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Swing Time 1911-1995 dance theatre Ginger Rogers and frequent dance partner Fred Astaire in the musical cinema Top Hat, 1935. Ginger Rogers dazzled and distracted sad audiences during the Great Depression, bringing a ray of sunshine to many during that dark time.


Ginger Rogers in c. 1930

Golden Age of Hollywood

celebrated dancer + choreographer

musical theatre star

cinema dramatist + singer


Ginger Rogers

a.k.a. Virginia Katherine McMath

a.k.a. backwards and in high heels

Earth-birth Sunday 16-Jul-1911

dematerialization 25-Apr-1995 [age 83]








Ginger Rogers

birth data from

tentatively rectifiedby BP Lama Jyotishavidya

charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama

Rising Nakshatra

Feminine Nativities


Pashu * Pushana-vana *Antyabha

BPL commentary

For Revatika births of a feminine valence, the condition of conversational, discursive, explanatory, instructional, argumentative, commercializing, evangelical Kumara may considerably affect the outcome.

Pashu the Pastor is delicately attuned to the signals of the animal kingdom. Hearing [Budha] the voices of mineral, plant, animal, and human worlds, Antyabha-born often work for the welfare of all creatures. Many veterinarians and animal-welfare activists are Revatika-born. These way-showers are also found in all aspects of music and dancing, producing melodies, beats, and lyrics.

Whatever the Pashu folk say, others will follow and believe.

For those born into the Budha-ruled paradigm of Antyabha, siblings, cousins, schoolmates, bandmates, team-mates, entourage, ensemble, neighbors, managers, cohort, coterie, collaborative group, publishers, messengers, merchants, commercial agents, reporters, writers, scripts, plans, schedules, instructions, radio-television-internet, news-media, conferences, committees, discussions, travel itineraries, and texts -- and beasts of every description - may be especially influential.

Instructional guidance is provided by emissaries from the civilizations of stars clustered near Zeta Piscium. Their purpose is to shepherd the flocks in safe passage, calling them to follow with an imaginative, sweet sound and rhythm

The Way-Shower

Revatika ladies expresses the natural tension between Busy Bantering Budha and Guiding Generous Guru. Commercially oriented Budha is a master of writing, reporting, cinema, and detailed communication. Kumara naturally matches the vibration of chatty students and a younger audience. Yet, Brihaspati much prefers to preach on broad-scope topics, ideology and inclusive doctrine.

Revatika-born often find themselves in shepherding roles that require delivering a message to their herd of followers. The usual delivery style is musical, oratorical, or imagistic-imaginative, but any method of Showing the Way may be chosen. Pashu the Pastor combines a broad humanistic vision with a beckoning repeating signal frequency such as a slogan, a jingle, or a melody.

Themes of pastoral guidance, musical or imagistic messaging, and benevolent outreach to all creatures may contextualize Revatika's terrestrial experience. Applies also to Chandra in Revatika-Pashu .

QUOTATION from Shil-Ponde [1939] . Hindu Astrology Joytisha-Shastra.p 101

"... defect in hearing.

the native is a person of clean morals

  • and is popular with her own sex.

She is fond of pets and animals.

She is a very good housekeeper

  • and likes interior decoration and design .

Her face is laughing, always with dimples,

  • and she usually has black or dark brown eyes with curly hair."


Swing Time 1911-1995 dance theatre Ginger Rogers in a 1930's movie card


Photo of Ginger Rogers from the March 1941 issue of International Photographer [GR age 30]

Ginger Rogers in the 1943 movie, Tender Comrade. GR's enduring career featured important roles and promotional materials that highlighted working women in action.

RogersGinger_c1935.png Biographical data matched to Vimshottari Dasha timeline

Shani Mahadasha * age birth until age 14.7

16-Jul-1911 Earth-birth as Virginia Katherine McMath in Independence, Missouri, USA * Shani-Budha bhukti

Budha Mahadasha * age 14.7 until age 31.7

1928 [GR age 17] first nationwide vaudeville dance tour, accompanied by Mother * Budha-Budha svabhukti * Budha rules 7-advisers, career agreements

29-Mar-1929 [GR age 17] exchange vows in marriage 1-of-5 to childhood friend and entertainer, Jack Culpepper * in less than 3 months, GR returned to her mother * Budha-Ketu bhukti * Guru-yuti-Ketu * Ketu unsustainable * Guru rules Meena svamsha * samchara Rahu-Ketu via Mesha-Tula contact radical R-K ++ Rahu-Return

1929 first minor cinema roles * Budha-Shukra bhukti * Shukra rules 3-scripts

1929 begin the Great Depression

25-Dec-1929 [GR age 18] opening day of GR's Broadway debut in the musical Top Speed * Budha-Shukra bhukti * Shukra rules 3-scripts

1931 [GR age 20] divorce-1-of-5 * Budha-Shukra bhukti * Shukra-6 rules 8-identity transformation

1931 [GR age 20] * Ginger becomes an overnight star in the Broadway musical, Girl Crazy * Budha-Shukra bhukti * Shukra rules 8-identity transformation

1933 [GR age 22] national recognition for her dramatic role in the popular film 42nd Street * Budha-Chandra bhukti * Chandra rules 5-celebrity

1934 [GR age 23] exchange of vows in marriage-2-of-5 with Lew Ayres, a television and cinema actor * Budha-Mangala bhukti * Kuja-yuti-Rahu * samchara Rahu-Ketu via Makara-Karkata

Feb-1937 until Apr-1939 Janma Sade-Sati Meena

1940 [GR age 29] won Academy Award for Best Actress in cinema drama Kitty Foyle. Ranked as highest paid actress in Hollywood * Budha-Guru bhukti * Guru lagnesha karmesha

1941 [GR age 30] divorce-2-of-5 * Budha-Shani chidra-dasha * Shani rules 12 ++ Shani-yuti-Rahu

Ketu Mahadasha * age 31.7 until age 38.7

1943 [GR age 32 ] exchange of vows in marriage-3-of-5 with radio broadcaster Jack Briggs * Ketu-Shukra bhukti * samchara Rahu-Ketu via Simha-Kumbha contact navamsha R-K

1949 [GR age 38] divorce-3-of-5 * Ketu-Shani bhukti * Shani rules 12 ++ Shani-yuti-Rahu

Shukra Mahadasha * age 38.7 until age 58.7

1953 [GR age 42] exchange of vows in marriage-4-of-5 with Jacques Bergerac [1927-2014] dramatic actor, businessman * Shukra-Shukra svabhukti * samchara Rahu-Ketu via Karkata-Makara

1957 [GR age 46] divorce-4-of-5 * Shukra-Rahu bhukti

1961 [GR age 50] exchange of vows in marriage-5-of-5 with executive producer William Marshall * Shukra-Guru bhukti * Guru karmesha executive * Guru activates Meena Svamsha* samchara Rahu-Ketu via Simha-Kumbha contact D-9 R-K axis

Apr-1966 until Jun-1968 Janma Sade-Sati Meena

Surya Mahadasha * age 58.7 until age 64.7

1971 [GR age 60] divorce-5-of-5 * Surya-Rahu bhukti

Chandra Mahadasha * 64.7 until age 74.7

25-May-1977 [GR age 66] grieved the decease of mother * Chandra-Mangala bhukti * matrimaraka Kuja rules 2nd-from-Chandra

Mangala Mahadasha * age 74.7 until age 81.7

1991 [GR age 79] publication of popular autobiography Ginger, My Story * Mangala-Shukra bhukti * Shukra rules 3-publications

Rahu Mahadasha * age 81.7 until decease age 83

25-Apr-1995 [GR age 83] dematerialization by heart-attack * Rahu-Rahu svabhukti ++ dvadasa Sade-Sati

Jun-1995 until Apr-1998 Janma Sade-Sati Meena

Distinctive Features of the Nativity


pitri-karaka [father] * jyoti-karaka [light]


[rogesha for Meena-Antya indriya-lagna]

[bright center of customary entertainments]

[intelligence for ancient rhythms]

[celebrated entitlement to protect a way-of-life]

[political focus on patriotism ]




  • Surya-Karkata * Bhanu * ray of light * brightly charismatic confidence of Center-stage Surya radiates through the nourishing caretaking rashi of Chandra
  • Surya in bhava-5 [svabhava] * center of sparkling entitlements * poetic romance * literary-artistic intelligence * splendid speculations * radiates brightly political celebrity * focus on glamour * genius for dramatic entertainments * eye on smart gambling * brilliant in games * bright center of creative performance * father may be a dramatist-speculator-politician
  • Surya-yuti-Budha * confidently conversational * bright messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * gestures conduct the spiritual rays of the Sun * radiantly descriptive * articulate in drama * skillful game-player * self-confident announcements * talks about ideals * narrative of power-politics * recites love poems * describes divine romance


Surya in bhava-5 theatre.

Surya rogesha

GR's scandalous divorces filled the pages of Tinseltown gossip magazines.

However, according to the marketing dictum, there is no such thing as bad publicity.

  • Her revolving-door romances [Surya romance] kept Ginger Rogers in the public eye


Surya-Karkata = rogesha. Notoriously, dad kidnapped [6, crime] little Virginia Catherine during a prolonged marital dispute with her mother. The parents were soon divorced.


matrikaraka [mother] * garha-karaka [village]

  • Chandra-Meena * comforted by ancestral guidance * settled into rhythmic intuition * needs sanctuary
  • Chandra in Uttarabhadra-Andromeda * soothed by wisdom systems * compassionate protectors of hierarchical rules * needs to provide orderly guidance
  • Chandra in classroom-1 * comfort in glowing incandescent embodiment * familiar with kinetic energy * feels the beating pulse of muscular movement * accustomed to body-based emotional response * needs rhythmic energy flow * attuned to oceans * feels like a pioneer * soothed by championship * sensitive to new birth * seeks calming routine activities * undulating personality * mother may be a life-protector, a sea-farer, a midwife, sentimental


Mom = GR's closest friend, bodyguard, advocate, and business partner.

The child previous to Ginger had died at birth. Bhava-11 rulers Shani-Kuja-Rahu in 6th-from-11 show this trauma to mom. It was likely just Ginger, needing to regroup before re-incarnating in a dynamically physical incarnation.

Mom stayed bonded to Ginger throughout their lives. During a lifetime fraught with demanding work schedules, unpredictable and disappointing husbands, and extraordinary public exposure, the mother-daughter pair formed a lifelong primary identity-affirming relationship.

  • Mom lived until Ginger turned 63. GR's ashes were interred with her mother's remains

GRs started theatrical touring at the vulnerable age of 17 during her Budha-Budha svabhukti *

  • Budha rules 7- advising-counseling-partnership
  • her mother generally travelled with her for protection [Chandra].

Chandra activates journalistic Budha-5

  • Mom was a newspaper theatre critic and journalist, who matured into writing film scripts
  • 'Mom was familiar with the ways of Hollywood and the New York drama culture [5]

MARRIAGE partnership emotional equity support expectations


  • marriage 1-of-5
  • bhava-7 agreements
  • Kanya complaints, service
  • husband Jack Culpepper [1902-1979] vaudeville dancer, radio entertainer, singer, comedian, musician, nightclub manager, cinema-TV dramatist.

2nd-from- 7th-from-Chandra-1

  • marriage 2-of-5
  • Mesha action, movement
  • bhava-2 contains [nīcha] Shani-yuti-Mangala * [nīcha] Shani-yuti-Rahu
  • husband Lew Ayres [1908-1996] had a 6-decades-long career as a TV-cinema actor
  • Ginger was his wife 2-of-3


  • marriage 3-of-5
  • Vṛścika intensity, transformation, penetrating energies, discoveries
  • bhava-9 father-figures, guidance, philosophical belief
  • husband life-career radio broadcaster Jack Briggs


  • marriage 4-of-5
  • bhava-4 security
  • Mithunaya business
  • husband Jacques Bergerac [1927-2014] dramatic actor businessman


  • marriage 5-of-5
  • bhava-11 friendship
  • Makara social hierarchy, regulations
  • husband executive producer William Marshall

Swing Time 1911-1995 dance theatre Ginger Rogers married and divorced five times. Her mother was Ginger's closest friend, bodyguard, advocate, and business partner. GR married for the fifth and final time to a business partner. GR and William Marshall created a joint venture production company in Jamaica. Marshall's alcoholism contributed to the failure of the venture. and the marriage was dissolved in 1971. GR lived happily as a single women for the next 25 years of her life.

Chandra Mahadasha * 64.7 until age 74.7

following her fifth and final divorce during Surya Mahadasha, GR enjoyed ten years of independent living.

  • Her long-living mom deceased during Chandra-Mangala bhukti due to Mangala rules 2nd-from-Chandra..
  • Her Chandra in Uttarabhadra ruling 5-financial speculations produced considerable wealth from self-managing her own stock portfolio.
  • Unlike many Hollywood ladies who lacked savings and often fell on hard times, GR was able to retire comfortably in uninterrupted peace and quiet.


bhratru-karaka [brother] * virya-karaka [virile]

[mūlatrikoṇa Aśvini-3]


[Kuja-yuti-Shani ]


  • Mangala-Mesha * vigorous pursuit of dominance * straightforward dynamic actions * competitive winner * propulsive battering weaponry * push toward conquest * pioneering vitality * hot yang-energy * thrusting force * forward-driving movement * champion of innovation
  • Mangala in bhava-2 * vigorous orator * loudly lectures on values * pursuit of treasuries * competitive financial actions * innovative knowledge * energized face-voice-song * memorable speeches * sings and shouts * champion of literacy-reading * historic pronouncements * prone to shouting * forward drive toward capitalization * promotes conservation * hyperactive family dynamics * acquisitive conquests
  • Kuja-yuti-Shani * repressed movements * constant tension between sexual energy vs social rules * dynamic structuring * competitive force must cooperate with disciplined hierarchies * potential for punitive reactions to change * required containment of natural forces * military officer * musculo-skeletal challenges.
  • [Aśvini] Kuja-yuti-Rahu * thrill of muscular action * competitive ambition * passion to win * fascinating physicality * compulsive drive toward heroic battle * dynamic desires * champion of culture-clash * forward thrust toward opportunity * forceful pursuit of privilege


innovative Ashvini-Mangala = physique, movement, dancing prowess

  • GR created the "working girl" role that profoundly re-shaped the American cultural landscape

the 1920's and 1930's were times of dramatic change in North American fashion and culture.

  • GR's contribution was to model extraordinary physical ability [Kuja] along with cinema roles that demonstrated a woman having her own money [2] from her own work [Shani] and having love relationships that aimed for fun, not for marriage [Rahu}

Kuja does things His own way. Ruling 9, Mangala directs the beliefs

  • GR was a lifelong adherent of Christian Scientist doctrine
  • and a stalwart of the Republican Party.

Shani-yuti-Mangala + Kuja-yuti-Rahu occupies face-voice-eyes-hair bhava-2

It was said that Rogers had little patience [Kuja-yuti-Rahu impatient] for those who lacked her lifelong passion [Rahu], discipline [Shani] and drive [Kuja].

Mangala in bhava-2 rules

  • 2-banking, assets, family genetics, sound-singing
  • Karakamsha Vrishchika-9 bhagya, fortunes, philosophy

Combined with the Shani-2 rules-11 dhanayoga, Kuja's rulership of 2 + 9 ++ amplification via Rahu

  • created significant wealth in later life, using earnings as capital, taking an independent [Kuja] but cautious [Shani] approach
  • GR was considered exceedingly independent minded to manage her stock portfolio without depending on a male adviser.
  • Prevailing opinion was that she would fail in this endeavor because she did not [could not] understand the markets
  • She was shrewd and attentive in financial dealings, and her personally selected investments flourished.


jamayah-karaka [sibling] * sandeza-karaka [message] * zisya-karaka [student]


  • Budha-Karkata * comfortable communications * hand-arm-shoulders make protective gestures * rhythmic articulation of root culture * discusses ancestral morality * prescriptive routines * argues for foundational stability * describes protective fencing * parochial talk * converses about caretaking * environmental wardens * issues customary pronouncements * delivers land-use information * patriotic declarations * habitually chats about the local settlement
  • Budha in bhava-5 * narrative of splendid signaling * discusses entitlements * self-referential conversations * describer of divine intelligence * explainer of romance * delivers political instructions * writes poetry * proclaims love * defines creative literature * plays games * discusses fame * lectures about idealism * debates with royalty * chats with children * publishes unique opinions * articulator of artistic performance * declaims with radiant confidence
  • Budha-yuti-Surya * amusing explanations * entertaining chatter * central roles in communication * brightly clear descriptions * dramatic enunciation * confidently delivers instruction * articulation of radiant certainty * political messenger * talkative father-figures


choreographer, writer, ensemble performer, businesswoman

Budha in bhava-5 film-scripts touring schedules words gesture face song

  • rules 4 home childhood household foundations mother
  • rules 7 contracts agreements marriage

Budha activates

  • 4 mother, located in 5 entertainment, drama, creative arts, writing - Mom was a Hollywood scriptwriter
  • 4th-from-4th mother's parents ** Raised partly by maternal grandparents

Budha Mahadasha * age 14.7 until age 31.7

GR's success came largely via partnerships. She performed in many pairs and duo arrangements. Several dancing partners provided her male balance, including the famed Fred Astaire. Budha coupling, rules 7-partners.

In an era when most women were grossly exploited in Hollywood, GR was able, with her mother's support, to negotiate high-pay contracts. Budha rules 4-mother + 7-bargains

  • 1940 [GR age 29] won Academy Award for Best Actress in cinema drama Kitty Foyle. Ranked as highest paid actress in Hollywood * Budha-Guru bhukti * Guru lagnesha karmesha

GR was one of the relatively small group of Americans who made big money during the Depression.

  • The Great Depression began during her Budha-Shukra bhukti [GR age 18] and continued throughout her Budha Mahadasha
  • Shukra rules 3-cinema

The widespread unemployment, poverty, and despair of the USA Great Depression drove people to the urban film theatres in great numbers.

  • During the 1930's Rogers made nine joyful dancing films with her dance-partner Fred Astaire.
  • The productions featured beautiful set designs, romantic storylines, and upbeat music.
  • Folks received an hour's respite from their grief.

GR's dance films were enormously popular.

  • They celebrated the new social role of the independent "working girl".
  • [Often women in the Depression could find jobs more easily than men.] .

1930's celebrity pushed Ginger Rogers into the ranks of highest-paid actress in Hollywood, and her income provided her investment capital to fund her real-estate business in retirement.

  • GR remains best known for her oft-repeated role as Fred Astaire's romantic and dancing partner in a series of hugely popular and iconic Hollywood musical films.


dhava-karaka [husband] * bahuta-karaka [variety]

[lagnesha for Meena-Antya indriya-lagna]

[dutiful karmesha for for Meena-Antya indriya-lagna]


  • Guru-Tula * many trades * variety of exchanges * optimistic negotiations * believes in justice * doctrine of contractual exchange * multiple alliances * permission to bargain * diversity of arrangements * equable guidance * widens the scope of balanced design
  • Guru in bhava-8 * great rejuvenation * many sudden changes * many confidences * faith in rebirth * numerous identity transformations * generous in-laws * extensive tantra * expansion of undisclosed forces * abundance of initiations * many mysteries * regenerative emergencies * secret guidance * hidden inspiration * believes in invasive healing * multiple surgeries * in a wifely nativity, husbandly-companion may be a revolutionary, disaster-responder, or trauma-healer
  • Guru-yuti-Ketu * multiple options for severance * broad permission to abandon unsustainable connections * diverse wanderings * many occasions of surrender * philosophy of impermanence * large-size vacuums * many holy pilgrimages


lagnesha, karmesha

Guru activates inspirational, optimistic Dhanus 10th navamsha

Many bright ideas, numerous fun adventures, expands the extent of glittering fashion and fame.

Dhava-karaka Guru-yuti-Ketu = = five husbands, each released [Ketu]


svadu-karaka [sweet] * kalatra-karaka [wifely companion]

[Sarala Yoga]


  • Shukra-Singha * appreciation of regal confidence * likes admiration * enjoys applause * prefers creative partners * attracted to artistic performers * bargains to play radiant central roles * delighted by celebrity * charmed by romantic pleasures * pleased by ceremonial display * brightly theatrical arrangements
  • Shukra-6 * seeks pleasure via self-medication * satisfied by service * ministry of aid to women * imbalanced agreements * feminine employees * attracted to animals * valuable servants * appreciation of enemies * lovely designs to adorn the lower abdomen * toxicity from sugars * aesthetic of slavery * pleasant addictions * unfair contracts * financial exploitation * sweet pollutions * criminal bargains * accepts injustice * accommodates poverty * adjusts to war * in a husbandly nativity, wifely-companion may be a pharmacist-clinician-servant-helper-aide


Shukra-6 occupies the emotionally toxic 6th-from-Chandra * five divorces

Shukra rules Urisha-3 Arudha lagna = bhava-3 media messaging signal gesture communication

  • = ensemble performance = song, media-messaging, cinema, the production processes of drama, ensemble work centered on face, voice, song, speech, sensual pleasures, valuable goods

Shukra occupies the emotionally toxic 6th-from-Chandra, suggesting that [except for her Chandra-caretaker-figures, beloved mother and maternal grandfather] Ginger rarely enjoyed healthy relationships.

Shukra-Singha entertainment, glamour, glitter, celebrity, fame, creative performance

Shukra Mahadasha * age 38.7 until age 58.7

At the end of Ketu Mahadasha, GR's earnings from entertainment performances began to dwindle. She was substantially capitalized however, and Shukra was her time to invest.

the twenty-year mahadasha of Shukra ran from 1952 until 1972. She managed her own stock portfolio, which was a very unusual empowerment for a woman in that era. The long-lasting Shukra Mahadasha combined with the signature speculative-finance advantage of Shukra ruling 3- commerce.

Most remember Ginger Rogers as a remarkably talented, attractive, and vivacious dancer who wore a spectacular array of beautiful, flattering costumes as she played various romantic female roles to the leading male performers of the time.

In her 40's, GR morphed [8] into a shrewd businesswoman who successfully managed her own investments, bought and sold property, and negotiated her own Hollywood contracts.


duro-karaka [endurance] * jara-karaka [years]

Atmakaraka endurance, stamina, lawfulness, maturity, work-ethic, delays, respect for elders, regulations, normalcy, class-consciousness



  • Shani-Mesha * harsh old blood-feuds * brain cramp * blocked bloodflow * muscle seizure * limits innovation * overburdened aggressions * fierce resistance * freezes new ideas * law of the winners * proletarian battles * must enforce dominance * contempt for independence * burdened by championship * cruel competitions * endurance contests * at times, survival requires great effort * obligation to fight * normalizes war * structural pressure upon head-brain * lurching forward push * conquest brings oppressive duty * must sustain physical supremacy * constricted vitality * maintainer of bitter old competition-for-resources
  • Shani in bhava-2 * steady time-structured values-fulfillment * scarcity of precious resources * must preserve historic traditions * must gather * must catalog * obstructionist family-of-origin * must remember * cautious use of words * boney face * tense eyes * class-conscious speech * speakers' fatigue * chronic financial insufficiency * undernourished eye-teeth * must use old libraries * cold dried food hoard * limited sight * ossified heritage * language regulator * appreciates ignorance * maintains treasuries of proven knowledge * elders impose know-nothing rules
  • Shani-yuti-Mangala * social resistance to competitive action * pragmatic pursuits * cautious innovation * limited pace of progress * delayed [but not denied] championship * physical discipline * constraints on instinctive movement * conventionally regulated sports * tension from contradictory push-pull impulses.
  • Shani-yuti-Rahu * stiff resistance to unbridled ambition * formally regulated cultural mixing * disciplined thrills * class-based limitations upon privilege * repressed quest for intriguing importance * socially constrained opportunism * shimmering illusion of systematic conformity * irregular achievements * over-reaching elders * restricted risks


Work Ethic

Ginger Rogers produced 70 movies, many of which represented the best Euro-American performance dancing of her century.

  • Her dance partner Fred Astaire commented that Ginger was the hardest-working woman he had ever known.

Bharani-Shani + Azvini-Kuja + Bharani-Rahu rules 11

  • she remained the highest-paid Hollywood actress for many years.

Shani Mahadasha * age birth until age 14.7

The earliest years of Shani Mahadasha , during her childhood, emphasized Shani's power of separation, isolation, and divorce as ruler of 12.

  • GR's parents were fighting over her custody during their divorce. Her father kidnapped little Ginger.
  • After this crime [Surya rogesha] , he abandoned the family.
  • Her mother aimed to create a Hollywood career and left Ginger in the care of her grandparents.


Bharani-Shani-Mesha-2 rules 11 ++ Kuja-yuti-Rahu [2] Kuja rules 2 + 9

Shani-2 rules 11 economic enterprise

  • raised by a scrappy single mother, Rogers started financially with nothing.
  • She earned by industry and talented effort.
  • Massive nationwide popular audience [11] for her dance-movies during the Great Depression
  • GR later invested in a profitable real-estate portfolio [Chandra-Uttarabhadra

Shani means back-to-work

During the Shukra and Surya Mahadasha, GR lived an increasingly private life with diminishing Hollywood involvement in either cinema or television. She appeared to have fallen off the cultural and professional radar, as would be expected of an aging actress in a fickle industry.

However, during her Sade-Sati in 1965 during her mid-fifties, she returned to the stage and screen with both Broadway and television success.


rajyalobha-karaka [ambition] * picchala-karaka [slippery]


  • Rahu-Mesha * shimmering illusion of championship * craving for superiority * exotic use of dominating force * mask of competitive action * mirage of first-arrival pioneer * over-reaching urgency * extraordinary birth * extravagant muscularity * mesmerizing forward movement * unusual athleticism * fascinating conquests * marvelous warriorship * seeks special importance via apparent [but perhaps not authentic] attributes of heroic action * seeks privilege via innovator-roles
  • Rahu in bhava-2 * passion for precious treasuries * in svabhava of Suave Shukra, the Shadowy Specter seeks glamorous goods * mesmerizing memories * risk-rewarding finance * fascinating voice * entrancing face * craves knowledge of sound values * intriguing genetics * outsider who cleverly insinuates into the values-fulfillment lineage * extraordinary recollection * mesmerizing speech-and-song * intermingled traditions * unconventional speech * shadowy interlopers infiltrate the family line * potential for opportunistic second marriage * adventurous character of mother's elder sibling * thrilling stories * remarkable libraries * unusual alimony * ambitious hoard *mixed-language vocabulary * desires important evaluator roles * exotic foods * non-native breeds *captivating collections * social mobility via values + heritage + memory
  • [Aśvini] Rahu-yuti-Mangala * amplified competition * magnified championship * exotic pursuits * tricky innovation * opportunistic brother-warriors * fascinating [but perhaps illusory] appearance of dynamic energy * hypnotic attack * passion for engines * craves hot movement * invasive force of cross-cultural mixing
  • Rahu-yuti-Shani * amplified public formality * pragmatic exaggeration * exotic social conventions * slippery hierarchies * tricky rules * opportunistic elders * fascinating [but perhaps illusory] strict conformism * regulated risk-taking * hypnotic outsider insinuates normalcy * orderly cross-cultural mixing * thrilling legitimations


Capitalization, Voice-Face, Rahu-challenge to rigid social practices in finance, valuation, truth

Rahu in bhava-2 seeks privilege via important - often risky - cultural-mixing roles in evaluation, assessment, language, memory, knowledge, voice-speech-song, face-genetics, heritage, tradition, family lineage, food, seeds, herds-hoards, storage-stories-history, libraries, museums, databases, collections, banking, reserves, preservation, assets, capital wealth.

In Bharani, extra emphasis on asset conservation, collections, and wealth portfolio.

GR exemplified the old saying that for ladies, your face is your fortune. Her face-voice-hair were admired by millions of theatre-goers and movie-watchers. Her bodily movements [Mangala} were adulated as over-the-top, captivating, and above all the obvious result of disciplined practice [Shani-Mangala].

Nevertheless, GR was paid grossly less than masculine peers.

Slowly, [Shani] she challenged the Hollywood industry pay standards [Rahu-2 finance]. Despite enduring cultural struggle over women's worthiness [2] after decades of persistent work [Shani] and legendary success in entertainment, GR had the last laugh by becoming an HNWI on her own initiative [Mesha].

GR was a trend-setter and fashion icon of the new "working girl" image [Shani working]. Her persona was able to capitalize on profound social changes that accompanied women's large-scale entrance into the job market, and their sudden access to independent money [Bharani, 2] via earning their own salary [Rahu gender role upheaval].

GR helped to prove to a generation that fixed, restrictive traditional values [Shani 2] could be personally challenged [Kuja] with fascinating results [Rahu fascinating] GR's professional and financial [Bharani] success eventually pushed the envelop [Kuja] of culturally acceptable action for women [Mesha independence].

Treasury via independent [Rahu] financial actions [2]

Women, it was traditionally believed [Shani-2 rigid old truths] could not rationally manage money.

Still she persisted [Shani] .

GR became a remarkably wealthy woman through her own independent investing decisions. Her insistence of managing her own corporate stock and real-estate investments was extremely rare at the time for women. Old-school male financial experts were appalled. Plenty of nay-sayers predicted dire financial consequences for her challenge to social boundaries in the area of wealth capitalization [2].


kavandha-karaka [headless] * chidra-karaka [gaping] * vasana-karaka [vacuum]

  • Ketu-Tula * justly dissociates from negotiation * wanders away from compromise * eccentric alliances * abandons agreements * apathetic trades * surrenders trust * ignores restriction on match-making * releases a pale pastel cloud of fair deals into the misty abyss
  • Ketu in classroom-8 * passively dissolves barriers hiding secret knowledge * ambivalent toward initiations * disregards occult boundaries * Witness to cycles of death-and-rebirth * fearless toward catastrophic upheaval * absent from spouse's family * vacuous obscurities * irrelevance of non-disclosure rules * dissolves psychic filters * not intimidated by terrors * ignores threats * dissolves obfuscations * unless other graha in 8, may prefer to live free from in-laws
  • Ketu-yuti-Guru * misunderstandings * unsustainable convictions * abandons empty theories * believes in non-existence * vacuous catechism * wandering teachers * apostasy * wisdom of surrender * incomplete comprehension * doctrines of impermanence * Other-Worldly viewpoint * walks away in disbelief * liberating philosophy * for wifely nativities, Ketu may release the dhavakaraka husbandly-companion. .


Guru-yuti-Ketu = Tula-8 receives the risk-rewarding drishti of Rahu-2 + Shani-yuti-Mangala-2 indicating GR's multiple marriages and divorces.

  • She married and divorced five times.
  • All of GR's ex-husbands spoke well of her.

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