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COHORT born 11 months after
born two months after
born 11 months before
born 20 months before
Swing Time 1911-1995 dance theatre Ginger Rogers and frequent dance partner Fred Astaire - shown in the musical cinema, Top Hat , 1935r.
Ginger Rogers [age 32] in the 1943 movie, Tender Comrader.
1930's movie card, featuring Ginger Rogers |
Ginger Rogers, RKO studio promotional photo Golden Age of Hollywood celebrated dancer choreographer musical theatre star cinema dramatist singer writer a.k.a. Virginia Katherine McMath // backwards and in high heels // Earth-birth Sunday 16-Jul-1911 dematerialization 25-Apr-1995 [age 83]
Slogan used to describe GR's precision dance-drama performance: "she can do everything that the best male dancers can do - but backwards, and in high heels". |
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dramatist comedienne dance choreographer activist writer 1911-1995 - Ginger Rogers birth data from https://en.wikipedia.org/wiki/Ginger_Rogers
tentatively rectifiedby BP Lama Jyotishavidya charts, graphs and tables = generated by Shri Jyoti Star - www.vedicsoftware.com - adapted by BP Lama |
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Rising Nakshatra Feminine Public-Figure Examples Pashu - Pushana-vana - Antyabha BPL COMMENTARY For Revatika births of a feminine valence, the condition of conversational, discursive, explanatory, instructional, argumentative, commercializing, evangelical Kumara may considerably affect the outcome. Pashu the Pastor is delicately attuned to the signals of the animal kingdom. Hearing [Budha] the voices of mineral, plant, animal, and human worlds, Antyabha-born often work for the welfare of all creatures. Many veterinarians and animal-welfare activists are Revatī-born. These way-showers are also found in all aspects of music and dancing, producing melodies, beats, and lyrics. Whatever the Pashu folk say, others will follow and believe. For those born into the Budha-ruled paradigm of Antyabha, siblings, cousins, schoolmates, bandmates, team-mates, entourage, ensemble, neighbors, managers, cohort, coterie, collaborative group, publishers, messengers, merchants, commercial agents, reporters, writers, scripts, plans, schedules, instructions, radio-television-internet, news-media, conferences, committees, discussions, travel itineraries, and texts -- and beasts of every description - may be especially influential. Instructional guidance is provided by emissaries from the civilizations of stars clustered near Zeta Piscium. Their purpose is to shepherd the flocks in safe passage, calling them to follow with an imaginative, sweet sound and rhythm The Way-Shower Revatika ladies expresses the natural tension between Busy Bantering Budha and Guiding Generous Guru. Commercially oriented Budha is a master of writing, reporting, cinema, and detailed communication. Kumara naturally matches the vibration of chatty students and a younger audience. Yet, Brihaspati much prefers to preach on broad-scope topics, ideology and inclusive doctrine. Revatī-born often find themselves in shepherding roles that require delivering a message to their herd of followers. The usual delivery style is musical, oratorical, or imagistic-imaginative, but any method of Showing the Way may be chosen. Pashu the Pastor combines a broad humanistic vision with a beckoning repeating signal frequency such as a slogan, a jingle, or a melody. Themes of pastoral guidance, musical or imagistic messaging, and benevolent outreach to all creatures may contextualize Revatika's terrestrial experience. Applies also to Chandra in Revatī - Pashu . |
QUOTATION from Shil-Ponde (1939). Hindu Astrology Joytisha-Shastra. p 101 " ... defect in hearing. the native is a person of clean morals
She is fond of pets and animals. She is a very good housekeeper
Her face is laughing, always with dimples,
Photo of Ginger Rogers from the March 1941 issue of International Photographer [GR age 30] | |
![]() Ginger Rogers in c. 1930 |
![]() mom Lela Emogene Owens [1891–1977] with daughter Virginia [a.k.a. Ginger Rogers] in 193x |
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Biographical data matched to Vimshottari Dasha timeline
Shani Mahadasha [age birth until age 14.8]
16-Jul-1911 Earth-birth as Virginia Katherine McMath in Independence, Missouri, USA * Shani-Budha bhukti 1913 [GR age 2] During a contentious divorce from her mom, GR's father kidnapped toddler GR. Mom notified the court, and the judge granted exclusive child custody to mom. GR never saw her dad again. * Shani-Ketu bhukti 1922 [GR age 11] decease of estranged bio-father * Shani-Rahu bhukti [Budha Mahadasha] [age 14.8 until age 31.8] 03-Dec-1926 [GR age 15] coached by her mom, GR won the highly publicized Texas State Charleston dance contest. Prize was a four-week Vaudeville contract. GR's career had begun * Budha-Budha svabhukti * Budha rules 7-contracts 1928 [GR age 17] first nationwide vaudeville dance tour, accompanied by Mother * Budha-Budha svabhukti * Budha entourage * Budha rules 10th-from-10 career 29-Mar-1929 [GR age 17] consecration of marriage 1-of-5 with childhood friend and entertainer, Jack Culpepper. In less than 3 months, teenage GR returned to her mother * Budha-Ketu bhukti * Ketu unsustainable marriage * [Guru-yuti-Ketu] Guru rules Meena svamsha ++ samchara Rahu-Ketu via Mesha-Tula contact radical R-K ++ Rahu-Return 1929 [GR age 17] first minor cinema roles * Budha-Shukra bhukti * Shukra rules 3-cinema ++ Rahu-Return 1929 begin the Great Depression 25-Dec-1929 [GR age 18] opening day of GR's Broadway debut in the musical Top Speed * Budha-Shukra bhukti * Shukra rules 3-cinema ++ Rahu-Return 11-Jul-1931 [GR age 20] divorce from alliance-1-of-5 * Budha-Shukra bhukti * Shukra rules 8-sudden identity-change 1931 [GR age 20] * Ginger becomes an overnight star in the Broadway musical, Girl Crazy * Budha-Shukra bhukti * Shukra rules 3-cinema + 8 identity-change overnight star 1933 [GR age 22] as culturally accepted roles for women began to expand, during an era when actresses were often considered as prostitutes [6] national recognition for her dramatic role in the popular film 42nd Street * Budha-Chandra bhukti * vidyapati Chandra rules 5-entertainment, stardom 14-Nov-1934 [GR age 23] Neverthless, an unmarried woman was exposed to criticism [6] prompting GR to remarry. Consecration of marriage-2-of-5 with Lew Ayres, a television and cinema actor * Budha-Mangala bhukti * [Kuja-yuti-Rahu] ++ samchara Rahu-Ketu via Makara-Karkata 1936 [GR age 25] release of Swing Time , the immensely popular and exquisitely choreographed dance-musical, featuring GR and her legendary dance partner, Fred Astaire. Their precision footwork, costuming, and song earned the adoration of Depression audiences. Simultaneously GR enjoys a passionate romance with the film's celebrated director, George Stevens. * Budha-Rahu bhukti ++ dvadasa Sade-Sati Feb-1937 until Apr-1939 Janma Sade-Sati Meena
1939 [GR age 28] on-off companion, the eccentric movie-producer and millionaire, Howard Hughes, proposes marriage with a five-carat emerald. GR accepts, despite finding Hughes to be insanely controling. Tabloid press coverage keeps GR in the headlines for months. GR continues to live with her mom. * Budha-Guru bhukti * Guru lagnesha-karmesha, public visibility ++ janma SSade-Sati 1940 [GR age 29] won Academy Award for Kitty Foyle . Ranked as highest paid actress in Hollywood * Budha-Guru bhukti * Guru lagnesha-karmesha + Guru rules 9th-from-Chandra ++ dvithya Sade-Sati 1940 [GR age 29] GR buys a 1000-acre ranch for her and her mom, near the Rogue River, in Oregon. GR lived there for 50 years, until 1990. * Budha-Shani chidradasha * Shani-2 rules 11-investments ++ Shani-2 dhanayoga ++ dvithya Sade-Sati 1940 [GR age 29] returning a box of extravagant jeweled gifts to paranoid narcissist Hughes, GR cancels their engagement * Budha-Shani chidradasha * Shani rules 6th-from-7 ++ dvithya Sade-Sati 20-Mar-1941 [GR age 30] due to legal work supplied by Hughes' lawyers, GR is finally able to secure a long-delayed divorce from alliance-2 -of-5 * Budha-Shani chidradasha * Shani rules 6th-from-7 16-Jan-1943 [GR age 32 ] consecration of marriage-3-of-5 with bit-part cinema actor, Jack Briggs [Benjamin Katz] * Budha-Shani chidradasha * [Shani-yuti-Rahu] ++ samchara Rahu-Ketu via Simha-Kumbha contact navamsha R-K [Ketu Mahadasha] [age 31.8 until age 38.8] 07-Sep-1949 [GR age 38] following earlier separation during Ketu-Shani bhukti, finalized divorce from alliance-3-of-5 * Ketu-Budha chidradasha * Budha rules 7-legal settlements [Shukra Mahadasha] [age 38.8 until age 58.8] 07-Feb-1953 [GR age 42] consecration of marriage-4-of-5 with Jacques Bergerac [1927-2014] dramatic actor, businessman * Shukra-Shukra svabhukti ++ samchara Rahu-Ketu via Karkata-Makara 07-Jul-1957 [GR age 46] divorce from alliance-4-of-5 * Shukra-Rahu bhukti 16-Mar-1961 [GR age 50] consecration of marriage-5-of-5 with executive cinema producer, William Marshall * Shukra-Guru bhukti * Guru rules Meena svamsha ++ samchara Rahu-Ketu via Simha-Kumbha contact navamsha R-K Apr-1966 until Jun-1968 Janma Sade-Sati Meena
[Surya Mahadasha] [age 58.8 until age 64.8] 1971 [GR age 60] divorce from alliance-5-of-5 * Surya-Rahu bhukti [Chandra Mahadasha] [age 64.8 until age 74.8] 25-May-1977 [GR age 66] grieved the decease of beloved mother * Chandra-Mangala bhukti * matrimaraka Mangala rules 2nd-from-Chandra [Mangala Mahadasha] [age 74.8 until age 81.8] 1991 [GR age 79] publication of popular autobiography Ginger, My Story * Mangala-Shukra bhukti * Shukra rules 3-publications entertainments [Rahu Mahadasha] [age 81.8 until age decease age 83] 25-Apr-1995 [GR age 83] dis-embodiment by heart-attack * Rahu-Rahu svabhukti * Rahu-2-yuti-Mangala-rules-2++ dvadasa Sade-Sati Jun-1995 until Apr-1998 Janma Sade-Sati Meena
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Distinctive Features of the Nativity
[Surya] pitri-karaka [father] jyoti-karaka [light] [svabhava] [inimical-medicating rogesha for Meena - Antya indriya-lagna] [bright center of customary entertainments] [intelligence for ancient rhythms] [celebrated entitlement to protect a way-of-life] [political focus on patriotism ] ... [protective-rhythmic Punarvasu-4] [navamsha Surya-Karkata] [vargottamsha] confident theatrical announcements planning communications
OUTCOMES - SURYA independent [Surya in bhava-5] [celebrity entertainment sparkle drama romance] [Surya-yuti-Budha] rules
FAMOUS PAYCHECK LAWSUIT [6] GR launched an unprecedented lawsuit against her cinema-studio employers, for cheating her of due wages [6, fraud] . Also remarkable for a woman in that era, and celebrated [5] by entertainers nationwide, she won [5]. After prevailing in court, GR became the highest-paid woman in Hollywood. FATHER Meena - Antya and Chandra-Meena often have a Learning Pathway which requires adversarial behavior on the part of the father. GR's father was an electrical engineer [Surya in bhava-5] . During GR's Shani-Ketu bhukti, in the drama of dad's separation [6] from mom, dad was sensationally accused of kidnapping his toddler daughter, Virginia Katherine McMath [6, crime]. Following her parents' high-conflict divorce, GR lived with her maternal grandparents and never saw dad again [Ketu]. Her estranged father died during GR's Shani-Rahu bhukti. [Chandra] matrikaraka [mother] * garha-karaka [village] [witty-creative vidya-pati for Meena indriya-lagna] ... [ceremonial-political Andromeda-1][navamsha-Chandra-Simha] intuitively sensitive dramatizing entertaining political display
OUTCOMES - CHANDRA [Chandra-Meena] [1] rules
CAREER - CHANDRA [folk reputation 10th-from-Chandra = high-visibility cultural leadership, inspirational optimistic dogmatic Dhanus-10] [Chandra-1 rules 5-dazzling glitter = Surya-yuti-Budha] Dramatized [5] the new // Working Girl // model for modern American women. Vigorous supporter of American military. Her mom Lela had been a USA-Marine in WW-1. Five-decade top caliber entertainment career in dance-theatre has lasting sentimental appeal to the American audience. Managed by her mother Lela [Chandra-1] Rogers dazzled and distracted sad audiences during the Great Depression, bringing a ray of sunshine to many during that dark time. GR was by far the leading actress-choreographer-dancer of 20th century Hollywood musicals. Her entertainment career began at GR's age 14. She worked in burlesque, cinema, television, and wrote a popular memoire. She was also an independent financial speculator [5] who built a fortune from her earned capital by making her own investment decisions. MOTHER Mom = Lela Emogene Owens [1891–1977] Mom = journalist, film producer, film editor, executive secretary to RKO studio bosses, acting teacher, and screenwriter. At age 17, Mom married GR's dad. Parents divorced when little Virginia was age-3. Protective chaperon and stage-manager, Mom was the single most influential person in GR's long and complex biography [Chandra in classroom-1] [Chandra flow]. The mother-daughter pair enjoyed stability and affection, emotionally patriotic-defensive political views [5] and anchoring religious principles. Only 18 years elder to her daughter, Mom was Ginger's most comfortable companion. [Chandra in classroom-1] rules
Mom wrote theatre-critic articles for newspapers [Chandra rules Budha-5]. During Ginger's early childhood, Mom moved to Hollywood, where she wrote movie scripts and worked as executive secretary to a top cinema-studio boss at RKO Pictures. Mom also taught acting classes at RKO. [5, theatre] A classic stage mother, Mom pushed and promoted Ginger's talent from daughter's age 14. Perhaps not surprisingly due to mom's insider privilege, Ginger was contracted to RKO Pictures. The legendary precision dancer, Fred Astaire, also worked at RKO. Mom's political orientation defined Ginger's own convictions [Chandra rules 5]. Mom was a political activist [5] and her defensive views were virulently anti-Communist [Surya-5 rules 6-enemies]. A cinema-studio insider due to her employment, Mom was recruited into the bullying regime of J.Edgar Hoover . Mom was invited to Washington D.C. in order to Blacklist suspected Communists in Hollywood. Ginger and Lela Like mom, Ginger was a lifelong political conservative and strict adherent of Christian Science doctrine. Except for living with maternal grandparents during early childhood and during short periods at the beginning of each of her five marriages, GR lived and traveled with her mother. After 1940, mother and daughter quietly resided at GR's expansive ranch in southwest Oregonr. MARRIAGE partnership emotional equity support expectations [7th-from-Chandra-1] lifepartnership 1-of-5
lifepartner-1 = Jack Culpepper [1902-1979] vaudeville dancer, radio entertainer, singer, comedian, musician, nightclub manager, cinema-TV dramatist.
According to GR memoires, the teenage couple were unprepared for marriage, and more of a sibling pair [Budha teenagers, cohort]. 2nd-from-[7th-from-Chandra-1] lifepartnership 2-of-5
another financially framed alliance
lifepartner-2 = Lew Ayres [1908-1996] had a 6-decade career as a TV-cinema actor
9th-from-[7th-from-Chandra-1] lifepartnership 3-of-5
another financially framed alliance
lifepartner-3 = Jack Briggs [a.k.a. Benjamin Katz] [1920-1998] a dashingly handsome minor dramatist, 9-yrs her junior Marriage with 23-yo Briggs, a US-Marine veteran, was said to have been staged by Ginger's frenetically patriotic and pro-military stage-mother, Lela. During WW-2, Ginger's waning popularity was boosted by celebrated publicity photos of Ginger with Briggs looking sharp in military-uniform [Mangala-Mesha]
4th-from-[7th-from-Chandra-1] lifepartnership 4-of-5
lifepartner-4 = Jacques Bergerac [1927-2014] dramatic actor + executive director for the Revlon Cosmetics corporation [Urisha beauty, finance]
11th-from-[7th-from-Chandra-1] lifepartnership 5-of-5
lifepartner-5 = executive cinema producer, William Marshall
Singlehood Following divorce 5-of-5, GR for the fifth time returned to her mom [Chandra in classroom-1] for the next 14 years [Shani cycle] 1963-1977. GR and mom were both veterans of the entertainment industry. They shared a doctrinally guided lifestyle based in Christian Science and conservative Republican politics. Mom lived until GR's age 63, far outlasting all of GR's marriages and divorces. Following mom's decease, GR lived happily and wealthily as a single woman for the remaining 25 years of her incarnation. [Kuja] bhratru-karaka [brother] virya-karaka [virile] [svakshetra] [svabhava] [collecting-preserving dhanesha for Meena indriya-lagna] [believing-preaching dharmesha for Meena indriya-lagna] ... [collaborative-cinematic Aśvini-3] [mūlatrikoṇa] [navamsha Kuja-Mithuna] champion promoter commerce innovation in business [Kuja-yuti-Shani-Bharani] [Aśvini-Kuja-yuti-R-Bharani]
OUTCOMES - MANGALA [Shani-yuti-Mangala] + [Shani-yuti-Rahu] combines the rulers of 2 + 9 + 11 + 12 amplified by Kuja-energized Rahu
[Mangala in bhava-2] rules
[Budha] jamayah-karaka [sibling] sandesha-karaka [message] shisya-karaka [student] [bargaining-balancing jaya-pati for Meena indriya-lagna] [homebound-anchoring bandhesha for Meena indriya-lagna] ... [regenerating-discovering Pushya-4] [navamsha-Budha-Vrischika]
OUTCOMES - BUDHA choreographer, writer, ensemble performer, businesswoman cinema, commercial production, ensemble drama, dance-choreography, advertising [Budha in bhava-5] rules
CAREER - BUDHA 76 years of unbroken media-messaging performance Her iconic dance-drama career began GR age 14, when her prize for winning a dance contest was a Vaudevillw contract. GR's final act was writing an applauded, popular autobiography and attending the television talk-show circuit to promote her book, age 80. [Budha Mahadasha] [age 14.8 until age 31.8] [1926-1943]
Budha Mahadasha = development of GR talents in choreography, ensemble drama Represented in contract negotiations by her theatre-critic mom [Budha rules 4, parent] [vidyapati Chandra-1] GR started getting contracts [7] at age 14, when she won a dance contest and performed her first stage-role as a last-minute substitute. The Ranch [4]
[Guru] dhava-karaka [husband] bahuta-karaka [variety] [energizing-identifying lagnesha for Meena - Antya indriya-lagna] [dutiful-commanding karmesha for Meena - Antya indriya-lagna] [multiple negotiated diplomatic secrets] [many diverse public identity-changes] [wide scope of hidden brokered arrangements] ... [hierarchical-regulatory Arcturus-2] [navamsha Guru-Makara-nicha] intuitively expansive broad-scope optimism materialism lawful development [Guru-yuti-Ketu] apathetic husbands amplifying-expanding mutual drishti Rahu-2 ++ Guru-8
OUTCOMES - GURU [Guru-Tula] [8] rules
CAREER - GURU Karmesha Guru-8 GR was one of the first and still a respected role-model for women performing artists taking transformative leadership roles in the entertainment industry [sarala yoga] prevents untoward consequences of randhrasthana [Guru-yuti-Ketu] in bhava-8 signifies the revolving-door of GR's five brief marriages, which would normally have been stigmatized in the 1930's and 1940's when GR's career was most active.
[Shukra] svadu-karaka [sweet] kalatra-karaka [wifely companion] [busy-messaging sahaja-pati for Meena - Antya indriya-lagna] [mysterious-revealing randhresha for Meena - Antya indriya-lagna] [verbal empowerments from imbalanced pleasures] [politically unfair financial arrangements] [explosively but not harmfully dramatized sensuality] ... [entertaining-celebrated Pūrvaphalgunī-1] [navamsha Shukra-Simha] [vargottamsha]
OUTCOMES - SHUKRA [Shukra-6] rules
HEALTH [Shukra-6] Much of the potentially pernicious medication-related influence of Shukra-6 has been reduced by
Both GR and her mom [Chandra] were devout members of Mary Baker Eddy's Christian Science fellowship.
Nevertheless, GR lived with diabetes for decades [Shukra-6 = sugar-sickness]
Eventually, the disease triggered her peaceful-but-painful disembodiment during Rahu-Rahu svabhukti, age 83 [Rahu-2 maraka]. [Shani] duro-karaka [endurance] * jara-karaka [Jahre, years] [nīcha] [gainful-friendly labha-pati for Meena - Antya indriya-lagna] [contemplative-visionary vyaya-pati for Meena - Antya indriya-lagna] [Dhanayoga Shani-2 rules-11] ... [explosive-evolutionary Bharani-4] [navamsha Shani-Vrischika] [Atmakaraka work ethic, duty, hierarchy, social position, resistance to innovation,materialism, pragmatism, common sense]
OUTCOMES - SHANI [Atmakaraka] [nicha-Shani in bhava-2] rules
[Shani-yuti-Mangala] + [Shani-yuti-Rahu] combines the rulers of 2 + 9 + 11 + 12 amplified by Kuja-energized Rahu CAREER - SHANI GR was an iconic stage-and-screen actor and dancer, as well as an accomplished writer and television figure.
Dhanayoga [Rahu-amplified nicha-Shani in bhava-2 + 2nd-from-Chandra] rules 11 + 11th-from-Chandra
Shani-yuti-Mangala] + [Shani-yuti-Rahu] [2] occupies 2nd-from-Chandra
[Rahu] rajyalobha-karaka [ambition] picchala-karaka [slippery] [for Meena indriya-lagna] [Rahu-2 casts passionately enriching capitalizing drishti into 6-8-10] check Mangala for defining source of Rahu's dynamic energy ... [celebrity-displaying Bharani-1] [navamsha Rahu-Simha] fascinating theatrics
OUTCOMES - RAHU [Shani-yuti-Mangala] + [Shani-yuti-Rahu] combines the rulers of 2 + 9 + 11 + 12 amplified by Kuja-energized Rahu CAREER - RAHU "The Working Girl" Challenging beliefs about feminine movement [Kuja] and limitations [Shani] GR's enduring, iconic entertainment career developed a new [Kuja] social model called "the Working Girl" [Shani work].
GR played important roles and starred in promotional materials that highlighted working women in action. She helped to prove to a generation that social limitations [nicha-Shani] upon personal independence [Mangala-Mesha]
RAHU-BHARANI - FINANCIAL INDEPENDENCE GR's storied financial success [Rahu-Bharani] eventually pushed the envelop [Kuja] of culturally acceptable action for women [Mesha independence]. [Bharani-Shani rigid old financial rules]
GR became a highly capitalized woman through her own independent investing decisions [Surya-5 intelligent personal decisions].
Stock-brokers and other self-appointed nay-sayers claimed that GR simply "lacked the brains" [nicha-Shani brain issues] to handle stock-market gamesmanship [5, speculative finance]
However, GR proved them all to be rigidly outdated and culturally misogynistic via her winning combination of
+++ amplified by Rahu-Bharani-2 drishti
[Ketu] kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum] [for Meena indriya-lagna][beneficial placement] [passively fixated on ambitiously competitive-challenging Rahu-Mesha-2 treasuries, store-holds, family-members, bankers, memory-collectors, warehousers, knowledge-preservers, or second-spouse] ..... [profitable-systematic Arcturus-3] [navamsha Ketu-Kumbha]
OUTCOMES - KETU [Ketu Mahadasha] [age 31.8 until age 38.8] |
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