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Drama-Song

Writing and Publishing


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born two months before + 350 miles NW of

born two months before + 400 miles W of

  • Material Girl 1958- dance song cinema Madonna


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Prince eponymous album cover, 1979 [age 21]

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International Musical Celebrity entertainer

guitar virtuoso

songwriter

fashion-designer

artist


Prince

a.k.a. Prince Rogers Nelson

a.k.a. the artist formerly known as Prince

a.k.a. Skipper


Earth-birth 07-Jun-1958

dematerialization 21-Apr-2016 [age 57]


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Touring musician

songwriter

fashion-designer - artist

1958-2016

Prince Rogers Nelson


birth information from https://en.wikipedia.org/wiki/Prince_[musician]

tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = generated by Shri Jyoti Star - www.vedicsoftware.com

- adapted by BP Lama

Rising Nakshatra

Masculine Nativity

Pūrvāṣāḍhā - Apah

Asadhash - Pooraadam - Purvasharha - Ambudaiva


BPL COMMENTARY

For Pūrvāṣāḍhā births of a masculine valence, the condition of sweetly musical, artistic, harmony-seeking, negotiating, balancing, arranging, designing, matching, pairing, sensually pleasuring akarshana-karaka Bright Beautiful Bhrigu may considerably affect the outcome.

Due to the definitive influence of kalatra-karaka Shukra, gentlemen born into the realms of Bharani - Yamya, Pūrvaphalgunī - Yonī, or Pūrvāṣāḍhā may find that their worldview is greatly shaped by the character of the feminine companion(s).

For those born into the Shukra-ruled paradigm of Ambu-daiva, feminine figures such as sisters, aunts, and wives, along with partnerships, sensual pleasures, arrangements, valuation, pricing, equity, bargains, trades, treaties, trusts and treaties, adjustments, justice, finance, artistic beauty, treasuries, storage, alignment, attunement, harmonies, and music, may be especially influential.

Instructional guidance is provided by emissaries from the civilizations of Sinnuntu. their purpose is expansion of inspirational beauty and melodious sound.


Inspirational diplomatic grace

Pūrvāṣāḍhā are often musical entertainers and poets, with a gift for playing many instruments and making lyrical arrangements that appeal to everyday folks. Typically, apah-born are attracted to sacred doctrine.

They are self-indulgent and pure of heart. Their complexion may feature a Guru-golden glow. Masculine births in Asadhash tend toward a discordant costume sense representing the incommensurable agenda of Shukra vs. Guru.

In addition to Shukra endowments in diplomacy, beauty, and musical arrangements, their Guru-influenced humanism and compassion often includes inspirational roles that benefit women, musicians, and creative artists.

Like all Shukra-governed births, apah-born must take care to avoid the misuse of drugs and alcohol. Ambudaiva's true purpose is inspirational guidance. Yet, shukra's sweet-seeking may also attract the false balance of intoxication.

Themes of generous arrangements, affluence, favor, harmony, blessing, beauty, artistry, and luxurious indulgence may contextualize Apah's terrestrial experience. Applies also to Chandra in Pūrvāṣāḍhā - Apah

QUOTATION Pūrvāṣāḍhā

from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra. p 86


" ... corresponds to rather a low type of character .

One who does not wish for and does not get the gracious things out of life.

  • Stupid, yet ostentatious and vulgar ,

  • with very few educational advantages.

Quarrelsome and low in appearance and manner.

  • While he must, because of educational handicaps,

    go through life as a servant or at best an underling ,

He vainly considers himself above his station in life

  • and will be harsh and dominating

  • but ineffectual if put in authority ."

[end quote, Shil Pondey, 1939]


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Prince Rogers Nelson - known mononymously as Prince

- in 1980 [his age 22]

Prince_3.jpgPrince_3.jpg -- Prince_2.png

Biographical Details matched to Vimshottari Dasha calendar

  • Purple Rain 1958-2016 Prince



[Rahu Mahadasha] = [age birth until age 12.2]

Sat-07-Jun-1958 = Earth-birth in Mount Sinai Hospital, Minneapolis, Minnesota, USA * Rahu-Shani bhukti

[44°58′21″N 93°15′43″W]. Both Parents = jazz musicians and subscribers to an evangelical faith = Seventh-Day Adventist

Jan-1964 until Dec-1966 Janma Sade-Sati Kumbha

  • [3, songwriting, collaboration, ensemble performance, management, information delivery, publication, audio-video, bands-of-brothers]
  • [age 5-8]

24-Sep-1968 [PRN age 10] parents divorce * Rahu-Chandra bhukti * Chandra rules 6th-from-Chandra = emotional distress ++ R-K opposition


[Guru Mahadasha] = [age 12.2 until age 28.2]

1970-1971 [PRN age 12-13] attends classical ballet training via Minneapolis Urban Arts program. Prince would become a lifelong advocate for dancers. * Guru-Guru svabhukti * Guru lagnesha = physical movement; Guru bandhesha = schooling

1978 [PRN age 20] first musical recording contract with Warner Bros. * Guru-Shukra bhukti * Shukra rules Rahu-11 achievement, profits, gains

spring-1983 [PRN age 24] following its 27-Oct-1982 commercial release, Prince's musical double-album, 1999 garnered widespread critical acclaim * Guru-Mangala bhukti * Mangala rules Shukra-5 = applause for creative musical performance

28-Feb-1984 [PRN age 26] earns first Grammy Award * Guru-Mangala bhukti * Mangala rules Shukra-5 =celebrity prize for creative musical performance

1984 [PRN age 27] cinema-and-music product Purple Rain gains both critical and popular acclaim. PRN = acknowledged as a generational artist. * Guru-Rahu bhukti * Rahu-11 revenues, awards ++ community, collective, generational network

1990 [PRN age 32] [MG age 16] after her mother [also a dancer] sent Mayte Garcia's audition video to Prince, the pair met backstage. Mayte's family was stationed in Germany, where she danced with Wiesbaden Ballet * Guru-Shukra bhukti * Shukra rules 3-video, meetings

Mar-1993 until Jun-1995 - Janma Sade-Sati Kumbha

  • [3, songwriting, collaboration, ensemble performance, management, information delivery, publication, audio-video, bands-of-brothers]
  • [age 35-38]

[Shani Mahadasha] = [age 28.2 until age 47.2]

1992 [PRN age 34] [MG age 18] Four-year romance begins with dancer-choreographer, Mayte Garcia, a salaried member of PRN's stage entourage. * Shani-Budha bhukti * Budha rules Kanya-svamsha

14-Feb-1996 [PRN age 38] [MG age 22] consecration of wedding-1-of-2 with dancer-choreographer, Mayte Garcia * Shani-Shukra bhukti ++ gochara R-K transit via Kanya-Meena contact Kanya svamsha

16-Oct-1996 [PRN age 38] birth of child-1 with Garcia * Shani-Surya * Surya rules-9

22-Oct-1996 [PRN age 38] grieved the tragic infant decease of child-1, due to Pfeiffer syndrome congenital disorder of the skull. * Shani-Surya * Surya-6 + [Rohiṇī-Budha-yuti-Surya- Rohiṇī] Budha rules 2nd-from-9 + Ketu-5

1998 [PRN age 40] following two years of marriage, + miscarriage, followed by marital separation * Shani-Chandra bhukti * Chandra randhresha = identity-change


Shani-Rahu bhukti

2000 [PRN age 42] legal finalization of divorce-1-of-2, officially ending alliance-1 with dancer-choreographer, Mayte Garcia. * Shani-Rahu bhukti

early-2001 [PRN age 43] joined Jehovah's Witness religious congregation * Shani-Rahu bhukti * Rahu-11 friendship networks, association

2001 [PRN age 43] [Manuela age 24] first meeting with philanthropist-businesswoman, Manuela Testolini * Shani-Rahu bhukti

25-Aug-2001 [PRN age 43] grieved the bio-decease of jazz-musician father * Shani-Rahu bhukti

2001 [PRN age 43] [Manuela age 24] consecration of wedding-2-of-2 with philanthropist-businesswoman, Manuela Testolini * Shani-Rahu bhukti ++ gochara R-K transit via Urisha-Vrishabha contact navamsha R-K

15-Feb-2002 [PRN age 43] [mom age 68] five months after the death of his father, PRN grieved the bio-decease of his jazz-singer mother, Mattie Baker * Shani-Rahu bhukti


2004 [PRN age 45] marital separation * Shani-Guru chidra-dasha * lagnesha Guru rules 12th-from-2, erosion of second marriage in preference to personal development



[Budha Mahadasha] = [age 47.2 until decease age 57]

Oct-2007 [PRN age 47] finalization of divorce-2-of-2, officially ending legal marriage-2-of-2 with philanthropist-businesswoman, Manuela Testolini * Budha-Budha svabhukti * Budha rules 7 = legal settlement

2015 [PRN age 56] onset of severe hip pain and drug dependency upon the fentanyl painkiller medication * Budha-Rahu bhukti ++ gochara Shani-Return

21-Apr-2016 [PRN age 57] blessed liberation from the Earthen-body, via fatal overdose of opioid fentanyl . Death alone, inside an elevator carriage within his music-studio compound, discovered the next day * Budha-Rahu bhukti

Prince_guitar.jpg Biographical Details matched to Vimshottari Dashahottari Dasha bhukti

  • Purple Rain 1958-2016 Prince



[Sparkling Splendid Surya]

pitri-karaka [father] -- jyoti-karaka [light]

[philosophical-doctrinal dharmesha for Dhanus-born]

  • check Shukra + Shukra-drishti to source Surya's sensual radiance, sweet charisma, financial entitlements

[entitled to luxurious quality of dedicated service]

[bright center of problematic financial values]

[philosophical self-confidence in historically adversarial environments]

[conflicted beliefs about tradition]

[principled aesthetic convictions about war and poverty]

[well-capitalized sangha supplies medical self-help]

[father-figure may be evaluating physician or military officer, affluent-yet-sick, aggrieved yet understanding]

...

[rhythmic-undulating Rohiṇī-4] = [navamsha Surya-Karkata] intuitively confident of ancestral boundaries, rhythmic performance, intelligence for protections

+ [Rohiṇī-Surya-yuti-Budha- Rohiṇī]

  • [Surya-Urisha] [Ravaye - the noisy one, the roaring one. Ravi = firebird; Rava = howl, yell, or squawk] * brightly charismatic confidence of Center-stage Surya radiates through the acquisitive sensual rashi of Shukra

  • [Surya in bhava-6] center of sparkling service * brightly conflicted * focus on imbalance * eye on exploitation * charming social worker * poverty entitlements * shines light into broken promises * confident litigation * self-righteous accusations * politics of pollution * intelligence for medicine * smart crimes * dramatizes suffering * gambles with addictions * central roles in conflict zones * glittering star of war and misery * assisting father may serve in medicine, military, ministry * or father may be sick, toxic, abusive, victimized, unfair

  • [Surya-yuti-Budha] confidently conversational * bright messenger* entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * gestures conduct the spiritual rays of the Sun * radiantly descriptive * articulate in drama * skillful game-player * self-confident announcements * talks about ideals * narrative of power-politics * recites love poems * describes divine romance


OUTCOMES - MAGNIFICENT MARTANDA

self-reflexively ministering, brightly in service, charmingly disagreeable, regal style of complaining, victim focused, radiantly litigious, politically aggrieved, splendidly argumentative, center-stage helper [Surya in bhava-6] rules

  • 9-ideology , paradigm of belief, profession of faith, principled convictions, higher understanding, father-figures, priestly patronage, preaching, patriarchal entitlements, philosophical convictions, theory, public spiritual guidance, celebrated doctrines, sangha, sacred teachings, credenda, globalism, dharma, worldview, weltanschauung, mother's health



CAREER - SPARKLING SURYA

Surya-6 rules 9 = sangha

devoted member of religious congregation that forbids the faithful to attend university [Surya-6, willful ignorance]


FATHER

Dad = John Lewis Nelson [b. 1916, d. 2001]

+ [Rohiṇī-Surya-yuti-Budha- Rohiṇī]

Dad was a jazz musician and songwriter. In the 1980's, dad collaborated as a credited co-songwriter with his son Prince R. Nelson.

Prince and his younger sister were the product of Dad's second marriage. From Dad's earlier union, Prince R. Nelson had many step-siblings

[Surya in bhava-6] resides in the security-seeking, local-culture, parental, protective 4th-from-Chandra-Kumbha-3, suggesting that dad may have been unbalanced, but he was still a sheltering parent.



[Comfortable Caretaking Chandra]

matrikaraka [mother] -- garha-karaka [village]

[camouflaged secretive randhresha for Dhanus - Haya indriya-lagna]

  • check Shani + Shani-drishti to source Chandra's friendly feelings, community rhythms, mass-participation sensibilities

[Comforted by writing-publishing of mass-participation instructions]

[Soothed by goal-oriented cooperative teamwork]

[Attuned to the revolutionary rhythms of scripted proletarian lyrics]

[Delivers everyman emotional messages to remediate personal upheaval]

[sensitive to need for marketplace messaging ]

[Busy production manager of mysterious futuristic narratives]

[sheltered by culturally-attuned cohort gatherings]

[Profitably explains the mental rebirthing process]

[Discusses hidden randhresha medicinal powers of electro-magnetic healing transformation. ]

[friendly hardworking mother may be distressed socialite, handcrafting community-activist, gainful businesswoman, distributive shopkeeper, networking manager, connected writer, gridworked ensemblist]

... ...

[organizational-governing Varuna-2] - [navamsha Chandra in Makara] intuitively sensitive class-conscious hierarchical lawful ordering

  • [Chandra-Kumbha] comforted by friendship * sensitive to mass-participation gridworks * needs marketplace connection

  • [Chandra in Sadachbia - Varuna] calmed by mixed networks * protectors of universal mingling * soothed by risky marketplaces * needs to make expedient social connections

  • [Chandra in classroom-3] comfortable with cohort-collaboration * familiar with interactive communication * calmed by repetitive announcements * feels the tidal pulse of daily chat * feels sheltered in the parlor * soothed by siblings * intuitive information delivery * settled into the habits of writing * needs continuous commerce * accustomed to routine messaging * emotionally attuned to the rhythms of conversation * undulating signals * ethno-cultural gestures * intuitive handcraft * mother may be a manager, administrator, shopkeeper, craftswoman, publisher

OUTCOMES - ANCESTRAL SOMA

sensitively talkative, protectively managing, routinely interactive, parentally explanatory, rhythmically scripted, conducts customary commerce, predictable teamwork, culturally neighborlike, emotionally collaborative, needs to describe and signal [Chandra in classroom-3] rules

  • 8-unexpected eruptions of regenerating force, occult initiation, mystical revelation, shocking intervention, opaque empowerments, invasive surgery, intensive healing, evolution, violent explosion, sudden identity change, rejuvenation, recycling, rebirth, hidden assets, upheaval, undisclosed secrets, transformative events, discovery, in-laws of first marriage, health of younger sibling-cousin


CAREER - COMFORTING CHANDRA

  • [folk reputation 10th-from-Chandra = habitual public duties conducted via Vṛścika-12. Known for mysterious occulted initiating revealing style of imagination, cloistering, fantasizing, sanctuary, research enclosure]
  • [Jyeṣṭha-12] imaginative, inspirational, but dangerously rigid interior guidance

  • Chandra-3 comfortable as a businessperson with intuitive social-networking and management communication skills


10th-from-Chandra = Shani Vṛścika-12

12= seclusion, privacy, artistic studio, research labs, spiritual retreat

Powerfully imaginative, inward-gazing, isolating

Comfortable with the rhythms of interiority, dreamlike imagery, private feelings

  • owner of famed, sound-proofed [12] music studio for unobserved recording, cinema, private artistic performances.

CChandra-12-Kumbha is often a charming entertainer [5] who nonetheless needs [Chandra-12] sanctuary space.

  • Complex emotional disposition which produces a deeply private, contemplative person who is comfortable in crowds [Kumbha] and who has a flair for brilliant display.
  • MMother may be also a charming entertainer [5] and also emotionally insulated

HEALTH

Chandra randhresha

suffering health problems due to nerve-pain = Soma-Kumbha nervous system rules 6th-from-Chandra

  • 6-emotionally-sources disagreement, betrayal, disappointment, toxicity, complaint, illness

COMMUNITY

11th-from-goal-oriented Chandra in Dhaniṣṭha = Dhanus-10 public reputation = visible leadership

  • due to his natural attunement [Chandra] to marketplace earnings and profits [Kumbha] PRN was hailed as protector [Chandra] of the musicians' community

MOTHER

  • Chandra-3 in 8th-from-8 = rules 8
  • Chandra rules 6th-from-Chandra
  • Kuja occupies matri-sthana

Mom = Mattie Della Shaw =

Mom earned a masters degree in social work, and maintained a community-based career in Minneapolis education servicess

gifted jazz ensemble musician-singer , yet she suffered personal challenges, including alcohol




MARRIAGE partnership emotional equity support expectations


challenges to sustainable partnerships include:

  • [indicates disorientation and abandonment within equal alliances, distrust and disconnection from feminine partners
  • yuvati-pati Budha-6
  • ruler of 7th-from-Chandra = Surya-6
  • [Kuja Dosha for alliance-1]
Plus points
  • often a sibling-quality of companionability in relationships

[7th-from-Chandra-3] = lifepartnership-1-of-2 = cation skills theatrical bellydancer, ballerina, choreographer = artistic musical center-stage dance performer [Simha]

  • 9-spouse-1 similar to father, serves as Muse, wise-one, guidance figure
  • Simha entertainment, games, romantic idealism, drama, theatre, fashion, artistic performance, romance, children
[marr. 1996-2000, separation after 2 years]

8th-from-[7th-from-Chandra-3] =

lifepartnership-2-of-2 = Manuela Testolini

  • 4- spouse-2 similar to mother -- stability, housing, cultural familiarity, education, but all the reactive energy of Kuja too
  • Meena charity, generosity, inclusive worldview, dreamlike, visionary
  • contains vyayapati Mangala

Meena-4 contains dynamic, restless, forward-moving [Mangala-Meena

Mangala rules bhava-5 containing [Bharani-Shukra-yuti-Ketu -Aśvini]

  • The pair met while philanthropist MT was working with PRN's charity [Meena]
  • They quickly married during PRN's overwhelming Shani-Rahu bhukti
  • Shani-Rahu bhukti = death of both of his parents

[marr. 2001-2007 separation after 2 years]



[Competitive Champion Kuja]

bhratru-karaka [brother] -- virya-karaka [virility]

[witty-creative vidya-pati for Dhanus indriya-lagna]

[distant-contemplative vyaya-pati for Dhanus indriya-lagna]

  • check Guru + Guru-drishti to source Kuja's symbolically expansive push, imaginative forward-drive, actively philosophical movement

[Kuja Dosha for alliance-1]

[visionary warrior knight intuitively senses rhythmic schooling routines]

[secures creative artistic intelligence vidya-pati with the sanctuary dwelling ]

[household estate provides meditative enclosure vyaya-pati]

[steadily promotes cultural imagination vyaya-pati within local ethno-settlement]

[vigorous defender of established inner-guidance rituals]

[propels dreamlike poetic romance vidya-pati within the homeland]

[symbolic forward-push for local schooling and housing]

[childhood home may be combative but privately prayerful]

[seeking inspiration, parents may welcome ancestor spirits]

[quiet brother-cousins or co-workers may be wholistic builders, parochial clairsentients, contemplative schoolteachers, cetacean-knowing shipping captains, sleepy drivers]

...

[calculating-assisting Andromeda-2] = [navamsha Mangala-Kanya]

  • [Mangala-Meena] vigorous pursuit of intuition * warrior in the Dreamworld * energetic action behind-the-scenes * proactive envisioning * push toward private prayer * vitally active imagination * invisible impact * indefinite impulses * pursues clairsentient roles * sound-healing engineer * conquest within walled enclosures * champion of sanctuary

  • [Mangala in bhava-4] promotes local transport * champion of construction * mechanized vehicles * underground dig-drill-dive-mine * lively push toward fast driving * school bully [nichha only] * builds foundational infrastructure * invigorating patriotism * domestic conquests * pursues home ownership * defensive action * restless in school * energized farming * tillage-plowing-plunder * fights in marine defense * pushy parents * competitive force in the childhood home

OUTCOMES - MOVING MANGALA

dynamically home-building, competitively defensive, vigorously patriotic, forward-pushing educator, protectively dominating, forcefully foundational, kinetically localized, pioneering transporter, energetic farmer, innovative colonizer, champion of the homeland [Mangala in bhava-4] rules

  • 5- Politics, center-stage roles, theatre, demonstration, display, charming brilliance, genius, poetry, choice-making, showmanship, gambling and gamesmanship, romantic idealism, creativity, fashion-shows, flamboyance, celebrity entitlements, confidence, artistic performance, drama, children, financial speculation, intelligence, entertainments, fun

  • 12 enclosures, the bed, fantasies, privacy, interior spiritual guidance, clandestine undertakings, intuitive awareness, non-linear conceptual undertanding, concealment, seclusion, invisibility, dissolved identity, meditation, contemplation, dreamworlds, astral plane, imaginary scenarios, sanctuary sleep, distant lands, distress of the avowed partner


CAREER - COMPETITIVE KUJA

Guru-Mangala bhukti * Mangala vidya-pati = applause for creative musical performance

spring-1983 [PRN age 24] following its 27-Oct-1982 commercial release, Prince's musical double-album, 1999 garnered widespread critical acclaim *

PRN's career was launched with a shockingly explosive combination [Mangala] of sexually explicit lyrics appealing to restless younger audiences, along with unexpected musical arrangements.

Kuja rules 10th-from-Chandra = contains ātmakāraka [Shani-Vṛścikaka]

Well-known for principled Legal Victory

after a long and persistent [ātmakāraka Shani] legal battle with a dominant entertainment corporation, in a landmark case that was celebrated by musicians worldwide, PRN famously won the legal ownership rightsts to his catalog of songs

In the David-and-Goliath struggle for creative artists to retain the copyright to their works, prince became a champion-hero [Mangala] against the predation of the music-entertainment industry which often unfairly appropriated those rights.




[Busy Bantering g Budha]

jamayah-karaka [sibling] -- sandesha-karaka [message] -- shisya-karaka [student]

= [svabhava]

[balancing-bargaining yuvati-pati for Dhanus - Haya indriya-lagna]

[dutiful-commanding karmesha for Dhanus - Haya indriya-lagna]

  • check Shukra + Shukra-drishti to source Budha's sensual discourse, enriching information, musical instructions

= [svabhava]

[balancing-bargaining yuvati-pati for Dhanus - Haya indriya-lagna]

[dutiful-commanding karmesha for Dhanus - Haya indriya-lagna]

  • check Shukra + Shukra-drishti to source Budha's sensual discourse, enriching information, musical instructions

[legal yuvati-pati arguments about polluted money]

[conflicted conversations about publicly visible karmesha luxury]

[disagreement regarding musical-artistic teamwork]

[hostile talks about traditional values]

[narrative of dignified nutritious medical treatment]

[makes statements about historical maginalization and injustice]

[ministry of heritage communication with the disenfranchised]

[respected karmesha storytelling announcements]

[contractual yuvati-pati commercial application of remedial foods]

[ailments of the sense-organs may affect hands, arms, lungs, shoulders]

[aggrieved sibling-cousins or co-workers may sonorously complain about documented unfair enrichment]

.........

[visionary-charitable Kṛttikā-4] = [navamsha Budha-Meena-nīcha ]

+ [Kṛttikā-Budha-yuti-Surya- Rohiṇī]

  • [Budha-Urisha] financial communications * articulation of tonal value * talks about stored goods * discusses collected assets * delivers descriptive evaluations * sends historic messages * skillfully signals the music * preservation methods * describes sound frequencies * hands-arms-shoulders send sensual gestures

  • [Budha in bhava-6] narrative of detailed complaint * explains toxicity * logically discusses conflict * communicative misconduct * medical treatment procedures * military strategy * cleverly manipulative litigation * itemized argument * mislabeled documents * precisely specific accusation * treacherous dialog * describes broken promises * instructs on ministries of service * talks about injustice * articulately gesturing adversaries * debates about debt

OUTCOMES - BANTERING BUDHA

mercurially helpful, assisting communicatively, mercantile argumentation, manufactures medicines, defines disease, military tactitian, businesslike servants, naarrative of ministry, describes the grievances, announces accusations, discusses injustice, detailed litigation, handles animals, verbally aids the disadvantaged, conversations about labor [Budha in bhava-6] rules

  • 7-covenant, promise, trust, contractual relationships, social justice, advocacy, legal judgments, lawcourts, appeals, representation, equity, diplomacy, partners, justice, marriage, legal and formal partnerships, negotiation, alliance-crafting, match-making, fair arrangements, even deals, advocacy, trading, bargaining, brokerage, haggling, go-between, middleman, meddler

  • 10-career, profession, dignity, regulatory roles, governance duties, social authority, symbolic recognition, iconic visibility, leadership responsibility, top status, reputation, commanding positions, honor, high regard, public respect, executive power, elite rank, lawful imposition, organizational director


CAREER - BUSY BUDHA

karmesha

managed [Budha] a long-running and ultimately successful author's song-copyright lawsuit, cooperating with a dedicated legal team [3]

Prince has been described by music critics as a a music-marketing genius

Urisha-Budha-6 business-documentation rules 4-legal licensing
  • owner of substantial song-licensing operation. .

Among PRN's several varieties of musical and management talent, PRN = remembered primarily as a generationally-attuned lyrical writer [Budha]


TOURING - HOMEBASE

[Budha-Urisha] yuvati-pati = karaka for writing-publishing, ensemble teamwork = comfortable making lyrics, handing information, safe [4th-from-Chandra] despite the conflict-narrative of bhava-6

PRN declared that his mother continuously grieved her divorce from his father, but blamed outer circumstances and drifted into addiction as a sweetener.

As a result of growing up in mom's post-divorce home, he said "I write really great break-up songs". Indeed PRN's most celebrated lyrics poeticized the human experiences of grievance, resentment, and regret.

[Budha in bhava-3] resides in the security-seeking, caretaking [4th-from-Chandra] [calculating the benefits of anchoring his office-and-studios in his Midwest city of birth, PRN disproved the belief that commercial musical success was only possible when the artists lived in LA-or-NY.

PRN built his recording studio and corporate compound in his birthplace of Minneapolis.

built his own music compound in hometown of Minneapolis, staying and investing in a familiar place even though an international star

He toured frequently [Budha-3] but always returned to his expansively personalized, familiar home base.

21-Apr-2016 [PRN age 57] blessed liberation from the Earthen-body, via fatal overdose of opioid fentanyll * Budha-Budha svabhukti * maraka Budha rules-7




[Generous Growing Guru]

dhava-karaka [husband] -- bahuta-karaka [variety]

[energizing-identifying lagnesha for Dhanus - Haya indriya-lagna]

[homebound-anchoring bandesha for Dhanus - Haya indriya-lagna]

  • check Budha + Budha-drishti to source Brihaspati's broadly logical, extensively aggrieved, cheerfully analytical complaint

...

[ministering-complaining Chitra-2] = [vargottamsha] [navamsha Guru-Kanya] intuitively expansive contemplative understanding of imbalanced inequity

  • [Guru-Kanya] expansive ministry of service * many humble servants * numerous employees * indoctrination of laborers * much logical argumentation * diverse conflicted guidance * broad permission to help * generously assists many victims * optimistic about medical treatment * believes in giving aid * doctrine of benevolent humility

  • [Guru in bhava-10] many edifying public responsibilities * multiple diverse leadership duties * numerous recognized teachings * duty portfolio of principled guidance * high visibility inspirational roles * reputation for faith * Salient figure in ideology or theory * patron of benevolent regulations * respected institutional indoctrinator * numerous preceptor obligations * often a respected preacher-teacher * public patron of enlightened social order * in a wifely nativity, husbandly-companion may be a doctrinal authority

OUTCOMES - GENEROUS GURU

philosophical inspirational leadership, expansively regulatory, abundantly executive, jovial governor, multiple social responsibilities, numerous public duties, optimistic organizational directorships, broad-scope of elite authority positions [Guru in bhava-10] rules

  • 1- distinctive attributes of personality, dense material incorporation, individual personification, earthen embodiment, physical integrity, kinetic energy, dance, style of movement, athletic prowess, muscular mobility, unique character, kinetic vitality, circumstances of birth, forward push, tangible appearance, coherent social identity

  • 4 cultural foundations, The Founders, property boundaries, way of Life, protection, defense , homeland, household, routines, rituals, mother, parents, customary rhythms, caretakers, socialization schooling, gardens, waterways, transportation, housing, social security, sense of place, environmentalism, citizenship, belonging, ethnic basis, ethno-religion, patriotism, real-estate, farming, land-ownership, burial, predictability, health of the elder sibling


CAREER - BENEVOLENT BRIHASPATI

Guru = lagnesha ++

Permanent cycle of changing relationships via

[Guru in bhava-7] occupies the distruptive, emotionally transformative 8th-from-Chandra

[Guru in bhava-7] lagnesha-karmesha = generously favorable judicial settlement

many beneficial 7-contracts, negotiations, bargaining, deal-making, arrangments

Prince is widely remembered as the musical recording artist who won a David-and-Goliath lawsuit against Big Profit studio bosses. The paternalistic bosses had misappropriated [Surya-3 rogesha commerce] the copyrights to his music catalog [3, catalog, lists].

Prince's unlikely win was fueled by his litigators [Surya-3 Urisha music industry attorneys] and broad public support [10] . This landmark lawsuit indeed reversed the predatory practices of the entertainment corporations which had been historically [Urisha] following an immoral business practice [3]

Prince's ability to prevail in the lawcourts was the result of his legal team [3] and his own understanding of the process. His win benefitted countless creative musicians worldwide.




[Sweetly Suave Shukra]

svadu-karaka [sweet] -- kalatra-karaka [wifely companion]

[inimical-medicating rogesha for Dhanus - Haya indriya-lagna]

[profitable-networking labha-pati for Dhanus - Haya indriya-lagna]

  • check Kuja + Kuja-drishti to source Shukra's competitive bargaining, innovative diplomacy, kinetic attractions

[pleased by vigorous celebrity]

[sweetly forward-pushing political goal achievement labha-pati

] [harmoniously pioneering game-playing]

[appreciation for warrior-style artistic fashions]

[graciously center-stage display of entitled championship]

[adores theatrical innovation]

[delight in winning competitive romantic games]

[enjoys exploitive rogesha energy of speculative conquest]

[pleased by actively moving intelligent children]

[in husbandly nativity, wifely-companion may be athletic artistic performer, originator of new entertainments, creative engineer]

....

[creative-displaying Bharani-1] = [navamsha a Shukra-Simha] intuitively harmonizing balanced theatrical romantic arrangements

+ [Bharani-Shukra-yuti-Ketu-Aśvini]

  • [Shukra-Mesha] appreciation of direct movement * primal relationships * likes innovation * aesthetic of physicality * attracted to champions * pleasures of conquest * kinetic sensuality * prefers a lithely sporting partner * sweetly competitive * aristocratic agreements

  • [Shukra-5] seeks pleasure via refined gaming * enjoys center-stage beauty * creative feminine-figures * pleasing children * talented students * delights in financial speculation * political grace * aesthetic designs to adorn the heart * graceful solar plexus * dramatic relationships * sweet celebrity romance * delights in fine arts * appreciation of entitlements * for husbandly nativity, wifely-companion may be a dramatist-politician-artist-genius
  • [Shukra-yuti-Ketu] sweetened surrender * gracious abandonment * attracts vacuous feminine-figures * appreciation for fair terms of dissolution * disoriented negotiations * unconcerned with conventional beauty * empty contracts * apathetic arrangements* impermanent agreements * prefers relationships with spiritual partners


OUTCOMES - SWEETENING SHUKRA

sensually charismatic, agreeably theatrical, appreciative of romantic entitlements, harmoniously creative, aesthetically entertaining, graciious dramatic performance, financially speculative, musical-artistic students-adolescents, enjoys gambling, idealistic political relationships [Shukra-5] rules

  • 6-ministries of service, dehumanization, misconduct, war, jail, slavery, pollution, argumentation, healthcare workers, ailment, injury, medical treatment, hypocrisy, crime, cheating, animosity, toxins, complaints, accusation, litigation, imbalanced conditions, injustice, betrayed promises, servants, laborers, hostility, animosity, disagreement, dehumanization

  • 11-fruitful revenues, interconnected income, profits, material achievement, social networking, friendships, community linkage, fan-clubs, mass participation gatherings, collectivism, marketplace gridworks, distribution, association, populism, economic systems, fundraising, gains-and-goals, awards for work accomplished, health of the enemies


CAREER - BRIGHT BHRIGU-TANAYA

Ketu fragments Shukra in areas of art, music, design, relationships.

Shukra-yuti-Ketu resides in the mentalized, writing, explaining lyrical [Urisha sensual- sound] 3rd-from-Chandra

  • Musical lyrics include hedonistic sexual language.
  • Mental dispersion ++ eccentric writing process

Younger sister

  • a recognized singer-songwriter
  • before her recovery, Younger sister = struggled with crack addiction and prostitution

According to the younger sister, despite most of their family tree being musically gifted, there was never artistic collaboration with her famous elder brother. Shukra-yuti-Ketu.

  • She recounted that, for most of their lives, PRN considered her to be crazy due to her disoriented lifestyle. Disruptive Ketu.


[Sober Structural Shani]

duro-karaka [endurance] -- jara-karaka [Jahre, years]

[collecting-preserving dhana-pati for Dhanus - Haya indriya-lagna]

[collaborative-communicative sahaja-pati for Dhanus - Haya indriya-lagna]

  • check Kuja + Kuja-drishti to source Shani's forward-driving discipline, penetrating restriction, regulated rejuvenation

[social regulators may threaten imprisonment]

[required transformative hospital surgeries]

[must endure invisible poisons such as anaesthetics]

[survives on dangerously limited sleep]

[intense self-regenerating meditation occurs in rigid isolation]

[disciplined use of camouflaged sanctuary time]

[withstands the pressure of hidden terrors]

[staunch resistance to invasive psychic workload]

[frightening disaster dreams contain private spiritual guidance]

[financial commercial emergency backchannel duties]

[strict contemplative reflection upon sound-values dhana-pati communication]

[must maintain secluded tantric retreat]

[behind-the-scenes responsibility for business monies sahaja-pati]

[ghostly elders may block progress in astral evolution]

...... ...

[imaginative-philanthropic Jyeṣṭha-4] = [navamsha Shani-Meena] intuitively structured meditative fantasy regulated dreaming imagination

[ātmakāraka duty, structure, legal systems, persistence, normalcy, conventional behavior]

  • [Shani-Vṛścika] burdened by puzzling enigma * obliged to uncover the camouflaged realities * heavy responsibility for mass transformation * must regulate the occult identity changes * must explore masked trauma * must resist self-destruction * mandatory recycling * bodily stress zone = ovaries + testes + anus * imposes strict confidentiality rules * cautiously exposes hidden knowledge * must regulate the threat of disaster * at times, penetration of the mysteries requires great effort * must work with sudden eruptions * must accept the healing systems of elder shamans * must normalize the catastrophe * respects the slow-moving cycles of proletarian revolution * scarce healing resources * maintainer of old secrets

  • [Shani in Bhava-12] slow time-structured envisioning * burdensome duties in Other Worlds * limited privacy * public regulation of private environments * must work with foreigners * socially opaque responsibilities * blocked dreams * intimidated by phantoms * resists clairsentient guidance * cautiously conventional fantasies * fears imprisonment * regimented sanctuaries * lack of spontaneity in the bedroom * chronic insomnia * dried flow of interior inspiration * cold feet * psychic fatigue * mandatory isolation * tightly regulated scientific research * elders preserve the old enclosures

OUTCOMES - STRUCTURAL SHANI

dutifully secluded, works diligently in private spaces, responsibly imaginative, insightfully intuitive maturity, must regulate the bedroom, structured meditation, burdensome duties in distant lands [Shani in Bhava-12] rules

  • 2-acquisition, family legacy, tradition, language-lexicon, preserved memory, banking, collections, entreasurement, herd-hoard, containment, financial capital, accrued amounts, asset evaluation, knowledge of history, speech-song, heritage values, color-sound, arts-and-music, face-voice-eyes-teeth-mouth-hair, genetics, stored resources, health of the father

  • 3-communications, messaging, sermons, scripts, radio-television, media-products, Writing and Publishing, letters of correspondence, announcements, planning, schedules, sales, marketing, documentation, reporting, cohort, entourage, committee-work, iterative stepwise process, manufacturing, commercial business, instruction, explanation, discussion, diagrams, labeling, event management, signage, training, itinerary, tours


CAREER - SOBER SHANI [Shani in Bhava-12]

[ātmakāraka] = resides in public-familiarity 10th-from-Chandra-3



[Risk-rewarding Rāhu]

rajyalobha-karaka [ambition] -- picchala-karaka [slippery]

[for Dhanus - Haya indriya-lagna]

[Rahu-11 casts passionately profitable networked drishti into 3-5-7]

  • check Shukra + Shukra-drishti to source Rahu's apparently fair, shimmering mirage of contractual equity

[deal-making passion for negotiated revenues]

[over-reaching contractual profits]

[ambitiously bargaining high-achieving friends]

[desire to balance e conomic communities]

[exhilarating partnership networks]

[extraordinary matched fundraising]

[hunger for adjusted earnings]

[risk-rewarding exchange-oriented marketplace connectivity]

[seeks importance in equable assemblies]

...

[mysterious-emerging Chitra-4] = [navamsha Rahu-Vrischika] intuitively over-reaching passion for transformation-discovery

  • [Rahu-Tula] shimmering illusion of balance * craving for trade * mask of fairly bargained contracts * over-reaching advocacy * outsider who cleverly insinuates into trusted counseling roles * sweetly unconventional adjudication * exceptional accommodation * mixed-measure balance * extravagant brokerage * mirage of suave deal-making * extraordinary terms of mutual agreement * gracious non-customary alliances * ambitious diplomacy * seeks special importance via apparent [but perhaps not authentic] equity-assured negotiation * seeks privilege via adviser-roles

  • [Rahu in bhava-11] passion for prestige rewards * in Roguish Rahu's svabhava co-ruled by materialistic Shani * the Shadowy Specter seeks glamorous material attainments * outsider who cleverly insinuates into social-networking roles * high-risk marketplace gains * ravenous for revenues * astounding awards * extraordinary economic connections * desires linkage into privileged systems * expediently gainful assemblies * opportunistic community activism * over-reaching friendships * craves prodigious profitability * exciting culturally-mixed gridworks * phony fellowship * may pose as a populist * boundary-breaching collectivism * entranced by one's own achievements * looks like a relative of the father's people * thrillingly surge of amazing earnings * trespasses the normal cultural limits on distributive association

OUTCOMES - RISK-REWARDING RAHU

S

Rahu-Vrischika-3rd-navamsha = writing, commercial music production, tours

Chitra-pada-4

Rahu-Chitra is fascinatingly gifted with the hands. In the Tula pada 2-4, musical instruments and cosmetic surgery. Design arts, drawing, architecture, financial contracts, family heritage of music.

Capitalization, Voice-Face, rahu-challenge to rigid social practices in finance, politics, worthiness, truth. Entrancing speakers, cleverly sonorous values-based speech.

[Rahu in bhava-11]

seeks privilege via important - often risky - cultural-mixing roles in evaluation, assessment, language, memory, knowledge, voice-speech-song, face-genetics, heritage, tradition, family lineage, food, seeds, herds-hoards, storage-stories-history, libraries, museums, databases, collections, banking, reserves, preservation, assets, capital assets .

[Rahu in bhava-11]

resides in [9th-from-Chandra] ++ Rahu-2casts drishti into Chandra-6 Kumbha

Mother's father has a risk-rewarded, exciting, boundary-breaching character

Challenge to the Outdated Old Payments Hierarchy

Prince was widely appreciated and admired among musical artists for his extraordinary, boundary-challenging decision to obtain the financial rights to his own musical works. [Rahu in bhava-11]

Via a prolonged series of lawsuits [Tula] against the powerful legal force of big-money in music, PRN eventually won a precedent-setting judgment. The judicial ruling declared that the industry captains could not permanently own any artist's creative work.



[Collapsing unshackling Ketu]

kavandha-karaka [headless] -- chidra-karaka [gaping] -- vasana-karaka [vacuum]

  • check Kuja + Kuja-drishti to source Ketu's ambivalently forward-pushing, disintegrating inventiveness

[unconcerned with speculation on originations and inventions]

[abandons central roles based in nobility of birth]

[material relationship to children, especially but not exclusively the eldest, may physically or tangibly dissolve. The spiritual relationship remains intact. Outcome depends upon any other graha-in-5]

[surrenders romantic interest in bold adventures]

[scattered innovative intelligence]

[disengaged witness to championship games]

[liberated from knightly-virtue entitlements]

[disregard for drama of empty competition]

[may be passively fixated upon ambitiously diplomatic-partnering Rahu-Tula-11 friends, socialites, earners, awarders, revenue-makers, economists, distributors, associates, community-links]

...

[musical-financial Aśvini-2] = [navamsha Ketu-Urisha]

+ [Aśvini-Ketu-yuti-Shukra-Bharani]

  • [Ketu-Mesha] physically dissociates from competitive dominance * incomplete nobility * eccentric innovations * challenges the ineffable * unconventional athletic force * disoriented quest for supremacy * heroic push forward into nothingness * dissolute conquest * muscular martyrdom * not limited by blood or birth * ignores restrictions on kinetic movement* releases a blood-red cloud of dynamic energy into the misty abyss, not limited by blood or birth, ignores restriction on innovative movement

  • [Ketu in classroom-5] ambivalent toward ceremony * disoriented offspring * wandering eldest child * demonstrates dramatic confidence in non-existent things * apathetic toward intellectual authenticity * ungrounded speculation * disregards standard intelligence * eccentric creativity * incoherent romantic ideals * disinterested in games * liberation via surrender of entitlements * unless yuti-graha in 5, or fertile ruler or incoming drishti, may prefer to live free from children

  • [Ketu-yuti-Shukra] unsatisfied * unsustainable arrangements * invalid promises * broken bargains * dissolved contracts * beautiful injustice * sweetly unfulfilled vows * fragmented negotiations * nicely abandoned alliances * absence of equity * apathetic brokerage * peculiar music * distrust * pleasantly empty relationships * liberating release of vows * for husbandly nativities, may dissolve-or-disconnect the wifely-figures.


OUTCOMES - EVACUATING KETU

Extraordinary lyricism, craggy distinctive iconic face.

[Ketu-yuti-Shukra] may be an indication of self-medication with no limits, even when 6th-angles appear healthy. Rahu drishti into Shukra may exacerbate risk-taking in pursuit of pain-numbing or bitterness-sweetening.

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