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born two months before + 350 miles NW of
born two months before + 400 miles W of
Prince eponymous album cover, 1979 [age 21] |
International Musical Celebrity entertainer guitar virtuoso fashion-designer fine-artist a.k.a. Prince Rogers Nelson a.k.a. the artist formerly known as Prince a.k.a. Skipper Earth-birth = 07-Jun-1958 bio-decease = 21-Apr-2016 [age 57]
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theatrical touring musician virtuoso guitarist songwriter fashion-designer - fine-artist 1958-2016 Prince Rogers Nelson birth information from en.wikipedia.org/wiki/Prince_[musician]
tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = generated by Shri Jyoti Star - www.vedicsoftware.com - adapted by BP Lama |
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Rising Nakshatra Masculine Nativity Yoni - Bhagadaivata - Prakphalguni - Arjuni BPL COMMENTARY For Pūrvaphalgunī - Yoni - births of a masculine valence, the condition of sweetly musical, artistic, harmony-seeking, negotiating, balancing, arranging, designing, matching, pairing, sensually pleasuring akarshana-karaka Bright Beautiful Bhrigu may considerably affect the outcome. Due to the definitive influence of kalatra-karaka Shukra, gentlemen born into the realms of Bharani - Yamya, Pūrvaphalgunī - Yonī, or Pūrvāṣāḍhā may find that their life-understanding is greatly shaped by the character of the feminine companions. For those born into the Shukra-ruled paradigm of Vutavabana, feminine figures such as sisters, aunts, and wives, along with partnerships, contracts, bargains, sensual pleasures, lovers, artistic beauty, luxurious scents, treasuries, financial arrangements, and music , may be especially influential. Instructional guidance provided by emissaries from the civilizations of Zosma. their purpose is to dramatize, glamorize, and politicize the grand theatrical values of creative life. Diplomatic charm [Sweetly Suave Shukra] -ruled Pūrvaphalgunī gentlemen are often found in the sparkling bright worlds of politics , romantic idealism, entertainment, speculative finance, and spectator sports. Yoni-born chaps often display a thick mane of leonine hair and a charming sense of humor. They are happiest when enjoying a choreographed sport, playing music, dancing with agility and grace, or performing a richly costumed dramatic role for an appreciative audience, delighted by spectacle and applause, they glitter and smile at parties, political campaigns, gambling and games.. Depending upon the placements of dhanakaraka Shukra and dhana=pati Budha, the Purvarjuni-born may also excel in financial showmanship, bargaining toward a political or commercial agreement, and the high drama of romantic relationships. Like all Shukra-governed births, bhagadaivata-born must take care to avoid the misuse of drugs and alcohol. Political success depends upon the charisma of lagnesha Surya. Financial success depends upon the dual-dhanakaraka Shukra and Budha. Themes of political celebrity, lavish musical entertainments, arts and fashion, and financial agreements may contextualize Pubba's terrestrial experience. Applies also to Chandra-Pūrvaphalgunī. |
QUOTATION Pūrvaphalgunī from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra. p 83 " A physical rather than a mental type.
He must guard against impulsiveness since he is apt to to act without sufficient thought
He is very active physically and will be proficient at various sports
These people seem never to rest and are constantly in motion.
[end quote, Shil Pondey, 1939]
Prince Rogers Nelson - known mononymously as Prince - in 1980 [his age 22] | |
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Biographical Details matched to Vimshottari Dasha calendar
[Mangala Mahadasha] = [age birth until age 0.4 mos]
Sat-07-Jun-1958 = Earth-birth in Mount Sinai Hospital, Minneapolis, Minnesota, USA [44°58′21″N 93°15′43″W]. Both parents = jazz musicians and subscribers to a millennialist, evangelical faith = Seventh-Day Adventism * Mangala-Chandra chidra-dasha [Rahu Mahadasha] = [age 0.4 mos until age 18.4]
Jan-1964 until Dec-1966 Janma Sade-Sati Kumbha
24-Sep-1968 [PRN age 10] parents divorce * Rahu-Budha bhukti * Budha rules 8th-from-Chandra = emotional upheaval, identity-change++ R-K opposition 1970-1971 [PRN age 12-13] attends classical ballet training via Minneapolis Urban Arts program. Prince would become a lifelong advocate for dancers. * Rahu-Shukra bhukti * karmesha Shukra-9 artistic training [Guru Mahadasha] = [age 18.4 until age 34.4]
1978 [PRN age 20] first musical recording contract with Warner Bros. * Guru-Guru svabhukti * rules 5-creative performance + 11th-from-Chandra, networking, achievement, profits, gains spring-1983 [PRN age 24] following its 27-Oct-1982 commercial release, Prince's musical double-album, 1999 garnered widespread critical acclaim * Guru-Budha bhukti * Budha critiques rules 11-goal-achievement, distribution 28-Feb-1984 [PRN age 26] earns first Grammy Award * Guru-Ketu bhukti * Aśvini-Ketu-yuti-Shukra-Bharani = karmesha Shukra-9 = music 1984 [PRN age 27] cinema-and-music product Purple Rain gains both critical and popular acclaim. PRN = acknowledged as a generational artist. * Guru-Shukra bhukti *= karmesha Shukra-9 = iconic music 1990 [PRN age 32] [MG age 16] after her mother [also a dancer] sent Mayte Garcia's audition-video to Prince, the pair met backstage. Mayte's family was stationed in Germany, where she danced with Wiesbaden Ballet * Guru-Rahu chidra-dasha 1992 [PRN age 34] [MG age 18] Begins 4-year romance with salaried member of PRN's stage entourage = bellydancer-choreographer, Mayte Garcia * Guru-Rahu chidra-dasha [Shani Mahadasha] = [age 34.4 until age 53.4]
Mar-1993 until Jun-1995 - Janma Sade-Sati Kumbha
14-Feb-1996 [PRN age 38] [MG age 22] consecration of wedding-1-of-2 with dancer-choreographer, Mayte Garcia * Shani-Budha bhukti * Budha rules Kanya svamsha ++ gochara R-K transit via Kanya-Meena contact Kanya svamsha 16-Oct-1996 [PRN age 38] celebrated the birth of child-1 with theatrical dancer, M. Garcia * Shani-Budha bhukti * Budha rules 5th-from-Chandra 22-Oct-1996 [PRN age 38] grieved the tragic decease of newborn child-1, due to Pfeiffer syndrome = congenital disorder of the skull. * Shani-Budha bhukti * Budha rules 7th-from-5 1998 [PRN age 40] following two years of marriage, one child + one miscarriage, followed by marital separation * Shani-Ketu bhukti Shani-Shukra bhukti 2000 [PRN age 42] legal finalization of divorce-1-of-2, officially ending alliance-1 with dancer-choreographer, Mayte Garcia * Shani-Shukra bhukti * Aśvini-Ketu-yuti-Shukra-Bharani early-2001 [PRN age 43] joined Jehovah's Witness millenialist religious congregation * Shani-Shukra bhukti * Ketu-yuti-Shukra-9 rules 9th-from-Chandra, emotionally familiar, uplifting beliefs 2001 [PRN age 43] [Manuela age 24] first meeting with philanthropist-businesswoman, Manuela Testolini * Shani-Shukra bhukti 25-Aug-2001 [PRN age 43] grieved the bio-decease of jazz-musician father * Shani-Shukra bhukti * Ketu-yuti-Shukra rules 2nd-from-pitristhana 2001 [PRN age 43] [Manuela age 24] consecration of wedding-2-of-2 with philanthropist-businesswoman, Manuela Testolini * Shani-Shukra bhukti * Ketu-yuti-Shukra ++ gochara R-K transit via Urisha-Vrishabha contact navamsha R-K 15-Feb-2002 [PRN age 43] [mom age 68] five months after the death of his father, PRN grieved the bio-decease of his jazz-singer mother, Mattie Baker * Shani-Shukra bhukti * Ketu-yuti-Shukra rules 12th-from-matri-bhava 2004 [PRN age 45] marital separation * Shani-Chandra bhukti * Chandra rules 6th-from-Chandra = emotional distress, imbalance Oct-2007 [PRN age 47] finalization of divorce-2-of-2, officially ending legal marriage-2-of-2 with philanthropist-businesswoman, Manuela Testolini * Shani-Rahu bhukti [Budha Mahadasha] = [age 53.4 until decease age 57]
2015 [PRN age 56] onset of severe hip pain and drug dependency upon the fentanyl painkiller medication * Budha-Ketu bhukti ++ gochara Shani-Return 21-Apr-2016 [PRN age 57] blessed liberation from the Earthen-body, via fatal overdose of opioid fentanyl . Death alone, inside an elevator carriage within his music-studio compound. Corpse discovered the next day * Budha-Shukra bhukti * Ketu-yuti-Shukra |
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[Sparkling Splendid Surya] pitri-karaka [father] -- jyoti-karaka [light] = [dikbala] [energizing-identifying lagnesha for Simha indriya-lagna]
[brightly charming center of self-exemplified historical-musical values] [widely recognized financial figure] [dignified representative of language and lineage] [charismatic social icon of entreasured classes] [identified lagnesha with luxurious institutional leadership roles] [high intelligence for personalized lagnesha expression of remembered stories] [society sees radiant physical vitality via hair, eyes, voice] [genetically shaped appearance may form the basis of command] [knowledgeable father may be elite banker, director of enriching assets, collector of precious ornaments, head of genetic database, livestock breeder, public heritage evaluator] ... [rhythmic-undulating Rohiṇī-4] = [navamsha Surya-Karkata] intuitively confident of ancestral boundaries, rhythmic performance, intelligence for protections + [Rohiṇī-Surya-yuti-Budha- Rohiṇī]
OUTCOMES - MAGNIFICENT MARTANDA self-reflexively commanding, brightly law-imposing, charmingly authoritative, regal style of maintaining social order, hierarchically focused, radiantly responsible, politically elite, splendidly regulating, center-stage chief executive [Surya in bhava-10] rules
CAREER - SPARKLING SURYA lagnesha Surya in bhava-10 FATHER Dad = John Lewis Nelson [b. 1916, d. 2001] + [Rohiṇī-Surya-yuti-Budha- Rohiṇī] Dad = jazz musician and songwriter. In the 1980's, dad collaborated as a credited co-songwriter with his son Prince R. Nelson. Prince and his younger sister were the product of Dad's second marriage. From Dad's earlier union, Prince R. Nelson had many step-siblings [Surya in bhava-6] resides in the security-seeking, local-culture, parental, protective 4th-from-Chandra-Kumbha-3, suggesting that dad may have been unbalanced, but he was still a sheltering parent. [Comfortable Caretaking Chandra] matrikaraka [mother] -- garha-karaka [village] [retreating-contemplative vyaya-pati for Simha indriya-lagna]
[intangible sensitivity to equity in the populist marketplace] [comforted by relationship with goal-achieving privacy-seeking mother] [soothed by invisible partnership in mass-participation events] [culturally attuned to community connections] [needs to feel friendly pulse of associative ritual ordering] [protector of private economic agreements]
[environmentalist feelings attuned to local air-element deva] [revenue-earning mother may be popular middleman-arranger, fundraising representative, socialite harmonizer, interlinked advisor] ... ... [mysterious-eruptive Dhaniṣṭha-4] = [navamsha Chandra-Vṛścika] intuitively sensitive exploratory transformative uncovering
OUTCOMES - ANCESTRAL SOMA sensitively adjusting, protectively harmonious, routinely bargaining, parentally equalizing, rhythmically arranging, customary middleman, predictably meddling, culturally agreeable, emotionally adjudicating, needs to hold mediating positions [Chandra in classroom-7] rules
CAREER - CARETAKING CHANDRA
Chandra in classroom-7 rules emotionally-distressed, sensitive-to-conflict 6th-from-Chandra 10th-from-Chandra = Shani Vṛścika-4 Soma rules 12= seclusion, privacy, artistic studio, research labs, spiritual retreat Powerfully imaginative, inward-gazing, isolating
Comfortable with the rhythms of interiority, dreamlike imagery, private feelings
Chandra-7-Kumbha may be entirely comfortable in the world of advocacy, representation, bargaining, and deal-making. Nonetheless the Learner needs sanctuary space [12]. PRN = widely respected and admired legal advocate for dancers and musicians
comfortable in crowds [Kumbha] and a natural counselor, adviser
Mother may be also a sensitive negotiator
HEALTH Chandra randhresha suffering health puzzles due to nerve-pain = Soma-Kumbha nervous system rules 6th-from-Chandra
COMMUNITY 11th-from-goal-oriented Chandra in Dhaniṣṭha = Dhanus-10 public reputation = visible leadership
MOTHER
Mom = Mattie Della Shaw = Mom earned a masters degree in social work, and maintained a community-based career in Minneapolis education servicess gifted jazz ensemble musician-singer , yet she suffered personal challenges, including alcohol MARRIAGE partnership emotional equity support expectations challenges to sustainable partnerships include:
[7th-from-Chandra-3] = lifepartnership-1-of-2 = cation skills theatrical bellydancer, ballerina, choreographer = artistic musical center-stage dance performer [Simha]
8th-from-[7th-from-Chandra-3]
=
lifepartnership-2-of-2 = Manuela Testolini
Meena -4 contains dynamic, restless, forward-moving [Mangala-Meena Mangala rules bhava-5 containing [Bharani-Shukra-yuti-Ketu -Aśvini]
[marr. 2001-2007 separation after 2 years] [Competitive Champion Kuja] bhratru-karaka [brother] -- virya-karaka [virility] = [svabhava] = [papa-graha in dusthamsha = beneficial results] [Yogakaraka homebound-securing bandesha for Simha indriya-lagna] [Yogakaraka philosophical-doctrinal dharmesha for Simha indriya-lagna]
[dreamlike exploration of secret occult philosophies dharmesha] [vigorously conceptual pursuit of disguised empowerments] [privately guided psycho-spiritual initiations] [symbolic warrior promotes sudden healing discoveries] [protective bandesha meditative energy defender against masked threats] [wholistic understanding of rejuvenating muscular movements] ... [calculating-assisting Andromeda-2] = [navamsha Mangala-Kanya] [++ mutual- drishti w/ Guru-2]
OUTCOMES - MOVING MANGALA progressively discovering, competitively exploring, energized transformation, pro-active disaster response, dives deep into secrets, reveals hidden power, innovative initiations, vigorously identity-changing, kinetically traumatic, pursuing rejuvenation, promotes sudden eruption, champion of revolutionary renewal [Mangala in bhava-8] rules
CAREER - COMPETITIVE KUJA Guru-Mangala bhukti * Mangala vidya-pati = applause for creative musical performance spring-1983 [PRN age 24] following its 27-Oct-1982 commercial release, Prince's musical double-album, 1999 garnered widespread critical acclaim * PRN's career was launched with a shockingly explosive combination [Mangala] of sexually explicit lyrics appealing to restless younger audiences, along with unexpected musical arrangements. Kuja rules 10th-from-Chandra = contains ātmakāraka [Shani-Vṛścikaka] Well-known for principled Legal Victory after a long and persistent [ātmakāraka Shani] legal battle with a dominant entertainment corporation, in a landmark case that was celebrated by musicians worldwide, PRN famously won the legal ownership rightsts to his catalog of songs In the David-and-Goliath struggle for creative artists to retain the copyright to their works, prince became a champion-hero [Mangala] against the predation of the music-entertainment industry which often unfairly appropriated those rights. [Busy Bantering g Budha] jamayah-karaka [sibling] -- sandesha-karaka [message] -- shisya-karaka [student] [historical-evaluating dhana-pati for Simha indriya-lagna] [profitable-friendly labha-pati for Simha indriya-lagna]
......... [competitive-inventive Rohiṇī-1] = [navamsha Budha-Mesha ] + [Rohiṇī-Budha-yuti-Surya- Rohiṇī]
OUTCOMES - BANTERING BUDHA talkatively authoritative, recognizable in media advertising, executive instructions, publicly explains orderly social process, chief organizational spokesperson, verbally commanding, skillfully describes regulation, governance by collaboration [Budha in bhava-10] rules
CAREER - BUSY BUDHA
managed [Budha] a long-running and ultimately successful author's song-copyright lawsuit, cooperating with a dedicated legal team [3] Prince has been described by music critics as a a music-marketing genius Urisha-Budha-6 business-documentation rules 4-legal licensing
Among PRN's several varieties of musical and management talent, PRN = remembered primarily as a generationally-attuned lyrical writer [Budha] TOURING - HOMEBASE [Budha-Urisha] yuvati-pati = karaka for writing-publishing, ensemble teamwork = comfortable making lyrics, handing information, safe [4th-from-Chandra] despite the conflict-narrative of bhava-6 PRN declared that his mother continuously grieved her divorce from his father, but blamed outer circumstances and drifted into addiction as a sweetener. As a result of growing up in mom's post-divorce home, he said "I write really great break-up songs". Indeed PRN's most celebrated lyrics poeticized the human experiences of grievance, resentment, and regret. [Budha in bhava-3] resides in the security-seeking, caretaking [4th-from-Chandra] [calculating the benefits of anchoring his office-and-studios in his Midwest city of birth, PRN disproved the belief that commercial musical success was only possible when the artists lived in LA-or-NY. PRN built his recording studio and corporate compound in his birthplace of Minneapolis. built his own music compound in hometown of Minneapolis, staying and investing in a familiar place even though an international star He toured frequently [Budha-3] but always returned to his expansively personalized, familiar home base. 21-Apr-2016 [PRN age 57] blessed liberation from the Earthen-body, via fatal overdose of opioid fentanyll * Budha-Budha svabhukti * maraka Budha rules-7 [Generous Growing Guru] dhava-karaka [husband] -- bahuta-karaka [variety] [witty-creative vidya-pati for Simha indriya-lagna] [mysterious-revealing randhresha for Simha indriya-lagna]
[transformative randhresha litigating assessor of values] [believes in exploiting politically vidya-pati capitalized collections] [permission to engage in financial hoarding despite family disagreement] [generous service-ministry narrative of heritage humanism] [optimistic critiquing of conflicted traditions] [speaks inspirationally of humble faith in suffering] [calculation of accruals from large undislosed randhresha storage] [proclaims rationally upon remembered historical knowledge] [principled speeches about mistreatment of laborers] [guided by logical acquisitive worldview] [family-of-origin may be cheerfully argumentative, inclusively unbalanced] [for wifely Learners, strategic husbandly-companion may be ailing banker, pharmacist collector, medical librarian, disgruntled warehouser, accusing financier, cataloguing linguist, precisely accurate master of dialog] ... [ministering-complaining Chitra-2] = [vargottamsha] [navamsha Guru-Kanya] intuitively expansive contemplative understanding of imbalanced inequity
OUTCOMES - BENEVOLENT BRIHASPATI expansively enriching, abundantly knowledgeable, multiple family lineages, numerous traditions, optimistic accumulator, jovial speaking-and-singing, broad-scope of historical understanding [Guru in bhava-2] rules
CAREER - BENEVOLENT BRIHASPATI Guru = lagnesha ++ Permanent cycle of changing relationships via [Guru in bhava-7] occupies the distruptive, emotionally transformative 8th-from-Chandra [Guru in bhava-7] lagnesha-karmesha = generously favorable judicial settlement many beneficial 7-contracts, negotiations, bargaining, deal-making, arrangments Prince is widely remembered as the musical recording artist who won a David-and-Goliath lawsuit against Big Profit studio bosses. The paternalistic bosses had misappropriated [Surya-3 rogesha commerce] the copyrights to his music catalog [3, catalog, lists]. Prince's unlikely win was fueled by his litigators [Surya-3 Urisha music industry attorneys] and broad public support [10] . This landmark lawsuit indeed reversed the predatory practices of the entertainment corporations which had been historically [Urisha] following an immoral business practice [3] Prince's ability to prevail in the lawcourts was the result of his legal team [3] and his own understanding of the process. His win benefitted countless creative musicians worldwide. [Sweetly Suave Shukra] svadu-karaka [sweet] -- kalatra-karaka [wifely companion] [busy-collaborative sahaja-pati for Simha indriya-lagna] [dutiful-executive karmesha for Simha indriya-lagna]
[high-visibility karmesha promotion of gracious indoctrination] [enjoys challenging discussions sahaja-pati on global topics] [international equity champion seeks balanced agreement] [smoothly energized movements confer financial patronage] [humanisticly principled competitive financial bargaining] [courteously invigorates sacerdotal arrangements] [pro-actively doctrinal messaging sahaja-pati for faithful sangha] [taste for institutionally regulated karmesha ideology of righteous conquest] [aesthetic of philosophical warriorship] [pleasantly pioneering father may be wisely virtuous knightly believer, musically inventive patriarch, collaborative sahaja-pati guiding teacher of martial arts] .... [creative-displaying Bharani-1] = [navamsha a Shukra-Simha] intuitively harmonizing balanced theatrical romantic arrangements + [Bharani-Shukra-yuti-Ketu-Aśvini]
OUTCOMES - SWEETENING SHUKRA sensually charismatic, agreeably theatrical, appreciative of romantic entitlements, harmoniously creative, aesthetically entertaining, graciious dramatic performance, financially speculative, musical-artistic students-adolescents, enjoys gambling, idealistic political relationships [Shukra-5] rules
CAREER - BRIGHT BHRIGU-TANAYA karmesha Shukra rules Pūrvaphalgunī svamsha Ketu fragments Shukra in areas of art, music, design, relationships. Shukra-yuti-Ketu resides in the mentalized, writing, explaining lyrical [Urisha sensual- sound] 3rd-from-Chandra
devoted member of religious congregation that forbids the faithful to attend university Younger sister
According to the younger sister, despite most of their family tree being musically gifted, she never enoyed artistic collaboration with her famous elder brother. Shukra-yuti-Ketu.
[Sober Structural Shani] duro-karaka [endurance] -- jara-karaka [Jahre, years] [inimical-medicating rogesha for Simha indriya-lagna] [balancing-bargaining yuvati-pati for Simha indriya-lagna]
[necessary conflict rogesha with secretive peer-partners yuvati-pati] [rigidly disguised anchoring routines] [maintains the conventional seasonal land-use cycles] [lawfully limited household secrecy] [obligation to provide surgical care for elderly ancestors] [responsible for evolving respectful continuity with older cultural settlers]
[requires enduring effort to change the rooted ethno-folkways] [must establish minimal domestic agreements yuvati-pati to sustain transformative energy] [orderly childhood home resists excess danger] [staunch protection of local healers and psychic-initiators] [cautiously discovering hardworking mother may be strict masked educator, emerging gardener, disciplined but disagreeable rogesha volatile guardian] ...... ... [imaginative-philanthropic Jyeṣṭha-4] = [navamsha Shani-Meena ] intuitively structured meditative fantasy regulated dreaming imagination [ātmakāraka dut social duty, structure, legal systems, persistence, normalcy, conventional behavior]
OUTCOMES - STRUCTURAL SHANI strictly boundaried, regulatory stability, orderly maintenance of cultural foundations, The Founders, formally imposing ethnic habits, lawfully localized, seriously customary, responsibly parenting, conventionally patriotic, stubbornly respectful of Old Ways [Shani in Bhava-4] rules
CAREER - SOBER SHANI [Shani in Bhava-4] [ātmakāraka] = resides in public-familiarity 10th-from-Chandra-7 known for staunch localism [4]
[Risk-rewarding Rāhu] rajyalobha-karaka [ambition] -- picchala-karaka [slippery] [for Simha indriya-lagna] [Rahu-3 casts passionately publishing mercantile drishti into 7-9-11]
[ambition to deliver diplomatic instruction] [seeks privilege via passionate narratives of fair agreement] [exhilarating communication about alliance] [announcement of thrilling treaty information] [exceptionally balanced business process] [exaggerated haggling within cohort ensemble] [opportunistically enterprising representational sibling-cousin] [over-reaching scope of commercial brokerage] [compulsive negotiating skills] [boundary-challenging news about relationships in media publication] ... [mysterious-emerging Chitra-4] = [navamsha Rahu-Vrischika] intuitively over-reaching passion for transformation-discovery
OUTCOMES - RISK-REWARDING RAHU Rahu-3 = songwriting, collaboration, ensemble performance, management, information delivery, publication, audio-video, bands-of-brothers Rahu-Vrischika-3rd-navamsha = writing, commercial music production, tours Chitra-pada-4 Rahu-Chitra = fascinatingly gifted with the hands. In the Tula pada 2-4, musical instruments and cosmetic surgery. Design arts, drawing, architecture, financial contracts, family heritage of music. Capitalization, Voice-Face, Rahu-challenge to rigid social practices in finance, politics, worthiness, truth. Entrancing speakers, cleverly sonorous values-based speech. seeks privilege via important - often risky - cultural-mixing roles in evaluation, assessment, language, memory, knowledge, voice-speech-song, face-genetics, heritage, tradition, family lineage, food, seeds, herds-hoards, storage-stories-history, libraries, museums, databases, collections, banking, reserves, preservation, assets, capital assets . [Rahu in bhava-11]resides in [9th-from-Chandra] ++ Rahu-2casts drishti into Chandra-6 Kumbha Mother's father has a risk-rewarded, exciting, boundary-breaching character Challenge to the Outdated Old Payments Hierarchy Prince was widely appreciated and admired among musical artists for his extraordinary, boundary-challenging decision to obtain the financial rights to his own musical works. [Rahu in bhava-11] Via a prolonged series of lawsuits [Tula] against the powerful legal force of big-money in music, PRN eventually won a precedent-setting judgment. The judicial ruling declared that the industry captains could not permanently own any artist's creative work. [Collapsing unshackling Ketu] kavandha-karaka [headless] -- chidra-karaka [gaping] -- vasana-karaka [vacuum] [for Simha indriya-lagna]
[unlimited engagement with innovative ideologies] [dissolution of wartime convictions] [disinterested in outdated concepts of nobility of birth] [surrenders useless pioneering life-principles] [apatheticly forgives the trespass of invasive preachers] [boldly abandons unsustainable catechism] [absent from empty origin-story beliefs]
[disregards obsolete community conventions of championship] [eccentric competitive worldview] [typically distracted or absentee father moves energeticly but with little effect] ... [musical-financial Aśvini-2] = [navamsha Ketu-Urisha] + [Aśvini-Ketu-yuti-Shukra-Bharani]
OUTCOMES - EVACUATING KETU Extraordinary lyricism, craggy distinctive iconic face. [Ketu-yuti-Shukra] may be an indication of self-medication with no limits -- even when 6th-angles appear healthy. Rahu-3 drishti into Shukra-9 may exacerbate risk-taking in pursuit of pain-numbing or bitterness-sweetening. Ketu-yuti-Shukra-Mesha occupies 3rd-from-Chandra =
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