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Drama-Song


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SpearsBritney_2008.jpg

Britney Spears in 2008


born 4 months after

born one month after

born 1 month before

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Britney Spears in 2016

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singer + songwriter + dancer

performing artist

television dramatist

clothing designer

Britney Jean Spears

Earth-birth Wednesday-02-Dec-1981


nativity of Kevin Federline

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Musical entertainer * 1981- * Britney Jean Spears

birth data from https://en.wikipedia.org/wiki/Britney_Spears * tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = produced by Shri Jyoti Star * adapted by BP Lama


published birth time

Rising Nakshatra

Feminine Nativities

Uttaraphalguni-Aryaman

Bhaga * Falgun * Utthram


BPL commentary

For Uttaraphalguni births of a feminine valence, the condition of radiant, romantic, intelligent, creative, idealistic, central, confident, gaming, self-reflexive, pitrikaraka Surya may considerably affect the outcome.

For those born into the Surya-ruled paradigm of Uttora, father-figures, politicians, celebrity, royalty, entitled roles, brilliant dramatists, radiant deities, sparkling genius, glittering creativity, intelligentsia, speculators, poets, romantic lovers, gamblers, and game-players may be especially influential.

Instructional guidance provided by emissaries from the civilizations of Denebola. Their purpose to brighten and glorify the divine intelligence through spectacular creativity.


Brilliantly dramatic

Uttara-phalguni women are famously confident and willful. Monarchic entitlement pairs with aristocratic service via noblesse oblige. While much depends upon the characteristics of sparkling nakshatrapathi Surya, the feminine Falgun is often found in bright environments of royalty, celebrity, theatre, creative arts, amusements, and games.

Uttaraphalguni ladies radiate a profound love for living creatures, both wild and domestic. On behalf of the animal kingdom and its denizens, the women of Aryaman may undertake political activism. As righteous (and self-righteous) human mistresses of the animal world, their political style may include fiery displays of romantic idealism. They may collect animals.

Simha - Leya pada-1 features charismatic centrality and stage presence, focused into the physical embodiment. Pada-1 must hold the center of attention, whether in celebrity politics, entertainment and fashion, dramatic acting, or all three. Typically one attracts an elder husband along with many charming romances.

Kanya Pada 2-3-4 = equally dazzling, idealistic, smart, and flamboyant, but more focused upon expressing the genius of the imagination. Often a splendid dramatist and performing musician due to nakshatrapathi Surya. Typically one attracts a generous husband.

Themes of political power, radiant confidence, and bright celebrity drama may contextualize Utthram's terrestrial experience. Applies also to Chandra in Uttaraphalguni-Aryaman

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 95


"A joyous healthy disposition yet quietly so.

  • She has a very soft pleasing voice,

  • bubbling over with fun and humor.

She is born to a family with social background

and loves to mingle with her friends in various social activities

  • Yet, she is not frivolous,

  • but beneath her joyous manner, rather serious minded.

She has fixed principles from which she will not deviate.

She prefers to choose her friends

  • from among the people who are artistically inclined and cultured.

She is efficient and adept at managing her home and her domestic life."


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Britney Spears in 2018, age 37

Biographical Details matched to the Vimshottari Dasha calendar


Chandra Mahadasha * age 0 until age 3.5

02-Dec-1981 Earth-birth in McComb, Mississippi, USA * Chandra-Budha bhukti * Budha lagnesha and karmapathi


Mangala Mahadasha * age 3.5 until age 10.5


Rahu Mahadasha * age 10.5 until age 28.5

1993 (BJS age 12) begin professional dance-song career * Rahu-Rahu svabhukti * Rahu-11 top earnings

1999 sudden worldwide success * Rahu-Shani bhukti * Shani vidyapathi-5 in lagna

Jan-2004 (BJS age 23) exchange of vows in marriage-1 * Rahu-Zukra bhukti * gochara R-K via Mesha-Thula contact Guru lagna * Chandra-yuti-Ketu + Zukra-yuti-Ketu

Jan-2004 annulment of marriage-1 * Rahu-Zukra bhukti * gochara R-K via Mesha-Thula contact Guru lagna * Chandra-yuti-Ketu + Zukra-yuti-Ketu

2004 begin Kabbalah Center * Rahu-Zukra bhukti * Zukra Dharmesha-9 doctrine * Chandra-yuti-Ketu + Zukra-yuti-Ketu

18-Sep-2004 (BJS age 23) exchange of vows in marriage-2 to dancer Kevin Federline * Rahu-Zukra bhukti * gochara R-K via Mesha-Thula contact Guru lagna * Chandra-yuti-Ketu + Zukra-yuti-Ketu

14-Sep-2005 (BJS age 24) celebrated the birth of child-1 * Rahu-Zukra bhukti * Zukra vidyapathi-5 from Chandra * Chandra-yuti-Ketu + Zukra-yuti-Ketu

Jun-2006 announces separation from Kabbalah Center * Rahu-Zukra bhukti * Zukra rogesha-6 from9, animosity toward doctrine * Chandra-yuti-Ketu + Zukra-yuti-Ketu

Sep-2006 (BJS age 25) celebrated the birth of child-2 * Rahu-Zukra bhukti * Zukra vidyapathi-5 from Chandra * Chandra-yuti-Ketu + Zukra-yuti-Ketu

Nov-2006 files divorce * Rahu-Surya bhukti * Surya rogesha-6 navamsha, Surya ruler-of-12 radix

Feb-2007 (BJS age 26) public displays of mental instability (head shaving incident) * Rahu-Surya bhukti * Surya rogesha-6 navamsha, Surya ruler-of-12 radix

Nov-2007 divorce completed * Rahu-Chandra bhukti * Chandra Vriddhipathi-11 earnings, friendship

Jan-2008 (BJS age 27) psychiatric breakdown + relinquished custody of her two children * Rahu-Chandra bhukti * Chandra-yuti-Ketu


Guru Mahadasha * age 28.5 until age 44.4

Dec-2012 * HNWI named top-earning women in music industry with a net valuation of USD$58million * Guru-Shani bhukti

Dec-2013 begins a stable and lucrative performance residency in Las Vegas

2016 * numerous recognitions and awards * Guru-Budha bhukti * Budha lagnesha and karmapathi

Dec-2015 Las Vegas performance residency is extended until Nov-2017

Jan-2019 announced and then retracted a new LV residency, citing her manager father's health crisis


Shani Mahadasha * age 44.5 until age 63.5


Budha Mahadasha * age 63.5 until age 80.5


Ketu Mahadasha * age 80.5 until age 87.5

Distinctive features of the nativity

Surya * pitri-karaka (father) * jyoti-karaka (light)

  • Surya-Vrizchika * Maricha * particle of light * brightly charismatic confidence of Center-stage Surya radiates through the penetrating transformative rashi of Mangala
  • Surya in bhava-3 * center of commerce * mercantile intelligence * smart reports * dramatic instructional delivery * creative descriptions * splendid games of manual-skill * self-referential announcements * admirable handcraft * cinematic genius * smart technology * focus on teamwork * entertaining explanations * administrative entitlements * confident writing * eye on process management * regal messaging * bright center of discourse * brilliant gesturing * father may be a businessman-craftsman-communicator
  • Surya-yuti-Budha * confidently conversational * bright messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * gestures conduct the spiritual rays of the Sun * radiantly descriptive * articulate in drama * skillful game-player * self-confident announcements * talks about ideals * narrative of power-politics * recites love poems * describes divine romance
  • Surya-3 parivartamsha Mangala-12

FATHER

Dad = a businessman, Dad = BS business manager and legal warden Surya in bhava-3


Chandra * matrikaraka (mother) * garha-karaka (village)

  • Chandra-Makara - Draco * comforted by hierarchy * sensitive to class-status * needs ritual ordering
  • Chandra in Shravana-Hari * soothed by careful listening * protectors of undulating shamanic sound * needs customary lawfulness
  • Chandra in classroom-5 * comfortable with politics * familiar with speculation * intelligent confident mother * soothed by playing games * charmed by children * needs applause * sensitive to center-stage roles * nourished by self-expression * feels entitled * attuned to romantic emotion * settled into the rhythm of artistic performance * routinely seeks amusement * calmed by admiration * undulating celebrity
  • Somana-yuti-Zukra * Emotionally indulgent * comforted by balanced arrangements * nourished by sensual pleasures * sensitive to feminine folks * needs to negotiate * luxury-loving mother * seeks shelter in alliances * preference for owned properties * soothed by beauty * feels like a partner
  • Somana-yuti-Ketu * emotionally scattered * sensitive to disoriented folks * indifferent to established routines * abandons outdated customs * detached mother * soothed by the Witness perspective * comforted by spacious emptiness * long pilgrimage by water * needs to wander * feels forsaken

MOTHER

MARRIAGE partnership support expectations


Kuja * bhratru-karaka (brother) * virya-karaka (virile) * Mangala

  • Mangala-Singha * vigorous pursuit of fame * creatively moving political theatre * proactive drama * push toward celebrity entitlement * champion of pageantry * military parades * brilliantly energized celebrations * invigorating parties * charmingly dominating at games * sexually active romance * flamboyant gambling
  • Mangala in bhava-12 * drive toward privacy * pursuit of inner guidance * invaders from distant lands * hyperactive ancestors * restless sanctuary * fights isolation * clairsentient dynamics * invisible conquests * aggressive phantoms * innovative research * progressive action in distant lands * imaginative discovery
  • Surya-3 parivartamsha Mangala-12

ruler of 8 occupies 12 Viparita Raja-Yoga * Sarala Yoga

Typically for the Kanya nativity, Professor Mangala's 3-8 curriculum can provide growth-challenging circumstances in regard to

  • mental processing (3)
  • unexpected interventions
  • hidden relationships
  • sudden changes of identity (8)

Atmakaraka Mangala occupies the revolutionary, emotionally turbulent, perpetually transformative, trauma-inducing 8th-from-Chandra , suggesting continuous emotional upheaval expressed via kinetic movement

Sarala Yoga

In the present nativity, Atmakaraka Mangala delivers a variety of effects. As the ruler-of-8 in bhava-12 = Viparita Raja-Yoga * Sarala Yoga Mangala gives protection from the potentially destructive consequences of sudden identity change, physical and emotional upheaval, catastrophic circumstances. When Mangala provides Sarala Yoga, one generally comes out fighting after a disaster and is made more proactive by revolutionary change.

Furthermore Mangala-Simha-12 enjoys a parivartamsha yoga with Surya-Vrischika-3, which inter alia provides vast reserves of kinetic energy and the ability to verbalize (3) fantasies (12).


Budha * jamayah-karaka (sibling) * sandeza-karaka (message) * zisya-karaka (student)

lagnesha for Kanya radical lagna

  • Budha-Vrizchika * secretive communications * articulation of transformative process * emergency pronouncements * delivers messages about dangerous situations * describes mystical initiation * discusses undisclosed information * mysterious handcraft * articulately defined masking * gives instruction for penetrating procedures * expertly detailed disguise * hands-arms-shoulders make occult gestures
  • Budha in bhava-3 * narrative of cohort collaboration * chatty siblings * articulate announcements * discusses commerce * instructions for management * conversations about information technology * clever programming * logical reporting * talks about daily business * handles information * skillful printing * scripted dialog * text instructions * writes lyrics * detailed media-messaging * communication tactics * explains marketing * quick manufacturing * descriptive process * signaling gestures
  • Budha-yuti-Surya * amusing explanations * entertaining chatter * central roles in communication * brightly clear descriptions * dramatic enunciation * confidently delivers instruction * articulation of radiant certainty * political messenger * talkative father-figures

Guru * dhava-karaka (husband) * bahuta-karaka (variety)

  • Guru-Thula * many trades * variety of exchanges * optimistic negotiations * believes in justice * doctrine of contractual exchange * multiple alliances * permission to bargain * diversity of arrangements * equable guidance * widens the scope of balanced design
  • Guru in bhava-2 * much hoard * many songs * many stories * extensive history * generous reserves * several genetic lines * many accumulated goods * numerous languages * expansive eyes * many voices * many valuations * extensive accounts * grows the family lineage * optimistic heritage * believes in historic conservation * patron of speech-and-song * in a wifely nativity, husband-figure may be a keeper-collector-preserver

Zukra * svadu-karaka (sweet) * kalatra-karaka (wife)

  • Zukra-Makara - Draco * appreciation of authoritative status * likes architectural structure * attracted to officials * conducts lawful negotiations * beautiful bones * enjoys social position * class-conscious aesthetic * pleased by social regulation * hierarchical arrangements * prefers an orderly partner
  • Zukra-5 * seeks pleasure via refined gaming * enjoys center-stage beauty * creative feminine-figures * pleasing children * talented students * delights in financial speculation * political grace * aesthetic designs to adorn the heart * graceful solar plexus * dramatic relationships * sweet celebrity romance * delights in fine arts * appreciation of entitlements
  • Zukra-yuti-Chandra * sweetened security * gracious caretaking * appreciates soothing nourishment * negotiates for stability * defensive bargaining * sheltering arrangements * lovely ornaments for home-and-garden * self-indulgent * pleasant emotional response * harmonizes with local rhythms * aesthetic of familiar folkways * musical mother-figure * protective contracts * prefers relationships with nurturing partners
  • Zukra-yuti-Ketu * sweetened surrender * gracious abandonment * attracts vacuous feminine-figures * appreciation for fair terms of dissolution * disoriented negotiations * unconcerned with conventional beauty * empty contracts * apathetic arrangements * impermanent agreements * prefers relationships with spiritual partners

Shani * duro-karaka (endurance) * jara-karaka (years)

  • Shani-Kanya * heavy old accusations * obliged to sustain litigious disagreements * rigidly persistent disease conditions * structural compression upon colon + digestive tract * must normalize exploitation * weighty subordinate tasks * hierarchical conditions of enforced servitude * must work within master-slave systems * must respect antiquated physicians * slow-acting remedies * intractable servants * stubborn employees * insufficient pharmacy * must work with dried medications * must continue to minister to the suffering * scarce service resources
  • Shani in Bhava-1 * steady time-structured personality * mature conduct * must produce under pressure * strictly orderly movement * regimented appearance * social pushback against dynamic change * tense competition * muscular fatigue * required activity drills * chronically impeded self-expression * bodily seizures * identified with heavy responsibility * resistance to independence * often looks older * lives to work * elders preserve class-conscious identity

Shani * double-edged sword of work ethic and intractable conflicts

Shani occupies the elder-respecting, old-faith, strict philosophies, punitive, scarcity-preaching 9th-from-Chandra

Shani-1 indicates a relentlessly hard worker distinguished by a practice-based work ethic. For the Kanya nativity, Professor Shani will deliver His curriculum via bhava-5 entertainment, creativity and also via bhava-6 conflict, illness. Shani rules Makara-Shraviztha (hearing the drumbeat) and also Shani rules 2nd-from-Chandra (family) bhava-6.

Generally a graha provides stronger results for its mulatrikona. Shani's mulatrikona being Kumbha, His results in life overall are stronger for Kumbha-6. However, the remarkable cluster of Zukra + Chandra-yuti-Ketu in bhava-5 certainly indicate an entertainment career which succeeds via disciplined practice of the performer's craft.


Rahu * rajyalobha-karaka (ambition) * picchala-karaka (slippery)

  • Rahu-Karkata * shimmering illusion of security * shimmering illusion of security * craving for customary rhythms * risky policing * ambitious home-building * mask of ancestral belonging * extravagant loyalty to the homeland * illusory acts of protective defense * over-reaching patriotism * fabulous farms * exceptional fisheries * grandiose gardens *passion for oceans * fascinating ethnic routines * marvelous localities * intriguing owned properties * extraordinary cetaceans * seeks special importance via apparent (but perhaps not authentic) attributes of caretaking , loyalty to the homeland, parent-roles
  • Rahu in bhava-11 * passion for rewards * in Roguish Rahu's svabhava co-ruled by materialistic Shani * the Shadowy Specter seeks privilege via glamorous social attainments * outsider who cleverly insinuates into social-networking roles * risky marketplace gains * instrumental revenues * astounding awards * extraordinary economies * desires system linkage * * contrived assemblies * opportunistic community activism * ambitious friends * craves profitability * culturally-mixed gridworks * expedient fellowship * appears as a voluntary associate * fascinating achiever * looks like a relative of the father's people * thrillingly high earnings * boundary-breeching connections * trespasses the normal cultural limits on distribution networks

Ketu * * kavandha-karaka (headless) * chidra-karaka (gaping) * vasana-karaka (vacuum)

  • Ketu-Makara - Draco * formally dissociates from strict regulations * dissolves caste hierarchy * meaningless rules * vacuous laws * walks away from social authority positions * severance from executive roles * not limited by public protocol * ignores conventional structure * disregards class barriers * releases a cold blue cloud of institutional order into the misty abyss
  • Ketu in classroom-5 * ambivalent toward ceremony * eccentric offspring * wandering eldest child * demonstrates dramatic confidence in non-existent things * apathetic toward political displays * ungrounded speculation * disregards standard intelligence * disoriented creativity * incoherent romantic ideals * disinterested in games * liberation via surrender of entitlements * unless other graha in 5 or Ketu's ruler is strong, may prefer to live free from children
  • Ketu-yuti-Chandra * insecure * foggy sensitivity * empty feelings * unsustainable habits * ambivalent mother * disinterested in cultural routines * peculiar parenting * emotional apathy * surrenders the ship * abandoned vessels * incomplete nurturing * distanced from the ethnicity * fragmented caretaking * disconnected roots * liberation via release of home comforts
  • Ketu-yuti-Zukra * unsatisfied * unsustainable arrangements * invalid promises * broken bargains * dissolved contracts * beautiful injustice * sweetly unfulfilled vows * fragmented negotiations * nicely abandoned alliances * absence of equity * apathetic brokerage * peculiar music * distrust * pleasantly empty relationships * liberating release of vows * for husbandly nativities, may dissolve-or-disconnect the wifely-figures.
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Dancer, rapper, entertainment industry * 1981- * Kevin Federline

birth data from https://en.wikipedia.org/wiki/Kevin_Federline * tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = produced by Shri Jyoti Star * adapted by BP Lama

Oops-pair 1978- Kevin Federline


Rising Nakshatra

Masculine Nativities

Azlesa * Asresas * Naga * Uraga * Azreshasha * Hydra * Aayilyam * Bhujamaghabha


BPL commentary

For Azlesa births of a masculine valence, the condition of conversational, discursive, explanatory, instructional, argumentative, commercializing, evangelical Kumara may considerably affect the outcome.

For those born into the paradigm of Uraga, siblings, cousins, schoolmates, bandmates, team-mates, entourage, ensemble, neighbors, managers, cohort, coterie, collaborative group, publishers, messengers, merchants, commercial agents, reporters, writers, scripts, plans, schedules, instructions, radio-television-internet, news-media, conferences, committees, discussions, travel itineraries, and texts may be especially influential.

Instructional guidance provided by emissaries from the civilizations of Hydra. Their purpose is to hold securely, twist, and control.


Call to Roots

Budha-ruled Asresas are typically storytellers. They are protective, parentally concerned, emotionally responsive communicators. Intensely patriotic and often xenophobic, Naga-born harken to the old ways, the familiar rhythms, the folk stories which bind an ethno-cultural people to their roots. Azresa have a particular genius for evoking ancestral guilt, ethnic narratives, and ancient resentments.

Emotionally engaged and gesturing (Budha) in their messaging style, Hydra-born are often accomplished writers in literary genre ranging from political speech-scripters to parenting advice to folktale raconteurs. They specialize in tropes of root-culture, customs and habits, protection of the genetic stock, stabilization of the place of settlement, and defense of a way of life.

Bhujamaghabha speak the stories of a people in their land. It is the tale of a beginning in the watery mists, travel by ship, the struggle to farm and build, the cry for protection of a parental god, and finally the rooted possession of their place. They are natural environmentalists who prefer conversations about parenthood, ritual worship and holidays, food and farms, schools, roads and housing, with an emphasis on ensuring continuity of culture. Depending upon the condition of parental Chandra, Azlesa fathers may bind their children closely.

In leadership roles, the Naga-born may communicate in a swaying, hypnotic jargon, talking in the familiar folk style, appealing to the base layers of the society, recalling an ancient past. Their sentimental audience is rapt with feeling. Their rhetoric is soothing, repetitive, simple, and homey, like a parental lullaby, soothing the baby's cries.

Once lulled, the Naga's quarry may be bound and captured, lashed to the safe place. It is a bondage ritual, repeated to ensure that nourishment can continue and ethnic customs can repeat in an unbroken, rhythmic flow.

Asresas-born may be found in socially powerful messaging roles. They come to prominence when a tribe is weakened at the root and feeling vulnerable. An ancient racial narrative is invoked. This storyline may beseech a people to strap themselves to the land and waters which give sustenance. Its clarion call rallies the fyrd, the farmers' army, the simple folk's defense of their habits, their sustenance. To this place they are bound by hunger, by vulnerability, by a need for protection.

Themes of tight bindings, holding to roots, emotional restraint, and defense of ancient folkways may contextualize Naga's terrestrial experience. Applies also to Chandra in Azlesa-Naga.

QUOTATION from: Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra. p 82.


"Outstanding characteristic of these people

  • is their rather unpleasant and unsociable disposition.

They are awkward and gauche in their manners

  • and are not quick to profit by their mistakes

  • because of their inability to adapt themselves to their surroundings

  • and their apparent reluctance to be gracious or kind to others.

This attitude militates against success in life

  • and is a barrier to progress.


These people should live less introspectively

  • and learn to appreciate the good in other people.

They should cultivate the habit of doing things for others."


Yogakaraka Mangala rules 5-intelligrnce, creativity, celebrity ++ 10 social visibility, respect, reputation, leadership

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