Drama-Song

COHORT

born 1 year after

• UK-Duke-Edinburgh 1921-2021 Philip Mountbatten

born 10 months after

• POTUS-pair-40 Just Say No 1921-2016 Nancy Davis Reagan

born 2 months after

• entertainer Doris Day a.k.a. Mary Ann Kappelhoff

Theatrical singer

Television host

Hollywood cinema child-celebrity

famed child role in The Wizard of Oz

Judy Garland

a.k.a. Frances Ethel Gumm

Earth-birth Saturday-10-Jun-1922

dematerialization 22-Jun-1969 [age 47]

cinema dramatist + singer

1922-1969

Judy Garland

born as Frances Ethel Gumm

birth data from https://en.wikipedia.org/wiki/Judy_Garland

tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = produced by Shri Jyoti Star - www.vedicsoftware.com

- adapted by BP Lama

Rising Nakshatra

Feminine Public-Figure Examples

Chitra - Tvastri

Citthirai - Visvakarma - Azinech - Alaraph - Arista - Dana

BPL COMMENTARY

For Chitra - Tvastri births of a feminine valence, the condition of kinesthetic, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome.

For those born into the Mangala-ruled paradigm of Visvakarma, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, builders, drivers, drillers, diggers, exploders, aggressors, pursuers, competitions and battles may be especially influential.

Guided by instructors from civilizations of Spica. their purpose is architectural engineering and crafting of beautiful, functional, and artistic alliances, arrangements, and designs.

Designs + Arrangements

[Competitive Champion Kuja]-ruled Vismakarma ladies are blessed with direct, muscular physical and sexual energy. They are often found in environments where beautiful designs plus physical agility are valued. Chitrani drawing skills often place them into garment-making and decoration. They typically excel in competitive , vitality -focused fields such as fashion modeling , cinematic acting, musical performance, choreography and dance, and athletics which emphasize balanced movement.

Kanya pada 1-2 expresses Kuja's rulership of 3-writing-commerce + 8-secret transformations, while also displaying the frustrating tension of chatty Budha versus active Kuja. Budha's Writing skills may emerge in pada 1-2. Kanya-Chaitra are often found in media communications and commercial aspects of design work, where their pro-active process management is distinctive. Trust and relationship integrity may be growth-challenging.

[Tula - Vanika] Pada 3-4 emphasizes Kuja's rulership of 2-collections, treasuries + 7-contracts, alliances. Shukra's bargaining behavior and financial skills rise in pada 3-4 due to the pleasant attractions of Shukra-Mangala.

Ladies often enjoy considerable wealth via face, voice, marriage, and family lineage. In music, arts, and partnership-craft, they pursue harmonious arrangements. They often play stringed instruments, and write beautiful songs. In the arts, entertainment, beauty, and design industries, their contractual deals may be luxuriously beneficial.

Themes of competitive movement , agile beauty, dynamic design, and financial equity may contextualize Chaitra's terrestrial experience. Incoming drishti from Kuja can mobilize their progressive, pioneering actions. Also applies to Chandra in Chitra - Spica.

QUOTATION Tvastri

from Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra . p 96 .

" An expensive and luxurious person.

• One who is fond of clothes and beautiful surroundings and revels in them.

• She spends much money on jewels, perfumes, cosmetics

• and her taste in these matters is expensive .

She likes to change costumes several times a day

• and always look like an animated fashion plate .

Variety is the spice of life to this woman

• and she will be inconstant and fickle in love affairs,

• having many during her life and marrying often.

Many actresses, musicians, artists and opera singers have Chitra rising.

[end quote]

Judy Garland in 1941 [age 19]

Judy Garland [a.k.a. Ethel Gumm] publicity photo 1935, her age 13

Judy Garland a.k.a. Frances Ethel Gumm with her problematic mother-manager, Ethel Milne Gumm. Matrikaraka Chandra-5 rules withdrawn, imprisoning bhava-12

From The Wizard of Oz, 1936

characters Dorothy Gale and the Wicked Witch of the West

Biographical data matched to Vimshottari Dasha timeline

• Wizard of Oz 1922-1969 entertainer Judy Garland

[Ketu Mahadasha] = [age birth until age 5]

• [Ketu-Meena] = [Ketu in classroom-7]

Sat-10-Jun-1922 = Earth-birth in Grand Rapids, Minnesota, USA * Ketu-Shani bhukti

[Shukra Mahadasha] = [age 5 until age 25]

• [Shukra-Mithuna] = [Shukra-10] + [Puna-Shukra-yuti-Budha-Arudra]

Dec-1928 until Apr-1931 Janma Sade-Sati Dhanus

• [4, basic cultural rhythms, childhood, routines]
• [age 7-10]

• [Chandra in Mūla]

1935 [JG age 13] first cinema contract with industrial film producers * Shukra-Guru bhukti * Guru rules 7-contracts

17-Nov-1935 [JG age 13] grieved the sudden death of her father , a burlesque-theatre operator* Shukra-Guru bhukti * Guru-yuti-Rahu

1939 [JG age 17] JG's legendary dramatic performance in Wizard of Oz wins Academy Award [Oscar] * Shukra-Budha bhukti * Budha-10 lagnesha-karmesha

28-Jul-1941 [JG age 19] [drage 31] consecration of wedding-1-of-5 with television music composer, orchestra leader, award-winning songwriter David Rose [Rosenberg]

separated after 8 months, legal union 1941 - 1944] * Shukra-Budha bhukti * Budha rules Kanya svamsha ++ gochara R-K Kanya-Meena contact R-K axis

1943 [JG age 21] Pregnancy from JG's romantic affair with the heart-throb actor, Tyrone Power. The studio bosses, and her mother, demand an abortion * Shukra-Ketu chidra-dasha

1943 [JG age 21] Following therapeutic abortion, JG announced estrangement from her manager-mother. Thenceforward, mom is banned from the MGM cinema properties * Shukra-Ketu chidra-dasha * Ketu banishment

[Surya Mahadasha] = [age 21.1 until age 27.1]

• [Surya-Urisha] = [Surya in bhava-9]

April-1944 [JG age 22] Joins the Committee for the First Amendment which promoted the cause of civil liberties for entertainers being blacklisted for their political beliefs. Using her prestige to publicly support American racial equality, JG formally escorts a Black military General to a ceremony in his honor. * Surya-Chandra bhukti * Chandra rules 11-community activism

15-Jun-1945 [JG age 23] consecration of wedding-2-of-5 = set designer and cinematic producer, Vincente Minnelli [union = 1945 - 1951] Their child, Liza Minnelli, became a celebrated cabaret entertainer. * Surya-Rahu bhukti ++ gochara R-K Karkata-Makara contact navamsha Chandra-Karkata

https://en.wikipedia.org/wiki/Vincente_Minnelli

12-Mar-1946 [JG age 24] celebrated the birth of child-1, singer-dramatist Liza Minnelli * Surya-Guru bhukti

16-Jul-1947 [JG age 25] Amid Vincente Minnelli's dalliances with other men, along with her own growing alcoholism and self-medication, JG suffered a nervous breakdown including first suicide attempt. Sent for residential treatment, but left. * Surya-Budha bhukti * [Puna-Shukra-yuti-Budha-Arudra] Shukra rules 6th-from-Chandra

10-May-1949 [JG age 26] fired for no-show on the current theatrical set, but retains the cinema-studio contract * Surya-Shukra bhukti * Shukra rules 6th-from-Chandra

30-May-1949 [JG age 26] begins 11-week hospital stay, for exhaustion * Surya-Shukra bhukti * Shukra rules 6th-from-Chandra

[Chandra Mahadasha] = [age 27.1 until age 37.1]

• [Chandra-Dhanus] = [Chandra in Mūla - Vichruta] = [Chandra in classroom-4]

19-Jun-1950 [JG age 27] next suicide attempt, published in newspapers nationwide. * Chandra-Mangala bhukti * Mangala rules 8-trauma, catastrophe

29-Sep-1950 [JG age 27] following 15 years continuous contract renewal, and 30 films with MGM studios, JG is fired from MGM studios entirely, due to behavioral issues * Chandra-Mangala bhukti * Mangala rules 8-shock, catastrophic identity-change

1951 [JG age 29] after much financial-personal volatility and distress, rebounded into successful performance events in UK-Ireland * Chandra-Rahu bhukti

1951 [JG age 29] divorce-2, formally ending legal union with Vincente Minnelli * Chandra-Rahu bhukti

08-Jun-1952 [JG age 30] consecration of marriage-3-of-5 with entertainment impresario/conman, Sid Luft [until 1965] Two children. * Chandra-Rahu bhukti ++ gochara R-K Karkata-Makara contact navamsha Chandra-Karkata

Nov-1952 [JG age 30] four months after the wedding, celebrates birth of daughter-2, Lorna Luft * Chandra-Guru bhukti ++ gochara R-K Karkata-Makara contact navamsha Chandra-Karkata

05-Jan-1953 [JG age 31] [mom age 59 ] grieved the bio-decease of estranged Mother , via heart-attack * Chandra-Guru bhukti [Hasta-Rahu-yuti-Guru-Hasta]

Feb-1958 until Feb-1961 Janma Sade-Sati Dhanus

• [4, basic cultural rhythms, childhood, routines]
• [age 37-40]

• [Chandra in Mūla]

[Mangala Mahadasha] = [age 37.1 until age 44.1]

• [Mangala-Vṛścika] = [Mangala in bhava-3]

Nov-1959 [JG age 37] hospitalized for emergency treatment of life-threatening hepatitis. * Mangala-Mangala svabhukti * Mangala randresha emergency

May-1962 [JG age 40] wins five Grammy awards, honoring her enduringly creative excellence in the music industry * Mangala-Shani bhukti * Shani-1 rules 5-ceremony, prizes, celebrity

1963 [JG age 41] receives a lucrative contract for nationwide television variety-show -- which was expected to clear her financial debt. * Mangala-Budha bhukti * Budha lagnesha-karmesha

1964 [JG age 42] Show cancelled after only 26 episodes [one season]. Saddled with embezzling managers, JG suffers declining health and financial distress * Mangala-Ketu bhukti * Ketu cancellation

27-May-1964 [JG age 42] grieved the bio-decease of her eldest sibling, sister Suzy, via suicide * Mangala-Ketu bhukti * Ketu disconnection

14-May-1965 [JG age 43] divorce-4, formally ending the legal union with Sid Luft * Mangala-Ketu bhukti * Ketu divorce

14-Nov-1965 [JG age 43] Wedding-4-of-5 with contract-broker, middleman/con-man, Mark Herron [until 1967] Due to partner ongoing relationship with another man, marriage not consummated * Mangala-Surya bhukti ++ gochara R-K Urisha-Vrischika contact Surya-Urisha

[father]

[Rahu Mahadasha] = [age 44 until decease age 47]

• [Rahu-Parthya] = [Rahu in bhava-1] + [Hasta-Rahu-yuti-Guru-Hasta] + [Hasta-Rahu-yuti-Shani-Aryaman]

Jun-1968 [JG age 46] extended hospitalization to support addiction-withdrawal recovery * Rahu-Rahu svabhukti ++ gochara R-K Meena-Kanya contact R-K axis

15-Mar-1969 [JG age 47] wedding-5-of-5 with music-club manager and reputed drug-dealer, Mickey Devinko [Deans]. The union endured for three months, ending with JG's drug-overdose death, Jun-1969 * Rahu-Rahu svabhukti ++ gochara R-K Meena-Kanya contact R-K axis

22-Jun-1969 [JG age 47] blessed liberation from the Earthen-body, via fatal barbiturate overdose * Rahu-Rahu svabhukti ++ gochara R-K Meena-Kanya contact R-K axis + contact Kanya indriya-lagna + contact Kanya svamsha

Distinctive features of the Nativity

• Wizard of Oz 1922-1969 entertainer Judy Garland

[Sparkling Splendid Surya]

pitri-karaka [father] -- jyoti-karaka [light]

[retreating-contemplative vyaya-pati for Kanya indriya-lagna]

[karako bhavo nashto for father, patrons, chieftains, indoctrinators]

check Shukra + Shukra-drishti to source Surya's sensual radiance, sweet charisma, financial entitlements

[righteously radiates privately held heritage beliefs]

[enriched patrons develop the imaginative conceptual intelligence]

[may luxuriously dramatize the dreamlike inner understanding]

[musical-artistic certainty may be drained by shrouded romance]

[uniquely sensuous patriarchal guides emit clandestine rays]

[financial politics of unseen entitlements or foreign banking]

[may travel to distant lands for speaking-singing performance]

[has faith in the value of traditional symbolic sound-color tones]

[confidently displays the father's subtle knowledge of language meanings]

[father-figure may be acquisitive politician, pleasure-seeking entertainer, vocalizing doctrinal guide, storytelling preacher, professor of historical theory]

...

[dramatizing-demonstrating Mriga-1] = [navamsha Surya-Simha] intuitively displaying sparkling center-stage entertaining confidence

• [Surya-Urisha] [Ravaye - the noisy one, the roaring one. Ravi = firebird; Rava = howl, yell, or squawk] * brightly charismatic confidence of Center-stage Surya radiates through the acquisitive sensual rashi of Shukra

• [Surya in bhava-9] icon of inspirational teachings * intelligent patronage * geo-politics * bright preaching * focus on beliefs * philosophical entitlements * self-righteous dad * Sanctimonious pontificator * eye on humanistic worldview * confident ideologue * sparkling star of principled global indoctrination * father may be a politician, entertainer, philosopher, preacher, professor of theory

OUTCOMES - MAGNIFICENT MARTANDA

self-reflexively sermonizing, brightly philosophical, charmingly self-righteous, regal style of pontificating, doctrinally focused, radiantly patriarchal, politically ideological, splendidly patronizing, center-stage religious guide [Surya in bhava-9] rules

• 12 enclosures, the bed, fantasies, privacy, interior spiritual guidance, clandestine undertakings, intuitive awareness, non-linear conceptual undertanding, concealment, seclusion, invisibility, dissolved identity, meditation, contemplation, dreamworlds, astral plane, imaginary scenarios, sanctuary sleep, distant lands, health of the avowed partner

CAREER - SPARKLING SURYA

Surya rules Uttara-phalguni Svamsha

• Theatrical singer, Hollywood child-actor dramatist
• Her most celebrated cinematic performance included the legendary songs from Wizard of Oz - a performance pinnacle reached at her age 16.

[Surya in bhava-9] drishti incoming

• receives physically energizing drishti of Mangala
• + expansion-amplification via drishti from [Guru-yuti-Rahu]

Surya karaka for theatre, celebrity

FATHER

pitrikaraka

[Surya in bhava-9] occupies [6th-from-Chandra] .

Surya-Simha occupies the mysterious, impenetrably secretive 8th-Navamsha

• Dad = a vaudeville entertainer who owned a local theatre [Surya in bhava-9]
• The entertainments included live-performance music and dance [Urisha] mixed with early cinema.

Tension between the parents

JG attested that she adored her father

• Garland's father was a gay man and the father of the three Singing Gumm Sisters.

However, the 6/8 angle between Surya-vs-Chandra = a hostile, incompatible electro-magnetic emotional alliance between mother [Mūla- Chandra-4] and father [Mriga-Surya-9] .

The parents often disagreed about money [Urisha]. They also argued about his entitlement to conduct a self-determined sexual lifestyle [Surya].

[Comfortable Caretaking Chandra]

matrikaraka [mother] -- garha-karaka [village]

= [svabhava] = [dikbala]

[friendly-gainful vriddhi-pati for Kanya indriya-lagna]

check Guru + Guru-drishti to source Chandra's optimistic feelings, humanistic rhythms, global sensibilities

[comforted by stable habitual preaching-and-teaching]

[culturally sensitive to familiar rhythms of devotional understanding]

[needs to sense the ancient pulse of inspirational flow]

[protector of the ancestral sacred community pathways]

[emotionally aligned to public guidance routines]

[environmentalist feelings attuned to fiery uplifting deva]

[dogmatic mother may be a believing schoolteacher, optimistic householder, local wisewoman ]

...

[defensive-rhythmic Mūla-4] = [navamsha Karkata Chandra] intuitively sensitive pulsing, rhythmic, ritualized folkways-defense

• [Chandra-Dhanus] comforted by customary beliefs * settled into rhythmic received teachings * needs to feel wisely guided

• [Chandra in Mūla - Vichruta] protectors of the eternal root vortex * soothed by pure emptiness * feels like a galactic pilgrim

• [Chandra in classroom-4] comfortable with familiar routines * calmed by caretaking * seeks continuous oscillating motion * sensitive to ethnic folkways * contented by ancestral rituals * soothed by customary habits * tranquilized by rhythmic waves * needs pulsation * nurtured by gardening * primal need for transport via landcraft, watercraft, aircraft * impulse toward policing, fencing, boundary-defense * follows local pathways * feels rooted into the land * settled into home-keeping * undulating patriotism * mother may be a farmer, fisher, builder, schoolteacher, border-defender

OUTCOMES - ANCESTRAL SOMA

sensitively parental, protecting the ancient ways, routinely stabilizing, sustaining the household, rhythmically seasonal, needs a garden,predictable habits, culturally situated, customary guardian, emotionally caretaking, needs to defend the security of the vulnerable [Chandra in classroom-4] rules

• 11-fruitful revenues, interconnected income, profits, material achievement, social networking, friendships, community linkage, fan-clubs, mass participation gatherings, collectivism, marketplace gridworks, distribution, association, populism, economic systems, fundraising, gains-and-goals, awards for work accomplished, health of the enemies

CAREER - CARETAKING CHANDRA

• [folk reputation 10th-from-Chandra = habitual public duties are conducted in a personalized, embodied style of Kanya-1 complaining, exploited, ministering, helper]
• Bhava-1 = 10th-from-Chandra = contains [Hasta-Rahu-yuti-Guru-Hasta] + [Hasta-Rahu-yuti-Shani-Aryaman]

CHILDHOOD

[Chandra in classroom-4] receives relationship-defining 7th drishti of entertaining, singing, dramatic Shukra + Budha.

Chandra-Mūla

[4] rules 11, so that childhood [4] and the basic rhythmic narratives of cultural routine [4] become sources of earnings for the parents [4]

Mom was involved in every detail of her underage daughter JG's relationship to the hiring studios. Chandra-Vichruta rules bhava-11 revenues, income. Mom was focused on profits.

MOTHER = momager

Mom had worked as a vaudevillian performer before her daughters were born.

Mom was said to have been a strict and controlling stage-mother [Mula] Guru-1 bandhesha occupies the Kanya-indriya-lagna with Rahu-and-Shani.

This challenging cluster combines the rulers of 4 + 5 + 6 + 7 with over-reaching Rahu

The result was the Mom-ager's exceptionally [Rahu] intense, difficult, cloyingly close, punitively regulating, and over-reaching relationship to her super-talented cash-cow daughter, JG.

Chandra-Mūla-4 enjoys all the benefits of a dik-bala Soma such as a present, supportive, sheltering, meal-provisioning mom. Some children suffer from being ignored, from parental negligence. However, this relationship had the opposite dysfunction = total control, mental manipulation, micro-management of the meals, and dehumanizing [Shani rogesha] belittlement of JG's physical appearance.

The emotional character of this mother was - according to JG - so a-moral and devious [Mula] that JG had to break their toxic-yet-protective bond in order to gain her human freedom.

Secrecy - financial and medical - 8th-from-Chandra

Chandra-Mūla-4 activates Karkata-11 = the emotionally self-transforming, often shocking, change-inducing, revolutionary, emotionally turbulent, perpetually transformative, trauma-inducing 8th-from-Chandra = secrets, non-disclosure, sudden unexpected changes, evolving identities, transformative healing, camouflage, emergencies

• According to JG, the secret drugs which eventually destroyed Judy's health were originally supplied by her mother
• Chandra intakes 7th drishti of Shukra = drugs

Eventually, Judy gained legal adulthood and Chandra- Vichruta fulfilled its destiny of emotional annihilation.

• JG had a relentlessly volatile relationship with her mother.

Biographers comment that Judy Garland idolized and identified with her entertainer father [Surya-9 rules 12, imagination]

• Although her father's lifestyle was likely the major factor in his decease, JG held her mother responsible for her father's distress and premature death

When Judy turned 21, her desire to throw off the dehumanizing structure of maternal control [Mūla] became legally viable.

• Following a major fight about her mother's mismanagement of her contract [Guru-1 bandhesha also rules 7-contracts, mismanagement due to over-reaching Rahu-Kanya-1] ,
• JG relationship with the mom-ager was utterly severed during Shukra-Ketu chidra-dasha == intensified by Ketu-the-guillotine rules Chandra in Mūla

Mom had been long accustomed to a confortable personal budget, even through the Depression, funded by JG's work. But following the end of the Ketu chidra-dasha at JG's age 22, Mom was cut-off [Ketu] from all further contact and all further monies.

• JG asserted that mom had been pilfering her earnings since childhood.

Post-split from her Mother, JG had three kids. Mom had no contact with the grandchildren. No reconciliation whatsoever occurred during the no-contact years 1943-1953. The alienated mother died of heart-failure in 1953 [mom's age 59] .

Like JG, her mom displayed symptoms of Borderline Personality Disorder

https://en.wikipedia.org/wiki/Borderline_personality_disorder

• BPD patterns may include a mother-figure who for psychological reasons may gradually but pervasively cause significant harm to her own children, including the potential to accuse one's children of crimes, to drug them, or to steal their money. One method for families who are dealing with these disordered personalities is to sever all contact with the BPD sufferer.

JG PARENTING CHALLENGES

Mūla-Chandra-4 rules 8th-from-Chandra

The same planetary pressures which afflict JG's relationship to her mother, also afflict her troubles as the parent of her three children.

In 1946 during Surya-Rahu bhukti - following the birth of her first child, JG began a downward spiral into a pattern of drug misuse and nervous breakdown

Despite her sparkling cinema stardom, JG was accused of parental negligence. She nearly lost legal custody of her children on several occasions, and was prevented from undue contact with two of the three.

MARRIAGES partnership emotional equity support expectations

Husband-figures

five marriages before age 46

Rahu amplifies the yuvati-pati Guru

++ Rahu exaggerates rogesha-Shani

Following a childhood that had been overwhelmed by the rigors of 12-hour adult workdays in the studio system, abandonment via death by her father, and fierce rejection of her manipulative-punitive mother, JG married five times in pursuit of stability.

Shani-yuti-Guru dhava-karaka + [Hasta-Guru-yuti-Rahu-Hasta] suggests that JG had a multitude of husbandly-companions, all of whom were complex and contradictory individuals.

Her father and also her five husbands were generally homo-social men - i.e., men who aesthetically and physically prefer the company of other men

https://en.wikipedia.org/wiki/Homosociality

The sexual-sensual-partnerships of the men in her life were diverse, volatile, and socially irregular [Rahu] Yet social regulator Shani signals their laboring, argumentative, externally normalized professional status.

[7th-from-Chandra-4] = lifepartnership-1-of-5

songwriter David Rose

https://en.wikipedia.org/wiki/David_Rose_%28songwriter%29

[JG age 19]

DS age 31] wedding-1-of-5 with Emmy-winning radio-and-television music composer, orchestra leader, award-winning songwriter David Rose [Rosenberg]

union 1941 - 1944] JG was DR's wife 2-of-3.

• Mithuna - cinema, songwriting, scripts, young people, projects
• bhava-10 contains [Shukra-yuti-Budha]

Although Shukra activates the emotionally conflicted [6th-from-Chandra] Shukra is also located in the harmony-seeking 7th-from-Chandra.

DS was 12 years her elder [he 31 and she 19 at time of marriage]. After the banishment of her mother, JG appreciated his parental support and professionalism [10].

The relationship ended eight months after the wedding. Following their amicable divorce, the pair maintained a cordial industry friendship.

2nd-from [7th-from-Chandra-4] = lifepartnership-2-of-5

theatrical designer Vincente Minnelli

https://en.wikipedia.org/wiki/Vincente_Minnelli

• Makara decorum, conventionalism, conformity, class-conscious, regulatory
• bhava-5 theatre, fashion, display, romance, gambling, genius

[1945 - 1951]

JG age 23] wedding-2-of-5 with prize-winning musician, costume designer, stage and cinematic producer, Vincente Minnelli.

• prize-winning theatrical director, Vincente Minnelli
• JG, VM and their child, the entertainer Liza Minnelli, were all awarded Oscars during their entertainment careers
• JG was VM's wife 2-of-4.
• Despite the divorce, daughter Liza remained attached to both parents.

Like JG's father, VM was a bisexual man who had a broad social network interlinking many liaisons.

• [Aryaman-Shani-yuti-Guru-Hasta] + [Aryaman-Shani-yuti-Rahu-Hasta] indicates the complexity of JG's husband-situation

9th-from [7th-from-Chandra-4] = lifepartnership-3-of-5

https://en.wikipedia.org/wiki/Sidney_Luft

• Simha entertainment, self-promotion, display, entitlement, narcissism
• bhava-12 invisible activities, fantasy, enclosure, clandestine affairs, dissolution of tangible identity

[JG age 30] marriage-3-of-5 with Sid Luft [1952-1965] an entertainment impresario

• Luft created cinema financing to boost JG's lagging career.
• He dramatically overspent on production costs, and the ephemeral loan was cancelled
• JG publicly accused Luft of alcohol-fueled domestic abuse.

Like JG, Luft was married five times. At the end of their nine-year union which produced two kids, JG suffered severe mood disorder and financial collapse.

• JG and Luft engaged in a bitter child-custody battle [12 = 8th-from-5]
• Narcissistic Luft argued in court that JG was an unfit mother due to her self-destructive behaviors
• Afterwards, JG saw little of these two children.

4th-from [7th-from-Chandra-4] = lifepartnership-4-of-5

https://en.wikipedia.org/wiki/Mark_Herron

stage actor, Mark Herron

• Meena - fantasy, envisioning, dreams, abstraction, private worlds
• contains [Ketu in classroom-7]
• bhava-7 agreements, equity, representation, advocacy, contract arrangements

[JG age 43] Wedding-4-of-5 with actor, middleman, contract-broker, Mark Herron.

• Like JG's father, Herron was a gay man who was sexually disinterested in JG [Ketu-7]. He cherished a primary relationship with another male actor.
• The unconsummated marriage further damaged JG's already decrepit self-image [Meena, imagery]. Although the alliance was not abusive, it was empty, and it ended in despair. [Ketu]

11th-from [7th-from-Chandra-4] = lifepartnership-5-of-5

https://en.wikipedia.org/wiki/Mickey_Deans

• Tula-arrangements, deal-making, agreement
• bhava-2-what goes in the mouth, music, storytelling, death

Mar-1969, wedding-5-of-5 with discoteque manager and drug-dealer, Mickey Devinko [Deans].

• Three months after their wedding, JG died in Jun-1969 in London, of fatal barbiturate overdose. Shock, self-poisoning [8]

[Competitive Champion Kuja]

bhratru-karaka [brother] -- virya-karaka [virility]

= [svakshetra]

[collaborative-communicative sahaja-pati for Kanya indriya-lagna]

[mysterious-discovering randhresha for Kanya indriya-lagna]

...

[friendly-profitable Jyeṣṭha-3] = [navamsha Mangala-Kumbha] intuitively forward-pushing security-seeking [4] pursuing-profitability networking competition

• [Mangala-Vṛścika] vigorous pursuit of hidden assets * proactive exploration * energetic initiation * exposure of shocking secrets * plunges the tantric depths * push toward discovery * champion of emergency action

• [Mangala in bhava-3] drive toward commerce * push toward scripted communication * active touring * vigorous pronouncements * invasive management * energized process * hyperactive mentality * athletic sibling-figures * promotional sales * photographs of the muscular physique * dynamic marketing * champion of teamwork * pursuit of business

OUTCOMES - MOVING MANGALA

promotionally communicative, engineer of scripted explanations, energetically instructional, administratively pushy, forcefully broadcasting, muscularly managing, driven to document, producer of media-messaging, maker of meetings, pro-actively publishing, aggressively announcing [Mangala in bhava-3] rules

• 3-communications, messaging, sermons, scripts, radio-television, media-products, Writing and Publishing, letters of correspondence, announcements, planning, schedules, sales, marketing, documentation, reporting, cohort, entourage, committee-work, iterative stepwise process, manufacturing, commercial business, instruction, explanation, discussion, diagrams, labeling, event management, signage, training, itinerary, tours

• 8-unexpected eruptions of regenerating force, occult initiation, mystical revelation, shocking intervention, opaque empowerments, invasive surgery, intensive healing, evolution, violent explosion, sudden identity change, rejuvenation, recycling, rebirth, hidden assets, upheaval, undisclosed secrets, transformative events, discovery, in-laws of first marriage, health of younger sibling-cousin

CAREER - MOTIVATED MANGALA

Mangala rules Chitra indriya-lagna

communications media, photographs, cinema [3]

kinetic energy, performance vitality, innovation, competition, championship, embodiment

Career-wise, Kuja = a powerfully energetic yogakaraka

as intolerable as JG eventually may have found her mother to be, the parents [4] built the foundation [4] for JG's career

Mangala-Vṛścika receives incoming drishti from disciplining, constraining Shani-2

Shani drishti provides a disciplining influence which allowed Garland's career to proceed with regular structure, even during times of severe personal distress [Mula Chandra]

[Busy Bantering Budha]

jamayah-karaka [sibling] -- sandesha-karaka [message] -- shisya-karaka [student]

= [svakshetra]

[Bhadra Yoga]

[energizing-identifying lagnesha for Kanya indriya-lagna]

[dutiful-hierarchical karmesha for Kanya indriya-lagna]

... ...

[optimistic-philosophical Arudra-1] = [navamsha Budha-Dhanus]

+ [Arudra-Budha-yuti-Shukra-Puna]

• [Budha-Mithuna] business communications * articulation of specific instructions * informative pronouncements * messages about commerce *  hands-on management * signaling explanatory information *  detailed diagrams * talks about publication * interpretative interactions * commercial translation  * hands-arms-shoulders send descriptive gestures

• [Budha in bhava-10] narrative of leadership process * makes official pronouncements * describes social responsibilities * conversations about policy decisions * prominent spokesperson * talks about maintaining order * explainer of governance * detailed executive announcements * delivers lawful information * chats about social authority * scripted hierarchical management methods * dignified sibling-cohort * reputation for writing * institutional publicity communications

• [Budha-yuti-Shukra] explainer of balanced arrangements * diplomatic conversations * parity-seeking discussions * manual adjustments * enjoys words * sweet descriptions * delivers instruction about relationships * articulator of equity in agreements * message of fairly bargained contracts * skilled in songwriting * talkative sister-cousin-cohort * detailed lyricist* attracts chatty partners

OUTCOMES - BANTERING BUDHA

talkatively authoritative, recognizable in media advertising, executive instructions, publicly explains orderly social process, chief organizational spokesperson, verbally commanding, skillfully describes regulation, governance by collaboration [Budha in bhava-10] rules

• 1- distinctive attributes of personality, dense material incorporation, individual personification, earthen embodiment, physical integrity, kinetic energy, dance, style of movement, athletic prowess, muscular mobility, unique character, kinetic vitality, circumstances of birth, forward push, tangible appearance, coherent social identity

• 10-career, profession, dignity, regulatory roles, governance duties, social authority, symbolic recognition, iconic visibility, leadership responsibility, top status, reputation, commanding positions, honor, high regard, public respect, executive power, elite rank, lawful imposition, organizational director

CAREER - BUSY BUDHA

BUDHA-lagnesha IDENTITY

[Shukra-yuti-Budha]

After her cinema career ended, JG survived as a professional entertainer by singing [Shukra] mainly in burlesque nightclubs and sometimes larger venues.

Her volatile, yearning, waiflike persona

[lagnesha adolescent Budha] attracted a cult following of gay men. These loyal fans crowded into her sold-out performances, bought her musical recordings, and accepted her frequent cancellations as a fact of her tragic life [mutual drishti Chandra-Mūla with Budha-Shukra]

also Rahu-1]

Once fabulously popular and a highly "bankable" asset for the Studio corporations, JG's cinema celebrity era had peaked by the age of 24. She suffered a perilous decline into drugs-and-alcohol addiction punctuated by suicide attempts and a merry-go-round of marriages.

Indeed, these marginalized men saved her career [Kanya marginalization]. Without this specific fandom audience [Budha audience, the message] JG's professional singing career would likely have collapsed completely.

Yet due to their appreciative [Shukra] purchasing of tickets and recordings [Budha] JG was able to continue a schedule of musical performance touring until her untimely death age 47.

touring performance cinema, recordings

Budha activates the 10th-from-Chandra = Kanya-2 voice-face-song

[Shukra-yuti-Budha] combines 1 + 2 + 9 + 10.

• JG earned millions from 1930's until 1960's.
• Budha-11 earnings receives the disciplining and restrictive 10th drishti of Shani-2 Kanya
• creates a heavy workload and social criticism [Kanya]
• Sadly, the distress in bhava-2 created a roller-coaster of luxurious earnings often followed by catastrophic financial collapse - and, repeat.

[Generous Growing Guru]

dhava-karaka [husband] -- bahuta-karaka [variety]

= [dikbala]

kendra-adhipati-dosha]

[homebound-anchoring bandesha for Kanya indriya-lagna]

[bargaining-balancing yuvati-pati for Kanya indriya-lagna]

check Budha + Budha-drishti to source Brihaspati's broadly logical, extensively aggrieved, cheerfully analytical complaint

[multiple charitable ministering personality attributes]

[embodiment of logical philosophical beliefs]

[identified with a specific analytical credenda]

[iconic personification of service-oriented worldview]

[embodied appearance exemplifies working-class ideology]

[paragon of laboring cheerfulness]

[preacher-and-teacher may symbolize the wisdom of remediation strategies]

[expansive argumentative bargaining skills with an individualized understanding of relationship imbalances]

[generous benefactor to marginalized or stigmatized folk]

[for wifely nativity, may be identified with the beliefs of a precisely deal-making, strategically property-securing husband]

Masculine nativities strategically identitifed with married status.]

...

[musical-financial Hasta-2] = [navamsha Guru-Urisha] intuitively expands the scope of understanding values, storytelling, language, song

+ [Hasta-Guru-yuti-Shani-Aryaman]

+ [Hasta-Guru-yuti-Rahu-Hasta]

• [Guru-Kanya] much ministry of service * many humble servants * numerous employees * indoctrination of laborers * much logical argumentation * diverse conflicted guidance * broad permission to help * generously assists many victims * optimistic about medical treatment * believes in giving aid * doctrine of benevolent humility

• [Guru in bhava-1] much vitality * philosophical personality * permission for unrestricted action * generous disposition * numerous identities * expands the scope of competition * many cheerful sporting activities * believes in birthright * expansive aura * extra height-or-girth * embodiment of tolerant cheer * a patron of personal benefit * in a wifely nativity, husbandly-companion may be an expander, philanthropist, benefactor, grower

• [[Guru-yuti-Shani] atta-karaka * multiple elder-figures * permission to hold respected positions * abundant structure * numerous law-makers * expansive hierarchies * tolerance for diverse systems * optimistic philosophy of social regulation * large-scale responsibilities

• [Guru-yuti-Rahu] mishra-karaka * multiple mix-culture opportunities * permission to bend barriers * many impostors * abundant expedience * wide scope of ambition * craving for expansion * seeks promotional advantage via globalist philosophy * optimistic toward obtainment of privilege

OUTCOMES - GENEROUS GURU

expansively active, abundantly energized, jovial competitor, multiple identities, numerous offspring, optimistic innovator, generous grower of children-partnerships-worldview, broad-scope of embodied inspiration [Guru in bhava-1] rules

• 4 cultural foundations, property boundaries, way of Life, protection, defense , homeland, household, routines, rituals, mother, parents, customary rhythms, caretakers, socialization schooling, gardens, waterways, transportation, housing, social security, sense of place, environmentalism, citizenship, belonging, ethnic basis, ethno-religion, patriotism, real-estate, farming, land-ownership, burial, predictability, health of the elder sibling

• 7-covenant, promise, trust, contractual relationships, social justice, advocacy, legal judgments, lawcourts, appeals, representation, equity, diplomacy, partners, justice, marriage, legal and formal partnerships, negotiation, alliance-crafting, match-making, fair arrangements, even deals, advocacy, trading, bargaining, brokerage, haggling, go-between, middleman, meddler

CAREER - BENEVOLENT BRIHASPATI

dhavakarakaa in Bhava-1 = tangibly identified with husband[s]

• Guru activates 5 = creative or literary arts, fashion, celebrity, drama, gaming, politics, entertainment, romancee
• Guru activates 8 = sudden identity change, shocking discoveries, hidden assets

Guru-yuti-Rahu casts enormously amplifying drishti into 6-8-10

CHILDREN

As JG's birth family had done to her, when JG's very young children [Guru] showed talent, she made them into performers

• Wizard of Oz 1922-1969 entertainer Judy Garland had three children. JG often brought her kids onto the performance stage to sing with her. Chandra-5 = a performing mom, and Chandra in Mūla often has boundary issues.

• After her untimely death, JG's adult children recounted that their dramatic mother had imposed stress, upset, and worry upon the kids -- throughout mom's five marriages and bouts of mood-disordered suicidal depression [Shani rogesha yuti Rahu-2 ++ + [Mūla] Chandra]

Rahu-yuti-Guru [Shani-yuti-Rahu] occupies [folk reputation 10th-from-Chandra-5.

JG and her first child, daughter Liza Minnelli , performed together at popular concerts.

Blessings from the Marginalized Guru-Kanya occupying the emotionally dignified , social-ordering, leadership-seeking; 10th-from-Chandraa suggests Garland's lifelong ability to symbolize and appeal to socially marginalized, stigmatized fans in the 1950's-and-1960's Euro-American male gay community.

• They formed her most loyal fan base. Their purchases of her recordings and tickets to her performances during her failing health years is often accounted as the main reason she was able to keep afloat.

[Sweetly Suave Shukra]

svadu-karaka [sweet] -- kalatra-karaka [wifely companion]

[conserving-acquiring dhana-pati for Kanya indriya-lagna]

[philosophical-doctrinal dharmesha for Kanya indriya-lagna]

check Budha + Budha-drishti to source Shukra's suavely announcing, sweetly described, mutually informative dialogs

[dignified gracious conversational diplomacy]

[enjoys talking about governance topics]

[public policy discussions seek balanced wording]

[smoothly gestures in the recognized normal style]

[detailed management of standardized contractual finance]

[media-messaging reports on reputation for music, finance, art, feminine relationships]

[courteously explains hierarchical supervised arrangements]

[enjoys handling tasteful decorations in photographed environments]

[preference for elegantly scripted process]

[pleasantly communicative professional roles]

[sweetly neighborly womenfolk may have seniority in information-delivery tasks]

[suavely announcing feminine partners hold respected rank in commercial music or artistic administration]

...

[cinema-lyrics Punarvasu-3] = [vargottamsha] [navamsha Shukra-Mithuna ]

[Puna-Shukra-yuti-Budha-Arudha]

[10-Puna-Shukra-yuti-Budha-Arudha-10]

[ātmakāraka music, arrangements, marriage, contracts]

• [Shukra-Mithuna] appreciates iterative process * values beautifully detailed artifacts * attracted to writer-editor-publishers * likes businesspeople * balanced gestures * diplomatic communications * prefers a communicative partner * equable cooperative teamwork * smooth handling of management tasks * aesthetic of skilled handcraft * delivers balanced specific explanations * enjoys correspondence * satisfied by conversation * articulated messaging arrangements

• [Shukra-10] seeks pleasure via regulated order * enjoys regulatory authority * socially prominent contractual agreements * reputation for for gracious balancing * respects feminine-figures * harmonious style of governance * likes pleasing designs to adorn the upper legs * nice knees * lovely calves * rule-maker imposing equity * appreciation of hierarchical rank * legislates justice * in a husbandly nativity, wifely-companion may hold an elite social position

• [Shukra-yuti-Budha] sweetened messages * gracious explanations * talented in singing-songwriting * articulate negotiations * advocates for reasoning process * talkative feminine-figures * pleasant conversations * bargaining for business * sibling-cohort collaborative harmony * enjoys the company of students * detailed contracts * prefers logical arrangements

OUTCOMES - SWEETENING SHUKRA

recognized for pleasantly sensual qualities, enjoys elite social position, harmoniously hierarchical, aesthetic of institutional decision-making, public finance, prefers a luxurious profession, musical-artistic leadership roles, appreciates having a respected rank [Shukra-10] rules

• 2-acquisition, family legacy, tradition, language-lexicon, preserved memory, banking, collections, entreasurement, herd-hoard, treasury containment, financial capital, accrued amounts, asset evaluation, knowledge of history, speech-song, heritage values, color-sound, arts-and-music, face-voice-eyes-teeth-mouth-hair, genetics, stored resources, health of the father

• 9-ideology , paradigm of belief, profession of faith, principled convictions, higher understanding, father-figures, priestly patronage, preaching, patriarchal entitlements, philosophical convictions, theory, public spiritual guidance, celebrated doctrines, sangha, sacred teachings, credenda, globalism, dharma, worldview, weltanschauung, mother's health

CAREER - BRIGHT BHRIGUTANAYA

[Shukra-yuti-Budha] combines 1 + 2 + 9 + 10.

= her professional singing sisters

Shukra activates Urisha-3 = the emotionally conflicted [6th-from-Chandra] , suggesting that no matter the social-creative success, her career was experienced as servitutude

Suave Shukra activates Urisha-Surya in [6th-from-Chandra] = Addictive, self-medicating, sweets-seeking

Shukra-Mithunarainbow colors.

• The single most well-remembered song of career of Wizard of Oz 1922-1969 entertainer Judy Garland= // Somewhere Over the Rainbow //

Marketplace Earnings Financial Patterns

Shukra activates 6th-and-11th from Chandra

JG had both substantial earnings [11th] supporting large debts [6th] .

• JG was a mega-celebrity in the entertainment world
• capable of luxurious earnings
• but she also suffered from massive tax-debt
• Shukra in [6th-from-Chandra] produced substantial self-indulgence of luxurious taste exacerbated by the mercurially instant gratification patterns of Shukra-yuti-Budha.

[Shukra-Mithuna] ruling community-linking, economically fruitful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra

Added to the financial contradictions in bhava-2, shukra creates a volatile economic cycle featuring the extremes of both dynamic earnings

• via debt, disagreements, and addictive behaviors [6] divorces, and despair along with bhukti of exceptionally high earnings from artistic performance [Shukra] and favorable contracts [Shukra].
• Ms. Garland famously experienced both luxurious wealth from dramatic performance profits, as well as tragic losses of anticipated income and losses due to health issues [6] .

[Sober Structural Shani]

duro-karaka [endurance] -- jara-karaka [Jahre, years]

[political-theatrical vidya-pati for Kanya indriya-lagna]

[inimical-medicating rogesha for Kanya indriya-lagna]

check Budha + Budha-drishti to source Shani's dutiful assistance, orderly aid, materialist logic

[must use bodily labor to perform service work]

[public criticism imposes conformity to strict rules]

[ministerial obligation to curtail the natural vitality]

[socially identified with intractable unfair conflicts]

[unbalanced workload maintains pressure on physical appearance]

[self-discipline must be applied to disagreeable realities]

[chronic digestive ailments]

[unremedied dramatized complaints]

[must use one's own time and energy to help others]

[intelligent, romantic, and creative -- yet often ill, exploited, improperly medicated]

[resentment toward intimidating elders]

...

[fantasizing-conceptual Uttaraphalgunī-4] = [navamsha Shani-Meena] intuitively disciplined imaginative charitable visionary

+ [Aryaman-Shani-yuti-Guru-Hasta]

+ [Aryaman-Shani-yuti-Rahu-Hasta]

• [Shani-Kanya] overburdened accusations * obliged to sustain litigious disagreements * rigidly persistent disease conditions * structural compression upon colon + digestive tract * must normalize exploitation * weighty subordinate tasks * hierarchical conditions of enforced servitude * must work within master-slave systems * must respect antiquated physicians * slow-acting remedies * intractable servants * stubborn employees * insufficient pharmacy * must work with dried medications * must continue to minister to the suffering * scarce service resources * maintainer of old arguments

• [Shani in Bhava-1] steady time-structured personality * mature conduct * must produce under pressure * strictly orderly movement * regimented appearance * grim determination to survive * tense competition * muscular fatigue * required activity drills * chronically impeded self-expression * bodily seizures * identified with heavy responsibility * resists unnecessary change * often looks older * lives to work * elders preserve class-conscious identity

• [Shani-yuti-Guru] social resistance to generous expansions * slow elder teachers * pragmatic philosophy * limited scope of understanding * doctrinal discipline * constrained growth * conventionally regulated beliefs * optimism limited by resistant old structures * faith in the rule of law * class-hierarchical ideology

• [Shani-yuti-Rahu] stiff resistance to unbridled ambition * formally regulated cultural mixing * disciplined thrills * class-based limitations upon privilege * blocked ambitions * repressed quest for intriguing importance * socially constrained opportunism * shimmering illusion of systematic conformity * irregular achievements * over-reaching elders * restricted risks

OUTCOMES - STRUCTURAL SHANI

dutifully earth-embodied, identified as a diligent worker, responsibly innovative, mature appearance, must regulate the physical attributes, structured style of movement, slowed vitality, burdensome required maintenance the incarnate form [Shani in Bhava-1] rules

• 5- Politics, center-stage roles, theatre, demonstration, display, charming brilliance, genius, poetry, choice-making, showmanship, gambling and gamesmanship, romantic idealism, creativity, fashion-shows, flamboyance, celebrity entitlements, confidence, artistic performance, drama, children, financial speculation, intelligence, entertainments, fun

• 6-ministries of service, dehumanization, misconduct, war, jail, slavery, pollution, argumentation, healthcare workers, ailment, injury, medical treatment, hypocrisy, crime, cheating, animosity, toxins, complaints, accusation, litigation, imbalanced conditions, injustice, betrayed promises, servants, laborers, hostility, animosity, disagreement, dehumanization

CAREER - SOBER SHANI

rogesha Shani conformism, social-regulation = amplified by Rahu + Guru

• Wizard of Oz 1922-1969 entertainer Judy Garland + [Shani-yuti-Rahu] * according to JG's own reports, the film studios forced her to take amphetamine weight-management pills, and as an adult she worried constantly about weight gain.

Shani + Guru + Rahu = occupies career the emotionally dignified , social-ordering, leadership-seeking;

10th-from-Chandra Onerous burdens of very high public visibility become amplified by Rahu and expanded by Guru. Work schedule begins in early childhood. Public behavioral strictures must be socially approved [Shani].

Work ethic

[Shani in Bhava-1]- Kanya = identified with heavy workload, heightened responsibility [usually, responsibility exceeds authority], social criticism [Kanya]

Rahu-amplified [Shani in Bhava-1] sends Shani's 10th drishti into bhava-10 public reputation containing Shukra-+Budha business financial contracts. . Shani's professional 10th drishti creates punitive restrictions upon the social behavior

10th-from-Chandra = familiar face of humility, simplicity, few-resources

Rahu's Hasta illusion

[Shani in Bhava-1-Uttaraphalguni] + [Shani-yuti-Guru-Hasta] + [Shani-yuti-Rahu-Hasta]

• Despite her mature career in cabaret singing and thousands of adults-only nightclub performances, Judy Garland was forever characterized by her familiar childlike 10th-from-Chandra image .

Sentimental popular audiences saw her forever as homespun character Dorothy Gale, the Midwest farm girl.

[Risk-rewarding Rāhu]

rajyalobha-karaka [ambition] -- picchala-karaka [slippery]

[for Kanya indriya-lagna]

[Rahu-1 casts passionately unique individualizing drishti into 5-7-9]

check Budha + Budha-drishti to source Rahu's apparently logical, illusion of articulate argumentation

[entrancing cult of ministering-complaining personality]

[identified with prestige of service, medication, argument, divorce]

[vital embodiment of fascinating imbalances]

[potential for fabulously or fraudulently exaggerated accusations, in matters of physicality, embodiment, innovation, style of movement, athletic prowess, vitality, unique identity, personality integrity, or conditions of birth]

...

[competitive-initiating Hasta-1] = [navamsha Rahu-Mesha]

+ [Hasta-Rahu-yuti-Guru-Hasta]

+ [Hasta-Rahu-yuti-Shani-Aryaman]

• [Rahu-Parthya] shimmering illusion of humility * craving for crime * mask of exploitive assistance * ambitious physicians * intriguing addictions * mirage of medication * fascinating injuries * over-reaching accusations * amazing illnesses * extraordinary arguments * may be obsessed with servants-and-servitude * seeks special importance via apparent [but perhaps not authentic] conflict management * shrewd dealings in sickness * ingenious divorce * extravagant litigation * seeks privilege via victim-roles

• [Rahu in bhava-1] passion for prestige appearance * in svabhava of Competitive Kuja, the Shadowy Specter seeks privilege via glamorous physical visage * extraordinary athletic action * outsider who cleverly insinuates into a noble identity * smoky, oily aura * desires competitive advantage * exceptionally recognizable embodiment * exhilarating force of nature * thrilling champion of non-standard lifestyles * social mobility sought via dynamic movement * entranced by one's own personality * innovative behavior challenges existing norms * culturally mixed self-image * embodies exciting new energies * self-promotion via blood-and-birth * double agent * over-reaching ambition for empowered individuality * craves personal importance * trespasses cultural limitations of race-class-creed-gender * fascinating figure * may represent a cult of personality

• [Rahu-yuti-Guru] amplified generosity * magnified diversity * exotic beliefs * tricky teachings * opportunistic guides * unconventional children * fascinating [but perhaps illusory] appearance of inspired philosophy * hypnotic preaching * expansive worldview * inclusive cross-cultural mixing * optimistic about risk

• [Rahu-yuti-Shani] amplified public formality * pragmatic exaggeration * exotic social conventions * slippery hierarchies * tricky rules * opportunistic elders * fascinating [but perhaps illusory] strict conformism * regulated risk-taking * hypnotic outsider insinuates normalcy * orderly cross-cultural mixing * thrilling legitimations

OUTCOMES - RISK-REWARDING RAHU

Rahu + Shani + Guru in bhava-1 personality, physical body = occupies the ethno-emotionally motivated career-directing 10th-from-Chandra. Tremendously well-known American audience-recognizable appearance for many decades.

Shani rogesha amplified by Rahu-2 fascinating voice

• JG was often accused of stretching the truth or outright fabricating stories.
• A brilliant theatrical singer.

physique, tangible identity, appearance = instantly recognizable cinema-star [Rahu in bhava-1] + [Rahu-yuti-Guru + [Rahu-yuti-Shani]

JG endured physical-body fluctuations [1] on a Rahu-amplified, Guru-expanded scale.

• She occasionally earned millions in performance contracts. Yet, JG also paid fines for late taxes and penalties for cancelled show-dates.
• She died [age 47] at the beginning of an unwanted come-back singing tour [2] that she was undertaking solely because she needed money.

[Collapsing unshackling Ketu]

kavandha-karaka [headless] -- chidra-karaka [gaping] -- vasana-karaka [vacuum]

[for Kanya indriya-lagna]

check Guru + Guru-drishti to source Ketu's broadly floating, cheerfully ghostly, contemplatively dreamlike imagery

[absence, disappointment, disorientation within fairly-bargained, fantasizing relationships]

[dispersed engagement with contemplative partnership]

[material relationship to spouse, especially but not exclusively the first spouse, may imaginatively or conceptually dissolve. The spiritual relationship remains intact. Outcome depends upon any other graha-in-7]

[dissolution of quietly visionary advocacies]

[surrenders dreamlike alliances]

[forgives broken conceptual promises]

[abandons unsustainable private guidance arrangements]

[disregards bedroom deal-making]

[eccentric imaginative exchanges]

[may be passively fixated upon ambitiously exploited, ministering-assisting Rahu in Partha-1 fabulous physical embodiment]

.................

[arranging-adjusting Andromeda-3] = [navamsha Ketu-Tula] intuitively ambivalently dissolves the negotiated agreements

• [Ketu-Meena] sleepily dissociates from isolated ashrama * incomplete gestalt * unlimited visionary insight * wandering spirit guides * unsustainable sanctuary * fantasy martyrdom * dissolution of private prayer * foggy boundaries of distant worlds * permeable understanding of cetacean cultures * ignores restrictions on clairsentience and claircognizance * disarrayed dreams * releases a golden oceanic cloud of wisdom into the misty abyss

• [Ketu in classroom-7] equably ambivalent toward agreements * absentee advocates * disregards contractual loyalties * disinterested in mutuality * wanders from the middle-balance * empty arrangements * irrelevance of equity * surrenders alliances * abandons the usual covenants * ignores advice * incoherent promises * liberation via surrendered negotiations * unless other graha in 7, may prefer to live free from partners

OUTCOMES - EVACUATING KETU

[Ketu in classroom-7] receiving drishti of ruler-Guru + Shani + Rahu

Ketu located in the defensive, culturally-rooted, seasonal-calendar, routinized, patriotic, ethno-nationalistic, comfort-seeking, home-loving, foundational, property-owning [4th-from-Chandra]

• exacerbates a feeling of rootlessness and unbelonging and adds to a disconnection from the childhood, from the mother, and from the cultural foundations

4th-from-4th = severed connection to Mother

According to interviews, young Judy was tightly controlled by her stage-manager mother. In Shukra-Ketu bhukti, after a big fight when Judy turned 21, mom was cut-off forevermore via an irrevocable no-contact [Ketu] decision. Despite having three of her own children, young Ms. Garland never spoke to her mother again, and the children grew up sans relationship to their maternal grandmother.

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