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cinema + live theatre + television

noted for The Golden Girls

playwright

autobiographer

fashion designer

Rue McClanahan

a.k.a. Eddi-Rue McClanahan

Earth-birth Wednesday-21-Feb-1934

dematerialization 03-Jun-2010 (age 76)

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Golden Girls dramatist + writer + fashion designer * 1934-2010 * Rue McClanahan

birth data from http://en.wikipedia.org/wiki/Rue_McClanahan* tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = produced by Shri Jyoti Star * adapted by BP Lama

born on Ashtami Shukla Paksha

Rising Nakshatra

Feminine Nativities

Dhaniztha-Delphinus

Vasu * Slaviztha * Avittam * Hrsikesha


BPL commentary

For Dhaniztha births of a feminine valence, the condition of pioneering, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome.

For those born into the Kuja-ruled paradigm of Vasava, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, drivers, drillers, diggers, exploders, aggressors, pushers, invaders, pursuers, competitions and battles may be especially influential.

Dhaniztha-born often respond to a deep inner fear (Shani) which manifests as aggressive survival-driven competition (Kuja). The result = orderly, direct, empowered, and dynamic structured action.

Instructional guidance is provided by emissaries from the civilizations of Delphinus. Their purpose is social engineering, economic competition, and achievement of dominant positions.


Hierarchical Power Climber

Kuja-ruled Vasu-born ladies endure acute Shani-Mangala tension. These women are athletic, goal-oriented, and competitive.

Those who have chosen a feminine-form birth may find themselves surrounded by invigorating but dominating masculine figures. Male colleagues may be surprised to discover that despite their feminine style, Dhaniztha ladies are equal and serious competitors. Their sexual energies are alive, and may be used to advantage.

Dhaniztha + Sraviztha are a pair, similar to the Purva-Uttara pairs. Similar to genteel Shraviztha, those born within Dhaniztha are highly sensitive to rhythm, pace, and tone. They can develop successful careers in music and dance performance.

Unlike demur Soma-ruled Shraviztha, those born into Kuja-ruled Dhaniztha favor athletic movement. They thrive where the beat of the war-drums is deep and strong. They set high-achievement goals. Dhaniztha are determined to win the contest, at any cost. When Dhaniztha ladies choose an entertainment career, it is often full of loud singing, vigorous dance, and men.

In the modern era, Dhaniztha ladies may use Mangala's kinetic energies to ascend the corporate-institutional hierarchies of Shani,. They strive for alpha-dominant positions. All fields of competitive endeavor are open to the Avittam-born, including athletics and contests. Often preferring applied scientific careers with measurable outcomes, Dhaniztha-born are also found in all types of systematic intervention into their environment, such as social engineering, political engineering, or materials engineering.

Operating in orderly Shani-controlled environments of Makara and Kumbha, feminine Vasu champions are often surrounded by lawful, systematic, and timid folk who rarely resist Hrsikesha's powerful ascending drive. They are often respected in the boss role due to Kuja's ability to dominate the field of activity while keeping the respect of their male peers.

Vasu-born ladies face particular challenges in Kuja's aggressive, male-dominated environments. Their career pathway is studded with rough dominators using physical force and even brutality. Yet, a well-placed, vigorous Mangala, along with Shani's natural lawful patience, can bring Dhaniztha women to the peak of social recognition and economic achievement.

Makara pada 1-2 express Kuja's control of 4-lands-roots + 11-earnings. Pro-actively patriotic (4) and driven to achieve profits (11), they are often found in real-estate (4) education (4) agriculture (4) transportation (4) police + defense industry (4) minerals + mining (4) or in any marketplace where the path to economic gain (11) is open to Kuja's goal-oriented, competitive vigor. Since Mangala rules a 6/8 pair, their Achilles Heel = economic protectionism (4-11). Outcome depends upon the character of Mangala

....

Themes of conquest, pursuit, and achievement may contextualize Vasu's terrestrial experience. Also applies to Chandra in Dhanizth

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 100


"This is a talkative and interesting person,

  • particularly successful in lecturing and debating .

She is capable of writing mystic novels

  • and is good at story telling .

She will be happy in domestic life.

She loves nice dresses,

  • especially blue, pink, and purple,

  • and likes curios and antiques."


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Rue McClanahan with ensemble dramatists from the iconic Golden Girls television comedy

McClanahan_Rue_younger2.jpgVimshottari Dasha Narrative Biographical Events



Chandra Mahadasha * age birth until age 3.2

21-Feb-1934 Earth-birth in Healdton, Oklahoma, USA * Chandra-Rahu bhukti

Jun-1941 until Aug-1943 = Janma Sade-Sati Urisha


Mangala Mahadasha * age 8.3 until age 15.3


Rahu Mahadasha = age 15.3 until age 33.3

1956 earned bachelors diploma University of Tulsa College * Rahu-Shani bhukti * Shani lagnesha * Shani-yuti-Rahu

1958 (RM age 24) exchange of vows in marriage-1-of-6 with stage actor (later music agent) Tom Bish * Rahu-Budha bhukti * Budha rules Kanya Svamsha * samchara Rahu-Ketu via Vrischika-Vrishabha * contact Chandra-Urisha

02-Oct-1958 celebrated the birth of child-1 * Rahu-Budha bhukti * Budha rules 5th-from-Chandra

1959 Divorce-1 * Rahu-Budha bhukti * Budha rogesha 6-divorce

1959 (RM age 25) exchange of vows in marriage-2-of-6 with actor Norman Hartweg (m. 1959-1961) * Rahu-Budha bhukti * Budha rules Kanya Svamsha * samchara Rahu-Ketu via Simha-Kumbha contact navamsha R-K

1964 (RM age 30) exchange of vows in marriage-3-of-6 with actor Peter deMaio * Rahu-Surya bhukti * Budha-yuti-Surya Budha rules Kanya Svamsha * samchara Rahu-Ketu via Makara-Karkata contact radical R-K


Guru Mahadasha = age 33.3 until age 49.3

Apr-1971 until Jun-1973 = Janma Sade-Sati Urisha

16-Nov-1973 (RM age 39) grieved the decease of mother * Guru-Budha bhukti * Budha rules 2nd-from-Chandra + dvadasa Sade-Sati

06-Nov-1976 (RM age 42) exchange of vows in Marriage-4-of-6 with realtor Gus Fisher * Guru-Zukra bhukti * samchara Rahu-Ketu via Vrischika-Vrishabha * contact Chandra-Urisha

1978 (RM age 44) husband-4 sues RM for undisclosed earnings * Guru-Surya bhukti * Surya rules 8-hidden assets, discoveries


Shani mahadasha = age 49.3 until age 68.3 = 1983-2002

1984 (RM age 50) exchange of vows in brief marriage-5-of-6 with former high-school boyfriend, Tom Keel* Shani-Shani svabhukti * Shani-yuti-Zukra * Shani-yuti-Rahu * samchara Rahu-Ketu via Vrischika-Urisha * contact Chandra-Urisha

14-Sep-1985 (RM age 51) begins the celebrated role of "Blanche" in the Golden Girls Shani-Shani svabhukti * Shani-yuti-Zukra * Shani-yuti-Rahu * yogakaraka Zukra rules 9-fortune, theatre, celebrity

1986 (RM age 52) gains Golden Globe Award for drama * Shani-Budha bhukti * Budha rules 9-fortune, theatre, celebrity * Budha rules Mithunaya 10th navamsha

1986 wins Emmy Award for drama * Shani-Budha bhukti * Budha rules 9-fortune, theatre, celebrity * Budha rules Mithunaya 10th navamsha

1986 (RM age 52) wins another Emmy Award for drama * Shani-Budha bhukti * Budha rules 9-fortune, theatre, celebrity * Budha rules Mithunaya 10th navamsha

1987 wins another Golden Globe Award for drama * Shani-Budha bhukti * Budha rules 9-fortune, theatre, celebrity * Budha rules Mithunaya 10th navamsha

1988 (RM age 54) decease of best friend, begins psychotherapy * Shani-Budha bhukti * Budha rules 6-ailing, treatment

1992 (RM age 58) end of the Golden Girls ensemble drama * Shani-Zukra bhukti * Zukra-yuti-Rahu

Jun-1997 (RM age 63) diagnosed with breast cancer and successfully treated * Shani-Rahu bhukti * Shani-yuti-Rahu * Shani lagnesha vitality

25-Dec-1997 (RM age 63) during chemotherapy treatments for breast-cancer, exchange of vows in marriage-6-of-6 with actor Morrow Wilson * Shani-Rahu bhukti * Zukra-yuti-Rahu

20-Feb-1999 (RM age 65) grieved decease of father * Shani-Rahu bhukti + dvithiya Sade-Sati

Jun-2000 until Jul-2002 = Janma Sade-Sati Urisha


Rue_McClanahan_2007photo.jpgBudha Mahadasha = age 68.3 until decease age 76

2009 estranged from husband-6 * Budha-Surya bhukti * Surya rules-8 identity transformation

04-Nov-2009 (RM age 76) triple bypass surgery * Budha-Surya bhukti * Surya rules-8 surgery

03-Jun-2010 (RM age 76) dematerialization via brain hemorrhage * Budha-Chandra bhukti * Chandra maraka rules-7

Salient Features of the Nativity

Surya * pitri-karaka (father) * jyoti-karaka (light)

  • Surya-Kumbha * Arka * the radiator * radio * brightly charismatic confidence of Center-stage Surya radiates through the linking networked connecting rashi of Shani
  • Surya in bhava-2 * creative values-fulfillment * confident story-telling * dazzling bardic tradition * intelligence for languages * genius for sound-and-color * radiant genetically preserved knowledge * focus on stored assets * banking entitlements * bright face-speech-song * eye on capitalization * father heart of family * sparkling center of the treasury-drama * father may be a banker-collector-preservationist
  • Surya-yuti-Kuja * confidently progressive * bright warrior * moves in alignment with the spiritual rays of the Sun * creatively intelligent brother-figures * self-reflexive political pursuits * champion of brilliant ideals * competitive father-figure * entitled to conquer * focused on winning * radiantly pioneering
  • Surya-yuti-Budha * confidently conversational * bright messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * gestures conduct the spiritual rays of the Sun * radiantly descriptive * articulate in drama * skillful game-player * self-confident announcements * talks about ideals * narrative of power-politics * recites love poems * describes divine romance

FATHER

Dad = a road builder. The family moved constantly with road-building projects throughout the American South * Surya-yuti-Kuja

Kuja bandesha constant forward movements = camp-to-camp.


Chandra * matrikaraka (mother) * garha-karaka (village)

  • Chandra-Urisha * uttama * moolatrikona 4-30* comforted by precious values * settled into rhythmic gathering * needs luxury
  • Chandra in Rohini-Brahmi * mulatrikona * needs lavish appreciation * protectors of luxurious domiciles * soothed by sensuality
  • Chandra in classroom-5 * comfortable with politics * familiar with speculation * intelligent confident mother * soothed by playing games * charmed by children * needs applause * sensitive to center-stage roles * nourished by self-expression * feels entitled * attuned to romantic emotion * settled into the rhythm of artistic performance * routinely seeks amusement * calmed by admiration * undulating celebrity

MOTHER

Mom = Dreda Rheua-Nell McClanahan.

  • Mom was a beautician who owned and operated a beauty parlor
  • Chandra in classroom-5 * mother, glamour, fashion.

CAREER-CHANDRA

Comfort-seeking Chandra occupies celebrity, creative, dramatic-5

MARRIAGE emotional support partnership

7th-from-Chandra-5

  • marriage-1-of-6
  • bhava-11
  • Vrischika
  • stage actor (later music agent) Tom Bish (m. 1958-1959, duration 17 mos.)

8th-from-7th-from-Chandra-5 = 2nd-from-Chandra

  • marriage-2-of-6
  • bhava-6 disagreement, poverty, illness, divorce
  • Mithunaya writing, communication, sibling-cousin, buddies, schoolmates
  • actor Norman Hartweg (m. 1959-1961)
  • According to RM, husband-2-of-6 = a college buddy. She married her schoolmate to treat the problem (6) of her young son being fatherless. RM recounts a speedy separatation (6). Nevertheless, the alliance = chatty, sibling-cohort Mithunaya. They remained friends, and co-wrote screenplays (Mithunaya).

3rd-from-7th-from-Chandra-5

  • marriage-3-of-6
  • bhava-1
  • Makara contains Shani in Bhava-1 * Shani-yuti-Zukra rules 5-dramatist * Shani-yuti-Rahu
  • actor Peter DeMaio (m. 1964-1971)
  • According to RM memoire, union 3-of-6 was contracted in responsibility (Shani) for the social normalization (Shani) of her child. It was volatile and cross-cultural (Rahu) yet she stuck-with-it (Shani) for seven years (Shani).

10th-from-7th-from-Chandra-5

  • marriage-4-of-6
  • bhava-8 undisclosed motives, secrecy, disaster, treasuries of the spouse, in-laws
  • Simha confidence, charm, sparkle
  • realtor Gus Fisher (m. 1976-1979)
  • Husband 4-of-6 = property manager, real-estate investor, and confidence-man. According to McClanahan, the marriage was a thinly veiled (8) attempt to move her drama-career earnings into his real-estate portfolio. Due to randhresha Surya-in-2 financial camouflage, RM had difficulty recovering her assets. She recalled being shocked (8) by his greed.

5th-from-7th-from-Chandra-5

  • marriage-5-of-6
  • bhava-3 cohort, schoolmates, ensemble, neighbors
  • Meena imagination, dreaminess, sanctuary, sleep
  • Tom Keel (m. 1984-1985)
  • According to RM, husband-5-of-6 was a former high school boyfriend (3 schoolmates) who fulfilled her wish (Meena) for a companionable mate (3). Unfortunately, 3 = 6th-from-10. He was not a fit for her career-driven lifestyle.

12th-from-7th-from-Chandra-5

  • marriage-6-of-6
  • bhava-10 public roles, reputation,, visibility, social position
  • Thula equity, bargains, agreements, balance, partnership
  • actor Morrow Wilson (m. 1997-2010)

Kuja * bhratru-karaka (brother) * virya-karaka (virile)

  • Mangala-Kumbha * vigorous community activism * warrior for economic progress * proactive linking * push toward regulated systems * pursues profitable roles * spearhead of mass interconnectivity * futuristic thrust * dominating energy in social networking * conquest of marketplace interactions * champion of distributed associations
  • Mangala in bhava-2 * vigorous orator * loudly lectures on values * pursuit of treasuries * competitive financial actions * innovative knowledge * energized face-voice-song * memorable speeches * sings and shouts * champion of literacy-reading * historic pronouncements * prone to shouting * forward drive toward capitalization * promotes conservation * hyperactive family dynamics * acquisitive conquests
  • Kuja-yuti-Surya * kinetic creativity * glorious innovator * high-energy confidence * dynamic genius * dominating force joins willful charm * competitive politics * brilliant winner * physically active father-figure * vigorous theatrical display
  • Kuja-yuti-Budha * proactive communications * energized signaling * dynamic reporting * clipped speech patterns * abrupt announcements * champion of vigorous messaging * pushes toward direct commands * forward thrusting gestures * incisive speech * forceful writing

CAREER - KUJA

DHANAYOGA

Motivating Mangala in bhava-2 rules-11 = provides a substantial dhanayoga

includes earnings from real-estate investments, since Kuja also rules-4


Budha * jamayah-karaka (sibling) * sandeza-karaka (message) * zisya-karaka (student)

  • Budha-Kumbha * connecting communications * systematic pronouncements * articulation of social-scientific networks * descriptive inter-webbed definitions * diagrams the marketplace linkages *futuristic conversations * messages about communities * discusses economic transactions * explains social participation linkage * large-scale logic * skilled weaving * deft knitting * hands-arms-shoulders make connective gestures
  • Budha in bhava-2 * narrative of values-fulfillment * conversations about natural resources * talks about history * instructions for asset conservation * explains banking procedures * cherished recordings * discusses sound values * articulation of speech-song * quick-darting eyes-face * tells stories * defines storage methods * describes family lineage * manual preservation of collections * chats about knowledge base * conserves libraries * quick with language * manages archives * repeats from memory
  • Budha-yuti-Surya * amusing explanations * entertaining chatter * central roles in communication * brightly clear descriptions * dramatic enunciation * confidently delivers instruction * articulation of radiant certainty * political messenger * talkative father-figures
  • Budha-yuti-Mangala * competitive communications * scripted actions * impatient conversations * potential for sexualized messaging * penetrating explanations * direct instruction * signals forward action * pioneering movement * outspoken opinions * talkative brother-figures

CAREER - BUDHA

Budha rules Kanya Svamsha

Budha rules mithunaya 10th navamsha

Budha rules Karakamsha Kanya-9 celebrity, wisdom, fortune, beliefs


Guru * dhava-karaka (husband) * bahuta-karaka (variety)

  • Guru-Kanya * much ministry of service * many servants * numerous employees * indoctrination of laborers * much logical argumentation * conflicted guidance * permission to help * generously assists many victims * optimistic about medication * believes in aid * doctrine of benevolent humility
  • Guru in bhava-9 * karako bhavo nashto * svabhava * tolerance for diverse doctrines * multiple beliefs * expansive ideology * much sermonizing * broad humanistic understanding * sanctimonious father * multiple father-guru-professor figures * extensive worldview * patron of philosophy * in a wifely nativity, husband-figure may be an ideologue or spiritual guide

CAREER - GURU

Atmakaraka Brihaspati rules-3 + drishti into-3

writing * wrote screenplays, film-scripts + a best-selling autobiography

Guru in bhava-9 rules 3-media, scripts, programs

RM performed dramatic roles in prize-winning television dramatizations, along with 70 recorded cinema performances, and 250 theatrical plays .

Communities of Faith - Sangha of Believers

  • remained a subscribing Christian Methodist throughout life
  • Guru resides in 5th-from-Chandra providing abundant optimism and faith, expansion of dramatic roles, and creative attitude = supporting growth, even with criticism and errors along with path (Kanya)

Guru casts expansive, charitable, inclusive drishti upon

  • 3 = publications
  • 5 = Chandra-uttama = mother, fortune, paradigm of belief = 3rd-from-3rd = publications, drama, intelligence, games
  • 7 = Ketu-7 = multiple marriages

McClanahanRue_midyears.jpgZukra * svadu-karaka (sweet) * kalatra-karaka (wife)

yogakaraka * Zukra rules 5-10

  • Zukra-Makara-Draco * appreciation of authoritative status * likes architectural structure * attracted to officials * conducts lawful negotiations * beautiful bones * enjoys social position * class-conscious aesthetic * pleased by social regulation * hierarchical arrangements * prefers an orderly partner
  • Zukra-1 * seeks pleasure via handsome embodiment * enjoys the company of women * graciously attractive appearance * active style of balancing * pursues adjustable arrangements * appreciation of muscular vitality * pleasing designs to adorn the head * aesthetic of new life * physical exercise to balance the brain * identified with brokerage * seeks the sweet midpoint of dynamic negotiations * energetic pursuit of equity * identified with acts of diplomacy * bargains vigorously for fair exchange
  • Zukra-yuti-Shani * sweetly serious deal-making * mature relationships * graciously responsible * beautiful bones * appreciation for neutrality * strict negotiations * pleasant legal mediation * rigorous bargaining * enduring agreements * regulated contracts * architectural elegance * pragmatic design * lawful arrangements * realistic finance * prefers relationships with orderly partners * in a husbandly nativity, preference for a seasoned, class-conscious wife
  • Zukra-yuti-Rahu * sweetened adventure * gracious ambition * appreciation for opportunities * thrilling negotiations * passionate sensuality * over-reaching agreements * exceptional beauty * enjoys cultural mixing * barrier-bending relationships * unorthodox arrangements * diplomatic equity balances exhilarating chance * risk-rewarding contracts * unconventionally attractive * pleasantly mesmerizing appearance * prefers exciting partners

CAREER = ZUKRA

Yoga for fame = Zukra-1 rules-5 ++ Chandra in Rohini-Brahmi-5

Zukra-1 rules 6th-from-Chandra

  • personal struggles with divorces and self-medication
  • professional dramatic portrayals of the smoldering animosities and accusations
  • six marriages and ongoing struggle with alcoholism,

Zukra-yuti-Shani = yet, RM drama-writing career continued to move forward

  • RM was still getting high-quality roles in her 70's

The creative, celebrity-oriented cluster of Zukra-yuti-Shani ++ Zukra-yuti-Rahu in bhava-1 entertainments also occupies the philosophical, celebrated, patronage-seeking 9th-from-Chandra

9th-from-Chandra = the amplifying influence of the mother's father, mother's beliefs-faith, mother's worldview


Shani * duro-karaka (endurance) * jara-karaka (years)

lagnesha for Makara Rashi

Shasaya Yoga

  • Dhaniztha-Shani-Makara-Draco * heavy old institutions * obliged to conform to the time-clock * rigidly ranked hierarchies * strict regimes * pressure to complete socially required duties * structural compression upon knees-calves-skeleton * strictly imposed protocols * must normalize old rules * unyielding pressure of public judgment * class-conscious elders * punitive regulators * must endure proletarian manners * must continue to work * scarce building resources
  • Shani in Bhava-1 * steady time-structured personality * mature conduct * must produce under pressure * strictly orderly movement * regimented appearance * grim determination to survive * tense competition * muscular fatigue * required activity drills * chronically impeded self-expression * bodily seizures * identified with heavy responsibility * resists unnecessary change * often looks older * lives to work * elders preserve class-conscious identity
  • Shani-yuti-Zukra * resistance against equity * limited luxuries * orderly feminine figures * pragmatic finance * contractual discipline * socially constrained harmony * conventionally regulated pleasures * trust in age * mutuality over time * class-structured arrangements
  • Shani-yuti-Rahu * stiff resistance to unbridled ambition * formally regulated cultural mixing * disciplined thrills * class-based limitations upon privilege * repressed quest for intriguing importance * socially constrained opportunism * shimmering illusion of systematic conformity * irregular achievements * over-reaching elders * restricted risks

CAREER - SHANI

Shani mahadasha = age 49.3 until age 68.3 = 1983-2002

Highest professional success playing the role of mature, self-sufficient, independent woman who interacts with other mature, self-sufficient, independent women

  • 1985 Shani-Shani svabhukti = achieved peak fame via the role of Blanche when representing social roles of socially and physically mature, aging women in the Golden Girls drama

Shani in Bhava-1 = work-ethic, disciplined personal conduct = the philosopher-respecting, faithful, humanistic, global-scope 9th-from-Chandra

Zukra-yuti-Rahu risky often expedient relationships but dignified public facade

her career peaked and maintained altitude during her 50's Shani Mahadasha


Rahu * rajyalobha-karaka (ambition) * picchala-karaka (slippery)

  • Rahu-Makara-Draco * shimmering illusion of dignity * craving for social status * mirage of legitimate authority * mask of hierarchy * over-reaching acts of institutional leadership * fascinating ascent to respected position * unorthodox methods of social ordering * extraordinary claims to statutory jurisdiction * extravagant elitism * thrilling seniority * seeks special importance via apparent (but perhaps not authentic) attributes of responsible governance * bossy pretense * seeks privilege via regulator-roles
  • Rahu in bhava-1 * passion for fleshly vitality * in svabhava of Competitive Kuja, the Shadowy Specter seeks privilege via glamorous physical visage * extraordinary athletic action * outsider who cleverly insinuates into a noble identity * smoky, oily aura * desires competitive advantage * exceptionally recognizable appearance * exhilarating force of nature * thrilling champion of non-standard lifestyles * social mobility via dynamic movement * powerful personality * innovative behavior challenges existing norms * culturally mixed self-image * embodies exciting new energies * self-promotion via blood-and-birth * double agent * over-reaching ambition for empowered individuality * craves special importance * trespasses cultural limitations of race-class-creed-gender * fascinating figure * may represent a cult of personality
  • Rahu-yuti-Zukra * amplified attractions * magnified beauty * exotic taste * tricky partners * opportunistic feminine-figures * fascinating (but perhaps illusory) appearance of luxurious pleasure * strange-and-wonderful designs * thrilling relationships * barrier-bending brokerage * unusual contracts * hypnotic arrangements * gracious balance of cross-cultural mixing * entrancing music
  • Rahu-yuti-Shani * amplified public formality * pragmatic exaggeration * exotic social conventions * slippery hierarchies * tricky rules * opportunistic elders * fascinating (but perhaps illusory) appearance of strictly lawful structures * regulated risk-taking * hypnotic ascent to privileged rank * normalized cross-cultural mixing

CAREER - RAHU

The personality-and-appearance defining cluster of Zukra-yuti-Shani ++ Zukra-yuti-Rahu in bhava-1 also occupies the philosophical, celebrated, patronage-seeking 9th-from-Chandra

Rahu-Shani-Zukra residing in 9th-from-Chandra also indicates the amplifying influence of the mother's father

RM was a college graduate, rare in those days and extremely rate in the thespian world.


Ketu * * kavandha-karaka (headless) * chidra-karaka (gaping) * vasana-karaka (vacuum)

  • Ketu-Karkata * calmly dissociates from foundational habits * surrenders material security * placidly empty shelters * disregards conventional caretaking * not limited by customary routines * ignores restriction on farming-and-fishing * abandons owned property * forgives the ancestors * releases a soothing pink cloud of ancient rhythms into the misty abyss
  • Ketu in classroom-7 * equably ambivalent toward agreements * absentee advocates * disregards contractual loyalties * disinterested in mutuality * wanders from the middle-balance * irrelevance of equity * surrenders alliances * abandons the usual covenants * ignores advice * incoherent promises * liberation via surrendered negotiations * unless other graha in 7, may prefer to live free from partners
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