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Hollywood dramatist Fashion Model Cultural Icon Luxury commerce a.k.a. Elisheba Rachel Taylor a.k.a. Elizabeth Rosemond Taylor earth-birth Saturday-27-Feb-1932 dematerialization 23-Mar-2011 | |
dramatist + fashion model + philanthropist + luxury-goods commerce * 1932-2011 * Elizabeth Rosemond Taylor birth data from http://en.wikipedia.org/wiki/Elizabeth_Taylor * tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = produced by Shri Jyoti Star * adapted by BP Lama born on day-7 Saptami of Krishna Paksha | ||
Rising Nakshatra Feminine Nativities Pashu * Pushana-vana *Antyabha BPL commentary For Revatika births of a feminine valence, the condition of conversational, discursive, explanatory, instructional, argumentative, commercializing, evangelical Kumara may considerably affect the outcome. Pashu the Pastor is delicately attuned to the signals of the animal kingdom. Hearing [Budha] the voices of mineral, plant, animal, and human worlds, Antyabha-born often work for the welfare of all creatures. Many veterinarians and animal-welfare activists are Revatika-born. These way-showers are also found in all aspects of music and dancing, producing melodies, beats, and lyrics. Whatever the Pashu folk say, others will follow and believe. For those born into the Budha-ruled paradigm of Antyabha, siblings, cousins, schoolmates, bandmates, team-mates, entourage, ensemble, neighbors, managers, cohort, coterie, collaborative group, publishers, messengers, merchants, commercial agents, reporters, writers, scripts, plans, schedules, instructions, radio-television-internet, news-media, conferences, committees, discussions, travel itineraries, and texts -- and beasts of every description - may be especially influential. Instructional guidance is provided by emissaries from the civilizations of stars clustered near Zeta Piscium. Their purpose is to shepherd the flocks in safe passage, calling them to follow with an imaginative, sweet sound and rhythm The Way-Shower Revatika ladies expresses the natural tension between Busy Bantering Budha and Guiding Generous Guru. Commercially oriented Budha is a master of writing, reporting, cinema, and detailed communication. Kumara naturally matches the vibration of chatty students and a younger audience. Yet, Brihaspati much prefers to preach on broad-scope topics, ideology and inclusive doctrine. Revatika-born often find themselves in shepherding roles that require delivering a message to their herd of followers. The usual delivery style is musical, oratorical, or imagistic-imaginative, but any method of Showing the Way may be chosen. Pashu the Pastor combines a broad humanistic vision with a beckoning repeating signal frequency such as a slogan, a jingle, or a melody. Themes of pastoral guidance, musical or imagistic messaging, and benevolent outreach to all creatures may contextualize Revatika's terrestrial experience. Applies also to Chandra in Revatika-Pashu . |
QUOTATION from Shil-Ponde (1939). Hindu Astrology Joytisha-Shastra. p 101 "... defect in hearing. the native is a person of clean morals
She is fond of pets and animals. She is a very good housekeeper
Her face is laughing, always with dimples,
![]() ET promo photo for A Place in the Sun, 1950 | |
![]() Elizabeth Taylor age-12 acting in the hugely popular cinematic drama National Velvet
1947 (ERT age 15) working actress in the cinema studio Elizabeth Taylor * Elisheba Rachel ![]() 1950 (ERT age 18) Taylor's first marriage, staged by her cinematic studio bosses
12-May-1959 wedding #4 (Elisheba's age 27) to popular singer Eddie Fisher (Edwin Tisch)
Elizabeth Taylor and Welsh actor husband Richard Burton in the mid-1960's | Biographical
events matched to
Vimshottari Dasha
Guru Mahadasha * age birth until age 8.6 27-Feb-1932 Earth-birth in Golders Green, London, Essex, England * Guru-Ketu bhukti 1938 (ERT age 6) expecting trouble from the rising Nazi regime, her financially-connected family (7th-from-Chandra-8 = 2) moves to Los Angeles from their London residence. Exceptionally gifted, little Elisheba is soon hired by associates of her parents who operate the cinema studios * Guru-Rahu chidra-dasha * uttama Zukra-yuti-Rahu ++ Rahu-1 1939 (ERT age 7) First full-time theatrical work contract * Guru-Rahu chidra-dasha * uttama Zukra-yuti-Rahu ++ Rahu-1 Shani mahadasha * age 8.6 until age 27.6 Jun-1941 until Aug-1943 = Shani Ashtamsha via Urisha-3 cinema 06-May-1950 (ERT age 18) exchange of vows in marriage-1-of-8 with hotel heir Conrad Hilton. Studio-arranged publicity wedding. No offspring. Div. 29-Jan-1951 * Shani-Zukra bhukti * Zukra-yuti-Rahu * samchara Rahu-Ketu via Meena-Kanya * contact radical R-K Nov-1952 until Nov-1955 Janma Sade-Sati via Tula- 8 21-Feb-1952 (ERT age 19) exchange of vows in marriage-2-of-8 with British dramatist Michael Wilding (MW age 39) * Shani-Chandra bhukti * Chandra activates 7th navamsha ++ Sade-Sati * samchara R-K via Kumbha-Simha contact navamsha R-K 06-Jan-1953 (ERT age 20) celebrated the birth of child-1 * Shani-Rahu bhukti Shani-Chandra bhukti * Chandra rules-5 ++ Sade-Sati 02-Feb-1957 (ERT age 24) exchange of vows in marriage-3-of-8 with cinematic producer Mike Todd (a.k.a. Avrom Hirsch Goldbogen) (MT age 47) * Shani-Rahu bhukti * samchara Rahu-Ketu via Vrischika-Urisha 22-Mar-1958 (ERT age 26) sudden death of husband-3 Mike Todd (airplane crash) * Shani-Guru chidra-dasha * Guru activates 7th-from-9th-from-Chandra = decease of lifepartner-3 1959 (ERT age 27) public doctrinal conversion from Christian Science to Judaism ** Shani-Guru chidra-dasha * Guru doctrine 12-May-1959 (ERT age 27) exchange of vows in marriage-4-of-8 to popular singer Eddie Fisher (a.k.a. Edwin Tisch) * Shani-Guru chidra-dasha * samchara Rahu-Ketu via Kanya-Meena contact radical R-K Budha Mahadasha * age 27.6 until age 44.6 15-Mar-1964 (ERT age 32) exchange of vows in marriage-5-of-8 to dramatist Richard Burton * Budha-Zukra bhukti * samchara Rahu-Ketu via Mithuna-Dhanau 20-Nov-1968 (ERT age 36) grieved decease of father * Budha-Mangalau bhukti * Mangala-yuti-Surya * Surya activates 7th-from-Surya Apr-1971 until Jun-1973 = 1973 = Shani Ashtamsha via Urisha-11 10-Oct-1975 (ERT age 43) exchange of vows in marriage-6-of-8 * re-marriage to dramatist Richard Burton * Budha-Shani chidra-dasha * samchara Rahu-Ketu via Vrischika-Urisha Ketu Mahadasha * age 44.6 until age 51.6 04-Dec-1976 (ERT age 44) exchange of vows in marriage-7-of-8 to USA-Senator from Virginia, John Warner * Ketu-Ketu swabhukti * samchara Rahu-Ketu via Tula-Mesha contact Chandra-Tula Oct-1982 until Dec-1984 Janma Sade-Sati via Tula-8 07-Nov-1982 divorce from Senator Warner * Ketu-Budha chidra-dasha ++ Sade-Sati Zukra Mahadasha * age 51.6 until age 71.6 06-Oct-1991 (ERT age 59) exchange of vows in marriage-8-of-8 * having met LF while they both resided at the Betty Ford Clinic, ERT wed construction equipment operator Larry Fortensky (LF age 39). LF = 20-years her junior, from a different demographic * Zukra-Rahu bhukti * samchara Rahu-Ketu via Dhanusha-Mithuna 11-Sep-1994 (ERT age 62) grieved the decease of mother (mom was 99) * Zukra-Guru bhukti * Guru activates 7th-from-4 Surya Mahadasha * age 71.6 until age 77.6 Jun-2000 until Jul-2002 = Shani Ashtamsha via Urisha-3 Chandra Mahadasha * age 77.6 until decease age 79 Nov-2011 until Nov-2014 Janma Sade-Sati via Tula 23-Mar-2011 (ERT age 79) dematerialization via congestive heart failure * Chandra-Rahu bhukti ++ dvadasa Sade-Sati | |
Distinctive features of the Nativity
Surya * pitri-karaka (father) * jyoti-karaka (light)
Surya-12 rules bhava-6 = jealousy, toxic conditions FATHER Dad = an international (12) art salesman Surya-yuti-Budha. Dad's business was financed in Golders Green, London. After moving to Los Angeles to escape the Nazi regime, Dad maintained a gallery shop in the lobby of the upmarket Beverly Hills Hotel. His other revenue stream = his daughter's cinema work. CAREER - SURYA Surya + Mangala + Budha occupy the dramatic, entitled, celebrated 5th-from-Chandra Surya in bhava-12 rogesha ++ ++ casts drishti into 6 creating a protective Harsha Yoga HEALTH Surya rogesha supervises injuries, accidents, self-medication, remedies
Surya rogesha rules
According to Wikipedia," In November 2004, Taylor announced that she had been diagnosed with congestive heart failure, a progressive condition in which the heart is too weak to pump sufficient blood throughout the body, particularly to the lower extremities: the ankles and feet. She has broken her back five times, had both of her hips replaced, survived a benign brain tumor operation, skin cancer, and has faced life-threatening bouts with pneumonia twice. She is reclusive and sometimes fails to make scheduled appearances due to illness or other personal reasons. She now uses a wheelchair and when asked about it she said that she has osteoporosis and was born with scoliosis." Chandra * matrikaraka (mother) * garha-karaka (village)
MOTHER Mom = Sara Warmbrodt (born in Kansas, 1895-1994). Before her children were born, ERT's mother had been an accomplished stage actress. Mom worked under the stage name of Sara Sothern. Chandra activates 5-theatre Although her performing career ended after marriage, The Momager remained connected to the drama world. She managed young Elizabeth's career as a full-time occupation. Chandra activates 3rd-from-3rd talent-management. CAREER - CHANDRA Chandra activates Guru-Karkata * uttama-5 in the professional 10th-from-Chandra
Chandra-8 pulse produced a multi=decade flow of high-drama (5) RECYCLINGS * IDENTITY RENEWALS * REJUVENATION * SHOCKS MARRIAGE emotional support partnership expectations Four weddings within Shani Mahadasha, age 18-27 Chandra-8 marriages often function as trauma-healing response The relatively brief durations of the alliances =
8th-from 7th from Chandra-in-bhava-8 = 2nd-from-Chandra
3rd-from 7th from Chandra-in-bhava-8 = 8th-from-Chandra
10th-from 7th from Chandra-in-bhava-8
5th-from 7th from Chandra-in-bhava-8
12th-from-7th from Chandra-in-bhava-8
7th-from 7th from Chandra-in-bhava-8
2nd-from 7th from Chandra-in-bhava-8
Kuja * bhratru-karaka (brother) * virya-karaka (virile)
CAREER - MANGALA Mangala ashtangata harana-12 creates a significant kuja dosha Surya + Mangala + Budha occupy the dramatic, celebrated 5th-from-Chandra Kuja activates
HEALTH Mangala in bhava-12 rules 2-food
Budha * jamayah-karaka (sibling) * sandeza-karaka (message) * zisya-karaka (student)
CAREER - BUDHA Surya + Mangala + Budha occupy the dramatic, celebrated 5th-from-ChandraBusy Budha activates
Budha-yuti-Surya drishti-into-6 Simha = talks about divorce, publicizes injustice Guru * dhava-karaka (husband) * bahuta-karaka (variety)
CAREER - BRIHASPATI Generous Guru activates
Dhanuzya-10 = 3rd-from-Chandra = management, administration, meetings, scripts, schedules.
Mutual drishti between lagnesha-uttama-Guru-5 ++ Rahu-1
Guru lagnesha karmesha = identity, public reputation, dignity Guru-Karkata * uttama occupies 10th-from-Chandra-5 drama
boundary-breeching opportunistic Rahu-1 with expansive, optimistic, entitled Guru-Karkata-5 mutual drishti
Lagnesha karmesha uttama-Guru-5 = magnificent mineral-body
Zukra * svadu-karaka (sweet) * kalatra-karaka (wife)
CAREER - ZUKRA Zukra activates
Urisha-3 commercial success (3) = designing and selling social-mobility marker luxury goods Fascinating, mesmerizing RAHU-1 Zukra-yuti-Rahu = high-profile fascinating glamorous beauty Zukra-1 bhava-3 = cinema, cohort, ensemble groups, photographs, magazines, advertising, messaging = revolutionary, emotionally turbulent, perpetually transformative, trauma-inducing 8th-from-Chandra 3-magazines = constant news stories about ERT's marital disputes, divorces, drug addictions, ailments. despite high pressure socially + health stress, ERT's long life (Shani-8) was perceived by the fascinated (Rahu) public as magnificently excessive (uttama-Guru), Her iconic FABULOUS image represented having it all, with unlimited expansion (uttama-Guru) of romance, children, desirable roles, fashions, applause ZUKRA LAGNA
IDENTITY + REPUTATION * 10 Stunning Beauty ++ Shocking Risk super-beautiful, mesmerizingly attractive Zukra-yuti-Rahu rules Thula 10th navamsha
Compare to
The fascinating narrative of accusation scandals, contentious litigations, medical suffering, and other RAHU-MAGNIFIED imbalances formed a key element of her lifelong iconic influence.
Hollywood Tabloid profile = VIXEN (Arudra) * WIDOW-MAKER (6/8) * HOME-WRECKER
HEALTH EMOTIONAL 6/8 Zukra-yuti-Rahu = occupies 6th-from-Chandra -8 dusthamsha angles toward Chandra
HEALTH PHYSICAL randhresha 6/8 from Chandra-8 ERT suffered from painful disease conditions throughout her adulthood, including spinal scoliosis.
ERT liberally self-medicated with alcohol + pain-killer drugs.
SURGERIES * nearly 40 surgeries Zukra-yuti-Rahu in 8th-from-Chandra-8
EMOTIONAL DISORDERS uttama-Zukra = relationships, pleasures = in 6th-from-Chandra The tension between Chandra-8 and Zukra-Rahu-1 provides many emotionally motivated disorders including compulsive formal marriage rather than more commonplace, more relaxed informal sexual arrangements (Zukra-Rahu) . According to ERT, she usually demanded a marriage contract from any sexual partner. imbalance between important identity with the interests of the spouse (Zukra-1) vs personal therapeutic transformative change (8). ADDICTIONS Sweets-seeking Zukra occupies the emotionally conflicted and self-medicating 6th-from-Chandra suggests behavioral addictions or substance addictions along with notable lifetime disease and pain
Rahu-Zukra expanded by Guru drishti into 6th-from-Chandra
COMMERCE * luxury goods businesswoman ruler of 3-uttama-Zukra ++ ambitious-Rahu-1
JEWELS * PEFUMES * LUXURY * mesmerizing SPARKLING attractions
Among the significations of Zukra = the many fascinating (Rahu) sensualities of her public career = marriages, treasures, luxuries, jewels, perfumes, fine textiles, attractions * akarshana * all of these contributed empowerments and allure to ERT's product lines. Following a super-successful drama career, her commercial career was also superb. Shani * duro-karaka (endurance) * jara-karaka (years)
CAREER - SHANI Yogakaraka from Tula-Chandra-lagna Shani activates
Shani mahadasha * age 8 until age 27 WORKING CHILDHOOD Harshly time-scheduled youth earnings-driven Shani 10th drishti into Chandra-8
Shani-11 drishti upon unconditional-love Chandra-5 = harsh early parenting with conditional acceptance granted on basis of material production.
Shani = discipline of craft, structure of work.
Other children were reading stories in schoolrooms but ERT was working full time in cinema studios.
ERT often claimed that she never had a childhood.
ERT suffered lifelong emotional tension of conditional-approval IMPACT OF Shani drishti Shani in Bhava-11 in somber, hard-working Makara
Shani drishti constricts 1 + 5 + 8
ERT's Work ethic was widely respected in the film industry during her professional years. The talented child matured into a beguiling teenager then a splendidly beautiful woman. Yet the work habits remained soberly responsible. harsh social-approval drishti upon Chandra-8 = work to earn approval of her mom Sara, the stage mother + task-master.
Rahu * rajyalobha-karaka (ambition) * picchala-karaka (slippery)
CAREER - RAHU Zukra-yuti-Rahu-1 mutual-drishti with uttama-Guru-1 * allowed her to break most marriage conventions (Rahu) and look good doing it (uttama-Zukra + uttama-Guru).
uttama-Guru-5 karmesha ++ quick ascending Rahu-Meena-1 = mutual aspect
SHIMMERING beauty uttama- Zukra-yuti-Rahu-1 After the Shani Mahadasha age 8-27 and the subsequent Budha Mahadasha 28-45, ERT remained in the public eye -- even when most actresses of her vintage had long since retired. TABOO-BENDING, FASCINATING, ENTRANCING RAHU ERT's lifestyle remained perpetually fascinating ROLE MODEL ERT's remarkable ability to break marriage contracts was considered scandalous yet utterly fascinating to the audience for her films and fashion modeling. The next generation of American women who married in the 1960's and later were able to divorce-and-remarry with ease, due in part to the pioneering imagery generated by ERT. Ketu * chidra-karaka
CAREER - KETU Much of the intrigue surrounding ERT as a public figure was due to the stunning frequency of her high-profile vow-breaking. Ketu in classroom-7 | ||
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