born 1 year after
born 10 months after
born 2 months after
famed child role in The Wizard of Oz
a.k.a. Frances Ethel Gumm
dematerialization 22-Jun-1969 [age 47]
born as Frances Ethel Gumm
birth data from http://en.wikipedia.org/wiki/Judy_Garland
tentatively rectified by BP Lama Jyotishavidya
tentatively rectified by BP Lama Jyotishavidya
charts + graphs + tables = produced by Shri Jyoti Star - adapted by BP Lama
Yoni - Bhagadaivata - Prakphalguni - Arjuni
For Purvaphalguni * Yoni * births of a feminine valence, the condition of sweetly musical, artistic, harmony-seeking, negotiating, balancing, arranging, designing, matching, pairing, sensually pleasuring akarshana-karaka Bright Beautiful Bhrigu may considerably affect the outcome.
For those born into the Shukra-ruled paradigm of Vutavabana, feminine figures such as sisters, aunts, and wives, along with partnerships, contracts, bargains, sensual pleasures, lovers, artistic beauty, luxurious scents, treasuries, financial arrangements, and music, may be especially influential.
Instructional guidance provided by emissaries from the civilizations of Zosma. Their purpose is to dramatize, glamorize, and politicize the grand theatrical values of creative life.
[Shukra] -ruled Purvaphalguni ladies are often the diva type. Yoni-born are found in the sparkling bright worlds of political diplomacy, romantic idealism, entertainment, speculative finance, performance arts, and fashion design. Women born into a nakshatra of Shukra are often blessed by a special aptitude for music, beauty, treasuries, ornaments, design arts, and financial affairs.
Yoni-born are happiest when playing musical instruments, dancing on the theatrical stage, or performing a richly costumed dramatic role for an appreciative audience, Delighted by spectacle and applause, they glitter and radiate at parties, creative events, political campaigns, and games.
Depending upon the placements of dhanakaraka Shukra and dhana=pati Budha, the Purvarjuni-born may also display financial intelligence, deal-brokering ability, and glamour in romantic relationships. Queenly and self-referential, they require equity in marriage and business contracts. Honesty is deeply important to them. Yet, due to Shukra's bargaining nature, the insult of disloyalty may be balanced by financial compensation.
Like all sweet-seeking Shukra-governed births, Bhagadaivata-born must take care to avoid the misuse of drugs and alcohol. Political and creative success depends upon the charisma of lagnesha Surya. Financial success depends upon the dual-dhanakaraka Shukra and Budha.
Themes of theatrical celebrity, lavish musical entertainments, arts and fashion, and financial agreements may contextualize Pubba's terrestrial experience. Applies also to Chandra-Purvaphalguni.
QUOTATION from Shil-Ponde. . Hindu Astrology Joytisha-Shastra . p 96.
" An expensive and luxurious person.
She likes to change costumes several times a day
Variety is the spice of life to this woman
" ... an oval face, whose features are well proportioned
Very hospitable and sociable, she likes to meet people
She likes to sew or embroider
She also is keenly interested in occult subjects
She is scrupulous in her obligations
Judy Garland in 1941 [age 19]
Judy Garland [a.k.a. Ethel Gumm] publicity photo 1935, her age 13
Judy Garland a.k.a. Frances Ethel Gumm with her problematic mother-manager, Ethel Milne Gumm. Matrikaraka Chandra-5 rules withdrawn, imprisoning bhava-12
Biographical data matched to Vimshottari Dasha timeline
[Ketu Mahadasha] [age birth until age 1.1]
10-Jun-1922 Earth-birth in Grand Rapids, Minnesota, USA *Ketu-Shani bhukti
[Shukra Mahadasha] [age 1.1 until age 21.1]
Dec-1928 until Apr-1931 Janma Sade-Sati Dhanus [5, entertainment]
1935 [JG age 13] first cinema contract with industrial film producers * Shukra-Guru bhukti * Guru activates 5-entertainments
17-Nov-1935 [JG age 13] grieved sudden death of her father - Shukra-Guru bhukti Guru activates 12th-from-9th
1943 [JG age 21] announced estrangement from Mother, who is thenceforward banned from the MGM cinema properties * Shukra-Ketu chidra-dasha
[Surya Mahadasha] [age 21.1 until age 27.1]
15-Jun-1945 [JG age 23] consecration of marriage-2-of-5 = cinematic producer Vincente Minnelli [marriage = 1945 - 1951] Surya-Mangala bhukti * Mangala activates Vṛścika Svamsha
12-Mar-1946 celebrated the birth of child-1 Liza Minnelli * Surya-Rahu bhukti [Rahu-yuti-Guru]
Jul-1947 nervous breakdown including first suicide attempt * Surya-Shani bhukti * Shani rogesha
1950 [JG age 27] end of employment with MGM studios after 15 years continuous contract * Surya-Shukra chidra-dasha
[Chandra Mahadasha] [age 27.1 until age 37.1]
1951 [JG age 29] after financial and personal difficulties, rebounded into successful performance events in UK-Ireland * Chandra-Mangala bhukti * yogakaraka rules 4 + 9
08-Jun-1952 [JG age 30] consecration of marriage-3-of-5 with Sid Luft until 1965 * Chandra-Rahu bhukti
05-Jan-1953 [JG age 31] grieved the decease of estranged Mother [mom's age 59 via heart-attack] Chandra-Rahu bhukti
Feb-1958 until Feb-1961 Janma Sade-Sati Dhanus 
[Mangala Mahadasha] [age 37.1 until age 44.1]
1962 [JG age 40] wins five Grammy awards * Mangala-Guru bhukti [Rahu-yuti-Guru] Gactivates 5-prizes, celebrity, entertainment
1963 [JG age 41] receives a lucrative television contract, but the show is cancelled after only 26 episodes * Mangala-Shani bhukti * Shani rogesha conflicts
27-May-1964 [JG age 42] Suicide of her eldest sibling, sister Suzy * Mangala-Budha bhukti
14-Nov-1965 [JG age 43] consecration of marriage-4-of-5 = Mark Herron until 1967 * Mangala-Shukra bhukti
15-Mar-1969 [JG age 47] consecration of marriage-5-of-5 with stage manager Mickey Devinko [Deans]. The union endured for three months, until JG decease in Jun-1969 * Rahu-Rahu svabhukti
22-Jun-1969 [JG age 47] dematerialization via self-poisoning, barbiturate overdose * Rahu-Rahu svabhukti * Rahu-2 maraka
Distinctive features of the Nativity
pitri-karaka [father] jyoti-karaka [light]
[dramatizing-demonstrating Mriga-1] [navamsha Surya-Simha] intuitively displaying sparkling center-stage entertaining confidence
OUTCOMES - SURYA
Theatrical singer, Hollywood child-actor dramatist
Her most celebrated cinematic performance included the legendary songs from Wizard of Oz
Surya-Simha occupies 10th-Navamsha = communications media, photographs, cinema
[Surya in bhava-10] drishti incoming
Surya karaka for theatre, celebrity
Dad = a vaudeville entertainer who owned a local theatre [Surya]. The entertainments included live-performance music and dance [Urisha] mixed with early cinema.
lagnesha Surya = JG attested that she adored her father
Tension between the parents
Surya-10 occupies [6th-from-Chandra]-5-Mula, indicating a hostile, incompatible electro-magnetic emotional alliance between mother [Mūla] Chandra-5] and father [Mriga-Surya-10] .
Garland's father was a gay man and the father of the three Singing Gumm Sisters. The parents often disagreed about money [Urisha]. They also argued about his entitlement [Surya] to a self-determined lifestyle [Surya].
matrikaraka [mother] * garha-karaka [village]
OUTCOMES - CHANDRA
beauty, song, face * Shukra drishti to Chandra in Mūla - Vichruta-= that charming round child's face, still perfectly recognizable many decades later.
Mom was said to have been an intensely controlling stage-mother
Mom was involved in every detail of her underage daughter JG's relationship to the hiring studios. Chandra in Mūla - Vichruta rules bhava-12 invisibility, withdrawal
Chandra activates the emotionally self-transforming, often shocking, change-inducing, revolutionary, emotionally turbulent, perpetually transformative, trauma-inducing 8th-from-Chandra = secrets, non-disclosure, sudden unexpected changes, new identities, transformative healing, camouflage, emergencies
Eventually, Judy gained legal adulthood and Chandra in Mūla - Vichruta fulfilled its destiny of emotional annihilation.
When Judy turned 21, her desire to throw off the structure of maternal control [Mūla] became materially viable.
Mom received no further financial support from her famous daughter
Post-split from her Mother, JG bore two additional children bring her family to a total of three kids.
emotional annihilation Chandra in Mūla
It is speculated that the momager may have displayed the symptoms of borderline Personality Disorder
A downward spiral began during the nervous breakdown following the birth of her first child
MARRIAGE partnership emotional equity support expectations
Shani-yuti-Guru dhava-karaka + Guru-yuti-Rahu suggests that she had a multitude of husbandly-companions Her father and also her five husbands were generally homo-social men whose sexual-sensual-partnerships were diverse and complex with socially irregular [Rahu] behaviors yet socially regular [Shani] external professional status.
Rahu amplifies the yuvati-pati Guru * Rahu amplifying rogesha-Shani contributes to five marriages before age 46
With a deceased father and a rejected mother, Ms. Garland -- whose childhood had been overwhelmed with adult work in cinematic drama --- married five times in pursuit of a secure family life.
Mithunaya contains Shukra-Budha = first husband was a songwriter-musician, and a friend. Although Shukra activates the emotionally conflicted [6th-from-Chandra] Shukra is also located in the harmony-seeking 7th-from-Chandra. Their separation was amicable.
bhratru-karaka [brother] virya-karaka [virile]
[Kuja Dosha for alliance-1]
[friendly Jyeṣṭha -3] [navamsha Mangala-Kumbha] intuitively forward-pushing security-seeking  pursuing-profitability networking competition
OUTCOMES - MANGALA
Kuja activates Vṛścika Svamsha
Despite her celebrity, JG was accused of parental negligence and nearly lost custody of her children on several occasions. Mangala in bhava-4
Kuja-4 disrupts childhood home, homelife, educational foundations, security
Career-wise, Kuja = a powerfully energetic yogakaraka
as intolerable as JG eventually may have found her mother to be, the parents  built the foundation  for JG's career
Shani drishti provides a disciplining influence which allowed Garland's career to proceed with regular structure, even during times of severe personal distress [Mula Chandra]
jamayah-karaka [sibling] sandeza-karaka [message] zisya-karaka [student]
[Dhanayoga = Budha-11 rules 2]
[narrative of linked community conversations]
[earnings from gridworked commercial discussion]
[gainfully connected business transactions]
[translating explaining network of friends]
[optimistic-philosophical Arudra-1] [navamsha Budha-Dhanus]
OUTCOMES - BUDHA
touring performance cinema, recordings
Budha activates the 10th-from-Chandra = Kanya-2 voice-face-song
as always for Simha-born, bantering Budha becomes a dhanayoga-producer as ruler of both 11 and 2.
[Shukra-yuti-Budha] combines 2 + 3 + 10 + 11.
dhava-karaka [husband] bahuta-karaka [variety]
[musical Hasta-2] [navamsha Guru-Urisha]
OUTCOMES - GURU
dhavakaraka in Bhava-2
As JG's birth family had done to her, when JG's very young children [Guru] showed talent, she made them into performers
JG and her first child, daughter Liza Minnelli , performed together at popular concerts.
Blessings from the Marginalized
Guru-Kanya in the emotionally dignified , social-ordering, leadership-seeking; 10th-from-Chandra suggests Garland's lifelong ability to symbolize and appeal to socially marginalized, stigmatized fans in the 1950's-and-1960's Euro-American male gay community.
svadu-karaka [sweet] kalatra-karaka [wifely companion]
[face-voice-music Mriga-2] [navamsha Shukra-Urisha]
[Atmakaraka music, femininity, relationships, finance, women, face-voice-eyes-hair, harmonies, drugs]
OUTCOMES - SHUKRA
Shukra activates Urisha-10 = the emotionally conflicted [6th-from-Chandra] , suggesting that no matter the social-creative success, her career was experienced as servitutude
Suave Shukra 3+10 ++ Budha ruler of 2+9 = her professional singing sisters
Marketplace Earnings Financial Patterns
Shukra activates 6th-and-11th from Chandra
JG had both substantial earnings [11th] supporting large debts [6th] .
Added to the financial contradictions in bhava-2, Shukra creates a volatile economic cycle featuring the extremes of both dynamic earnings
duro-karaka [endurance] * jara-karaka [Jahre, years]
[fantasizing-conceptual Uttaraphalgunī-4] [navamsha Shani-Meena]
OUTCOMES - SHANI
rogesha shani amplified by Rahu + Guru
Stoic Shani activates
Shani + Guru + Rahu = occupies career the emotionally dignified , social-ordering, leadership-seeking; 10th-from-Chandra Onerous burdens of very high public visibility become amplified by Rahu and expanded by Guru. Work schedule begins in early childhood. Public behavioral strictures must be socially approved [Shani].
[Shani in bhava-2] - Kanya = identified with a toxic family, heavy workload, and social criticism [Kanya]
Rahu-amplified Shani-Kanya-2 sends Shani's 10th drishti into bhava-11 revenues containing Shukra-+Budha business financial contracts. . Shani's professional 10th drishti creates restrictions upon the eceonomic behavior 
rajyalobha-karaka [ambition] picchala-karaka [slippery]
[for Simha indriya-lagna]
[competitive-initiating Hasta-1] [navamsha Rahu-Mesha]
OUTCOMES - RAHU
Rahu + Shani + Guru in bhava-1 personality, physical body = occupies the emotionally motivated career-directing 10th-from-Chandra. Tremendously well-known American audience-recognizable appearance for many decades.
Shani rogesha amplified by Rahu-2 fascinating voice
JG endured financial fluctuations  on a Rahu-amplified, Guru-expanded scale.
kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum]
[for Simha indriya-lagna]
[arranging-adjusting Andromeda-3][navamsha Ketu-Tula]
OUTCOMES - KETU
[Ketu in classroom-8] receiving drishti of ruler-Guru + Shani + Rahu
Ketu located in the defensive, culturally-rooted, seasonal-calendar, routinized, patriotic, ethno-nationalistic, comfort-seeking, home-loving, foundational, property-owning [4th-from-Chandra]
4th-from-4th = severed connection to Mother
By Ms. Garland's telling, young Judy was tightly controlled by her stage-manager mother. In Shukra-Ketu bhukti, after a big fight when Judy turned 21, mom was cut-off forevermore via an irrevocable no-contact [Ketu] decision. Despite having three of her own children, young Ms. Garland never spoke to her mother again, and the children grew up sans relationship to their maternal grandmother.
From The Wizard of Oz, 1936 -- characters Dorothy Gale and the Wicked Witch of the West
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