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COHORT born 1 year after
born 10 months after
born 2 months after
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Theatrical singer Hollywood child-celebrity famed child role in The Wizard of Oz a.k.a. Frances Ethel Gumm Earth-birth Saturday-10-Jun-1922 dematerialization 22-Jun-1969 [age 47] |
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cinema dramatist singer 1922-1969 Judy Garland born as Frances Ethel Gumm birth data from https://en.wikipedia.org/wiki/Judy_Garland
tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = produced by Shri Jyoti Star - www.vedicsoftware.com - adapted by BP Lama |
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Rising Nakshatra Feminine Nativity Yoni - Bhagadaivata - Prakphalguni - Arjuni BPL COMMENTARY For Purvaphalguni * Yoni * births of a feminine valence, the condition of sweetly musical, artistic, harmony-seeking, negotiating, balancing, arranging, designing, matching, pairing, sensually pleasuring akarshana-karaka Bright Beautiful Bhrigu may considerably affect the outcome. For those born into the Shukra-ruled paradigm of Vutavabana, feminine figures such as sisters, aunts, and wives, along with partnerships, contracts, bargains, sensual pleasures, lovers, artistic beauty, luxurious scents, treasuries, financial arrangements, and music, may be especially influential. Instructional guidance provided by emissaries from the civilizations of Zosma. Their purpose is to dramatize, glamorize, and politicize the grand theatrical values of creative life. Diplomatic charm [Shukra] -ruled Purvaphalguni ladies are often the diva type. Yoni-born are found in the sparkling bright worlds of political diplomacy, romantic idealism, entertainment, speculative finance, performance arts, and fashion design. Women born into a nakshatra of Shukra are often blessed by a special aptitude for music, beauty, treasuries, ornaments, design arts, and financial affairs. Yoni-born are happiest when playing musical instruments, dancing on the theatrical stage, or performing a richly costumed dramatic role for an appreciative audience, Delighted by spectacle and applause, they glitter and radiate at parties, creative events, political campaigns, and games. Depending upon the placements of dhanakaraka Shukra and dhana=pati Budha, the Purvarjuni-born may also display financial intelligence, deal-brokering ability, and glamour in romantic relationships. Queenly and self-referential, they require equity in marriage and business contracts. Honesty is deeply important to them. Yet, due to Shukra's bargaining nature, the insult of disloyalty may be balanced by financial compensation. Like all sweet-seeking Shukra-governed births, Bhagadaivata-born must take care to avoid the misuse of drugs and alcohol. Political and creative success depends upon the charisma of lagnesha Surya. Financial success depends upon the dual-dhanakaraka Shukra and Budha. Themes of theatrical celebrity, lavish musical entertainments, arts and fashion, and financial agreements may contextualize Pubba's terrestrial experience. Applies also to Chandra-Purvaphalguni. |
QUOTATION from Shil-Ponde.[1939] . Hindu Astrology Joytisha-Shastra . p 96r. " An expensive and luxurious person.
She likes to change costumes several times a day
Variety is the spice of life to this woman
" ... an oval face, whose features are well proportioned
Very hospitable and sociable, she likes to meet people
She likes to sew or embroider
She also is keenly interested in occult subjects
She is scrupulous in her obligations
![]() Judy Garland in 1941 [age 19] | |
Judy Garland [a.k.a. Ethel Gumm] publicity photo 1935, her age 13 |
Judy Garland a.k.a. Frances Ethel Gumm with her problematic mother-manager, Ethel Milne Gumm. Matrikaraka Chandra-5 rules withdrawn, imprisoning bhava-12 | |
From The Wizard of Oz, 1936 characters Dorothy Gale and the Wicked Witch of the West |
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[Ketu Mahadasha] [age birth until age 01] 10-Jun-1922 Earth-birth in Grand Rapids, Minnesota, USA *Ketu-Shani bhukti [Shukra Mahadasha] [age 01 until age 22] Dec-1928 until Apr-1931 Janma Sade-Sati Dhanus
1935 [JG age 13] first cinema contract with industrial film producers * Shukra-Guru bhukti * Guru activates 5-entertainments 17-Nov-1935 [JG age 13] grieved sudden death of her father - Shukra-Guru bhukti * Guru rules 12th-from-pitristhana 1939 [JG age 17] wins Academy Award [Oscar] for performance in Wizard of Oz * Shukra -Shani bhukti * Shani enable Rahu-yuti-Guru * Guru rules 5-prizes, celebrity 28-Jul-1941 [JG age 19] consecration of marriage-1-of-5 with songwriter David Rose [union 1941 - 1944] * Shukra-Budha bhukti [Shukra-yuti-Budha] ++ gochara R-K Kanya-Meena * contact radical R-K axis 1943 [JG age 21] announced estrangement from her manager-mother. Mom is thenceforward banned from the MGM cinema properties * Shukra-Ketu chidra-dasha [Surya Mahadasha] [age 21.1 until age 27.1] 15-Jun-1945 [JG age 23] consecration of marriage-2-of-5 = cinematic producer Vincente Minnelli [marriage = 1945 - 1951] * Surya-Mangala bhukti * Mangala rules Vrischika Svamsha 12-Mar-1946 [JG age 24] celebrated the birth of child-1, singer-dramatist Liza Minnelli * Surya-Rahu bhukti [Rahu-yuti-Guru] Jul-1947 [JG age 25] nervous breakdown including first suicide attempt * Surya-Shani bhukti * Shani rogesha [Chandra Mahadasha] [age 27.1 until age 37.1] 1950 [JG age 27] following 15 years continuous contract, end of employment with MGM studios * Chandra-Chandra svabhukti * Chandra rules 12 = 6th-from-7 contracts 1951 [JG age 29] after financial and personal difficulties, rebounded into successful performance events in UK-Ireland * Chandra-Mangala bhukti * yogakaraka Kuja rules 9-celebrity performance 08-Jun-1952 [JG age 30] consecration of marriage-3-of-5 with Sid Luft until 1965 * Chandra-Rahu bhukti 05-Jan-1953 [JG age 31] [mom age 59 ] grieved the decease of estranged Mother , via heart-attack * Chandra-Rahu bhukti * dvadasa Sade-Sati Feb-1958 until Feb-1961 Janma Sade-Sati Dhanus
[Mangala Mahadasha] [age 37.1 until age 44.1] 1962 [JG age 40] wins five Grammy awards * Mangala-Guru bhukti [Rahu-yuti-Guru] Guru rules 5-prizes, celebrity, entertainment 1963 [JG age 41] receives a lucrative television contract, but the show is cancelled after only 26 episodes * Mangala-Shani bhukti * Shani rules 7 contracts, but Shani also rogesha broken promises 27-May-1964 [JG age 42] grieved the desease of her eldest sibling, sister Suzy, via suicide * Mangala-Budha bhukti * Budha rules 2nd-from-9th-from-Chandra 14-Nov-1965 [JG age 43] consecration of marriage-4-of-5 = Mark Herron until 1967 * Mangala-Shukra bhukti [Rahu Mahadasha] [age 44.1 until decease age 47] 15-Mar-1969 [JG age 47] consecration of marriage-5-of-5 with stage manager Mickey Devinko [Deans]. The union endured for three months, ending with JG decease in Jun-1969 * Rahu-Rahu svabhukti 22-Jun-1969 [JG age 47] dematerialization via self-poisoning, barbiturate overdose * Rahu-Rahu svabhukti * Rahu-2 maraka |
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![]() Distinctive features of the Nativity
[Surya] pitri-karaka [father] jyoti-karaka [light] [dikbala] [energizing-identifying lagnesha for Simha indriya-lagna] [high visibility public roles in values demonstration] [bright center of wealth entitlements] [genius for musical performance] ... [dramatizing-demonstrating Mriga-1] [navamsha Surya-Simha] intuitively displaying sparkling center-stage entertaining confidence
OUTCOMES - SURYA high-visibility, decisive, brilliantly iconic [Surya in bhava-10] rules
CAREER-SURYA Theatrical singer, Hollywood child-actor dramatist Her most celebrated cinematic performance included the legendary songs from Wizard of Oz Surya-Simha occupies 10th-Navamsha = communications media, photographs, cinema [Surya in bhava-10] drishti incoming
Surya karaka for theatre, celebrity FATHER [Surya in bhava-10] = lagnesha Dad = a vaudeville entertainer who owned a local theatre [Surya]. The entertainments included live-performance music and dance [Urisha] mixed with early cinema. lagnesha Surya = JG attested that she adored her father Tension between the parents Surya-10 occupies [6th-from-Chandra]-5-Mula, indicating a hostile, incompatible electro-magnetic emotional alliance between mother [Mūla] Chandra-5] and father [Mriga-Surya-10] . Garland's father was a gay man and the father of the three Singing Gumm Sisters. The parents often disagreed about money [Urisha]. They also argued about his entitlement [Surya] to a self-determined lifestyle [Surya]r. [Chandra] matrikaraka [mother] * garha-karaka [village] [retreating-contemplative vyaya-pati for Simha indriya-lagna] ... [collaborative-communicative Mūla-3] [navamsha Chandra in Mithuna] intuitively sensitive explanatory description
OUTCOMES - CHANDRA political, spectacular, displaying, fashionable, glittering, center-stage, gamey [Chandra in classroom-5] rules
CAREER-CHANDRA
beauty, song, face * Shukra drishti to Chandra in Mūla - Vichruta-= that charming round child's face, still perfectly recognizable many decades later. MOTHER [Chandra in classroom-5] receives relationship-defining 7th drishti of entertaining, singing, dramatic Shukra + Budha. Mom had worked as a vaudevillian performer before her daughters were born. Mom was said to have been an intensely controlling stage-mother Mom was involved in every detail of her underage daughter JG's relationship to the hiring studios. Chandra in Mūla - Vichruta rules bhava-12 invisibility, withdrawal Chandra activates the emotionally self-transforming, often shocking, change-inducing, revolutionary, emotionally turbulent, perpetually transformative, trauma-inducing 8th-from-Chandra = secrets, non-disclosure, sudden unexpected changes, new identities, transformative healing, camouflage, emergencies
Eventually, Judy gained legal adulthood and Chandra in Mūla - Vichruta fulfilled its destiny of emotional annihilation.
When Judy turned 21, her desire to throw off the structure of maternal control [Mūla] became materially viable.
Mom received no further financial support from her famous daughter
Post-split from her Mother, JG bore two additional children bring her family to a total of three kids.
emotional annihilation Chandra in Mūla
It is speculated that the momager may have displayed the symptoms of borderline Personality Disorder
Parenting [Chandra] A downward spiral began during the nervous breakdown following the birth of her first child
MARRIAGE partnership emotional equity support expectations Husband-figures Shani-yuti-Guru dhava-karaka + Guru-yuti-Rahu suggests that she had a multitude of husbandly-companions Her father and also her five husbands were generally homo-social men whose sexual-sensual-partnerships were diverse and complex with socially irregular [Rahu] behaviors yet socially regular [Shani] external professional status. Rahu amplifies the yuvati-pati Guru * Rahu amplifying rogesha-Shani contributes to five marriages before age 46 With a deceased father and a rejected mother, Ms. Garland -- whose childhood had been overwhelmed with adult work in cinematic drama --- married five times in pursuit of a secure family life. Mithunaya contains Shukra-Budha = first husband was a songwriter-musician, and a friend. Although Shukra activates the emotionally conflicted [6th-from-Chandra] Shukra is also located in the harmony-seeking 7th-from-Chandra. Their separation was amicable. marriage-1-of-5 marriage-2-of-5 marriage-3of-5 marriage-4-of-5 marriage-5-of-5 [Kuja] bhratru-karaka [brother] virya-karaka [virile] [svakshetra] [Yogakaraka [homebound-anchoring bandesha for Simha indriya-lagna] [Yogakaraka believing-philosophical dharmesha for Simha indriya-lagna] [Kuja Dosha for alliance-1] ... [friendly-profitable Jyeṣṭha-3 ] [navamsha Mangala-Kumbha] intuitively forward-pushing security-seeking [4] pursuing-profitability networking competition
OUTCOMES - MANGALA Kuja activates Vṛścika Svamsha Despite her celebrity, JG was accused of parental negligence and nearly lost custody of her children on several occasions. Mangala in bhava-4 Kuja-4 disrupts childhood home, homelife, educational foundations, security Career-wise, Kuja = a powerfully energetic yogakaraka as intolerable as JG eventually may have found her mother to be, the parents [4] built the foundation [4] for JG's career Mangala-Vṛścika receives incoming drishti from disciplining, constraining Shani-2 Shani drishti provides a disciplining influence which allowed Garland's career to proceed with regular structure, even during times of severe personal distress [Mula Chandra] [Budha] jamayah-karaka [sibling] sandesha-karaka [message] shisya-karaka [student] [svakshetra] [historical-evaluating dhanesha for Simha indriya-lagna] [profitable-friendly labha-pati for Simha indriya-lagna] [Dhanayoga = Budha-11 rules 2] [narrative of linked community conversations] [earnings from gridworked commercial discussion] [gainfully connected business transactions] [translating explaining network of friends] ... [optimistic-philosophical Arudra-1] [navamsha Budha-Dhanus]
OUTCOMES - BUDHA touring performance cinema, recordings Budha activates the 10th-from-Chandra = Kanya-2 voice-face-song DHANAYOGa as always for Simha-born, bantering Budha becomes a dhanayoga-producer as ruler of both 11 and 2. [Shukra-yuti-Budha] combines 2 + 3 + 10 + 11.
[Guru] dhava-karaka [husband] bahuta-karaka [variety] [witty-creative vidya-pati for Simha indriya-lagna] [mysterious-revealing randhresha for Simha indriya-lagna] ... [musical-financial Hasta-2] [navamsha Guru-Urisha]
OUTCOMES - GURU dhavakaraka in Bhava-2
Guru-yuti-Rahu casts enormously amplifying drishti into 6-8-10 CHILDREN As JG's birth family had done to her, when JG's very young children [Guru] showed talent, she made them into performers
Rahu-yuti-Guru [Shani-yuti-Rahu] occupies [folk reputation 10th-from-Chandra-5. JG and her first child, daughter Liza Minnelli , performed together at popular concerts. Blessings from the Marginalized Guru-Kanya in the emotionally dignified , social-ordering, leadership-seeking; 10th-from-Chandra suggests Garland's lifelong ability to symbolize and appeal to socially marginalized, stigmatized fans in the 1950's-and-1960's Euro-American male gay community.
[Shukra] svadu-karaka [sweet] kalatra-karaka [wifely companion] [dutiful-hierarchical karmesha for Simha indriya-lagna] [busy-messaging vikrama-pati for Simha indriya-lagna] [friendly gracious conversational diplomacy] [pleasantly luxurious fundraising networks] [earnings from media-messaging publication] [financial gain from valuable public reputation] ... [face-voice-music Mriga-2] [navamsha Shukra-Urisha] [Atmakaraka music, femininity, relationships, finance, women, face-voice-eyes-hair, harmonies, drugs]
OUTCOMES - SHUKRA Shukra activates Urisha-10 = the emotionally conflicted [6th-from-Chandra] , suggesting that no matter the social-creative success, her career was experienced as servitutude Suave Shukra 3+10 ++ Budha ruler of 2+9 = her professional singing sisters Suave Shukra activates Urisha-Surya in [6th-from-Chandra] = Addictive, self-medicating, sweets-seeking Shukra-Mithunarainbow colors.
Marketplace Earnings Financial Patterns Shukra activates 6th-and-11th from Chandra JG had both substantial earnings [11th] supporting large debts [6th] .
[Shukra-Mithuna] ruling community-linking, economically fruitful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra Added to the financial contradictions in bhava-2, Shukra creates a volatile economic cycle featuring the extremes of both dynamic earnings
[Shani] duro-karaka [endurance] * jara-karaka [Jahre, years] [inimical-medicating rogesha for Simha indriya-lagna] [balancing-bargaining yuvati-pati for Simha indriya-lagna] ... [fantasizing-conceptual Uttaraphalgunī-4] [navamsha Shani-Meena]
OUTCOMES - SHANI rogesha shani amplified by Rahu + Guru
Stoic scarce serious [Shani in bhava-2] activates
Shani + Guru + Rahu = occupies career the emotionally dignified , social-ordering, leadership-seeking; 10th-from-Chandra Onerous burdens of very high public visibility become amplified by Rahu and expanded by Guru. Work schedule begins in early childhood. Public behavioral strictures must be socially approved [Shani]. Work ethic [Shani in bhava-2] - Kanya = identified with a toxic family, heavy workload, and social criticism [Kanya] Rahu-amplified Shani-Kanya-2 sends Shani's 10th drishti into bhava-11 revenues containing Shukra-+Budha business financial contracts. . Shani's professional 10th drishti creates restrictions upon the eceonomic behavior [11] = bhava-2 voice-face-family, heritage-values, contains + [Shani-yuti-Guru] + [Shani-yuti-Rahu]
rajyalobha-karaka [ambition] picchala-karaka [slippery] [for Simha indriya-lagna] ... [competitive-initiating Hasta-1] [navamsha Rahu-Mesha]
OUTCOMES - RAHU Rahu + Shani + Guru in bhava-1 personality, physical body = occupies the emotionally motivated career-directing 10th-from-Chandra. Tremendously well-known American audience-recognizable appearance for many decades. Shani rogesha amplified by Rahu-2 fascinating voice
Finance = [Rahu in bhava-2] + [Rahu-yuti-Guru] + [Rahu-yuti-Shani] JG endured financial fluctuations [2] on a Rahu-amplified, Guru-expanded scale.
[Ketu] kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum] [for Simha indriya-lagna] ... [arranging-adjusting Andromeda-3][navamsha Ketu-Tula]
OUTCOMES - KETU [Ketu in classroom-8] receiving drishti of ruler-Guru + Shani + Rahu Ketu located in the defensive, culturally-rooted, seasonal-calendar, routinized, patriotic, ethno-nationalistic, comfort-seeking, home-loving, foundational, property-owning [4th-from-Chandra]
4th-from-4th = severed connection to Mother According to interviews, young Judy was tightly controlled by her stage-manager mother. In Shukra-Ketu bhukti, after a big fight when Judy turned 21, mom was cut-off forevermore via an irrevocable no-contact [Ketu] decision. Despite having three of her own children, young Ms. Garland never spoke to her mother again, and the children grew up sans relationship to their maternal grandmother. |
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