born four months after
Rilke writes in The Raising of Lazarus
" The transformed speaks only to relinquishers. All holders-on are stranglers ."
review of Rilke's life and work: http://www.washingtonpost.com/wp-srv/style/longterm/books/reviews/rilke.htm
a.k.a. Rene Karl Wilhelm Johann Josef Maria Rilke
dematerialization 29-Dec-1926 [age 51]
Poet and Litterateur
Rene Karl Wilhelm Johann Josef Maria Rilke
birth data from http://en.wikipedia.org/wiki/Rainer_Maria_Rilke
tentatively rectified by BPL
charts + graphs + tables = produced by Shri Jyoti Star - adapted by BP Lama
Kala-Amrita Kala Sarpa Yoga = reverse- pari-Vasuki
Pashu - Pushana-vana - Antyabha
For Revatika births of a masculine valence, the condition of conversational, discursive, explanatory, instructional, argumentative, commercializing, evangelical Kumara may considerably affect the outcome.
Pashu the Pastor is delicately attuned to the signals of the animal kingdom. Hearing [Budha] the voices of mineral, plant, animal, and human worlds, Antyabha-born often work for the welfare of all creatures. Many veterinarians and animal-welfare activists are Revatī-born. These way-showers are also found in all aspects of music and dancing, producing melodies, beats, and lyrics.
Whatever the Pashu folk say, others will follow and believe.
For those born into the Budha-ruled paradigm of Antyabha, siblings, cousins, schoolmates, bandmates, team-mates, entourage, ensemble, neighbors, managers, cohort, coterie, collaborative group, publishers, messengers, merchants, commercial agents, reporters, writers, scripts, plans, schedules, instructions, radio-television-internet, news-media, conferences, committees, discussions, travel itineraries, and texts -- and beasts of every description - may be especially influential.
Instructional guidance is provided by emissaries from the civilizations of stars clustered near Zeta Piscium. Their purpose is to shepherd the flocks in safe passage, calling them to follow with an imaginative, sweet sound and rhythm
Revatika expresses the natural tension between Busy Bantering Budha and Guiding Generous Guru. Commercially oriented Budha is a master of writing, reporting, cinema, and detailed communication. Kumara naturally matches the vibration of chatty students and a younger audience. Yet, Brihaspati much prefers to preach on broad-scope topics, ideology and inclusive doctrine.
Paushna-born often find themselves in shepherding roles that require delivering a message to their herd of followers. The usual delivery style is musical, oratorical, or imaginative, but any method of Showing the Way may be chosen. Pashu the Pastor combines a broad welcoming vision with a beckoning repeating signal frequency such as a slogan, a jingle, or a melody.
Themes of pastoral guidance, musical messaging, and benevolent outreach to all creatures may contextualize Revatika's terrestrial experience. Applies also to Chandra in Revatī - Pashu
QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 89
" ... often distinguished by a birthmark on the thigh.
They usually have well formed and beautiful physiques
They are fond of their family and friends
They may not be born to wealth
They will know how to enjoy wisely and well the fruits of their endeavors.
These people are wise and intelligent
Rilke [age 31] painted in 1906 by the artist Paula Modersohn-Becker
Rainer Maria Rilke und seine Ehefrau Clara Rilke-Westhoff, near their home in the artists' colony, circa 1901
Biographical details matched to the Vimshottari Dasha calendar
[Mangala Mahadasha] [age birth until age 2.5]
04-Dec-1875 Earth-birth into a German-speaking bourgeoise family in Prague [Praha] Bohemia, Austria-Hungary [now Czech Republic] * Mangala-Budha bhukti
Kala-Amrita KSY = reverse- pari-Ananta passion for writing + annihilatiion-liberation via relationships 
[Rahu Mahadasha] [age 2.5 until age 20.5]
1884 [RMR age 9] collapse of parents' marriage * Rahu-Shani bhukti * Shani activates 12th-from-Chandra, erosion of security
1886 [RMR age 11-16] expected to follow his father into professional military, RMR is sent to military boarding school until 1891 * Rahu-Budha bhukti * Budha rules 4-schooling
May-1892 [RMR age 16] finding military school unbearable and being ever-ill, RMR joins a trade school but is soon expelled from trade school * Rahu-Shukra bhukti* Shukra randhresha sudden identity change
[Guru Mahadasha] [age 20.5 until age 36.5]
1897 [RMR age 21] fell in love with the Russian married psychoanalyst Lou Salome, 15 years his senior. Romantic relationship continued until 1900. his age 24. RMR and LS maintained a confidante relationship throughout his life. * Guru-Guru svabhukti * [Guru-8 parivartamsha Shukra-10] Glagnesha identity
12-Dec-1901 [RMR age 26] birth of child Ruth Sieber-Rilke * Guru-Budha bhukti * Budha rules Mithuna 5th-from-Chandra
Feb-1905 until Apr-1907 Janma Sade-Sati Kumbha 
Feb-Mar 1906 [RMR age 31] grieved the decease of father - Guru-Shukra bhukti* Shukra activates 12th-from-Surya ++ janma Sade-Sati
1916 [RMR age 41] Drafted into mandatory military service for Germany WW-1. After friends intervened to protect him, RMR is moved into non-combat work in administrative records. * Shani-Budha bhukti * Budha rules 4-defense, Budha documentation
1919 [RMR age 44] following 18 years of open marriage, wife Clara and daughter Ruth move to an apartment with art studio in Fisherhude * Shani-Ketu bhukti * Ketu-7
Nov-1920 until Oct-1923 Shani Ashtamsha via Kanya 
Feb-1922 [RMR age 46] in a burst of creative energy, RMR completes the Duino Elegies , soon critically recognized as Rilke's most important text * Shani-Shukra bhukti* Shukra rules 3-writing
May-1922 [RMR age 46] after many years of wandering which scattered his creative production, RMR is provided a permanent, rent-free living space by his patron, a wealthy merchant * Shani-Shukra bhukti* Shukra rules 3-merchants + [4th-from-Chandra] stable home
1923 [RMR age 46] beginning of severe and recurrent health challenges * Shani-Surya bhukti * Surya rogesha disease
1926 [RMR age 51] diagnosed with Leukemia * Shani-Rahu bhukti * Rahu-1 embodiment conditions
29-Dec-1926 [RMR age 51] dis-embodiment in Montreux, Switzerland via blood poisoning from leukemia * Shani-Rahu bhukti
1931 decease of mother * Shani-Guru bhukti * Guru activates 2nd-from-Chandra
Distinctive features of the Nativity
pitri-karaka [father] * jyoti-karaka [light]
[karako bhavo nashto for father, patrons, chieftains, indoctrinators]
[confidently undisclosed patronage]
[bright center of hidden doctrinal conflicts]
[mystically entitled father]
[inspirational-dogmatic Jyeṣṭha-1] [navamsha Surya-Dhanus] intuitively believing philosophical doctrinal optimistic humanistic confidence
OUTCOMES - SURYA
Ideology [Surya in bhava-9] rules
Rilke affiliated with far-left political ideology . He supported Mussolini and the Bavarian Soviet Republic.
Following his failure to receive a military commission despite years of faithful service [Surya rules 6-military service] Dad became a railway station master [Surya-yuti-Budha] Budha rules 4-pathways of transportation.
Dad suffered from an enduring throat ailment which caused his frequent absence from his military work. Yet, Dad lived until RMR turned 31. Randhresha Shukra-Mula in 2nd-from-Surya suggests a mysterious, non-fatal throat condition for the father.
matrikaraka [mother] * garha-karaka [village]
[a charming entertainer who needs sanctuary space]
[deeply private person with a flair for brilliant displays of genius]
OUTCOMES - CHANDRA
Chandra-12-Kumbha vidya-pati is often a charming entertainer  who nonetheless needs [Chandra-12] sanctuary space.
It is a complex emotional disposition which produces a deeply private, contemplative person who is comfortable in crowds [Kumbha] and who has a flair for brilliant display.
MARRIAGE partnership emotional equity support expectations
[7th-from-Chandra-12] lifepartnership 1-of-1
Rilke enjoyed several multi-year, emotionally transformative romances, in addition to his marriage. All of the women partners were engaged in creatively artistic, literary-poetic, or theatrical endeavor [Simha]
Rilke was married to the sculptor Clara Westoff from the consecration in 1901 until his death in 1926. Clara was independent, progressive, gifted in fine arts, and mysterious.
[Ketu in classroom-7] naturally signals detachment from contractual relationships.
Furthermore, [7th-from-Chandra-12] is alwaus afflicted by the first spouse needing to enact conditions of bhava-6 in order to fulfill the Learning Curriculum.
Continuous communication despite disagreement and distance
[Mūla-Shukra-Dhanus] in bhava-10 representing the wifely-figure also suggests that RMR preferred to show himself to the world [10 public facade] as eligible for the dignity conferred by marriage.
bhratru-karaka [brother] * virya-karaka [virile]
[Kuja Dosha for alliance-1]
[dynamic pursuit of clandestine connections]
[behind-the-scenes marketplace activism]
[drive toward globalized wealth via economic innovation]
[seeks friendly physical sanctuary]
[optimistic-philosophical Varuna-1] [navamsha Kuja-Dhanus] intuitively competitive pursuing inspirational champion
OUTCOMES - MANGALA
[Mangala in bhava-12] rules
Ruler of 2 [food] occupies 12, austerity
according to his letters and journal, Rilke practiced a mainly vegetarian diet [quite a challenge in Germany] and he eschewed alcohol generally
jamayah-karaka [sibling] * sandeza-karaka [message] * zisya-karaka [student]
[Anuradha-2] [navamsha Budha-Kanya-uchcha] intuitively precise, logical, complaining communications
OUTCOMES - BUDHA
bantering [Budha in bhava-9] rules
dhava-karaka [husband] * bahuta-karaka [variety]
[multiple negotiated diplomatic secrets]
[many diverse public identity-changes]
[wide scope of hidden brokered arrangements]
[Viśākha-2] [navamsha Guru-Urisha] intuitively charitable generous expansion of values
[Guru-8 parivartamsha Shukra-10]
OUTCOMES - GURU
[Guru in bhava-8] rules
svadu-karaka [sweet] * kalatra-karaka [wifely companion]
[eminently philosophical transformative writing]
[equity-seeking globalized leadership]
[prominent inspirational relationships]
[women may have guidance seniority]
[Mūla -3] [navamsha Shukra-Mithuna] intuitively harmonizing arranging lyrical communications
[Shukra-10 parivartamsha Guru-8]
OUTCOMES - SHUKRA
high visibility [Shukra-10] activates
Ruler of 3 occupies 10 = a writing career
duro-karaka [endurance] * jara-karaka [Jahre, years]
[logistical-calculating Dhaniṣṭha-2] [navamsha Shani-Kanya] intuitively regulatory complaints in ministries of service
OUTCOMES - RAHU
[Shani in Bhava-11] rules
Shani-11-svakshetra is usually cautious in earnings, but revenue is sufficient.
Rilke had income  of various kinds throughout life. Although he was obliged to live frugally most of the time, RMR was never gripped by debilitating artists' poverty.
Over time, Rilke's revenues were sufficient to resource the modest lifestyle of an artist.
all served to maintain a minimalistic lifestyle with friends and support for his poetry writing.
rajyalobha-karaka [ambition] * picchala-karaka [slippery]
[for Meena indriya-lagna]
[Rahu casts passionate drishti into 5-7-9]
[entrancing cult of imaginative personality]
[identified with prestige of contemplative vision]
[vital embodiment of fascinating clairsentience]
[appears as a uniquely special dreamlike impersonator]
[deal-making, adjusting Uttarabhadra-3] [navamsha Rahu-Tula] intuitively over-reaching mesmerizing shadowy relationships
Kala-Amrita KSY = reverse- pari-Ananta
OUTCOMES - RAHU
Kala-Amrita Kala Sarpa Yoga = reverse- pari-Ananta
kavandha-karaka [headless] * chidra-karaka [gaping] * vasana-karaka [vacuum]
[for Meena - Antya indriya-lagna]
[dispersed engagement with enslaving partnership]
[dissolution of medical advocacies]
[surrenders blaming bargains]
[forgives broken assistance promises]
[abandons unsustainable complaining arrangements]
[absent from empty toxic alliances]
[disregards unbalanced agreements]
[eccentric service contracts]
[inventive-invasive Hasta-1] [navamsha Ketu-Mesha] intuitively innovative observational witnessing
CAREER = KETu
// I have no beloved, no house, no place where I can live. All the things to which I give myself grow rich and spend me. // Rilke, The Poet
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