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COHORT

born 11 months after

born two months after

  • POTUS-40 American Life 1911-2004 American Life 1911-2004 Ronald Reagan

born 11 months before

born 20 months before


RogersAstaire_TopHat_1935.jpg

Swing Time 1911-1995 dance theatre Ginger Rogers and frequent dance partner Fred Astaire in the musical cinema Top Hat , 1935.


Ginger Rogers [age 32] in the 1943 movie, Tender Comrade.


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1930's movie card, featuring Ginger Rogers

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Golden Age of Hollywood

celebrated dancer

choreographer

musical theatre star

cinema dramatist

singer

writer


Ginger Rogers

a.k.a. Virginia Katherine McMath

// backwards and in high heels //


Earth-birth Sunday 16-Jul-1911

dematerialization 25-Apr-1995 [age 83]


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dramatist

comedienne

dance

choreographer

activist

writer

1911-1995 - Ginger Rogers


birth data from http://en.wikipedia.org/wiki/Ginger_Rogers

tentatively rectifiedby BP Lama Jyotishavidya

charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama

Rising Nakshatra

Feminine Nativities

Chitra - Tvastri

Citthirai - Vismakarma - Azinech - Alaraph - Arista - Dana


BPL commentary

For Chitra - Tvastri births of a feminine valence, the condition of kinesthetic, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome.

For those born into the Mangala-ruled paradigm of Visvakarma, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, builders, drivers, drillers, diggers, exploders, aggressors, pursuers, competitions and battles may be especially influential.

Guided by instructors from civilizations of Spica. Their purpose is architectural engineering and crafting of beautiful, functional, and artistic alliances, arrangements, and designs.


Designs + Arrangements

[Kuja] -ruled Vismakarma ladies are blessed with direct, muscular physical and sexual energy. They are often found in environments where beautiful designs plus physical agility are valued. Chitrani drawing skills often place them into garment-making and decoration. They typically excel in competitive , vitality-focused fields such as fashion modeling , cinematic acting, musical performance, choreography and dance, and athletics which emphasize balanced movement.

Kanya pada 1-2 expresses Kuja's rulership of 3-writing-commerce + 8-secret transformations, while also displaying the frustrating tension of chatty Budha versus active Kuja. Budha's Writing skills may emerge in pada 1-2. Kanya-Chaitra are often found in media communications and commercial aspects of design work, where their pro-active process management is distinctive. Trust and relationship integrity may be growth-challenging.

[Tula - Vanika] Pada 3-4 emphasizes Kuja's rulership of 2-collections, treasuries + 7-contracts, alliances. Shukra's bargaining behavior and financial skills rise in pada 3-4 due to the pleasant attractions of Shukra-Mangala. Ladies often enjoy considerable wealth via face, voice, marriage, and family lineage. In music, arts, and partnership-craft, they pursue harmonious arrangements. They often play stringed instruments, and write beautiful songs. In the arts, entertainment, beauty, and design industries, their contractual deals are often luxuriously beneficial.

Themes of competitive movement , agile beauty, dynamic design, and financial equity may contextualize Chaitra's terrestrial experience. Incoming drishti from Kuja can mobilize their progressive, pioneering actions. Also applies to Chandra in Chitra - Spica.


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Ginger Rogers in c. 1930

RogersGinger_c1935.pngQUOTATION from Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra . p 96.


" An expensive and luxurious person.

  • One who is fond of clothes and beautiful surroundings and revels in them.

  • She spends much money on jewels, perfumes, cosmetics

  • and her taste in these matters is expensive .

She likes to change costumes several times a day

  • and always look like an animated fashion plate .

Variety is the spice of life to this woman

  • and she will be inconstant and fickle in love affairs,

  • having many during her life and marrying often.

Many actresses, musicians, artists and opera singers have Chitra rising. [....]



BPL commentary on Shil Ponde's prognosis for Chitra ladies: the traditional language of "die four years later" should probably be updated to "may be divorced several years later"


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Photo of Ginger Rogers from the March 1941 issue of International Photographer [GR age 30]

Biographical data matched to Vimshottari Dasha timeline

Rogers dazzled and distracted sad audiences during the Great Depression, bringing a ray of sunshine to many during that dark time.

After winning pay-discrimination lawsuits, GR became the highest-paid female movie star of her day.

GR's enduring, iconic career featured important roles and promotional materials that highlighted working women in action.

Her iconic dance-theatre career began GR age 17, and closed with a widely applauded, popular autobiography GR age 80.

She died peacefully, age 83.


[Rahu Mahadasha] [age birth until age 3.1]

16-Jul-1911 Earth-birth as Virginia Katherine McMath in Independence, Missouri, USA * Rahu-Surya bhukti

1913 [GR age 2] During a contentious divorce from her mom, GR's father kidnapped toddler GR. Mom notified the court, and the judge granted exclusive child custody to mom. GR never saw her dad again. * Rahu-Mangala chidradasha * Kuja rules 6th-from-Surya = criminal misdoings of father


[Guru Mahadasha] [age 3.1 until age 19.1]

1922 [GR age 11] decease of estranged bio-father * Guru-Shukra bhukti * Shukra rules 12th-from-Surya

1925 [GR age 14] coached by her mom, GR won the highly publicized Texas State Charleston dance contest. Eighth-grader GR suddenly began her career in theatrical performance arts * Guru-Chandra bhukti * matrikaraka Chandra rules 11-goal achievement, awards

1928 [GR age 17] first nationwide vaudeville dance tour, accompanied by Mother * Guru-Rahu chidradasha

29-Mar-1929 [GR age 17] consecration of marriage 1-of-5 with childhood friend and entertainer, Jack Culpepper. In less than 3 months, teenage GR returned to her mother * Guru-Rahu chidradasha* samchara Rahu-Ketu via Mesha-Tula contact radical R-K ++ Rahu-Return

1929 [GR age 17] first minor cinema roles * Guru-Rahu chidradasha ++ Rahu-Return

1929 begin the Great Depression

25-Dec-1929 [GR age 18] opening day of GR's Broadway debut in the musical Top Speed * Guru-Rahu chidradasha ++ Rahu-Return


Shani Mahadasha [age 19.1 until age 38.1]

1931 [GR age 20] divorce from alliance-1-of-5 * Shani-Shani svabhukti * rogesha Shani rules 6-divorce

1931 [GR age 20] * Ginger becomes an overnight star in the Broadway musical, Girl Crazy * Shani-Shani svabhukti * vidyapati Shani rules 5-entertainment, stardom

1933 [GR age 22] as culturally accepted roles for women began to expand, during an era when actresses were often considered as prostitutes [6] national recognition for her dramatic role in the popular film 42nd Street * Shani-Shani svabhukti * vidyapati Shani rules 5-entertainment, stardom ++ dvadasa Sade-Sati

1933 [GR age 23] Neverthless, an unmarried woman was exposed to criticism [6] prompting GR to remarry. Consecration of marriage-2-of-5 with Lew Ayres, a television and cinema actor * Shani-Shani svabhukti * Shani rules Kumbha 7th-navamsha * samchara Rahu-Ketu via Makara-Karkata ++ janma Sade-Sati

Mar-1934 until Mar-1937 Janma Sade-Sati Kumbha

  • [6, ailment, disagreement, unfair condition, injustice, discrimination]
  • [age 24-27]

1940 [GR age 29] won Academy Award for Best Actress in cinema drama Kitty Foyle . Ranked as highest paid actress in Hollywood * Shani-Shukra bhukti * Shukra rules 9-celebrity awards [11th-from-11]

1940 [GR age 29] GR buys a 1000-acre ranch near the Rogue River, in Oregon. She and her mom lived there for 50 years, until 1990. * Shani-Shukra bhukti * Shukra rules 4th-from-Chandra, emotionally grounded owned properties

1941 [GR age 30] divorce from alliance-2 -of-5 * Shani-Surya bhukti * Surya rules 12 = 6th-from-7

16-Jan-1943 [GR age 32 ] consecration of marriage-3-of-5 with radio broadcaster, Jack Briggs * Shani-Surya bhukti * Surya rules Simha-Rahu navamsha * samchara Rahu-Ketu via Simha-Kumbha contact navamsha R-K


[Budha Mahadasha] [age 38.1 until age 55.1]

07-Sep-1949 [GR age 38] divorce from alliance-3-of-5 * Budha-Budha svabhukti * Budha lagnesha rules 12th-from-9th-from-Chandra [dissolution of third contractual marriage]

07-Feb-1953 [GR age 42] consecration of marriage-4-of-5 with Jacques Bergerac [1927-2014] dramatic actor, businessman * Budha-Shukra bhukti * samchara Rahu-Ketu via Karkata-Makara contact Budha lagnesha

Jul-1957 [GR age 46] divorce from alliance-4-of-5 * Budha-Chandra bhukti * Chandra rules 6th-from-Chandra

1961 [GR age 50] consecration of marriage-5-of-5 with executive cinema producer, William Marshall * Budha-Rahu bhukti * samchara Rahu-Ketu via Simha-Kumbha contact D-9 R-K

Jan-1964 until Dec-1966 Janma Sade-Sati Kumbha

  • [6, ailment, disagreement, unfair condition, injustice, discrimination]
  • [age 50-53]

[Ketu Mahadasha] [age 55.1 until age 62.1]

1971 [GR age 60] divorce from alliance-5-of-5 * Ketu-Shani bhukti * rogesha Shani rules 6-divorce


[Shukra Mahadasha] [age 62.1 until age 82.1]

25-May-1977 [GR age 66] grieved the decease of mother * Shukra-Surya bhukti * matrimaraka Surya rules 7th-from-Chandra

1991 [GR age 79] publication of popular autobiography Ginger, My Story * Shukra-Budha bhukti * Budha publications entertainments


[Surya Mahadasha] [age 82.1 until age decease age 83]

Mar-1993 until Jun-1995 Janma Sade-Sati Kumbha

  • [6, ailment, imbalance, disagreement, unfair condition, injustice, discrimination]
  • [age 82-85]

25-Apr-1995 [GR age 83] dis-embodiment by heart-attack * Surya-Rahu bhukti ++ janma Sade-Sati

Distinctive Features of the Nativity



[Surya]

pitri-karaka [father] jyoti-karaka [light]

[dikbala]

[retreating-contemplative vyaya-pati for Kanya indriya-lagna]

[bright center of commercial project leadership]

intelligence for high-visibility private narratives]

[elite detailed messaging roles]

[decision-maker for writing-publishing organizations]

[radiantly confident display of imaginative information]

[creative public media communications]

[socially recognized explanatory instructions]

[father may be businessman executive-boss-announcer]

...

[collaborative-publicizing Punarvasu-3] [navamsha Surya-Mithuna] [vargottamsha] confident theatrical announcements planning communications

[Atmakaraka celebrity entertainment sparkle drama romance]

[10 supremely high media visibility]

  • [Surya-Mithuna] Mithra - neighbor, companion * brightly charismatic confidence of Center-stage Surya radiates through the conversational gesturing rashi of Budha
  • [Surya in bhava-10] bright center of hierarchy * confidently governing * legislative intelligence * focus on social order * regulatory entitlements * political authority * brilliant career * eye on elite positions * radiant reputation * sparkling center of the leadership drama * father may be a governor-regulator-boss

OUTCOMES - SURYA

FATHER

Mithuna teamwork

famed for her dancing partnerships and ensemble drama performances

[Surya in bhava-10] rules 12

  • iconic cinema-star [Surya-10 star, Mithuna cinema]
  • Surya rules Simha-12 contains the [vargottamsha] powerhouse [Shukra-Singha] [entertaining-gambling Pūrvaphalgunī-1]

[Chandra]

matrikaraka [mother] * garha-karaka [village]

[friendly-economic vriddhi-pati for Parthya indriya-lagna]

...

[visionary-charitable Varuna-4] [ navamsha Chandra-Meena] intuitively sensitive charitable visionary understanding

[Pushkara pada]

  • [Chandra-Kumbha] comforted by friendship * sensitive to gridworks * needs marketplace connection
  • [Chandra in Sadachbia - Varuna] calmed by mixed networks * protectors of universal mingling * soothed by risky marketplaces * needs to make expedient social connections
  • [Chandra in classroom-6] comfortable with caretaking * accustomed to nursing * calmed by humility * ill-or-exploited-or-adversarial mother * familiar with animosity * acculturated to accusation * familiar with betrayal * habituated to indictment * needs to be helpful * feels the pulse of service ministry * protects the sick-and-vulnerable * routine domestic conflict * emotionally attuned to victims * settled into the rhythm of problematics * seeks ritual remedies * soothed by medication * suffers rhythmically repeating ailments * undulating imbalances * mother may be a servant, health-aide, apothecary, physician or mother suffers injury-illness-crime

OUTCOMES - CHANDRA

MOTHER

[Chandra-Kumbha] [6] rules-11

HEALTH

[Chandra in classroom-6] usually signifies emotionally sourced health challenges.

  • Both GR and her mom [Chandra] were devout followers of Mary Baker Eddy's Christian Science fellowship.
  • GR lived with diabetes for decades. However she refused medication, due to her faith.
  • Although GR intended to manage her diabetes with diet and intensive prayer, in her later years, the toxicity and inflammation became severe.

MARRIAGE partnership emotional equity support expectations

[7th-from-Chandra-6] lifepartnership 1-of-5

  • bhava-12 interiority, imagination, distance, seclusion, invisibility
  • Simha drama, celebrity, artistic performance, sparkle
  • husband-1 = Jack Culpepper [1902-1979] vaudeville dancer, radio entertainer, singer, comedian, musician, nightclub manager, cinema-TV dramatist.
  • Married young [GR age 17] the union endured for only a few months before GR returned to her mother.

2nd-from-[7th-from-Chandra-6] lifepartnership 2-of-5

  • bhava-7 contracts, bargains, agreement, negotiation, arrangements
  • Meena imagination, visions, inner guidance, conceptual comprehension
  • ruler [Guru-yuti-Ketu]
  • husband-2 = Lew Ayres [1908-1996] had a 6-decade career as a TV-cinema actor
  • Ginger was Mrs. Ayres 2-of-3, from 1934 until 1941 [GR age 23-30]. Although the legal union endured for seven years, the busy couple separated after one marital year.

9th-from-[7th-from-Chandra-6] lifepartnership 3-of-5

  • bhava-2 remarriage, heritage, finance, banking, language, face, voice, hair, song, speech, storytelling
  • Tula bargaining, trades, balance, pledge, adjudication, twosome
  • contains [Guru-yuti-Ketu]
  • husband-3 = Jack Briggs. A minor dramatist 9-yrs her junior, young-and-handsome Briggs was a publicity marriage for GR. He faded into obscurity [Ketu] He had no other marriages to women.
  • legally married 1943-1949 [GR age 32-39]

4th-from-[7th-from-Chandra-6] lifepartnership 4-of-5

  • bhava-9 father-figures, ideology, paradigmatic belief, doctrine
  • Urisha values, heritage, collections, beauty, evaluation, worth, assessment-- ruled by [Shukra-12]
  • husband-4 = Jacques Bergerac [1927-2014] dramatic actor + executive director for the Revlon Cosmetics corporation [Urisha beauty, finance]
  • GR was on Riviera holiday [12] when she met the handsome, photogenic law student, 16 years her junior. Legally married 1952-1957 [GR age 41-45] .

11th-from-[7th-from-Chandra-6] lifepartnership 5-of-5

  • bhava-4 security, homestead, household, sense of belonging = ruler [Guru-yuti-Ketu]
  • Dhanus beliefs, philosophy, life principles =
  • husband-5 = executive cinema producer, William Marshall
  • Legally married 1961-1969 [GR age 50-58].

Following divorce 5-of-5, GR moved back with her mom. GR and mom shared a doctrinally guided Christian Science lifestyle. Mom lived until GR's age 63, far outlasting all of GR's marriages and divorces. GR lived happily and wealthily as a single woman for the remaining 25 years of her life.


[Kuja]

bhratru-karaka [brother] virya-karaka [virile]

[svakshetra]

[svabhava]

[collaborative-publicizing sahaja-pati for Kanya indriya-lagna]

[mysterious-discovering randhresha for Kanya indriya-lagna]

[dynamic exploration of secret occult assets]

[pursuit of hidden sexual empowerments]

[innovative forward-pushing initiations]

[champion of sudden healing discoveries]

[dynamic signaler of masked threats]

[explains energized rejuvenating muscular movements]

...

[collaborative-cinematic Aśvini-3] [mūlatrikoṇa] [navamsha Kuja-Mithuna] champion promoter commerce innovation in business

[Kuja-yuti-Shani ]

[Aśvini-Kuja-yuti-Rahu]

  • [Mangala-Mesha] vigorous pursuit of dominance * straightforward dynamic actions * competitive winner * propulsive battering weaponry * push toward conquest * pioneering vitality * hot yang-energy * thrusting force * forward-driving movement * champion of innovation
  • [Mangala in bhava-8] drive toward discovery * pursuit of rebirth * revolutionary dynamics * aggressive approach to emergency events * energetic transformations * urge to dig-drill -dive-excavate-plumb-explode-explore * vigorous revelations * explosive eruptions * unexpected force * pushes through camouflage * mysterious conquests * pro-active rejuvenating surgeries
  • [Kuja-yuti-Shani] repressed movements * constant tension between sexual energy vs social rules * dynamic structuring * competitive force must cooperate with disciplined hierarchies * potential for punitive reactions to change * required containment of natural forces * military officer * musculo-skeletal challenges.
  • [Kuja-yuti-Rahu] thrill of muscular action * competitive ambition * passion to win * fascinating physicality * compulsive drive toward heroic battle * dynamic desires * champion of culture-clash * forward thrust toward opportunity * forceful pursuit of privilege

OUTCOMES - MANGALA

GR was by far the leading female dancer of 20th century Hollywood musicals


[Budha]

jamayah-karaka [sibling] sandeza-karaka [message] zisya-karaka [student]

[energizing-identifying lagnesha for Kanya indriya-lagna]

[dutiful-hierarchical karmesha for Kanya indriya-lagna]

[narrative of ethno-cultural community]

[leadership in homeland economics]

...

[regenerating-discovering Pushya-4] [navamsha-Budha-Vrischika]

  • [Budha-Karkata] comfortable communications * hand-arm-shoulders make protective gestures * rhythmic articulation of root culture * discusses ancestral morality * prescriptive routines * argues for foundational stability * describes protective fencing * parochial talk * converses about caretaking * environmental wardens * issues customary pronouncements * delivers land-use information * patriotic declarations * habitually chats about the local settlement
  • [Budha in bhava-11] narrative of marketplace information * describes ecological gridwork * calculates economic profit * reports on revenues * describes distributive networks * talks about social participation * s ibling-type friendships * conversations about voluntary connections * announces achievements * delivers interlinking instructions * discussion in large assemblies * defines the webworks of community

OUTCOMES - BUDHA

choreographer, writer, ensemble performer, businesswoman

[Budha in bhava-11] rules

  • 1 physical movement, dance, athletic prowess
  • 10 -- -- contains [vargottamsha Surya-Mithuna]

[Guru]

dhava-karaka [husband] bahuta-karaka [variety]

[homebound-anchoring bandesha for Kanya indriya-lagna]

[bargaining-balancing yuvati-pati for Kanya indriya-lagna]

...

[hierarchical-regulatory Arcturus-2] [navamsha Guru-Makara-nicha] intuitively expansive broad-scope optimism materialism lawful development

[Guru-yuti-Ketu] apathetic husbands

  • [Guru-Tula] many trades * variety of exchanges * optimistic negotiations * believes in justice * doctrine of contractual exchange * multiple alliances * permission to bargain * diversity of arrangements * equable guidance * widens the scope of balanced design
  • [Guru in bhava-2] much hoard * many songs * many stories * extensive history * generous natural reserves * several genetic lines * many accumulated goods * numerous languages * expansive oratory * large eyes * many voices * many valuations * extensive accounts * grows the family lineage * optimistic heritage * believes in historic conservation * patron of speech-and-song * in a wifely nativity, husbandly-companion may be a keeper-collector-preserver
  • [Guru-yuti-Ketu] multiple options for severance * broad permission to abandon unsustainable connections * diverse wanderings * many occasions of surrender * philosophy of impermanence * large-size vacuums * many holy pilgrimages

OUTCOMES - GURU


[Shukra]

svadu-karaka [sweet] kalatra-karaka [wifely companion]

[collecting-preserving dhanesha for Kanya indriya-lagna]

[philosophical-believing dharmesha for Kanya indriya-lagna]

[celebrated fantasy arrangements]

...

[entertaining-celebrated Pūrvaphalgunī-1] [navamsha Shukra-Simha] [vargottamsha]

  • [Shukra-Singha] appreciation of regal confidence * likes admiration * enjoys applause * prefers creative partners * attracted to artistic performers * bargains to play radiant central roles * delighted by celebrity * charmed by romantic pleasures * pleased by ceremonial display * brightly theatrical arrangements
  • [Shukra-12] seeks imaginative pleasure * private sensuality * values spiritually guided partnership * gracefully intuitive feminine-figures * agreeable sleep * visions of contemplative harmony * enjoys beautiful sanctuaries * aesthetic designs to adorn the feet * likes meditations * appreciation of Other Worlds * attracted to quiet spaces * in a husbandly nativity, wifely-companion may be contemplative-foreign-isolated-researcher

OUTCOMES - SHUKRA


[Shani]

duro-karaka [endurance] * jara-karaka [Jahre, years]

[nīcha]

[Harsha Yoga]

[witty-creative vidya-pati Kanya indriya-lagna]

[inimical-medicating rogesha for Kanya indriya-lagna]

...

[explosive-evolutionary Bharani-4] [navamsha Shani-Vrischika]

[Shani-yuti-Mangala]

[Shani-yuti-Rahu]

  • [Shani-Mesha] harsh old blood-feuds * brain cramp * blocked bloodflow * muscle seizure * limits innovation * overburdened aggressions * fierce resistance * freezes new ideas * law of the winners * proletarian battles * must enforce dominance * contempt for independence * burdened by championship * cruel competitions * endurance contests * at times, survival requires great effort * obligation to fight * normalizes war * structural pressure upon head-brain * lurching forward push * conquest brings oppressive duty * must sustain physical supremacy * constricted vitality * maintainer of bitter old competition-for-resources
  • [Shani in Bhava-8] steady time-structured transformations * impedes infinity * must impose order upon dangerous environments * resists the advance of inexorable change * must regenerate while maintaining the system * cautiously conventional initiations * tense renewals * postpones surgery * fear of eruptions * chronic trauma patterns * pressures on the hidden mechanisms of sexual-reproduction * blocks the revelation of mysteries * pushback against emerging new cycles * disaster fatigue * martial law * dry rigidity limits rejuvenation * frugal in-laws * elders preserve undisclosed assets
  • [Shani-yuti-Mangala] social resistance to competitive action * pragmatic pursuits * cautious innovation * limited pace of progress * delayed [but not denied] championship * physical discipline * constraints on instinctive movement * conventionally regulated sports * tension from contradictory push-pull impulses.
  • [Shani-yuti-Rahu] stiff resistance to unbridled ambition * formally regulated cultural mixing * disciplined thrills * class-based limitations upon privilege * repressed quest for intriguing importance * socially constrained opportunism * shimmering illusion of systematic conformity * irregular achievements * over-reaching elders * restricted risks

OUTCOMES - SHANI

rules

  • [5] entertainment celebrity artistic performance = cinema, scripts, choreography, ensemble drama, tours , writing filmscripts, comedy routines, memoire
  • 6 disputes, disagreements, service to others, helpfulness - contains matrimaraka vriddhi-pati, [Chandra-Kumbha][Chandra in Sadachbia - Varuna]

[Shani-yuti-Mangala] + [Shani-yuti-Rahu] occupies 3rd-from-Chandra

  • media messaging signal gesture communication
  • ensemble performance
  • cinema, scripting, the production processes of drama
  • GR's mom was a Hollywood scriptwriter

[Rahu]

rajyalobha-karaka [ambition] picchala-karaka [slippery]

[for Kanya indriya-lagna]

[Rahu casts passionate drishti into 12-2-4]

[passion for active identity transformation]

[seeks prestige physical initiations]

[ambitious embodied discoveries]

[fascinating evolutionary energy]

...

[celebrity-displaying Bharani-1] [navamsha Rahu-Simha] fascinating theatrics

[Rahu-yuti-Mangala]

[Rahu-yuti-Shani]

  • [Rahu-Mesha] shimmering illusion of championship * craving for superiority * exotic use of dominating force * mask of competitive action * mirage of first-arrival pioneer * over-reaching urgency * extraordinary birth * extravagant muscularity * mesmerizing forward movement * unusual athleticism * fascinating conquests * marvelous warriorship * seeks special importance via apparent [but perhaps not authentic] attributes of heroic action * seeks privilege via innovator-roles
  • [Rahu in bhava-8] passion for prestige mysteries * in svabhava of Competitive Kuja, the Shadowy Specter seeks glamorous veiling * surreptitious identity recycling * wizardry of aperture open-close * fascinating self-reinvention * amazing surgical rejuvenation * outsider who cleverly insinuates into revelatory roles * desires an important role in trauma-healing * fabulous transformative initiation * reveals occult truths * shocking discovery of confidential information * exciting mixed-culture secret-keeper * finds opportunity in catastrophe * masquerade of esoteric empowerment * may pose as a magician * risk-rewarding in-laws * irregular inheritance * boundary-breaching disclosure of concealed evidence * intrigue of camouflaged assets * s timulated by dangerous emergencies * disguised as a cuidado or shaman * social mobility via mirage of hidden empowerments

  • [Rahu-yuti-Mangala] amplified competition * magnified championship * exotic pursuits * tricky innovation * opportunistic brother-warriors * fascinating [but perhaps illusory] appearance of dynamic energy * hypnotic attack * passion for engines * craves hot movement * invasive force of cross-cultural mixing
  • [Rahu-yuti-Shani] amplified public formality * pragmatic exaggeration * exotic social conventions * slippery hierarchies * tricky rules * opportunistic elders * fascinating [but perhaps illusory] strict conformism * regulated risk-taking * hypnotic outsider insinuates normalcy * orderly cross-cultural mixing * thrilling legitimations

OUTCOMES - RAHU

Rahu in 3rd-from-Chandra

choreography, ensemble drama

GR helped to prove to a generation that limitations on personal independence could be personally challenged [Kuja] albeit cautiously and responsibly [Shani] with fascinating results [Rahu fascinating]

GR's professional and financial [Bharani] success eventually pushed the envelop [Kuja] of culturally acceptable action for women [Mesha independence].

[Bharani-Shani rigid old financial rules]

Women could not rationally manage money. // Everyone knows that. //

Still she persisted [Shani] .

GR became a remarkably wealthy woman through her own independent investing decisions. Her insistence of managing her own corporate stock and real-estate investments was extremely rare at the time for women. Old-school male financial experts were appalled. Plenty of nay-sayers predicted dire financial consequences for her challenge to social boundaries.

However, GR's winning combination beat the odds.

  1. astoundingly persistent work ethic, disciplined rehearsals [Shani]
  2. physical drive and dancing expertise [Mangala]
  3. over-reaching, privilege-grasping, boundary-challenging Rahu.
  4. Rahu drishti into 12-2-4
  5. amplifying-expanding mutual drishti Rahu-Guru

[Ketu]

kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum]

[for Kanya indriya-lagna]

[apathetic toward brokered financial contracts]

[ambivalent toward heritage peer relationships]

[surrenders outdated historical assessments]

[releases unnecessary bargained valuation arrangements]

[dissolves useless legal agreements for asset-preservation]

.....

[profitable-systematic Arcturus-3] [navamsha Ketu-Kumbha]

[Ketu-yuti-Guru]

  • [Ketu-Tula] justly dissociates from negotiation * wanders away from compromise * eccentric alliances * abandons agreements * apathetic trades * surrenders trust * ignores restriction on match-making * releases a pale pastel cloud of fair deals into the misty abyss
  • [Ketu in classroom-2] surrenders preserved values * eccentric voice * odd face * disperses family affluence * disregards conventional limits on sound-music-language * disinterested in genetic lineage * surrenders the hoard * odd food * peculiar precious goods * abdicates banker-conserver-collector roles * dissolves libraries * devalues treasuries * unless other graha in 2, may prefer to live free from historic traditions
  • [Ketu-yuti-Guru] misunderstandings * unsustainable convictions * abandons empty theories * believes in non-existence * vacuous catechism * wandering teachers * apostasy * wisdom of surrender * incomplete comprehension * doctrines of impermanence * Other-Worldly viewpoint * walks away in disbelief * liberating philosophy * for wifely nativities, Ketu may release the dhavakaraka husbandly-companion. .

OUTCOMES - KETU

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