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Drama and Song

Commerce and Material Economy


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born four months after

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celebrated dramatist of cinema + stage

famed for artistically disciplined performances

remarkably long-lasting, high-recognition theatrical career

admired for language and communicative skill

Meryl Streep

a.k.a. Mary Louise Streep

Earthbody-Entry Wōdnesdæg-22-Jun-1949

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dramatist of stage and screen * 1949- * Mary Louise "Meryl" Streep

birth data from http://en.wikipedia.org/wiki/Meryl_Streep * tentatively rectified by BP Lama

charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama

born on Ekadashi Krishna Paksha

Rising Nakshatra

Feminine Nativities

Uttaraphalguni * Aryaman * Bhaga * Falgun * Utthram


BPL commentary

For Uttaraphalguni births of a feminine valence, the condition of radiant, romantic, intelligent, creative, idealistic, central, confident, gaming, self-reflexive, pitrikaraka Surya may considerably affect the outcome.

For those born into the Surya-ruled paradigm of Uttora, father-figures, politicians, celebrity, royalty, entitled roles, brilliant dramatists, radiant deities, sparkling genius, glittering creativity, intelligentsia, speculators, poets, romantic lovers, gamblers, and game-players may be especially influential.

Instructional guidance provided by emissaries from the civilizations of Denebola. Their purpose to brighten and glorify the divine intelligence through spectacular creativity.


Brilliantly dramatic

Uttara-phalguni women are famously confident and willful. Monarchic entitlement pairs with aristocratic service via noblesse oblige. While much depends upon the characteristics of sparkling nakshatrapathi Surya, the feminine Falgun is often found in bright environments of royalty, celebrity, theatre, creative arts, amusements, and games.

Uttaraphalguni ladies radiate a profound love for living creatures, both wild and domestic. On behalf of the animal kingdom and its denizens, the women of Aryaman may undertake political activism. As righteous (and self-righteous) human mistresses of the animal world, their political style may include fiery displays of romantic idealism. They may collect animals.

Simha-Leya pada-1 features charismatic centrality and stage presence, focused into the physical embodiment. Pada-1 must hold the center of attention, whether in celebrity politics, entertainment and fashion, dramatic acting, or all three. Typically an elder husband and many romances.

Kanya Pada 2-3-4 = equally dazzling, idealistic, smart, and flamboyant, but more focused upon expressing the genius of the imagination. Often a splendid dramatist and performing musician due to nakshatrapathi Surya. Typically a younger husband and many romances.

Themes of political power, radiant confidence, and bright celebrity drama may contextualize Utthram's terrestrial experience. Applies also to Chandra in Uttaraphalguni

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 95


"A joyous healthy disposition yet quietly so.

  • She has a very soft pleasing voice,

  • bubbling over with fun and humor.

She is born to a family with social background

and loves to mingle with her friends in various social activities

  • yet she is not frivolous,

  • but beneath her joyous manner, rather serious minded.

She has fixed principles from which she will not deviate.

She prefers to choose her friends

  • from among the people who are artistically inclined and cultured.

She is efficient and adept at managing her home and her domestic life."


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Meryl Streep in 1979 photographed by Jack Mitchel (MS age 30)

Biographical data matched to Vimshottari Dasha timeline


Zukra Mahadasha * age birth until age 4.8

22-Jun-1949 Earth-birth in Summit, New Jersey, USA * Zukra-Shani bhukti


Surya Mahadasha * age 4.8 until age 10.8


Chandra Mahadasha * age 10.8 until age 20.8

Janma Sade-Sati Meza Jun-1968 until May-1971


Mangala Mahadasha * age 20.8 until age 27.8

1975 earned master's diploma in drama from Yale University * Mangala-Zukra bhukti * Zukra gives effect of BUdha diploma


Rahu Mahadasha * age 27.8 until age 45.8

Mar-1978 tragic lung-cancer death of dramatist iancé * Rahu-Rahu swabhukti * R-K samchara Kanya-Meena contact R-K axis in D-1 + D-9

30-Sep-1978 exchange the vows of marriage with sculptor Gumm (MS age 29) Rahu-Rahu swabhukti * R-K samchara Kanya-Meena contact R-K axis

13-Nov-1979 celebrated the birth of child-1 (her age 30) * Rahu-Rahu swabhukti

1979 wins Oscar Award for her performance in the film Kramer vs. Kramer * Rahu-Rahu swabhukti


Guru Mahadasha * age 45.8 until age 61.8

29-Sep-2001 grieved the decease of mother (MS age 52) * Guru-Budha bhukti * Budha rules 7th-from-4th + Sade-Sati

22-July-2003 grieved decease of father (MS age 54) * Guru-Zukra bhukti * Zukra rules 12th-from-Surya


Shani Mahadasha * age 61.8 until age 80.8

Salient features of the nativity

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Meryl Streep in 2015 (age 66)

Surya * pitrikaraka * jyotisakaraka

  • Surya-Mithunaya * Mithra * neighbor, companion
  • Surya in bhava-10 * digbala * center of hierarchy * brightly governing * legislative intelligence * focus on social order * father holds a respected position * regulatory entitlements * eye on high authority * radiant reputation * sparkling center of the leadership drama
  • Surya-yuti-Zukra * confidently harmonious * brightly creative bargainer * artistic father-figure * uniquely intelligent sister-figures * entitled to pleasures * aesthetic expressions align with the spiritual rays of the Sun * financial politics * radiantly diplomatic * self-reflexively attractive features

FATHER

Dad was a pharmaceutical salesman. Her Surya-Mithunaya indicates father's involvement with marketing, advertising, sales, writing or handcraft. Her Surya-yuti-Zukra suggests his management and financial ability, and commercial involvement with drugs (Zukra).


Chandra * matrikaraka * garha-karaka

Chandra = home, parenting, vehicles, gardening

  • Chandra-Meza * comforted by rhythmic forward pursuit
  • Chandra-Bharani * comforted by carrying valuable burdens * protectors of assets, treasuries, contractual trust, natural resources, reserves
  • Chandra in classroom-8 * comfort in crisis * familiar with catastrophic events * needs to feel the pulse of repeating identity transformation * soothed by secrecy * accustomed to regular routines of upheaval * seeks the deep rhythm of initiations * acculturated to exploratory occult sensitivities * need for unsettling discoveries * nourished by self-reinvention * emotionally attuned to patterns of undulating shakti-shocks

Zukra-ruled Chandra-Bharani * Yama tends to produce singers, experts of face-and-eyes, treasurers, financiers and preservers of worth. They are able to remember, store and produce goods of historical value, including stories and songs. They have earned a reputation for carrying heavy payloads and working to death.

Emotionally, Bharani-Chandra seeks its comfort by carrying a significant workload.

"I try to live as normal a life as possible. You don't get spoiled if you do your own ironing." ~~ M. Streep

MOTHER

Mom was active in the community. Chandra rules 11-social networks.

MARRIAGE emotional support expectations in partnership

7th-from-Chandra-8

Enduring a 40+ year marriage. The spouse is primarily an agent of family lineage, family treasuries (2). Focus on stored assets.


Kuja * bhratru-karaka * virya-karaka

  • Mangala-Vrizabha * vigorous pursuit of lineage collections, * proactive in acquisition, hoards, herds, banking, treasuries * energized sounds + colors * dynamic arts of speech and song * push toward accumulations * champion of historic preservation
  • Mangala in bhava-9 * karako bhavo nashto * drive toward doctrine, champion of paradigmatic belief, pursuit of patronage, dynamic preaching, energized philosophical conquests, dominating father-figures. Often Kuja-9 = challenges to the father's lifestyle.
  • Kuja-yuti-Budha * communicative competitions * energized signaling * dynamic reporting * clipped speech patterns * abrupt announcements * champion of vigorous messaging * pushes toward direct commands * potential for aggressive gestures * incisive speech * forceful writing

Mangala in bhava-9 rules 3-communications signaling + 8-identity transformation. Kuja-yuti-Budha adds mental agility to the identity-changes .

Mangala occupies Karakamsha bhava-9 Vrishabha = face-voice-speech + politics, drama, fortune

Budha-yuti-Mangala occupies the facial, linguistic, historical, pronouncing, verbal 2nd-from-Chandra

mutual drishti Mangala-Shani creates a pushme-pullyou tension


Budha * bandhava-karaka * zisya-karaka lagnesha

super-powered transformative Budha

Budha-yuti-Mangala * Budha-8 parivartamsha Zukra-9

  • Budha-Vrishabha * financial communications *  articulation of tonal * talks about stored goods * discusses collected assets *  delivers descriptive evaluations *  sends historic messages about worth and value * signals harmonious sound frequencies *  hands-arms-shoulders send gathering gestures, signaling harmonious sound frequencies
  • Budha in bhava-9 * narrative of the father-figure, the guru-figure, the catechism, the doctrine * discusses patronage, paradigm of belief, describer of theoretical details, explainer of dogmatic concepts, 11th-from-11th profits, talks about principled interpretation of reality, dharma, worldview
  • Budha-yuti-Mangala * explainer of competitive energies, articulation of forward action, message of innovation and forward movement, outspoken, fraternal conversations, aggressive communications, talkative brother-figures, outspoken
  • Zukra-10 parivartamsha Budha-09

Budha-yuti-Mangala occupies the facial, linguistic, historical, pronouncing, verbal 2nd-from-Chandra

Budha listening ++ Sravana swamsha

Budha in bhava-9 language, speech, sound-values, song parivartamsha Zukra-10 scripts. instructions, narrative, cinema, communications transactions, commerce, detailed explanations

Ms. Streep's dramatic performances are famed for their linguistic accomplishment. Her mimicking ability is much admired. She reports that her skill arises from her attention to listen = Zukra-10 ears = carefully and then acquire pronunciation and vocabulary of personalities, accents, intonations, prosodies, and the phonological features of foreign languages. Perhaps the best-known and lauded example of this specific talent is her Polish and German language performance in Sophie's Choice.


Guru * dhavakaraka * bahuta-karaka

  • Guru-Makara-Draco * nichha * understands social structure * develops many rules * class-conscious convictions * conventional doctrine * believes in common sense * pragmatic guidance * philosophical realism * diverse social responsibilities * principled materialistic worldview * faith in hierarchical order * preaches about wise governance * widens the scope of institutional authority
  • Guru in bhava-5 * much creativity * many intelligences * many entitlements * numerous games + entertainments * many romances * extensive self-glorification * Children identified with paradigmatic beliefs * expansion of political display * development of drama * Optimistic in speculations * patron of creative performance Many bright ideas, numerous fun adventures, expands the extent of glittering fashion and fame.

Guru in bhava-5 occupies the career defining 10th-from-Chandra

Husband( dhavakaraka * Guru-Makara-Draco * nichha

Guru-Makara-Draco * nichha rules Rahu-7

Ms. Streep was an ascending young dramatist, engaged to marry her great love, a dramatist fourteen years her elder. The affianced was stricken by lung cancer. During the intensely relationship-focused era of Rahu-Rahu swabhukti, he died in her care. Guru-nichha failed material expectations.

Half a year after her fiancé's tragic decease, still during the same Rahu-Rahu swabhukti in 1978, to the surprise of her friends and family, she met and quickly married a previously unknown man.


Zukra * svadhu-karaka * kalatra-karaka Atmakaraka

  • Zukra-Mithunaya * appreciation of detail, likes accessories, attracted to writers and businesspeople, balanced communications, aesthetic of handiwork, pleasures of specific explanations, enjoys correspondence and conversation, articulated messaging arrangements
  • Zukra-10 * pleasure of regulation, enjoys lawful, socially iconic, feminine-figures harmonious ability to govern and direct * pleasing designs to adorn the upper legs, knees, calves, for overall skeleton * financially visible equity, appreciation of order, legislates justice
  • Zukra-yuti-Surya * balanced roles in drama, appreciation for political display, theatrical negotiations, self-focused arrangements, radiant bright beauty * self-reflexive bargaining, sweetly confident entitlements, enjoys politics, negotiating father-figure, intelligently focused on trades, arrangements, contracts * arrangements according to father's choice or self-will
  • Zukra-10 parivartamsha Budha-09

Zukra = harmony, beauty, alliances, balance, grace, sense-pleasure, art, food


Shani * duro-karaka * jara-karaka

Harsha yoga * Shani-12 rules-6

  • Shani-Simbha * heavy old entitlements, the weight of old royal drama, pressured heart, imposed politics, proletarian entertainments, must do ceremony with scarce resources
  • Shani in Bhava-12 * Structured, orderly, time-conscious sleep state. One must retreat in fear from the guidance of dreams and visions. Cautious, conventional fantasies; imposed invisibility; tense imagination, limited sleep, chronic resistance to interior wisdom; heavy legacy pressure against free channeling of clairsentient wisdom. Psychic fatigue. Resistance to new prayers. Resentment toward changes in meditation practice. Intolerance toward unconventional foreigners. Support for socially-approved, rigidly dutiful roles as researcher, incarcerator, bedbound invalid, sanctuary maintainer, monastery or hotel worker

Shani in Bhava-12 resides in the dramatic, creative 5th-from-Chandra = diligence in theatrical performance = Rigorous training in performing arts. Perfectionism in artistic performance.

A known perfectionist who can exhaust herself (Shani) physically and psychically (12) with in preparation for a theatrical role (Simha). E.g., she famously learned to play the violin, by practicing 6 hours a day for 8 weeks, for her role in Music of the Heart (1999).

Shani in Bhava-12 durokaraka drishti to 2 + 6 + 9

mutual drishti Mangala-Shani

Shani in Bhava-12 mutual-drishti with Mangala-9. Imposes frustrations and brings patient discipline to the Vrishabha assets = voice + genetic line + financial treasuries (2).


Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Rahu-Meena-Antya * shimmering illusion of immersion * craving for symbolic guidance * mirage of imaginative wisdom * mesmerizing aura of concealing fog * mask of dreamlike Other Worlds * fascinating prayers *extraordinary ancestor guides * fabulous clairsentience * intriguing sleep-states * seeks special importance via apparent (but perhaps not authentic) attributes of deep trance, private intuition, interior guidance * seeks privilege via contemplative-roles
  • Rahu in bhava-7 * passion for partnership * in swabhava of Suave Zukra, the Shadowy Specter seeks privilege via glamorous or unusual arrangements, amplified bargains, vows, promises. Rahu-7 desires an important brokerage role in rule-bending, exceptional, expedient, non-standard negotiations. Fascinating match-making. Thrilling deals and pacts. Agent of flashy contracts. Exciting, opportunistic, ambitious partners (personal and professional). Rahu-7 trespasses the cultural boundaries of negotiated agreements, covenants, agreed terms of exchange. Mixed-culture marriage. Rahu the Poseur may pose as the Perfect Partner, a middleman, a bargainer, a diplomat, a fascinating arranger, an agreeable advocate. Rahu-7 grants advantageous career positioning via instrumental alliances.

Rahu gains great strength during Rahu-Rahu swabhukti. At the time of her marriage her R-K samchara had entered Kanya-Meena. This sudden, unanticipated union with her sculptor mate has produced four children and endured for more than 40 years.


Ketu * kavandha-karaka * chidra-karaka

  • Ketu-Kanya * dissociates from accusatory complaints * incomplete service * empty disagreements * dissolute arguments * not limited by stigmatized conditions * ignores restriction on imbalance * ministry of service to those who are homeless, wandering, or in medical disorder
  • Ketu in classroom-1 * * wanders from the fleshly container * disperses coherently unique identity * ambivalent toward the power of muscular movement * absent from embodiment * other-defined chameleon * irrelevance of the material personality * surrenders independent lifestyle, + chooses to depend upon Important Others (Rahu-7).

dissolves the personality encasement

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