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EP in high school in Mississippi


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Singer

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Musician

Cinema dramatist

Rockabilly Cultural Icon

Elvis Presley

Earthbody-Entry Tuesday-08-Jan-1935

Earthbody-Exit 16-August-1977 (age 42)


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eulogy for Elvis Presley, delivered by POTUS-39 Talking Peace 1924- Jimmy Carter

"Elvis Presley's death deprives our country of a part of itself.

He was unique and irreplaceable. More than 20 years ago, he burst upon the scene with an impact that was unprecedented and will probably never be equaled.

His music and his personality, fusing the styles of white country and black rhythm and blues, permanently changed the face of American popular culture.

His following was immense, and he was a symbol to people the world over of the vitality, rebelliousness, and good humor of his country."

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Rockabilly musical entertainer, songwriter, dramatist * 1935-1977 * Elvis Aaron Presley

birth data from http://en.wikipedia.org/wiki/Elvis_Presley * tentatively rectified by BP Lama Jyotisha

charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama

Rising Nakshatra

Masculine Nativities

Jyeztha * Kita * Thrikketta


BPL commentary

For Jyeztha births of a masculine valence, the condition of conversational, discursive, explanatory, instructional, argumentative, commercializing, evangelical Kumara may considerably affect the outcome.

For those born into the Budha-ruled paradigm of Varta, siblings, cousins, schoolmates, bandmates, team-mates, entourage, ensemble, neighbors, managers, cohort, coterie, collaborative group, publishers, messengers, merchants, commercial agents, reporters, writers, scripts, plans, schedules, instructions, radio-television-internet, news-media, conferences, committees, discussions, travel itineraries, and texts may be especially influential.

Instructional guidance is provided by emissaries from the civilizations of Antares. Their purpose is to communicate a forceful, dynamic, healing regeneration cycle via sexual energy transfer and discovery of secrets.


Penetrating Communications

Budha-ruled Jyeztha gentlemen are typically outspoken, incisive and decisive, competitive, descriptive, and authoritative communicators. Thrikketta-born maintain a deep sense of mental seniority. Capable writers, Ketta men are quick-witted and skilled in handcraft. Articulate and pro-active to the point of verbal aggression, they find a ready audience on topics of a mysterious, hidden, or forbidden nature.

Thriketta fellows may be handlers of secrets of a sexual, psychological, political, military, engineering, or financial nature.

Masters of verbal control and manipulation, Zakra chaps are often found in politics. Due to the influence of nakshatrapathi Budha, often Jyeztha-born use words to manage an ever-transforming experience of power. In the process of channeling these mysterious and compelling kinetic energies, Thriketta men may engage in sexual intrigue and dangerous liaisons. Ketta-born are natural psychologists., and they can become transformative healers when their sexual energy consciousness evolves.

Themes of verbal contest, sexual energy transfer, and healing discovery may contextualize Jyeztha's terrestrial experience. Also applicable to Chandra in Jyeztha-Kita

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra .p 85


"A dark and sensitive nature ...

  • superficially religious

  • but are hypocrites at heart.

On the surface they are respectable, law abiding citizens, ostensible church-goers,

  • but secretly their morals are loose

  • and their tempers passionate.

Smooth, oily, and suave to all appearances,

  • they carry in their hearts schemes and thoughts which might not stand the light of day."


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Teenaged Elvis in 1950's, before his manager convinced EP to wear black hair dye

Biographical details matched to Vimshottari dasha timeline


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"American pop singer, one of the most famous entertainers in modern history whose notoriety became worldwide. With a carnal sneer and a Memphis bop-suit, he swiveled across the stage on hot-wired legs.

He had 107 top-40 hits (more than twice the total of the Beatles) and 41 gold LPs, the most successful recording artist ever .

EP's persona touched billions of fans, and years after his death, he is still an icon with a huge following. His records continue to sell at a $7 million-per-year clip, his 33 films still spin off the racks of video stores, and some 150 licensed products bearing his name or image account for $50 million in retail sales annually. His fans still visit his Memphis home, Graceland."

quoted verbatim from http://www.astro.com/astro-databank/Presley,_Elvis


BPL comments

Elvis and Religious Music

EP served as a powerful icon of American social change by integrating into a single dynamic personal music-and-dance style, the historic African rhythms of southern American blacks with the Appalachian rhythms of southern Bible-Belt whites.

As well, he conjoined the sacred and secular music strands of rural Christian culture (Ketu-9 disregard for doctrinal boundaries). His music set a cultural precedent for the USA Civil Rights movement which was soon to be spearheaded by USA Civil Rights 1929-1968 Rev. Martin Luther King

Rahu Mahadasha * age birth until age 14

Tues-08-Jan-1935 Earth-birth in Tupelo, Mississippi, USA * Rahu-Guru bhukti * Brihaspati rules 2-voice-face +5-celebrity

Guru Mahadasha * age 14 until age 30

late 1954 (EP age 19) first popular + profitable recording That's All Right * Guru-Budha bhukti * Budha labhapathi-11

26-Mar-1956 EP signs exclusive contract with music manage-promoter Colonel Tom Parker (a.k.a. Andreas Cornelis van Kuijk) * Guru-Budha bhukti * Budha labhapathi-11

Mar-1958 * EP drafted into US Army + ships out to US military base in Germany * Guru-Zukra bhukti * Zukra ruler-of-12 distant lands

14-Aug-1958 grieved the decease of mother (EP age 23) * Guru-Zukra bhukti

13-Sept-1959 * EP met American teenager Priscilla Beaulieu at a party while stationed in Germany.(EP age 24, PBP age 14) * Guru-Zukra bhukti


Shani Mahadasha * age 30 until decease age 42

Janma Sade-Sati Kumbha-4 = Jan-1964 until Dec-1966

01-May-1967 * 9:41 am, Las Vegas NV * exchange the vows of Marriage with Graceland 1945- drama-homeware Priscilla Beaulieu Presley (EP age 32, PBP age 22) * Shani-Shani swabhukti +++ dwithya Sade-Sati * R-K gochara Meza-Thula ++

01-Feb-1968 celebrated the birth of child-1 = Lights Out 1968- singer Lisa Marie Presley * Shani-Shani swabhukti +++ dwithya Sade-Sati * Shani rules Chandra-Shani

1971 marital separation * Shani-Ketu bhukti

Aug-1972 divorce property settlement concluded

09-Oct-1973 final divorce decree * Shani-Zukra bhukti * Zukra yuvatipathi-7 property, Zukra rogesha-6 from 7 divorce

1975 surgical facelift procedure * Shani-Surya bhukti * karmesha public appearances Surya-2 face

16-Aug-1977 (EP age 42) Lightbody Lift-off" (via heart failure following toxic colon ) at 2:50 PM CDT, Memphis, TN) * Shani-Chandra bhukti

Distinctive Features of the Nativity


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EP's parents-to-be in Tupelo Mississippi, in the Depression Year of 1933. EP's 20-year-old mom worked in a garment factory. His dad was a 17 year old sharecropper who was convicted of bank forgery and served 18 months in prison during EP's childhood.


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Elvis in the Whitehouse approximately 1972, hanging out with POTUS-37 Watergate 1913-1994 Richard Nixon . Nixon was an accomplished pianist and music aficionado with a love of creative performance. He met Pat at a community theatre singing audition.


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Elvis performing in the final era before his untimely demise, beset by drug toxicity and symptomatic obesity, colon distension, + dental decay


Zukra-yuti-Rahu occupies the retreating, dissolving, invisibility-seeking 12th-from-Chandra * emotional dissolution via drugs

Nishturabashi Yoga in bhava-4 parents-home * also "police badges" Chandra-4 protection of home area * he belonged to the local volunteer police annex


Elvis and Drugs

".. he always carried a kit of medications that included Dexedrine, Percodan, Seconal, Nembutal, $10,000 in cash, his drivers license, makeup, jewelry, police badges and some pictures."

quoted from www.astro.com/astro-databank/Presley,_Elvis


Bodyweight Crisis

"Later in life due to poor eating habits his weight soared to 250 lbs. He wrapped himself in Saran Wrap before dressing to look slimmer, but this just made it more difficult to breathe."

quoted from www.astro.com/astro-databank/Presley,_Elvis


Fatal Toxicity

"There were many prescription drugs found on the premises and in his system. The ... autopsy found EP's liver bloated and his colon to be stretched to twice its normal size, due to a buildup up of chalky white fecal matter, both signs of severe drug abuse. The toxicology report found toxic levels of codeine, Quaaludes and six other drugs in his system."

quoted from www.astro.com/astro-databank/Presley,_Elvis

Surya * pitrikaraka * Jyotikaraka

  • musical purva-azadha * Surya-Dhanuzya* Aditya * the unsplit, undivided
  • Surya in bhava-2 * center of values-fulfillment lineage * intelligence for languages * bright knowledge of history * focus on treasuries * banking entitlements * bright face-speech-song * eye on capitalization * dad holds the center of family * sparkling center of the treasury-drama * father may be a banker-collector-conservationist
  • Surya-yuti-Budha * confidently conversational * bright messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * gestures conduct the spiritual rays of the Sun * radiantly descriptive * articulate in drama * smart game-player * self-confident announcements * talks about ideals * narrative of power-politics * recites love poems * describes divine romance

FATHER

Dad = a struggling young sharecropper. Dad spent 18 months in prison during EP's childhood

EP's Dharmesha-9 Chandra rules Ketu-9 but Chandra occupies 6/8 from pitristhana = father.

As EP's commercial success expanded, Dad became road manager of EP's entertainment entourage. Pitrikaraka Surya karmesha ++ Surya yuti vriddhipathi Budha = Dad's engagement with EP's career (10) and EP's earnings (11)

Ketu-9 suggests a distancing behavior which causes Dad to wander.

Parents as a Team

Nishturabashi yoga, holds an awkward shad-ashtaka 6-8 angle from the absentee father-figure represented by Ketu in classroom-9

The parents would appear to have been troubled by harsh conditions in their own childhoods, insufficient resources in the home, and fear of social criticism (Shani-yuti-Chandra). Yet Surya-and-Chandra occupy a relative 3-11 angle, suggesting that they were friendly toward each other, cooperative on shared projects (3), and grounded deeply into their local speech values (Surya-2) and agricultural routines including worship (Chandra-4).

CAREER

Surya-Purvazadha = music-entertainment, often with a sacred, doctrinal element

karmesha-10 Surya-2 brought the public eye into bhava-2 music, singing, face, voice

Karakamsha = bhava-2 singing .

Dhanasthana contains the musically entertaining charisma + center-stage dynamism Dhanuzya-Purvazadha Surya +++ the somewhat doctrinal and mystical messaging of Uttara-azadha-Dhanuzya Budha (8-11).

2 = speech, song, face, teeth-jaw, hair, money, food stores, hoards of all kinds, family history, historical cultural values of one's people. Elvis was famous for all of these attributes. Vriddhipathi-11 Budha-2 yuti karmesha-10 Surya is a substantial Dhanayoga which became activated during his Guru-Budha bhukti age 19


Chandra * matrikaraka * garha-karaka

  • Chandra-Kumbha * comforted rhythmic pulsing network linkage
  • Chandra in Shata-taraka * comforted by mixed networks * protectors of universal mingling * soothed by risky marketplaces * needs to make expedient social connections
  • Chandra in classroom-4 * digbala * comfort in familiar routines * calmed by caretaking * seeks continuous oscillating motion * sensitive to ethnic folkways * contented by recurrent rituals * soothed by customary habits * tranquilized by rhythmic waves * needs pulsation * nurtured by gardening * follows local pathways * feels rooted into the land * settled into home-keeping * undulating patriotism
  • Somana-yuti-Shani * nishturabashi yoga * Emotionally constricted * punitive authority figures * sensitive to class boundaries * soothed by structure * needs rigid routines * heavy maternal workload * comfortable with elders * familiar with hierarchies * emotionally limited mother * calmed by strict rules * feels like a worker

MOTHER

Mom = garment factory worker, home-maker, church member

Soma is deeply oppressed by Shani in childhood home = bhava-4

  • Somana-yuti-Shani generally indicates a mother who exhibits emburdenment from a heavy workload, premature aging, and emotional blockage.
  • Chandra in 8th-from-9th represents the Mother suggesting that the mother would at times become the father (which happened when the father was in prison).

Chandra occupies a shad-ashtaka 6-8 angle from both Ketu-9 (father) and Mangala-11 (Elvis) suggesting that the mother was not always in alignment with her son's father or her son

Mother = generally holds a conventional doctrinal belief paradigm = customary Chandra = Dharmesha-9

Mother would have had an absentee father or father is incoherent or ill, Ketu-9 occupies 6th-from-Chandra ruled by Chandra. Likely both of mother's parents somewhat afflicted by poverty and illness.

Emotions, Childhood and Vehicles

Chandra ruled by Rahu, receiving Parashari drishti of Guru-12. Expansive blessings of homes and vehicles. Elvis was known for his mansion, luxury cars, and private aircraft.

Nishturabashi yoga is somewhat neutralized by Guru-drishti but the electro-magnetic emotional issues remain.

Shani-4 * Shasaya Yoga * typically loyal and persistently dutiful toward the parents and the homeland.

Shani rules 3-commerce, touring ++ 4-home-culture Chandra produces a host of emotional conflicts and deep responsibility (Shani) to protect (4) the Old Ways Chandra in bhava-4 * digbala

Eccentric but not intellectually activated

Chandra in Shata-taraka * comforted by mixed networks * protectors of universal mingling * soothed by risky marketplaces * needs to make expedient social connections * indicates one who is scientific and intuitive and often in connection with extraterrestrial intelligences, albeit the awareness may be socially oppressed. Elvis was famed for his occult interests but also for his perceived inability to ask for the information he sought, except by passively absorbing easy-reader books for the popular market.

MARRIAGE partnership support expectations

7th-from-Chandra-4

  • = bhava-10 = public reputation, dignity, respect, high-visibility leadership, conformity to expected behavior of a social icon

Although EP had shared a home with PBP since PBP's age 15, EP had no stated intention to marry (being involved with numerous other partners), Nevertheless, Shani-Shani swabhukti +++ dwithya Sade-Sati enforced a legal marriage in 1967.

According to biographers, music manage-promoter Colonel Tom Parker issued the command for a marriage ceremony to be undertaken for purpose of meeting public expectations. The blessed event was arranged in rented function-room of a casino hotel, attended primarily by invited members of the newspaper, magazine, and television press.

7th-from-Chandra-4 = karmabhava-10. Conventional, socially beholden 10 receives drishti of Shani-Chandra-Rahu, suggesting the instrumental (Rahu-3-publicity) and obligatory (Shani) and customary (Chandra) nature of the alliance avowal.

  • "While in the military stationed in Germany he met future wife, teenage Priscilla Beaulieu in 1959. Following a courtly eight-year courtship, during which Presley moved her to Nashville, TN, they married on 5/01/1967, 9:41 AM, Las Vegas, NV. Their daughter Lisa Marie was born nine months later to the day, 2/01/1968, but the marriage became increasingly tumultuous. During their marriage while on tour, if Priscilla wasn't with him, Presley would ask aides to troll for girls he could spend the night with. He kept books on astrology and numerology so he would have topics of conversation." from http://www.astro.com/astro-databank/Presley,_Elvis

Interpersonal compatibility and friendship * EP + PBP

Both partners' radical Chandra placements occupy Rahu-ruled nakshatra = substantial mutual understanding and friendship

PBP's Chandra-Swati provides an emotional compatible match for EP's Chandra in Shata-taraka .Their relationship was said to have remained mutually sentimental

Still, Somana-yuti-Shani * nishturabashi yoga * produces guilt in regard to behavior that is apprehended as obligatory or required. According to the autobiographical writings of Graceland 1945- drama-homeware Priscilla Beaulieu Presley, the sexual intimacy of the union ceased within a few months of the ceremony.

A divorce dud transpire, but there was no public scandal. Marriage dignity is protected via 7th-from-Chandra-4 = karmabhava-10.

guilt

Chandra-Kumbha rules the indebted, adversarial, contentious, conflicted, remedy-seeking, medical, military, polluted, unbalanced, contract-breaking, disappointing, ministry-of-service 6th-from-Chandra . For this reason, Chandra-Kumbha can be associated generally with indebtedness whether financial, emotional, or general cultural guilt

nishturabashi yoga tends to show a pattern of guilt regarding the parents, particularly the mother, toward maintaining the routines of the ethnicity, toward the ancestral rhythms and habits. One may feel required to offer protection and security to others but the sense of obligation feels restrictive and often leads to emotional distress

CAREER

Home-base * Chandra in classroom-4 * digbala

Chandra-4 almost invariably builds its base close to the cultural roots. Although a nationally recognized entertainer in the popular music and cinema industry, EP did not shift his home-base to Los Angeles or New York as was usually done.

EP stayed in his southern-roots regional hub, Memphis TN.

  • Similar to Chandra-4 entertainer Purple Rain 1958-2016 Prince, also a major entertainer who stayed near home in remote Minneapolis.

Personal habits, Emotional Isolation, Self-Protection

Eccentric Chandra in Shata-taraka compounded by Shani

  • "His generosity to strangers is well documented. Always smiling and gracious, he found it difficult to be alone, especially in bed. His habit was to sleep all day with the windows taped so the sun wouldn't get in. He lived and traveled like a potentate with bodyguards that carried large guns." quoted verbatim from http://www.astro.com/astro-databank/Presley,_Elvis

BPL note: Shani-4 or Shani drishti into 4 may result in nightworker jobs.


Kuja * bhratru-karaka * virya-karaka

lagnesha * co-ruler of Vrischika radical lagna

  • Mangala-Kanya * vigorous pursuit of logical argumentation * proactive medication * thrust toward service * push toward unfairness * champion of litigious accusation, medical treatment plans, aggressive indictments, investigative journalism
  • Mangala in bhava-11 * drive toward connectivity, pursuit of earnings, , marketplace dynamics, invasive networking, vigorously active friends, energized scientific systems, economic conquests

Mangala in bhava-11 rules 1-physical body ++ 6-addictions, exploitation, divorce

Kuja-11 provides empowered action in economically profitable roles actively engaged with large assemblies, fan clubs, community networks, social-participation (11)

Mangala-movement = ruled by karmesha-10 atmakaraka Budha communications-messaging.

Rahu in bhava-3 opportunistic drishti to Mangala-11 amplifies the themes of thrilling movement, large groups,

Mangala-Kanya emphasizes the appeal to the exploited classes.

rogesha-6 Mangala = a sexualizer which framed EP's reputation as a hip-swinging provocateur.(Rahu thrilling provocation)

Although wildly popular with younger generations during his heyday, EP's behavior was deemed criminal (6) by the punitive judgment of the older generation of cultural-guardian southern folk.

Strictly Sober Shani (elder, rigid) is typically threatened by Mangala (younger, movement). Furthermore, Shani occupies 6th-from-Kuja.

  • lagnesha Kuja = rogesha,
  • Kuja is ruled by Budha randhresha,
  • Rahu in bhava-3 drishti = the physical energy (dance) = barrier-bending, taboo-twisting
  • Shani's fear of uncontrolled movement is heightened

Mangala Sexual behavior occupies 6/8 from Chandra emotional stability, needs

BPL commentary: the childlike younger-partner-attraction phenomenon is often linked to drug-alcohol abuse, as the native stops maturing emotionally when the substance abuse begins.

By this measure, Elvis' drug addiction can be traced to his Shani opposition aged 14 during Rahu-Mangala bhukti where Mangala rogesha-6 indicates addictions and which would have exacerbated his Nishturabashi yoga feelings of emotional isolation and resistance to maternal nurturing. Guru-drishti into Kumbha helps to neutralize the poverty and parochialism of Chandra-Shani-4 but does not alleviate the emotional isolation.


Budha * bandhava-karaka * zisya-karaka

Atmakaraka

Budha rules the communicative Jyeztha radical lagna

  • Budha-Dhanuzya * priestly communications*theoretical discourse * inspirational conversations * articulation of sacred beliefs * doctrinal pronouncements * sends messages about broad worldview * descriptive philosophical understanding * specifically defined interpretive principles * explains the indoctrination procedure * expertly detailed sermons * ideological programming * hands-arms-shoulders send preaching gestures
  • Budha in bhava-2 * narrative of value-fulfillment * conversations about natural resources, history * instructions for conservation, banking, treasuries * discusses sound values, speech-song, eyes-face * tells stories * defines storage * describer of family lineage * explainer of wealth preservation * delivers instructions for preservation of collected assets * talks about knowledge base * conserves libraries * quick with language * repeats from memory
  • Budha-yuti-Surya * amusing explanations * central roles in communication * bright, clear descriptions * confidently delivers instruction * articulation of radiant authority * political messenger * talkative father-figures

randhresha-8 atmakaraka Budha-yuti-Surya suggests the hidden, writhing, cataclysmic power of the message.


Guru * dhavakaraka * bahuta-karaka

  • Guru-Thula * many trades * variety of exchanges * much negotiation * believes in justice * doctrine of contractual exchange * multiple alliances * diversity of arrangements * equable guidance * widens the scope of balanced design
  • Guru in bhava-12 * swabhava * many retreats * much divination * many hospitalizations * many spiritual retreats * numerous psychic way-showers * much interiority * much generous privacy * extensive trance guidance * a patron of sanctuary enclosures * in a wifely nativity, husband-figure may be benevolently invisible

Guru Mahadasha * age 14 until age 30

Guru rules 2-music, voice, face +++ 5 entertainment, artistic creativity, romance, fun

EP began recording music in Nashville during his 19th year, Guru-Budha bhukti. His success in sales of musical recordings, cinema acting, and live performance touring remained spectacularly high during most of Guru Mahadasha.

Fantasy Figure

EP's gyrating, low-moaning songs filled a fantasy role for many romantic fans. EP's lyrics often referred to bedroom delights, dreams, and private pleasures. Guru in bhava-12 ruled by Rahu-yuti-Zukra in publications-3


Zukra * svadhu-karaka * kalatra-karaka

  • Zukra-Makara-Draco * appreciation of authoritative status * likes architectural structure * attracted to officials * prefers law-and-order * beautiful bones * enjoys social position * class-conscious aesthetic * pleasures of social regulation * hierarchical arrangements
  • Zukra-3 * seeks pleasure via communications * talks about relationships * sweetens the administrative tasks * pleasant style of messaging * enjoys commercial harmony * satisfied by literacy + numeracy * prefers collaborative teamwork * aesthetically phrased announcements * appreciation of conversation * nice designs to adorn the ears * lovely arms * balanced shoulders * graceful hands * chatty sisters- aunts-neighbors * attuned to the cohort * likes musical groups * fair-and-balanced management
  • Zukra-yuti-Rahu * sweetened adventure * gracious ambition * appreciation for exciting opportunism * masked negotiations * over-reaching agreements * exceptional beauty * enjoys cultural mixing * barrier-bending, culturally unusual arrangements * diplomatic equity balanced with exhilarating risk * risk-rewarding contracts * typically an unconventionally attractive yet mesmerizing appearance. A mesmerizingly (Rahu) attractive (Zukra) appearance.

Zukra-Makara-Draco +++Rahu = handsome bone structure (Zukra) + risky relationships (Rahu)

Zukra yuvatipathi-7 and ruler-of-12 distant lands * met PBP wife in a distant land (12, Germany)

Wife-figure was originally EP's underage (14 yr old) schoolgirl lover. EP was a promiscuous man who favored much-younger girls and short-term liaisons * Zukra-yuti-Rahu. EP's primary attachment had been to his chronically ill and emotionally turbulent mother. Following her decease, he sought no replacement nishturabashi yoga.

EP was essentially forced by his boss to marry the beautiful young Priscilla Beaulieu for reasons of social decorum and to generate publicity. He was 32 and she was 22.

According to PBP, their sexual relationship ended after she became a mother (Elvis was interested only in girls). PBP developed a successful, long-lasting career in drama and fashion as indicated by EP' 7th-from-Chandra-4 Kumbha = Simha entertainments.


Shani * duro-karaka * jara-karaka

  • Shani-Kumbha * moolatrikona 0-20 deg * heavy old economic systems, obliged to conform to the marketplace rules, pressure to maintain social linkage, vital energy compression stress zone = skin-nerves, strictly imposed regulations for electro-magnetic networking, limitations on earnings distribution, must materialize past-to-future gridwork, must sustain lowest-common-denominator proletarian communities, rigidly slow elder friends and mentors, must continue to achieve social-material goals despite scarce available resources
  • Shani in Bhava-4 * Structured, orderly, time-conscious childhood foundations. One must remain in place, have to root, defend, reinforce the existing shelter. Cautious, conventional mother-figures. Tense childhood, educational fatigue, chronic household scarcity; strict boundaries; heavy legacy pressure to reinforce customary cultural boundaries. Resistance to new homes and active construction. Resentment toward changes in predictable routine. Support for socially-approved dutiful roles as parent, schoolteacher, police, border defense, fisher, farmer, ritual worship, temple maintenance, guardian of local infrastructure.
  • Shani-yuti-Chandra * nishturabhashi yoga * social resistance to natural rhythms * imposition of pragmatic routines * delayed (but not denied) parenting * class-conscious mother * limited creature-comforts * parental policing * obligatory caretaking duties *emotional withholding * punitive parents * class-structured ethnicity * uncomfortable discipline * oppressed sensitivities * dries-freezes the flow of nourishing liquids * needs regulatory order * blocked feelings * strict foundational schooling * proletarian home-culture

Shani-Kumbha-4 * mulatrikona * hard worker, disciplined in home and transportation environments, follows orders

Shani Mahadasha * age 30 until decease age 42

Shani Mahadasha saw a gradual decline in EP's once-super-celebrity.

EP's his married-with-child status which began during Shani-Shani swabhukti inhibited the dreamy fantasy attractions which had been so powerful during Mahadasha of Guru-12.

The excitement of EP's race-mixing regional American style lost its provocative vigor (Shani lost energy) as the new trending international rhythms-and-themes of Beatles et al overtook the younger generations.

After ten years of fighting the exhaustion of constant touring, divorce, and over-management (Shani) rules 3-management , EP's charm was waning. According to the birth time from the Tupelo public records birth certificate, decease Shani-Chandra bhukti.


Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Rahu-Makara-Draco * shimmering illusion of dignity * craving for social status *mirage of elite identity * mask of hierarchy * mirage of privileged social position * over-reaching institutional leadership * fascinating laws and judgments * unusual claims to hierarchical rank * extraordinary status-markers * seeks special importance via apparent (but perhaps not authentic) attributes of lawful responsibility, boss authority, regulator-roles
  • Rahu in bhava-3 * passion for communication * in swabhava of Busy Budha, the Shadowy Specter = glamorous writing * exotic photography * unusual journalistic reporting * thrilling announcements * unorthodox commentary * mesmerizing messaging * craves publication * ambitious sibling-cousins * mixed-culture collaborative teams * desire for conversations * over-reaching in commercial business * exciting gestures * opportunistic approach to manufacturing * entranced by information technology * Boundary-bending via unconventional explanations * fascinating evangelism * seeks privilege via management roles
  • Rahu-yuti-Zukra * amplified attractions * magnified beauty * exotic art-music-architecture * tricky partners * opportunistic feminine-figures * fascinating (but perhaps illusory) appearance of luxurious pleasure * strange-and-wonderful designs * thrilling relationships * barrier-bending style of deal-making * unusual contracts * hypnotic arrangements * gracious balance of cross-cultural mixing

Rahu in bhava-3 * Manager, Promoter, Chief of Entourage * Colonel Tom Parker

The Master Manipulator during EP's entire career was "The Colonel"

  • Everyone in the entourage, including EP's bio-dad road manager, took their working orders from The Colonel.

A tightly controlling music promoter who was operating under various aliases, Andreas Cornelis van Kuijk (a.k.a. Parker) was a Dutch national running from polarizing conflict in his homeland. Surya-yuti-Budha randhresha-8 identity obscuration. The military title was insinuated from a non-existent militia which was itself a political fabrication of a politician. Rahu insinuation.

  • As the tale is told, neither EPs nor anyone in his immediate family were able to escape the manipulative personality of The Colonel. The Colonel understood the music business (Zukra). He kept EP in the theatrical limelight for 22 years.

Rahu-yuti-Zukra * amplifies music, beauty, women, treasuries

Rahu dramatically amplifies Zukra-Makara-Draco ruler of 7-contracts ++ 12-clandestine arrangements, hotels, undercover operations

The Colonel = reckoned to have siphoned a considerable portion of EP's creative-performance income, via both legal contracts (7) and shady dealings (12).

Exciting, culturally transformative =.Voice-Face-Song

  • karmesha-10 in 2
  • Zukra-3 performance touring greatly amplified by Rahu
  • Zukra gets incoming drishti of Guru

Rahu-yuti-Zukra gives strongest amplification to handsome Makara Zukra. barrier-bending, taboo-twisting Rahu produces the "sweet marriage" and "bedroom fantasy" effect which made young girls swoon over Elvis during his performances and when listening to his recordings.

Rahu in bhava-3 provocative love songs, thrilling lyrics Zukra song-writing

  • Opportunities found in writing and publishing. EP wrote hundreds of songs (3), and acted in dozens of cinema roles (3).as the romantic male lead
  • Rahu rules Shatatakara Chandra which needs (Chandra) to over-reach for social mobility (Rahu) via risky mixing of the home-culture elements (4)

Zukra-yuti-Rahu share Uttara-azadha-Makara within one degree (although in different pada)

  • Icon of Cultural Merging, Barrier-Bending, taboo-twisting,
  • blurring the distinctions (Rahu Shadowy Illusions)
  • between religious vs secular music
  • between races
  • between genders

Music, barrier-bending, taboo-twisting , and Relationships with Women

Zukra-yuti-Rahu within one degree, in Uttara-azadha-3-4 suggest compelling artistic ability for breaking racial boundary taboo via music and dance

Mix and Mottle * Fascinating, Boundary-Blurring Rahu + Sultry Shukra

EP's religious hymn singing and his (more dominant) secular musical gyrations poignantly mixed the historic African rhythms of the black south with the white-folk ballads of the European immigrants.

EP's rockabilly style was either adored or abhorred, His charisma was so powerful that everyone responded to him in some way.EP is considered sociologically to have been a cultural ice-breaker and artistic predecessor of the sentiments which created Civil Rights for all races and Women's Rights.

Commentators opined that with his throaty, moaning voice and swinging hips reminiscent of women's dancing, Elvis also helped to feminize the stiff, masculine, unyielding style of singing-and-dancing so characteristic of self-righteous American bourgeoisie in his day.

Elvis recorded considerable amounts of devotional Christian folk music. Yet much of his on-stage performance was overtly unorthodox (Rahu) and flew in the face of conventional race-class-gender morality.

At a private level, it is said that he was sexually promiscuous to a remarkable degree - before, during, and after marriage and that he favored much younger partners.


Ketu * kavandha-karaka * chidra-karaka * vasana-karaka (vacuum)

lagnesha * co-ruler of Vrischika radical lagna

  • Ketu-Karkata * calmly dissociates from foundational habits * surrenders material security * placidly empty shelters * disregards conventional caretaking * not limited by customary routines * ignores restriction on farming-and-fishing * surrenders property ownership * forgives the ancestors * releases a soothing pink cloud of ancient rhythms into the misty abyss
  • Ketu in classroom-9 * disinterested in credenda * wandering worldview * disengaged from doctrine * disregards theory * vacuous philosophy * irrelevance of the catechesis * ambivalence toward principled convictions * surrenders paradigm of belief * ignores the conventional understandings * incoherent ideology * unless other graha in 9, may prefer to live without father-figures

Chandra-4 rules Ketu in classroom-9

EP professed a deeply personal religiosity imbued in him (he said) by his mother. Chandra dharmapathi but Ketu-9 also, and Chandra occupies 8th-from-9th.

  • It would appear to have been a deep cultural attunement to the culture of farming folk. Yet for the folk, there is no important distinction between personal belief and cultural root-worship. It is one seamless emotional merge.

Ketu occupies emotionally sourced ailments-addictions = 6th-from-Chandra

"EP's mother suffered from depression and took medications for this and for her weight problem. As a young man he started to take his mother's diet pills and antidepressants." quoted from www.astro.com/astro-databank/Presley,_Elvis

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