Rising
Nakshatra
Feminine Nativities
Dhaniztha-Delphinus
Vasu *
Slaviztha * Avittam * Hrsikesha
BPL commentary For Dhaniztha
births of a
feminine valence, the condition of kinesthetic, direct, yang-energy, forward-pushing bhratru-karaka
Mangala may considerably affect the outcome.
For those born into the Kuja-ruled paradigm of Vasava,
brother-figures, warriors, hunters, athletes, dancers, champions,
challengers, inventors, explorers, dis-coverers, engineers, drivers, drillers,
diggers, exploders, aggressors, pushers, invaders, pursuers, competitions and battles may be especially influential.
Dhaniztha-born often respond to a deep inner fear [Shani] which manifests as
aggressive survival-driven competition (Kuja). The result
= orderly, direct, empowered, and
dynamic structured action.
Instructional guidance is provided by emissaries from the civilizations of Delphinus.
Their purpose is social engineering, economic competition, and
achievement of dominant positions.
Hierarchical Power Climber
Kuja-ruled
Vasu-born ladies endure acute Shani-Mangala tension. These
women are athletic,
goal-oriented, and competitive.
Those who have chosen a feminine-form birth may find themselves
surrounded by invigorating but dominating masculine figures. Male colleagues
may be surprised to discover that despite their feminine style, Dhaniztha
ladies are equal and serious competitors. Their sexual energies
are alive, and may be used to advantage.
Dhaniztha + Sraviztha are a pair, similar to the Purva-Uttara pairs. Similar
to genteel Shraviztha, those born within Dhaniztha are highly sensitive to rhythm, pace, and tone.
They can develop successful careers in
music and
dance performance.
Unlike demur Soma-ruled Shraviztha, those
born into Kuja-ruled Dhaniztha favor athletic movement. They thrive where the beat of the war-drums is deep and strong. They set high-achievement goals. Dhaniztha are determined to win the contest, at any cost. When Dhaniztha ladies choose an
entertainment career, it is often full of loud singing, vigorous dance, sexual strutting, and
men.
In the modern era, Dhaniztha ladies may use Mangala's kinetic energies to ascend the
corporate-institutional hierarchies of Shani,. They strive for
alpha-dominant positions. All fields of competitive endeavor
are open to the Avittam-born, including athletics and
contests. Often preferring applied scientific careers
with measurable outcomes, Dhaniztha-born are also found in all types of
systematic intervention into their environment, such as
social
engineering, political engineering, or materials engineering.
Operating in orderly Shani-controlled environments of Makara and Kumbha,
feminine
Vasu champions are often surrounded by lawful, systematic, and timid
folk who rarely resist Hrsikesha's
powerful ascending drive. They are often respected in the
boss role due to Kuja's ability to dominate the field of activity while keeping the
respect of their male peers.
Vasu-born
ladies face particular challenges in Kuja's aggressive, male-dominated environments.
Their career pathway is studded with rough dominators using physical force
and even brutality. Yet, a well-placed, vigorous Mangala, along with
Shani's natural lawful patience, can bring Dhaniztha women to the
peak of
social recognition and economic achievement.
Makara pada 1-2 express Kuja's control of 4-lands-roots + 11-earnings. Pro-actively patriotic (4) and driven to achieve profits (11),
they are often found in real-estate (4) education (4) agriculture (4)
transportation (4) police + defense industry (4) minerals + mining (4) or in any marketplace where the path to economic gain (11) is open to Kuja's
goal-oriented, competitive vigor. Since Mangala activates a 6/8
pair, their Achilles Heel = economic protectionism (4-11). Outcome depends upon
the character of Mangala
....
Themes of conquest, pursuit, and achievement may contextualize Vasu's terrestrial experience. Incoming drishti from Kuja can mobilize their progressive, pioneering actions. Also applies to
Chandra in Dhanizth | QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 100
"This is a talkative and interesting person, - particularly successful in lecturing and debating .
She is capable of writing mystic novels She will be happy in domestic life. She loves nice dresses, especially blue, pink, and purple,
-
and likes curios and antiques."

 Rue McClanahan with
ensemble dramatists from the iconic Golden Girls
television comedy |
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Vimshottari Dasha Narrative
Biographical Events
Chandra Mahadasha * age birth until age 3.2
21-Feb-1934 Earth-birth in Healdton, Oklahoma, USA * Chandra-Rahu bhukti
Jun-1941 until Aug-1943 =
Janma Sade-Sati Urisha
Mangala Mahadasha * age 8.3 until age 15.3
Rahu Mahadasha = age 15.3 until age 33.3
1956 earned bachelors diploma University of Tulsa College * Rahu-Shani
bhukti * Shani lagnesha * Shani-yuti-Rahu
1958 (RM age 24)
exchange of vows in marriage-1-of-6 with stage actor (later music agent) Tom
Bish * Rahu-Budha
bhukti * Budha activates Kanya Svamsha *
samchara Rahu-Ketu
via Vrischika-Vrishabha * contact Chandra-Urisha
02-Oct-1958 celebrated the birth of child-1 * Rahu-Budha bhukti *
Budha activates 5th-from-Chandra
1959 Divorce-1 * Rahu-Budha bhukti * Budha rogesha 6-divorce
1959
(RM age 25) exchange of vows in marriage-2-of-6 with actor Norman Hartweg (m. 1959-1961)
*
Rahu-Budha
bhukti * Budha activates Kanya Svamsha *
samchara Rahu-Ketu via Simha-Kumbha contact navamsha
R-K
1964 (RM age 30) exchange of vows in marriage-3-of-6 with actor
Peter deMaio
*
Rahu-Surya bhukti *
Budha-yuti-Surya
Budha activates Kanya Svamsha *
samchara Rahu-Ketu
via Makara-Karkata contact radical R-K
Guru Mahadasha = age 33.3 until age 49.3
Apr-1971 until Jun-1973 =
Janma Sade-Sati Urisha
16-Nov-1973 (RM age 39) grieved the decease of
mother * Guru-Budha bhukti * Budha activates 2nd-from-Chandra +
dvadasa
Sade-Sati
06-Nov-1976 (RM age 42)
exchange of vows in Marriage-4-of-6 with realtor Gus Fisher * Guru-Zukra
bhukti *
samchara Rahu-Ketu via Vrischika-Vrishabha * contact Chandra-Urisha
1978 (RM age 44) husband-4 sues RM for undisclosed earnings *
Guru-Surya bhukti * Surya activates 8-hidden assets, discoveries
Shani mahadasha = age 49.3 until age 68.3 =
1983-2002
1984 (RM age 50) exchange of vows in brief marriage-5-of-6 with former
high-school boyfriend, Tom Keel* Shani-Shani svabhukti *
Shani-yuti-Zukra
* Shani-yuti-Rahu *
samchara Rahu-Ketu via Vrischika-Urisha *
contact Chandra-Urisha
14-Sep-1985 (RM age 51) begins the celebrated role of "Blanche" in the
Golden Girls Shani-Shani svabhukti *
Shani-yuti-Zukra
* Shani-yuti-Rahu *
yogakaraka Zukra activates 9-fortune, theatre, celebrity
1986 (RM age 52) gains Golden Globe Award for drama
* Shani-Budha bhukti * Budha activates 9-fortune, theatre, celebrity * Budha activates Mithunaya 10th navamsha
1986 wins Emmy Award for drama
* Shani-Budha bhukti * Budha activates 9-fortune, theatre, celebrity * Budha activates Mithunaya 10th navamsha
1986 (RM age 52) wins another Emmy Award for drama
* Shani-Budha bhukti * Budha activates 9-fortune, theatre, celebrity * Budha activates Mithunaya 10th navamsha
1987 wins another Golden Globe Award for drama
* Shani-Budha bhukti * Budha activates 9-fortune, theatre, celebrity * Budha activates Mithunaya 10th navamsha
1988 (RM age 54) decease of best friend, begins psychotherapy *
Shani-Budha bhukti * Budha activates 6-ailing, treatment
1992 (RM age 58) end of the Golden Girls ensemble drama *
Shani-Zukra bhukti *
Zukra-yuti-Rahu
Jun-1997 (RM age 63) diagnosed with breast cancer and successfully
treated * Shani-Rahu bhukti *
Shani-yuti-Rahu * Shani lagnesha vitality
25-Dec-1997
(RM age 63) during chemotherapy treatments for breast-cancer, exchange of vows in
marriage-6-of-6 with actor Morrow Wilson * Shani-Rahu bhukti *
Zukra-yuti-Rahu
20-Feb-1999 (RM age 65) grieved decease of father
* Shani-Rahu bhukti + dvithiya
Sade-Sati
Jun-2000 until Jul-2002 =
Janma Sade-Sati Urisha
Budha Mahadasha
= age
68.3 until decease age 76
2009 estranged from husband-6 * Budha-Surya bhukti * Surya activates -8
identity transformation
04-Nov-2009 (RM age 76) triple bypass surgery * Budha-Surya
bhukti * Surya activates -8 surgery
03-Jun-2010 (RM age 76) dematerialization
via brain hemorrhage *
Budha-Chandra bhukti * Chandra maraka rules-7
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Salient Features of the Nativity
Surya *
pitri-karaka (father) * jyoti-karaka (light)
- Surya-Kumbha * Arka
* the radiator * radio * brightly charismatic confidence of
Center-stage Surya radiates through the linking networked connecting rashi of
Shani
- Surya in bhava-2
* creative values-fulfillment * confident story-telling * dazzling bardic tradition * intelligence for languages * genius for sound-and-color * radiant genetically preserved knowledge
* focus on stored assets * banking entitlements * bright
face-speech-song
* eye on capitalization * father heart of family *
sparkling center of the treasury-drama * father may be a
banker-collector-preservationist
- Surya-yuti-Kuja
* confidently progressive * bright warrior * moves in alignment with the spiritual rays of the Sun * creatively intelligent brother-figures * self-reflexive political pursuits * champion of brilliant ideals * competitive father-figure * entitled to conquer * focused on winning * radiantly pioneering
- Surya-yuti-Budha
* confidently conversational * bright messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * gestures conduct the spiritual rays of the Sun * radiantly descriptive * articulate in drama * skillful game-player * self-confident announcements * talks about ideals * narrative of power-politics * recites love poems * describes divine romance
FATHER
Dad = a road builder. The family
moved constantly with road-building projects throughout
the American South *
Surya-yuti-Kuja
Kuja bandesha constant forward movements = camp-to-camp.
Chandra * matrikaraka (mother) * garha-karaka (village)
- Chandra-Urisha *
uttama *
moolatrikona 4-30* comforted by precious values * settled into rhythmic gathering * needs luxury
- Chandra in Rohini-Brahmi
* mulatrikona
* needs lavish appreciation * protectors of luxurious domiciles * soothed by sensuality
- Chandra in
classroom-5 * comfortable with
politics
*
familiar with speculation * intelligent confident mother * soothed by
playing games * charmed by children
*
needs applause * sensitive to center-stage roles * nourished by self-expression * feels entitled * attuned to romantic emotion * settled into the rhythm of artistic performance * routinely seeks amusement * calmed by admiration * undulating celebrity
MOTHER
Mom = Dreda Rheua-Nell McClanahan.
- Mom was a beautician who owned and operated a beauty
parlor
- Chandra in
classroom-5 * mother, glamour, fashion.
CAREER-CHANDRA
Comfort-seeking Chandra occupies celebrity, creative, dramatic-5 MARRIAGE emotional support partnership
7th-from-Chandra-5
- marriage-1-of-6
- bhava-11
- Vrischika
- stage actor (later music agent) Tom Bish (m. 1958-1959, duration
17 mos.)
8th-from-7th-from-Chandra-5
= 2nd-from-Chandra
- marriage-2-of-6
- bhava-6 disagreement, poverty, illness, divorce
- Mithunaya writing, communication, sibling-cousin, buddies,
schoolmates
- actor Norman Hartweg (m. 1959-1961)
- According to RM, husband-2-of-6 = a college buddy. She married
her schoolmate to treat the problem (6) of
her young son being fatherless. RM recounts a speedy
separatation (6). Nevertheless, the alliance = chatty,
sibling-cohort Mithunaya. They remained friends, and co-wrote
screenplays [Mithunaya].
3rd-from-7th-from-Chandra-5
- marriage-3-of-6
- bhava-1
- Makara contains Shani in Bhava-1 *
Shani-yuti-Zukra activates
5-dramatist
* Shani-yuti-Rahu
- actor Peter DeMaio (m. 1964-1971)
- According to RM memoire, union 3-of-6 was contracted in
responsibility [Shani] for the social
normalization [Shani] of her child. It was volatile and
cross-cultural (Rahu) yet she stuck-with-it [Shani] for seven years
[Shani].
10th-from-7th-from-Chandra-5
- marriage-4-of-6
- bhava-8 undisclosed motives, secrecy, disaster, treasuries of
the spouse, in-laws
- Simha confidence, charm, sparkle
- realtor Gus Fisher (m. 1976-1979)
- Husband 4-of-6 = property manager, real-estate investor, and
confidence-man. According to
McClanahan, the marriage was a thinly veiled (8) attempt to move her
drama-career earnings into his real-estate portfolio. Due to
randhresha Surya-in-2 financial camouflage, RM had difficulty
recovering her assets. She recalled being shocked (8) by his greed.
5th-from-7th-from-Chandra-5
- marriage-5-of-6
- bhava-3 cohort, schoolmates, ensemble, neighbors
- Meena imagination, dreaminess, sanctuary, sleep
- Tom Keel (m. 1984-1985)
- According to RM, husband-5-of-6 was a former high school
boyfriend (3 schoolmates) who fulfilled her wish (Meena) for a
companionable mate (3). Unfortunately, 3 = 6th-from-10. He was
not a fit for her career-driven lifestyle.
12th-from-7th-from-Chandra-5
- marriage-6-of-6
- bhava-10 public roles, reputation,, visibility, social position
- Thula equity, bargains, agreements, balance, partnership
- actor Morrow Wilson (m. 1997-2010)
Kuja *
bhratru-karaka (brother) * virya-karaka (virile)
- Mangala-Kumbha
* vigorous community activism * warrior for economic progress
* proactive linking * push
toward regulated systems * pursues profitable roles * spearhead of mass interconnectivity * futuristic thrust * dominating energy in social networking * conquest of marketplace
interactions * champion of distributed associations
- Mangala in bhava-2
* vigorous orator * loudly lectures on values * pursuit of treasuries *
competitive financial actions * innovative knowledge *
energized
face-voice-song * memorable speeches * sings and shouts * champion of literacy-reading * historic
pronouncements * prone to
shouting * forward drive toward capitalization *
promotes conservation * hyperactive family dynamics * acquisitive conquests
- Kuja-yuti-Surya
* kinetic creativity * glorious innovator *
high-energy confidence * dynamic genius * dominating force joins willful charm * competitive politics * brilliant winner * physically active father-figure * vigorous theatrical display
-
Kuja-yuti-Budha
* proactive communications * energized signaling * dynamic reporting * clipped speech patterns * abrupt announcements * champion of vigorous messaging * pushes toward
direct commands * forward thrusting gestures
* incisive speech * forceful
writing
CAREER - KUJA
DHANAYOGA
Motivating Mangala in bhava-2
rules-11 = provides a substantial dhanayoga
includes earnings from real-estate investments, since Kuja also
rules-4
Budha * jamayah-karaka (sibling) * sandeza-karaka (message) * zisya-karaka (student)
- Budha-Kumbha
* connecting communications * systematic pronouncements * articulation of social-scientific networks * descriptive inter-webbed definitions * diagrams the marketplace linkages * futuristic conversations * messages about communities * discusses economic transactions * explains social participation linkage * large-scale logic * skilled weaving * deft knitting * hands-arms-shoulders make connective gestures
- Budha in bhava-2 * narrative of values-fulfillment *
conversations about natural resources * talks about
history * instructions for asset conservation * explains banking procedures * cherished recordings * discusses sound values * articulation of speech-song *
quick-darting eyes-face
*
tells stories * defines storage methods * describes family lineage
* manual preservation of collections * chats about knowledge base * conserves libraries * quick with language
* manages archives * repeats from memory
- Budha-yuti-Surya
* amusing explanations * entertaining chatter * central roles in communication * brightly clear descriptions *
dramatic enunciation * confidently delivers instruction * articulation of radiant certainty * political messenger * talkative father-figures
- Budha-yuti-Mangala
* competitive communications * scripted actions * impatient
conversations * potential for sexualized messaging * penetrating explanations
* direct instruction * signals forward action * pioneering movement * outspoken
opinions * talkative brother-figures
CAREER - BUDHA
Budha activates Kanya
Svamsha
Budha activates mithunaya 10th navamsha
Budha activates Karakamsha
Kanya-9 celebrity, wisdom, fortune, beliefs
Guru *
dhava-karaka (husband) * bahuta-karaka (variety)
Atmakaraka
expansion, philosophy, patronage, worldview, beliefs, doctrine
- Guru-Kanya
* much ministry of service * many servants * numerous employees * indoctrination of laborers * much logical argumentation * conflicted guidance * permission to help * generously assists many victims * optimistic about medication * believes in aid * doctrine of benevolent humility
- Guru in bhava-9
* karako bhavo nashto
* svabhava * tolerance for diverse doctrines * multiple beliefs * expansive ideology * much sermonizing *
broad humanistic understanding * sanctimonious father * multiple father-guru-professor figures * extensive worldview * patron of philosophy * in a wifely nativity, husbandly-companion may be an ideologue or spiritual guide
CAREER - GURU
Atmakaraka
Brihaspati activates -3 + drishti into-3
writing * wrote screenplays, film-scripts + a best-selling
autobiography
Guru in bhava-9 rules
3-media, scripts, programs
RM performed dramatic roles in prize-winning television
dramatizations, along with 70 recorded cinema performances, and 250
theatrical plays .
Communities of Faith - Sangha of Believers
- remained a subscribing Christian Methodist throughout life
- Guru resides in 5th-from-Chandra
providing abundant optimism and faith, expansion of dramatic roles,
and creative attitude = supporting growth, even with criticism and
errors along with path (Kanya)
Guru casts expansive, charitable, inclusive drishti upon
- 3 = publications
- 5 = Chandra-uttama = mother, fortune, paradigm of belief =
3rd-from-3rd = publications, drama, intelligence, games
- 7 = Ketu-7 = multiple marriages
Zukra * svadu-karaka (sweet) *
kalatra-karaka (wife)
yogakaraka
* Zukra activates 5-10
- Zukra-Makara-Draco
* appreciation of authoritative status * likes architectural structure
*
attracted to officials * conducts lawful negotiations * beautiful bones * enjoys social position
* class-conscious aesthetic * pleased by social regulation * hierarchical arrangements * prefers an orderly partner
- Zukra-1
* seeks pleasure via handsome embodiment * enjoys the company of women * graciously attractive appearance * active style of balancing *
pursues adjustable arrangements * appreciation of muscular vitality * pleasing designs to adorn
the head * aesthetic of new life * physical exercise to balance the brain * identified with
brokerage * seeks the sweet midpoint of dynamic negotiations *
energetic pursuit of equity
* identified with acts of diplomacy * bargains vigorously for fair
exchange
-
Zukra-yuti-Shani
* sweetly serious deal-making * mature relationships *
graciously responsible * beautiful bones * appreciation for
neutrality * strict negotiations * pleasant legal mediation *
rigorous bargaining * enduring agreements * regulated contracts *
architectural elegance * pragmatic design * lawful arrangements * realistic finance * prefers relationships with orderly partners * in a husbandly nativity, preference for a
seasoned, class-conscious wife
-
Zukra-yuti-Rahu
* sweetened adventure * gracious ambition * appreciation for opportunities * thrilling negotiations * passionate sensuality * over-reaching agreements * exceptional beauty * enjoys cultural mixing * barrier-bending relationships * unorthodox arrangements * diplomatic equity balances exhilarating chance * risk-rewarding contracts * unconventionally attractive * pleasantly mesmerizing appearance * prefers exciting partners
CAREER = ZUKRA
Yoga for fame = Zukra-1 rules-5 ++ Chandra in Rohini-Brahmi-5
Zukra-1
activates 6th-from-Chandra
Zukra-yuti-Shani
= yet, RM
drama-writing career continued to move forward
The creative, celebrity-oriented cluster of Zukra-yuti-Shani
++ Zukra-yuti-Rahu
in bhava-1 entertainments also occupies the philosophical, celebrated,
patronage-seeking 9th-from-Chandra
9th-from-Chandra
= the amplifying influence of the mother's father, mother's
beliefs-faith, mother's worldview
Shani * duro-karaka (endurance) * jara-karaka (years)
lagnesha for
Makara Rashi
Shasaya Yoga
- Dhaniztha-Shani-Makara-Draco * heavy old institutions
* obliged to conform to the time-clock * rigidly ranked hierarchies
* strict
regimes * pressure to complete socially required duties *
structural compression upon knees-calves-skeleton *
strictly imposed protocols * must normalize old rules * unyielding pressure of
public judgment *
class-conscious elders * punitive
regulators * must endure proletarian manners * must continue to work * scarce building resources
- Shani in Bhava-1 * steady time-structured personality * mature conduct * must
produce under
pressure * strictly orderly movement * regimented appearance * grim determination to survive * tense competition * muscular fatigue
* required activity drills * chronically impeded
self-expression * bodily
seizures * identified with heavy responsibility * resists unnecessary change * often looks older * lives to work * elders preserve
class-conscious identity
- Shani-yuti-Zukra
* resistance against equity * limited luxuries * orderly feminine figures * pragmatic finance * contractual discipline * socially constrained harmony * conventionally regulated pleasures * trust in age * mutuality over time * class-structured arrangements
-
Shani-yuti-Rahu *
stiff resistance to unbridled ambition * formally regulated cultural mixing * disciplined thrills * class-based limitations upon privilege * repressed quest for intriguing importance * socially constrained opportunism * shimmering illusion of systematic conformity * irregular achievements * over-reaching elders * restricted risks
CAREER - SHANI
Shani mahadasha = age 49.3 until age 68.3 =
1983-2002
Highest professional success playing the role of mature,
self-sufficient, independent woman who interacts with other mature,
self-sufficient, independent women
- 1985 Shani-Shani svabhukti =
achieved peak fame via the role of Blanche when representing social roles of
socially and physically mature, aging women in the
Golden Girls
drama
Shani in Bhava-1 =
work-ethic,
disciplined personal conduct = the philosopher-respecting,
faithful, humanistic, global-scope
9th-from-Chandra
Zukra-yuti-Rahu risky often expedient relationships but dignified public facade
her career peaked and maintained altitude during her 50's Shani Mahadasha
Rahu * rajyalobha-karaka (ambition) * picchala-karaka (slippery)
- Rahu-Makara-Draco
* shimmering illusion of dignity * craving for social status * mirage of legitimate authority * mask of hierarchy * over-reaching acts of institutional leadership *
fascinating ascent to respected position *
unorthodox methods of social ordering * extraordinary claims to statutory jurisdiction * extravagant elitism *
thrilling seniority * seeks special importance via apparent (but perhaps not authentic) attributes of responsible governance * bossy pretense * seeks privilege via regulator-roles
-
Rahu in bhava-1
* passion
for fleshly vitality * in svabhava of Competitive Kuja, the Shadowy Specter
seeks privilege via glamorous physical visage *
extraordinary athletic action * outsider who cleverly insinuates into a noble identity * smoky, oily aura * desires competitive advantage *
exceptionally recognizable appearance * exhilarating force of nature * thrilling champion
of non-standard lifestyles * social mobility via dynamic movement * powerful
personality * innovative behavior challenges
existing norms * culturally mixed self-image * embodies exciting new
energies * self-promotion via blood-and-birth * double agent *
over-reaching ambition for empowered individuality * craves special importance * trespasses cultural
limitations of race-class-creed-gender *
fascinating figure * may
represent a cult of personality
-
Rahu-yuti-Zukra
* amplified attractions * magnified beauty * exotic taste * tricky partners * opportunistic feminine-figures * fascinating (but perhaps illusory) appearance of luxurious pleasure * strange-and-wonderful designs * thrilling relationships * barrier-bending brokerage * unusual contracts * hypnotic arrangements * gracious balance of cross-cultural mixing * entrancing music
- Rahu-yuti-Shani
* amplified public formality * pragmatic exaggeration * exotic social conventions * slippery hierarchies * tricky rules * opportunistic elders * fascinating (but perhaps illusory) appearance of strictly lawful structures * regulated risk-taking * hypnotic ascent to privileged rank * normalized cross-cultural mixing
CAREER - RAHU
The personality-and-appearance defining cluster of Zukra-yuti-Shani
++ Zukra-yuti-Rahu
in bhava-1 also occupies the philosophical, celebrated,
patronage-seeking 9th-from-Chandra
Rahu-Shani-Zukra residing in
9th-from-Chandra
also indicates the amplifying influence of the mother's father
RM was a college graduate, rare in those
days and extremely rate in the thespian world.
Ketu * * kavandha-karaka (headless) * chidra-karaka (gaping) * vasana-karaka (vacuum)
- Ketu-Karkata
* calmly dissociates from foundational habits * surrenders material security * placidly empty shelters * disregards conventional caretaking * not limited by customary routines * ignores restriction on farming-and-fishing * abandons owned property * forgives the ancestors * releases a soothing pink cloud of ancient rhythms into the misty abyss
- Ketu in
classroom-7 * equably ambivalent toward agreements * absentee advocates * disregards contractual loyalties
*
disinterested in mutuality * wanders from the middle-balance * irrelevance of equity * surrenders
alliances
* abandons the usual covenants * ignores advice * incoherent promises * liberation via
surrendered negotiations * unless other graha in 7, may prefer to live free from
partners
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