born 3 months after
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Truth Be Told 1933- interviewer Larry King
born 1 month before
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Ms. Magazine 1934- women's rights Gloria Steinem
born two months before
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Out on a Limb 1934- drama-esoterica Shirley MacLaine
born six months before
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Two Women 1934- drama-commerce Sophia Loren
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Contempt 1934- animal-activist Brigitte Bardot
born 11 months before
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Heartbreak Hotel 1935-1977 Graceland Elvis Presley
Dramatist of live theatre and television
noted for The Golden Girls
playwright
autobiographer
a.k.a. Eddi-Rue McClanahan
Earthbody-Entry Wednesday-21-Feb-1934
Earthbody-Exit 03-Jun-2010 (age 76)
Golden Girls dramatist, writer, fashion designer * 1934-2010 * Rue McClanahan
birth data from http://en.wikipedia.org/wiki/Rue_McClanahan* tentatively rectified by BP Lama Jyotisha
charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama
born on Ashtami Shukla Paksha
Rising Nakshatra
Feminine Nativities
Uttaraphalguni * Aryaman * Bhaga * Falgun * Utthram
BPL commentary
For Uttaraphalguni births of a feminine valence, the condition of radiant, romantic, intelligent, creative, idealistic, central, confident, gaming, self-reflexive, pitrikaraka Surya may considerably affect the outcome.
For those born into the Surya-ruled paradigm of Uttora, father-figures, politicians, celebrity, royalty, entitled roles, brilliant dramatists, radiant deities, sparkling genius, glittering creativity, intelligentsia, speculators, poets, romantic lovers, gamblers, and game-players may be especially influential.
Instructional guidance provided by emissaries from the civilizations of Denebola. Their purpose to brighten and glorify the divine intelligence through spectacular creativity.
Brilliantly dramatic
Uttara-phalguni women are famously confident and willful. Monarchic entitlement pairs with aristocratic service via noblesse oblige. While much depends upon the characteristics of sparkling nakshatrapathi Surya, the feminine Falgun is often found in bright environments of royalty, celebrity, theatre, creative arts, amusements, and games.
Uttaraphalguni ladies radiate a profound love for living creatures, both wild and domestic. On behalf of the animal kingdom and its denizens, the women of Aryaman may undertake political activism. As righteous (and self-righteous) human mistresses of the animal world, their political style may include fiery displays of romantic idealism. They may collect animals.
Simha-Leya pada-1 features charismatic centrality and stage presence, focused into the physical embodiment. Pada-1 must hold the center of attention, whether in celebrity politics, entertainment and fashion, dramatic acting, or all three. Typically an elder husband and many romances.
Kanya Pada 2-3-4 = equally dazzling, idealistic, smart, and flamboyant, but more focused upon expressing the genius of the imagination. Often a splendid dramatist and performing musician due to nakshatrapathi Surya. Typically a younger husband and many romances.
Themes of political power, radiant confidence, and bright celebrity drama may contextualize Utthram's terrestrial experience. Applies also to Chandra in Uttaraphalguni
QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 95
"A joyous healthy disposition yet quietly so.
She has a very soft pleasing voice,
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bubbling over with fun and humor.
She is born to a family with social background
and loves to mingle with her friends in various social activities
yet she is not frivolous,
but beneath her joyous manner, rather serious minded.
She has fixed principles from which she will not deviate.
She prefers to choose her friends
from among the people who are artistically inclined and cultured.
She is efficient and adept at managing her home and her domestic life."
Vimshottari Dasha Narrative Biographical Events
Golden Girls 1934-2010 drama Rue McClanahan
Rue McClanahan and ensemble dramatists from the iconic Golden Girls television comedy
Chandra Mahadasha * age birth until age 3.2
21-Feb-1934 Earth-birth in Healdton, Oklahoma, USA * Chandra-Budha bhukti
- Janma Sade-Sati Vrizabha Jun-1941 until Aug-1943
Mangala Mahadasha * age 3.2 until age 10.2
Rahu Mahadasha * age 10.2 until age 28.2
1956 earned bachelors diploma University of Tulsa College * Rahu-Zukra bhukti
1958 (RM age 24) exchange of vows in marriage-1 * Rahu-Zukra bhukti * samchara Rahu-Ketu via Vrischika-Vrishabha * contact Chandra-Urisha
1958 celebrated the birth of child-1 * Rahu-Zukra bhukti * Zukra rules Chandra
1958 Divorce-1 * Rahu-Surya bhukti * Surya rules 12-divorce
1959 exchange of vows in marriage-2 -of-6 * Rahu-Chandra bhukti * Chandra rules navamsha-7 * samchara Rahu-Ketu via Simha-Kumbha contact navamsha R-K
Guru Mahadasha age 28.2 until age 44.2
- Guru-Kanya * Guru in bhava-1
Janma Sade-Sati Vrizabha Apr-1971 until Jun-1973
1964 exchange of vows in marriage-3 * Guru-Shani bhukti * Shani rules Makara swamsha * samchara Rahu-Ketu via Makara-Karkata contact radical R-K
1975 exchange of vows in Marriage-4 * Guru-Rahu bhukti * samchara Rahu-Ketu via Vrischika-Vrishabha * contact Chandra-Urisha
Shani mahadasha age 44.2 until age 63.2
1984 exchange of vows in Marriage-5 * Shani-Zukra bhukti * samchara Rahu-Ketu via Vrischika-Vrishabha * contact Chandra-Urisha
1984 begins the famed roles of "Blanche" in the Golden Girls * Shani-Zukra bhukti * Zukra rules 9-fortune, theatre, celebrity * Zukra rules 10th navamsha
1986 gains Golden Globe Award for drama * Shani-Zukra bhukti * Zukra rules 9-fortune, theatre, celebrity * Zukra rules 10th navamsha
1986 gains Emmy Award for drama *Shani-Zukra bhukti * Zukra rules 9-fortune, theatre, celebrity * Zukra rules 10th navamsha
1986 gains another Emmy Award for drama * Shani-Zukra bhukti * Zukra rules 9-fortune, theatre, celebrity * Zukra rules 10th navamsha
1987 gains another Golden Globe Award for drama * Shani-Zukra bhukti * Zukra rules 9-fortune, theatre, celebrity * Zukra rules 10th navamsha
1992 end of the Golden Girls ensemble drama * Shani-Rahu bhukti
Budha Mahadasha age
63.2 until decease age 76
1997 exchange of vows in Marriage-6 (RM age 63) * Budha-Budha swabhukti * Budha lagnesha
June-1997 (RM age 63) diagnosed with breast cancer and successfully treated * Budha-Budha swabhukti * Budha lagnesha
20-Feb-1999 (RM age 65) grieved decease of father * Budha-Budha swabhukti * Budha rules 2nd-from-9th ++ Sade-Sati
- Janma Sade-Sati Vrizabha Jun-2000 until Jul-2002
04-Nov-2009 triple bypass surgery (RM age 76) * Budha-Guru bhukti * Guru maraka rules-7
03-Jun-2010 Lightbody Lift-off (brain hemorrhage, RM age 76) * Budha-Guru bhukti * Guru maraka rules-7
Golden Girls 1934-2010 drama Rue McClanahan
Surya * pitrikaraka * jyotikaraka
- Surya-Kumbha * Arka * the radiator * radio
- Surya in bhava-6 * center of sparkling service * brightly conflicted * focus on imbalance * eye on injustice + exploitation * charming social worker * attention to imbalance, disease * medical entitlements * shines light into broken contracts * authority on litigation * self-righteous accusations * confident in divorce + disagreement * politics of pollution * intelligence for poverty + crime * dramatizes usury + debt * gambles with pharmacy + addictions * central roles in war * father in service ministry such as medicine or military * or father = ill, injured * bright center of the conflict
- Surya-yuti-Kuja * confidently progressive * bright warrior * moves in alignment with the spiritual rays of the Sun * creatively intelligent brother-figures * self-reflexive political pursuits * champion of brilliant ideals * competitive father-figure * entitled to conquer and win * radiantly pioneering
- Surya-yuti-Budha * confidently conversational * bright messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * speaks and gestures in alignment with the spiritual rays of the Sun * radiantly descriptive * articulate in drama and games * self-confident announcements * talks about ideals, power-politics, poetic love, and romance
FATHER
Dad = a road builder. The family moved constantly with road-building projects throughout the American South * Surya-yuti-Kuja * Kuja bandesha constant change, camp-to-camp.
Chandra * matrikaraka * garha-karaka
- Chandra-Urisha * uttama * moolatrikona 4-30* comforted by rhythmic historical tonal values
- Chandra in Rohini * mulatrikona * comforted by lavish appreciation * protectors of luxurious domiciles, beautiful caretaking, rhythmic arrangements, sensitive security
- Chandra in classroom-9 * comfort in the paradigm of belief * familiar with doctrine * accustomed to routine patronage * soothed by globalist perspective * needs to feel the repeating pulse of preaching sermons * calmed by a broad worldview * acculturated to principled understanding * emotionally sensitive father-figures * habitually seeks guidance * settled into the rhythm of philosophical humanism * undulating convictions
MOTHER
Mom = a beautician who owned and operated a beauty parlor * Chandra-Rohini-10 * mother, glamour, fashion. Mom was well-known socially.
MARRIAGE emotional support partnership
- marriage-1 = bhava-3
8th-from-7th-from-Chandra-9 = 2nd-from-Chandra
- marriage-2 = bhava-10
3rd-from-7th-from-Chandra-9
- marriage-3 = bhava-5
10th-from-7th-from-Chandra-9
- marriage-4 = bhava-12
5th-from-7th-from-Chandra-9
- marriage-5= bhava-7
12th-from-7th-from-Chandra-10
- marriage-6 = bhava-2
Dhana-yoga
- Chandra in classroom-9 rules 11 * Chandra-Urisha * uttama
Kuja * bhratru-karaka * virya-karaka
- Mangala-Kumbha * vigorous pursuit of community activism * warrior for economic progress * proactive linking * push toward regulated systems * pursues profitable roles * dominating energy in social networking * conquest of marketplace interactions * champion of distributed associations
- Mangala in bhava-6 * drive toward conflict * pursuit of service * vigorous attacks upon enemies * wins litigation * dynamic accusations * energized adversarial conquests * productive careers in medicine and military
- Kuja-yuti-Surya * active creativity * high-energy confidence * dynamic genius * championship force joins willful charm * potential for aggressive politics * brilliant competitions * self-promoting * vigorous theatrical displays
- Kuja-yuti-Budha * communicative competitions * energized signaling * dynamic reporting * clipped speech patterns * abrupt announcements * champion of vigorous messaging * pushes toward direct commands * potential for aggressive gestures * incisive speech * forceful writing
Mangala rules-3 * writing * wrote screenplays, film-scripts + a best-selling autobiography
Physically direct, innovative, impatient Kuja is typically a challenging graha for the Kanya nativity. As ruler of 8 and 8th-from-8, Mangala introduces a narrative of identity change, initiation, and a degree of secrecy
Budha * bandhava-karaka * zisya-karaka
Budha rules Karakamsha Kanya-1 personality, appearance
- Budha-Kumbha * connecting communications * systematic pronouncements * articulation of social-scientific networks * descriptive inter-webbed definitions * diagrams the marketplace linkages * futuristic conversations * messages about communities * discusses economic transactions * explains large-scale social participation linkage * hands-arms-shoulders send distributive-associative gestures
- Budha in bhava-6 * narrative of argument, accusation, pollution, complaint * discusses conflict, medical treatment plans, remedies, litigation. Detailed argument, accusation. Dialog of treason, describer of broken promise, explainer of toxicity, . Delivers instructions for ministries of service, talks about injustice, articulates the case against adversaries, ailments, debts. Excellent position for medical, military, or service-ministry professionals
- Budha-yuti-Surya * explainer of dramatic intelligence * affinity for central roles expressing skills of communication, explanation, description, instruction * explainer of dramatic intelligence * affinity for central roles expressing skills of communication, explanation, description, instruction * articulation of radiant authority * message of willpower and charisma * confidently talkative father
- Budha-yuti-Mangala * explainer of competitive energies, articulation of forward action, message of innovation and forward movement, outspoken, fraternal conversations, aggressive communications, talkative brother-figures
Guru * dhavakaraka * bahuta-karaka
Guru Atmakaraka
- Guru-Kanya * much ministry of service, many servants, many argumentations, much medication, exploitable beliefs, doctrine of humility
- Guru in bhava-1 * dig-bala * much vitality * jolly personality * generous disposition * numerous identities * much jovial competition * many cheerful sporting activities * believes in direct action * expansive aura * extra height-or-girth * embodiment of jovial cheer * a patron of generous optimism
- remained a subscribing Christian Methodist throughout life.(identity with doctrine)
- Guru resides in 5th-from-Chandra providing abundant optimism and faith, expansion of dramatic roles, and creative attitude supporting growth even with criticism and errors along with path (Kanya)
Guru casts expansive, charitable, inclusive drishti upon
- 5 = Rahu + Shani + Zukra-5 * creative intelligence, drama = 3rd-from-3rd = publications, drama, intelligence, games
- 7 = Ketu-7 = multiple marriages
- 9 = Chandra-9-uttama = mother, fortune, paradigm of belief
Zukra * svadhu-karaka *
kalatra-karaka
yogakaraka * Zukra rules 5-10
- Zukra-Makara-Draco * appreciation of social status, pleasures of structure, hierarchical arrangements
- Zukra-5 * pleasure of dramatic gaming enjoys center-stage equity * feminine-figures are prominent in the creative * political environments * pleasing designs to adorn the heart * graceful solar plexus * literary and fine arts * appreciation of creativity
- Zukra-yuti-Shani * sweetened structures, mature relationships, gracious lawfulness, beautiful bones, appreciation for neutrality, strict negotiations, pleasant legal mediation, architectural rigor, enduring agreements * arrangements abide by regulatory law. This benevolent combination signals success in artistic endeavor of a pragmatic, materialistic character, such as music composition or fashion design. Deepens the artistic discipline. Shani contributes mature realism to Zukra's love of balance + beauty. In a husbandly nativity, may prefer a senior, responsible wife.
- Zukra-yuti-Rahu * sweetened adventure * gracious ambition * appreciation for exciting opportunism * masked negotiations * over-reaching agreements * exceptional beauty * enjoys cultural mixing * barrier-bending, culturally unusual arrangements * diplomatic equity balanced with exhilarating risk * risk-rewarding contracts * typically an unconventionally attractive, pleasantly mesmerizing appearance.. A mesmerizingly (Rahu) attractive (Zukra) appearance.
Yoga for fame = Zukra-5 rules-9 ++ Chandra in Rohini-9
Dharmesha-Zukra occupies celebrity, creative, dramatic-5
Zukra rules Thula 10th navamsha
The creative, celebrity-oriented cluster of Zukra-yuti-Shani ++ Zukra-yuti-Rahu in bhava-5 entertainments also occupies the philosophical, celebrated, patronage-seeking 9th-from-Chandra
9th-from-Chandra = the amplifying influence of the mother's father, mother's beliefs-faith, mother's worldview
Shani * duro-karaka * jara-karaka
Shani rules Makara swamsha = competitive Dhaniztha
- Shani-Makara-Draco * heavy old institutions, obliged to conform to the time-clock * rigidly ranked hierarchies, strict governance regimes, pressure to complete socially required duties, vital energy compression stress zone = knees-calves-skeleton, strictly imposed hierarchies, rigidly unyielding public policies* must materialize time-ordered social approval * punitive judgments of elder regulators * must endure lowest-common-denominator proletarian structures * must continue to govern the public despite scarce available resources
- Shani in Bhava-5 * Structured, orderly, time-conscious children. One must create drama with scarce confidence; cautious of politics, conventional intelligence; heavy weight of children; resistance to genius, tense performance, creative fatigue, chronic pressure on the heart + spine ; heavy resistance to individual authenticity. Resistance to new fashions and romance. Resentment toward changes in games and amusements. Support for socially-approved, rigidly dutiful roles as gambling regulator, scholar, constrained speculator, royally, celebrity figure. + spine ; heavy resistance to free creativity
- Shani-yuti-Zukra * resistance against equity * limited luxuries * slow-elder sisterly figures * pragmatic finance * contractual discipline * socially constrained harmony * conventionally regulated pleasures * trust in age + time * class-structured arrangements
- Shani-yuti-Rahu * stiff resistance to unbridled ambition * formally regulated cultural mixing * disciplined thrills * class-based limitations upon privilege * repressed quest for intriguing importance * socially constrained opportunism * shimmering illusion of systematic conformity * irregular achievements * over-reaching elders * restricted risks
Highest professional success playing the role of mature, self-sufficient, independent woman who interacts with other mature, self-sufficient, independent women
achieved peak fame via the role of Blanche when representing social roles of socially and physically mature, aging women in the Golden Girls drama
Shani in Bhava-5 disciplined behavior in the theatre = the philosopher-respecting, faithful, humanistic, global-scope 9th-from-Chandra
Zukra-Makara-Draco ++ Zukra-yuti-Shani = beautiful bones, a lovely facial structure,
Zukra-yuti-Rahu risky often expedient relationships but dignified public facade due to proximity to Shani in Bhava-5 * her career peaked and sustained at that high peak during her 50's Shani Mahadasha
- Shani+ Zukra-yuti-Rahu occupies -1 personal appearance. Shani-yuti-Rahu + yogakaraka Zukra. She was a college graduate, rare in those days and extremely rate in the thespian world.
- The personality-and-appearance defining cluster of Zukra-yuti-Shani ++ Zukra-yuti-Rahu in bhava-1 also occupies the philosophical, celebrated, patronage-seeking 9th-from-Chandra
- 9th-from-Chandra also indicates the amplifying influence of the mother's father
Rahu * rajyalobha-karaka * picchala-karaka (slippery)
- Rahu-Makara-Draco * shimmering illusion of dignity * craving for social status *mirage of elite identity * mask of hierarchy * mirage of privileged social position * over-reaching institutional leadership * fascinating laws and judgments * unusual claims to hierarchical rank * extraordinary status-markers * seeks special importance via apparent (but perhaps not authentic) attributes of lawful responsibility, boss authority, regulator-roles
- Rahu in bhava-5 * passion for politics, celebrity, games * in swabhava of Splendid Surya, the Shadowy Specter seeks privilege via glamorous or unusual children; out-of-bounds creativity, and amplified poetic romance; Risk-rewarding Rahu generates a charismatic individuality, center-of-attention displays of creative genius. Desires a special, important role in performance arts, literary arts, entertainments, royalty roles, pageantry, celebrity events, or dramatic splendor. Exciting, opportunistic, ambitious children and lovers. Rahu the Poseur may wear the persona (mask) of a dramatic actor, a celebrated intellectual, or a politician. Craves the center stage, the lights, the glory. Rahu-5 trespasses the cultural boundaries in matters of unique personal creativity, children, speculation, gaming. Seeks flamboyant fashion, exceptional offspring, and the thrill of political theatre.
- Rahu-yuti-Zukra * amplified attractions * magnified beauty * exotic art-music-architecture * tricky partners * opportunistic feminine-figures * fascinating (but perhaps illusory) appearance of luxurious pleasure * strange-and-wonderful designs * thrilling relationships * barrier-bending style of deal-making * unusual contracts * hypnotic arrangements * gracious balance of cross-cultural mixing
- Rahu-yuti-Shani * amplified public formality * magnified systematics * exotic social conventions * tricky regulations *opportunistic elders * fascinating (but perhaps illusory) appearance of strictly lawful structures * hypnotic ascent to privileged social rank * pragmatic cross-cultural mixing
The personality-and-appearance defining cluster of Zukra-yuti-Shani ++ Zukra-yuti-Rahu in bhava-5 also occupies the philosophical, celebrated, patronage-seeking 9th-from-Chandra
Rahu residing in 9th-from-Chandra also indicates the amplifying influence of the mother's father
Ketu * kavandha-karaka * chidra-karaka
- Ketu-Karkata *dissociates from protective boundaries * surrenders material security * empty shelters * disregards conventions of caretaking * not limited by customary routines * ignores restriction on farming * releases hold on real-estate * forgiveness of ancestors * applies ancient foundational protections to the misty abyss
- Ketu in classroom-11 * absent from friendships, disregards profitability * no barriers in community, dissolves the social network, vacuous associations, irrelevance of the material goals, ambivalence toward economic empowerment. One abandons the elder siblings, ignores marketplace earnings, surrenders the electro-magnetic connections. May prefer to live without electricity, or off-the-grid.
file update:
12-Nov-2019
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