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Drama-Song

Commerce


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COHORT

born 11 months after

born two months after

  • POTUS-40 American Life 1911-2004 American Life 1911-2004 Ronald Reagan


born 11 months before

born 20 months before



RogersGinger_moviecard_193x.jpg

1930's movie card, featuring Ginger Rogers


RogersAstaire_TopHat_1935.jpg

Swing Time 1911-1995 dance theatre Ginger Rogers and frequent dance partner Fred Astaire - shown in the musical cinema, Top Hat , 1935

RogersGinger_RKOstudio.jpg

Ginger Rogers, RKO studio promotional photo


Golden Age of Hollywood

celebrated dancer

choreographer

musical theatre star

cinema dramatist

singer

writer


Ginger Rogers

a.k.a. Virginia Katherine McMath

"backwards and in high heels"


Earth-birth = Sunday 16-Jul-1911

bio-decease = 25-Apr-1995 [age 83]


RogersGinger_TenderComrade1943.png

Ginger Rogers [age 32] in the 1943 movie, Tender Comrade.

RogersGinger_04h05m_d1d910.png

dramatist - comedienne

dancer - choreographer

activist - writer

1911-1995 - Ginger Rogers


birth data from en.wikipedia.org/wiki/Ginger_Rogers

tentatively rectifiedby BP Lama Jyotishavidya

charts, graphs and tables = generated by Shri Jyoti Star - www.vedicsoftware.com

- adapted by BP Lama

Rising Nakshatra

Ardraka Feminine Learners

Arudra - Betelgeuse

Trinetra


BPL COMMENTARY

For Arudra - Betelgeuse births of a feminine valence, the disposition of mesmerizing, hypnotic, shadowy, exciting, passionate, ambitious, opportunistic, privilege-seeking Professor Rāhu may considerably affect the outcome .

For those born into the Rahu-ruled paradigm of Rudhira, exotics, ethnic mixers, opportunists, fascinators, mesmerizers, privilege-seekers, impostors, rogues, intensifiers of passion and desire, self-proclaimers, self-promoters, agents-provocateur , charlatans, masters of smoke and oils, and entrancingly ambitious persons may be especially influential.

Instructional guidance is provided by emissaries from Orion. Their purpose is to communicate the passionate animal vitality via stormy, turbulent, swaying, exciting gesture and signal.


Passionately Communicative

[Risk-rewarding Rāhu] -ruled Ardraka ladies have stormy temperament. They may be considered capricious, inconsistent, and demanding. Often they are found in sensuous, writhing, twisting, fascinating roles. Mesmerizing dancers, they use the communicative signaling of hands, shoulders, legs, hips, and pelvic thrust to great advantage.

Depending upon the social environment of Arudra - Betelgeuse, their seductive appeal may express as private or public. When professionalized, tiruvaatira-born may be stage performers of high excellence, who send waves of desire [Rahu] through an audience numbering one or one-million.

Rahu-ruled Arudra - Betelgeuse displays the animal intensity of the storm. Arudra women often are blessed with the capacity to regenerate their physical vitality and recreate their persona.

Ardraka women are often the diva type who are sensuously clever [Rahu] verbally quick, and impatient with those who are less communicatively responsive. Thiruvaathira-born may be gifted in handcraft, commerce, painting, descriptive writing, evocative song-writing, and the arts of seductive imagery such as photography, costume, and arts-of-style [Budha].

Themes of stimulating signal patterns, passionate messaging, volatility, intense cycles of attraction-and-repulsion, and stormy outbursts may contextualize Arudra - Betelgeuse 's terrestrial experience. Applies also to Chandra in Arudra - Betelgeuse .

RogersGinger_c1935.png QUOTATION Arudra - Betelgeuse

from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra, p 93.


" A critical fault-finding disposition is apparently conferred ...

Her disagreeable disposition,

coupled with a sarcastic manner and speech,

  • makes it difficult for other people to tolerate her.

Although she is extremely clever in her conversation

and many people will be impressed by her speech,

  • while still disliking her.

She is extravagant to the point of wastefulness,

  • but on herself rather than on others,

  • although at times she will be grudgingly generous
  • to those with whom she comes in contact.

She has weak lungs and should be careful of colds and coughs,

  • as there is a tendency towards tuberculosis."

[end quote, Shil Pondey, 1939]


RogersGinger_194x.jpg


RogersGinger_c1930.png

Ginger Rogers in c. 1930

RogersGinger_1941.jpg

[GR age 30] Photo of Ginger Rogers from the March 1941 issue of International Photographer

RogersGinger_momLela_193x.jpg

mom-ager Lela Emogene Owens [1891–1977] with daughter Virginia

[a.k.a. Ginger Rogers] in 193x

.

RogersGinger_SilverYears_Signa.jpg

Slogan used to describe GR's precision dance-drama performance:

"she can do everything that the best male dancers can do -- - but backwards, and in high heels".

Biographical data matched to Vimshottari Dasha timeline



[Guru Mahadasha] = [age birth until age 09]

Sun-16-Jul-1911 = Earth-birth as Virginia Katherine McMath in Independence, Missouri, USA * Guru-Ketu bhukti

1913 [GR age 2] During a contentious divorce from her mom, GR's father kidnapped toddler GR. Mom notified the court about this paternal behavior, and the judge granted exclusive child custody to mom. Although he died at her age 11, GR never saw her dad again. * Guru-Shukra bhukti * Shukra rules 12-desapparacida


[Shani Mahadasha] = [age 09 until age 28]

1922 [GR age 11] decease of estranged bio-father * Shani-Shani svabhukti * Shani rules 7th-from-Surya

03-Dec-1926 [GR age 15] coached by her mom, GR won the highly publicized Texas State Charleston dance contest. Prize = four-week Vaudeville entertainment contract. GR's career had begun * Shani-Ketu bhukti * Guru-yuti-Ketu * Guru karmesha career

1928 [GR age 17] first nationwide vaudeville dance tour, accompanied by Mother * Shani-Shukra bhukti * Shukra rules 5-entertainment

29-Mar-1929 [GR age 17] consecration of wedding 1-of-5 with childhood friend and entertainer, Jack Culpepper. In less than 3 months, teenage GR returned to her mother * Shani-Shukra bhukti ++ samchara Rahu-Ketu via Mesha-Tula contact natal R-K ++ gochara Rahu-Return

1929 [GR age 17] first minor cinema roles * Shani-Shukra bhukti * Shukra-3 cinema rules 5-entertainment ++ gochara Rahu-Return

1929 begin the Great Depression * Shani-Shukra bhukti * Shukra rules 12-nightmares, loss

25-Dec-1929 [GR age 18] opening day of GR's Broadway debut in the musical Top Speed * Shani-Shukra bhukti * Shukra-3 cinema rules 5-entertainment + gochara Rahu-Return

1931 [GR age 20] * Ginger becomes an overnight star in the Broadway musical, Girl Crazy * Shani-Surya bhukti * Surya rules 3-newspapers, marketing, announcements +contains Shukra

11-Jul-1931 [GR age 20] legal divorce-1-of-5, officially ending alliance-1-of-5 * Shani-Chandra bhukti * Chandra rules 8th-from-7 = identity-change un-married

1933 [GR age 22] as culturally accepted roles for women began to expand, during an era when actresses were often considered as prostitutes [6] GR earns national recognition for her dramatic role in the popular film 42nd Street * Shani-Mangala bhukti * Kuja rules Rahu-11, earnings, goal-achievement ++ dvadasa Sade-Sati via-10,career

Mar-1934 until Mar-1937 Janma Sade-Sati Kumbha

  • [9-beliefs, credenda, life-principles, worldview, philosophy, faith]
  • [age 22-25]

14-Nov-1934 [GR age 23] Consecration of wedding-2-of-5 with television and cinema actor, Lew Ayres * Shani-Rahu bhukti ++ samchara Rahu-Ketu via Kumbha-Simha contact Chandra-Kumbha ++ janma Sade-Sati

1936 [GR age 25] release of the immensely popular and exquisitely choreographed dance-musical Swing Time , featuring GR and her legendary dance partner, Fred Astaire. Their precision footwork, costuming, and song earned the adoration of Depression audiences. Simultaneously GR enjoys a passionate romance with the film's celebrated director, George Stevens. * Shani-Rahu bhukti * [nīcha-Bharani-Shani-yuti-Mangala-Aśvini] + [Bharani-Shani-yuti-Rahu-Bharani] ++ janma Sade-Sati via-11, goals

1939 [GR age 28] on-off companion, the eccentric movie-producer and millionaire, Howard Hughes, proposes marriage with a five-carat emerald. GR accepts, despite finding Hughes to be insanely controling. Tabloid press coverage keeps GR in the headlines for months. GR continues to live with her mom. * Shani-Guru chidra-dasha * Guru-yuti-Ketu * Guru rules Kanya 7th navamsha ++dvithya Sade-Sati


[Budha Mahadasha] = [age 28 until age 45]

1940 [GR age 29] returning a box of extravagant jeweled gifts to paranoid narcissist Hughes, GR cancels their engagement * Budha-Budha svabhukti * Budha lagnesha = personal integrity ++ dvithya Sade-Sati

1940 [GR age 29] receives cherished Academy Award for Kitty Foyle . Ranked as highest paid actress in Hollywood [Rahu-11] * Budha-Budha svabhukti * Budha lagnesha + Budha rules 5th-from-Chandra = prizes ++ dvithya Sade-Sati

1940 [GR age 29] GR buys a 1000-acre ranch for herself and her mother, near the Rogue River, in Oregon. GR lived there for 50 years, until 1990 * Budha-Budha svabhukti * Budha bandhesha = fenced deeded landed properties ++ dvithya Sade-Sati

20-Mar-1941 [GR age 30] due to legal work supplied by Hughes' lawyers, GR secures a long-delayed divorce-2-of-5 officially ending alliance-2 -of-5 with dramatist, Lew Ayres, *Budha-Budha svabhukti * Budha rules 8th-from-Chandra = emotional identity-change

16-Jan-1943 [GR age 32 ] consecration of marriage-3-of-5 with bit-part cinema actor, Jack Briggs [Benjamin Katz] * Budha-Shukra bhukti * Shukra-Simha-3 publicity photographs ++ samchara Rahu-Ketu via Simha-Kumbha contact navamsha R-K

07-Sep-1949 [GR age 38] following earlier separation, finalized divorce-3, officially ending alliance-3-of-5 with dramatist, Jack Briggs * Budha-Rahu bhukti

07-Feb-1953 [GR age 42] consecration of marriage-4-of-5 with dramatic actor and businessman, Jacques Bergerac [1927-2014] * Budha-Guru bhukti * Guru rules Meena svamsha ++ samchara Rahu-Ketu via Kumbha-Simha contact Chandra-Kumbha


[Ketu Mahadasha] = [age 45 until age 52]

07-Jul-1957 [GR age 46] divorce-4-of-5, officially ending alliance-4-of-5 with businessman-dramatist, Jacques Bergerac * Ketu-Shukra bhukti * Shukra rules 6th-from-7 adversarial to marriage contract

16-Mar-1961 [GR age 50] consecration of marriage-5-of-5 with executive cinema producer, William Marshall * Ketu-Guru bhukti * Guru rules Meena svamsha ++ samchara Rahu-Ketu via Simha-Kumbha contact navamsha R-K


[Shukra Mahadasha] = [age 52 until age 72 ]

Jan-1964 until Dec-1966 Janma Sade-Sati Kumbha

  • [9-beliefs, credenda, life-principles, worldview, philosophy, faith]
  • [age 54-57]

1971 [GR age 60] divorce-5-of-5, officially ending alliance-5-of-5 with cinema producer, William Marshall * Shukra-Rahu bhukti

25-May-1977 [GR age 66] grieved the bio-decease of beloved mother * Shukra-Shani bhukti * Shani rules 12th-from-matrikaraka


[Surya Mahadasha] = [age 72 until age 78]


[Chandra Mahadasha] = [age 78 until decease age 83]

1991 [GR age 79] publication of GR's popular autobiography Ginger, My Story * Chandra-Rahu bhukti * Rahu-11 popularity, profits

25-Apr-1995 [GR age 83] blessed liberation from the Earthen-body, via cardiac arrest * Chandra-Shani bhukti + [nīcha-Bharani-Shani-yuti-Mangala-Aśvini] + [Bharani-Shani-yuti-Rahu-Bharani] ++ janma Sade-Sati

Mar-1993 until Jun-1995 Janma Sade-Sati Kumbha

  • [9-beliefs, credenda, life-principles, worldview, philosophy, faith]
  • [age 82-85]

Distinctive Features of the Nativity



[Sparkling Splendid Surya]

pitri-karaka [father] -- jyoti-karaka [light]

[communicative vikrama-pati for Mithuna indriya-lagna]

  • check Chandra + Chandra-drishti to source Surya's rhythmic certainty, sensitive radiance, soothingly confident display

[creatively vocalizing certainty in undulating speech-song]

[sensitive business vikrama-pati decisions highlight collection, capitalization, and accruals]

[protective parental management of business-and-family events]

[identified with rhythmic storytelling and ensemble teamwork vikrama-pati]

[familiar face-voice-hair-music = undulating center of attention]

[confidently intelligent knowledge of customary historical sound-color values]

[may showcase agricultural resources via media-messaging production vikrama-pati]

[routinized traditionalist father may be financially-focused center of sheltering folkways family line]

...

[protective-rhythmic Punarvasu-4] = [vargottamsha] [navamsha Surya-Karkata] confident theatrical announcements planning communications

[Punarvasu-Surya-yuti-Budha-Pushya]

  • [Surya-Karkata] [Bhanu - ray of light] * brightly charismatic confidence of Center-stage Surya radiates through the nourishing caretaking rashi of Chandra

  • [Surya in bhava-2] center of heritage collections - creative values-fulfillment = confident story-telling = dazzling bardic tradition = intelligence for languages = genius for sound-and-color = radiant genetically preserved knowledge = focus on stored assets = banking entitlements = bright face-speech-song = eye on capital resources [including human capital] = father heart of family = sparkling star of entreasurement-drama = evaluating father may be banker, singer, assessor, historian, tale-teller, collector, herder, preservationist
  • [Surya-yuti-Budha] confidently conversational = brightly explaining messenger = entitled to discuss = creatively intelligent sibling-cohort = discursive father-figure = gestures conduct the spiritual rays of the Sun = radiantly descriptive = articulate in drama = skillful game-player = self-confident announcements = talks about ideals = narrative of power-politics = recites love poems = describes divine romance


OUTCOMES - MAGNIFICENT MARTANDA

regally vociferous, sparkling face-eyes-voice,, shining eyes-hair-teeth, confidently oratorical, dramatically musical, flamboyantly financial, center of the family line, brilliantly sonorous, self-assuredly historical, politically traditional [Surya in bhava-2] rules

  • 3-communications, messaging, sermons, scripts, radio-television, media-products, Writing and Publishing, letters of correspondence, announcements, planning, schedules, sales, marketing, documentation, reporting, cohort, entourage, committee-work, process management, commercial business, instruction, explanation, discussion, diagrams, labeling, event management, signage, training, itinerary, tours



CAREER - SPARKLING SURYA

musical intelligence [Surya in bhava-2]

[celebrity entertainment sparkle drama romance]

[Surya-yuti-Budha] - Budha

GR was married-and-divorced five times

  • Simha drama, celebrity, artistic performance, sparkle
  • contains the [vargottamsha] = [Shukra-Singha]

    12] in [entertaining-gambling Pūrvaphalgunī-1]



FATHER

= electrical engineer

+ [nīcha-Bharani-Shani-yuti-Mangala-Aśvini] + [Bharani-Shani-yuti-Rahu-Bharani]

distressed ruler of Kumbha-pitristhana-9 = nicha-Shani ++ Kuja rogesha

  • During her parents' contentious divorce. GR's dad famously kidnapped GR as a toddler - several times.

  • GR's mom got a court judgment against the dad. GR was returned to her maternal grandparents, where she remained safely throughout her early years. GR never saw her bio-dad again.

  • matrikaraka in pitristhana = mom's presence overwhelms dad's effect




[Comfortable Caretaking Chandra]

matrikaraka [mother] -- garha-karaka [village]

[preserving-collecting dhana-pati for Mithuna indriya-lagna]

  • check Shani + Shani-drishti to source Chandra's soberly friendly feelings, structured community rhythms, orderly mass-participation sensibilities

[comforted by familiar faith-based friendships]

[culturally sensitive to beliefs about material goal achievement]

[needs to feel the inspirational pulse in collective worship assemblies]

[habitual populist preaching about dhana-pati language, historical narratives, heritage values]

[soothed by ideological connections]

[protector of the economic linkage arrays of the ancestral ethno-group]

[membership in the sangha confers a feeling of linkage into vast systems]

[emotionally attached to the principles of distributive wisdom]

[priestly sensibilities attuned to outreach via associative social ecologies]

[Chandra-Kumbha-9 = most comfortable when ensconced in doctrinally-saturated mass-participation speech, song, or storytelling dhana-pati]

[networking indoctrinating mother may hold populist convictions]

[devout socialite mother may cherish dhana-pati her community of sacred understanding]

...

[evaluating-heritage Pūrvābhādra-2] = [navamsha Chandra-Urisha] intuitively sensitive preserving historical financial-aesthetic values

= [Pushkara Navamsha]

  • [Chandra-Kumbha] comforted by friendship * sensitive to mass-participation gridworks * needs marketplace connection

  • [Chandra in Pūrvābhādra- Pegasus] soothed by expansive understanding * protectors of philosophical doctrine * preaches a broad perspective on human needs

  • [Chandra in classroom-9] draws comfort from paradigms of belief * emotionally attuned to sacred doctrine * accustomed to priesthood * maternal piety * soothed by globalist perspective * sentimentally righteous holiness * feels the pulse of preaching * calmed by a broad worldview * acculturated to principled understanding * needs a familiar catechism * protective patrons * habitually seeks guidance * your mother believes in you * settled into philosophical habits * undulatingconvictions * mother may be devout, philosophical, disciple, proselyte

OUTCOMES - ANCESTRAL SOMA

sensitively theorizing, protectively guiding, routinely preaching, parentally philosophizing, rhythmically indoctrinating, customary beliefs, predictably dogmatic, culturally ethnoreligious, emotionally patronizing, needs to be righteous [Chandra in classroom-9] rules

  • 2-acquisition, family legacy, tradition, language-lexicon, preserved memory, banking, collections, entreasurement, herd-hoard, treasury containment, financial capital, accrued amounts, asset evaluation, knowledge of history, speech-song, heritage values, color-sound, arts-and-music, face-voice-eyes-teeth-mouth-hair, genetics, stored resources, health of the father


CAREER - CARETAKING CHANDRA

  • [folk reputation 10th-from-Chandra = mysterious assistance, occult servitude, eruptive ailments, suddenly transformative ministries, invasive medicine, hidden disagreements Vṛścika-6]

Chandra-9 credenda rules 2-food-and-drink

  • GR adhered unswervingly to the Christian Science beliefs cherished by her mother and herself
  • GR was famed for never drinking alcohol or smoking despite these habits being almost universal among entertainers, during her Hollywood era.

Five-decade top caliber entertainment career in dance-theatre has lasting sentimental appeal to the American audience. Managed by her mother Lela Rogers, GR dazzled and distracted sad audiences during the Great Depression, bringing a ray of sunshine to many during that dark time of fearfully scarce-earnings.

GR was by far the leading actress-choreographer-dancer of 20th century Hollywood musicals. Her entertainment career began at GR's age 14. She worked in burlesque, cinema, television, and wrote a popular memoire.

She was also an independent marketplace investor [11] who built a fortune from her earned capital by making her own investment decisions. [a rare expression of womanly self-determination and independence in her era]


MOTHER

Mom = Lela Emogene Owens [1891–1977]

Mom = journalist, film producer, film editor, executive secretary to RKO studio bosses, acting teacher, and screenwriter. At age 17, mom married GR's dad. Parents divorced when little Virginia was age-3.

Protective chaperon and stage-manager, mom was the single most influential person in GR's long and complex biography [Chandra in classroom-7]

Chandra flow].

The mother-daughter pair enjoyed stability and affection, emotionally patriotic-defensive political views [5] and anchoring religious principles. Only 18 years elder to her daughter, mom was Ginger's most comfortable companion.

[Chandra in classroom-7] rules

  • Karkata household, repeating rhythms, stability, parenting, protection, old Ways, ruts-routines

Mom wrote theatre-critic articles for newspapers [Chandra rules Budha-5]. During Ginger's early childhood, mom moved to Hollywood, where she wrote movie scripts and worked as executive secretary to a top cinema-studio boss at RKO Pictures. Mom also taught acting classes at RKO. [5, theatre]

A classic stage mother, mom pushed and promoted Ginger's talent from daughter's age 14. Perhaps not surprisingly due to mom's insider privilege, Ginger was contracted to RKO Pictures. The legendary precision dancer, Fred Astaire, also worked at RKO.

Mom's political orientation defined Ginger's own convictions [Chandra rules 5].

Mom = political activist [5] and her defensive views were virulently anti-Communist [Surya-5 rules 6-enemies]. A cinema-studio insider due to her employment, mom was recruited into the bullying regime of J.Edgar Hoover . Mom was invited to Washington-DC in order to Blacklist suspected Communists in Hollywood.

Ginger and Lela

Like mom, Ginger = lifelong political conservative and strict adherent of Mary Baker Eddy's Christian Science doctrine.

Except for living with maternal grandparents during early childhood and during short conubial phases at the beginning of each of her five marriages, GR lived and traveled with her mother Lela. After 1940, mother and daughter quietly resided at GR's expansive ranch in southwest Oregonr.



MARRIAGE partnership emotional equity support expectations



[7th-from-Chandra-9] lifepartnership 1-of-5

lifepartner-1 = Jack Culpepper [1902-1979] vaudeville dancer, radio entertainer, singer, comedian, musician, naightclub manager, cinema-TV dramatist.

  • [1-personality, physique, movement, kinetic energy, embodiment]
  • Kanya complaints, service, unfairness, imbalance, ministry, helping, argumentation

Ruler of Kanya-7 = Budha-11 earnings, friendship [Puna-Surya-yuti-Budha-Pushya] = marriage to a dear friend

According to GR memoires, the teenage couple were unprepared for marriage, and felt more comfortable as a sibling pair [Budha teenagers, cohort]

  • Married age 17, just like her mom. Consecrated during the notoriously challenging Shani-Rahu bhukti , the young couple's alliance endured for only a few months before GR returned to her mother.
  • As they matured, the young divorcees maintained a friendship.
  • Budha-11 rules 7th-from-Chandra

2nd-from-[7th-from-Chandra-9]]= lifepartnership 2-of-5

lifepartner-2 Lew Ayres [1908-1996] had a 6-decade career as a TV-cinema actor

  • 8-mystery, hidden assets, identity-transformation, discovery, renewal, upheaval, changes
  • contains + [Bharani-Shani-yuti-Mangala-Aśvini] + [Bharani-Shani-yuti-Rahu-Bharani]
  • Mesha direct action. behavioral challenges and resistance to ending an unsuitable relationship.

Wedding-2 during Budha-Budha svabhukti = Bidha lagnesha-karmesha rules Kanya svamsha

  • 1934 until 1941 [GR age 23-30]. GR reported considerable difficulty in achieving her divorce from Ayres. [Shani-8 resistance to identity-change]
  • Although the couple separated after only a few months, their legal union gragged on for seven years [Shani resistance, nīcha-Shani warlike endurance]

9th-from- [7th-from-Chandra-9] = lifepartnership 3-of-5

lifepartner-3 = Jack Briggs [a.k.a. Benjamin Katz] [1920-1998]

= dashingly handsome minor dramatist, 9-yrs her junior

  • 3-mercantile business, propaganda, photographs, publicity, scripts
  • Vrischika mysteries, secrets, occult knowledge, sudden transformations, rebirth, rejuvenation

Marriage with 23-yo Briggs, USA-Marine veteran, was said to have been staged by Ginger's frenetically patriotic and pro-military stage-mother, Lela.

During WW-2, Ginger's waning popularity was boosted by celebrated publicity photos of Ginger with Briggs looking sharp in military-uniform [Mangala-Mesha]

  • RULER [8, hidden information] [Bharani-Shani-yuti-Mangala-Aśvini] + [Bharani-Shani-yuti-Rahu-Bharani]
  • Placeholder. Legally married 1943-1949 [GR age 32-39] Jack Briggs faded into camouflaged obscurity. He had no other marriages with women.

4th-from [7th-from-Chandra-9] = lifepartnership 4-of-5

lifepartner-4 = Jacques Bergerac [1927-2014]

= dramatic actor + executive director [10] for the Revlon Cosmetics corporation [Urisha beauty, finance]

  • 10 leadership, commanding positions, institutional identity, law, public responsibility, reputation
  • Urisha values, heritage, collections, beauty, evaluation, worth, assessment

Ruler Shukra-Simha-12 = foreign lands, imagination, dissolution

  • GR was on the beach [4] during a Riviera holiday, when she met the handsome, photogenic law student, 16 years her junior.
  • Although the union - sanctified during Ketu-Surya bhukti -- was physically brief, still the formal marriage endured 1952-1957 [GR age 41-45] .

11th-from [7th-from-Chandra-9] = lifepartnership 5-of-5

lifepartner-5 = executive cinema producer, William Marshall

  • 5-entertainment, theatre, games and gambling, romance, speculation, intelligence, genius
  • Makara social position, propriety, sobriety, hierarchy
  • exceptionally challenging RULER= Shani-8 [Bharani-Shani-yuti-Mangala-Aśvini] + [Bharani-Shani-yuti-Rahu-Bharani]

Nicha Shani directly or indirectly controls marriages 2, 3, and 5

  • Separation 1963 yet Legally married 1961-1969 [GR age 50-58].
  • According to GR memoire, although GR = lifetime tea-totaler due to her Christian Science doctrine, Marshall's alcoholism sabotaged their production company for cinema development.
  • However, there were likely other behavioral issues producing volatility and secrecy according to the ruler-complex Shani-Mangala-Rahu in 8

Lifepartner-5 = William Marshall, an erstwhile cinema producer. With Marshall, GR created a joint venture production company in Jamaica. [5, entertainment; Makara, legal entity]

All of GR's marriages were business partnerships [lagnesha-karmesha Budha rules 7th-from-Chandra]. GR divorced Marshall but as typical for her ex-es, the pair remained friendly [Budha-11].


Singlehood

Although rare in the day, independent-minded GR had her own capital assets and brokered her own investments [Guru-2 capitalization with no-limits Ketu = rules 7-brokerage]

  • GR lived happily as a highly capitalized single woman for the final 22 years of her life.

Following divorce 5-of-5, GR for the fifth time returned to her primary relationship, with guiding, coaching mom [Chandra-9] for the next 14 years [Shani cycle] 1963-1977.

GR and mom were both veterans of the entertainment industry. They shared a principled lifestyle based in Christian Science doctrine and conservative Republican politics.

Mom lived until GR's age 66. Ginger's dependable, protective relationship with her mom proved to be far more reliable than any of her five marriage partnerships.

Following mom's decease, GR lived happily and affluently as a single woman for the remaining 25 years of her incarnation.

All of her previous husbands spoke of her with friendliness and respect





[Competitive Champion Kuja]

bhratru-karaka [brother] -- virya-karaka [virility]

= [svakshetra] = [mulatrikona if between 0-18 deg]

[inimical-medicating rogesha for Mithuna indriya-lagna]

[gainful-friendly labha-pati for Mithuna indriya-lagna]

[energeticly advancing pursuit of economic gain labha-pati ]

[dynamic investigation of new marketplace rewards]

[fiercely motivated competition for revenues labha-pati]

[innovative use of physical force to reach material goals]

[vigorous engineering of athleticly active friendship linkage]

[gainful activation of dominating musclature for profitable purpose]

[argumentative rogesha forward push toward fiery stimulation of participatory earnings]

[interconnected public-roles promote warrior accomplishments]

[adversarially rogesha combative pioneer of fresh movement styles]

[socialite brother-cousin or friendly fellow-fighter may be achieving champion, community-connected inventor, distributor of engines or fuels]

...

[collaborative-cinematic Aśvini-3] = [mūlatrikoṇa] [navamsha Kuja-Mithuna] champion promoter commerce innovation in business

+ [Aśvini-Kuja-yuti-Shani-Bharani]

+ [Aśvini-Kuja-yuti-Rahu-Bharani]

  • [Mangala-Mesha] vigorous pursuit of dominance * straightforward dynamic actions * competitive winner * propulsive battering weaponry * push toward conquest * pioneering vitality * hot yang-energy * thrusting force * forward-driving movement * champion of innovation

  • [Mangala in bhava-11] drive toward connectivity * competitive earnings * pursuit of profits * dynamic marketplace actions * battle for revenues * champion of community activism * invasive networking * vigorous sporting friends * energized scientific systems * economic conquests

  • [Kuja-yuti-Shani] repressed movements * constant tension between sexual energy vs social rules * dynamic structuring * competitive force must cooperate with disciplined hierarchies * potential for punitive reactions to change * required containment of natural forces * military officer * musculo-skeletal challenges.

  • [Kuja-yuti-Rahu] thrill of muscular action * competitive ambition * passion to win * fascinating physicality * compulsive drive toward heroic battle * dynamic desires * champion of culture-clash * forward thrust toward opportunity * forceful pursuit of privilege

OUTCOMES - MOVING MANGALA

progressively gridworking, competitively earning, energized distributions, pro-actively community-connecting, innovatively gainful, vigorously systematic, pursuing networked revenues, promotes friendly association, champion of mass-participation linkage [Mangala in bhava-11] rules

  • 6-ministries of service, dehumanization, misconduct, war, jail, slavery, pollution, argumentation, healthcare workers, ailment, injury, medical treatment, hypocrisy, crime, cheating, animosity, toxins, complaints, accusation, litigation, blaming, scapegoat, aid workers, helpers. imbalanced conditions, injustice, betrayed promises, servants, laborers, hostility, animosity, disagreement, dehumanization

  • 11-fruitful revenues, interconnected income, profits, material achievement, social networking, friendships, community linkage, fan-clubs, mass participation gatherings, collectivism, marketplace gridworks, distribution, association, populism, economic systems, fundraising, gains-and-goals, awards for work accomplished, health of the enemies

CAREER - COMPETITIVE KUJA

+ [Aśvini-Kuja-yuti-Shani-Bharani]

+ [Aśvini-Kuja-yuti-Rahu-Bharani]

= combined rulers of 6 + 8 + 9 + 11 + Rahu = economic empowerment, "working girl"

Kuja-11 drishti energizes, stimulates, activates, moves, and provokes

  • 2 speech, finance, heritage, collections, language, speech, sound, voice, face
  • 5 politics, drama, romance, speculation, children, display, creativity
  • 6 conflict, warfare, accusation, exploitation, resentment, lawsuits, divorce, mistreatment

+ [Aśvini-Kuja-yuti-Shani-Bharani]

+ [Aśvini-Kuja-yuti-Rahu-Bharani]

Energetically enacted the new "Working Girl" model for modern American women.

Vigorous supporter of American military [Kuja rogesha in 6th-from-6]. Her mom Lela had served as a USA-Marine in WW-1.

Kuja-11 earnings, gains, achievement, income, revenue, friendship, social network

Mangala in bhava-11] also occupies the injustice-cancelling 6th-from-6 while Kuja-rogesha rules

  • 6-disagreements, misbehavior, mistreatment, illness, exploitation, injustice, disputes, service to others, helpfulness


FAMOUS PAYCHECK LAWSUIT [6]

GR launched an unprecedented lawsuit against her cinema-studio employers, for cheating her of due wages [6, fraud] .

Also remarkable for a woman in that era, she prevailed in the lawsuit [Kuja-11 = 6th-from-6 = friends exceed enemies]. After winning in court, GR became the highest-paid woman in Hollywood + [Aśvini-Kuja-yuti-Rahu-Bharani]

GR was one of the first -- and is still -- a respected role-model for women performing artists achieving high earnings in the notoriously misogynistic [6] entertainment industry



[Busy Bantering Budha]

jamayah-karaka [sibling] -- sandesha-karaka [message] -- shisya-karaka [student]

[energizing-identifying lagnesha for Mithuna indriya-lagna]

[homebound-anchoring bandesha for Mithuna indriya-lagna]

  • check Chandra + Chandra drishti to source Budha's parental discourse, patriotic dialog, boundary-defending plans

[talks about ethno-cultural historical traditions]

[identified lagnesha with sensitive conversations about banking and asset collections]

[detailed discussions about domestic food cultivation]

[managed information for ancestral values conservation]

[commercial interest in valuable landed properties bandesha]

[environmental planning for heritage resource conservation]

[explains storage and retention for farm-ranch waters]

[articulate exponent of rhythmic musical tones]

[family practices eating-and-drinking rituals with speech-and-song]

[protective younger sibling-cousin or local students may be real-estate financier, agricultural products warehouser, folkways historian]

...

[regenerating-discovering Pushya-4] = [navamsha-Budha-Vrischika]

+ [Pushya-Budha-yuti-Surya-Punarvasu]

  • [Budha-Karkata] comfortable communications * hand-arm-shoulders make protective gestures * rhythmic articulation of root culture * discusses ancestral morality * prescriptive routines * argues for foundational stability * describes protective fencing * parochial talk * converses about caretaking * environmental wardens * issues customary pronouncements * delivers land-use information * patriotic declarations * habitually chats about the local settlement

  • [Budha in bhava-2] narrative of values-fulfillment * conversations about natural resources * talks about history * instructions for asset conservation * explains banking procedures * cherished recordings * discusses sound values * articulation of speech-song * quick-darting eyes-face * tells stories * defines storage methods * describes family lineage * manual preservation of collections * chats about knowledge base * conserves libraries * quick with language * manages archives * repeats from memory

  • [Budha-yuti-Surya] illuminating explanations * entertaining chatter * central roles in communication * brightly clear descriptions * dramatic enunciation * confidently delivers instruction * articulation of radiant certainty * political messenger * talkative father-figures

OUTCOMES - BANTERING BUDHA

discusses finance, assets manager, articulate singer-musician, traditional communicator, knowledgeable conversation, memorable gesturing, explains legacy values [Budha in bhava-2] rules

  • 1- distinctive attributes of personality, dense material incorporation, individual personification, earthen embodiment, physical integrity, kinetic energy, dance, style of movement, athletic prowess, muscular mobility, unique character, kinetic vitality, circumstances of birth, forward push, tangible appearance, coherent social identity

  • 4 cultural foundations, property boundaries, way of Life, protection, defense , homeland, household, routines, rituals, mother, parents, customary rhythms, caretakers, socialization schooling, gardens, waterways, transportation, housing, social security, sense of place, environmentalism, citizenship, belonging, ethnic basis, ethno-religion, patriotism, real-estate, farming, land-ownership, burial, predictability, health of the elder sibling


CAREER - BUSY BUDHA

By independently [Budha-yuti-Surya] logically investing [Budha in bhava-11] her own earnings - unencumbered by husbands or masculine managers [independent Surya] - GR became a wealthy single woman. During the final 22 years of her long and productive life. GR received substantial, continuous investment income.

choreographer, writer, ensemble performer, businesswoman

cinema, commercial production, ensemble drama, dance-choreography, advertising

1 friendship, social networking, aims-and-goals, fundraising

[Budha in bhava-5] rules

  • bhava-4 security, homestead, household, sense of belonging
  • bhava-7 contracts, bargains, agreement, negotiation, arrangements

CAREER - BUSY BUDHA

76 years of unbroken career in media-messaging performance

Her iconic dance-drama career began GR age 14, when her prize for winning a dance contest = Vaudevillw contract.

GR's final act was writing an applauded, popular autobiography and attending the television talk-show circuit to promote her book, age 80.

[Budha Mahadasha] = [age 28 until age 45]

Budha Mahadasha = development of GR talents in choreography, ensemble drama

Represented in contract negotiations by her theatre-critic mom [Budha rules 4, parent]

vidyapati Chandra-1] GR started getting contracts [7] at age 14, when she won a dance contest and performed her first stage-role as a last-minute substitute.

The Ranch [4]

  • By the end of Budha Mahadasha, GR had been working on stage for seventeen years
  • She had amassed enough capital to buy a 1000-acre ranch [Budha rules 4, land-properties]
  • GR and her mom lived at the 4 -ranch for decades.


[Generous Growing Guru]

dhava-karaka [husband] -- bahuta-karaka [variety]

[bargaining-adjusting jaya-pati for Mithuna indriya-lagna]

[dutiful-commanding karmesha for Mithuna indriya-lagna]

  • check Shukra + Shukra-drishti to source Guru 's wisely compromising, expansively diplomatic, charitable adjustability

[generously diplomatic globalist intellect]

[gracefully balanced large scale public showmanship]

[confidently contractual financial speculation]

[broadly tolerant brokerage of legal agreements]

[harmonious displays of negotiated relationship]

[benevolently equable theatrical performance of arranged roles jaya-pati]

[entitled, socially approved karmesha celebrity children enjoy fairly played games]

[pleasant diversity of romantic alliances]

[wide-scope inclusive dealings in trade and treaty]

[for wifely Learners, dithering husbandly-companion may be middleman politician, brightly charming intermediary, nicely adjustable entertainer]

...

[hierarchical-regulatory Arcturus-2] = [navamsha Guru-Makara-nīcha ] intuitively expansive broad-scope optimism materialism lawful development

+ [Arcturus-Guru-yuti-Ketu-Arcturus]

+ [permissive, ambitious Rahu-11 mutual-drishti++ Guru-5]

  • [Guru-Tula] many trades * variety of exchanges * optimistic negotiations * believes in justice * doctrine of contractual exchange * multiple alliances * permission to bargain * propagation of treaties and trusts * diversity of arrangements * equable guidance * widens the scope of balanced design

  • [Guru in bhava-5] much creativity * many intelligences * many entitlements * numerous games * diverse entertainments * many romances * extensive self-glorification * children identified with paradigmatic beliefs * expansion of political display * development of drama * optimistic in speculations * patron of creative performance * In the nativity of a Wifely Learner, , husbandly-companion may be a game-player

  • [Guru-yuti-Ketu] multiple options for severance * broad permission to abandon unsustainable connections * diverse wanderings * many occasions of surrender * philosophy of impermanence * large-size vacuums * many holy pilgrimages

OUTCOMES - GENEROUS GURU

abundantly celebrated, inspirationally center-stage, jovially entertaining, tolerant genius, globally creative, divinely guided gambling, confidently speculative, believes in romance, idealistic indoctrinator [Guru in bhava-5] rules

  • 7-covenant, promise, trust, contractual relationships, social justice, advocacy, legal judgments, lawcourts, appeals, representation, equity, diplomacy, partners, justice, marriage, legal and formal partnerships, negotiation, alliance-crafting, match-making, fair arrangements, even deals, advocacy, trading, bargaining, brokerage, haggling, go-between, middleman, meddler

  • 10-career, profession, dignity, regulatory roles, governance duties, social authority, symbolic recognition, iconic visibility, leadership responsibility, top status, reputation, commanding positions, honor, high regard, public respect, executive power, elite rank, lawful imposition, organizational director


CAREER - GENEROUS GURU

+[Arcturus-Guru-yuti-Ketu-Arcturus]

  • well-known firstly for her five marriages.

bhava-4 security, homestead, household, sense of belonging, real-estate, foundations

Dhanus beliefs, philosophy, life principles ruler [Guru-yuti-Ketu] credenda, ideology, patronage

Meena imagination, visions, inner guidance, conceptual comprehension

bandhesha Guru-2

[Guru-yuti-Ketu] = revolving-door of GR's five brief marriages, which would normally have been stigmatized in the 1930's and 1940's when GR's career was most active.

  • However, GR upheld a sanitized public profile framed by her unswerving devotion to the Christian Science doctrine of Mary Baker Eddy.
  • She sold war-bonds and maintained a public facade of conservative patriotic political conviction.

= [Sarala yoga]

  • benefits both Shukra and Guru, protecting against damage from unsavory discoveries or scandal.


[Sweetly Suave Shukra]

svadu-karaka [sweet] -- kalatra-karaka [wifely companion]

[contemplative-retreating vyaya-pati for Mithuna indriya-lagna]

  • check Surya + Surya-drishti to source Shukra's glittering advocacy, dramatized bargains, self-central arrangements

[sweetly entertaining media-signaling]

[fair-minded political vidya-pati publicity dramatizes the script]

[seeks invisible sanctuary vyaya-pati while commercially publishing romanticized content]

[suave creative discourse]

[equable messaging about idealized characterizations vidya-pati]

[harmoniously theatrical communications agenda]

[demonstrative topical discussion itinerary]

[graceful explanation of brilliant pageantry]

[smoothly prosodic interior vyaya-pati poetic definition]

[diplomatic regally self-referential project management]

[comparative publications detail divine ceremony]

[speculative documented information coordinates the fashionable announcements ]

[for husbandly Learners, brightly charming wifely-companion may be privately vyaya-pati intelligent businesswoman, gambling manager, game-playing instructor, children's writer]

...

[entertaining-celebrated Pūrvaphalgunī-1] = [vargottamsha] [navamsha Shukra-Simha]

  • [Shukra-Singha] appreciation of regal confidence * likes admiration * enjoys applause * prefers creative partners * attracted to artistic performers * bargains to play radiant central roles * delighted by celebrity * charmed by romantic pleasures * pleased by ceremonial display * brightly theatrical arrangements

  • [Shukra-3] seeks pleasure via communications * talks about relationships * sweetens the administrative tasks * smooth style of messaging * enjoys commercial harmony * pleasant retinue * satisfied by literacy * balanced numeracy skills * prefers collaborative teamwork * aesthetically phrased announcements * appreciation of conversation * nice designs to adorn the ears * attractive shoulders * lovely arms * graceful hands * chatty sisters- aunts-neighbors * attuned to the cohort * likes musical groups * fair-and-balanced reporting * for husbandly Learners, wifely-companion may be a manager-communicator-writer


OUTCOMES - SWEETENING SHUKRA

pleasantly sensual communication style, enjoys balanced conversation, harmoniously collaborative teamwork, aesthetic of beautiful project presentation, likes the process of writing-and-publishing, commercial finance, prefers a luxurious office, mentally engaged in making fair arrangements, musical-artistic media-messaging transactions, appreciates having a gracious neighborly cohort [Shukra-3] rules

  • 5- Politics, center-stage roles, theatre, demonstration, display, charming brilliance, genius, poetry, choice-making, showmanship, gambling and gamesmanship, romantic idealism, creativity, fashion-shows, flamboyance, celebrity entitlements, confidence, artistic performance, drama, children, financial speculation, intelligence, entertainments, fun

  • 12 enclosures, the bed, fantasies, privacy, interior spiritual guidance, clandestine undertakings, intuitive awareness, non-linear conceptual undertanding, concealment, seclusion, invisibility, dissolved identity, meditation, contemplation, dreamworlds, astral plane, imaginary scenarios, sanctuary sleep, distant lands, distress of the avowed partner


CAREER - BRIGHT BHRIGU-TANAYA

  • 9-Urisha finance, song, face, values, capital
  • 2-Tula bargaining, trades, balance, pledge, adjudication, twosome-partnerships

  • bhava-9 father-figures,sangha, globalism, ideology, paradigmatic belief, doctrine

sweet siblings-cousins

Although GR was an only-child, she enjoyed a lifetime close companionship with her lady-cousin [3-Shukra], writer [3] and affluent figure in the publishing world [3] Phyllis Fraser.

Swing Time 1911-1995 dance theatre Ginger Rogers GR worked in ensemble drama, cooperating and collaborating with many skilled performers in dance, comedy, and theatrical production. Although GR had no younger sibling, she was close to several cousins.


HEALTH PUZZLES

Much of the potentially withdrawing influence of Shukra-12 has been reduced by

  • Surya-5 ruler of 6 occupies 12th-from-6 = drains the energy of 6 into Surya [problematic father]

Both GR and her mom [Chandra] were devout members of Mary Baker Eddy's Christian Science fellowship.

  • GR completely eschewed the smoking and alcohol-drinking habits that were nearly universal in the Hollywood culture

Nevertheless, GR lived with diabetes for decades [Shukra in 6th-from-Chandra = emotionally sourced sugar-imbalance]

  • GR refused to take medical insulin, due to her faith.
  • GR was able to manage her diabetes with exercise, diet, and prayer
  • As a professional dancer she naturally exercised vigorously. A top amateur tennis player, GR also exercised for sport.
  • However, in her later years, diabetic toxicity and inflammatory obsesity became severe. [Simha heat-driven inflammation]

Eventually, the disease triggered her peaceful-but-painful disembodiment during Rahu-Rahu svabhukti, age 83 [Rahu-2 maraka].



[Sober Structural Shani]

duro-karaka [endurance] -- jara-karaka [Jahre, years]

= [nīcha] = [svabhava]

[mysterious-revealing randresha for Mithuna indriya-lagna]

[theoretical-principled dharmesha for Mithuna indriya-lagna]

[dhanayoga Shani-11 rules 11-from-11]

...

[explosive-evolutionary Bharani-4] = [navamsha Shani-Vrischika]

[ātmakāraka work ethic, duty, hierarchy, social position, resistance to innovation,materialism, pragmatism, common sense]

+ [nīcha-Bharani-Shani-yuti-Mangala-Aśvini]

+ [Bharani-Shani-yuti-Rahu-Bharani]

  • [Shani-Mesha] harsh old blood-feuds * brain cramp * blocked bloodflow * muscle seizure * limits innovation * overburdened aggressions * fierce resistance * freezes new ideas * law of the winners * proletarian battles * must enforce dominance * contempt for independence * burdened by championship * cruel competitions * endurance contests* at times, survival requires great effort * obligation to fight * normalizes war * structural pressure upon head-brain * lurching forward push * conquest brings oppressive duty * must sustain physical supremacy * constricted vitality * maintainer of bitter old competition-for-resources

  • [Shani in Bhava-11] steady time-structured achievements * must maintain connections * sustainedeffort toward realistic aims * must regulate economic linkage * cautiously conventional accomplishments * class-conscious social network * chronic pressure on nerves-skin * few friendships * limited revenues * works hard for earnings * resists new associations * supports lawful distribution systems * accepts marketplace rules * salary worker fatigue * rigidly dutiful socialite roles * elders maintain community responsibilities

  • [Shani-yuti-Mangala] social resistance to competitive action * pragmatic pursuits * cautious innovation * limited pace of progress * championship winning = lawfully delayed - but not denied * physical discipline * constraints on instinctive movement * conventionally regulated sports * tension from contradictory push-pull impulses.

  • [Shani-yuti-Rahu] stiff resistance to unbridled ambition * formally regulated cultural mixing * disciplined thrills * class-based limitations upon privilege * blocked ambitions * repressed quest for intriguing importance * socially constrained opportunism * shimmering illusion of systematic conformity * irregular achievements * over-reaching elders * restricted risks


OUTCOMES - STRUCTURAL SHANI

dutifully earning, works diligently on goal achievement, responsibly associative, mature approach to friendship, must regulate the profits, structured distribution systems, burdensome community duties, formally interlinked, connection-maintaining, rigidly economic, aim constricting, orthodox assemblies, normalized mass-participation, conventionally gainful, systematically arrayed, imposes order in the marketplace, lawfully fruitful, seriously socializing [Shani in Bhava-11] rules

  • 8-unexpected eruptions of regenerating force, occult initiation, mystical revelation, shocking intervention, opaque empowerments, invasive surgery, intensive healing, evolution, violent explosion, sudden identity change, rejuvenation, recycling, rebirth, hidden assets, upheaval, undisclosed secrets, transformative events, discovery, in-laws of first marriage, health of younger sibling-cousin

  • 9-ideology , paradigm of belief, profession of faith, principled convictions, higher understanding, father-figures, priestly patronage, preaching, patriarchal entitlements, philosophical convictions, theory, public spiritual guidance, celebrated doctrines, sangha, sacred teachings, credenda, globalism, dharma, worldview, weltanschauung, mother's health


CAREER - SOBER SHANI

= combined rulers of 6 + 8 + 9 + 11 + Rahu = economic empowerment, "working girl"

--------------------

Shukra rules the 5-world of dramatics, politics, entitlement, creativity, performance, romance, sparkle

[ātmakāraka] = [nīcha-Shani in bhava-8] rules

  • 12interiority, imagination, distance, seclusion, invisibility

[Shani-yuti-Mangala + [Shani-yuti-Rahu] combines the rulers of 2 + 9 + 11 + 12 amplified by Kuja-energized Rahu

CAREER - SOBER SHANI

GR = iconic stage-and-screen actor and dancer, as well as an accomplished writer and television figure.

  • GR rarely stopped working. [ātmakāraka -nīcha -Shani-yuti-Kuja-yuti-Rahu]

Dhanayoga ]

Rahu-amplified nīcha-Shani in bhava-2 + 2nd-from-Chandra] rules 11 + 11th-from-Chandra

  • After winning pay-discrimination lawsuits, GR became the highest-paid female movie star of her day.
  • Her financial investments bore fruit, and GR's later-decades featured entreasurement resulting from her earlier-decades relentless work [Shani]

Shani-yuti-Mangala + [Shani-yuti-Rahu]

2] occupies 2nd-from-Chandra

  • media messaging signal gesture communication
  • ensemble performance
  • cinema, scripting, the production processes of drama
  • GR's mom = Hollywood scriptwriter


[Risk-rewarding Rāhu]

rajyalobha-karaka [ambition] -- picchala-karaka [slippery]

= [svabhava] = [for Mithuna indriya-lagna]

[Rahu-11 casts passionately profitable networked drishti into 3-5-7]

  • check Kuja + Kuja-drishti to source Rahu's apparently conquering, mesmerizingly dynamic, mirage of fiery energy

[vigorous passion for revenues]

[over-reaching pioneering profits]

[ambitiously competitive high-achieving friends]

[desire to dominate economic communities]

[exhilarating innovative social networks]

[extraordinary energetic fundraising]

[hunger for inventive earnings]

[risk-rewarding forward-pushing marketplace connectivity]

[seeks importance in championship assemblies]

...

[celebrity-displaying Bharani-1] = [navamsha Rahu-Simha] intuitively dramatic, fascinating theatrics

+ [Bharani-Rahu-yuti-Mangala-Aśvini-]

+ [Bharani-Rahu-yuti-Shani-Bharani-nicha]

  • [Rahu-Mesha] shimmering illusion of championship * craving for superiority * exotic use of dominating force * mask of competitive action * mirage of first-arrival pioneer * over-reaching urgency * extraordinary birth * extravagant muscularity * mesmerizing forward movement * unusual athleticism* fascinating conquests * marvelous warriorship * seeks special importance via apparent [but perhaps not authentic] attributes of heroic action * seeks privilege via innovator-roles

  • [Rahu in bhava-11] passion for prestige rewards * in Roguish Rahu's svabhava co-ruled by materialistic Shani * the Shadowy Specter seeks glamorous material attainments * outsider who cleverly insinuates into social-networking roles * high-risk marketplace gains * ravenous for revenues * astounding awards * extraordinary economic connections * desires linkage into privileged systems * expediently gainful assemblies * opportunistic community activism * over-reaching friendships * craves prodigious profitability * exciting culturally-mixed gridworks * phony fellowship * may pose as a populist * boundary-breaching collectivism * entranced by one's own achievements * looks like a relative of the father's people * thrillingly surge of amazing earnings * trespasses the normal cultural limits on distributive association

  • [Rahu-yuti-Mangala] amplified competition * magnified championship * exotic pursuits * tricky innovation * opportunistic brother-warriors * fascinating [but perhaps illusory] appearance of dynamic energy * hypnotic attack * passion for engines * craves hot movement * invasive force of cross-cultural mixing

  • [Rahu-yuti-Shani] amplified public formality * pragmatic exaggeration * exotic social conventions * slippery hierarchies * tricky rules * opportunistic elders * fascinating [but perhaps illusory] strict conformism * regulated risk-taking * hypnotic outsider insinuates normalcy * orderly cross-cultural mixing * thrilling legitimations


OUTCOMES - RISK-REWARDING RAHU

+ [Bharani-Rahu-yuti-Mangala-Aśvini-]

+ [Bharani-Rahu-yuti-Shani-Bharani-nicha]

= combined rulers of 6 + 8 + 9 + 11 + Rahu = economic empowerment, "working girl"

  • nencumbered by husbands or masculine managers - GR became an affluent single woman.
  • During the final 22 years of her long and productive life, GR lived single and supplied with substantial continuous income.

CAREER - RAHU

"The Working Girl"

Challenging beliefs about feminine movement [Kuja] and limitations [Shani]

GR's enduring, iconic entertainment career developed a new [Kuja] social model called "the Working Girl" [Shani work].

  • Rahu's singular challenge to old social stereotypes was that Working Girls had their Own Money [Rahu-2]

GR played important roles and starred in promotional materials that highlighted working women in action. She helped to prove to a generation that social limitations [nīcha-Shani] upon personal independence [Mangala-Mesha]

  • could be personally overcome [warrior Kuja]
  • albeit cautiously and responsibly [Shani]
  • with fascinating results [Rahu fascinating]

RAHU-BHARANI - FINANCIAL INDEPENDENCE

GR's storied financial success [Rahu-Bharani] eventually pushed the envelop [Kuja] of culturally acceptable action for women [Mesha independence].

[Bharani-Shani rigid old financial rules]

  • According to conventional [atriarchal wisdom, women could not rationally manage money.
  • Still she persisted [Shani] .

GR became a highly capitalized woman through her own independent investing decisions [Surya-5 intelligent personal decisions].

  • Her insistence on selecting [5] her own preferred corporate stock and real-estate investments was extremely rare for American women in the 1940's.
  • Old-school male financial experts were appalled.

Stock-brokers and other self-appointed nay-sayers claimed that GR simply "lacked the brains" [nīcha-Shani brain issues] to handle stock-market gamesmanship [5, speculative finance]

  • These men predicted that GR would suffer dire financial consequences [Shani-2] for her gender over-reaching challenge to social boundaries [Rahu].

However, GR proved them all to be rigidly outdated and culturally misogynistic via her winning combination of

  • Bharani-Shani-2 rules-11 dhana-yoga
  • Mangala dhana-pati

+++ amplified by Rahu-Bharani-2 drishti

  • into Shukra-6
  • into Guru-8 = amplifying-expanding mutual drishti Rahu-Guru
  • into 10 career recognition and public role-modeling


[Collapsing unshackling Ketu]

kavandha-karaka [headless] -- chidra-karaka [gaping] -- vasana-karaka [vacuum]

[for Mithuna indriya-lagna]

  • check Shukra + Shukra-drishti to source Ketu's pleasantly apathetic, ambivalently agreeable, unsustainable promises

[unconcerned with speculation on contracts and alliances]

[scattered diplomatic intelligence]

[disengaged go-between witness of trust-and-treaty]

  • [material relationship to children, especially but not exclusively the eldest, may fairly and peacefully dissolve. The reciprocal spiritual relationship remains intact. Outcome depends upon any other graha-in-5]

[liberated from bright displays of loyal partnership]

[disregard for the drama of empty vows]

[steps away from center-stage displays of deal-making and negotiation]

  • [may be passively fixated upon ambitiously competitive, pushy, challenging Rahu-Mesha -11 friends, socialites, earners, awarders, revenue-makers, economists, distributors, associates, community-links]

[in romance, may abandon bargained arrangements]

[unplugged from demonstrations of trust and treaty]

[ambivalent about designing gracious political entertainments]

.....

[profitable-systematic Arcturus-3] = [navamsha Ketu-Kumbha]

+ [Arcturus-Ketu-yuti-Guru-Arcturus]

  • [Ketu-Tula] justly dissociates from negotiation * wanders away from compromise * eccentric alliances * martyr's diplomacy * abandons agreements * apathetic trades * surrenders trust * ignores restriction on match-making * releases a pale pastel cloud of fair deals into the misty abyss

  • [Ketu in classroom-5] ambivalent toward ceremony * disoriented offspring * wandering eldest child * demonstrates dramatic confidence in non-existent things * apathetic toward intellectual authenticity * ungrounded speculation * disregards standard intelligence * eccentric creativity * incoherent romantic ideals * disinterested in games * liberation via surrender of entitlements * unless yuti-graha in 5, or fertile ruler or incoming drishti, may prefer to live free from children

  • [Ketu-yuti-Guru] misunderstandings * unsustainable convictions * abandons empty theories * believes in non-existence * vacuous catechism * wandering teachers * apostasy * wisdom of surrender * incomplete comprehension * doctrines of impermanence * Other-Worldly viewpoint * walks away in disbelief * liberating philosophy * for wifely Learners, Ketu may release the धव कारक ;dhavakaraka husbandly-companion. .


OUTCOMES - EVACUATING KETU

bhava-2 face-voice-eyes, values, historical knowledge, family-of-origin, finance

[Ketu Mahadasha] = [age 39.7 until age 46.7]

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