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  • entertainer Doris Day a.k.a. Mary Ann Kappelhoff




Theatrical singer

Hollywood child-celebrity

Wizard of Oz

Judy Garland

a.k.a. Frances Ethel Gumm

Earth-birth Saturday-10-Jun-1922

dematerialization 22-Jun-1969 (age 47)


Wizard of Oz dramatist, singer * 1922-1969 * Judy Garland * born as Frances Ethel Gumm

birth data from * tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = produced by Shri Jyoti Star * adapted by BP Lama

Rising Nakshatra

Feminine Nativities

Chitra - Tvastri

Citthirai * Vismakarma * Azinech * Alaraph * Arista * Dana

BPL commentary

For Chitra - Tvastri births of a feminine valence, the condition of pioneering, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome.

For those born into the Mangala-ruled paradigm of Visvakarma, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, builders, drivers, drillers, diggers, exploders, aggressors, pursuers, competitions and battles may be especially influential.

Guided by instructors from civilizations of Spica. Their purpose is architectural engineering and crafting of beautiful, functional, and artistic alliances, arrangements, and designs.

Designs + Arrangements

Kuja-ruled Vismakarma ladies are blessed with direct, muscular physical and sexual energy. They are often found in environments where beautiful designs plus physical agility are valued. Chitrani typically excel in competitive, vitality-focused fields such as fashion modeling, cinematic acting, musical performance, choreography and dance, and athletics which emphasize balanced movement.

Kanya pada 1-2 expresses Kuja's rulership of 3-writing-commerce + 8-secret transformations, while also displaying the frustrating tension of chatty Budha versus active Kuja. Budha's Writing skills may emerge in pada 1-2. Kanya-Chaitra are often found in media communications and commercial aspects of design work, where their pro-active process management is distinctive. Trust and relationship integrity may be challenging.

Thula - Vanika Pada 3-4 emphasizes Kuja's rulership of 2-collections, treasuries + 7-contracts, alliances. Zukra's bargaining behavior and financial skills rise in pada 3-4 due to the pleasant attractions of Zukra-Mangala. Ladies often enjoy considerable wealth via face, voice, marriage, and family lineage. In music, arts, and partnership-craft, they pursue harmonious arrangements. They often play stringed instruments, and write beautiful songs. In the arts, entertainment, beauty, and design industries, their contractual deals are often luxuriously beneficial.

Themes of competitive movement, agile beauty, dynamic design, and financial equity may contextualize Chaitra's terrestrial experience. Applies also to Chandra in Chitra-Tvastri

QUOTATION from Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra . p 96.

"An expensive and luxurious person.

  • One who is fond of clothes and beautiful surroundings and revels in them.

  • She spends much money on jewels, perfumes, cosmetics

  • and her taste in these matters is expensive .

She likes to change costumes several times a day

  • and always look like an animated fashion plate .

Variety is the spice of life to this woman

  • and she will be inconstant and fickle in love affairs,

  • having many during her life and marrying often.

Many actresses, musicians, artists and opera singers have Chitra rising. ..."


Judy Garland, age 19, in 1941

Biographical data matched to Vimshottari Dasha timeline


Judy Garland (a.k.a. Ethel Gumm) publicity photo 1935, her age 13


Ketu Mahadasha * age birth until age 1.1

10-Jun-1922 Earth-birth in Grand Rapids, Minnesota, USA * Ketu-Shani bhukti * Shani rules 5-entertainment + 6-ailment, drugs

Zukra Mahadasha * age 1.1 until age 21.1

Dec-1928 until Apr-1931 Janma Sade-Sati Dhanuzya

1935 first cinema contract with industrial film producers (Judy's age 13) * Zukra-Guru bhukti * Guru rules 7-contracts

17-Nov-1935 (Judy's age 13) sudden death of her father * Zukra-Guru bhukti * Guru-yuti-Rahu * Guru produces effects of Rahu

1939 (her age 17) release of Wizard of Oz and (age 18) wins prize Academy Award (Oscar) * Zukra-Budha bhukti * Budha lagnesha + Budha karmesha

28-Jul-1941 exchange of vows in marriage-1 (age 19) = songwriter David Rose (union 1941 - 1944) * Zukra-Budha bhukti * Budha rules Kanya swamsha * gochara R-K Kanya-Meena * contact radical R-K axis

1943 (Judy's age 21) announced estrangement from Mother, who is thenceforward banned from the MGM cinema properties * Zukra-Ketu chidradasha

Surya Mahadasha * age 21.1 until age 27.1

15-Jun-1945 (JG age 23) exchange of vows in marriage-2 = cinematic producer Vincente Minnelli (marriage = 1945 - 1951) * Surya-Rahu bhukti

12-Mar-1946 celebrated the birth of child-1 Liza Minnelli * Surya-Guru bhukti

Jul-11947 nervous breakdown including first suicide attempt * Surya-Budha bhukti * Budha rules all key identity + performance angles

Chandra Mahadasha * age 27.1 until age 37.1

1950 end of employment with MGM studios after 15 years continuous contract * Chandra-Mangala bhukti * Kuja rules 3 + 8 identity transformation

1951 after difficulties, rebounded into successful performance events in UK-Ireland * Chandra-Rahu bhukti * Rahu-1 personality

08-Jun-1952 (JG age 30) exchange of vows in Marriage-3 with Sid Luft until 1965 * Chandra-Rahu bhukti

05-Jan-1953 dematerialization of estranged Mother (mom's age 59, heart-attack) * -Guru bhukti * Guru-yuti-Rahu * Guru produces effects of Rahu

Mangala Mahadasha * age 37.1 until age 44.1

1962 wins five Grammy awards * Mangala-Shani bhukti * Shani rules 5-prizes, celebrity, entertainment

1963 receives a lucrative television contract, but the show is cancelled after only 26 episodes * Mangala-Budha bhukti

27-May-1964 Suicide of her eldest sibling, sister Suzy * Mangala-Ketu bhukti

14-Nov-1965 (JG age 42) exchange of vows in marriage-4 = Mark Herron until 1967 * Mangala-Zukra bhukti

Rahu Mahadasha * age 44.1 until decease age 47

15-Mar-1969 exchange of vows in marriage-5 = Mickey Devinko (Deans) until June-1969 * Rahu-Rahu swabhukti

22-Jun-1969 decease (barbiturate overdose, JG age 47) * Rahu-Guru bhukti * Guru maraka rules-7

Distinctive features of the Nativity



Judy Garland a.k.a. Frances Ethel Gumm with her problematic mother-manager, Ethel Milne Gumm. Matrikaraka Chandra-5 rules withdrawn, imprisoning bhava-12


Surya * pitri-karaka (father) * jyoti-karaka (light)

  • Surya-Urisha * Ravaye * the noisy one, the roaring one (Ravi = firebird; Rava = howl, yell, or squawk) * brightly charismatic confidence of Center-stage Surya radiates through the acquisitive sensual rashi of Zukra
  • Surya in bhava-9 * karako bhavo nashto * icon of sacred teachings * intelligent patronage * geo-politics * bright preaching * focus on beliefs * philosophical entitlements * self-righteous dad * sanctimonious pontificator * eye on humanistic worldview * confident ideologue * sparkling center of global doctrine * father may be a politician-philosopher-preacher-professor

Surya-10 receives amplifying drishti of Mangala + Guru-yuti-Rahu

Surya karaka for theatre, celebrity


Surya in bhava-9 Dad = a vaudeville entertainer who owned a local theatre = performance arts, entertainments, choreography = 9 = 5th-from-5th The entertainments included live-performance mixed with early cinema.

Chandra-Surya Tension between the parents

Surya-9 occupies 6th-from-Chandra-4-Mula, indicating a hostile, incompatible electro-magnetic emotional alliance between mother (Mula-Chandra-4) and father (Mriga-Surya-9). Garland's father was a gay man and the parents often disagreed. Surya occupies the emotionally conflicted 6th-from-Chandra while Zukra-10 social reputation rules 6th-from-Chandra

Chandra * matrikaraka (mother) * garha-karaka (village)

  • Chandra-Dhanuzya * comforted by familiar doctrinal beliefs
  • Chandra in Mula-Vichruta * * protectors of the eternal root vortex * soothed by pure emptiness * feels like a galactic pilgrim
  • Chandra in classroom-4 * digbala * comfort in familiar routines * calmed by caretaking * seeks continuous oscillating motion * sensitive to ethnic folkways * contented by recurrent rituals * soothed by customary habits * tranquilized by rhythmic waves * needs pulsation * nurtured by gardening * follows local pathways * feels rooted into the land * settled into home-keeping * undulating patriotism


Chandra in classroom-4 receives relationship-defining 7th drishti of entertaining, singing, dramatistic Zukra + Budha. Mom had been herself a vaudevillian performer before her daughters were born.

Mom was said to have been an intensely controlling stage-mother

Mom was involved in every detail of her underage daughter's relationship to the hiring studios. Chandra in Mula-Vichruta rules bhava-11 revenues +++ Chandra rules the emotionally self-transforming, often shocking, change-inducing, revolutionary, emotionally turbulent, perpetually transformative, trauma-inducing 8th-from-Chandra = secrets, non-disclosure, sudden unexpected changes, new identities, transformative healing, camouflage, emergencies

According to Ms. Garland, the secret drugs which eventually destroyed Judy's health were originally supplied by her mother = Chandra takes a strong 7th drishti of Zukra ruler of 6th-from-Chandra.

Eventually, Judy gained legal adulthood and Chandra in Mula-Vichruta fulfilled its destiny of emotional annihilation..

Ms. Garland had a volatile relationship with her mother. It is said by observers that Judy Garland idolized and identified with her entertainer father (Surya-9) but held her mother responsible for her father's distress and premature death (Chandra-4 matrikaraka in the father-destroying 8th-from-Surya).

When Judy turned 21, her desire to throw off the yoke of maternal control became materially viable. Following a major fight about her mother's mismanagement of her contract (Ketu-7 in 4th-from-Chandra = contract), her relationship with the mother was completely severed during Zukra-Ketu chidra-dasha

Mom received no further financial support from her famously over-controlled daughter, who asserted that mom had been pilfering her earnings (Chandra rules 11) since childhood. No reconciliation occurred during the "no-contact" years 1943-1953. The alienated mother died in 1953 (mom's age 59).

Post-split from her Mother, Garland bore two additional children bring her family to a total of three kids. Yet no communication was allowed between Garland's mom-manager and the grandchildren. Additional pressure heaped upon Judy due to inability to call upon the living grandmother as a trustworthy caretaker for the grandchildren.

It is speculated that the momager may have displayed the symptoms of Borderline Personality Disorder

BPD produces a mother-figure who for psychological reasons may systematically and gradually causes significant harm to her own children, including the potential to drug them or steal their money. One method for helping families to deal with these personalities is the classic "no contact" policy. This zero-contact stratagem may have been intuitively or professionally recommended; the outcome was absolute severance Chandra in Mula-Vichruta emotional annihilation.


During the downward spiral that began during the nervous breakdown following the birth of her first child , without ability to be supported in early motherhood by her own mother, Ms. Garland was several times accused of irresponsible parenting due to negligence and drug use. Several times she nearly lost legal possession of her children, and effectively she was often separated from the kids by work duties and periods of personal disconnectedness.


Garland endured financial fluctuations on a dramatic scale. She occasionally earned millions in performance contracts, but paid fines for late taxes and penalties for cancelled show-dates. She died (age 47) at the beginning of an unwanted come-back singing tour that she was undertaking solely because she needed income.

MARRIAGE emotional support partnership

With a deceased father and a rejected mother, Ms. Garland -- whose childhood had been overwhelmed with adult work in cinematic drama --- married five times in pursuit of a secure family life.


Mithunaya contains Zukra-Budha = first husband was a songwriter-musician, and a friend. Although Zukra rules the emotionally conflicted 6th-from-Chandra Zukra is also located in the harmony-seeking 7th-from-Chandra. Their separation was amicable.

Kuja * bhratru-karaka * virya-karaka

Kuja rules the fashionable, physically active Chitra - Tvastri radical lagna

  • Mangala-Vrizchika * Swakshetra * vigorous pursuit of hidden assets * proactive exploration * energetic initiation * exposure of shocking secrets * plunges the tantric depths * push toward discovery * champion of emergency action
  • Mangala in bhava-3 * drive toward commerce * push toward scripted communication * active touring * vigorous pronouncements * invasive management * energized process * hyperactive mentality * athletic sibling-figures * promotional sales * photographs of the muscular physique * dynamic marketing * champion of teamwork * pursuit of business

Kuja = nearly always a challenging graha for the Kanya nativity

Kuja rules 8 ++ Kuja rules 8th-from-8 = 3

Mangala in bhava-3 tends to fight with the ensemble cohort, including her sisters

Yet receives incoming drishti from disciplining, constraining Shani-1

Shani drishti provides a disciplining influence which allowed Garland's career to proceed with regular structure.

Budha * jamayah-karaka (sibling) * sandeza-karaka (message) * zisya-karaka (student)

lagnesha for Kanya radical lagna

* Bhadra Yoga

  • Budha-Mithunaya * swakshetra * business communications * articulation of specific instructions * informative pronouncements * messages about commerce * hands-on management * signaling explanatory information * detailed diagrams * talks about publication * interpretative interactions * commercial translation * hands-arms-shoulders send descriptive gestures
  • Budha in bhava-10 * communications publicity * narrative of leadership * makes official pronouncements * describes social responsibilities * conversations about policy decisions * talks about maintaining order * explainer of governance * detailed executive announcements * delivers lawful information * chats about social authority * scripted hierarchies * dignified sibling-cohort * reputation for writing
  • Budha-yuti-Zukra * explainer of balanced arrangements * diplomatic conversations * parity-seeking discussions * manual adjustments * enjoys words * sweet descriptions * delivers instruction about relationships * articulator of equity in agreements * message of fairly bargained contracts * skilled in songwriting * talkative sister-cousin-cohort * detailed lyricist * attracts chatty partners

Budha rules career 10th-navamsha = Mithunaya containing vargottamsha Zukra

Budha rules the 10th-from-Chandra = Kanya-1

Budha rules Kanya swamsha

Budha-10 rules 1 + 10

  • identity Budha in bhava-10 receives the disciplining and restrictive 10th drishti of Shani-1 Kanya creates a heavy workload and social criticism (Kanya)

Guru * dhava-karaka (husband) * bahuta-karaka (variety)

  • Guru-Kanya * much ministry of service * many servants * numerous employees * indoctrination of laborers * much logical argumentation * conflicted guidance * permission to help * generously assists many victims * optimistic about medication * believes in aid * doctrine of benevolent humility
  • Guru in bhava-1 * dig-bala * much vitality * philosophical personality * permission for unrestricted action * generous disposition * numerous identities * expands the scope of competition * many cheerful sporting activities * believes in birthright * expansive aura * extra height-or-girth * embodiment of tolerant cheer * a patron of personal benefit * in a wifely nativity, husband-figure may be an expander-philanthropist-benefactor
  • Guru-yuti-Shani atta-karaka * multiple elder-figures * permission to hold respected positions * abundant structure * numerous law-makers * expansive hierarchies * tolerance for diverse systems * optimistic philosophy of social regulation * large-scale responsibilities
  • Guru-yuti-Rahu mizra-karaka * multiple mix-culture opportunities * permission to bend barriers * many impostors * abundant expedience * wide scope of ambition * craving for expansion * seeks promotional advantage via globalist philosophy * optimistic toward obtainment of privilege

Guru * dhavakaraka in Bhava-1

  • Guru rules 4 = childhood home, homelife, educational foundations, security
  • Guru rules 7 = marriages

Guru-yuti-Rahu casts enormously amplifying drishti into 5-7-9

As her children (Guru) showed talent, she made them into performers, just as she had done for her family from a very young age.

Rahu-yuti-Guru * Shani-yuti-Rahu occupies career 10th-from-Chandra-4. She and her first child (Guru) daughter Liza Minnelli , performed together at popular concerts.

Blessings from the Marginalized

Guru-Kanya in the emotionally dignified , social-ordering, leadership-seeking; 10th-from-Chandra suggests Garland's lifelong ability to symbolize and appeal to socially marginalized, stigmatized fans in the male gay community. They formed her most loyal fan base. Their purchases of her recordings and tickets to her performances during her failing health years is often accounted as the main reason she was able to keep afloat.

Zukra * svadu-karaka (sweet) * kalatra-karaka (wife) Atmakaraka

  • Zukra-Mithunaya * appreciation of detail * beautiful accessories * attracted to writers * likes businesspeople * balanced gestures * diplomatic communications * prefers a communicative partner * aesthetic of handiwork * pleasures of specific explanations * enjoys correspondence * satisfied by conversation * articulated messaging arrangements
  • Zukra-10 * seeks pleasure via regulated order * enjoys regulatory authority * socially prominent contractual agreements * reputation for gracious balancing * institutional finance * respects feminine-figures * harmonious governance * aesthetic of beautiful structures * appreciation of order * in a husbandly nativity, wife-figure may hold an elite social position
  • Zukra-yuti-Budha * sweetened messages * gracious explanations * talented in singing-songwriting * articulate negotiations * advocates for reasoning process * talkative feminine-figures * pleasant conversations * bargaining for business * sibling-cohort communicative harmony * enjoys the company of students * detailed contracts * prefers logical arrangements

Celebrated theatrical singer, Hollywood child-actor dramatist Her most celebrated cinematic performance occurred when she was a child-actress (Budha) Wizard of Oz Ms. Garland was reputed (10) for her musical performances

Zukra-Mithunaya occupies 10th-Navamsha = communications media, photographs, cinema

Suave Zukra rules 2+9 = her singing sisters

Suave Zukra rules Vrishabha-Surya in 6th-from-Chandra = Addictive, self-medicating, sweets-seeking

Zukra-Mithunaya rainbow colors. The single most well-remembered song of career of Wizard of Oz 1922-1969 entertainer Judy Garland = "Somewhere Over the Rainbow".

Marketplace Earnings Financial Patterns * Zukra rules 6th-and-11th from Chandra

  • Ms. Garland was a mega-celebrity in the entertainment world and capable of luxurious earnings but she also suffered from massive tax-debt
  • She had both substantial earnings (11th) supporting large debts (6th). Zukra in 6th-from-Chandra produced substantial self-indulgence of luxurious taste exacerbated by the mercurially instant gratification patterns of Zukra-yuti-Budha.

Zukra-10 ruling the economic earning s= emotionally associative, community-linking, economically fruitful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra

Creates a volatile economic cycle featuring the extremes of both dynamic earnings via debt, disagreements, and addictive behaviors (6) divorces, and despair along with bhukti periods of exceptionally high earnings from artistic performance (Zukra) and favorable contracts (Zukra). Ms. Garland famously experienced both luxurious wealth from dramatic performance profits, as well as tragic losses of anticipated income and losses due to health issues (6).

beauty, song, face * Zukra drishti to Chandra in Mula-Vichruta-= that charming round child's face, still perfectly recognizable many decades later.

Shani * duro-karaka (endurance) * jara-karaka (years)

  • Shani-Kanya * heavy old accusations * obliged to sustain litigious disagreements * rigidly persistent disease conditions * structural compression upon colon + digestive tract * must normalize exploitation * weighty subordinate tasks * hierarchical conditions of enforced servitude * must work within master-slave systems * must respect antiquated physicians * slow-acting remedies * intractable servants * stubborn employees * insufficient pharmacy * must work with dried medications * must continue to minister to the suffering * scarce service resources
  • Shani in Bhava-1 * steady time-structured personality * mature conduct * must produce under pressure * strictly orderly movement * regimented appearance * social pushback against dynamic change * tense competition * muscular fatigue * required activity drills * chronically impeded self-expression * bodily seizures * identified with heavy responsibility * resistance to independence * often looks older * lives to work * elders preserve class-conscious identity
  • Shani-yuti-Guru * social resistance to generous expansions * slow elder teachers * pragmatic philosophy * limited scope of understanding * doctrinal discipline * constrained growth * conventionally regulated beliefs * optimism limited by resistant old structures * faith in the rule of law * class-hierarchical ideology
  • Shani-yuti-Rahu * stiff resistance to unbridled ambition * formally regulated cultural mixing * disciplined thrills * class-based limitations upon privilege * repressed quest for intriguing importance * socially constrained opportunism * shimmering illusion of systematic conformity * irregular achievements * over-reaching elders * restricted risks

Stoic Shani rules

  • 5 = creative or literary arts, fashion, celebrity, drama, gaming, politics.
  • 6 = addiction, divorce, conflict, ailment, broken promises, betrayal, dissatisfaction

Shani + Guru + Rahu = occupies career the emotionally dignified , social-ordering, leadership-seeking; 10th-from-Chandra Onerous burdens of very high public visibility become amplified by Rahu and expanded by Guru. Work schedule begins in early childhood. Public behavioral strictures must be socially approved (Shani).

Shani rogesha amplified by Rahu

She was often accused of stretching the truth or outright fabricating stories. A brilliant singer.

Work ethic

Shani in Bhava-1 - Kanya = identified with a heavy workload and social criticism (Kanya)

Marriages, husband-figures

Shani-yuti-Guru dhava-karaka + Guru-yuti-Rahu suggests that she had a multitude of husband-figures Her father and also her five husbands were generally homo-social men whose sexual-sensual-partnerships were diverse and complex with socially irregular (Rahu) behaviors yet socially regular (Shani) external professional status.

Rahu amplifies the yuvatipathi Guru * Rahu amplifying rogesha-Shani contributes to five marriages before age 46

Rahu-amplified Shani-Kanya-1 sends Shani's 10th drishti into bhava-10 visibility, high position containing Zukra-+Budha business financial contracts. . Shani's professional 10th drishti creates restrictions upon the public behavior (10th)

Shani in Bhava-1 + Shani-yuti-Guru + Shani-yuti-Rahu = 10th-from-Chandra

Despite her mature career in cabaret singing and thousands of adults-only nightclub performances, Judy Garland was forever characterized by her familiar 10th-from-Chandra image . The popular audience saw her forever as homespun character Dorothy Gale, the Midwest farm girl.

Rahu * rajyalobha-karaka (ambition) * picchala-karaka (slippery)

  • Rahu-Parthya * shimmering illusion of humility * craving for crime * mask of exploitive assistance * ambitious physicians * intriguing addictions * mirage of medication * fascinating injuries * over-reaching accusations * amazing illnesses * extraordinary arguments * may be obsessed with servants-and-servitude * seeks special importance via apparent (but perhaps not authentic) conflict management * shrewd dealings in sickness * ingenious divorce * extravagant litigation * seeks privilege via victim-roles
  • Rahu in bhava-1 * passion for fleshly vitality * in swabhava of Competitive Kuja, the Shadowy Specter seeks privilege via glamorous physical visage * extraordinary athletic action * outsider who cleverly insinuates into a noble identity * smoky, oily aura * desires competitive advantage * exceptionally recognizable appearance * exhilarating force of nature * thrilling champion of non-standard lifestyles * social mobility via dynamic movement * powerful personality * innovative behavior challenges existing norms * culturally mixed self-image * embodies exciting new energies * self-promotion via blood-and-birth * double agent * over-reaching ambition for empowered individuality * craves special importance * trespasses cultural limitations of race-class-creed-gender * fascinating figure * may represent a cult of personality
  • Rahu-yuti-Guru * amplified generosity * magnified diversity * exotic beliefs * tricky teachings * opportunistic guides * unconventional children * fascinating (but perhaps illusory) appearance of inspired philosophy * hypnotic preaching * expansive worldview * inclusive cross-cultural mixing * optimistic about risk
  • Rahu-yuti-Shani * amplified public formality * pragmatic exaggeration * exotic social conventions * slippery hierarchies * tricky rules * opportunistic elders * fascinating (but perhaps illusory) appearance of strictly lawful structures * regulated risk-taking * hypnotic ascent to privileged rank * normalized cross-cultural mixing

Rahu + Shani + Guru in bhava-1 personality, physical body = occupies the emotionally motivated career-directing 10th-from-Chandra. Tremendously well-known American audience-recognizable appearance for many decades.

Ketu * * kavandha-karaka (headless) * chidra-karaka (gaping) * vasana-karaka (vacuum)

  • Ketu-Meena * sleepily dissociates from isolated ashrama * incomplete gestalt * unlimited visionary insight * wandering spirit guides * unsustainable sanctuary * dissolution of private prayer * foggy boundaries of distant worlds * permeable understanding of cetacean cultures * ignores restrictions on clairsentience * disarrayed dreams * releases a golden oceanic cloud of wisdom into the misty abyss
  • Ketu in classroom-7 * ambivalent toward agreements * absentee advocates * disregards contractual loyalties * disinterested in mutuality * wanders from the middle-balance * irrelevance of equity * surrenders alliances * abandons the usual covenants * ignores advice * incoherent promises * liberation via surrendered negotiations * unless other graha in 7, may prefer to live free from partners

Ketu in classroom-7 receiving drishti of ruler-Guru + Shani + Rahu == produces a remarkable cycle of "try again" marriages

Ketu located in the defensive, culturally-rooted, seasonal-calendar, routinized, patriotic, ethno-nationalistic, comfort-seeking, home-loving, foundational, property-owning 4th-from-Chandra exacerbates a feeling of rootlessness and unbelonging and adds to a disconnection from the childhood, from the mother, and from the cultural foundations

4th-from-4th = severed connection to Mother

By Ms. Garland's telling, young Judy was tightly controlled by her stage-manager mother. In Zukra-Ketu bhukti, after a big fight when Judy turned 21, mom was cut-off forevermore via an irrevocable no-contact (Ketu) decision. Despite having three of her own children, young Ms. Garland never spoke to her mother again, and the children grew up sans relationship to their maternal grandmother.


From The Wizard of Oz, 1936 -- characters Dorothy Gale and the Wicked Witch of the West


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