Drama and Song



born six weeks after


Rex Harrison in his most classic cinematic role, as Professor Henry Higgins in My Fair Lady 1964



Musical Theatre

Hollywood Matinee Idol

Rex Harrison

a.k.a. Sir Reginald Carey Harrison MBE

a.k.a. Sexy Rexy

Earth-birth Thursday-05-Mar-1908

dematerialization 02-Jun-1990 (age 82)


musical dramatist of stage and screen * 1908-1990 * Rex Harrison

birth data from http://en.wikipedia.org/wiki/Rex_Harrison * tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = produced by Shri Jyoti Star * adapted by BP Lama

Rising Nakshatra

Masculine Nativity

Purvaphalguni * Yoni * Bhagadaivata * Prakphalguni * Arjuni

BPL commentary

For Purvaphalguni * Yoni * births of a masculine valence, the condition of sweetly musical, artistic, harmony-seeking, negotiating, balancing, arranging, designing, matching, pairing, sensually pleasuring akarshana-karaka Bright Bhrigu may considerably affect the outcome.

Due to the definitive influence of kalatra-karaka Zukra, gentlemen born into the realms of Bharani-Yamya, Purvaphalguni-Yoni, or Purva-azadhamay find that their worldview is greatly shaped by the character of the feminine companions.

For those born into the Zukra-ruled paradigm of Vutavabana, feminine figures such as sisters, aunts, and wives, along with partnerships, contracts, bargains, sensual pleasures, lovers, artistic beauty, luxurious scents, treasuries, financial arrangements, and music, may be especially influential.

Instructional guidance provided by emissaries from the civilizations of Zosma. Their purpose is to dramatize, glamorize, and politicize the grand theatre of creative life.

Diplomatic charm

Zukra-ruled Purvaphalguni gentlemen are often found in the sparkling bright worlds of politics, romance, entertainment, speculative finance, and spectator sports. Yoni-born chaps often display a thick mane of leonine hair and a charming sense of humor.

They are happiest when enjoying a choreographed sport, playing music, dancing with agility and grace, or performing a richly costumed dramatic role for an appreciative audience, Delighted by spectacle and applause, they glitter and smile at parties, political campaigns, gambling and games..

Depending upon the placements of dhanakaraka Zukra and dhanapathi Budha, the Purvarjuni-born may also excel in financial showmanship, bargaining toward a political or commercial agreement, and the high drama of romantic relationships.

Like all Zukra-governed births, Bhagadaivata-born must take care to avoid the misuse of drugs and alcohol. Political success depends upon the charisma of lagnesha Surya. Financial success depends upon the dual-dhanakaraka Zukra and Budha.

Themes of political celebrity, lavish musical entertainments, arts and fashion, and financial agreements may contextualize Pubba's terrestrial experience. Applies also to Chandra-Purvaphalguni.

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra. p 83

"A physical rather than a mental type.

  • A healthy constitution

  • not given to worry or anxiety regarding the problems of living.

He must guard against impulsiveness

since he is apt to act without sufficient thought

  • and as a result he makes many mistakes

  • which are difficult to rectify

  • and which may be disastrous.

He is very active physically and will be proficient at various sports

  • reveling in the joy of mere action,

  • even purposeless action.

These people seem never to rest and are constantly in motion.

  • As soon as they have finished one thing they start on another,

  • frequently doing several things at a time."


Harrison playing Dr. Doolittle in the celebrated 1967 musical drama

Biographical Events matched to Vimshottari Dasha calendar


Rex Harrison (dramatist) in 1976

My Fair Lady 1908-1990 musical theatre Rex Harrison * ++. Harrison had a storied performance career lasting six decades. Yet, he was unpopular among his cohort (Shani activates 3). Fellow actors reportedly dreaded working with him. In entourage and ensemble work (3) collaborators complained of his surly, judgmental, impatient attitude. RH was known for snarling about the smallest errors and inability to acknowledge the contributions of others.(Shani negative judgment). Despite spending his entire adult life (Shani repeating scenarios) doing ensemble work, RH was notoriously stingy in sharing creative credit with fellow dramatists. Beloved by fans, RH was nevertheless considered resentful and selfish by those who worked most closely with him..

Ketu Mahadasha * birth until age 6.0

Thurs-05-Mar-1908 Earth-birth in in Huyton, Lancashire, England, UK [now Huyton, Knowsley, Merseyside, England, UK]

Huyton with Roby, Lancastershire, England * Ketu-Zukra bhukti

Jul-1909 until May-1912 Janma Sade-Sati Meza

Zukra Mahadasha * age 6.0 until age 26.0

1924 (RH age 16) joined the Liverpool Repertory Theatre * Zukra-Guru bhukti * Guru activates 5-theatre

1930 (RH age 24) first film The Great Game * Zukra-Budha bhukti * Budha publications rules Rahu-11 earnings

Surya Mahadasha * age 26.0 until age 32.0

1934 (RH age 25) exchange of marriage vows 1-of-6 with actress Collette Thomas * Surya-Surya svabhukti * Surya-yuti-Budha * Budha activates Kanya Svamsha gochara R-K Kumbha-Simha * contact Simha indriya-lagna

29-Jan-1934 celebrated the birth of child-1 * Surya-Chandra bhukti * Somana-yuti-Kuja * Kuja activates 5

Apr-1939 until Jun-1941 Janma Sade-Sati Meza-9

Chandra Mahadasha * age 32.0 until age 42.0

1942 Divorce-1 * Chandra-Rahu bhukti + Sade-Sati

25-Jan-1943 (RH age 35) exchange of marriage vows 2 with renowned German actress Lilli Palmer * Chandra-Guru bhukti * Guru activates 7th navamsha * gochara R-K Karkata-Makara

1946 Anglosphere fame gained via leading role in the internationally acclaimed cinema drama, Anna and the King of Siam * Chandra-Budha bhukti * Budha activates 11-achievements, gains

05-Jul-1948 career-threatening scandal = suicide of RH's extramarital amour Carole Landis. She killed herself after spending the evening with Harrison * Chandra-Zukra bhukti * Zukra dalliances

1949 celebrated awarded performance in Anne of the Thousand Days * Chandra-Surya chidra-dasha * Surya lagnesha

Mangala Mahadasha * age 42.0 until age 47.0

Rahu Mahadasha * age 47.0 until age 65.0

1957 celebrated, awarded performance = the musical stage-drama My Fair Lady * Rahu-Rahu svabhukti * Rahu-11 awards

1957 Divorce 2 * Rahu-Rahu svabhukti

22-Jun-1957 (RH age 49) exchange of vows in marriage-3 with actress Kay Kendall * Rahu-Rahu svabhukti * R-K gochara Tula-Mesha contact Chandra-Meza

Sep-1959 (RH age 51) wife-3 Kay Kendall decease from leukemia * Rahu-Rahu svabhukti

21-Mar-1962 (RH age 54) exchange of vows in marriage-4-of-6 with dramatist Rachel Roberts * Rahu-Guru bhukti * Guru activates 7th navamsha * R-K gochara via Mithunaya-Dhanuzya

1963 celebrated performance in Julius Caesar * Rahu-Shani bhukti

1964 wins Academy Award for the cinematic version of My Fair Lady * Rahu-Shani bhukti

1967 celebrated role in Doctor Doolittle * Rahu-Shani bhukti * reportedly RH was often bitten by the animals

Jun-1968 until May-1971 Janma Sade-Sati Meza

1971 (RH age 63) Divorce from dramatist Rachel Roberts * Rahu-Zukra ++ Sade-Sati

26-Aug-1971 (RH age 63) exchange of vows for marriage-5-of-6 with Elizabeth Harris * Rahu-Zukra bhukti * R-K gochara Meena-Kanya contact navamsha R-K

Guru Mahadasha * age 65.0 until decease age 82

1975 divorce * Guru-Guru svabhukti * Guru activates 8, identity change

17-Dec-1978 (RH age 70) exchange of vows for marriage-6-of-6 with dramatist Marcia Tinker * Guru-Shani bhukti * R-K gochara Kanya-Meena contact navamsha R-K

26-Nov-1980 suicide of 4th wife Rachael Roberts, following RH's refusal to re-marry her * Guru-Budha bhukti

25-Jul-1989 knighted by UK-Queen 1926- Elizabeth-2 * Guru-Rahu bhukti * Rahu-11 achievements

02-Jun-1990 (RH age 82) dematerialization via pancreatic cancer, three weeks after his final stage performance. * Guru-Rahu bhukti

Distinctive features of the nativity

Surya * pitri-karaka (father) * jyoti-karaka (light)

Lagnesha for Simha indriya-lagna

Atmakaraka solipsism, center-stage roles, fashion, drama, certainty, glamour, radiance, ego

  • Surya-Kumbha * Arka * the radiator * radio * brightly charismatic confidence of Center-stage Surya radiates through the linking networked connecting rashi of Shani
  • Surya in bhava-7 * sparkling center of relationships * focus on agreements * brightly negotiating * confident in brokerage * self-referential partners * makes smart trades * intelligence for representation * political equity * peerage entitlements * eye on fair contracts * agent of deal-making drama * father may be a broker-attorney-advocate
  • Surya-yuti-Budha * confidently conversational * bright messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * gestures conduct the spiritual rays of the Sun * radiantly descriptive * articulate in drama * skillful game-player * self-confident announcements * talks about ideals * narrative of power-politics * recites love poems * describes divine romance


Dad = a Liverpool cotton broker.

Surya in bhava-7 broker ++ Budha commercial business.

  • Dad was said to have been a partying musical man-about-town, popular but oft unemployed (Surya weakened in Kumbha).


Surya-Kumbha lagnesha -1 physical appearance, identity, personality

Surya activates Uttaraphalguni Svamsha

resembles the entertainer father * Surya drishti to tanu-sthana

Surya occupies the gainful, popular 11th-from-Chandra = gains from drama, bargains, arrangements, marriages

  • theatrical career lasting seven decades = age 16 until age 89
  • Rex Harrison was a distinguished and rather notorious stage-and-screen dramatist-singer who was engaged in theatrical acting throughout his long and professionally productive life.

    In fact, he was acting on stage until only a few weeks before his death from pancreatic cancer at age 82.

    RH's professional reputation was defined by several world-class performances in roles such as Professor Henry Higgins in My Fair Lady (1964) and Doctor Doolittle (1967).

    These classic cinematic films have remained popular more than 50 years after their first release, due largely to RH's brilliantly articulate [Budha] and charismatic [Surya] performances = Rahu-11-Mithunaya drishti into Surya-Budha.

    RH played many popular male roles, but he was in particular a master of wry comedy.

Arrangements (7)

Professionally, RH had been a dramatist since age 16. In the 1940's, musical theatre became popular, including potentially high-paying cinema roles.

due to RH being an accomplished actor with exceptionally limited singing range, the musical arrangers (7) adapted their songs to a spoken meter [Budha] . The spoken-songs kept pace by the orchestra.

RH described the discipline needed to follow the precise [Budha] rate of musical speech as exhaustingly focused, with no margin for error. Nevertheless, this crafted accommodation by his co-workers allowed RH to star gainfully in prize-winning musical productions. ** Surya-Kumbha in 11th-from-Chandra gets drishti from Rahu-11

Shani-governed Surya-7 * pragmatic choices in a creative job

Colleagues noted that RH often declined roles with creative potential, choosing instead the better paying roles (Kumbha earnings). Despite a high income in mid-career (Rahu-11 drishti to Surya-Budha), RH was said to have complained resentfully [Budha] of his alimony and child-support debts from previous marriages (Shani-obligation activates 6).

Chandra * matrikaraka (mother) * garha-karaka (village)

  • Chandra-Meza * comforted by forward pursuit * settled into warrior rhythms * needs vitality

  • Chandra-Azvini * soothed by detached observing * protectors of start-up energy * needs pioneering invention

  • Chandra in classroom-9 * comfortable with paradigms of belief * emotionally attuned to sacred doctrine * accustomed to priesthood * maternal piety * soothed by globalist perspective * feels the pulse of preaching * calmed by a broad worldview * acculturated to principled understanding * needs a familiar catechism * protective patrons * habitually seeks guidance * settled into philosophical roles * mother may hold cherished beliefs * undulating convictions
  • Somana-yuti-Kuja * emotionally pro-active * sensitive to brotherly figures * needs to win * comforted by direct forward movement * invigorates the undulating routine * soothed by pioneering innovation * competitive mother * calmed by routine exercise * feels like a champion
  • Somana-yuti-Zukra * emotionally indulgent * comforted by balanced arrangements * nourished by sensual pleasures * sensitive to feminine folks * needs to negotiate * luxury-loving mother * seeks shelter in alliances * preference for owned properties * soothed by beauty * feels like a partner


Mom = Chandra in classroom-9 ruling 12 would suggest a mother possessed of a rich imagination (Guru-uttama-12).

  • She would have role-modeled the beliefs and celebratory behaviors of 9 but would have also need privacy.
  • Often, Chandra-9 indicates mother-as-muse.
  • Somana-yuti-Kuja + Somana-yuti-Zukra suggest a richly talented, energetically pushy mother. A pattern for the classic stage-mother.


Chandra in 5th-from-5th shows a comfort-zone in fame, drama, romance, and speculations.

  • Rulers of 3 + 4 + 9 + 10 + 12 == occupy celebrity-9

sensitive, emotionally demonstrative Chandra ++ Kuja-yuti-Zukra in celebrity-performance- 9 occupies communicative 3rd from Budha

  • Although a known curmudgeon, disliked generally by fellow thespians, RH became a favorite of the theatre critics (3rd-from-Budha, criticism, comment, publication).

Chandra in classroom-9 activates 12-privacy, bedroom, seclusion, fantasies, imagination, dreamworld .

  • For Simha indriya-lagna nativities, Chandra = the fantasy needing ruler-of-12.
  • Uttama-Guru-12 vastly expands the realm of imagination
  • Simha folk often show a deep need for the world of the emotionalized imagination, and are thus often found in theatre.

MARRIAGE emotional support partnership

Pragmatic, materialistic, Shani-ruled, oppositional Surya-Kumbha-7 indicates the overall life-mate pattern.

Solo Surya does not enjoy the two-party environment of bhava-7. Creative Surya occupies a hostile environment in regulated Kumbha. Conditions in bhava-7 are growth-challenging.

  • Budha-7 activates 3 + 6 from Chandra-Mesha, indicating a pattern of emotionally-charged, adversarial, accusatory arguments within partnership settings

Harrison married a total of six times over a 30-year span.

Both the native and the (six) life-mates may demonstrate

  • brilliant social-networking, self-referential conduct in one-to-one relationships
  • Surya-7 in Markara-or-Kumbha may see relationships as primarily serving the entitlement [Surya] of socially approved material achievement [Shani].

The partner-figures' contradictory aim = to gain a central role [Surya] within a web that has no center.

  • Both native and mate may show perfectionism which hampers economic participation, insincere friendships, and contradictory statements (+Budha).
  • Yet, Budha, ruler of financial bhava 2+11, does bring marketplace gainfulness via the union, benefiting both the husband and the wives.


  • Marriage-1
  • bhava-3 communications, cinema, ensemble
  • Thula grace, accommodation
  • actress Collette Thomas (m. 1934-1943, one child)

HarrisonRex_LilliPalmer_1950Life Mag.jpg8th-from-7th-from-Chandra-9

  • Marriage-2
  • bhava-10 high visibility reputation
  • Urisha sensual pleasures, capital, face-hair-voice-song, traditional values
  • Wife-2 Lilli Palmer = a widely recognized (10) German celebrity actress (m. 1943-1957)


  • Marriage-3
  • bhava-5 drama, glamour, romance
  • Dhanuzya philosophy, humanism contains evaporative Ketu in classroom-5
  • actress Kay Kendall (m 1957-1959)
  • In a sentimentally hopeless story (Ketu) which sold millions of magazines, RH divorced his wife of 14 years and mother of his son, Lilli Palmer, purportedly for humanitarian reasons.
  • RH immediately married Ms. Kendall in order to care for her while she slowly died of leukemia.
  • The heavy publicity of this two-year story had its intended promotional effect.
  • After the expected death, RH did not remarry Ms. Palmer (Ketu).



  • Marriage-5
  • bhava-7 contract, agreement, balance, equity, advocacy
  • Kumbha contains rulers of 11 + 1 + 2 = Surya-yuti-Budha
  • actress Elizabeth Harris (m. 1971-1975)


  • Marriage-6
  • bhava-2 banking, assets, lineage knowledge, traditions
  • Kanya nursing
  • dramatist Marcia Tinker (m. 1978-1990)
  • "a nurse or a purse"

Kuja * bhratru-karaka (brother) * virya-karaka (virile)

  • Mangala-Meza * moolatrikona 0-18 deg. * vigorous pursuit of dominance * straightforward dynamic actions * competitive winner * propulsive battering weaponry * push toward conquest * pioneering vitality * hot yang-energy * thrusting force * forward-driving movement * champion of innovation , innovation
  • Mangala in bhava-9 * drive toward doctrine * champion of paradigmatic belief * pursuit of patronage * dynamic preaching * philosophy of conquest * aggressive or sexualized paternal energies * dominating military father-figures * growth-challenging paternal behavior
  • Kuja-yuti-Chandra * invigorated feelings * energized intuition * dynamic nurturance * competitive caretaking * often the dominant parent * needs to win * forward thrusting emotions * seeks security via conquest
  • Kuja-yuti-Zukra * dual sexuality * energized bargaining * dynamic trading * masculine force joins feminine allure * kinetic sensuality * productive arrangements * sweetly harmonized with competitors * champion of equality


competitive, innovative Kuja ++ Somana-yuti-Zukra

Succès de scandale

Kuja-yuti-Chandra + Kuja-yuti-Zukra + yogakaraka Mangala activates the scandalous, exposing 8th-from-Chandra

  • The tabloid publishers used RH never-ending stream of sexualized (Kuja) scandal to sell Hollywood gossip magazines.
  • In an industry for which there is no bad publicity, RH indirectly benefited from the romantic masculinization of his otherwise rather milquetoast persona

Kuja activates 9-credenda, believable

  • by choosing only dominating male-lead roles (Kuja-Meza) RH flourished in the capricious, competitive, cinema-drama industry
  • Kuja-yuti-Chandra allows emotional dominance (My Fair Lady)
  • Kuja-yuti-Zukra allows dominant behavior while pursuing relationships with either gender.


  • rules 4-familiarity, mother, childhood
  • rules 9-beliefs, father, worldview
  • thrusting drishti to 12 + 3 + 4

Perfectionistic attacks

RH is generally retrospectively assessed to have suffered the classic patterns of Narcissistic Personality Disorder, which allows a lover to use - then scorn - the objects of their attraction.

RH was considered both a master of his craft and a bully, who denigrated the acting skills of co-workers (3) showing special contempt for the leading ladies [Zukra] who threatened to divert attention from the glamour of his performances.

Budha * jamayah-karaka (sibling) * sandeza-karaka (message) * zisya-karaka (student)

  • Budha-Kumbha * connecting communications * systematic pronouncements * articulation of social-scientific networks * descriptive inter-webbed definitions * diagrams the marketplace linkages * futuristic conversations * messages about communities * discusses economic transactions * explains social participation linkage * large-scale logic * skilled weaving * deft knitting * hands-arms-shoulders make connective gestures
  • Budha in bhava-7 * narrative of partnership * discusses contracts * debates on deals * analysis of relationships * discourse on trusts * banters about betrothal * crafting of covenants * delivers negotiating instructions * explainer of arrangements * talks about fairness * advocate for justice * gestures toward settlement of quarrels * mentality of marriage * formulates alliances * defines equity * balanced bargains
  • Budha-yuti-Surya * amusing explanations * entertaining chatter * central roles in communication * brightly clear descriptions * dramatic enunciation * confidently delivers instruction * articulation of radiant certainty * political messenger * talkative father-figures

Budha-Kumbha suffers moudhya-dosha

  • but the opportunistic Rahu drishti is passionate and amplifying

For Simha indriya-lagna nativity, Budha is a money-maker

  • rules 2-banking, voice, face
  • activates 11- earnings, fan-clubs, friendship
  • drishti to bhava-1 personality, appearance
  • emotionally, 3 + 6 from Chandra-Mesha


Budha activates Mithunaya = 10th-navamsha

Budha activates

  • 11-social networks, popularity containing the powerful Rahu-Mithunaya-Arudra
  • 2-face-voice-language-speech

RH was loved by theatrical audiences due to the regal certainty [Surya] of his communicative craft [Budha] and his charmingly humorous speech delivery.

  • He particularly excelled in roles representing language, linguists, and masters of speech * such as Professor Higgins and Doctor Doolittle

Guru * dhava-karaka (husband) * bahuta-karaka (variety)

Sarala Yoga

  • Guru-Karkata * uttama * big shelters * various caretakers * many provisions * benevolent routines * believes in defense * permission to protect * expansive patriotism * broad understanding of local cultures * develops gardens * prosperous settlements * multiple dwellings * many patronizing parent-figures
  • Guru in bhava-12 * svabhava * great interiority * many meditations * much divination * many hospitalizations * many spiritual retreats * numerous psychic way-showers * many large private spaces * extensive trance guidance * a patron of sanctuary enclosures * in a wifely nativity, husbandly-companion may be benevolently invisible

Guru in bhava-12 rules 8 = Sarala Yoga

RH was a mid-century Matinee idol upon whom the public audience projected their unrestrained fantasies

Guru in bhava-12 = abundant private romances

"Sexy Rexy" produced a great abundance Guru-Karkata * uttama of extramarital-sex-and-death (8) scandals that seemed to threaten his career. Yet functionally, the allure of fantasy (12) for the tabloid readership quite energized his seven-decade theatrical career.

Left Eye

  • Guru activates 8-trauma containing Shani-Meena.
  • Partially blind in left eye (12) = result of childhood measles

Zukra * svadu-karaka (sweet) * kalatra-karaka (wife)

  • Zukra-Meza * appreciation of direct movement * likes innovation * aesthetic of physicality * attracted to champions * pleasures of conquest * kinetic sensuality * prefers a lithely sporting partner * sweetly competitive * aristocratic agreements
  • Zukra-9 * seeks pleasure via philosophical doctrine * enjoys wide worldview * believes in beauty * feminine-figures preach-teach on higher principles * broad scope of negotiations * expansive musical taste * pleasing designs to adorn the pelvic floor * graceful hips * balanced femoral sockets * sweet sacral plexus * appreciation of theory * father may be financier-bargainer-artist
  • Zukra-yuti-Chandra * sweetened security * gracious caretaking * appreciates soothing nourishment * negotiates for stability * defensive bargaining * sheltering arrangements * lovely ornaments for home-and-garden * self-indulgent * pleasant emotional response * harmonizes with local rhythms * aesthetic of familiar folkways * musical mother-figure * protective contracts * prefers relationships with nurturing partners
  • Zukra-yuti-Mangala * sweetened conquests * gracious competition * appreciation for pioneering innovation * aesthetic of sporting interactions * proactive negotiations * musical brother-figure * competitive contracts * accommodating sexuality * prefers relationships with energetic partners


attractive, sensual, musical Zukra ++ Kuja-yuti-Chandra in celebrity-performance- 9 occupies communicative 3rd from Budha

Zukra activates 10-profession ++ 3 collaboration, ensemble

Shani * duro-karaka (endurance) * jara-karaka (years)

Harsha Yoga

  • Shani-Meena * heavy old dreams * socially responsible imagination * fear of vast waters * mandatory dreamwork * aging affects the bedroom * structural compression upon aching feet * strictly imposed sanctuary * endures proletarian prayer * slow elder diviners * limited access to ancient ancestor guides * pragmatically constrained intuition * must sustain the astral vision * scarce contemplative resources
  • Shani in Bhava-8 * steady time-structured transformations * impedes infinity * must impose order upon dangerous environments * resists the advance of inexorable change * must regenerate while maintaining the system * cautiously conventional initiations * tense renewals * postpones surgery * fear of eruptions * chronic trauma patterns * pressures on the hidden mechanisms of sexual-reproduction * blocks the revelation of mysteries * pushback against emerging new cycles * disaster fatigue * martial law * dry rigidity limits rejuvenation * frugal in-laws * elders preserve undisclosed assets


Shani in Bhava-8 activates-the emotionally dignified , social-ordering, leadership-seeking 10th-from-Chandra = Makara-6

  • RH was as well-known for his divorces, betrayals, and mistreatment of others, as he was for his dramatic roles.

Limited vocal range

  • Shani drishti into bhava-2 + asta-Budha dhanesha

Shani assists mid-life and elder career

For Chandra-Meza nativities, Shani ruling 10th-from-Chandra ++ 11th-from-Chandra from Chandra suggests ability to work professionally and profitably, even into elder years.

Harrison famously ascended when his forehead became furrowed with the lines of age. His most successful professional bhukti occurred when he was eligible to enact middle-aged and elder male roles such as Professor Higgins (a sixty-ish teacher) and Doctor Doolittle (a wizened, experienced veterinarian)

Rahu * rajyalobha-karaka (ambition) * picchala-karaka (slippery)

"there's no such thing as bad publicity" * Rahu-11 (publications) drishti into Budha-7 publication

  • Arudra double-power * Rahu-Mithunaya * shimmering illusion of cooperation * craving for conversation * mask of messaging * boundary-breeching broadcasts * extraordinary explanations * ambitious administration * preposterous propaganda * extravagant commercial transactions * marvelous advertising * thrilling photographs * unusual ensembles * exciting cohort * mesmerizing instructions * over-reaching management * seeks special importance via apparent (but perhaps not authentic) attributes of information delivery * sensational scripts * exaggerated announcements * exceptional business methods * seeks privilege via communicator-roles
  • Rahu in bhava-11 * passion for rewards * in Roguish Rahu's svabhava co-ruled by materialistic Shani * the Shadowy Specter seeks privilege via glamorous social attainments * outsider who cleverly insinuates into social-networking roles * risky marketplace gains * instrumental revenues * astounding awards * extraordinary economies * desires system linkage * * contrived assemblies * opportunistic community activism * ambitious friends * craves profitability * culturally-mixed gridworks * expedient fellowship * appears as a voluntary associate * fascinating achiever * thrillingly high earnings * boundary-breeching connections * trespasses the normal cultural limits on distribution networks


Gainful, ambitious, profitable Rahu in bhava-11 occupies 3rd-from-Chandra

  • the Hollywood gossip press played an over-sized role (Rahu) in promoting and maintaining RH's celebrity profile

RH's career was marked by consistent popularity (11) and prize-winning roles (11)

  • It was also punctuated by repeated scandals (Rahu) involving promiscuity, bullying, and taboo-bending behaviors.

tabloid press 3rd-from-Chandra amplified (Rahu) the lurid stories. RH's boundary-breeching philandery, the suicides of two of his partners, and various scandals ultimately added an exciting allure to his aura.

  • Although initially these shocking problems seemed to threaten his future, indeed the highly-publicized intrigue promoted RH career.

Rahu in bhava-11 amplifying drishti to Budha-yuti-Surya-7 = sensational relationships

The tabloid celebrity press (3) eagerly developed RH's sensational relationship stories to increase their readership.

Unlike a political career, an entertainment career may benefit from the publication of salacious stories. RH's six marriages and much extramarital mischief were excoriated by moral critics but celebrated by delighted magazine-and-movie-ticket buying audiences (11 fanclubs, revenues).

Ketu * * kavandha-karaka (headless) * chidra-karaka (gaping) * vasana-karaka (vacuum)

  • Ketu-Dhanuzya * philosophically dissociates from sacred convictions * odd professors * dissolves indoctrination * empty paradigm of belief *  dispersed worldview * not limited by conventional beliefs * eccentric teachings * peculiar convictions * ignores restricted catechesis * releases a warm golden  cloud of broad inclusivity into the misty abyss
  • Ketu in classroom-5 * ambivalent toward ceremony * eccentric offspring * wandering eldest child * demonstrates dramatic confidence in non-existent things * apathetic toward political displays * ungrounded speculation * disregards standard intelligence * disoriented creativity * incoherent romantic ideals * disinterested in games * liberation via surrender of entitlements * unless other graha in 5 or Ketu's ruler is strong, may prefer to live free from children

RH occasionally mentioned his disinterested in conventional theologies. Not a church-goer. Ketu-Dhanuzya


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