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Britney Spears in 2016


singer + dancer

performing artist

dramatist of television + cinema

teen idol

clothing + perfume designer

Britney Spears

a.k.a. Britney Jean Spears

Earth-birth Wednesday-02-Dec-1981

nativity of Kevin Federline


Musical entertainer

Commercial merchandise sales


Britney Jean Spears

birth data from

tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = produced by Shri Jyoti Star * adapted by BP Lama

published birth time 1:30 a.m.

Rising Nakshatra

Feminine Nativities

Chitra - Tvastri

Citthirai - Vismakarma - Azinech - Alaraph - Arista - Dana

BPL commentary

For Chitra - Tvastri births of a feminine valence, the condition of kinesthetic, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome.

For those born into the Mangala-ruled paradigm of Visvakarma, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, builders, drivers, drillers, diggers, exploders, aggressors, pursuers, competitions and battles may be especially influential.

Guided by instructors from civilizations of Spica. Their purpose is architectural engineering and crafting of beautiful, functional, and artistic alliances, arrangements, and designs.

Designs + Arrangements

[Kuja] -ruled Vismakarma ladies are blessed with direct, muscular physical and sexual energy. They are often found in environments where beautiful designs plus physical agility are valued. Chitrani drawing skills often place them into garment-making and decoration. They typically excel in competitive , vitality-focused fields such as fashion modeling , cinematic acting, musical performance, choreography and dance, and athletics which emphasize balanced movement.

Kanya pada 1-2 expresses Kuja's rulership of 3-writing-commerce + 8-secret transformations, while also displaying the frustrating tension of chatty Budha versus active Kuja. Budha's Writing skills may emerge in pada 1-2. Kanya-Chaitra are often found in media communications and commercial aspects of design work, where their pro-active process management is distinctive. Trust and relationship integrity may be growth-challenging.

[Tula-Vanika] Pada 3-4 emphasizes Kuja's rulership of 2-collections, treasuries + 7-contracts, alliances. Shukra's bargaining behavior and financial skills rise in pada 3-4 due to the pleasant attractions of Shukra-Mangala. Ladies often enjoy considerable wealth via face, voice, marriage, and family lineage. In music, arts, and partnership-craft, they pursue harmonious arrangements. They often play stringed instruments, and write beautiful songs. In the arts, entertainment, beauty, and design industries, their contractual deals are often luxuriously beneficial.

Themes of competitive movement , agile beauty, dynamic design, and financial equity may contextualize Chaitra's terrestrial experience. Incoming drishti from Kuja can mobilize their progressive, pioneering actions. Also applies to Chandra in Chitra-Spica.

QUOTATION from Shil-Ponde.(1939).

Hindu Astrology Joytisha-Shastra . p 96.

" An expensive and luxurious person.

  • One who is fond of clothes and beautiful surroundings and revels in them.

  • She spends much money on jewels, perfumes, cosmetics

  • and her taste in these matters is expensive .

She likes to change costumes several times a day

  • and always look like an animated fashion plate .

Variety is the spice of life to this woman

  • and she will be inconstant and fickle in love affairs,

  • having many during her life and marrying often.

Many actresses, musicians, artists and opera singers have Chitra rising.

[end quote]


Britney Spears in 2008


Britney Spears in 2018, age 37

Biographical Details matched to the Vimshottari Dasha calendar

[Chandra Mahadasha] age birth until age 2.7

Wed-02-Dec-1981 Earth-birth in McComb, Mississippi, USA * Chandra-Ketu bhukti

[Mangala Mahadasha] age 2.7 until age 9.7

[Rahu Mahadasha] age 9.7 until age 27.7

1993 [BJS age 12] begin professional dance-song career within the Disney entertainment empire. Rigorous rehearsals and adult-level performance expectations become the norm. BJS young-teen dance moves are subtly and then not-so-subtly sexualized [Rahu] in order to capture a broader market * Rahu-Rahu svabhukti * [Rahu in bhava-10]

1999 [BJS age 18] release of first, teen-audience album One More Time ushers in a year of sudden, sustained worldwide applause * Rahu-Budha bhukti * Budha rules 5th-from-5 entertainment, Budha teenagers

03-Jan-2004 [BJS age 23] consecration of marriage-1 with a high-school friend * Rahu-Shukra bhukti * gochara R-K via Mesha-Tula contact Tula Svamsha

Jan-2004 [BJS age 23] annulment of marriage-1, within three days of the union, on grounds that the parties were intoxicated at the time of the ceremony * Rahu-Shukra bhukti + [Shukra-yuti-Ketu] Ketu annulment

2004 [BJS age 23] begin affiliation with religious group, Kabbalah Center * Rahu-Shukra bhukti * Shukra rules 8-initiations

2004 [BJS age 23] launch a self-named perfume under the E. Arden label * Rahu-Shukra bhukti * Shukra lagnesha

18-Sep-2004 [BJS age 23] consecration of marriage-2 with background theatrical dancer Kevin Federline [5, shows] * Rahu-Shukra bhukti * gochara R-K via Mesha-Tula contact Tula Svamsha

14-Sep-2005 [BJS age 24] celebrated the birth of child-1, a son * Rahu-Shukra bhukti * Shukra rules 5th-from-Chandra

Jun-2006 [BJS age 25] announces separation from Kabbalah Center * Rahu-Surya bhukti * Surya rules 8th-from-Chandra, emotional crisis

Sep-2006 [BJS age 25] celebrated the birth of child-2, a son * Rahu-Surya bhukti *

Nov-2006 [BJS age 25] initiates divorce filing * Rahu-Surya bhukti * [Surya-yuti-Budha] Budha rules 6th-from-Chandra

Feb-2007 [BJS age 26] during divorce + child-custody hearings, BJS public displays of mental instability (head shaving incident) * Rahu-Chandra bhukti * [Chandra-yuti-Ketu] Ketu splits, divorce, erratic patterns

01-Oct-2007 [BJS age 26] divorce from lifepartnership-1 is completed. Dad-Federline granted full custody of the children, due to BJS erratic behavior * Rahu-Chandra bhukti * [Chandra-yuti-Ketu] Ketu splits, divorce, erratic patterns

Jan-2008 [BJS age 27] psychiatric breakdown + relinquished custody of her two children * Rahu-Chandra bhukti * [Chandra-yuti-Ketu] Ketu breakdown

[Guru Mahadasha] age 27.7 until age 43.7

Dec-2012 [BJS age 31] HNWI named top-earning women in music industry with a net valuation of USD_58million * Guru-Shani bhukti * yogakaraka Shani rules 5-winnings

Dec-2013 [BJS age 32] begins a steady and lucrative performance residency in Las Vegas * Guru-Shani bhukti * Shani rules 5-structured performance venues

Dec-2015 [BJS age 34] Las Vegas performance residency is extended until Nov-2017 * Guru-Budha bhukti * Budha rules 5th-from-Chandra = stable entertainment performance routine

2016 [BJS age 35] numerous recognitions and awards * Guru-Budha bhukti * Budha rules 9 = 5th-from-5, entertainment celebrity

Jan-2019 [BJS age 38] announced and then retracted a new LV residency, citing her manager-father's health crisis * Guru-Shukra bhukti * [Shukra-yuti-Ketu] Ketu disintegration

Feb-2021 [BJS age 40] documentary titled Framing Britney stimulates public debate about BJS father's level of control and his court-maintained financial conservatorship * Guru-Chandra bhukti [Chandra-yuti-Ketu] * Chandra karmesha public reputation, high-visibility

2021 [BJS age 39] Restrictive conservatorship is legally released * Shani-Shani svabhukti * Guru-Chandra bhukti [Chandra-yuti-Ketu] Ketu disintegration

spring-2022 [BJS age 40] Announced early-term pregnancy, then announced miscarriage * Guru-Chandra bhukti [Chandra-yuti-Ketu] Ketu disintegration ++ gochara Rahu via Mesha contact Mesha-svamsha

09-Jun-2022 [BJS age 40] [SA age 28] consecration of marriage-3 with Iranian-born athletic-trainer, S. Ashgari * Guru-Mangala bhukti * Mangala rules Mesha 7th-navamsha * gochara R-K via Mesha-Tula contact Tula Svamsha

[Shani Mahadasha] age 43.7 until age 61.7 [2025 until 2044]

[Budha Mahadasha] age 61.7 until age 78.7

[Ketu Mahadasha] age 78.7 until age 85.7

Distinctive features of the nativity


pitri-karaka (father) * jyoti-karaka (light)

[friendly-gainful vriddhi-pati for Tulā indriya-lagna ]

[Surya for Tula nativity]

[Dhanayoga = Surya-2 rules-11]

[bright center of gridwork secrets] [identified with hidden marketplace power] [intelligence for economic rejuvenation] [brilliant values-based fundraiser]


[regenerating Anuradha-4] [navamsha Surya-Vrischika] [vargottamsha] intuitively confident transformational discovery

[Surya-2 parivartamsha Mangala-11]


  • [Surya-Vṛścika] * Maricha - particle of light * brightly charismatic confidence of Center-stage Surya radiates through the penetrating transformative rashi of Mangala
  • [Surya in bhava-2] creative values-fulfillment * confident story-telling * dazzling bardic tradition * intelligence for languages * genius for sound-and-color * radiant genetically preserved knowledge * focus on stored assets * banking entitlements * bright face-speech-song * eye on capital resources [including human capital] * father heart of family * sparkling center of the treasury-drama * father may be a banker-collector-preservationist
  • [Surya-yuti-Budha] confidently conversational * bright messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * gestures conduct the spiritual rays of the Sun * radiantly descriptive * articulate in drama * skillful game-player * self-confident announcements * talks about ideals * narrative of power-politics * recites love poems * describes divine romance


[Surya in bhava-2] rules

  • 11 income, revenues, gains, profits, social networking
  • 4-home, school, routines, security, cultural foundation


Dad = financial manager [Surya in bhava-2]

Oops 1981- music-merchandise Britney Spears [rhythmic Punarvasu-4] [vargottamsha]. Rahu-10 intakes drishti from luxurious-Shukra + familiar-face-Chandra-4, while Rahu casts outgoing drishti into financial Surya-2. Negotiated primarily by her father [Surya[ BJS has developed numerous remunerative product lines including perfumes, clothing, recordings sales, and musical tours.


matrikaraka (mother) * garha-karaka (village)



[dutiful-hierarchical karmesha for Tulā-born]

[10th-from-Chandra = diplomatic Tulā indriya-lagna]

[comforted by stable anchored hierarchy]

[soothed by socially normalizing habits]

[culturally sensitive to official fixed class-status]

[needs regulated pulse of lawful ritual ordering]

[protector of the reliable rigid old folkways]

[environmentalist feelings attuned to local mineral deva]

[conventional mother may be schoolteacher-householder-bureaucrat]


[commercial Śrāvaṇa-3] [navamsha Chandra in Mithunaya] intuitively sensitive business cooperation event planning administrative management



  • [Chandra-Makara-Draco] comforted by hierarchy * sensitive to class-status * needs ritual ordering
  • [Chandra in Śrāvaṇa - Hari] soothed by careful listening * protectors of undulating shamanic sound * needs customary lawfulness
  • [Chandra in classroom-4] comfortable with familiar routines * calmed by caretaking * seeks continuous oscillating motion * sensitive to ethnic folkways * contented by recurrent rituals * soothed by customary habits * tranquilized by rhythmic waves * needs pulsation * nurtured by gardening * follows local pathways * feels rooted into the land * settled into home-keeping * undulating patriotism * mother may be a farmer, fisher, builder, schoolteacher, border-defender
  • [Somana-yuti-Shukra] Emotionally indulgent * comforted by balanced arrangements * nourished by sensual pleasures * sensitive to feminine folks * needs to negotiate * luxury-loving mother * seeks shelter in alliances * preference for owned-stewarded properties * soothed by beauty * feels like a partner
  • [Somana-yuti-Ketu] emotionally scattered * sensitive to disoriented folks * indifferent to established routines * abandons outdated customs * detached mother * soothed by the Witness perspective * comforted by spacious emptiness * long pilgrimage by water * needs to wander * feels forsaken



MARRIAGE partnership emotional equity support expectations

[7th-from-Chandra-4] lifepartnership-1

  • Karkata familiarity, routine, comforting rhythms contains [Rahu in bhava-10]
  • 10 public visibility, reputation, leadership, symbolic role-modeling

8th-from-[7th-from-Chandra-4] lifepartnership-2

After a whirlwind romance lasting only a few months [excitable Rahu] Oops 1981- music-merchandise Britney Spears married Oops-pair 1978- Kevin Federline . KF = an ambitious, charismatic team-dancer and father of two.

His radical Rahu-Karkata [parenting] contacts her Chandra-Makara, and she had entered Rahu-Shukra bhukti, with Shukra ruling her Tula-svamsha.

Often pilloried by the press as an impostor and fraud [Rahu] KF hailed from a lower socio-economic stratum [2nd-from-Chandra = Kumbha] while BJS was at the time a multi-millions annual earner via her entertainment and merchandising operations.

3rd-from-[7th-from-Chandra-4] lifepartnership-3


bhratru-karaka (brother) * virya-karaka (virile)

[collecting-preserving dhana-pati for Tulā -born]

[bargaining-balancing yuvati-pati for Tulā -born]

[Dhanayoga Mangala-11 rules-2]


[class-conscious Uttaraphalguni-2] [navamsha Kuja-Dhanus] intuitively innovative inspirational guidance

[Atmakaraka rhythm, routine, oscillation, intuition, sentiment]

[Surya-2 parivartamsha Mangala-11]

  • [Mangala-Singha] vigorous pursuit of fame * creatively moving political theatre * proactive drama * push toward celebrity entitlement * champion of pageantry * military parades * brilliantly energized celebrations * invigorating parties * charmingly dominating at games * s exually active romance * flamboyant gambling
  • [Mangala in bhava-11] drive toward connectivity * competitive earnings * pursuit of profits * dynamic marketplace actions * champion of community activism * invasive networking * vigorous sporting friends * energized scientific systems * economic conquests


dance, vitality, movement, innovation, competition, challenger, championship


jamayah-karaka (sibling) * sandeza-karaka (message) * zisya-karaka (student)

[philosophical-doctrinal dharmesha for Tulā indriya-lagna]

[retreating-contemplative vyaya-pati or Tulā indriya-lagna]

[discusses family history] [describes unbalanced ideological values]

[talks about hidden historical knowledge]

[invisible genetic heritage]

[believes in material accrual]

[secretive financial conversations]

[transformative stories from the imagination]


[contractual Anuradha-3] [navamsha Budha-Tula]


  • [Budha-Vṛścika ] secretive communications * articulation of transformative process * emergency pronouncements * delivers messages about dangerous situations * describes mystical initiation * discusses undisclosed information * mysterious handcraft * articulately defined masking * gives instruction for penetrating procedures * expertly detailed disguise * hands-arms-shoulders make occult gestures
  • [Budha in bhava-2] narrative of values-fulfillment * conversations about natural resources * talks about history * instructions for asset conservation * explains banking procedures * cherished recordings * discusses sound values * articulation of speech-song * quick-darting eyes-face * tells stories * defines storage methods * describes family lineage * manual preservation of collections * chats about knowledge base * conserves libraries * quick with language * manages archives * repeats from memory
  • [Budha-yuti-Surya] amusing explanations * entertaining chatter * central roles in communication * brightly clear descriptions * dramatic enunciation * confidently delivers instruction * articulation of radiant certainty * political messenger * talkative father-figures



dhava-karaka (husband) * bahuta-karaka (variety)


[busy-teamworking sahaja-pati for Tulā indriya-lagna]

[inimical-medicating rogesha for Tulā indriya-lagna]


[believing Arcturus-1] [navamsha Guru-Dhanus] intuitively expansive inspirational philosophy

[Guru-Tula-1 occupies career 10th-from-Chandra ]

  • [Guru-Tula] many trades * variety of exchanges * optimistic negotiations * believes in justice * doctrine of contractual exchange * multiple alliances * permission to bargain * diversity of arrangements * equable guidance * widens the scope of balanced design
  • [Guru in bhava-1] much vitality * philosophical personality * permission for unrestricted action * generous disposition * numerous identities * expands the scope of competition * many cheerful sporting activities * believes in birthright * expansive aura * extra height-or-girth * embodiment of tolerant cheer * a patron of personal benefit * in a wifely nativity, husbandly-companion may be an expander-philanthropist-benefactor


[Guru in bhava-1] rules

  • 3-event management, ticket sales, business administrator, planning, schedules, tour, co-workers,
  • 6- injuries, ailments, medication, servants, staffing, betrayal, mistreatment
  • occupies career-defining 10th-from-Chandra

[Guru Mahadasha] age 27.7 until age 43.7

  • [Guru-Tula][Guru in bhava-1]
  • 16-year Era of Medication + Mistreatment
  • despite the financial empowerment of parivartamsha between rulers of 11-and-2, the servitude imposed by prescribing physicians [6] and sales managers [3] had deleterious effects on both mental health [3] and physical health [6]


svadu-karaka (sweet) * kalatra-karaka (wifely companion)


[energizing-identifying lagnesha for Tulā indriya-lagna]

[secretive-transformative randhresha for Tulā indriya-lagna]


[class-conscious Uttarāṣāḍha-2] [navamsha Shukra-Makara] [vargottamsha]



  • [Shukra-Makara-Draco] appreciation of authoritative status * likes architectural structure * attracted to officials * conducts lawful negotiations * beautiful bones * enjoys social position * class-conscious aesthetic * pleased by social regulation * hierarchical arrangements * prefers an orderly partner
  • [Shukra-4]seeks pleasure via home-based routines * likes the seasonal rhythms of nature * enjoys real-estate finance * attractive gardens * s trong feminine presence in the home * aesthetic of domestic stability * pleasing designs to adorn the chest * beautiful breasts * lovely torso * appreciation of owned-stewarded properties * in a husbandly nativity, wifely-companion may be a homemaker-farmer-driver-schoolteacher-police
  • [Shukra-yuti-Chandra] sweetened security * gracious caretaking * appreciates soothing nourishment * negotiates for stability * defensive bargaining * s heltering arrangements * lovely ornaments for home-and-garden * self-indulgent * pleasant emotional response * harmonizes with local rhythms * aesthetic of familiar folkways * musical-artistic-designing mother-figure * protective contracts * prefers relationships with nurturing partners
  • [Shukra-yuti-Ketu] sweetened surrender * gracious abandonment * attracts vacuous feminine-figures * appreciation for fair terms of dissolution * disoriented negotiations * unconcerned with conventional beauty * empty contracts * apathetic arrangements * impermanent agreements * prefers relationships with spiritual partners


[Shukra rules 10th-from-Chandra Tula-1]

[Yogakaraka for Chandra-Makara-Draco janma-lagna]


duro-karaka (endurance) *jara-karaka [Jahre, years] [Yogakaraka homebound-securing bandesha for Tulā indriya-lagna]

[Yogakaraka speculative-creative vidya-pati for Tulā indriya-lagna]


[theatrical Chitra-Spica-1] [navamsha Shani-Simha] intuitively regulated political-theatrical entertainment systems

  • [Shani-Kanya] overburdened accusations * obliged to sustain litigious disagreements * rigidly persistent disease conditions * structural compression upon colon + digestive tract * must normalize exploitation * weighty subordinate tasks * hierarchical conditions of enforced servitude * must work within master-slave systems * must respect antiquated physicians * slow-acting remedies * intractable servants * stubborn employees * insufficient pharmacy * must work with dried medications * must continue to minister to the suffering * scarce service resources * maintainer of old arguments
  • [Shani in Bhava-12] slow time-structured envisioning * burdensome duties in Other Worlds * limited privacy * public regulation of private environments * must work with foreigners * socially invisible responsibilities * blocked dreams * intimidated by phantoms * resists clairsentient guidance * cautiously conventional fantasies * fears imprisonment * regimented sanctuaries * lack of spontaneity in the bedroom * chronic insomnia * dried flow of interior inspiration * cold feet * psychic fatigue * mandatory isolation * tightly regulated scientific research * elders preserve the old enclosures


[Shani-Kanya] occupies [9th-from-Chandra]

  • husband-3
  • maternal grandfather

Oops 1981- music-merchandise Britney Spears [regulating Shani occupies dramatizing Chitra-1] BJS is known in the music industry as a highly choreographed corporate product.

Having begun a Disney stage-performance career at the age of 10, BJS is a veteran performer. Regular and rigorous rehearsals maintain the structured format of carefully ordered entertainment presentations.

[Yogakaraka survivalist Shani rules theatre-5] suggests an enduring performance career. However, Shani vidya-pati occupies 12 in 6th-from-5. Much of the creative joy is subsumed into servitude.


rajyalobha-karaka (ambition) * picchala-karaka (slippery)


[for Tulā indriya-lagna]

[Rahu drishti into 2-4-6]

[regulatory authority based in cultural customs]

[high visibility roles in rhythmic routines]

[fascinating icon of dwellings and pathways]

[exciting commander of homeland defense]

[astonishing social rise of farmers, sailors, schoolteachers]


[rhythmic Punarvasu-4] [navamsha Rahu-Karkata] [vargottamsha]

  • [Rahu-Karkata] shimmering illusion of security * shimmering illusion of security * craving for customary rhythms * risky policing * ambitious home-building * mask of ancestral belonging * extravagant loyalty to the homeland * illusory acts of protective defense * over-reaching patriotism * fabulous farms * exceptional fisheries * grandiose gardens *passion for oceans * fascinating ethnic routines * marvelous localities * intriguing owned-stewarded properties * extraordinary cetaceans * seeks special importance via apparent (but perhaps not authentic) attributes of caretaking , loyalty to the homeland, parent-roles
  • [Rahu in bhava-10] passion for prestige positions * in svabhava of Sober Shani, the Shadowy Specter seeks glamorous leadership roles * thrilled by iconic status * craves symbolic importance * hungers for outstanding recognition * outsider who cleverly insinuates into respected hierarchies * authoritatively challenges official rules * mesmerizing ascent to high social status * may pose as a boss * shimmering smoky illusion of legitimate command * trespasses cultural limits of rigid old order * boundary-breaching public reputation - ambition for elite rank * desire for eminence * opportunistic climb to top of the corporate pyramid * prominent cultural-mixing figurehead * ambition of the father's family



kavandha-karaka [headless] * chidra-karaka [gaping] * vasana-karaka [vacuum] [for Tulā indriya-lagna]


[class-conscious Uttarāṣāḍha-2] [navamsha Ketu-Makara] [vargottamsha] intuitively dispersing class-conscious legal hierarchical rules



  • [Ketu-Makara-Draco] formally dissociates from strict regulations * dissolves caste hierarchy * meaningless rules * vacuous laws * walks away from social authority positions * s everance from executive roles * not limited by public protocol * ignores conventional structure * disregards class barriers * releases a cold blue cloud of institutional order into the misty abyss
  • [Ketu in classroom-4] ambivalent toward the cultural foundations * absentee mother-figure * disregards local customs * dissolved property boundaries * wanders from the ancestral home * often away * ignores conventional schooling * irrelevance of habitual folkways * surrenders nationality * dismisses bondage to parents * abandons the established routines * may prefer to live free from fixed roots
  • [Ketu-yuti-Chandra] insecure * foggy sensitivity * empty feelings * unsustainable habits * ambivalent mother * disinterested in cultural routines * peculiar parenting * emotional apathy * surrenders the ship * abandoned vessels * incomplete nurturing * distanced from the ethnicity * fragmented caretaking * disconnected roots * liberation via release of home comforts
  • [Ketu-yuti-Shukra] unsatisfied * unsustainable arrangements * invalid promises * broken bargains * dissolved contracts * beautiful injustice * sweetly unfulfilled vows * fragmented negotiations * nicely abandoned alliances * absence of equity * apathetic brokerage * peculiar music * distrust * pleasantly empty relationships * liberating release of vows * for husbandly nativities, may dissolve-or-disconnect the wifely-figures.



Dancer, rapper, entertainment industry

1981- * Kevin Federline

birth data from

tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = produced by Shri Jyoti Star * adapted by BP Lama

Oops-pair 1978- Kevin Federline

Rising Nakshatra

Masculine Nativities


Aśleṣās - Naga - Uraga - Azreshasha - Hydra * Aayilyam - Bhujamaghabha

BPL commentary

For Aśleṣa births of a masculine valence, the condition of conversational, discursive, explanatory, instructional, argumentative, commercializing, evangelical Kumara may considerably affect the outcome.

For those born into the paradigm of Uraga, siblings, cousins, schoolmates, bandmates, team-mates, entourage, ensemble, neighbors, managers, cohort, coterie, collaborative group, publishers, messengers, merchants, commercial agents, reporters, writers, scripts, plans, schedules, instructions, radio-television-internet, news-media, conferences, committees, discussions, travel itineraries, and texts may be especially influential.

Instructional guidance provided by emissaries from the civilizations of Hydra. Their purpose is to hold securely, twist, and control.

Call to Roots

[Budha] -ruled Aśleṣās are typically storytellers. They are protective, parentally concerned, emotionally responsive communicators. Intensely patriotic and often xenophobic, Naga-born harken to the old ways, the familiar rhythms, the folk stories which bind an ethno-cultural people to their roots. Aśleṣā have a particular genius for evoking ancestral guilt, ethnic narratives, and ancient resentments.

Emotionally engaged and gesturing [Budha] in their messaging style, Hydra-born are often accomplished writers in literary genre ranging from political speech-scripters to parenting advice to folktale raconteurs. They specialize in tropes of root-culture, customs and habits, protection of the genetic stock, stabilization of the place of settlement, and defense of a way of life.

Bhujamaghabha speak the stories of a people in their land. It is the tale of a beginning in the watery mists, travel by ship, the struggle to farm and build, the cry for protection of a parental god, and finally the rooted possession of their place. Hydra-born are natural environmentalists who prefer conversations about parenthood, ritual worship and holidays, food and farms, schools, roads and housing, with an emphasis on ensuring continuity of culture. Depending upon the condition of parental Chandra, Aśleṣa fathers may bind their children closely.

In leadership roles, the Naga-born may communicate in a swaying, hypnotic jargon, talking in the familiar folk style, appealing to the base layers of the society, recalling an ancient past. Their sentimental audience is rapt with feeling. Their rhetoric is soothing, repetitive, simple, and homey, like a parental lullaby, soothing the baby's cries.

Once lulled, the Naga's quarry may be bound and captured, lashed to the safe place. It is a bondage ritual, repeated to ensure that nourishment can continue and ethnic customs can repeat in an unbroken, rhythmic flow.

Aśleṣās-born may be found in socially powerful messaging roles. They come to prominence when a tribe is weakened at the root and feeling vulnerable. An ancient racial narrative is invoked. This storyline may beseech a people to strap themselves to the land and waters which give sustenance. Its clarion call rallies the fyrd, the farmers' army, the simple folk's defense of their habits, their sustenance. To this place they are bound by hunger, by vulnerability, by a need for protection.

Themes of tight bindings, holding to roots, emotional restraint, and defense of ancient folkways may contextualize Naga's terrestrial experience. Applies also to Chandra in Aśleṣa - Naga.

QUOTATION from: Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra. p 82.

" Outstanding characteristic of these people

  • is their rather unpleasant and unsociable disposition.

They are awkward and gauche in their manners

  • and are not quick to profit by their mistakes

  • because of their inability to adapt themselves to their surroundings

  • and their apparent reluctance to be gracious or kind to others.

This attitude militates against success in life

  • and is a barrier to progress.

These people should live less introspectively

  • and learn to appreciate the good in other people.

They should cultivate the habit of doing things for others."

[Yogakaraka] Mangala activates 5-intelligence, creativity, celebrity ++ 10 social visibility, respect, reputation, leadership


[energizing-identifying lagnesha for Karkata indriya-lagna]

[comforted by physical maternal soothing]

[settled into familiar muscular rhythms]

[feels the pulse of new life]

[needs to shelter protectively]

[emotionally attuned to caretaking nourishing folkways]

[mother may be athlete-pioneer-midwife]

[Aśleṣa-2] [navamsha Chandra-Makara-Draco] intuitively sensitive class-conscious ordering



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