha, the Surya-2 Learner may be identified with asset collections. Regally entitled sensibility may be expressed via personal drama and celebrity narratives. Via the bloodline of the Father (Surya ) the Learner may focus the creative intelligence upon on worthy collections, warehousing and storage containment, keeping of jewels and coins. One seeks praise and recognition for the luxurious [2] qualities of affluence, the genetic breeding that produces a notable face and voice, and the Learner's display of acquired values, including historical knowledge and hoarded banks of sparkling precious items. Surya-2 = Family Vision of truth kuṭumba * Family above all. The father tends to be the central figure in the family constellation. Self-referential Surya-2 asserts that divine intelligence do motivate collections of treasury, knowledge of history, lifestyle values, arts, music, and the cultural legacies of one's people. Intensity of charismatic charm enters the speech values. Brilliant recitation. Influence of one's family of origin and their values in powerfully transmitted through speech acts. One experiences speech-and-song performance as highly individualized. Sings traditional songs, or re-tells the historic tale of one's lineage. MMay be a bright and inspirational historian of values, or teaching philosopher of art, music, finance, or any of the collecting skills. Prone to detailed record-keeping especially if Professor Budha joins Professor Suraja. Second marriage Surya-2 plays a center-stage role in the lives of the family of the second alliance. If Surya = empowered, one's brilliant-center role in the 2nd marriage may feel nearly like royalty. Most commonly with Professor Surya the enemy of Professor Shukra located in bhava-2, there is not a second lifepartnership. Exceptions. For Kumbha indriya-lagna, Surya-2 may indicate a second marriage with a brightly self-radiant personality which may be the fulfillment of incomplete expectations developed by not satisfied during the first marriage. In wifely-nativities, if Chandra occupies bhava-1 and there are graha conjoined with Brihaspati, then Surya-2 represents the second husband. In husbandly-nativities, if Chandra occupies bhava-1 and there are graha conjoined with Shukra, then Surya-2 represents the second wife. If a second life-partner emerges, that person is remarkably strong-willed and radiantly confident in matters of language, wealth, and family life. (Presuming of course that Surya is well disposed. If ill-disposed, confidence turns to arrogance.) AA second marriage may also lack legal status if the enemy of legislator-regulator Professor Shani, who is Professor Surya, happens to gain strength. The Learner may assert that intentionality and confidence in the union [Surya] between the partners = sufficient basis for union and one may on the basis of that assertion eschew approval from the State [Shani].
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And he said to them,
"Therefore every scribe who has been trained for the kingdom of heaven is like a master of a house, who brings out of his treasure what is new and what is old." ~~ Gospel of Matthew, ch. 52 [International Standard Version] |
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