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dramatist of cinema + live theatre + television

famed role in popular television drama, The Golden Girls

playwright

autobiographer

fashion designer


Rue McClanahan

a.k.a. Eddi-Rue McClanahan


Earth-birth Wednesday-21-Feb-1934

dematerialization 03-Jun-2010 [age 76]

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Golden Girls dramatist

writer

fashion designer

1934-2010

Rue McClanahan


birth data from http://en.wikipedia.org/wiki/Rue_McClanahan

tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = produced by Shri Jyoti Star - adapted by BP Lama


born on Ashtami Shukla Paksha

Rising Nakshatra

Feminine Nativities

Revatika - Pausan

Pashu - Pushana-vana - Antyabha


BPL commentary

For Revatika births of a feminine valence, the condition of conversational, discursive, explanatory, instructional, argumentative, commercializing, evangelical Kumara may considerably affect the outcome.

Pashu the Pastor is delicately attuned to the signals of the animal kingdom. Hearing [Budha] the voices of mineral, plant, animal, and human worlds, Antyabha-born often work for the welfare of all creatures. Many veterinarians and animal-welfare activists are Revatī-born. These way-showers are also found in all aspects of music and dancing, producing melodies, beats, and lyrics.

Whatever the Pashu folk say, others will follow and believe.

For those born into the Budha-ruled paradigm of Antyabha, siblings, cousins, schoolmates, bandmates, team-mates, entourage, ensemble, neighbors, managers, cohort, coterie, collaborative group, publishers, messengers, merchants, commercial agents, reporters, writers, scripts, plans, schedules, instructions, radio-television-internet, news-media, conferences, committees, discussions, travel itineraries, and texts -- and beasts of every description - may be especially influential.

Instructional guidance is provided by emissaries from the civilizations of stars clustered near Zeta Piscium. Their purpose is to shepherd the flocks in safe passage, calling them to follow with an imaginative, sweet sound and rhythm


The Way-Shower

Revatika ladies expresses the natural tension between Busy Bantering Budha and Guiding Generous Guru. Commercially oriented Budha is a master of writing, reporting, cinema, and detailed communication. Kumara naturally matches the vibration of chatty students and a younger audience. Yet, Brihaspati much prefers to preach on broad-scope topics, ideology and inclusive doctrine.

Revatī-born often find themselves in shepherding roles that require delivering a message to their herd of followers. The usual delivery style is musical, oratorical, or imagistic-imaginative, but any method of Showing the Way may be chosen. Pashu the Pastor combines a broad humanistic vision with a beckoning repeating signal frequency such as a slogan, a jingle, or a melody.

Themes of pastoral guidance, musical or imagistic messaging, and benevolent outreach to all creatures may contextualize Revatika's terrestrial experience. Applies also to Chandra in Revatī - Pashu

QUOTATION from Shil-Ponde (1939). Hindu Astrology Joytisha-Shastra. p 101


" ... defect in hearing.

the native is a person of clean morals

  • and is popular with her own sex.

She is fond of pets and animals.

She is a very good housekeeper

  • and likes interior decoration and design .

Her face is laughing, always with dimples,

  • and she usually has black or dark brown eyes with curly hair."


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Rue McClanahan with ensemble dramatists from the immensely popular Golden Girls television comedy

McClanahan_Rue_younger2.jpg Vimshottari Dasha Narrative Biographical Events



[Chandra Mahadasha] [age birth until age 7.6]

Wed-21-Feb-1934 Earth-birth in Healdton, Oklahoma, USA * Chandra-Rahu bhukti

Jun-1941 until Aug-1943 = Janma Sade-Sati Urisha

  • [3] ensemble groups, management, scripts, dialog, media-messaging, cinema, television, audience
  • [age 7-10]

[Mangala Mahadasha] [age 7.2 until age 14.2]


rue_mcclanahan_younger.jpg [Rahu Mahadasha] [age 14.2 until age 32.2]

1956 [RM age 22] earned bachelors diploma University of Tulsa College * Rahu-Budha bhukti * Budha diploma

1958 [RM age 24] consecrati6on of lifepartnership-1-of-6 with stage actor [later music agent] Tom Bish * Rahu-Budha bhukti * Budha rules Kanya Svamsha - samchara Rahu-Ketu via Vṛścika-Vrishabha * contact Chandra-Urisha

02-Oct-1958 [RM age 24] celebrated the birth of child-1 * Rahu-Budha bhukti * Budha rules 5th-from-Chandra

1959 [RM age 25] divorce-1 from alliance-1 * Rahu-Ketu bhukti

1959 [RM age 25] consecration of lifepartnership-2-of-6 with actor, Norman Hartweg [m. 1959-1961] Rahu-Shukra bhukti * samchara Rahu-Ketu via Simha-Kumbha contact navamsha R-K

1961 [RM age 27] divorce-2 from alliance-2 * Rahu-Shukra bhukti * Shukra randresha identity-change

1964 [RM age 30] consecration of lifepartnership-3-of-6 with actor, Peter deMaio * Rahu-Chandra bhukti * samchara Rahu-Ketu via Makara-Karkata contact radical R-K


[Guru Mahadasha] [age 32.2 until age 48.2] [1966-1982]

Apr-1971 until Jun-1973 = Janma Sade-Sati Urisha

  • [3] ensemble groups, management, scripts, dialog, media-messaging, cinema, television, audience
  • [age 7-10]

1971 [RM age 37] divorce-3 from alliance-3 * Guru-Budha bhukti ++ janma Sade-Sati

16-Nov-1973 [RM age 39] grieved the decease of mother - Guru-Ketu bhukti ++ dvadasa Sade-Sati

06-Nov-1976 [RM age 42] consecration of lifepartnership-4-of-6 with realtor, Gus Fisher * Guru-Shukra bhukti * samchara Rahu-Ketu via Vṛścika-Vrishabha * contact Chandra-Urisha

1978 [RM age 44] husband-4 sues RM for undisclosed earnings * Guru-Chandra bhukti


[Shani Mahadasha] [age 48.2 until age 67.2] [1982-2001 ]

1984 [RM age 50] consecration of brief lifepartnership-5-of-6 with former high-school boyfriend, Tom Keel * Shani-Shani svabhukti [Shani-yuti-Shukra] [Shani-yuti-Rahu] * samchara Rahu-Ketu via Vṛṣa-Vṛścika * contact Chandra-Urisha

14-Sep-1985 [RM age 51] begins the celebrated role of "Blanche" in the Golden Girls television drama * Shani-Shani svabhukti [Shani-yuti-Shukra] [Shani-yuti-Rahu] * Shani rules 11- profits, revenue, friendships

1986 [RM age 52] gains Golden Globe Award for dramatic performance * Shani-Budha bhukti [Budha-yuti-Mangala] * Kuja rules 9-celebrated prizes

1986 [RM age 52] wins Emmy Award for drama * Shani-Budha bhukti [Budha-yuti-Mangala] * Kuja rules 9-celebrated prizes

1987 wins another Golden Globe Award for drama * Shani-Budha bhukti [Budha-yuti-Mangala] * Kuja rules 9-celebrated prizes

1988 [RM age 54] grieving the decease of best friend, begins psychotherapy * Shani-Ketu bhukti

1992 [RM age 58] end of the immensely popular Golden Girls ensemble television drama * Shani-Shukra bhukti [Shukra-yuti-Rahu] * Shukra rules 8-identity change

Jun-1997 [RM age 63] diagnosed with breast cancer. Successfully treated, recovery * Shani-Rahu bhukti - Shani-yuti-Rahu

25-Dec-1997 [RM age 63] during chemotherapy treatments for breast-cancer, consecration of lifepartnership-6-of-6 with actor, Morrow Wilson * Shani-Rahu bhukti [Shukra-yuti-Rahu]

20-Feb-1999 [RM age 65] grieved decease of father - Shani-Guru bhukti * Guru rules 2nd-from-Surya ++ dvithiya Sade-Sati


Rue_McClanahan_2007photo.jpg [Budha Mahadasha] [age 67.2 until decease age 76]

Jun-2000 until Jul-2002 = Janma Sade-Sati Urisha

  • [3] ensemble groups, management, scripts, dialog, media-messaging, cinema, television, audience
  • [age 67-70]

2009 estranged from husband-6 * Budha-Chandra bhukti

04-Nov-2009 [RM age 76] triple bypass surgery * Budha-Mangala bhukti [Surya-yuti-Kuja] * Surya rogesha ailment

03-Jun-2010 [RM age 76] dis-embodiment via brain hemorrhage * Budha-Mangala bhukti * maraka Mangala rules-2

Salient Features of the Nativity

[Surya]

pitri-karaka [father] jyoti-karaka [light]

[Harsha Yoga]

[inimical-medicating rogesha for Meena - Antya indriya-lagna]

[bright center of private guidance gridworks]

[intelligence for invisible economic linkage]

[celebrated entitlement for clandestine connections]

[political focus on espionage]

...

[inspirational-dogmatic Sadachbia-1] [navamsha Surya-Kumbha] [vargottamsha] intuitively confident socio-economic systems linkage

[Surya-yuti-Kuja]

[Surya-yuti-Budha]

  • [Surya-Kumbha] Arka [the radiator - radio] brightly charismatic confidence of Center-stage Surya radiates through the linking networked connecting rashi of Shani
  • [Surya in bhava-12] center of Other-Worlds * brightly contemplative * focus on seclusion * invisible light-source provides private guidance * intuitive entitlements * brilliant in research * backroom politics * intelligence for interior prayer * eye on creative imagination * sparkling center of the sanctuary * radiant clairsentient drama * father may be a researcher, or be isolated or unavailable
  • [Surya-yuti-Kuja] confidently progressive * bright warrior * moves in alignment with the spiritual rays of the Sun * creatively intelligent brother-figures * self-reflexive political pursuits * champion of brilliant ideals * competitive father-figure * entitled to conquer * focused on winning * radiantly pioneering
  • [Surya-yuti-Budha] confidently conversational * bright messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * gestures conduct the spiritual rays of the Sun * radiantly descriptive * articulate in drama * skillful game-player * self-confident announcements * talks about ideals * narrative of power-politics * recites love poems * describes divine romance

OUTCOMES - SURYA

[Surya in bhava-12] rules

bhava-6 disagreement, poverty, illness, divorce

[Harsha Yoga]

Surya provides a protective Viparita Raja Yoga

Although the Learning Pathway contains six divorces [with the final high-conflict estrangement not legally divorced at time of death] nevertheless Harsha Yoga protects.

RM's divorce history became a source of popular fame [Surya]. Her autobiographical books on the subject of marital conflict were best-sellers.

FATHER

Dad = a road builder. Often away for construction duty [Surya in bhava-12] Dad moved constantly with road-building projects throughout the American South [Surya-yuti-Kuja]

Kuja pitristhana-pati forward movements = camp-to-camp.


[Chandra]

matrikaraka [mother] * garha-karaka [village]

[uchcha]

[creative-gaming mantra-pati for Meena indriya-lagna]

...

[face-voice-hair-eyes Rohiṇī-2] [mūlatrikoṇa] [navamsha Chandra-Urisha] intuitively sensitive preserving lineage values [vargottamsha]

  • [Chandra-Urisha] comforted by precious values * settled into rhythmic gathering * needs luxury
  • [Chandra in Rohiṇī - Aldebaran] * needs lavish appreciation * protectors of luxurious domiciles * soothed by sensuality
  • [Chandra in classroom-3] comfortable with cohort-collaboration * familiar with interactive communication * calmed by repetitive announcements * feels the tidal pulse of daily chat * feels sheltered in the parlor * soothed by siblings * intuitive information delivery * settled into the habits of writing * needs continuous commerce * accustomed to routine messaging * emotionally attuned to the rhythms of conversation * undulating signals * ethno-cultural gestures * intuitive handcraft * mother may be a manager, administrator, shopkeeper, craftswoman, publisher

OUTCOMES - CHANDRA

CAREER - 10th-from-Chandra

Comfort-seeking, attention-requiring Chandra in Rohiṇī rules political, celebrity, creative, authoring, romantic, dramatic bhava-5

  • 5-creativity, intelligence, games, celebrity, drama
  • animal-rights + civil-rights political activist
  • thespian, scriptwriter, autobiographical writer
  • fashion designer

[Kuja-yuti-Surya] + [Kuja-yuti-Budha] = located in 10th-from-Chandra-uchcha

  • RM drama-writing [Surya-Budha] career highly energized by the pack of Kumbha graha in 10th-from-Chandra
  • RM was still getting high-quality theatrical roles in her 70's [Kuja kinetic power]

MOTHER

Mom = Dreda Rheua-Nell McClanahan.

  • Of partly Portuguese ancestry, Mom was a beautician who owned and operated a beauty parlor
  • [Chandra in classroom-3] mother, handcraft, manual skills, businesswoman, beauty [Urisha] [3-parlor, a place for talking]

MARRIAGE partnership emotional equity support expectations

[7th-from-Chandra-3] lifepartnership-1-of-6

  • bhava-9 father-figures, philosophical beliefs, worldview, universities, temple priesthoods
  • Vṛścika transformation, initiation, sudden identity change, upheavals
  • ruler of 9 = Mangala-12, disappearance due to intensely active forward pushing energetic drive

stage actor [later music agent] Tom Bish [m. 1958-1959, duration 17 mos.]

8th-from- [7th-from-Chandra-3] = [2nd-from-Chandra] lifepartnership-2-of-6

  • bhava-4 parenting, security, stability, familiar environments, schooling
  • Mithuna writing, communication, sibling-cousin, buddies, schoolmates

actor Norman Hartweg [m. 1959-1961]

  • According to RM, husband-2-of-6 = a college buddy [4]. She married a cherished schoolmate to provide a father [4 parenting] for her young son.
  • Ruler of 4 = Budha-12, disappearance. RM recounts a speedy separatation.
  • Nevertheless, the alliance = chatty, sibling-cohort Mithuna. They remained collegially cooperative, and co-wrote screenplays [Mithuna] .

3rd-from- [7th-from-Chandra-3] lifepartnership-3-of-6

actor Peter DeMaio [m. 1964-1971]

  • According to RM memoire, union 3-of-6 was contracted in responsibility [Shani] for the social normalization [Shani] of her child.
  • The couple belonged to the artistic performance [Shukra] community [11]
  • It was volatile and cross-cultural [Rahu] yet she stuck-with-it for seven years [Shani].

10th-from- [7th-from-Chandra-3] lifepartnership-4-of-6

  • bhava-6 conflict, crime, theft, bad-faith agreements, exploitation, addiction, greed
  • Simha confidence, charm, sparkle, selfishness

realtor Gus Fisher [m. 1976-1979]

  • Husband 4-of-6 = property manager, real-estate investor, and confidence-man [Surya].

According to McClanahan, the marriage was a thinly veiled attempt to move her drama-career earnings into his real-estate portfolio [6 = 8th-from-11, veiled transformation of earnings].

  • RM had difficulty recovering her assets
  • Normally, she might have experienced being the victim of a financially sophisticated crime.
  • However [Harsha Yoga] provided sufficient protection to eventually restore most of the stolen money.

5th-from- [7th-from-Chandra-3] lifepartnership-5-of-6

  • bhava-1 personality, physicalization, embodiment, appearance
  • Meena imagination, dreaminess, sanctuary, hermitage, retreat, sleep

Tom Keel [m. 1984-1985]

  • According to RM, husband-5-of-6 was a former high school boyfriend who fulfilled her dreamlike wish [Meena] for a companionable mate .
  • Although the union did not suffer from severe conflict, RM's career-driven lifestyle was not well-matched to the quiet lifestyle.
  • The couple determined that they were happier as friends. Meena = 11th-from-Chandra.

12th-from- [7th-from-Chandra-3] lifepartnership-6-of-6

  • bhava-8 sudden identity changes, surgeries, danger, threats, shocks, trauma healing, rebirth, rejuvenation, recycling
  • Tula equity, bargains, agreements, balance, partnership, brokerage

actor Morrow Wilson [m. 1997-2010]

  • RM records that her 6th marriage was stimulated by a dangerous cancer surgery-series which threatened to disfigure her appearance and her livelihood [11].
  • The surgeries were successful and her appearance was undisturbed.

RM notes that she appreciated [Shukra appreciator rules 8] the companionship while in the throes of frightening interventions [8].

  • Yet, after life re-normalized, the couple became estranged.

Despite years of separation, a legal divorce was not yet finalized at the time of her decease following heart surgery, 03-Jun-2010 [RM age 76].


[Kuja]

bhratru-karaka [brother] virya-karaka [virile]

[Kuja Dosha for alliance-1]

[philosophical-doctrinal dharmesha for Meena - Antya indriya-lagna]

[conserving-entreasuring dhana-pati for Meena - Antya indriya-lagna]

[dynamic pursuit of clandestine connections]

[behind-the-scenes marketplace activism]

[drive toward globalized wealth via economic innovation]

[seeks friendly physical sanctuary]

...

[originating-challenger Purvabhadra-1] [navamsha Mangala-Mesha] intuitively competitive forward-pushing innovative physicality

[Kuja-yuti-Surya]

[Kuja-yuti-Budha]

  • [Mangala-Kumbha] vigorous community activism * warrior for economic progress * proactive linking * push toward regulated systems * pursues profitable roles * spearhead of mass interconnectivity * futuristic thrust * dominating energy in social networking * conquest of marketplace interactions * champion of distributed associations
  • [Mangala in bhava-12] drive toward privacy * pursuit of inner guidance * invaders from distant lands * hyperactive ancestors * restless sanctuary * fights isolation * clairsentient dynamics * bedroom vitality * invisible conquests * aggressive phantoms * innovative research * progressive action in distant lands * imaginative discovery
  • [Kuja-yuti-Surya] sparkling kinetic creativity * glorious innovator * high-energy confidence * dynamic genius * dominating force joins willful charm * fiercely competitive politics * brilliant winner * physically active father-figure * self-referential championship * vigorously moving theatrical display
  • [Kuja-yuti-Budha] proactive communications * energized signaling * dynamic reporting * clipped speech patterns * abrupt announcements * champion of vigorous messaging * pushes toward direct commands * forward thrusting gestures * incisive speech * forceful writing

OUTCOMES - KUJA

Motivating [Mangala in bhava-12] rules-

  • 2-heritage, face, voice, language, hair, mouth, knowledge, tradition, treasury, accrued values, banking, asset-containment
  • 9-father-figures, paradigmatic beliefs, catechism, life-principles, worldview, philosophy, credenda
  • Mangala rules 7-12 from Chandra

[Mangala Mahadasha] [age 7.2 until age 14.2]

School-age childhood characterized by values-based learning, traditional arts of speech and song, along with indoctrination [9] into the Methodist Christian faith.

  • RM commented that she clung to the principles of her Methodist credenda throughout life, as a trusted source of heritage continuity [and inner solace [12].

[Budha]

jamayah-karaka [sibling] sandeza-karaka [message] zisya-karaka [student]

[bargaining-balancing jaya-pati for Meena indriya-lagna]

[homebound-anchoring bandhesha for Meena indriya-lagna]

[imaginative scientific narrative of linked systems]

[private talk about economic connections]

...

[scripted-ensemble Purvabhadra-3] [navamsha Budha-Mithuna] intuitively explaining detailed conversational scripted discussion

[Budha-yuti-Surya]

[Budha-yuti-Mangala]

  • [Budha-Kumbha ] connecting communications * systematic pronouncements * articulation of social-scientific networks * descriptive inter-webbed definitions * diagrams the marketplace linkages *futuristic conversations * messages about communities * discusses economic transactions * explains social participation linkage * large-scale logic * skilled weaving * deft knitting * hands-arms-shoulders make connective gestures
  • [Budha in bhava-12] narrative of mental sanctuary * talks about quietude * commerce of the hermitage * discusses interior spiritual guidance * speaks from invisible location * instructions on reflective contemplation * detailed descriptions of intimate privacy * diagrams the astral inner terrain * explainer of quiet prayer * imaginative siblings * communication with distant worlds * delivers information about clairsentience * skillfully defines the dreamworld * logical visions
  • [Budha-yuti-Surya] amusing explanations * entertaining chatter * central roles in communication * brightly clear descriptions * dramatic enunciation * confidently delivers instruction * articulation of radiant certainty * political messenger * talkative father-figures
  • [Budha-yuti-Mangala] competitive communications * scripted actions * impatient conversations * potential for sexualized messaging * penetrating explanations * direct instruction * dominating dialog * signals forward action * pioneering logical movement * energetically outspoken opinions * talkative brother-figures

OUTCOMES - BUDHA

Budha activates Karakamsha Kanya-7 = narrative of relationships

[Budha in bhava-12]

Literate-numerate Budha bandhesha also rules 7, while Budha occupies 10th-from-Chandra

  • RM was a university-college graduate, rare for a feminine-gendered person born in 1934 -- and extremely rate in the 1950's thespian world.

[Guru]

dhava-karaka [husband] bahuta-karaka [variety]

[energizing-identifying lagnesha for Meena - Antya indriya-lagna]

[dutiful-hierarchical karmesha for Meena - Antya indriya-lagna]

...

[problematizing-analytical Chitra-2] [navamsha Guru-Kanya] [vargottamsha] intuitively expansive understanding of exploitive unfair service contracts

[Atmakaraka expansion, philosophy, patronage, worldview, beliefs, doctrine]

  • [Guru-Kanya] much ministry of service * many servants * numerous employees * indoctrination of laborers * much logical argumentation * conflicted guidance * permission to help * generously assists many victims * optimistic about medication * believes in aid * doctrine of benevolent humility
  • [Guru in bhava-7] many contracts * optimistic negotiations * much partnership * abundant agreement * numerous alliances * extensive bargaining * multiple trusts * expansion of advocacy * fertile match-making * typically more than one spouse * patron of legal arrangements * proliferation of promises * in a wifely nativity, husbandly-companion may be an attorney-counselor-broker

OUTCOMES - GURU

lagnesha Atmakaraka Guru activates Meena Svamsha

lagnesha Atmakaraka Guru activates Dhanus [10th navamsha] containing radiant dramatic Surya

lagnesha Atmakaraka Guru drishti into Chandra-3 [writing]

  • RM wrote screenplays, film-scripts
  • best-selling autobiography
  • she was especially gifted at collaborating with writing partners - including an ex-husband

[Guru in bhava-7] rules

  • 1- identity, appearance, mobility, vitality, unique socially-identifiable features
  • 10-leadership, social respect, profession, civic duty, iconic roles, visibility
  • 10 public roles, reputation,, visibility, social position

RM performed dramatic roles in prize-winning television dramatizations, along with 70 recorded cinema performances, and 250 theatrical plays .

Faith Credenda - Guru

  • remained a subscribing Christian Methodist throughout life
  • Guru resides in 5th-from-Chandra providing abundant optimism and faith, expansion of dramatic roles, and creative attitude = supporting growth, even with criticism and errors along with path [Kanya]

Guru casts expansive, charitable, inclusive drishti upon

  • 11-friendships, community, social networking
  • 1-personal identity, vitality, mobility, conditions of birth
  • 3- publications, media-messaging, television, books contains [Chandra-Urisha-Rohini]

[Shukra] McClanahanRue_midyears.jpg

svadu-karaka [sweet] kalatra-karaka [wifely companion]

[busy-messaging sahaja-pati for Meena - Antya indriya-lagna]

[mysterious-revealing randhresha for Meena - Antya indriya-lagna]

[traditional marketplace financial decision-maker]

[class-conscious justice-seeking socialite]

[respected for hierarchical values-based friendships]

[lawful diplomatic networking brokerage]

[marriage union supports lawfully gainful revenues]

[in a husbandly nativity, wife-figure may be dignified community arranger]

[pleasantly structured social participation agreements]

[commercial profits via feminine seniority]

....

[face-voice-eyes-hair Śrāvaṇa-2] [navamsha Shukra-Urisha] intuitively enriching historical financial beautiful marriages contracts deals

[Shukra-yuti-Shani]

[Shukra-yuti-Rahu]

  • [Shukra-Makara-Draco] appreciation of authoritative status * likes architectural structure * attracted to officials * conducts lawful negotiations * beautiful bones * enjoys social position * class-conscious aesthetic * pleased by social regulation * hierarchical arrangements * prefers an orderly partner
  • [Shukra-11] seeks pleasure via social connectivity * pleasant community linkage * balances asset distribution systems * seeks network equity * association with artists * values friendly financial connections * likes knitting-and-knotting * pleasing designs to adorn the skin * graceful ankles * appreciation of friendships * aesthetic of fair deals in marketplace * enjoys attractive friends * in a husbandly nativity, wifely-companion may be a socialite-economist-networker-economist-networker
  • [Shukra-yuti-Shani] sweetly serious deal-making * mature relationships * graciously responsible * beautiful bones * appreciation for neutrality * strict negotiations * pleasant legal mediation * rigorous bargaining * enduring agreements * regulated contracts * architectural elegance * pragmatic design * lawful arrangements * realistic finance * prefers relationships with orderly partners * in a husbandly nativity, preference for a seasoned, class-conscious wife
  • [Shukra-yuti-Rahu] sweetened adventure * gracious ambition * appreciation for opportunities * thrilling negotiations * passionate sensuality * over-reaching agreements * exceptional beauty * enjoys cultural mixing * barrier-bending relationships * unorthodox arrangements * diplomatic equity balances exhilarating chance * risk-rewarding contracts * unconventionally attractive * pleasantly mesmerizing appearance * prefers exciting partners

OUTCOMES - SHUKRA

[Shukra-11] activates

  • 3 cohort, schoolmates, ensemble, neighbors
  • 3-media, scripts, programs contains [Chandra in Rohiṇī-3 = writing]
  • 3 schoolmates, collaboration, teamwork - famous role in all-feminine ensemble Golden Girls
  • 8 undisclosed motives, secrecy, disaster, treasuries of the spouse, in-laws

FAME and Beauty

[Shukra-11] activates Tula-8 = 6th-from-Chandra

  • personal trajectory of self-reinvention makes a cycle of rebirths [8]
  • evolving relationships with friends Shukra-11 may provoke self-medication [6th-from-Chandra]
  • professional dramatic portrayals of the smoldering animosities and accusations [6th-from-Chandra]

The gracious, over-reaching, hard-working cluster of [Shukra-yuti-Shani] ++ [Shukra-yuti-Rahu] in bhava-11 community associations, revenues

[Shukra-11] occupies the philosophical, celebrated, patronage-seeking 9th-from-Chandra = the amplifying influence of the

  • mother's father
  • mother's beliefs-faith
  • mother's worldview

[Shani]

duro-karaka [endurance] * jara-karaka [Jahre, years] [svakshetra]

[svabhava] [svakshetra]

[friendly-gainful labha-pati for Meena - Antya indriya-lagna]

[contemplative-envisioning vyaya-pati for Meena - Antya indriya-lagna]

[dry hardening of calves and ankles]

...

[logical-helping Dhaniṣṭha-2] [navamsha Shani-Kanya]

[Shukra-yuti-Rahu]

[Shani-yuti-Rahu]

  • [Shani-Makara-Draco] heavy old institutions * obliged to conform to the time-clock * rigidly ranked class systems * strict regimes * pressure to complete socially required duties * structural compression upon knees-calves-skeleton * strictly imposed protocols * must normalize old rules * unyielding pressure of public judgment * class-conscious elders * punitive regulators * must endure proletarian manners * must continue disciplined work * scarce building resources * maintainer of old hierarchies
  • [Shani in Bhava-11] steady time-structured achievements * must maintain connections * sustainedeffort toward realistic aims * must regulate economic linkage * cautiously conventional accomplishments * class-conscious social network * chronic pressure on nerves-skin * few friendships * limited revenues * works hard for earnings * resists new associations * supports lawful distribution systems * accepts marketplace rules * salary worker fatigue * rigidly dutiful socialite roles * elders maintain community responsibilities
  • [Shani-yuti-Shukra] slow system imposes lawful equity * limited luxuries * sturdily handsome * orderly feminine figures * pragmatic finance * contractual discipline * socially constrained harmony * conventionally regulated pleasures * trust in age * mutuality over time * class-structured arrangements
  • [Shani-yuti-Rahu] stiff resistance to unbridled ambition * formally regulated cultural mixing * disciplined thrills * class-based limitations upon privilege * repressed quest for intriguing importance * socially constrained opportunism * shimmering illusion of systematic conformity * irregular achievements * over-reaching elders * restricted risks

OUTCOMES - SHANI

[Shani-Makara-Draco] = work-ethic, disciplined personal conduct = the respectful philosopher, faithful, humanistic, global-scope 9th-from-Chandra = defining influence of the mother's beliefs and worldview

[Shani Mahadasha] [age 48.2 until age 67.2] [1982-2001 ]

14-Sep-1985 [RM age 51] begins the celebrated role of "Blanche" in the Golden Girls television drama * Shani-Shani svabhukti [Shani-yuti-Shukra] [Shani-yuti-Rahu] * Shani rules 11- profits, revenue, friendships

Highest professional success playing the role of

socially-physically mature, friendly[11] attractive, [Shukra] taboo-bending, [Rahu] self-sufficient, independent woman

who interacts theatrically with other mature, friendly[11] attractive, [Shukra] taboo-bending, [Rahu] self-sufficient, independent women

[Shukra-yuti-Rahu] risky often expedient friendships but dignified public facade

Shani flourishes in later years

  • Despite the youth-fixation of commercial entertainment bosses, RM drama career peaked and maintained altitude during Shani Mahadasha [age 48.2 until age 67.2

[Rahu]

rajyalobha-karaka [ambition] picchala-karaka [slippery]

[svabhava]

[for Meena - Antya indriya-lagna]

[Rahu-11 casts passionately profitable networked drishti into 3-5-7]

check Shani for defining source of Rahu's social-rank positioning

[normalized passion for lawful revenues]

[over-reaching institutional profits]

[ambitiously conventional high-achieving friends]

[desire to impose order on economic communities]

[exhilarating status-seeking social networks]

[extraordinary social-limitation fundraising]

[hunger for hierarchical earnings]

[class-conscious approach to marketplace connectivity]

[seeks importance in legislative assemblies]

...

[dramatizing-displaying Dhaniṣṭha-1] [navamsha Rahu-Simha]

[Rahu-yuti-Shukra]

[Rahu-yuti-Shani]

  • [Rahu-Makara-Draco] shimmering illusion of dignity * craving for social status * mirage of legitimate authority * mask of hierarchy * over-reaching acts of institutional leadership * fascinating ascent to respected position * unorthodox methods of social ordering * extraordinary claims to statutory jurisdiction * extravagant elitism * thrilling seniority * seeks special importance via apparent [but perhaps not authentic] attributes of responsible governance * bossy pretense * seeks privilege via regulator-roles
  • [Rahu in bhava-11] passion for prestige rewards * in Roguish Rahu's svabhava co-ruled by materialistic Shani * the Shadowy Specter seeks glamorous material attainments - outsider who cleverly insinuates into social-networking roles * high-risk marketplace gains * ravenous for revenues * astounding awards * extraordinary economic connections * desires linkage into privileged systems * expediently gainful assemblies * opportunistic community activism * over-reaching friendships * craves prodigious profitability * exciting culturally-mixed gridworks * phony fellowship * may pose as a populist *boundary-breaching aim-achievement * thrillingly surge of amazing earnings * trespasses the normal cultural limits on distributive association
  • [Rahu-yuti-Shukra] amplified attractions * magnified beauty * exotic taste * tricky partners * opportunistic feminine-figures * fascinating [but perhaps illusory] appearance of luxurious pleasure * s trange-and-wonderful designs * thrilling relationships * barrier-bending brokerage * unusual contracts * hypnotic arrangements * gracious balance of cross-cultural mixing * entrancing music
  • [Rahu-yuti-Shani] amplified public formality * pragmatic exaggeration * exotic social conventions * slippery hierarchies * tricky rules * opportunistic elders * fascinating [but perhaps illusory] strict conformism * regulated risk-taking * hypnotic outsider insinuates normalcy * orderly cross-cultural mixing * thrilling legitimations

OUTCOMES - RAHU

Goal-oriented, community-connecting cluster of[ Shukra-yuti-Shani] ++ [Shukra-yuti-Rahu] in bhava-11

[Rahu in bhava-11] is typically an over-reaching earner. RM was always able to support herself and her son, even in an industry which grossly underpaid women. Beginning with Shani Mahadasha [Shani rules Rahu] her age 48, earnings skyrocketed [Rahu]

Rahu drishti into uchcha-Chandra-3 +++ Rahu-Shani-Shukra residing in 9th-from-Chandra compounds the amplifying influence of the mother's father.


[Ketu]

kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum]

[for Meena - Antya indriya-lagna]

[unconcerned with speculation on real-estate and border-defense]

[scattered patriotic intelligence]

[disengaged witness to local games of property stewardship]

[liberated from outdated local customs]

[disregard for drama of empty nationalism]

[material relationship to children, especially but not exclusively the eldest, may emotionally dissolve. The spiritual relationship remains.]

[passively fixated on ambitious regulatory Rahu-Makara-Draco-11 friends, earners, economists, distributors, associates, community-members]

...

[networking-achieving Aslesha-3] [navamsha Ketu-Kumbha]

  • [Ketu-Karkata] calmly dissociates from foundational habits * surrenders material security * placidly empty shelters * disregards conventional caretaking * not limited by customary routines * ignores restriction on farming-and-fishing * abandons owned-stewarded property * forgives the ancestors * releases a soothing pink cloud of ancient rhythms into the misty abyss
  • [Ketu in classroom-5] ambivalent toward ceremony * disoriented offspring * wandering eldest child * demonstrates dramatic confidence in non-existent things * apathetic toward intellectual authenticity * ungrounded speculation * disregards standard intelligence * eccentric creativity * incoherent romantic ideals * disinterested in games * liberation via surrender of entitlements * unless other graha in 5 or Ketu's ruler is strong, may prefer to live free from children

OUTCOMES - KETU

Typically some distancing from the child, especially the eldest

  • RM had one son, due to the fertile Guru-drishti into her uchcha-Chandra-3
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