born 10 months after
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VPOTUS-pair Music Censorship 1948- Tipper Gore
born four months after
-
Best Is Yet to Come 1949- designer Ivana Zelnickova Trump
celebrated dramatist of cinema + stage
famed for artistically disciplined performances
enduring, high-recognition theatrical career
admired for language + communicative skill
a.k.a. Mary Louise Streep
Earth-birth Wōdnesdæg-22-Jun-1949
dramatist of stage and screen * 1949- * Mary Louise "Meryl" Streep
birth data from http://en.wikipedia.org/wiki/Meryl_Streep * tentatively rectified by BP Lama Jyotishavidya
charts + graphs + tables = produced by Shri Jyoti Star * adapted by BP Lama
born on Ekadashi Krishna Paksha
Rising Nakshatra
Feminine Nativities
BPL commentary
For Rohini births in the feminine valence, the condition of reflective, sheltering, undulating, rhythmic, routinized, culturally rooted, boundary-defending, security-seeking, nourishing, parental, matrikaraka Chandra may considerably affect the outcome.
For those born into the Soma-ruled paradigm of Suravi, mother-figures, protectors, guardians, elemental spirits, natural environments, waters, roots, eggs, gardeners, farmers, fisher-folk, caretakers, foundation-builders, police, schoolteachers, parents, providers of nourishment , and defenders of the root culture, may be especially influential.
Guidance for the Rohini-born is provided by instructors from the civilizations of Al-debaran. Their purpose is to sweetly protect , defend, and shelter all the creatures and environments which come under their care.
Praujapatya-born ladies are often found in the domestic arts, in caretaking and protective roles, or in specialties of home decor and property valuation. Their purpose is calming. Typically feminine births in Rohini indicate a comfortable, grounded focus into the realms of beauty, banking, luxury goods, and family lineage treasuries.
All four pada occur within Vrishabha rashi. Surabhi-born thus express a tension between the materialistic, partnership-driven duality of Zukra versus the emotionally based, need-driven behaviors of Chandra. One seeks to be cared for in a sensual fashion.
Known for their intuitive negotiation and equity-seeking skills, Rohini ladies are found in the worlds of finance, food, fashion, investment, evaluation, collections, and treasuries, with special emphasis on real-estate and jewelry.
Themes of luxury accommodation, sensual nourishment, family affluence, and personal beauty may contextualize Rohini's terrestrial experience. Applies also to Chandra in Rohini-Brahmi
QUOTATION from: Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra . p 92
"...a round face, fair complexion, and a very nice figure.
Certain parts of Rohini Rising will correspond with a very beautiful face and body.
Some of the most beautiful women are born [in Rohini].
Besides her beauty of face and figure she will have a keen intellect;
she will be an interesting conversationalist,
good at discussion and repartee,
yet withal an attentive and interested listener .
She will be devoted to her parents
and her domestic life should be very happy,
because her personal inclinations will be clean, honest, and upright ."
Meryl Streep in 1979 photographed by Jack Mitchel (MS age 30)
Meryl Streep in 2015 (MS age 66)
Biographical data matched to Vimshottari Dasha timeline
Sophie's Choice 1949- drama Meryl Streep
Zukra-Mithunaya * Zukra-10 * Zukra-yuti-Surya * Zukra-2 parivartamsha Budha-1
22-Jun-1949 Earth-birth in Summit, New Jersey, USA * Zukra-Rahu bhukti
Surya Mahadasha * age 11.1 until age 17.1
Chandra Mahadasha * age 17.1 until age 27.1
Jun-1968 until May-1971 = Janma Sade-Sati Meza-12
1975 earned master's diploma in drama from Yale University * Chandra-Zukra bhukti * Zukra lagnesha
Mangala Mahadasha * age 27.1 until age 34.1
Mar-1978 tragic lung-cancer death of dramatist fiancé * Mangala-Guru bhukti * Guru randhresha = sudden identity change * R-K samchara Kanya-Meena contact radical R-K
30-Sep-1978 exchange marriage vows with sculptor Gumm (MS age 29) Mangala-Guru bhukti * Guru rules Dhanuzya 7th navamsha * R-K samchara Kanya-Meena contact R-K axis
13-Nov-1979 (MS age 30) celebrated the birth of child-1* Mangala-Shani bhukti * Shani rules 9-children
1979 wins Oscar Award for her performance in the film Kramer vs. Kramer * Mangala-Shani bhukti * Shani rules 9-celebrity
Rahu Mahadasha * age 34.1 until age 52.1
Guru Mahadasha * age 52.1 until age 68.1
Apr-1998 until Jun-2000 - Janma Sade-Sati Meza-12
29-Sep-2001 (MS age 52) grieved the decease of mother * Guru-Guru svabhukti * Guru rules 12th-from-Chandra + Sade-Sati
22-Jul-2003 (MS age 54) grieved decease of father * Guru-Guru svabhukti * Guru rules 7th-from-Surya
Shani Mahadasha * age 68.1 until age 87.1
Jun-2027 until Aug-2029 = Janma Sade-Sati Meza-12
Sophie's Choice 1949- drama Meryl Streep
Surya * pitrikaraka * jyotisakaraka
- Surya-Mithunaya * Mithra * neighbor, companion * brightly charismatic confidence of Center-stage Surya radiates through the conversational gesturing rashi of Budha
- Surya in bhava-2 * creative values-fulfillment * confident story-telling * dazzling bardic tradition * intelligence for languages * genius for sound-and-color * radiant genetically preserved knowledge * focus on stored assets * banking entitlements * bright face-speech-song * eye on capitalization * father heart of family * sparkling center of the treasury-drama * father may be a banker-collector-preservationist
- Surya-yuti-Zukra * confidently harmonious * brightly creative bargainer * uniquely intelligent feminine-figures * entitled to pleasures * aesthetic expressions align with the spiritual rays of the Sun * financial politics * graciously creative * dramatic promises * radiantly diplomatic * self-reflexively attractive * father may be artist-broker-arranger
FATHER
Dad = a pharmaceutical salesman.
Surya-Mithunaya = marketing, advertising, sales, writing or handcraft.
Surya-yuti-Zukra suggests dad's management, financial ability, and commercial involvement with drugs (Zukra).
CAREER - SURYA
Chandra * matrikaraka (mother) * garha-karaka (village)
Chandra = home, parenting, vehicles, gardening
- Chandra-Meza * comforted by forward pursuit * settled into warrior rhythms * needs vitality
- Chandra-Bharani * needs to carry valuable burdens * safeguards the treasuries * protects precious values
- Chandra in classroom-12 * draws comfort from dreams * familiar with ancestor guidance * rhythmic withdrawal from visibility * accustomed to private prayer * nested into secluded enclosures * acculturated to Other Worlds * soothed by imaginative inspiration * repeating pulse of intuition * anchored into sanctuary environments * comfortable with research * undulating sleep
CAREER - CHANDRA
Comforting Chandra rules Karkata arudha lagna = rules 3-communications signaling
Zukra-ruled Chandra-Bharani * Yama tends to produce singers, experts of face-and-eyes, treasurers, financiers and preservers of worth. Yamya-born are able to remember, store, and re-produce goods of historical value, including stories and songs.
They have earned a reputation for carrying heavy payloads and working to death.
Emotionally, Bharani-Chandra seeks its comfort by carrying a significant workload.
"I try to live as normal a life as possible. You don't get spoiled if you do your own ironing." ~~ M. Streep
MOTHER
Mom = a commercial artist
Beauty-and-wealth oriented Chandra-Bharani -12 rules 3-commerce
MARRIAGE emotional support expectations in partnership
- bhava-6 = Zukra-ruled
- yuvati-pati = Mangala-1, energizing identity with the marriage union
- Enduring 40+ year marriage.
- Guru-Makara-Draco * nichha = generally a character weakness of the husband
Kuja * bhratru-karaka (brother) * virya-karaka (virile)
- Mangala-Urisha * vigorous pursuit of heritage collections * proactive in acquisition * conserves the hoard * pushes the herd * competes for banked treasuries * sound engineering * actively preserves food * promotes color value * dynamic arts of speech-song * innovative conservation * pioneering libraries * champion of historic knowledge
- Mangala in bhava-1 * forward fighter * muscular champion * competitive winner *drive toward performance vitality * embodied action * primal sexuality * pursuit of progress * direct movement * physical engineering * thrusting vigor * dominating personality * pushy * dynamic innovator * energized conquests * athletic body
- Kuja-yuti-Budha * proactive communications * energized signaling * dynamic reporting * clipped speech patterns * abrupt announcements * champion of vigorous messaging * pushes toward direct commands * forward thrusting gestures * incisive speech * forceful writing
CAREER - MANGALA
+ . Kuja-yuti-Budha adds mental agility to the identity-changes .
Mangala occupies Karakamsha bhava-9 Vrishabha = face-voice-speech + politics, drama, fortune
Budha-yuti-Mangala occupies the facial, linguistic, historical, pronouncing, verbal 2nd-from-Chandra
mutual drishti Mangala-Shani creates a pushme-pullyou tension
Budha * jamayah-karaka (sibling) * sandeza-karaka (message) * zisya-karaka (student)
super-powered transformative Budha
Budha-yuti-Mangala * Budha-8 parivartamsha Zukra-9
- Budha-Urisha * financial communications * articulation of tonal value * talks about stored goods * discusses collected assets * delivers descriptive evaluations * sends historic messages * skillfully signals the music * preservation methods * describes sound frequencies * hands-arms-shoulders send sensual gestures
- Budha in bhava-1 * digbala * narrative of body * bifurcated self-image * discusses physical appearance * describer of embodiment * explainer of tangible self * delivers instructions for self-characterization * articulation of communicative movement * animated gestures * talks about personality * details the two-sided identity.
- Budha-yuti-Mangala * competitive communications * scripted actions * impatient conversations * potential for sexualized messaging * penetrating explanations * direct instruction * signals forward action * pioneering movement * outspoken opinions * talkative brother-figures
- Zukra-2 parivartamsha Budha-1
CAREER - BUDHA
Budha-yuti-Mangala occupies the facial, linguistic, historical, pronouncing, verbal 2nd-from-Chandra
known for her extraordinary ability to produce linguistic accents and mold her face to roles. Budha-1 enjoys parivartamsha with Zukra-2 producing a powerhouse of high-visibility communicative skills.
Budha listening + Mrigasirasa Svamsha
Budha in bhava-1 = scripts. instructions, narrative, cinema, communications transactions, commerce, detailed explanations
parivartamsha Zukra-2 =
language, speech, sound-values, song
MS's dramatic performances are famed for their linguistic accomplishment. Her mimicking ability is much admired. She reports that her skill arises from her attention to listen = Zukra-10 ears = carefully and then acquire pronunciation and vocabulary of personalities, accents, intonations, prosodies, and the phonological features of foreign languages. Perhaps the best-known and lauded example of this specific talent is her Polish and German language performance in Sophie's Choice.
Guru * dhava-karaka (husband) * bahuta-karaka (variety)
- Guru-Makara-Draco * nichha * understands social structure * numerous law-makers * class-conscious convictions * conventional doctrine * believes in common sense * pragmatic guidance * philosophical realism * diverse social responsibilities * materialistic worldview * faith in hierarchies * preaches about wise governance * widens the scope of bureaucracy
- Guru in bhava-9 * karako bhavo nashto * svabhava * tolerance for diverse doctrines * multiple beliefs * expansive ideology * much sermonizing * broad humanistic understanding * sanctimonious father * multiple father-guru-professor figures * extensive worldview * patron of philosophy * in a wifely nativity, husband-figure may be an ideologue or spiritual guide
CAREER - GURU
Substantial DHANAYOGA = Guru-9 rules 11 ++ Rahu-11
Guru in bhava-9 occupies the career defining 10th-from-Chandra
- 8-identity transformation
- 11-revenues, income, earnings, awards, material achievements
Husband( dhavakaraka * Guru-Makara-Draco * nichha
Guru-Makara-Draco * nichha rules Rahu-7
MS = an ascending young dramatist, engaged to marry her great love, a dramatist fourteen years her elder.
- The affianced was stricken by lung cancer.
- During the intensely relationship-focused era of Mangala-Guru bhukti, he died in her care.
- Guru-nichha = failed material expectations.
Half a year after her fiancé's tragic decease, still during the same Mangala-Guru bhukti in 1978, to the surprise of her friends and family, MS met and quickly married a previously unknown man.
Zukra * svadu-karaka (sweet) * kalatra-karaka (wife)
lagnesha for Urisha radical lagna
- Zukra-Mithunaya * appreciation of detail * beautiful accessories * attracted to writers * likes businesspeople * balanced gestures * diplomatic communications * prefers a communicative partner * aesthetic of handiwork * pleasures of specific explanations * enjoys correspondence * satisfied by conversation * articulated messaging arrangements
- Zukra-2 * svabhava * seeks pleasure via gathered treasuries * enjoys banked assets * bargains toward collected equity * feminine-figures predominate the family * gracious storyteller * pretty preservations * balanced linguistic expression * beautiful voice * pleasing designs to adorn the face * aesthetics of mouth + jaw + teeth + hair * graceful neck * prefers historical values * appreciation of speech-and-song
- Zukra-yuti-Surya * balanced roles in drama * appreciation for political display * pleasantly charming * self-focused diplomacy * radiant bright beauty * self-reflexive bargaining * sweet entitlements * negotiating father-figure * self-directed arrangements * focus on trade exchange * solipsistic romance * idealistic contracts * enjoys the game of deal-making * prefers self-confident partners
- Zukra-2 parivartamsha Budha-1
CAREER - ZUKRA
Zukra = harmony, beauty, alliances, balance, grace, sense-pleasure, art, food
Shani * duro-karaka (endurance) * jara-karaka (years)
- Shani-Simbha (challenging placement) * heavy old legacy drama * must accept center-stage pressures * structural compression upon heart-spine * conventional limits upon creative self-expression * tightly governed speculation * disciplined genius * orderly games * regulated drama * resistance to romance * proletarian entertainments * restricted intelligence * slow, elderly politicians * restrained entitlement * obligatory ceremonies * scarcity of amusements
- Shani in Bhava-4 * steady time-structured life foundations * must maintain the cultural roots * required to defend boundaries * survives with minimal shelter * dry stony gardens * regimented schoolteachers * judgmental mother * proletarian childhood * normalized parenting * orderly education * caretaker's fatigue * chronic household scarcity * strict folk customs * resists domestic innovation * reinforces predictable routines * elders maintain the ancient ritual austerities
CAREER - SHANI
Shani in Bhava-4 resides in the dramatic, creative 5th-from-Chandra = diligence in theatrical performance = Rigorous training in performing arts. Perfectionism in artistic performance.
A known perfectionist who can exhaust herself (Shani) physically and psychically with preparations for a theatrical role (Simha).
- E.g., MS famously learned to play the violin, by practicing 6 hours a day for 8 weeks, for her role in Music of the Heart (1999).
Shani in Bhava-4 durokaraka drishti to 6 + 10 + 1
Mangala-1 mutual drishti Shani-4 = internal tension
Shani in Bhava-4 mutual-drishti with Mangala-1.
Imposes frustrations and brings patient discipline to the Vrishabha assets = voice + genetic line + financial treasuries
Rahu * rajyalobha-karaka (ambition) * picchala-karaka (slippery)
- Rahu-Meena * shimmering illusion of immersion * craving for symbolic guidance * extravagant imagination * mirage of dreamlike wisdom * mesmerizing aura of concealing fog * mask of Other-Worldly wisdom * fascinating prayers * extraordinary ancestor guides * fabulous clairsentience * intriguing sleep-states * seeks special importance via apparent (but perhaps not authentic) attributes of deep trance * exceptional private intuition * unorthodox interior guidance * seeks privilege via contemplative-roles
- Rahu in bhava-11 * passion for rewards * in Roguish Rahu's svabhava co-ruled by materialistic Shani * the Shadowy Specter seeks privilege via glamorous social attainments * outsider who cleverly insinuates into social-networking roles * risky marketplace gains * instrumental revenues * astounding awards * extraordinary economies * desires system linkage * * contrived assemblies * opportunistic community activism * ambitious friends * craves profitability * culturally-mixed gridworks * expedient fellowship * appears as a voluntary associate * fascinating achiever * looks like a relative of the father's people * thrillingly high earnings * boundary-breeching connections * trespasses the normal cultural limits on distribution networks
Rahu gains great strength during Rahu-Rahu svabhukti. At the time of her marriage her R-K samchara had entered Kanya-Meena. This sudden, unanticipated union with her sculptor mate has produced four children and endured for more than 40 years.
Ketu * * kavandha-karaka (headless) * chidra-karaka (gaping) * vasana-karaka (vacuum)
- Ketu-Kanya * humbly dissociates from accusatory complaints * incomplete service * empty disagreements * odd arguments * not limited by stigmatized conditions * ignores restriction on helpfulness * eccentric service to the disadvantaged * releases a living green cloud of servitude into the misty abyss
- Ketu in classroom-1 * eccentric expression of the fleshly container * oddly unique identity * ambivalent toward kinetic movement * incoherent embodiment * other-defined chameleon * surrenders individual completeness * identity depends upon Important Others (Rahu-7) * liberation via abdication of birthrights
dissolves the personality encasement
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