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COHORT born 11 months after
born two months after
born 11 months before
born 20 months before
1930's movie card, featuring Ginger Rogers
Swing Time 1911-1995 dance theatre Ginger Rogers and frequent dance partner Fred Astaire - shown in the musical cinema, Top Hat , 1935 |
Ginger Rogers, RKO studio promotional photo Golden Age of Hollywood celebrated dancer choreographer musical theatre star cinema dramatist singer writer a.k.a. Virginia Katherine McMath "backwards and in high heels" Earth-birth = Sunday 16-Jul-1911 bio-decease = 25-Apr-1995 [age 83]
Ginger Rogers [age 32] in the 1943 movie, Tender Comrade. |
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dramatist - comedienne dancer - choreographer activist - writer 1911-1995 - Ginger Rogers birth data from en.wikipedia.org/wiki/Ginger_Rogers
tentatively rectifiedby BP Lama Jyotishavidya charts, graphs and tables = generated by Shri Jyoti Star - www.vedicsoftware.com - adapted by BP Lama |
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Rising Nakshatra Ardraka Feminine Learners Trinetra BPL COMMENTARY For Arudra - Betelgeuse births of a feminine valence, the disposition of mesmerizing, hypnotic, shadowy, exciting, passionate, ambitious, opportunistic, privilege-seeking Professor Rāhu may considerably affect the outcome . For those born into the Rahu-ruled paradigm of Rudhira, exotics, ethnic mixers, opportunists, fascinators, mesmerizers, privilege-seekers, impostors, rogues, intensifiers of passion and desire, self-proclaimers, self-promoters, agents-provocateur , charlatans, masters of smoke and oils, and entrancingly ambitious persons may be especially influential. Instructional guidance is provided by emissaries from Orion. Their purpose is to communicate the passionate animal vitality via stormy, turbulent, swaying, exciting gesture and signal. Passionately Communicative [Risk-rewarding Rāhu] -ruled Ardraka ladies have stormy temperament. They may be considered capricious, inconsistent, and demanding. Often they are found in sensuous, writhing, twisting, fascinating roles. Mesmerizing dancers, they use the communicative signaling of hands, shoulders, legs, hips, and pelvic thrust to great advantage. Depending upon the social environment of Arudra - Betelgeuse, their seductive appeal may express as private or public. When professionalized, tiruvaatira-born may be stage performers of high excellence, who send waves of desire [Rahu] through an audience numbering one or one-million. Rahu-ruled Arudra - Betelgeuse displays the animal intensity of the storm. Arudra women often are blessed with the capacity to regenerate their physical vitality and recreate their persona. Ardraka women are often the diva type who are sensuously clever [Rahu] verbally quick, and impatient with those who are less communicatively responsive. Thiruvaathira-born may be gifted in handcraft, commerce, painting, descriptive writing, evocative song-writing, and the arts of seductive imagery such as photography, costume, and arts-of-style [Budha]. Themes of stimulating signal patterns, passionate messaging, volatility, intense cycles of attraction-and-repulsion, and stormy outbursts may contextualize Arudra - Betelgeuse 's terrestrial experience. Applies also to Chandra in Arudra - Betelgeuse . |
from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra, p 93. " A critical fault-finding disposition is apparently conferred ... Her disagreeable disposition, coupled with a sarcastic manner and speech,
Although she is extremely clever in her conversation and many people will be impressed by her speech,
She is extravagant to the point of wastefulness,
She has weak lungs and should be careful of colds and coughs,
[end quote, Shil Pondey, 1939]
Ginger Rogers in c. 1930 |
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[GR age 30] Photo of Ginger Rogers from the March 1941 issue of International Photographer |
mom-ager Lela Emogene Owens
[1891–1977] with daughter Virginia
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Slogan used to describe GR's precision dance-drama performance: "she can do everything that the best male dancers can do -- - but backwards, and in high heels". |
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Biographical data matched to Vimshottari Dasha timeline
[Guru Mahadasha] = [age birth until age 09]
Sun-16-Jul-1911 = Earth-birth as Virginia Katherine McMath in Independence, Missouri, USA * Guru-Ketu bhukti 1913 [GR age 2] During a contentious divorce from her mom, GR's father kidnapped toddler GR. Mom notified the court about this paternal behavior, and the judge granted exclusive child custody to mom. Although he died at her age 11, GR never saw her dad again. * Guru-Shukra bhukti * Shukra rules 12-desapparacida [Shani Mahadasha] = [age 09 until age 28]
1922 [GR age 11] decease of estranged bio-father * Shani-Shani svabhukti * Shani rules 7th-from-Surya 03-Dec-1926 [GR age 15] coached by her mom, GR won the highly publicized Texas State Charleston dance contest. Prize = four-week Vaudeville entertainment contract. GR's career had begun * Shani-Ketu bhukti * Guru-yuti-Ketu * Guru karmesha career 1928 [GR age 17] first nationwide vaudeville dance tour, accompanied by Mother * Shani-Shukra bhukti * Shukra rules 5-entertainment 29-Mar-1929 [GR age 17] consecration of wedding 1-of-5 with childhood friend and entertainer, Jack Culpepper. In less than 3 months, teenage GR returned to her mother * Shani-Shukra bhukti ++ samchara Rahu-Ketu via Mesha-Tula contact natal R-K ++ gochara Rahu-Return 1929 [GR age 17] first minor cinema roles * Shani-Shukra bhukti * Shukra-3 cinema rules 5-entertainment ++ gochara Rahu-Return 1929 begin the Great Depression * Shani-Shukra bhukti * Shukra rules 12-nightmares, loss 25-Dec-1929 [GR age 18] opening day of GR's Broadway debut in the musical Top Speed * Shani-Shukra bhukti * Shukra-3 cinema rules 5-entertainment + gochara Rahu-Return 1931 [GR age 20] * Ginger becomes an overnight star in the Broadway musical, Girl Crazy * Shani-Surya bhukti * Surya rules 3-newspapers, marketing, announcements +contains Shukra 11-Jul-1931 [GR age 20] legal divorce-1-of-5, officially ending alliance-1-of-5 * Shani-Chandra bhukti * Chandra rules 8th-from-7 = identity-change un-married 1933 [GR age 22] as culturally accepted roles for women began to expand, during an era when actresses were often considered as prostitutes [6] GR earns national recognition for her dramatic role in the popular film 42nd Street * Shani-Mangala bhukti * Kuja rules Rahu-11, earnings, goal-achievement ++ dvadasa Sade-Sati via-10,career Mar-1934 until Mar-1937 Janma Sade-Sati Kumbha
14-Nov-1934 [GR age 23] Consecration of wedding-2-of-5 with television and cinema actor, Lew Ayres * Shani-Rahu bhukti ++ samchara Rahu-Ketu via Kumbha-Simha contact Chandra-Kumbha ++ janma Sade-Sati 1936 [GR age 25] release of the immensely popular and exquisitely choreographed dance-musical Swing Time , featuring GR and her legendary dance partner, Fred Astaire. Their precision footwork, costuming, and song earned the adoration of Depression audiences. Simultaneously GR enjoys a passionate romance with the film's celebrated director, George Stevens. * Shani-Rahu bhukti * [nīcha-Bharani-Shani-yuti-Mangala-Aśvini] + [Bharani-Shani-yuti-Rahu-Bharani] ++ janma Sade-Sati via-11, goals 1939 [GR age 28] on-off companion, the eccentric movie-producer and millionaire, Howard Hughes, proposes marriage with a five-carat emerald. GR accepts, despite finding Hughes to be insanely controling. Tabloid press coverage keeps GR in the headlines for months. GR continues to live with her mom. * Shani-Guru chidra-dasha * Guru-yuti-Ketu * Guru rules Kanya 7th navamsha ++dvithya Sade-Sati [Budha Mahadasha] = [age 28 until age 45]
1940 [GR age 29] returning a box of extravagant jeweled gifts to paranoid narcissist Hughes, GR cancels their engagement * Budha-Budha svabhukti * Budha lagnesha = personal integrity ++ dvithya Sade-Sati 1940 [GR age 29] receives cherished Academy Award for Kitty Foyle . Ranked as highest paid actress in Hollywood [Rahu-11] * Budha-Budha svabhukti * Budha lagnesha + Budha rules 5th-from-Chandra = prizes ++ dvithya Sade-Sati 1940 [GR age 29] GR buys a 1000-acre ranch for herself and her mother, near the Rogue River, in Oregon. GR lived there for 50 years, until 1990 * Budha-Budha svabhukti * Budha bandhesha = fenced deeded landed properties ++ dvithya Sade-Sati 20-Mar-1941 [GR age 30] due to legal work supplied by Hughes' lawyers, GR secures a long-delayed divorce-2-of-5 officially ending alliance-2 -of-5 with dramatist, Lew Ayres, *Budha-Budha svabhukti * Budha rules 8th-from-Chandra = emotional identity-change 16-Jan-1943 [GR age 32 ] consecration of marriage-3-of-5 with bit-part cinema actor, Jack Briggs [Benjamin Katz] * Budha-Shukra bhukti * Shukra-Simha-3 publicity photographs ++ samchara Rahu-Ketu via Simha-Kumbha contact navamsha R-K 07-Sep-1949 [GR age 38] following earlier separation, finalized divorce-3, officially ending alliance-3-of-5 with dramatist, Jack Briggs * Budha-Rahu bhukti 07-Feb-1953 [GR age 42] consecration of marriage-4-of-5 with dramatic actor and businessman, Jacques Bergerac [1927-2014] * Budha-Guru bhukti * Guru rules Meena svamsha ++ samchara Rahu-Ketu via Kumbha-Simha contact Chandra-Kumbha [Ketu Mahadasha] = [age 45 until age 52]
07-Jul-1957 [GR age 46] divorce-4-of-5, officially ending alliance-4-of-5 with businessman-dramatist, Jacques Bergerac * Ketu-Shukra bhukti * Shukra rules 6th-from-7 adversarial to marriage contract 16-Mar-1961 [GR age 50] consecration of marriage-5-of-5 with executive cinema producer, William Marshall * Ketu-Guru bhukti * Guru rules Meena svamsha ++ samchara Rahu-Ketu via Simha-Kumbha contact navamsha R-K [Shukra Mahadasha] = [age 52 until age 72 ]
Jan-1964 until Dec-1966 Janma Sade-Sati Kumbha
1971 [GR age 60] divorce-5-of-5, officially ending alliance-5-of-5 with cinema producer, William Marshall * Shukra-Rahu bhukti 25-May-1977 [GR age 66] grieved the bio-decease of beloved mother * Shukra-Shani bhukti * Shani rules 12th-from-matrikaraka [Surya Mahadasha] = [age 72 until age 78]
[Chandra Mahadasha] = [age 78 until decease age 83] 1991 [GR age 79] publication of GR's popular autobiography Ginger, My Story * Chandra-Rahu bhukti * Rahu-11 popularity, profits 25-Apr-1995 [GR age 83] blessed liberation from the Earthen-body, via cardiac arrest * Chandra-Shani bhukti + [nīcha-Bharani-Shani-yuti-Mangala-Aśvini] + [Bharani-Shani-yuti-Rahu-Bharani] ++ janma Sade-Sati Mar-1993 until Jun-1995 Janma Sade-Sati Kumbha
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Distinctive Features of the Nativity
[Sparkling Splendid Surya] pitri-karaka [father] -- jyoti-karaka [light] [communicative vikrama-pati for Mithuna indriya-lagna]
[creatively vocalizing certainty in undulating speech-song] [sensitive business vikrama-pati decisions highlight collection, capitalization, and accruals] [protective parental management of business-and-family events] [identified with rhythmic storytelling and ensemble teamwork vikrama-pati] [familiar face-voice-hair-music = undulating center of attention] [confidently intelligent knowledge of customary historical sound-color values] [may showcase agricultural resources via media-messaging production vikrama-pati] [routinized traditionalist father may be financially-focused center of sheltering folkways family line] ... [protective-rhythmic Punarvasu-4] = [vargottamsha] [navamsha Surya-Karkata] confident theatrical announcements planning communications [Punarvasu-Surya-yuti-Budha-Pushya]
OUTCOMES - MAGNIFICENT MARTANDA regally vociferous, sparkling face-eyes-voice,, shining eyes-hair-teeth, confidently oratorical, dramatically musical, flamboyantly financial, center of the family line, brilliantly sonorous, self-assuredly historical, politically traditional [Surya in bhava-2] rules
CAREER - SPARKLING SURYA musical intelligence [Surya in bhava-2] [celebrity entertainment sparkle drama romance] [Surya-yuti-Budha] - Budha GR was married-and-divorced five times
FATHER = electrical engineer + [nīcha-Bharani-Shani-yuti-Mangala-Aśvini] + [Bharani-Shani-yuti-Rahu-Bharani] distressed ruler of Kumbha-pitristhana-9 = nicha-Shani ++ Kuja rogesha
[Comfortable Caretaking Chandra] matrikaraka [mother] -- garha-karaka [village] [preserving-collecting dhana-pati for Mithuna indriya-lagna]
[comforted by familiar faith-based friendships] [culturally sensitive to beliefs about material goal achievement] [needs to feel the inspirational pulse in collective worship assemblies] [habitual populist preaching about dhana-pati language, historical narratives, heritage values] [soothed by ideological connections] [protector of the economic linkage arrays of the ancestral ethno-group] [membership in the sangha confers a feeling of linkage into vast systems] [emotionally attached to the principles of distributive wisdom] [priestly sensibilities attuned to outreach via associative social ecologies] [Chandra-Kumbha-9 = most comfortable when ensconced in doctrinally-saturated mass-participation speech, song, or storytelling dhana-pati] [networking indoctrinating mother may hold populist convictions] [devout socialite mother may cherish dhana-pati her community of sacred understanding] ... [evaluating-heritage Pūrvābhādra-2] = [navamsha Chandra-Urisha] intuitively sensitive preserving historical financial-aesthetic values
OUTCOMES - ANCESTRAL SOMA sensitively theorizing, protectively guiding, routinely preaching, parentally philosophizing, rhythmically indoctrinating, customary beliefs, predictably dogmatic, culturally ethnoreligious, emotionally patronizing, needs to be righteous [Chandra in classroom-9] rules
CAREER - CARETAKING CHANDRA
Chandra-9 credenda rules 2-food-and-drink
Five-decade top caliber entertainment career in dance-theatre has lasting sentimental appeal to the American audience. Managed by her mother Lela Rogers, GR dazzled and distracted sad audiences during the Great Depression, bringing a ray of sunshine to many during that dark time of fearfully scarce-earnings. GR was by far the leading actress-choreographer-dancer of 20th century Hollywood musicals. Her entertainment career began at GR's age 14. She worked in burlesque, cinema, television, and wrote a popular memoire. She was also an independent marketplace investor [11] who built a fortune from her earned capital by making her own investment decisions. [a rare expression of womanly self-determination and independence in her era] MOTHER Mom = Lela Emogene Owens [1891–1977] Mom = journalist, film producer, film editor, executive secretary to RKO studio bosses, acting teacher, and screenwriter. At age 17, mom married GR's dad. Parents divorced when little Virginia was age-3. Protective chaperon and stage-manager, mom was the single most influential person in GR's long and complex biography [Chandra in classroom-7] Chandra flow]. The mother-daughter pair enjoyed stability and affection, emotionally patriotic-defensive political views [5] and anchoring religious principles. Only 18 years elder to her daughter, mom was Ginger's most comfortable companion. [Chandra in classroom-7] rules
Mom wrote theatre-critic articles for newspapers [Chandra rules Budha-5]. During Ginger's early childhood, mom moved to Hollywood, where she wrote movie scripts and worked as executive secretary to a top cinema-studio boss at RKO Pictures. Mom also taught acting classes at RKO. [5, theatre] A classic stage mother, mom pushed and promoted Ginger's talent from daughter's age 14. Perhaps not surprisingly due to mom's insider privilege, Ginger was contracted to RKO Pictures. The legendary precision dancer, Fred Astaire, also worked at RKO. Mom's political orientation defined Ginger's own convictions [Chandra rules 5]. Mom = political activist [5] and her defensive views were virulently anti-Communist [Surya-5 rules 6-enemies]. A cinema-studio insider due to her employment, mom was recruited into the bullying regime of J.Edgar Hoover . Mom was invited to Washington-DC in order to Blacklist suspected Communists in Hollywood. Ginger and Lela Like mom, Ginger = lifelong political conservative and strict adherent of Mary Baker Eddy's Christian Science doctrine. Except for living with maternal grandparents during early childhood and during short conubial phases at the beginning of each of her five marriages, GR lived and traveled with her mother Lela. After 1940, mother and daughter quietly resided at GR's expansive ranch in southwest Oregonr. MARRIAGE partnership emotional equity support expectations [7th-from-Chandra-9] lifepartnership 1-of-5 lifepartner-1 = Jack Culpepper [1902-1979] vaudeville dancer, radio entertainer, singer, comedian, musician, naightclub manager, cinema-TV dramatist.
Ruler of Kanya-7 = Budha-11 earnings, friendship [Puna-Surya-yuti-Budha-Pushya] = marriage to a dear friend According to GR memoires, the teenage couple were unprepared for marriage, and felt more comfortable as a sibling pair [Budha teenagers, cohort]
2nd-from-[7th-from-Chandra-9]]= lifepartnership 2-of-5 lifepartner-2 Lew Ayres [1908-1996] had a 6-decade career as a TV-cinema actor
Wedding-2 during Budha-Budha svabhukti = Bidha lagnesha-karmesha rules Kanya svamsha
9th-from- [7th-from-Chandra-9] = lifepartnership 3-of-5 lifepartner-3 = Jack Briggs [a.k.a. Benjamin Katz] [1920-1998] = dashingly handsome minor dramatist, 9-yrs her junior
Marriage with 23-yo Briggs, USA-Marine veteran, was said to have been staged by Ginger's frenetically patriotic and pro-military stage-mother, Lela. During WW-2, Ginger's waning popularity was boosted by celebrated publicity photos of Ginger with Briggs looking sharp in military-uniform [Mangala-Mesha]
4th-from [7th-from-Chandra-9] = lifepartnership 4-of-5 lifepartner-4 = Jacques Bergerac [1927-2014] = dramatic actor + executive director [10] for the Revlon Cosmetics corporation [Urisha beauty, finance]
Ruler Shukra-Simha-12 = foreign lands, imagination, dissolution
11th-from [7th-from-Chandra-9] = lifepartnership 5-of-5 lifepartner-5 = executive cinema producer, William Marshall
Nicha Shani directly or indirectly controls marriages 2, 3, and 5
Lifepartner-5 = William Marshall, an erstwhile cinema producer. With Marshall, GR created a joint venture production company in Jamaica. [5, entertainment; Makara, legal entity] All of GR's marriages were business partnerships [lagnesha-karmesha Budha rules 7th-from-Chandra]. GR divorced Marshall but as typical for her ex-es, the pair remained friendly [Budha-11]. Singlehood Although rare in the day, independent-minded GR had her own capital assets and brokered her own investments [Guru-2 capitalization with no-limits Ketu = rules 7-brokerage]
Following divorce 5-of-5, GR for the fifth time returned to her primary relationship, with guiding, coaching mom [Chandra-9] for the next 14 years [Shani cycle] 1963-1977. GR and mom were both veterans of the entertainment industry. They shared a principled lifestyle based in Christian Science doctrine and conservative Republican politics. Mom lived until GR's age 66. Ginger's dependable, protective relationship with her mom proved to be far more reliable than any of her five marriage partnerships. Following mom's decease, GR lived happily and affluently as a single woman for the remaining 25 years of her incarnation. All of her previous husbands spoke of her with friendliness and respect [Competitive Champion Kuja] bhratru-karaka [brother] -- virya-karaka [virility] = [svakshetra] = [mulatrikona if between 0-18 deg] [inimical-medicating rogesha for Mithuna indriya-lagna] [gainful-friendly labha-pati for Mithuna indriya-lagna] [energeticly advancing pursuit of economic gain labha-pati ] [dynamic investigation of new marketplace rewards] [fiercely motivated competition for revenues labha-pati] [innovative use of physical force to reach material goals] [vigorous engineering of athleticly active friendship linkage] [gainful activation of dominating musclature for profitable purpose] [argumentative rogesha forward push toward fiery stimulation of participatory earnings] [interconnected public-roles promote warrior accomplishments] [adversarially rogesha combative pioneer of fresh movement styles] [socialite brother-cousin or friendly fellow-fighter may be achieving champion, community-connected inventor, distributor of engines or fuels] ... [collaborative-cinematic Aśvini-3] = [mūlatrikoṇa] [navamsha Kuja-Mithuna] champion promoter commerce innovation in business + [Aśvini-Kuja-yuti-Shani-Bharani] + [Aśvini-Kuja-yuti-Rahu-Bharani]
OUTCOMES - MOVING MANGALA progressively gridworking, competitively earning, energized distributions, pro-actively community-connecting, innovatively gainful, vigorously systematic, pursuing networked revenues, promotes friendly association, champion of mass-participation linkage [Mangala in bhava-11] rules
CAREER - COMPETITIVE KUJA + [Aśvini-Kuja-yuti-Shani-Bharani] + [Aśvini-Kuja-yuti-Rahu-Bharani] = combined rulers of 6 + 8 + 9 + 11 + Rahu = economic empowerment, "working girl" Kuja-11 drishti energizes, stimulates, activates, moves, and provokes
+ [Aśvini-Kuja-yuti-Shani-Bharani] + [Aśvini-Kuja-yuti-Rahu-Bharani] Energetically enacted the new "Working Girl" model for modern American women. Vigorous supporter of American military [Kuja rogesha in 6th-from-6]. Her mom Lela had served as a USA-Marine in WW-1. Kuja-11 earnings, gains, achievement, income, revenue, friendship, social network Mangala in bhava-11] also occupies the injustice-cancelling 6th-from-6 while Kuja-rogesha rules
FAMOUS PAYCHECK LAWSUIT [6] GR launched an unprecedented lawsuit against her cinema-studio employers, for cheating her of due wages [6, fraud] . Also remarkable for a woman in that era, she prevailed in the lawsuit [Kuja-11 = 6th-from-6 = friends exceed enemies]. After winning in court, GR became the highest-paid woman in Hollywood + [Aśvini-Kuja-yuti-Rahu-Bharani] GR was one of the first -- and is still -- a respected role-model for women performing artists achieving high earnings in the notoriously misogynistic [6] entertainment industry [Busy Bantering Budha] jamayah-karaka [sibling] -- sandesha-karaka [message] -- shisya-karaka [student] [energizing-identifying lagnesha for Mithuna indriya-lagna] [homebound-anchoring bandesha for Mithuna indriya-lagna]
[talks about ethno-cultural historical traditions] [identified lagnesha with sensitive conversations about banking and asset collections] [detailed discussions about domestic food cultivation] [managed information for ancestral values conservation] [commercial interest in valuable landed properties bandesha] [environmental planning for heritage resource conservation] [explains storage and retention for farm-ranch waters] [articulate exponent of rhythmic musical tones] [family practices eating-and-drinking rituals with speech-and-song] [protective younger sibling-cousin or local students may be real-estate financier, agricultural products warehouser, folkways historian] ... [regenerating-discovering Pushya-4] = [navamsha-Budha-Vrischika] + [Pushya-Budha-yuti-Surya-Punarvasu]
OUTCOMES - BANTERING BUDHA discusses finance, assets manager, articulate singer-musician, traditional communicator, knowledgeable conversation, memorable gesturing, explains legacy values [Budha in bhava-2] rules
CAREER - BUSY BUDHA By independently [Budha-yuti-Surya] logically investing [Budha in bhava-11] her own earnings - unencumbered by husbands or masculine managers [independent Surya] - GR became a wealthy single woman. During the final 22 years of her long and productive life. GR received substantial, continuous investment income. choreographer, writer, ensemble performer, businesswoman cinema, commercial production, ensemble drama, dance-choreography, advertising 1 friendship, social networking, aims-and-goals, fundraising [Budha in bhava-5] rules
CAREER - BUSY BUDHA 76 years of unbroken career in media-messaging performance Her iconic dance-drama career began GR age 14, when her prize for winning a dance contest = Vaudevillw contract. GR's final act was writing an applauded, popular autobiography and attending the television talk-show circuit to promote her book, age 80. [Budha Mahadasha] = [age 28 until age 45]
Budha Mahadasha = development of GR talents in choreography, ensemble drama Represented in contract negotiations by her theatre-critic mom [Budha rules 4, parent] vidyapati Chandra-1] GR started getting contracts [7] at age 14, when she won a dance contest and performed her first stage-role as a last-minute substitute. The Ranch [4]
[Generous Growing Guru] dhava-karaka [husband] -- bahuta-karaka [variety] [bargaining-adjusting jaya-pati for Mithuna indriya-lagna] [dutiful-commanding karmesha for Mithuna indriya-lagna]
[generously diplomatic globalist intellect] [gracefully balanced large scale public showmanship] [confidently contractual financial speculation] [broadly tolerant brokerage of legal agreements] [harmonious displays of negotiated relationship] [benevolently equable theatrical performance of arranged roles jaya-pati] [entitled, socially approved karmesha celebrity children enjoy fairly played games] [pleasant diversity of romantic alliances] [wide-scope inclusive dealings in trade and treaty] [for wifely Learners, dithering husbandly-companion may be middleman politician, brightly charming intermediary, nicely adjustable entertainer] ... [hierarchical-regulatory Arcturus-2] = [navamsha Guru-Makara-nīcha ] intuitively expansive broad-scope optimism materialism lawful development + [Arcturus-Guru-yuti-Ketu-Arcturus] + [permissive, ambitious Rahu-11 mutual-drishti++ Guru-5]
OUTCOMES - GENEROUS GURU abundantly celebrated, inspirationally center-stage, jovially entertaining, tolerant genius, globally creative, divinely guided gambling, confidently speculative, believes in romance, idealistic indoctrinator [Guru in bhava-5] rules
CAREER - GENEROUS GURU +[Arcturus-Guru-yuti-Ketu-Arcturus]
bhava-4 security, homestead, household, sense of belonging, real-estate, foundations Dhanus beliefs, philosophy, life principles ruler [Guru-yuti-Ketu] credenda, ideology, patronage Meena imagination, visions, inner guidance, conceptual comprehension bandhesha Guru-2
[Guru-yuti-Ketu] = revolving-door of GR's five brief marriages, which would normally have been stigmatized in the 1930's and 1940's when GR's career was most active.
= [Sarala yoga]
[Sweetly Suave Shukra] svadu-karaka [sweet] -- kalatra-karaka [wifely companion] [contemplative-retreating vyaya-pati for Mithuna indriya-lagna]
[sweetly entertaining media-signaling] [fair-minded political vidya-pati publicity dramatizes the script] [seeks invisible sanctuary vyaya-pati while commercially publishing romanticized content] [suave creative discourse] [equable messaging about idealized characterizations vidya-pati] [harmoniously theatrical communications agenda] [demonstrative topical discussion itinerary] [graceful explanation of brilliant pageantry] [smoothly prosodic interior vyaya-pati poetic definition] [diplomatic regally self-referential project management] [comparative publications detail divine ceremony] [speculative documented information coordinates the fashionable announcements ] [for husbandly Learners, brightly charming wifely-companion may be privately vyaya-pati intelligent businesswoman, gambling manager, game-playing instructor, children's writer] ... [entertaining-celebrated Pūrvaphalgunī-1] = [vargottamsha] [navamsha Shukra-Simha]
OUTCOMES - SWEETENING SHUKRA pleasantly sensual communication style, enjoys balanced conversation, harmoniously collaborative teamwork, aesthetic of beautiful project presentation, likes the process of writing-and-publishing, commercial finance, prefers a luxurious office, mentally engaged in making fair arrangements, musical-artistic media-messaging transactions, appreciates having a gracious neighborly cohort [Shukra-3] rules
CAREER - BRIGHT BHRIGU-TANAYA
sweet siblings-cousins Although GR was an only-child, she enjoyed a lifetime close companionship with her lady-cousin [3-Shukra], writer [3] and affluent figure in the publishing world [3] Phyllis Fraser. Swing Time 1911-1995 dance theatre Ginger Rogers GR worked in ensemble drama, cooperating and collaborating with many skilled performers in dance, comedy, and theatrical production. Although GR had no younger sibling, she was close to several cousins. HEALTH PUZZLES Much of the potentially withdrawing influence of Shukra-12 has been reduced by
Both GR and her mom [Chandra] were devout members of Mary Baker Eddy's Christian Science fellowship.
Nevertheless, GR lived with diabetes for decades [Shukra in 6th-from-Chandra = emotionally sourced sugar-imbalance]
Eventually, the disease triggered her peaceful-but-painful disembodiment during Rahu-Rahu svabhukti, age 83 [Rahu-2 maraka]. [Sober Structural Shani] duro-karaka [endurance] -- jara-karaka [Jahre, years] = [nīcha] = [svabhava] [mysterious-revealing randresha for Mithuna indriya-lagna] [theoretical-principled dharmesha for Mithuna indriya-lagna] [dhanayoga Shani-11 rules 11-from-11] ... [explosive-evolutionary Bharani-4] = [navamsha Shani-Vrischika] [ātmakāraka work ethic, duty, hierarchy, social position, resistance to innovation,materialism, pragmatism, common sense] + [nīcha-Bharani-Shani-yuti-Mangala-Aśvini] + [Bharani-Shani-yuti-Rahu-Bharani]
OUTCOMES - STRUCTURAL SHANI dutifully earning, works diligently on goal achievement, responsibly associative, mature approach to friendship, must regulate the profits, structured distribution systems, burdensome community duties, formally interlinked, connection-maintaining, rigidly economic, aim constricting, orthodox assemblies, normalized mass-participation, conventionally gainful, systematically arrayed, imposes order in the marketplace, lawfully fruitful, seriously socializing [Shani in Bhava-11] rules
CAREER - SOBER SHANI = combined rulers of 6 + 8 + 9 + 11 + Rahu = economic empowerment, "working girl" -------------------- Shukra rules the 5-world of dramatics, politics, entitlement, creativity, performance, romance, sparkle [ātmakāraka] = [nīcha-Shani in bhava-8] rules
[Shani-yuti-Mangala + [Shani-yuti-Rahu] combines the rulers of 2 + 9 + 11 + 12 amplified by Kuja-energized Rahu CAREER - SOBER SHANI GR = iconic stage-and-screen actor and dancer, as well as an accomplished writer and television figure.
Dhanayoga ] Rahu-amplified nīcha-Shani in bhava-2 + 2nd-from-Chandra] rules 11 + 11th-from-Chandra
Shani-yuti-Mangala + [Shani-yuti-Rahu] 2] occupies 2nd-from-Chandra
[Risk-rewarding Rāhu] rajyalobha-karaka [ambition] -- picchala-karaka [slippery] = [svabhava] = [for Mithuna indriya-lagna] [Rahu-11 casts passionately profitable networked drishti into 3-5-7]
[vigorous passion for revenues] [over-reaching pioneering profits] [ambitiously competitive high-achieving friends] [desire to dominate economic communities] [exhilarating innovative social networks] [extraordinary energetic fundraising] [hunger for inventive earnings] [risk-rewarding forward-pushing marketplace connectivity] [seeks importance in championship assemblies] ... [celebrity-displaying Bharani-1] = [navamsha Rahu-Simha] intuitively dramatic, fascinating theatrics + [Bharani-Rahu-yuti-Mangala-Aśvini-] + [Bharani-Rahu-yuti-Shani-Bharani-nicha]
OUTCOMES - RISK-REWARDING RAHU + [Bharani-Rahu-yuti-Mangala-Aśvini-] + [Bharani-Rahu-yuti-Shani-Bharani-nicha] = combined rulers of 6 + 8 + 9 + 11 + Rahu = economic empowerment, "working girl"
CAREER - RAHU "The Working Girl" Challenging beliefs about feminine movement [Kuja] and limitations [Shani] GR's enduring, iconic entertainment career developed a new [Kuja] social model called "the Working Girl" [Shani work].
GR played important roles and starred in promotional materials that highlighted working women in action. She helped to prove to a generation that social limitations [nīcha-Shani] upon personal independence [Mangala-Mesha]
RAHU-BHARANI - FINANCIAL INDEPENDENCE GR's storied financial success [Rahu-Bharani] eventually pushed the envelop [Kuja] of culturally acceptable action for women [Mesha independence]. [Bharani-Shani rigid old financial rules]
GR became a highly capitalized woman through her own independent investing decisions [Surya-5 intelligent personal decisions].
Stock-brokers and other self-appointed nay-sayers claimed that GR simply "lacked the brains" [nīcha-Shani brain issues] to handle stock-market gamesmanship [5, speculative finance]
However, GR proved them all to be rigidly outdated and culturally misogynistic via her winning combination of
+++ amplified by Rahu-Bharani-2 drishti
[Collapsing unshackling Ketu] kavandha-karaka [headless] -- chidra-karaka [gaping] -- vasana-karaka [vacuum] [for Mithuna indriya-lagna]
[unconcerned with speculation on contracts and alliances] [scattered diplomatic intelligence] [disengaged go-between witness of trust-and-treaty]
[liberated from bright displays of loyal partnership] [disregard for the drama of empty vows] [steps away from center-stage displays of deal-making and negotiation]
[in romance, may abandon bargained arrangements] [unplugged from demonstrations of trust and treaty] [ambivalent about designing gracious political entertainments] ..... [profitable-systematic Arcturus-3] = [navamsha Ketu-Kumbha] + [Arcturus-Ketu-yuti-Guru-Arcturus]
OUTCOMES - EVACUATING KETU bhava-2 face-voice-eyes, values, historical knowledge, family-of-origin, finance [Ketu Mahadasha] = [age 39.7 until age 46.7]
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