Drama and Song

COHORT

born six weeks after

• POTUS-36 Great Society 1908-1973 Lyndon Baines Johnson

Rex Harrison in his most classic cinematic role, as Professor Henry Higgins in My Fair Lady 1964

Musical Theatre

Hollywood Matinee Idol

Succès de scandale

Rex Harrison

a.k.a. Sir Reginald Carey Harrison MBE

a.k.a. / Sexy Rexy /

Earth-birth Thursday-05-Mar-1908

dematerialization 02-Jun-1990 [age 82]

musical dramatist of stage and screen

1908-1990

Rex Harrison

birth data from https://en.wikipedia.org/wiki/Rex_Harrison

tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = produced by Shri Jyoti Star - www.vedicsoftware.com

- adapted by BP Lama

Masculine Nativity

QUOTATION Pūrvāṣāḍhā

from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra. p 86

" ... corresponds to rather a low type of character .

One who does not wish for and does not get the gracious things out of life.

• Stupid, yet ostentatious and vulgar ,

• with very few educational advantages.

Quarrelsome and low in appearance and manner.

• While he must, because of educational handicaps,

  go through life as a servant or at best an underling ,

He vainly considers himself above his station in life

• and will be harsh and dominating

• but ineffectual if put in authority ."

[end quote]

Harrison playing the veterinarian Doctor Doolittle in the celebrated 1967 musical cinema-drama

Rex Harrison 1976 [age 68]

• My Fair Lady 1908-1990 musical theatre Rex Harrison

[ Budha Mahadasha] [age birth until age 7.2]

• [Budha-Kumbha ] -- [Budha in bhava-3] [Varuna-Budha-yuti-Surya-Purvabhadra]

Apr-1907 until Jul-1909 Janma Sade-Sati Meena

• [4, mother, parenting, security, home, familiar routines, repetition, rhythm, anchoring, cultural foundations, schooling, protection]
• [age 0-3]

Thurs-05-Mar-1908 Earth-birth in Huyton with Roby, Lancastershire, England * Budha-Rahu bhukti + janma Sade-Sati

1914 [RCH age 6] a life-threatening bout of childhood measles caused RCH to lose most of the sight in his left eye. His mom took Rex to the theatre as a treat for recovering. He was smitten. * Budha-Shani chidradasha * Shani rules 2-eyesight

[ Ketu Mahadasha] [7.2 until age 14.2]

• [Ketu-Dhanus] -- [Ketu in classroom-1]

[Shukra Mahadasha] [age 14.2 until age 34.2]

• [Shukra-Mesha] -- [Shukra-5] [Aśvini-Shukra-yuti-Mangala-Bharani]

Oct-1923 until Jan-1926 Shani ashtamsha via Tula [11]

1924 [RCH age 16] joined the Liverpool Repertory Theatre * Shukra-Shukra svabhukti * [Kuja-yuti-Shukra] [5-drama]

1930 [RCH age 24] first film The Great Game begins what would become a seven-decade career in live theatre and cinema * Shukra-Rahu bhukti

Jan-1934 [RCH age 25] immediately preceding the birth of their son, consecration of marriage-1-of-6 with actress-model Collette Thomas * Surya-Guru bhukti ++ gochara R-K Kumbha-Simha * contact Simha svamsha

29-Jan-1934 [RCH age 25] celebrated the birth of child-1 * Shukra-Guru bhukti ++ gochara R-K Kumbha-Simha * contact Simha svamsha

Feb-1937 until Apr-1939 Janma Sade-Sati Meena

• [4, mother, parenting, security, home, familiar routines, repetition, rhythm, anchoring, cultural foundations, schooling, protection]
• [age 29-32]

1942 [RCH age 34] flight lieutenant for UK Royal Air Force, working in underground bunkers [did not fly due to his left eye] * Shukra-Ketu chidradasha * Ketu-1 Air Force officer who does not fly

1942 [RCH age 34] Following eight years of marriage, divorce from lifepartnership-1 with dramatist, collette Thomas * Shukra-Ketu chidradasha

[Surya Mahadasha] [age 34.2 until age 40.2]

• [Surya-Kumbha] -- [Surya in bhava-3] [Purvabhadra-Surya-yuti-Budha-Varuna]

25-Jan-1943 [RCH age 35] consecration of marriage 2-of-6 with renowned German dramatist, Lilli Palmer - creating a Rahu-7 "power-couple" * Surya-Chandra bhukti * [Somana-yuti-Shani] Shani rules Kumbha 7th-navamsha ++ gochara R-K Karkata-Makara

https://en.wikipedia.org/wiki/Lilli_Palmer

1946 [RCH age 38] Gains Anglosphere fame via the masculine-lead role his first American film Anna and the King of Siam * Surya-Budha bhukti * Budha karmesha public recognition

[Chandra Mahadasha] [age 40.2 until age 50.2]

• [Chandra-Meena] -- [Chandra in Revatī - Pashu] [Revatī-Somana-yuti-Shani-Uttarabhadra] [Revatī-Chandra-4 parivartamsha Pushya-Guru-8]

05-Jul-1948 [RCH age 40] an extra-marital lover, the actress Carole Landis [herself divorced four times before age 28] committed suicide after spending the evening with RCH. A salacious shaming-scandal ensued, creating a feeding-frenzy for the tabloid press * Chandra-Chandra svabhukti * Chandra randhresha shocks, trauma, sudden eruptions of unexpected force

1948 [RCH age 40] Hollywood film contract is cancelled due to the shaming-scandal. Move to NYC, where RCH and Lilli quickly find work in live theatre * Chandra-Chandra svabhukti * Chandra randhresha identity-change, rebirth

1948 [RCH age 40] [dad age 66] grieved the decease of his father, cotton merchant William Reginald Harrison [1872-1948] * Chandra-Chandra svabhukti * Chandra rules 12th-from-pitristhana

1949 [RCH age 41] fame spreads widely in praise of a celebrated stage performance in Anne of the Thousand Days * Chandra-Mangala bhukti * Kuja rules 5-drama, fame, applause

Nov-1952 until Nov-1955 Shani ashtamsha via Tula [11]

1953 [RCH age 45] [mom age 85] grieved the decease of his mother, Edith Mary Carey Harrison (1868 - 1953) * Chandra-Shani bhukti * Shani rules 12th-from-matribhava + Shani ashtamsha

1957 [RCH age 49] Following ten years of marriage, divorce 2 with famed actress, Lilli Palmer * Chandra-Shukra bhukti * Shukra rogesha divorce + Shani Ashtamsha

1957 [RCH age 49] praised for celebrated, awarded performance = the musical stage-drama My Fair Lady * Chandra-Shukra bhukti * [Kuja-yuti-Shukra] [5-drama] rules 11-achievements

22-Jun-1957 [RCH age 49] consecration of marriage-3-of-6 with actress Kay Kendall. The wedding was widely covered in the press because Ms. Kendall was dying of leukemia. * Chandra-Shukra bhukti ++ R-K gochara Tula-Mesha contact Shukra-Mesha

https://en.wikipedia.org/wiki/Kay_Kendall

[Mangala Mahadasha] [age 50.2 until age 57.2]

• [Mangala-Mesha] -- [Mangala in bhava-5] [Bharani-Kuja-yuti-Shukra-Aśvini]

Nov-1955 until Feb-1958 Shani Ashtamsha Vṛścika -4

Sep-1959 [RCH age 51] [KK age 32] grieved the decease of wife-3, dramatist Kay Kendall, via leukemia * Mangala-Rahu bhukti

21-Mar-1962 [RCH age 54] consecration of marriage-4-of-6 with dramatist Rachel Roberts * Mangala-Budha bhukti * [Surya-yuti-Budha] Surya rules Simha svamsha ++ R-K gochara via Mithuna-Dhanus contact natal R-K

1963 [RCH age 55] celebrated performance in Julius Caesar * Mangala-Shukra bhukti * [ Kuja-yuti-Shukra] [5-drama] rules 11-achievements

1964 [RCH age 56] wins Academy Award for My Fair Lady cinematic version * Mangala-Surya bhukti * Surya dharmesha celebrity ceremony

[Rahu Mahadasha] [age 57.2 until 75.2 ] [1965 until 1983]

• [Arudra-Rahu-Mithuna] -- [Rahu in bhava-7]

Apr-1966 until Jun-1968 Janma Sade-Sati Meena

• [4, mother, parenting, security, home, familiar routines, repetition, rhythm, anchoring, cultural foundations, schooling, protection]
• [age 59-62]

1967 [RCH age 59] celebrated title role in Doctor Doolittle. Had to enact a demanding script with delays caused by many animals . Reportedly, rCH was hostile and surly on-set. He was often bitten or peed-on by the animals. The movie was a huge success both professionally and financially. * Rahu-Rahu svabhukti + [Chandra-Revatī + 4, farms] ++ janma Sade-Sati

1971 [RCH age 63] Divorce from marriage-4 with dramatist Rachel Roberts * Rahu-Shani bhukti * Shani rules 8th-from-7 ++ dvithya Sade-Sati

26-Aug-1971 [RCH age 63] consecration of marriage-5-of-6 with Elizabeth Harris, the socialite ex-wife of his former best friend * Rahu-Shani bhukti * Shani rules Kumbha 7th-navamsha ++ R-K gochara Meena-Kanya contact Chandra-Meena

1974 [RCH age 66] divorce from marriage-5-of-6 * Rahu-Ketu bhukti

17-Dec-1978 [RCH age 70] consecration of marriage-6-of-6 [retirement alliance] with dramatist Marcia Tinker * Rahu-Shukra bhukti ++ R-K gochara Kanya-Meena contact navamsha R-K

26-Nov-1980 [RCH age 72] suicide of 4th wife Rachael Roberts [her age 53] following RCH's refusal to re-marry her * Rahu-Chandra bhukti * Chandra randhresha shocks, trauma, sudden eruptions of unexpected force

Oct-1982 until Dec-1984 Shani ashtamsha via Tula [11]

[Guru Mahadasha] [age 75.2 until decease age 82]

• [Guru-Karkata] -- [Guru in bhava-8]

25-Jul-1989 [RCH age 81] knighted by Elizabeth-2 * Guru-Budha bhukti * Budha rules-10 public honors

02-Jun-1990 [RCH age 82] blessed liberation from the Earthen-body, via pancreatic cancer, three weeks after his final stage performance. * Guru-Budha bhukti * maraka Budha rules-2

• My Fair Lady 1908-1990 musical theatre Rex Harrison

[Sparkling Splendid Surya]

pitri-karaka [father] jyoti-karaka [light]

[philosophical-doctrinal dharmesha for Dhanus-born]

[theatrical creativity in mass-merchandising campaigns]

[media-management genius for mass-participation events]

[interlinked manager for sangha fundraising]

[business intelligence for distributive systems]

[evangelical outreach radiates proletarian preaching]

[bright focus of principled economic pronouncements]

[confidently delivers marketplace information]

[center-stage roles in arrayed community communications]

[friendly talkative socialite father may be fundraiser, businessman, clerk, manager, collaborator, ensemble performer, writer]

...

[dominating-challenger Purvabhadra-1] [navamsha Surya-Mesha-uchcha] intuitively confident conquesting champion

[Purvabhadra-Surya-yuti-Budha-Varuna]

• [Surya-Kumbha] Arka [the radiator - radio] brightly charismatic confidence of Center-stage Surya radiates through the linking networked connecting rashi of Shani

• [Surya in bhava-3] center of commerce * mercantile intelligence * smart reports * dramatic instructional delivery * creative descriptions * sparkling retinue * splendid games of manual-skill * self-referential announcements * admirable handcraft * cinematic genius * smart technology * focus on teamwork * entertaining explanations * administrative entitlements * confident writing * eye on process management * regal messaging * bright center of discourse * brilliant gesturing * father may be a transactional businessman, craftsman, explainer, communicator

• [Surya-yuti-Budha] confidently conversational * brightly explaining messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * gestures conduct the spiritual rays of the Sun * radiantly descriptive * articulate in drama * skillful game-player * self-confident announcements * talks about ideals * narrative of power-politics * recites love poems * describes divine romance

OUTCOMES - SURYA

self-reflexively announcing, bright messages, regal style of gesture, communicative intelligence, radiantly descriptive, politically collaborative, splendidly explanatory [Surya in bhava-3] rules

• 9-ideology , paradigm of belief, profession of faith, principled convictions, higher understanding, father-figures, priestly patronage, preaching, patriarchal entitlements, philosophical convictions, theory, public spiritual guidance, celebrated doctrines, sangha, sacred teachings, credenda, globalism, dharma, worldview, weltanschauung, mother's health

CAREER - SURYA

rules 9-celebrity

Rex Harrison was a famous and rather notorious stage-and-screen dramatist-singer who was engaged in theatrical acting throughout his long, professionally productive life.

Professionally, rCH had been a dramatist since age 16.

[Surya Mahadasha] [age 34.2 until age 40.2]

In the 1940's, musical theatre became popular, including potentially high-paying cinema roles.

Surya drishti into Simha [9]

• bright theatrical visage.
• physical, vital radiance in center-stage camera-focused positions. vital radiance in center-stage camera-focused positions.
• Surya intakes drishti from wild, earning, fan-club Arudra-Rahu-11

Surya-uchcha in navamsha-8

• dominating championship in hidden, undiscovered matters

[Surya-yuti-Budha] intake drishti from Arudhra-Rahu-11

• Super-celebrity favorite of entertainment-industry tabloid press.

• RCH's classic roles have remained popular more than 50 years after their first release, due largely to RCH's brilliantly articulate [Budha] and charismatic [Surya] performances = Rahu-11-Mithuna drishti into Surya-Budha.

Lagnesha Surya Boosts drama career

but degrades healthy relationships

• Extremely self-referential and limited/no ability to share credit.
• Coworkers sometimes described RCH as Obnoxious.

RCH is generally retrospectively assessed to have suffered the classic patterns of Narcissistic Personality Disorder, which allows a lover to use - then scorn - the objects of their attraction.

• RCH was said to show special contempt toward the leading ladies [Shukra] who threatened to divert attention from the glamour of his performances.

Notoriously Selfish Surya-in-7

+++ Mangala + Arudra-Rahu drishti into 3-workgroups

RCH had a storied performance career lasting six decades. Yet, he was unpopular among his cohort [Kumbha-3] .

Fellow actors reportedly dreaded working with him.

In entourage and ensemble work [3] collaborators complained of his surly, judgmental, impatient attitude.

• RCH was known for snarling about the smallest errors and self-focused inability to acknowledge the contributions of others.
• Despite spending his entire adult life doing ensemble work, rCH was notoriously stingy in sharing creative credit with fellow dramatists.

Beloved by fans Rahu-7, rCH was nevertheless considered resentful and selfish by those who worked most closely with him.

His treatment of six wives and countless lovers was extremely selfish, meriting the NPD label.

FATHER

Dad = a Liverpool cotton broker. [Surya in bhava-3] businessman

[Surya-yuti-Budha] = Budha commercial business

• Dad was said to have been a partying, musical, man-about-town, apopular fellow - but often unemployed

Surya rules pitristhāna Simha-9 = 6th-from-Chandra = out-of-portfolio, unemployed, often due to disagreement

[Comfortable Caretaking Chandra]

matrikaraka [mother] * garha-karaka [village]

[dikbala] --- [svabhava]

[mysterious-initiatory randhresha for Dhanus - Haya indriya-lagna]

check Guru + Guru-drishti to source Chandra's imaginative feelings, visionary rhythms, wholistic sensibilities

[comforted by stable habitual private reflection]

[culturally sensitive to transformative imaginative vision]

[needs to sense the fluid pulse of intuitive guidance]

[protector of the ancestral sanctuaries]

[emotionally aligned to entrancing meditative rhythms]

[environmentalist feelings attuned to watery lake-dwelling deva]

[anchoring mother may be a charitable, secret-keeping schoolteacher, householder, gardener, grower ]

...

[socializing-gridworked Revatī-Pashu-3] [navamsha Chandra in Kumbha ] intuitively sensitive to revenue profitability, mass-market populist distributive egalitarian feeling

[ātmakāraka emotion, sensitivity, rhythm, pulse, security, feelings, ancestral flow ]

[Revatī-Somana-yuti-Shani-Uttarabhadra] [niṣṭhurabhāṣi yoga = निष्ठुरभाषिन् = speaking harshly]

[Revatī-Chandra-4 parivartamsha Pushya-Guru-8]

• [Chandra-Meena] comforted by ancestral guidance * settled into rhythmic intuition * needs contemplative sanctuary

• [Chandra in Revatī - Pashu] soothed by wayfaring rhythms * protector of poetic interpretation * needs to feel wisely dreamlike

• [Chandra in classroom-4] comfortable with familiar routines * calmed by caretaking * seeks continuous oscillating motion * sensitive to ethnic folkways * contented by recurrent rituals * soothed by customary habits * tranquilized by rhythmic waves * needs pulsation * nurtured by gardening * follows local pathways * feels rooted into the land * settled into home-keeping * undulating patriotism * mother may be a farmer, fisher, builder, schoolteacher, border-defender

• [Somana-yuti-Shani] [niṣṭhurabhāṣi yoga] emotionally constricted * punitive parents * sensitive to class boundaries * soothed by structure * needs rigid routines * heavy maternal workload * comfortable with elders * familiar with hierarchies * fearful mother * calmed by strict rules * feels like a worker

OUTCOMES - CHANDRA

sensitively parental, protecting the ancient ways, routinely stabilizing, sustaining the household, rhythmically seasonal, needs a garden,predictable habits, culturally situated, customary guardian, emotionally caretaking, needs to defend the security of the vulnerable [Chandra in classroom-4] rules

• 8-unexpected eruptions of regenerating force, occult initiation, mystical revelation, shocking intervention, opaque empowerments, invasive surgery, intensive healing, evolution, violent explosion, sudden identity change, rejuvenation, recycling, rebirth, hidden assets, upheaval, undisclosed secrets, transformative events, discovery, in-laws of first marriage, health of younger sibling-cousin

CAREER-CHANDRA

• [folk reputation 10th-from-Chandra = habitual public responsibilities are conducted in the Dhanus-1 style = uniquely inspirational, optimistic individuality, appears to have higher understanding, philosophical embodiment]

Exceptionally complex environment for Chandra =

• [socializing-gridworked Revatī-Pashu-3]
• [ātmakāraka ]
• [Revatī-Somana-yuti-Shani-Uttarabhadra]
• [Revatī-Chandra-4 parivartamsha Pushya-Guru-8]

MOTHER

Mom = Edith Mary Carey.

Rex was her only son [he had an elder sister].

[Somana-yuti-Shani] [niṣṭhurabhāṣi yoga]

• Mom loved the theatre, and she introduced little Reginald to the drama when he was six years old
• Mom accepted only perfect behavior.
• RH became an anxious perfectionist.
• Chandra-4 suggest that mom's lifetstyle emphasized householding and strictly conventional parenting duties

MARRIAGE partnership emotional equity support expectations

Learning Pathway Challenges to marriage include

Challenge from Shani-ruled Surya-Kumbha

• self-referential [Surya] conduct in one-to-one relationships - affects both the native and the lifepartners

• [Budha-yuti-Surya]

  Solo Surya does not enjoy participating in the two-party environment of bhava-7.

  Creative Surya occupies a hostile environment in system-regulated Kumbha.

  Equalizing Shukra-controlled Bhava-7 is never welcoming to self-central Surya.

• in yuvati-bhava, Surya-Kumbha may see relationships as primarily serving the personal entitlement [Surya] and reinforcing the socially approved material achievement [Shani].
• generally, the social conduct of Surya-Kumbha = less beholden to customary moral boundaries

• incoming opportunistic Rahu-7 drishti adds passion and ambition for achievement

[7th-from-Chandra-4]

Marriage-1-of-6

Collette Thomas hailed from an upper-class, monied background [Rahu-7, marry-up]

she worked as an actress and advertising model [Budha-Kumbha-3 rules 10]

[m. 1934-1943, one child]

• bhava-10 social dignity, public visibility, commanding roles, respect, high positions ruled by Budha-Kumbha-3
• Kanya exploitation, imbalanced arrangements, servitude

8th-from- [7th-from-Chandra-4]

Marriage-2-of-6

Lilli Palmer = a widely celebrated [5] German dramatist

[m. 1943-1957, child]

https://en.wikipedia.org/wiki/Lilli_Palmer

• bhava-5 drama, self-certainty, intelligence, romantic idealism, games
• Mesha vitality, independence, championship
• contains [Aśvini-Shukra-Mesha] -- [Shukra-yuti-Mangala]
• + Shukra rules 3-8 from Chandra
• 14-year Shani-cycle marriage with wife-2

3rd-from- [7th-from-Chandra-4]

Marriage-3-of-6 [m 1957-1959]

actress Kay Kendall

https://en.wikipedia.org/wiki/Kay_Kendall

• bhava-12 privacy, sacred enclosure, fantasy, dream-world, invisibility
• Vrischika mysterious forces, sudden eruption of hidden energy, conditions of death

In a sentimentally hopeless story [Ketu] which sold millions of magazines, rCH divorced famed actress Lilli Palmer, his wife of 14 years and mother of his son, purportedly for humanitarian reasons. [Ketu-1-Dhanus, humanism]

Ketu-1 tends to blunt the self-certainty and disorient the inner self-direction, often associated with misleading statements and mistakes in judgment

According to the press narrative, rCH compassionately married Ms. Kendall in order to care for the actress while she slowly died of leukemia.

The heavy publicity of this two-year story had its intended promotional effect [Mangala-5 fame].

• After the inevitable death, rCH did not remarry Ms. Palmer [Ketu-1 disorientation].
• Rather, in the interim, ms. Palmer had remarried a different mate.

10th-from- [7th-from-Chandra-4]

dramatist Rachel Roberts [m. 1962-1971]

https://en.wikipedia.org/wiki/Rachel_Roberts_(British_actress)

Marriage-4-of-6

• bhava-7 contract, agreement, balance, equity, franchise, advocacy

• Mithuna communications, business, management, scripts, collaboration contains exotic, thrilling, over-reaching, fascinating [Rahu in bhava-7] drishti into Rahu's ruler Budha-Kumbha-3

the union was said to suffer from alcoholism of both partners.

It featured vivid public fights, and ended in betrayal.

Rahu-Ketu intense boomerang effect.

• Nine years after their 1971 divorce, on 26-Nov-1980 [RCH age 72] [her age 53] suicide of 4th wife Rachael Roberts following RCH's refusal to re-marry her

5th-from- [7th-from-Chandra-4]

four-year union with Welsh socialite Joan Elizabeth Rees-Williams [m. 1971-1975]

https://en.wikipedia.org/wiki/Elizabeth_Rees-Williams

Marriage-5-of-6

• bhava-2 face, voice, speech-song, heritage values, banking, assets, lineage knowledge, traditions
• Makara-2 finance, tradition, assets

12th-from- [7th-from-Chandra-4]

dramatist Marcia Tinker [m. 1978-1990]

Marriage-6-of-6

• bhava-9 philosophy, worldview, convictions, patronage

• Simha entertainment, celebrity, politics, entitlements
• [RCH age 70] begins 12-year retirement marriage
• ends with his decease age-82

[Competitive Champion Kuja]

bhratru-karaka [brother] virya-karaka [virile]

--- [svakshetra] --- [svakshetra]

[witty-creative vidya-pati for Dhanus - Haya indriya-lagna]

[contemplative-clairsentient vyaya-pati for Dhanus-Haya indriya-lagna]

[vigorously competitive political campaigns]

[energetically kinetic stage performance]

[dynamic theatrical enactment of championship]

[expresses dramatic creativity with energized innovation]

[promotes demonstrations of pioneering action]

[praised for heroic pro-active athletic movement]

[physicalized drive to win while playing romantic poetic games]

[may battle over celebrity entitlements with one's own children or students]

...

[dramatizing-displaying Bharani-1] [mūlatrikoṇa] [navamsha Mangala-Simha] intuitively competitive forward-pushing dramatic romance display

[Bharani-Kuja-yuti-Shukra-Aśvini]

• [Mangala-Mesha] vigorous pursuit of dominance * straightforward dynamic actions * competitive winner * propulsive battering weaponry * push toward conquest * pioneering vitality * hot yang-energy * thrusting force * forward-driving movement * champion of innovation , innovation

• [Mangala in bhava-5] drive toward creativity = pursuit of games = pioneering speculation = dynamic style of flamboyant display = competitive children = energized by romance = political conquests = productive intelligence = push toward celebrity = champion of romance = promotes choice-making = propulsive genius = actively charming

• [Kuja-yuti-Shukra] dual sexuality * energized bargaining * dynamic trading * masculine force joins feminine allure * kinetic sensuality * productive arrangements * competitive mating * vigorously balance-seeking in partnership * pursues diplomatic resolutions * innovative arrangements

OUTCOMES - MANGALA

energetic center-stage performer, brightly kinetic dramatist, champion of romantic pursuit, vigorously gambling, dynamically creative, competitively political, sparkling entertainer, pioneering displays, dominant winner in gambling and games [Mangala in bhava-5] rules

• 5- Politics, center-stage roles, theatre, demonstration, display, charming brilliance, genius, poetry, choice-making, showmanship, gambling and gamesmanship, romantic idealism, creativity, fashion-shows, flamboyance, celebrity entitlements, confidence, artistic performance, drama, children, financial speculation, intelligence, entertainments, fun

• 12 enclosures, the bed, fantasies, privacy, interior spiritual guidance, clandestine undertakings, intuitive awareness, non-linear conceptual undertanding, concealment, seclusion, invisibility, dissolved identity, meditation, contemplation, dreamworlds, astral plane, imaginary scenarios, sanctuary sleep, distant lands, health of the avowed partner

CAREER - KUJA

competitive, innovative Kuja rules 12-privacy, bedroom, seclusion, fantasies, imagination, conceptual thought, hallucination, dreamworld

• Kuja-yuti-Shukra boosts the aesthetic energy of spoken roles, explanations, lyricism
• abundant bedroom scenarios, upon which the public audience projected their unrestrained fantasies

RCH played almost exclusively dominant-male roles [alpha-Kuja-Mesha].

• in addition to the narcissistic Need to be in Center of audience Attention [5=9] RCH was also comfortable [Chandra] in romantic relationships with men and women.

• 12 matters of the private bedroom generally remain invisible, but are nonetheless emotionally defining.

[Kuja-yuti-Shukra]

vigorously competitive, musical, sensual [Bharani] Mangala-Mesha activates

• Vrischika = the scandalous, exposing 8th-from-Chandra = Tula-11
• Vrischika penetrating, predatory, invasively masculine force = 4th navamsha homelife

++ + Shukra owns-and-aspects bhava-3 press, movie-magazines + bhava-10 reputation, values, relationships

• Hollywood gossip magazines publishers used RCH's exploits to Sell a never-ending stream of sexualized [Kuja] shaming-scandal to a repressed and hungry readership
• In an industry for which it is a well-accepted truth that there is no bad publicity, RCH's reputation [Budha karmesha] indirectly benefited from the romantic masculinization of his otherwise rather milquetoast persona.

Mangala drishti into lagnesha [Guru-Karkata] [uchcha] [8]

• " Sexy Rexy" - as he was called by the press -- produced a great abundance [Guru] of private offscreen drama
• In mid-century Anglosphere culture, these exploits would normally have threatened the career of most male actors.
• Yet functionally, the allure of fantasy [12] for the tabloid readership quite energized his seven-decade iconic image.

RCH was charmingly believable in his dominating male-lead roles [Kuja-Mesha]

• playing to the psychic needs [Chandra rules 8] of his scandal-starved audience, rCH flourished in the capricious, competitive, cinema-drama industry

• [Kuja-yuti-Shukra] allows male dominance of female characters [for example, the NPD dismissively arrogant professor in My Fair Lady]

• [Kuja-yuti-Shukra] allows dominant behavior while pursuing relationships with either gender.

Kuja-9 casts warlike, thrusting drishti into 12 + 3 + 4 = personal and professional attacks

• RCH was considered both a master of his dramatic craft and a sour, vicious bully, who denigrated the acting skills of co-workers [3]

[Busy Bantering Budha]

jamayah-karaka [sibling] sandesha-karaka [message] * shisya-karaka [student]

[svabhava]

[bargaining-balancing jaya-pati for Dhanus - Haya indriya-lagna]

[commanding-ordering karmesha for Dhanus - Haya indriya-lagna]

check Shani + Shani-drishti to source Budha's interlinking discourse, associative conversations, systematic explanations

[detailed economic teamwork discussions]

[executive advising roles in marketplace business relationships]

[massive systems instructional delivery]

[describes media-messaging within profitable networks]

[talks about community-connectivity]

[collaborative cohort conversations about mass-marketing]

[plans and schedules to manage crowds]

...

[organizing-structured Varuna-2] [navamsha Budha-Makara] intuitively hierarchical conversational gestural explanatory expression

[Varuna-Budha-yuti-Surya-Purvabhadra]

[Budha moudhya-dosha]

• [Budha-Kumbha ] connecting communications * systematic pronouncements * articulation of social-scientific networks * descriptive inter-webbed definitions * diagrams the marketplace linkages * futuristic conversations * messages about communities * discusses economic transactions * explains social participation linkage * large-scale logic * skilled weaving * deft knitting * hands-arms-shoulders make connective gestures

• [Budha in bhava-3] narrative of cohort collaboration * chatty siblings * articulate announcements * discusses commerce * instructions for management * conversations about information technology * clever programming * logical reporting * talks about daily business * handles information * skillful printing * scripted dialog * text instructions * writes lyrics * detailed media-messaging * communication tactics * explains marketing * quick manufacturing * descriptive process * signaling gestures

• [Budha-yuti-Surya] amusing explanations * entertaining chatter * central roles in communication * brightly clear descriptions * dramatic enunciation * confidently delivers instruction * articulation of radiant certainty * political messenger * talkative father-figures

OUTCOMES - BUDHA

commercially adept, administratively detailed, skilled manager, articulately gesturing, descriptive writer, mercantile mentality, cohort communicating, committeeworker, defining announcer, specific explanations, chatty conversations, handcraft manufacturing, neighborly meeting [Budha in bhava-3] rules

• 7-covenant, promise, trust, contractual relationships, social justice, advocacy, legal judgments, lawcourts, appeals, representation, equity, diplomacy, partners, justice, marriage, legal and formal partnerships, negotiation, alliance-crafting, match-making, fair arrangements, even deals, advocacy, trading, bargaining, brokerage, haggling, go-between, middleman, meddler

• 10-career, profession, dignity, regulatory roles, governance duties, social authority, symbolic recognition, iconic visibility, leadership responsibility, top status, reputation, commanding positions, honor, high regard, public respect, executive power, elite rank, lawful imposition, organizational director

CAREER - BUDHA

Budha Karmesha

Budha rules 7th-from-Chandra = marriages

RCH was married six times to six cinema actresses [3]. He co-starred in films with almost all of them. His legendary extra-curricular adventures were chronicled in the tabloid press [3]. Sensationalist publicity [3] fueled his drama career, as movie-magazine audiences feasted upon lurid reports of his misdoings [3]. Labeled by the press [3] as " Sexy Rexy" , rCH seven-decade career in cinema [3} was generally benefitted by women, publicity, and relationships - all Shukra.

[Budha rules communicative conversational commercial Mithuna 10th-navamsha]

• contains Rahu in bhava-11 = brilliant social-networking

• Budha rules publishing, advertising, commercial, cinematic, scripted Mithuna [10th navamsha]

• [Budha rules communicative conversational commercial Mithuna 10th-navamsha]

• powerful incoming drishti from Rahu-Mithuna-Arudra

legalistic Budha in bhava-7 rules Kanya-2 [6th-from-Chandra] - 6 marriages, 5 divorces

++ drishti of Budha [ruler of 11 + 2] into the Simha lagna

• brings marketplace revenues, voice, face, verbal articulation

Dhana-Drishti of Rahu-11 into Budha-7 ruler of 11

• marketplace gainfulness, awards, prestige via the unions, benefiting both the husband and the wives.

Spoken-Song * Not beautiful but it works

RCH was loved by theatrical audiences due to the regal certainty [Surya] of his communicative craft [Budha] and his charmingly humorous speech delivery.

• He particularly excelled in roles representing language, linguists, and masters of speech * such as Professor Higgins and Doctor

Shani ruler of Budha occupies 2nd-from-Budha, while Shani drishti to Budha-ruled bhava-2 speech-song

• due to RCH being an accomplished actor with exceptionally limited singing range, the musical arrangers [Budha-7] adapted their songs to a spoken meter [Budha] .
• The spoken-songs kept pace by the orchestra.

RCH described the discipline [Shani] needed to follow the precise [Budha] rate of musical speech as exhaustingly focused, with no margin for error.

Surya-Kumbha in [11th-from-Chandra] gets drishti from Rahu-11

• This cleverly crafted accommodation by his co-workers [Budha] allowed RCH to star [Surya] gainfully in prize-winning musical productions.

[Generous Growing Guru]

dhava-karaka [husband] bahuta-karaka [variety]

[uchcha]

[energizing-identifying lagnesha for Dhanus - Haya indriya-lagna]

[rhythmic bandesha for Dhanus - Haya indriya-lagna]

...

[bargaining-contractual Pushya-3] [navamsha Guru-Tula]

[Revatī-Chandra-4 parivartamsha Pushya-Guru-8]

• [Guru-Karkata] big shelters * various caretakers * many provisions * benevolent routines * believes in defense * permission to protect * optimistic patriotism * broad understanding of local cultures * develops gardens * household expansion * prosperous settlements * multiple dwellings * many patronizing parent-figures

• [Guru in bhava-8] greatly optimistic rejuvenation * many sudden beneficial changes * keeps many wise confidences * faith in rebirth * numerous identity transformations * generous in-laws * extensive tantric understanding * expansion of undisclosed forces * abundance of initiations * many mysteries * regenerative emergencies * secret philosophical guidance * hidden inspiration * believes in invasive healing * rebirth via multiple surgeries * in a wifely nativity, husbandly-companion may be a revolutionary, disaster-responder, or trauma-healer

OUTCOMES - GURU

generously disguised, hidden patrons, expansively veiled, cheerfully non-disclosing, doctrinally opaque, many surgeries, multiple emergencies, believes in healing, guidance via secret initiation, mystically transformative, inspirationally recycling, jovially rebirthing, optimisticly discovering, suddenly extensively eruptive [Guru in bhava-8] rules

• 1- distinctive attributes of personality, dense material incorporation, individual personification, earthen embodiment, physical integrity, kinetic energy, dance, style of movement, athletic prowess, muscular mobility, unique character, kinetic vitality, circumstances of birth, tangible appearance, coherent social identity

• 4 cultural foundations, property boundaries, way of Life, protection, defense , homeland, household, routines, rituals, mother, parents, customary rhythms, caretakers, socialization schooling, gardens, waterways, transportation, housing, social security, sense of place, environmentalism, citizenship, belonging, ethnic basis, ethnoreligion, patriotism, real-estate, farming, land-ownership, burial, predictability, health of the elder sibling

CAREER - BRIHASPATI

[uchcha] [Guru in bhava-8] -- [lagnesha]

Succès de scandale

[Revatī-Chandra-4 parivartamsha Pushya-Guru-8]

Guru rules Dhanus-1 = 10th-from-Chandra =Purva-ashadha-indriya-lagna [1]

In addition to a legendary pattern of extra-marital affairs, rCH married a total of six times over a 30-year span.

Lagnesha Guru-uchcha-8 in 5th-from-Chandra

• RCH played many popular male drama-roles, but he was in particular a master of wry comedy.

Left Eye

• Guru activates 8-trauma containing Shani-Meena.
• Partially blind in left eye [12] = result of childhood measles

Favored by Theatre Critics = 3rd-from-Budha

• Although a known curmudgeon, disliked generally by fellow thespians, rCH became a favorite of the theatre critics [3rd-from-Budha-10, criticism, comment, publication] .

[Sweetly Suave Shukra]

svadu-karaka [sweet] kalatra-karaka [wifely companion]

[inimical-medicating rogesha for Dhanus - Haya indriya-lagna]

[profitable-networking labha-pati for Dhanus - Haya indriya-lagna]

...

[champion-challenger Aśvini-1] [navamsha Shukra-Mesha] intuitively competitive pioneering dominating financially suave negotiation of harmonious contracts

[Aśvini-Shukra-yuti-Mangala-Bharani]

• [Shukra-Mesha] appreciation of direct movement * primal relationships * likes innovation * aesthetic of physicality * attracted to champions * pleasures of conquest * kinetic sensuality * prefers a lithely sporting partner * sweetly competitive * aristocratic agreements

• [Shukra-5] seeks pleasure via refined gaming * enjoys center-stage beauty * creative feminine-figures * pleasing children * talented students * delights in financial speculation * political grace * aesthetic designs to adorn the heart * graceful solar plexus * dramatic relationships * sweet celebrity romance * delights in fine arts * appreciation of entitlements * in a husbandly nativity, wifely-companion may be a dramatist-politician-artist-genius

• [Shukra-yuti-Mangala] sweetened conquests * gracious competition * appreciation for pioneering innovation * aesthetic of sporting interactions * proactive negotiations * musical brother-figure * competitive contracts * accommodating dual sexuality * prefers relationships with energetic partners

OUTCOMES - SHUKRA

sensually charismatic, agreeably theatrical, appreciative of romantic entitlements, harmoniously creative, aesthetically entertaining, graciious dramatic performance, financially speculative, musical-artistic students-adolescents, enjoys gambling, idealistic political relationships [Shukra-5] rules

• 6-ministries of service, dehumanization, misconduct, war, jail, slavery, pollution, argumentation, healthcare workers, ailment, injury, medical treatment, hypocrisy, crime, cheating, animosity, toxins, complaints, accusation, litigation, imbalanced conditions, injustice, betrayed promises, servants, laborers, hostility, animosity, disagreement, dehumanization

• 11-fruitful revenues, interconnected income, profits, material achievement, social networking, friendships, community linkage, fan-clubs, mass participation gatherings, collectivism, marketplace gridworks, distribution, association, populism, economic systems, fundraising, gains-and-goals, awards for work accomplished, health of the enemies

CAREER - BHRIGU

Shukra activates Yoni Svamsha

Shukra rogesha rules 6-divorces, acrimonious accusations = news-making 3rd-from-Chandra publications, cinema, photographs, journalism, magazines

Awards and Prizes for Theatrical Excellence

• Shukra rules 11-earnings, prizes for work-accomplished
• 11 receives drishti from Kuja-5 + Shukra-5+ + Rahu-7

Music = Shukra

seven-decade entertainment career = age 16 until age 89

• Shukra-5 drama, entertainment rules 10th-navamsha Urisha = -professional respect, career in beauty, costumes, accessories, decoration, refinements, music-singing-face

[Aśvini-Shukra-yuti-Mangala-Bharani] contained within communicative 3rd from Budha

Cinema - Cinema - Cinema [3]

RCH was a mid-century Matinee idol .

• A manly-man who could sing [sort-of] RCH admired by audiences for his ability to represent the foibles and delights of the mid-century Western Man.
• attractive, sensual, musical

https://en.wikipedia.org/wiki/Matinée_idol

[Shukra rules 3-10 navamsha]

[Shukra rules 3-8 from Chandra]

RCH's enduring career is attributable to his theatrical display of

• sharing the screen with demure but surprisingly competitive [Mesha] feminine leading-ladies [Shukra]
• championship, dominating masculine energy, primitive entitlements of the conqueror [Kuja]

[Sober Structural Shani]

duro-karaka [endurance] * jara-karaka [Jahre, years]

[Harsha Yoga]

[contractual-bargaining jaya-pati for Simha indriya-lagna]

[inimical-medicating rogesha for Simha indriya-lagna]

...

[Revatī-Somana-yuti-Shani-Uttarabhadra] [niṣṭhurabhāṣi yoga = निष्ठुरभाषिन् = protector speaks harshly]

[dramatizing-ceremonial Andromeda-1] [navamsha Shani-Simha]

• [Shani-Meena] oppressive dreams * socially responsible imagination * fear of vast waters * required immersion * must use symbolic images * aging affects the bedroom * structural compression upon aching feet * strictly imposed sanctuary * endures proletarian prayer * slow elder diviners * limited access to ancient ancestor guides * pragmatically constrained intuition * must sustain the astral resonance * scarce contemplative resources * maintainer of old interior visions

• [Shani in Bhava-4] steady time-structured life foundations * must sustain the cultural roots * required to defend boundaries * grim determination to provide security * dry stony gardens * pessimistic schoolteachers * judgmental mother * proletarian childhood * normalized parenting * orderly conventional education * caretaker's fatigue * chronic household scarcity * old folk customs * resists domestic innovation * must protect old routines * elders maintain the ancient ritual austerities

• [Shani-yuti-Chandra] [niṣṭhurabhāṣi yoga = निष्ठुरभाषिन् = protector speaks harshly] social resistance to natural rhythms * imposition of pragmatic routines * delayed security * class-conscious mother * limited creature-comforts * parental policing * stubborn guilt * obligatory caretaking duties *emotional withholding * punitive parents * class-structured ethnicity * uncomfortable discipline * oppressed sensitivities * dries-freezes the flow of nourishing liquids * needs regulatory order * blocked feelings * must earn emotional affection

OUTCOMES - SHANI

• 2-acquisition, family legacy, tradition, language-lexicon, preserved memory, banking, collections, entreasurement, herd-hoard, treasury containment, financial capital, accrued amounts, asset evaluation, knowledge of history, speech-song, heritage values, color-sound, arts-and-music, face-voice-eyes-teeth-mouth-hair, genetics, stored resources, health of the father

• 3-communications, messaging, sermons, scripts, radio-television, media-products, Writing and Publishing, letters of correspondence, announcements, planning, schedules, sales, marketing, documentation, reporting, cohort, entourage, committee-work, iterative stepwise process, manufacturing, commercial business, instruction, explanation, discussion, diagrams, labeling, event management, signage, training, itinerary, tours

CAREER - SHANI

Typical of niṣṭhurabhāṣi , extremely hard-working. He died only a few weeks after his final performance, age 82

Income-over-Art

• Colleagues noted that RCH often declined roles with creative potential, choosing instead the better paying roles

[Shani rules Makara-2 = 11th-from-Chandra] awards, prizes] - also earnings, revenues, profitable associations

WORK WORK WORK

[Shani-yuti-Chandra] [4] casts drishti into

• 1-identity, physical movement style, personality, embodiment
• 6-conflict, labor-relations, divorce, toxicity
• 10-reputation, recognition, heightened public responsibility

RCH was known for his extraordinary work ethic.

• RCH was acting on stage until only a few weeks before his death from pancreatic cancer at age 82.
• Despite a high income in mid-career, rCH was said to have complained resentfully [6] of his legally mandated [Shani] alimony and child-support payments from his numerous marriages

Limited vocal range

• Shani rules bhava-2 [also asta-Budha ]

Shani drishti into 10-and-1 = assists mid-life and elder career

Harrison's professional reputation ascended when his forehead became furrowed with the lines of age.

• His most successful career period occurred when he was eligible to enact middle-aged and elder male roles
• such as Professor Higgins [a sixty-ish teacher] and Doctor Doolittle [a wizened, experienced veterinarian]

[Risk-rewarding Rāhu]

rajyalobha-karaka [ambition] picchala-karaka [slippery]

[for Dhanus - Haya indriya-lagna]

check Budha + Budha-drishti to source Rahu's apparently explanatory, shimmering mirage of communicative flair

[Rahu-7 casts passionately bargaining Other-identified drishti into 11-1-3]

[ambitious instructions for commercial alliance]

[seeks prestige via bargaining information]

[over-reaching desire to balance the scripted process]

[astonishing passion for detailed equity agreements]

[unorthodox writing-editing about diplomatic discussions]

[advocate-manager of exciting negotiation projects]

[risky taboo-challenging talk about reciprocity]

[fascinatingly fabulous matched coupling]

[spouse may be an extraordinary communicator with prestigious status or unusual cultural background]

...

[imaginative-conceptual Arudra-4] [navamsha Rahu-Meena] intuitively philosophical, compassionate guide toward charitable humanistic cultural mix

• [Rahu-Mithuna shimmering mirage of skillful process * craving for conversation * mask of messaging * boundary-breaching broadcasts * extraordinary explanations * ambitious administration * preposterous propaganda * extravagant commercial transactions * marvelous advertising * thrilling photographs * unusual ensembles * exciting cohort * mesmerizing instructions * over-reaching management * seeks special importance via apparent [but perhaps not authentic] attributes of information delivery * sensational scripts * exaggerated announcements * exceptional business methods * seeks privilege via communicator-roles

• [Rahu in bhava-7] passion for prestige alliance * in svabhava of Suave Shukra, the Shadowy Specter seeks opportunistic arrangements * strategic use of the law-courts * expediently amplified bargains * extraordinary relationships * extravagant promises * outsider who cleverly insinuates into partnerships * astounding advisors * unorthodox negotiations * marvellous match-making * thrilling surge of brokered agreement * non-standard pacts * surprising legal loop-holes * exaggerated equity * entranced by one's own polarity * unusual exchange valuation * sweet mirage of fair treatment * enthralling mixed-culture treaties * may pose as an impartial counselor * disguised as a deal-maker * mesmerizing diplomacy * appears as a pleasant advocate * social mobility sought via convenient contracts

OUTCOMES - RAHU

[Rahu in bhava-7] outsized, over-reaching, thrilling relationships

sensationalizing Arudra-Rahu-7 drishti into 11-1-3

• "there's no such thing as bad publicity"

Gainful, ambitious, profitable Rahu in bhava-11 occupies

• the Hollywood gossip press [3 publication, announcements] played an over-sized role [Rahu] in promoting and maintaining RCH's celebrity profile

RCH's career was marked by consistent popularity and prize-winning roles for physicalized, passionate performances double-Rahu [Arudra] 11

• It was also punctuated by repeated shaming-scandals [Rahu] involving promiscuity, bullying, and taboo-bending behaviors.

sensationalist tabloid press 3rd-from-Chandra amplified [Rahu] the lurid stories.

RCH's boundary-breaching philandery, the suicides of two of his partners, and various scandals ultimately added an exciting allure to his aura.

• Although initially these shocking problems seemed to threaten his future, indeed the highly-publicized intrigue promoted RCH career.

[Rahu in bhava-7] amplifying drishti to Budha-yuti-Surya-3 = thrilling photo-news publicity journalism

The tabloid celebrity press [3] eagerly developed RCH's sensational relationship stories to increase their readership.

Unlike a political career, an entertainment career may benefit from the publication of salacious stories.

• RCH's six marriages and much extramarital mischief were excoriated by moral critics
• but celebrated by delighted magazine-and-movie-ticket buying audiences [11 fanclubs, revenues] .

[Collapsing unshackling Ketu]

kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum]

[for Dhanus - Haya indriya-lagna]

check Guru + Guru-drishti to source Ketu's ungrounded convictions, disengaged belief

[not identified with specific fixed catechesis]

[disregards doctrinally guided lifestyle conventions]

[faithfully principled liberating disconnected behaviors]

[eccentric inspirational movements]

[incoherently optimistic appearance] [fragmented individualized beliefs]

[exemplifies scattered ideological commitments]

[passively fixated on ambitiously messaging-commercial Rahu-Mithuna-7 risk-rewarding partner-advisers]

...

[strategic-complaining Pūrvāṣāḍhā-2] [navamsha Ketu-Kanya]

• [Ketu-Dhanus] philosophically dissociates from sacred convictions * odd professors * dissolves indoctrination * empty paradigm of belief *  dispersed worldview * martyr's faith * not limited by conventional beliefs * eccentric teachings * peculiar convictions * ignores restricted catechesis * releases a warm golden  cloud of broad inclusivity into the misty abyss

• [Ketu in classroom-1] eccentric expression of the fleshly container * apathetic observer personality * ambivalent toward kinetic movement * incoherent embodiment * other-defined chameleon * surrenders individual completeness * martyr witness to partner's vitality * identity depends upon Important Others (Rahu-7) * liberation via abdication of birthrights * unless other graha-in-1, may prefer to live free of independent selfhood

OUTCOMES - KETU

Ketu-1 occupies 10th-from-Chandra

Public reputation associated with his six marriages and numerous aborted romances with dramatic actresses, including two suicides [Ketu]

Although an acknowledged expert thespian -- perfectionistic in the execution of the dramatist craft and a genius of wry-comedy -- RCH was famed for disregarding the needs of others in all relationships, both personal and professional

RCH was reputed for his divorces, betrayals, and mistreatment of others

• yet these misdoings did not harm his professional reputation
• In fact, RCH dismissive, empathy-lacking behavior enhanced his personal recognizability

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