born 11 months after
born two months after
born 11 months before
born 20 months before
Swing Time 1911-1995 dance theatre Ginger Rogers and frequent dance partner Fred Astaire in the musical cinema Top Hat , 1935.
Ginger Rogers [age 32] in the 1943 movie, Tender Comrade.
1930's movie card, featuring Ginger Rogers
Golden Age of Hollywood
musical theatre star
a.k.a. Virginia Katherine McMath
// backwards and in high heels //
Earth-birth Sunday 16-Jul-1911
dematerialization 25-Apr-1995 [age 83]
1911-1995 - Ginger Rogers
birth data from http://en.wikipedia.org/wiki/Ginger_Rogers
tentatively rectifiedby BP Lama Jyotishavidya
tentatively rectifiedby BP Lama Jyotishavidya
charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama
Citthirai - Vismakarma - Azinech - Alaraph - Arista - Dana
For Chitra - Tvastri births of a feminine valence, the condition of kinesthetic, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome.
For those born into the Mangala-ruled paradigm of Visvakarma, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, builders, drivers, drillers, diggers, exploders, aggressors, pursuers, competitions and battles may be especially influential.
Guided by instructors from civilizations of Spica. Their purpose is architectural engineering and crafting of beautiful, functional, and artistic alliances, arrangements, and designs.
Designs + Arrangements
[Kuja] -ruled Vismakarma ladies are blessed with direct, muscular physical and sexual energy. They are often found in environments where beautiful designs plus physical agility are valued. Chitrani drawing skills often place them into garment-making and decoration. They typically excel in competitive , vitality-focused fields such as fashion modeling , cinematic acting, musical performance, choreography and dance, and athletics which emphasize balanced movement.
Kanya pada 1-2 expresses Kuja's rulership of 3-writing-commerce + 8-secret transformations, while also displaying the frustrating tension of chatty Budha versus active Kuja. Budha's Writing skills may emerge in pada 1-2. Kanya-Chaitra are often found in media communications and commercial aspects of design work, where their pro-active process management is distinctive. Trust and relationship integrity may be growth-challenging.
[Tula - Vanika] Pada 3-4 emphasizes Kuja's rulership of 2-collections, treasuries + 7-contracts, alliances. Shukra's bargaining behavior and financial skills rise in pada 3-4 due to the pleasant attractions of Shukra-Mangala. Ladies often enjoy considerable wealth via face, voice, marriage, and family lineage. In music, arts, and partnership-craft, they pursue harmonious arrangements. They often play stringed instruments, and write beautiful songs. In the arts, entertainment, beauty, and design industries, their contractual deals are often luxuriously beneficial.
Themes of competitive movement , agile beauty, dynamic design, and financial equity may contextualize Chaitra's terrestrial experience. Incoming drishti from Kuja can mobilize their progressive, pioneering actions. Also applies to Chandra in Chitra - Spica.
Ginger Rogers in c. 1930
QUOTATION from Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra . p 96.
" An expensive and luxurious person.
She likes to change costumes several times a day
Variety is the spice of life to this woman
Many actresses, musicians, artists and opera singers have Chitra rising. [....]
BPL commentary on Shil Ponde's prognosis for Chitra ladies: the traditional language of "die four years later" should probably be updated to "may be divorced several years later"
Photo of Ginger Rogers from the March 1941 issue of International Photographer [GR age 30]
Biographical data matched to Vimshottari Dasha timeline
Rogers dazzled and distracted sad audiences during the Great Depression, bringing a ray of sunshine to many during that dark time.
After winning pay-discrimination lawsuits, GR became the highest-paid female movie star of her day.
GR's enduring, iconic career featured important roles and promotional materials that highlighted working women in action.
Her iconic dance-theatre career began GR age 17, and closed with a widely applauded, popular autobiography GR age 80.
She died peacefully, age 83.
[Rahu Mahadasha] [age birth until age 3.1]
16-Jul-1911 Earth-birth as Virginia Katherine McMath in Independence, Missouri, USA * Rahu-Surya bhukti
1913 [GR age 2] During a contentious divorce from her mom, GR's father kidnapped toddler GR. Mom notified the court, and the judge granted exclusive child custody to mom. GR never saw her dad again. * Rahu-Mangala chidradasha * Kuja rules 6th-from-Surya = criminal misdoings of father
[Guru Mahadasha] [age 3.1 until age 19.1]
1922 [GR age 11] decease of estranged bio-father * Guru-Shukra bhukti * Shukra rules 12th-from-Surya
1925 [GR age 14] coached by her mom, GR won the highly publicized Texas State Charleston dance contest. Eighth-grader GR suddenly began her career in theatrical performance arts * Guru-Chandra bhukti * matrikaraka Chandra rules 11-goal achievement, awards
1928 [GR age 17] first nationwide vaudeville dance tour, accompanied by Mother * Guru-Rahu chidradasha
29-Mar-1929 [GR age 17] consecration of marriage 1-of-5 with childhood friend and entertainer, Jack Culpepper. In less than 3 months, teenage GR returned to her mother * Guru-Rahu chidradasha* samchara Rahu-Ketu via Mesha-Tula contact radical R-K ++ Rahu-Return
1929 [GR age 17] first minor cinema roles * Guru-Rahu chidradasha ++ Rahu-Return
1929 begin the Great Depression
25-Dec-1929 [GR age 18] opening day of GR's Broadway debut in the musical Top Speed * Guru-Rahu chidradasha ++ Rahu-Return
Shani Mahadasha [age 19.1 until age 38.1]
1931 [GR age 20] divorce from alliance-1-of-5 * Shani-Shani svabhukti * rogesha Shani rules 6-divorce
1931 [GR age 20] * Ginger becomes an overnight star in the Broadway musical, Girl Crazy * Shani-Shani svabhukti * vidyapati Shani rules 5-entertainment, stardom
1933 [GR age 22] as culturally accepted roles for women began to expand, during an era when actresses were often considered as prostitutes  national recognition for her dramatic role in the popular film 42nd Street * Shani-Shani svabhukti * vidyapati Shani rules 5-entertainment, stardom ++ dvadasa Sade-Sati
1933 [GR age 23] Neverthless, an unmarried woman was exposed to criticism  prompting GR to remarry. Consecration of marriage-2-of-5 with Lew Ayres, a television and cinema actor * Shani-Shani svabhukti * Shani rules Kumbha 7th-navamsha * samchara Rahu-Ketu via Makara-Karkata ++ janma Sade-Sati
Mar-1934 until Mar-1937 Janma Sade-Sati Kumbha
1940 [GR age 29] won Academy Award for Best Actress in cinema drama Kitty Foyle . Ranked as highest paid actress in Hollywood * Shani-Shukra bhukti * Shukra rules 9-celebrity awards [11th-from-11]
1940 [GR age 29] GR buys a 1000-acre ranch near the Rogue River, in Oregon. She and her mom lived there for 50 years, until 1990. * Shani-Shukra bhukti * Shukra rules 4th-from-Chandra, emotionally grounded owned properties
1941 [GR age 30] divorce from alliance-2 -of-5 * Shani-Surya bhukti * Surya rules 12 = 6th-from-7
16-Jan-1943 [GR age 32 ] consecration of marriage-3-of-5 with radio broadcaster, Jack Briggs * Shani-Surya bhukti * Surya rules Simha-Rahu navamsha * samchara Rahu-Ketu via Simha-Kumbha contact navamsha R-K
[Budha Mahadasha] [age 38.1 until age 55.1]
07-Sep-1949 [GR age 38] divorce from alliance-3-of-5 * Budha-Budha svabhukti * Budha lagnesha rules 12th-from-9th-from-Chandra [dissolution of third contractual marriage]
07-Feb-1953 [GR age 42] consecration of marriage-4-of-5 with Jacques Bergerac [1927-2014] dramatic actor, businessman * Budha-Shukra bhukti * samchara Rahu-Ketu via Karkata-Makara contact Budha lagnesha
Jul-1957 [GR age 46] divorce from alliance-4-of-5 * Budha-Chandra bhukti * Chandra rules 6th-from-Chandra
1961 [GR age 50] consecration of marriage-5-of-5 with executive cinema producer, William Marshall * Budha-Rahu bhukti * samchara Rahu-Ketu via Simha-Kumbha contact D-9 R-K
Jan-1964 until Dec-1966 Janma Sade-Sati Kumbha
[Ketu Mahadasha] [age 55.1 until age 62.1]
1971 [GR age 60] divorce from alliance-5-of-5 * Ketu-Shani bhukti * rogesha Shani rules 6-divorce
[Shukra Mahadasha] [age 62.1 until age 82.1]
25-May-1977 [GR age 66] grieved the decease of mother * Shukra-Surya bhukti * matrimaraka Surya rules 7th-from-Chandra
1991 [GR age 79] publication of popular autobiography Ginger, My Story * Shukra-Budha bhukti * Budha publications entertainments
[Surya Mahadasha] [age 82.1 until age decease age 83]
Mar-1993 until Jun-1995 Janma Sade-Sati Kumbha
25-Apr-1995 [GR age 83] dis-embodiment by heart-attack * Surya-Rahu bhukti ++ janma Sade-Sati
Distinctive Features of the Nativity
pitri-karaka [father] jyoti-karaka [light]
[bright center of commercial project leadership]
intelligence for high-visibility private narratives]
[elite detailed messaging roles]
[decision-maker for writing-publishing organizations]
[radiantly confident display of imaginative information]
[creative public media communications]
[socially recognized explanatory instructions]
[father may be businessman executive-boss-announcer]
[collaborative-publicizing Punarvasu-3] [navamsha Surya-Mithuna] [vargottamsha] confident theatrical announcements planning communications
[Atmakaraka celebrity entertainment sparkle drama romance]
[10 supremely high media visibility]
OUTCOMES - SURYA
famed for her dancing partnerships and ensemble drama performances
[Surya in bhava-10] rules 12
matrikaraka [mother] * garha-karaka [village]
OUTCOMES - CHANDRA
[Chandra-Kumbha]  rules-11
[Chandra in classroom-6] usually signifies emotionally sourced health challenges.
MARRIAGE partnership emotional equity support expectations
[7th-from-Chandra-6] lifepartnership 1-of-5
2nd-from-[7th-from-Chandra-6] lifepartnership 2-of-5
9th-from-[7th-from-Chandra-6] lifepartnership 3-of-5
4th-from-[7th-from-Chandra-6] lifepartnership 4-of-5
11th-from-[7th-from-Chandra-6] lifepartnership 5-of-5
Following divorce 5-of-5, GR moved back with her mom. GR and mom shared a doctrinally guided Christian Science lifestyle. Mom lived until GR's age 63, far outlasting all of GR's marriages and divorces. GR lived happily and wealthily as a single woman for the remaining 25 years of her life.
bhratru-karaka [brother] virya-karaka [virile]
[dynamic exploration of secret occult assets]
[pursuit of hidden sexual empowerments]
[innovative forward-pushing initiations]
[champion of sudden healing discoveries]
[dynamic signaler of masked threats]
[explains energized rejuvenating muscular movements]
[collaborative-cinematic Aśvini-3] [mūlatrikoṇa] [navamsha Kuja-Mithuna] champion promoter commerce innovation in business
OUTCOMES - MANGALA
GR was by far the leading female dancer of 20th century Hollywood musicals
jamayah-karaka [sibling] sandeza-karaka [message] zisya-karaka [student]
[narrative of ethno-cultural community]
[leadership in homeland economics]
[regenerating-discovering Pushya-4] [navamsha-Budha-Vrischika]
OUTCOMES - BUDHA
choreographer, writer, ensemble performer, businesswoman
[Budha in bhava-11] rules
dhava-karaka [husband] bahuta-karaka [variety]
[hierarchical-regulatory Arcturus-2] [navamsha Guru-Makara-nicha] intuitively expansive broad-scope optimism materialism lawful development
[Guru-yuti-Ketu] apathetic husbands
OUTCOMES - GURU
svadu-karaka [sweet] kalatra-karaka [wifely companion]
[celebrated fantasy arrangements]
[entertaining-celebrated Pūrvaphalgunī-1] [navamsha Shukra-Simha] [vargottamsha]
OUTCOMES - SHUKRA
duro-karaka [endurance] * jara-karaka [Jahre, years]
[explosive-evolutionary Bharani-4] [navamsha Shani-Vrischika]
OUTCOMES - SHANI
rajyalobha-karaka [ambition] picchala-karaka [slippery]
[for Kanya indriya-lagna]
[Rahu casts passionate drishti into 12-2-4]
[passion for active identity transformation]
[seeks prestige physical initiations]
[ambitious embodied discoveries]
[fascinating evolutionary energy]
[celebrity-displaying Bharani-1] [navamsha Rahu-Simha] fascinating theatrics
OUTCOMES - RAHU
Rahu in 3rd-from-Chandra
choreography, ensemble drama
GR helped to prove to a generation that limitations on personal independence could be personally challenged [Kuja] albeit cautiously and responsibly [Shani] with fascinating results [Rahu fascinating]
GR's professional and financial [Bharani] success eventually pushed the envelop [Kuja] of culturally acceptable action for women [Mesha independence].
[Bharani-Shani rigid old financial rules]
Women could not rationally manage money. // Everyone knows that. //
Still she persisted [Shani] .
GR became a remarkably wealthy woman through her own independent investing decisions. Her insistence of managing her own corporate stock and real-estate investments was extremely rare at the time for women. Old-school male financial experts were appalled. Plenty of nay-sayers predicted dire financial consequences for her challenge to social boundaries.
However, GR's winning combination beat the odds.
kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum]
[for Kanya indriya-lagna]
[apathetic toward brokered financial contracts]
[ambivalent toward heritage peer relationships]
[surrenders outdated historical assessments]
[releases unnecessary bargained valuation arrangements]
[dissolves useless legal agreements for asset-preservation]
[profitable-systematic Arcturus-3] [navamsha Ketu-Kumbha]
OUTCOMES - KETU
file update = 29-Nov-2022
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