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born two months before + 350 miles NW of
born two months before + 400 miles W of
Prince eponymous album cover, 1979 [age 21] |
International Musical Celebrity entertainer guitar virtuoso fashion-designer artist a.k.a. Prince Rogers Nelson a.k.a. the artist formerly known as Prince a.k.a. Skipper Earth-birth 07-Jun-1958 dematerialization 21-Apr-2016 [age 57] |
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Touring musician songwriter fashion-designer - artist 1958-2016 Prince Rogers Nelson birth information from https://en.wikipedia.org/wiki/Prince_[musician]
tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = generated by Shri Jyoti Star - www.vedicsoftware.com - adapted by BP Lama |
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Rising Nakshatra Masculine Nativity Pūrvāṣāḍhā - ApahAsadhash - Pooraadam - Purvasharha - Ambudaiva BPL COMMENTARY For Pūrvāṣāḍhā births of a masculine valence, the condition of sweetly musical, artistic, harmony-seeking, negotiating, balancing, arranging, designing, matching, pairing, sensually pleasuring akarshana-karaka Bright Beautiful Bhrigu may considerably affect the outcome. Due to the definitive influence of kalatra-karaka Shukra, gentlemen born into the realms of Bharani - Yamya, Pūrvaphalgunī - Yonī, or Pūrvāṣāḍhā may find that their worldview is greatly shaped by the character of the feminine companion(s). For those born into the Shukra-ruled paradigm of Ambu-daiva, feminine figures such as sisters, aunts, and wives, along with partnerships, sensual pleasures, arrangements, valuation, pricing, equity, bargains, trades, treaties, trusts and treaties, adjustments, justice, finance, artistic beauty, treasuries, storage, alignment, attunement, harmonies, and music, may be especially influential. Instructional guidance is provided by emissaries from the civilizations of Sinnuntu. their purpose is expansion of inspirational beauty and melodious sound. Inspirational diplomatic grace Pūrvāṣāḍhā are often musical entertainers and poets, with a gift for playing many instruments and making lyrical arrangements that appeal to everyday folks. Typically, apah-born are attracted to sacred doctrine. They are self-indulgent and pure of heart. Their complexion may feature a Guru-golden glow. Masculine births in Asadhash tend toward a discordant costume sense representing the incommensurable agenda of Shukra vs. Guru. In addition to Shukra endowments in diplomacy, beauty, and musical arrangements, their Guru-influenced humanism and compassion often includes inspirational roles that benefit women, musicians, and creative artists. Like all Shukra-governed births, apah-born must take care to avoid the misuse of drugs and alcohol. Ambudaiva's true purpose is inspirational guidance. Yet, shukra's sweet-seeking may also attract the false balance of intoxication. Themes of generous arrangements, affluence, favor, harmony, blessing, beauty, artistry, and luxurious indulgence may contextualize Apah's terrestrial experience. Applies also to Chandra in Pūrvāṣāḍhā - Apah |
QUOTATION Pūrvāṣāḍhā from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra. p 86 " ... corresponds to rather a low type of character . One who does not wish for and does not get the gracious things out of life.
Quarrelsome and low in appearance and manner.
He vainly considers himself above his station in life
[end quote, Shil Pondey, 1939]
Prince Rogers Nelson - known mononymously as Prince - in 1980 [his age 22] | |
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Biographical Details matched to Vimshottari Dasha calendar
[Rahu Mahadasha] = [age birth until age 12.2]
Sat-07-Jun-1958 = Earth-birth in Mount Sinai Hospital, Minneapolis, Minnesota, USA * Rahu-Shani bhukti [44°58′21″N 93°15′43″W]. Both Parents = jazz musicians and subscribers to an evangelical faith = Seventh-Day Adventist Jan-1964 until Dec-1966 Janma Sade-Sati Kumbha
24-Sep-1968 [PRN age 10] parents divorce * Rahu-Chandra bhukti * Chandra rules 6th-from-Chandra = emotional distress ++ R-K opposition [Guru Mahadasha] = [age 12.2 until age 28.2]
1970-1971 [PRN age 12-13] attends classical ballet training via Minneapolis Urban Arts program. Prince would become a lifelong advocate for dancers. * Guru-Guru svabhukti * Guru lagnesha = physical movement; Guru bandhesha = schooling 1978 [PRN age 20] first musical recording contract with Warner Bros. * Guru-Shukra bhukti * Shukra rules Rahu-11 achievement, profits, gains spring-1983 [PRN age 24] following its 27-Oct-1982 commercial release, Prince's musical double-album, 1999 garnered widespread critical acclaim * Guru-Mangala bhukti * Mangala rules Shukra-5 = applause for creative musical performance 28-Feb-1984 [PRN age 26] earns first Grammy Award * Guru-Mangala bhukti * Mangala rules Shukra-5 =celebrity prize for creative musical performance 1984 [PRN age 27] cinema-and-music product Purple Rain gains both critical and popular acclaim. PRN = acknowledged as a generational artist. * Guru-Rahu bhukti * Rahu-11 revenues, awards ++ community, collective, generational network 1990 [PRN age 32] [MG age 16] after her mother [also a dancer] sent Mayte Garcia's audition video to Prince, the pair met backstage. Mayte's family was stationed in Germany, where she danced with Wiesbaden Ballet * Guru-Shukra bhukti * Shukra rules 3-video, meetings Mar-1993 until Jun-1995 - Janma Sade-Sati Kumbha
[Shani Mahadasha] = [age 28.2 until age 47.2] 1992 [PRN age 34] [MG age 18] Four-year romance begins with dancer-choreographer, Mayte Garcia, a salaried member of PRN's stage entourage. * Shani-Budha bhukti * Budha rules Kanya-svamsha 14-Feb-1996 [PRN age 38] [MG age 22] consecration of wedding-1-of-2 with dancer-choreographer, Mayte Garcia * Shani-Shukra bhukti ++ gochara R-K transit via Kanya-Meena contact Kanya svamsha 16-Oct-1996 [PRN age 38] birth of child-1 with Garcia * Shani-Surya * Surya rules-9 22-Oct-1996 [PRN age 38] grieved the tragic infant decease of child-1, due to Pfeiffer syndrome congenital disorder of the skull. * Shani-Surya * Surya-6 + [Rohiṇī-Budha-yuti-Surya- Rohiṇī] Budha rules 2nd-from-9 + Ketu-5 1998 [PRN age 40] following two years of marriage, + miscarriage, followed by marital separation * Shani-Chandra bhukti * Chandra randhresha = identity-change Shani-Rahu bhukti 2000 [PRN age 42] legal finalization of divorce-1-of-2, officially ending alliance-1 with dancer-choreographer, Mayte Garcia. * Shani-Rahu bhukti early-2001 [PRN age 43] joined Jehovah's Witness religious congregation * Shani-Rahu bhukti * Rahu-11 friendship networks, association 2001 [PRN age 43] [Manuela age 24] first meeting with philanthropist-businesswoman, Manuela Testolini * Shani-Rahu bhukti 25-Aug-2001 [PRN age 43] grieved the bio-decease of jazz-musician father * Shani-Rahu bhukti 2001 [PRN age 43] [Manuela age 24] consecration of wedding-2-of-2 with philanthropist-businesswoman, Manuela Testolini * Shani-Rahu bhukti ++ gochara R-K transit via Urisha-Vrishabha contact navamsha R-K 15-Feb-2002 [PRN age 43] [mom age 68] five months after the death of his father, PRN grieved the bio-decease of his jazz-singer mother, Mattie Baker * Shani-Rahu bhukti 2004 [PRN age 45] marital separation * Shani-Guru chidra-dasha * lagnesha Guru rules 12th-from-2, erosion of second marriage in preference to personal development [Budha Mahadasha] = [age 47.2 until decease age 57]
Oct-2007 [PRN age 47] finalization of divorce-2-of-2, officially ending legal marriage-2-of-2 with philanthropist-businesswoman, Manuela Testolini * Budha-Budha svabhukti * Budha rules 7 = legal settlement 2015 [PRN age 56] onset of severe hip pain and drug dependency upon the fentanyl painkiller medication * Budha-Rahu bhukti ++ gochara Shani-Return 21-Apr-2016 [PRN age 57] blessed liberation from the Earthen-body, via fatal overdose of opioid fentanyl . Death alone, inside an elevator carriage within his music-studio compound, discovered the next day * Budha-Rahu bhukti |
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[Sparkling Splendid Surya] pitri-karaka [father] -- jyoti-karaka [light] [philosophical-doctrinal dharmesha for Dhanus-born]
[entitled to luxurious quality of dedicated service] [bright center of problematic financial values] [philosophical self-confidence in historically adversarial environments] [conflicted beliefs about tradition] [principled aesthetic convictions about war and poverty] [well-capitalized sangha supplies medical self-help] [father-figure may be evaluating physician or military officer, affluent-yet-sick, aggrieved yet understanding] ... [rhythmic-undulating Rohiṇī-4] = [navamsha Surya-Karkata] intuitively confident of ancestral boundaries, rhythmic performance, intelligence for protections + [Rohiṇī-Surya-yuti-Budha- Rohiṇī]
OUTCOMES - MAGNIFICENT MARTANDA self-reflexively ministering, brightly in service, charmingly disagreeable, regal style of complaining, victim focused, radiantly litigious, politically aggrieved, splendidly argumentative, center-stage helper [Surya in bhava-6] rules
CAREER - SPARKLING SURYA Surya-6 rules 9 = sangha devoted member of religious congregation that forbids the faithful to attend university [Surya-6, willful ignorance] FATHER Dad = John Lewis Nelson [b. 1916, d. 2001] + [Rohiṇī-Surya-yuti-Budha- Rohiṇī] Dad was a jazz musician and songwriter. In the 1980's, dad collaborated as a credited co-songwriter with his son Prince R. Nelson. Prince and his younger sister were the product of Dad's second marriage. From Dad's earlier union, Prince R. Nelson had many step-siblings [Surya in bhava-6] resides in the security-seeking, local-culture, parental, protective 4th-from-Chandra-Kumbha-3, suggesting that dad may have been unbalanced, but he was still a sheltering parent. [Comfortable Caretaking Chandra] matrikaraka [mother] -- garha-karaka [village] [camouflaged secretive randhresha for Dhanus - Haya indriya-lagna]
[Comforted by writing-publishing of mass-participation instructions] [Soothed by goal-oriented cooperative teamwork] [Attuned to the revolutionary rhythms of scripted proletarian lyrics] [Delivers everyman emotional messages to remediate personal upheaval] [sensitive to need for marketplace messaging ] [Busy production manager of mysterious futuristic narratives] [sheltered by culturally-attuned cohort gatherings] [Profitably explains the mental rebirthing process] [Discusses hidden randhresha medicinal powers of electro-magnetic healing transformation. ] [friendly hardworking mother may be distressed socialite, handcrafting community-activist, gainful businesswoman, distributive shopkeeper, networking manager, connected writer, gridworked ensemblist] ... ... [organizational-governing Varuna-2] - [navamsha Chandra in Makara] intuitively sensitive class-conscious hierarchical lawful ordering
OUTCOMES - ANCESTRAL SOMA sensitively talkative, protectively managing, routinely interactive, parentally explanatory, rhythmically scripted, conducts customary commerce, predictable teamwork, culturally neighborlike, emotionally collaborative, needs to describe and signal [Chandra in classroom-3] rules
CAREER - COMFORTING CHANDRA
10th-from-Chandra = Shani Vṛścika-12 12= seclusion, privacy, artistic studio, research labs, spiritual retreat Powerfully imaginative, inward-gazing, isolating Comfortable with the rhythms of interiority, dreamlike imagery, private feelings
CChandra-12-Kumbha is often a charming entertainer [5] who nonetheless needs [Chandra-12] sanctuary space.
HEALTH Chandra randhresha suffering health problems due to nerve-pain = Soma-Kumbha nervous system rules 6th-from-Chandra
COMMUNITY 11th-from-goal-oriented Chandra in Dhaniṣṭha = Dhanus-10 public reputation = visible leadership
MOTHER
Mom = Mattie Della Shaw = Mom earned a masters degree in social work, and maintained a community-based career in Minneapolis education servicess gifted jazz ensemble musician-singer , yet she suffered personal challenges, including alcohol MARRIAGE partnership emotional equity support expectations challenges to sustainable partnerships include:
[7th-from-Chandra-3] = lifepartnership-1-of-2 = cation skills theatrical bellydancer, ballerina, choreographer = artistic musical center-stage dance performer [Simha]
8th-from-[7th-from-Chandra-3]
=
lifepartnership-2-of-2 = Manuela Testolini
Meena-4 contains dynamic, restless, forward-moving [Mangala-Meena Mangala rules bhava-5 containing [Bharani-Shukra-yuti-Ketu -Aśvini]
[marr. 2001-2007 separation after 2 years] [Competitive Champion Kuja] bhratru-karaka [brother] -- virya-karaka [virility] [witty-creative vidya-pati for Dhanus indriya-lagna] [distant-contemplative vyaya-pati for Dhanus indriya-lagna]
[Kuja Dosha for alliance-1] [visionary warrior knight intuitively senses rhythmic schooling routines] [secures creative artistic intelligence vidya-pati with the sanctuary dwelling ] [household estate provides meditative enclosure vyaya-pati] [steadily promotes cultural imagination vyaya-pati within local ethno-settlement] [vigorous defender of established inner-guidance rituals] [propels dreamlike poetic romance vidya-pati within the homeland] [symbolic forward-push for local schooling and housing] [childhood home may be combative but privately prayerful] [seeking inspiration, parents may welcome ancestor spirits] [quiet brother-cousins or co-workers may be wholistic builders, parochial clairsentients, contemplative schoolteachers, cetacean-knowing shipping captains, sleepy drivers] ... [calculating-assisting Andromeda-2] = [navamsha Mangala-Kanya]
OUTCOMES - MOVING MANGALA dynamically home-building, competitively defensive, vigorously patriotic, forward-pushing educator, protectively dominating, forcefully foundational, kinetically localized, pioneering transporter, energetic farmer, innovative colonizer, champion of the homeland [Mangala in bhava-4] rules
CAREER - COMPETITIVE KUJA
Guru-Mangala bhukti * Mangala vidya-pati = applause for creative musical performance spring-1983 [PRN age 24] following its 27-Oct-1982 commercial release, Prince's musical double-album, 1999 garnered widespread critical acclaim * PRN's career was launched with a shockingly explosive combination [Mangala] of sexually explicit lyrics appealing to restless younger audiences, along with unexpected musical arrangements. Kuja rules 10th-from-Chandra = contains ātmakāraka [Shani-Vṛścikaka] Well-known for principled Legal Victory after a long and persistent [ātmakāraka Shani] legal battle with a dominant entertainment corporation, in a landmark case that was celebrated by musicians worldwide, PRN famously won the legal ownership rightsts to his catalog of songs In the David-and-Goliath struggle for creative artists to retain the copyright to their works, prince became a champion-hero [Mangala] against the predation of the music-entertainment industry which often unfairly appropriated those rights. [Busy Bantering g Budha] jamayah-karaka [sibling] -- sandesha-karaka [message] -- shisya-karaka [student] = [svabhava] [balancing-bargaining yuvati-pati for Dhanus - Haya indriya-lagna] [dutiful-commanding karmesha for Dhanus - Haya indriya-lagna]
= [svabhava] [balancing-bargaining yuvati-pati for Dhanus - Haya indriya-lagna] [dutiful-commanding karmesha for Dhanus - Haya indriya-lagna]
[legal yuvati-pati arguments about polluted money] [conflicted conversations about publicly visible karmesha luxury] [disagreement regarding musical-artistic teamwork] [hostile talks about traditional values] [narrative of dignified nutritious medical treatment] [makes statements about historical maginalization and injustice] [ministry of heritage communication with the disenfranchised] [respected karmesha storytelling announcements] [contractual yuvati-pati commercial application of remedial foods] [ailments of the sense-organs may affect hands, arms, lungs, shoulders] [aggrieved sibling-cousins or co-workers may sonorously complain about documented unfair enrichment] ......... [visionary-charitable Kṛttikā-4] = [navamsha Budha-Meena-nīcha ] + [Kṛttikā-Budha-yuti-Surya- Rohiṇī]
OUTCOMES - BANTERING BUDHA mercurially helpful, assisting communicatively, mercantile argumentation, manufactures medicines, defines disease, military tactitian, businesslike servants, naarrative of ministry, describes the grievances, announces accusations, discusses injustice, detailed litigation, handles animals, verbally aids the disadvantaged, conversations about labor [Budha in bhava-6] rules
CAREER - BUSY BUDHA managed [Budha] a long-running and ultimately successful author's song-copyright lawsuit, cooperating with a dedicated legal team [3] Prince has been described by music critics as a a music-marketing genius Urisha-Budha-6 business-documentation rules 4-legal licensing
Among PRN's several varieties of musical and management talent, PRN = remembered primarily as a generationally-attuned lyrical writer [Budha] TOURING - HOMEBASE [Budha-Urisha] yuvati-pati = karaka for writing-publishing, ensemble teamwork = comfortable making lyrics, handing information, safe [4th-from-Chandra] despite the conflict-narrative of bhava-6 PRN declared that his mother continuously grieved her divorce from his father, but blamed outer circumstances and drifted into addiction as a sweetener. As a result of growing up in mom's post-divorce home, he said "I write really great break-up songs". Indeed PRN's most celebrated lyrics poeticized the human experiences of grievance, resentment, and regret. [Budha in bhava-3] resides in the security-seeking, caretaking [4th-from-Chandra] [calculating the benefits of anchoring his office-and-studios in his Midwest city of birth, PRN disproved the belief that commercial musical success was only possible when the artists lived in LA-or-NY. PRN built his recording studio and corporate compound in his birthplace of Minneapolis. built his own music compound in hometown of Minneapolis, staying and investing in a familiar place even though an international star He toured frequently [Budha-3] but always returned to his expansively personalized, familiar home base. 21-Apr-2016 [PRN age 57] blessed liberation from the Earthen-body, via fatal overdose of opioid fentanyll * Budha-Budha svabhukti * maraka Budha rules-7 [Generous Growing Guru] dhava-karaka [husband] -- bahuta-karaka [variety] [energizing-identifying lagnesha for Dhanus - Haya indriya-lagna] [homebound-anchoring bandesha for Dhanus - Haya indriya-lagna]
... [ministering-complaining Chitra-2] = [vargottamsha] [navamsha Guru-Kanya] intuitively expansive contemplative understanding of imbalanced inequity
OUTCOMES - GENEROUS GURU philosophical inspirational leadership, expansively regulatory, abundantly executive, jovial governor, multiple social responsibilities, numerous public duties, optimistic organizational directorships, broad-scope of elite authority positions [Guru in bhava-10] rules
CAREER - BENEVOLENT BRIHASPATI Guru = lagnesha ++ Permanent cycle of changing relationships via [Guru in bhava-7] occupies the distruptive, emotionally transformative 8th-from-Chandra [Guru in bhava-7] lagnesha-karmesha = generously favorable judicial settlement many beneficial 7-contracts, negotiations, bargaining, deal-making, arrangments Prince is widely remembered as the musical recording artist who won a David-and-Goliath lawsuit against Big Profit studio bosses. The paternalistic bosses had misappropriated [Surya-3 rogesha commerce] the copyrights to his music catalog [3, catalog, lists]. Prince's unlikely win was fueled by his litigators [Surya-3 Urisha music industry attorneys] and broad public support [10] . This landmark lawsuit indeed reversed the predatory practices of the entertainment corporations which had been historically [Urisha] following an immoral business practice [3] Prince's ability to prevail in the lawcourts was the result of his legal team [3] and his own understanding of the process. His win benefitted countless creative musicians worldwide. [Sweetly Suave Shukra] svadu-karaka [sweet] -- kalatra-karaka [wifely companion] [inimical-medicating rogesha for Dhanus - Haya indriya-lagna] [profitable-networking labha-pati for Dhanus - Haya indriya-lagna]
[pleased by vigorous celebrity] [sweetly forward-pushing political goal achievement labha-pati ] [harmoniously pioneering game-playing] [appreciation for warrior-style artistic fashions] [graciously center-stage display of entitled championship] [adores theatrical innovation] [delight in winning competitive romantic games] [enjoys exploitive rogesha energy of speculative conquest] [pleased by actively moving intelligent children] [in husbandly nativity, wifely-companion may be athletic artistic performer, originator of new entertainments, creative engineer] .... [creative-displaying Bharani-1] = [navamsha a Shukra-Simha] intuitively harmonizing balanced theatrical romantic arrangements + [Bharani-Shukra-yuti-Ketu-Aśvini]
OUTCOMES - SWEETENING SHUKRA sensually charismatic, agreeably theatrical, appreciative of romantic entitlements, harmoniously creative, aesthetically entertaining, graciious dramatic performance, financially speculative, musical-artistic students-adolescents, enjoys gambling, idealistic political relationships [Shukra-5] rules
CAREER - BRIGHT BHRIGU-TANAYA Ketu fragments Shukra in areas of art, music, design, relationships. Shukra-yuti-Ketu resides in the mentalized, writing, explaining lyrical [Urisha sensual- sound] 3rd-from-Chandra
Younger sister
According to the younger sister, despite most of their family tree being musically gifted, there was never artistic collaboration with her famous elder brother. Shukra-yuti-Ketu.
[Sober Structural Shani] duro-karaka [endurance] -- jara-karaka [Jahre, years] [collecting-preserving dhana-pati for Dhanus - Haya indriya-lagna] [collaborative-communicative sahaja-pati for Dhanus - Haya indriya-lagna]
[social regulators may threaten imprisonment] [required transformative hospital surgeries] [must endure invisible poisons such as anaesthetics] [survives on dangerously limited sleep] [intense self-regenerating meditation occurs in rigid isolation] [disciplined use of camouflaged sanctuary time] [withstands the pressure of hidden terrors] [staunch resistance to invasive psychic workload] [frightening disaster dreams contain private spiritual guidance] [financial commercial emergency backchannel duties] [strict contemplative reflection upon sound-values dhana-pati communication] [must maintain secluded tantric retreat] [behind-the-scenes responsibility for business monies sahaja-pati] [ghostly elders may block progress in astral evolution] ...... ... [imaginative-philanthropic Jyeṣṭha-4] = [navamsha Shani-Meena] intuitively structured meditative fantasy regulated dreaming imagination [ātmakāraka duty, structure, legal systems, persistence, normalcy, conventional behavior]
OUTCOMES - STRUCTURAL SHANI dutifully secluded, works diligently in private spaces, responsibly imaginative, insightfully intuitive maturity, must regulate the bedroom, structured meditation, burdensome duties in distant lands [Shani in Bhava-12] rules
CAREER - SOBER SHANI [Shani in Bhava-12] [ātmakāraka] = resides in public-familiarity 10th-from-Chandra-3 [Risk-rewarding Rāhu] rajyalobha-karaka [ambition] -- picchala-karaka [slippery] [for Dhanus - Haya indriya-lagna] [Rahu-11 casts passionately profitable networked drishti into 3-5-7]
[deal-making passion for negotiated revenues] [over-reaching contractual profits] [ambitiously bargaining high-achieving friends] [desire to balance e conomic communities] [exhilarating partnership networks] [extraordinary matched fundraising] [hunger for adjusted earnings] [risk-rewarding exchange-oriented marketplace connectivity] [seeks importance in equable assemblies] ... [mysterious-emerging Chitra-4] = [navamsha Rahu-Vrischika] intuitively over-reaching passion for transformation-discovery
OUTCOMES - RISK-REWARDING RAHU S Rahu-Vrischika-3rd-navamsha = writing, commercial music production, tours Chitra-pada-4 Rahu-Chitra is fascinatingly gifted with the hands. In the Tula pada 2-4, musical instruments and cosmetic surgery. Design arts, drawing, architecture, financial contracts, family heritage of music. Capitalization, Voice-Face, rahu-challenge to rigid social practices in finance, politics, worthiness, truth. Entrancing speakers, cleverly sonorous values-based speech. seeks privilege via important - often risky - cultural-mixing roles in evaluation, assessment, language, memory, knowledge, voice-speech-song, face-genetics, heritage, tradition, family lineage, food, seeds, herds-hoards, storage-stories-history, libraries, museums, databases, collections, banking, reserves, preservation, assets, capital assets . [Rahu in bhava-11]resides in [9th-from-Chandra] ++ Rahu-2casts drishti into Chandra-6 Kumbha Mother's father has a risk-rewarded, exciting, boundary-breaching character Challenge to the Outdated Old Payments Hierarchy Prince was widely appreciated and admired among musical artists for his extraordinary, boundary-challenging decision to obtain the financial rights to his own musical works. [Rahu in bhava-11] Via a prolonged series of lawsuits [Tula] against the powerful legal force of big-money in music, PRN eventually won a precedent-setting judgment. The judicial ruling declared that the industry captains could not permanently own any artist's creative work. [Collapsing unshackling Ketu] kavandha-karaka [headless] -- chidra-karaka [gaping] -- vasana-karaka [vacuum]
[unconcerned with speculation on originations and inventions] [abandons central roles based in nobility of birth] [material relationship to children, especially but not exclusively the eldest, may physically or tangibly dissolve. The spiritual relationship remains intact. Outcome depends upon any other graha-in-5] [surrenders romantic interest in bold adventures] [scattered innovative intelligence] [disengaged witness to championship games] [liberated from knightly-virtue entitlements] [disregard for drama of empty competition] [may be passively fixated upon ambitiously diplomatic-partnering Rahu-Tula-11 friends, socialites, earners, awarders, revenue-makers, economists, distributors, associates, community-links] ... [musical-financial Aśvini-2] = [navamsha Ketu-Urisha] + [Aśvini-Ketu-yuti-Shukra-Bharani]
OUTCOMES - EVACUATING KETU Extraordinary lyricism, craggy distinctive iconic face. [Ketu-yuti-Shukra] may be an indication of self-medication with no limits, even when 6th-angles appear healthy. Rahu drishti into Shukra may exacerbate risk-taking in pursuit of pain-numbing or bitterness-sweetening. |
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