Britney Spears in 2008
born 1 month before
UK-Duchess 1982- Kate of Cambridge
born one month after
Fashion design 1981- real-estate Ivanka Trump
born 4 months after
UK-Duchess 1981- Meghan Markle
Britney Spears in 2016
musical entertainer
Earthbody-Entry Wednesday-02-Dec-1981
Musical entertainer * 1981- * Britney Jean Spears
birth data from https://en.wikipedia.org/wiki/Britney_Spears * tentatively rectified by BP Lama
charts, graphs, and tables produced by Shri Jyoti Star * adapted by BP Lama
published birth time
Rising Nakshatra
Feminine Nativities
Uttaraphalguni * Aryaman * Bhaga * Falgun * Utthram
BPL commentary
For Uttaraphalguni births of a feminine valence, the condition of radiant, romantic, intelligent, creative, idealistic, central, confident, gaming, self-reflexive, pitrikaraka Surya may considerably affect the outcome.
For those born into the Surya-ruled paradigm of Uttora, father-figures, politicians, celebrity, royalty, entitled roles, brilliant dramatists, radiant deities, sparkling genius, glittering creativity, intelligentsia, speculators, poets, romantic lovers, gamblers, and game-players may be especially influential.
Instructional guidance provided by emissaries from the civilizations of Denebola. Their purpose to brighten and glorify the divine intelligence through spectacular creativity.
Brilliantly dramatic
Uttara-phalguni women are famously confident and willful. Monarchic entitlement pairs with aristocratic service via noblesse oblige. While much depends upon the characteristics of sparkling nakshatrapathi Surya, the feminine Falgun is often found in bright environments of royalty, celebrity, theatre, creative arts, amusements, and games.
Uttaraphalguni ladies radiate a profound love for living creatures, both wild and domestic. On behalf of the animal kingdom and its denizens, the women of Aryaman may undertake political activism. As righteous (and self-righteous) human mistresses of the animal world, their political style may include fiery displays of romantic idealism. They may collect animals.
Simha-Leya pada-1 features charismatic centrality and stage presence, focused into the physical embodiment. Pada-1 must hold the center of attention, whether in celebrity politics, entertainment and fashion, dramatic acting, or all three. Typically one attracts an elder husband along with many charming romances.
Kanya Pada 2-3-4 = equally dazzling, idealistic, smart, and flamboyant, but more focused upon expressing the genius of the imagination. Often a splendid dramatist and performing musician due to nakshatrapathi Surya. Typically one attracts a generous husband.
Themes of political power, radiant confidence, and bright celebrity drama may contextualize Utthram's terrestrial experience. Applies also to Chandra in Uttaraphalguni
QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 95
"A joyous healthy disposition yet quietly so.
She has a very soft pleasing voice,
-
bubbling over with fun and humor.
She is born to a family with social background
and loves to mingle with her friends in various social activities
yet she is not frivolous,
but beneath her joyous manner, rather serious minded.
She has fixed principles from which she will not deviate.
She prefers to choose her friends
from among the people who are artistically inclined and cultured.
She is efficient and adept at managing her home and her domestic life."
Britney Spears in 2018, age 37
Biographical Details matched to the Vimshottari Dasha calendar
Oops 1981- entertainer Britney Spears
Chandra Mahadasha * age 0-3.5
-
Chandra in classroom-5 * Chandra-Makara-Draco * Chandra in Shravana * Somana-yuti-Zukra * Somana-yuti-Ketu
02-Dec-1981 Earth-birth in McComb, Mississippi, USA * Chandra-Budha bhukti * Budha lagnesha and karmapathi
Mangala Mahadasha * age 3.5 - 10.5 *
- Mangala-Singha * Mangala in bhava-12 * Surya-3 parivartamsha Mangala-12 * Sarala Yoga
Rahu Mahadasha * age 10.5 until 28.5
1993 begin professional dance-song career (age 12) * Rahu-Rahu swabhukti * Rahu-11 top earnings
1999 sudden worldwide success * Rahu-Shani bhukti * Shani vidyapathi-5 in lagna
Jan-2004 exchange of vows in marriage-1 * Rahu-Zukra bhukti * gochara R-K via Mesha-Thula contact Guru lagna * Chandra-yuti-Ketu + Zukra-yuti-Ketu
Jan-2004 annulment exchange of vows in marriage-1 * Rahu-Zukra bhukti * gochara R-K via Mesha-Thula contact Guru lagna * Chandra-yuti-Ketu + Zukra-yuti-Ketu
2004 begin Kabbalah Center * Rahu-Zukra bhukti * Zukra Dharmesha-9 doctrine * Chandra-yuti-Ketu + Zukra-yuti-Ketu
18-Sept-2004 exchange of vows in marriage-2 to Kevin Federline * Rahu-Zukra bhukti * gochara R-K via Mesha-Thula contact Guru lagna * Chandra-yuti-Ketu + Zukra-yuti-Ketu
14-Sept-2005 celebrated the birth of child-1 * Rahu-Zukra bhukti * Zukra vidyapathi-5 from Chandra * Chandra-yuti-Ketu + Zukra-yuti-Ketu
June-2006 announces separation from Kabbalah Center * Rahu-Zukra bhukti * Zukra rogesha-6 from9, animosity toward doctrine * Chandra-yuti-Ketu + Zukra-yuti-Ketu
Sept-2006 child-2 * Rahu-Zukra bhukti * Zukra vidyapathi-5 from Chandra * Chandra-yuti-Ketu + Zukra-yuti-Ketu
Nov-2006 files divorce * Rahu-Surya bhukti * Surya rogesha-6 navamsha, Surya ruler-of-12 radix
Feb-2007 public displays of mental instability (head shaving incident) * Rahu-Surya bhukti * Surya rogesha-6 navamsha, Surya ruler-of-12 radix
Nov-2007 divorce completed * Rahu-Chandra bhukti * Chandra Vriddhipathi-11 earnings, friendship
Jan-2008 psychiatric breakdown * Rahu-Chandra bhukti * Chandra-yuti-Ketu
Guru Mahadasha * age 28.5 until 44.4
Dec-2012 * named top-earning women i music industry $58million_USD * Guru-Shani bhukti
2016 *numerous recognitions and awards * Guru-Budha bhukti * Budha lagnesha and karmapathi
Shani Mahadasha * age 44.5 until 63.5
Budha Mahadasha * 63.5 until 80.5
Ketu Mahadasha * 80.5 until 87.5
Oops 1981- entertainer Britney Spears
Surya * pitrikaraka * jyotikaraka
- Surya-Vrizchika * Maricha * particle of light
- Surya in bhava-3 * center of commerce, intelligence for reports, dramatic announcements, creative descriptions * self-referential instruction delivery * confident handcraft, splendid technology * entertaining explanations * administrative entitlements * focus on communication * eye on process management * iconic messaging * bright center of discourse * brilliant gesturing
- Surya-yuti-Budha * confidently conversational * bright messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * speaks and gestures in alignment with the spiritual rays of the Sun * radiantly descriptive * articulate in drama and games * self-confident announcements * talks about ideals, power-politics, poetic love, and romance
- Surya-3 parivartamsha Mangala-12
FATHER'
Dad = a businessman and her manager Surya in bhava-3
Chandra * matrikaraka * garha-karaka
- Chandra-Makara-Draco * comforted by rhythmic hierarchical ordering
- Chandra in Shravana * comforted by careful listening * protectors of undulating shamanic sound, customary lawfulness, structured parenting, reputable dwelling
- Chandra in classroom-5 * comfort in politics * familiar with speculation + gambling + games * soothed by celebrity * charmed by children * needs to feel the repeating pulse of confident self-expression * emotionally attuned to uniqueness * settled into the rhythm of romance * intelligent customary routines * calmed by artistic performance * undulating creativity
- Somana-yuti-Zukra * Emotionally indulgent * comforted by balanced arrangements * nourished by luxurious pleasures * sensitive to sisterly figures * needs to negotiate * seeks shelter in alliances* preference for owned properties * soothed by beauty * feels like a partner
- Somana-yuti-Ketu * Emotionally scattered * sensitive to disoriented figures * indifferent to local customs * disengaged mother * soothed by disintegration * dissolves the comforting routines * needs to wander * feels like a pilgrim
MOTHER
MARRIAGE partnership support expectations
Kuja * bhratru-karaka * virya-karaka * Mangala
- Mangala-Singha * vigorous pursuit of fame * creatively moving political theatre * proactive drama * push toward celebrity entitlement * champion of pageantry * military parades * brilliantly energized celebrations *push toward parties and games * sexually active romance * flamboyant gambling
- Mangala in bhava-12 * drive toward privacy, pursuit of inner guidance, distant lands, invasive ancestors, seeking sanctuary, clairsentient dynamics, energized invisible conquests
- Surya-3 parivartamsha Mangala-12
ruler of 8 occupies 12 Viparita Raja-Yoga * Sarala Yoga
Typically for the Kanya nativity, Professor Mangala's curriculum, based in classrooms 3 and 8, provide particularly challenging circumstances in regard to mental processing (3) and unexpected interventions, particularly via hidden relationships and sudden changes of identity (8).
Atmakaraka parivartamsha Mangala occupies the revolutionary, emotionally turbulent, perpetually transformative, trauma-inducing 8th-from-Chandra , suggesting continuous emotional upheaval expressed via kinetic movement
Sarala Yoga
In the present nativity, Atmakaraka Mangala delivers a variety of effects. As the ruler-of-8 in bhava-12 = Viparita Raja-Yoga * Sarala Yoga Mangala gives protection from the potentially destructive consequences of sudden identity change, physical and emotional upheaval, catastrophic circumstances. When Mangala provides Sarala Yoga, one generally comes out fighting after a disaster and is made more proactive by revolutionary change.
Furthermore Mangala-Simha-12 enjoys a parivartamsha yoga with Surya-Vrischika-3, which inter alia provides vast reserves of kinetic energy and the ability to verbalize (3) fantasies (12).
Budha * bandhava-karaka * zisya-karaka
- Budha-Vrizchika * secretive communications * articulation of transformative process * emergency pronouncements *delivers messages about dangerous situations * descriptive initiations * discusses undisclosed information * mysterious handcraft * * articulately defined masking * gives instruction for penetrating procedures * expertly detailed disguise * hands-arms-shoulders make occult gestures
- Budha in bhava-3 * narrative of cohort, siblings, announcements * discusses commerce, management, reporting, administration, describer of detailed information, explainer of publication, delivers instructions for books, scripts, lyrics, media-messaging, talks about communications, sales, marketing, advertising, manufacturing, process, collaboration, teamwork
- Budha-yuti-Surya * explainer of dramatic intelligence * affinity for central roles expressing skills of communication, explanation, description, instruction * explainer of dramatic intelligence * affinity for central roles expressing skills of communication, explanation, description, instruction * articulation of radiant authority * message of willpower and charisma * confidently talkative father
Guru * dhavakaraka * bahuta-karaka
- Guru-Thula * many trades * variety of exchanges * much negotiation * believes in justice * doctrine of contractual exchange * multiple alliances * diversity of arrangements * equable guidance * widens the scope of balanced design
- Guru in bhava-2 * much hoard * many songs * many stories * extensive history * expanded storage * several genetic lines * many accumulated goods * numerous languages * many voices * many valuations * extensive accounts * grows the family lineage * believes in conservation * patron of speech-and-song
Zukra * svadhu-karaka * kalatra-karaka
- Zukra-Makara-Draco * appreciation of authoritative status, likes architectural structure, attracted to officials and law, enjoys social position, beautiful bones, prefers old buildings and stony dryness, balanced skeleton, lovely legs, pleasures of structure, hierarchical arrangements
- Zukra-5 * pleasure of dramatic gaming enjoys center-stage equity * feminine-figures are prominent in the creative * political environments * pleasing designs to adorn the heart * graceful solar plexus * literary and fine arts * appreciation of creativity
- Zukra-yuti-Ketu * sweetened surrender, gracious abandonment, vacuous feminine-figures, appreciation for fair terms of dissolution, disoriented negotiations, unconcerned with conventional beauty, empty contracts * arrangements according to impermanent agreement
- Zukra-yuti-Chandra * sweetened security * gracious caretaking * appreciation for nourishing protection * emotionalized negotiations * sheltering arrangements * soft caretaking beauty * sheltering arrangements * balanced caretaking * soothed by beauty * pleasant emotional response * enjoys local rhythms * arrangements according to the folkways * musical mother-figure * protective contracts
Shani * duro-karaka * jara-karaka
- Shani-Kanya * heavy old accusations * obliged to sustain litigious disagreements * rigidly persistent disease conditions * vital energy compression stress zone = colon + digestive tract * must materialize orderly ways to aid the injured and help the mistreated * weighty subordinate tasks * strictly imposed hierarchical conditions of enforced servitude * must work within proletarian master-slave systems * must respect slow, elder physicians and their outdated remedies * must accept the limitations of institutionalized service * insufficient pharmacy * must work with aging, dried medications * must continue to minister to the suffering despite scarce available resources
- Shani in Bhava-1 *Structured, orderly, time-conscious personality. One must act under pressure, have to move but slowly, push forward against stiff limitations; cautious, conventional identity; tense competition, muscular fatigue, chronic impeded movement, seizures and cramps. Heavy legacy pressure against free movement. Resistance to new ideas and direct action. Resentment toward constriction of physical appearance. Support for socially-approved dutiful roles, conventionalized identity, and conduct befitting an elder.
Shani * double-edged sword of work ethic and intractable conflicts
Shani occupies the elder-respecting, old-faith, strict philosophies, punitive, scarcity-preaching 9th-from-Chandra
Shani-1 indicates a relentlessly hard worker distinguished by a practice-based work ethic. For the Kanya nativity, Professor Shani will deliver His curriculum via bhava-5 entertainment, creativity and also via bhava-6 conflict, illness. Shani rules Makara-Shraviztha (hearing the drumbeat) and also Shani rules 2nd-from-Chandra (family) bhava-6.
Generally a graha provides stronger results for its mulatrikona. Shani's mulatrikona being Kumbha, His results in life overall are stronger for Kumbha-6. However, the remarkable cluster of Zukra + Chandra-yuti-Ketu in bhava-5 certainly indicate an entertainment career which succeeds via disciplined practice of the performer's craft.
Rahu * rajyalobha-karaka * picchala-karaka (slippery)
- Rahu-Karkata * shimmering illusion of security * shimmering illusion of security * craving for customary rhythms * risky policing * mirage of home and shelter * mask of ancestral belonging to a habitual place * illusory acts of protective defense * over-reaching patriotism * fabulous farms and fisheries * fascinating ethnic routines * marvelous localities * intriguing owned properties * extraordinary cetaceans * seeks special importance via apparent (but perhaps not authentic) attributes of motherliness, nationalism, loyalty to the homeland, parent-roles
- Rahu in bhava-11 * passion for prizes, achievements * in Roguish Rahu's swabhava co-ruled with Sober Shani ,* the Shadowy Specter seeks privilege via glamorous or unusual social goals and economic attainments. Desires an important, linkage role in social participation and financial networks. Exciting, opportunistic, ambitious friends. Craves profit and gain. Rahu-11 thrives in culturally-mixed commodity-exchange systems. Rahu the Poseur may pose as a friend, a voluntary linker, an economic achiever, a relative of the father's people. Rahu-11 trespasses the cultural boundaries of friendship and community. Boundary-breeching, risk-rewarding Rahu typically enjoys material success in marketplace profits, revenue, earnings due to His social-participation genius.
Ketu * kavandha-karaka * chidra-karaka
- Ketu-Makara-Draco * dissociates from strict regulations * * incomplete hierarchy * empty rules * dissolute laws * meaningless social authority positions * severed execution of duties * not limited by public conventions * ignores restriction on rank * disregards status barriers * applies institutional structure to the misty abyss
- Ketu in classroom-5 * ambivalent toward entitlements, may have eccentric children, disregards limitations on financial speculation, displays fragmented or esoteric intelligence, dissolves the glamour of center-stage roles, disperses the romantic adoration. One abandons the usual political behaviors, ignores the conventional creativity, plays an incoherent game.
- Ketu-yuti-Chandra * surrendered sensitivity, empty feelings, unsustainable shelter, ambivalent mother, disinterested in cultural routines, eccentric parenting, emotional apathy, abandoned vessels, incomplete nurturing, distanced from the ethnicity, fragmented caretaking, disconnected roots. Spiritual liberation via release of habitual comforts.
- Ketu-yuti-Zukra * surrendered arrangements * unfulfilled promises * disconnected bargaining * unsustainable contracts * incomplete harmony * fragmented negotiations * abandoned alliances * absence of equity * apathetic brokerage * eccentric music * distrust * dissatisfaction in relationships * Spiritual liberation via release of vows * For husbandly nativities, may dissolve the wifely-figures.
Dancer, rapper, entertainment industry * 1981- * Kevin Federline
birth data from https://en.wikipedia.org/wiki/Kevin_Federline * tentatively rectified by BP Lama
charts, graphs, and tables produced by Shri Jyoti Star * adapted by BP Lama
Oops-pair 1978- Kevin Federline
Rising Nakshatra
Masculine Nativities
Azlesa * Naga * Azreshasha * Hydra * Aayilyam * Bhujamaghabha
BPL commentary
For Azlesa births of a masculine valence, the condition of conversational, discursive, explanatory, instructional, argumentative, commercializing, evangelical Kumara may considerably affect the outcome.
For those born into the paradigm of Uraga, siblings, cousins, schoolmates, bandmates, team-mates, entourage, ensemble, neighbors, managers, cohort, coterie, collaborative group, publishers, messengers, merchants, commercial agents, reporters, writers, scripts, plans, schedules, instructions, radio-television-internet, news-media, conferences, committees, discussions, travel itineraries, and texts may be especially influential.
Instructional guidance provided by emissaries from the civilizations of Hydra. Their purpose is to hold securely, twist, and control.
Call to Roots
Budha-ruled Asresas are typically storytellers. They are protective, parentally concerned, emotionally responsive communicators. Intensely patriotic and often xenophobic, Naga-born harken to the old ways, the familiar rhythms, the folk stories which bind an ethnic people to their roots. Azresa have a particular genius for evoking ethnic narratives and ancient resentments.
Emotionally engaged and gesturing (Budha) in their messaging style, Hydra-born are often accomplished writers in literary genre ranging from political speech-scripters to parenting advice to folktale raconteurs. They specialize in tropes of root-culture, customs and habits, protection of the genetic stock, stabilization of the place of settlement, and defense of a way of life.
Bhujamaghabha speak the stories of a people in their land. It is the tale of a beginning in the watery mists, travel by ship, the struggle to farm and build, the cry for protection of a parental god, and finally the rooted possession of their place. They are natural environmentalists who prefer conversations about parenthood, ritual worship and holidays, food and farms, schools, roads and housing, with an emphasis on ensuring continuity of culture. Depending upon the condition of parental Chandra, Azlesa fathers may bind their children closely.
In leadership roles, the Naga-born may communicate in a swaying, hypnotic jargon, talking in the most common style, appealing to the base layers of the society, recalling an ancient past. Their sentimental audience is rapt with feeling. Their rhetoric is soothing, repetitive, simple, and familiar, like a parental lullaby, soothing the baby's cries.
Once lulled, the Naga's quarry may be bound and captured, lashed to the safe place. It is a bondage ritual, repeated to ensure that nourishment can continue and familiar customs can repeat in an unbroken, rhythmic flow.
Asresa-born may be found in socially powerful messaging roles. They come to prominence when a tribe is weakened at the root and feeling vulnerable. An ancient racial narrative is invoked. This storyline may beseech a people to strap themselves to the land and waters which give sustenance. Its clarion call rallies the fyrd, the farmers' army, the simple folk's defense of their habits, their sustenance. To this place they are bound by hunger, by vulnerability, by a need for protection.
Themes of tight bindings, holding to roots, emotional restraint, and defense of ancient folkways may contextualize Naga's terrestrial experience. Applies also to Chandra in Azlesa.
QUOTATION from: Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra. p 82.
"Outstanding characteristic of these people
is their rather unpleasant and unsociable disposition.
They are awkward and gauche in their manners
and are not quick to profit by their mistakes
because of their inability to adapt themselves to their surroundings
and their apparent reluctance to be gracious or kind to others.
This attitude militates against success in life
and is a barrier to progress.
These people should live less introspectively
and learn to appreciate the good in other people.
They should cultivate the habit of doing things for others."
Yogakaraka Mangala rules 5-intelligrnce, creativity, celebrity ++ 10 social visibility, respect, reputation, leadership
file update:21-Nov-2019
Copyright © 1994-2024 by Barbara Pijan Lama* Contact* How to Request a Jyotisha Reading
Barbara Pijan Lama Jyotishavidya Vedic Astrology Surya Sun Chandra Moon Mangala Mars Budha Mercury Guru Jupiter Zukra Venus Shani Saturn Rahu Ketu Graha Planets Dasha Timeline Calendar Nakshatra Navamsha Marriage Children Treasury Career Spiritual Wisdom Cycles of re-Death and re-Birth
The information on barbarapijan.com , including all readings and reports, is provided for educational purposes only. Wishing you every happiness and continuing success in studies!