![]() |
||
![]() Fine Arts
COHORT Born seven months after
Born six months after
born 6 months before
Five marriages, five divorces notable substance addiction significant mental-health challenges |
![]() Dennis Hopper in 1969, playing the iconic sneering "Easy Rider" role Hollywood dramatist film director fine-arts painter art collector photographer Counterculture Icon Earth-birth Sunday-17-May-1936 dematerialization 29-May-2010 [age 74] |
|
![]() dramatist cinematic director fine-arts painter + sculptor 1936-2010 Dennis Hopper
birth data from
https://en.wikipedia.org/wiki/Dennis_Hopper
tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = produced by Shri Jyoti Star * adapted by BP Lama |
||
Rising Nakshatra Masculine Nativities Viśākha - Radha Indra-agni - Aindra-agna - Zkragni - Satragni - Sadvhava - Vaikaasi - Vaigasi - Visagaam BPL commentary For Viśākha births of a masculine valence, the condition of prosperous, preaching, inclusive, broad-scope, philosophical, humanistic Brihaspati may considerably affect the outcome. Masculine births under auspice of Puna, Viśākha, or Purvabhadra may find that their worldview is greatly shaped by the character of priestly teachers and guides. For those born into the Guru-ruled paradigm of Radhika, teachers, preachers, professors, patrons, agents of generosity and guidance, guru-figures, ideologues, indoctrinators, theorists, know-it-alls, proselytes, philosophers, pontificators, patriarchs, pundits, pater-nosters, proponents of principled understanding, wise-ones, wizards, druids, and paradigms of belief may be especially influential. Guided by patrons from the civilizations of Saka. Their purpose is facilitation of shocking insights by lightning-strike and expansive growth by root-splitting.. High forehead. Saptarishi-ruled births come equipped with a global perspective. The majority of Viśākha nativities are higher dimensional Seva-wanderers who assume interpretive guidance roles. Growth Shocks [Tula - Vanika] pada 1-2-3 expresses Saptarishi's rulership of 3-Writing-commerce + 6-service ministry or victimhood. Pada 1-2-3 also evoke the tension between Shukra's one-to-one relationships versus Guru's one-to-many preachings. Pada 1-2-3 have a broad understanding of the explosive growth-power of extreme polarities. They are often found in advisor roles [Shukra] which engage overview, ideology, theory, first principles, or interpretive paradigm [Guru] . Masculine pada 1-2-3 are both famed and feared for their ability to expand conflict or worsen disease condition as a way to super-polarize the toxic situation en-route to an envisioned state of peace. Pada 1-2-3 are easier for women who can utilize Shukra's balancing skills. For men, diplomatic constraints tend to frustrate their expansive growth patterns. Also, although the priestly teachers are seeking wisdom, for Tula-Viśākha the guru-figures may also be impoverished, blaming, polluted, or sick (due to Guru activates 3-6). Vṛścika Pada-4 emphasizes Guru's rulership of 2-affluence, collections ++ 5-creativity, entitlement, politics. Pada 4 enjoys the spirited compatibility between Guru's optimism + Kuja's kinetic movement. Pada-4 has a broad understanding of the ultimate power of transformative beliefs . Pada-4 are often found in teaching and healing work, especially with the sexual-reproductive energies. They also work with explosive-expansive forces such as dynamite and lightning. Themes of shocking growth via beliefs, widening expansion via root-splitting, and fertilization via jolts of electromagnetic shakti may contextualize Viśākha's terrestrial experience. Applies also to Chandra in Viśākha - Rādhā |
QUOTATION from Shil-Ponde. [1939] . Hindu Astrology Joytisha-Shastra . p 97. " ... Aggressiveness and impatience. These people are overbearing in their desire to get things done. They are very active but not popular,
they are very proud
their anger makes enemies of people who might cooperate with them, if treated differently. they will overcome their enemies through sheer force of character,
Tact and kindness are qualities which they should try to develop."
Dennis Hopper at Cannes 2008 en.wikipedia.org/wiki/Dennis_Hopper#/media/File:Dennis_Hopper_Cannes_2008.jpg
Dennis Hopper in character for 1960's rural American role |
|
|
Biographical events matched to the Vimshottari Dasha
Budha Mahadasha [age birth until age 6.5] 17-May-1936 Earth-birth in Dodge City, Kansas, USA * Budha-Rahu bhukti ++ dvadasa Sade-Sati Feb-1937 until Apr-1939 Janma Sade-Sati Meena
Ketu Mahadasha [age 6.5 until age 13.5]
[Shukra Mahadasha] [age 13.5 until age 33.5]
1954 [DH age 18] career begins with first television role , followed by recognized cinema roles * Shukra-Chandra bhukti * Chandra rules 10-career Aug-1961 [DH age 25] consecration of marriage-1-of-5 with actress Brooke Hayward * Shukra-Guru bhukti * Guru rules Dhanus 7th-navamsha * samchara Rahu-Ketu via Simha-Kumbha contact navamsha Chandra-Kumbha 26-Jun-1962 [DH age 26] celebrated the birth of child-1 daughter Marin Hopper * Shukra-Guru bhukti Apr-1966 until Jun-1968 Janma Sade-Sati Meena
1968 [DH age 30] DH begins shooting Easy Rider, the film which will make him a Hollywood star. At the same time, the marriage unravels. * Shukra-Ketu chidradasha ++ dvithya Sade-Sati 1969 [DH age 31] divorce from alliance-1 * Shukra-Ketu chidradasha ++ dvithya Sade-Sati [Surya Mahadasha] [age 33.5 until age 39.5] 1970 [DH age 33] co-writer + director + actor in the counterculture classic film Easy Rider. DH portrayed a macho, oppositional-defiant motorcycle personality that became emblematic for 1960's anti-establishment attitude * Surya-Surya svabhukti * [Surya-yuti-Kuja] [Surya-yuti-Budha] combines rulers of 2 + 7 + 9 + 11 + 12 ++ dvithya Sade-Sati 31-Oct-1970 [DH age 36] consecration of marriage-2-of-5 with the celebrated singer, Michelle Phillips * Surya-Mangala bhukti * Kuja-8 impulsive behavior * [Kuja-8 parivartamsha Shukra-7 marriage] 08-Nov-1970 [DH age 36] divorce from alliance-2, following eight days of marriage * Surya-Mangala bhukti * Mangala-8 impulsive actions [Kuja-8 parivartamsha Shukra-7] 1972 [DH age 38] marriage 3-of-5 with actress [later, expressive arts therapist] Daria Halprin, until-1976 * Surya-Guru bhukti * Guru rules Dhanus 7th-navamsha [Chandra Mahadasha] [age 39.5 until age 49.5] 1976 [DH age 42] divorce 3-of-5, following three years of marriage- and two children born into the union * Chandra-Mangala bhukti * [Kuja-yuti-Surya] Surya-8 rules 6th-from-Chandra 1979 [DH age 45] following a string of critical failures, wins acclaim for portraying a photojournalist in Apocalypse Now * Chandra-Guru bhukti * Guru rules Rahu-3 cinema ++ Meena 10th-navamsha 07-Aug-1982 [DH age 46] grieved decease of father * Chandra-Budha bhukti* Budha pitrimaraka rules 2nd-from-Surya 1983 [DH age 47] highly publicized rage-wander in the Mexican desert following his father's death * Chandra-Ketu bhukti 1983 [DH age 47] DH enters drug rehabilitation for the first time * Chandra-Shukra bhukti* lagnesha Shukra rules 8 identity change [Mangala Mahadasha] [age 49.5 until age 56.5]
1989 [DH age 53] begins lifetime sobriety [no alcohol, no drugs] * Mangala-Shani bhukti * samchara Rahu-Ketu via Kumbha-Simha contact navamsha Chandra 17-Jun-1989 [DH age 53] consecration of marriage 4-of-5 with actress [dancer, choreographer] Katherine LaNasa * Mangala-Budha bhukti * Budha rules Mithuna svamsha Apr-1992 [DH age 56] divorce 4-of-5 * Mangala-Surya bhukti * Surya rules 6th-from-Chandra [Rahu Mahadasha] [age 56.5 until decease age 74 ] Jun-1995 until Apr-1998 Janma Sade-Sati Meena
13-Apr-1996 [DH age 60] consecration of marriage 5-of-5 with actress Victoria Duffy * Rahu-Guru bhukti * Guru activates Dhanus 7th navamsha ++ janma Sade-Sati 12-Jan-2007 [DH age 71] grieved the decease of mother - Rahu-Shukra bhukti * [Kuja-8 parivartamsha Shukra-7] * matrimaraka Mangala rules 2nd-from-Chandra Jan-2010 [DH age 74] begin proceedings for divorce 5-of-5 accompanied by vicious and paranoid accusations on both sides. * Rahu-Mangala chidradasha 29-May-2010 [DH age 74] dematerialization via liver failure, prostate cancer * Rahu-Mangala chidradasha | |
Salient features of the nativity
[Surya] pitri-karaka [father] * jyoti-karaka [light] [friendly-gainful vriddhi-pati for Tulā indriya-lagna] [camouflaged center of financial revenues] [hidden healing intelligence for neck-throat-eyes-mouth-tongue-teeth] [focused into demonstrations of mysterious pleasurable initiations] [sensual, enriching presence in crisis intervention environments] [political connections linked to undisclosed investments] [father may express revolutionary values] [father or self, may make catastrophic financial decisions, yet recover] [father may be surgeon, undercover agent, asset-insurer, or forensic banker] [genius for funding contracts] ... [populist-profitable Kṛttikā-3] [navamsha Surya-Kumbha] intuitively confident community-commons economic distribution systems . Usually some sort of popular hero. [Surya-yuti-Kuja] [Surya-yuti-Budha] combines rulers of 2 + 7 + 9 + 11 + 12
OUTCOMES - SURYA Surya yuti Mangala yuti Budha [8, undercover identities] = combined rulers of 2 + 7 + 9 + 11 + 12 EXTERNAL CAREER entertainment arts [Mangala-Budha-Surya] and fine arts [Shukra] [Surya in bhava-8] rules 11-proletarian roles, hidden sources of income from undiscovered assets Confident Surya intakes expansive drishti from Guru-2 = family capital + face-voice + values- knowledge FATHER James Millard Hopper [1916-1982] Purportedly a local postmaster, dad was also a secret agent for the American OSS [pre-CIA] [Surya in bhava-8] [Surya in bhava-8] [Surya-Urisha] reveals that dad was using the postmaster job as a camouflage. [Chandra] matrikaraka [mother] * garha-karaka [village] [dutiful-hierarchical karmesha for Tulā-indriya-lagna] [comfortable with visionary public service] [status-minded offering of compassionate aid] [intuitivel y helps those who suffer from conflicted relationships] [mother may have a professional ministry of service, often medical] [in scapegoated 6, one may be chastized, blamed, or accused for visionary, symbolic, imaginative, contemplative, clairsentient activities -or dreaming-sleeping] ... [populist-profitable Revatī-3] [navamsha Chandra in Kumbha] intuitively sensitive mass-market populist
OUTCOMES - CHANDRA CAREER - 10th-from-Chandra Karkata-10 = Arudha lagna = ruled by [Revati-Chandra in classroom-6] 10th-from-Chandra contains [Mula=Rahu in bhava-3] cinema dramatist-producer-director, gallery photography shows, artistic presentations, ADDICTION and RECOVERY Chandra-6 intakes permission, expansive, optimistic drishti from I-know-better-than-you [Jyeṣṭha-Guru-Vṛścika] [2, food-and-drink]
MOTHER Marjorie Mae Davis Hopper [1917-2007]. Mom was a drama teacher [Chandra in Revatī - Pashu] MARRIAGE partnership emotional equity support expectations five marriages + 5 divorces. All five of his wives outlived him. Lifepartnership 1-of-5
actress Brooke Hayward, recognized dramatist and divorced mother of two young sons. Her career was ascending, his was descending.
Lifepartnership 2-of-5
celebrated singer Michelle Philips
Lifepartnership 3-of-5
actress [later, expressive arts therapist] Daria Halprin
Lifepartnership 4-of-5
actress [dancer, choreographer] Katherine LaNasa
Lifepartnership 5-of-5
actress Victoria Duffy [Kuja] bhratru-karaka [brother] * virya-karaka [virile] [svabhava] [collecting-traditional dhanesha for Tulā indriya-lagna] [bargaining-balancing yuvati-pati for Tulā indriya-lagna] ... [competitive-challenging Rohiṇī-1] [navamsha Mangala-Mesha] intuitively competitive forward-pushing physicalized champion pioneer [Kuja-8 parivartamsha Shukra-7] Surya yuti Mangala yuti Budha [8, undercover identities] = combined rulers of 2 + 7 + 9 + 11 + 12
OUTCOMES - MANGALA [Kuja-8 parivartamsha Shukra-7] DH known for five marriages but also for divorces, addictions, and adversarial relationships with cinematic directors [Budha] jamayah-karaka [sibling] * sandesha-karaka [message] * shisya-karaka [student] [philosophical-doctrinal dharmesha for Tulā indriya-lagna] [retreating-contemplative vyaya-pati for Tulā indriya-lagna] ... [property-owning, defensive Rohiṇī-4] [navamsha Budha-Karkata] intuitively explaining details of homelife folkways customary protection Surya yuti Mangala yuti Budha [8, undercover identities] = combined rulers of 2 + 7 + 9 + 11 + 12
OUTCOMES - BUDHA Budha is an adolescent. If not properly raised by Chandra-Surya, then Budha often remains socially and emotionally immature. If addiction is added to the mentalized Budha mix, one may remain the perpetual Peter Pan. His parents would not have been able to provide modeling of a stable, bargaining, evolving marriage due to Chandra-6 and Surya-8
[Rohini-Budha-yuti-Mangala] [8] demands to hold the center of the spousal attention
Like many financially privileged men, Hopper was in a position to remarry increasingly younger women.
As ruler of 12, Budha allows withdrawal and teenage sulking with no consequences via Vimala Yoga.
[Guru] dhava-karaka [husband] * bahuta-karaka [variety] [busy-communicative vikrama-pati for Tulā indriya-lagna] [inimical-argumentative rogesha for Tulā indriya-lagna] ... [imaginative-fantasizing Jyeṣṭha-4] [navamsha Guru-Meena] intuitively expansive philosophically wide-scope humanistic optimistic imagination [Atmakaraka expansion, philosophy, patronage, beliefs, doctrine, faith]
OUTCOMES - GURU Atmakaraka Brihaspati activates Karakamsha Meena-6 containing Revati-Chandra [Guru in bhava-2] things put in the mouth = food, drink, medicines. Confident, optimistic speakers, cleverly sonorous values-based speech. Guru transmits blessings of face, voice, speech patterns, eyes, history, languages. via expansive, permissive drishti into
Multitudinous visual values, and remarriages [2] Capitalization, Voice-Face, storytelling, genetics, collections most of DH's capital wealth came from the valuation of his large pop-art collection. He knew many of the top collectors in this genre, and just by talking with them [2] he could inflate the value of various pieces. [Shukra] svadu-karaka [sweet] * kalatra-karaka [wifely companion] [svabhava] [energizing-identifying lagnesha for Tulā indriya-lagna] [mysterious-revealing randhesha for Tulā indriya-lagna] [competitive relationships with revolutionary actors] [secretive kinetically active partners] [lifemate may be an innovative attorney-advocate-bargainer-broker] ... [contractual-bargaining Bharani-3] [navamsha Shukra-Tula] [Kuja-8 parivartamsha Shukra-7]
OUTCOMES - SHUKRA lagnesha [Shukra-7] rules 8 +++ [Kuja-8 parivartamsha Shukra-7] despite and numerous domestic violence convictions, DH was consistently able to settle out of court. significant alcohol and drug-related misbehavior along with domestic violence behaviors, yet never convicted of crimes, never imprisoned. The charges were often serious, but his sincere willingness [and funding available] to undertake corrective therapy seemed to convince most judges that imprisonment was not necessary. [Budha-8 rules 12 = Vimala Yoga protection from consequences] COMPLEX MARRIAGE PATTERNS Shukra-7 parivartamsha with Mangala-8 involves Budha + Surya. It is Shukra's incompatibility with Surya which marks the self-other drama.
Bhava-7 occupies 6th-from-Rahu = 12th-from Ketu Hopper was famously married five times. His marital life was characterized by a series of impulsive, criticizing, accusing divorces. [Budha-yuti-Surya] + [Budha-yuti-Mangala] in parivartamsha with Shukra shows
all combustibly over-stimulating the normally peaceable and agreeable Shukra-7. PARANOIA from Surya Surya-8 also rules 6th-from-Chandra. Simha-11 = income, revenue, marketplace viability After a period of delirious infatuation with the new wife [from Latin fatus, meaning fool] DH seemed to perceive each of his five spouses as a predatory thief in wifely disguise. uncorrectably vindictive toward each of his five wives
Awareness of his impending death did not reduce the virulence of his animosity toward the spouse nor the verbosity [Budha] and aggressiveness [Mangala] of his self-elevating accusations of abuse [6th from Rahu] toward her. After his death, DH three adult children and wife-5 the mother of a 4th minor daughter, all engaged in a protracted legal battle over DH estate. Bhava-8 inheritance. [Shani] duro-karaka [endurance] *jara-karaka [Jahre, years] [svakshetra] [mūlatrikoṇa if within 0-20 deg] [Yogakaraka homebound-securing bandesha for Tulā indriya-lagna] [Yogakaraka speculative-creative vidya-pati for Tulā indriya-lagna] [systematically ordered creativity] [politics of economic networks] ... [mercantile-publishing Purvabhadra-3] [navamsha Shani-Mithuna] intuitively structured regulatory class-conscious communications
OUTCOMES - SHANI CAREER Professional drama may be approached with discipline [DH attended the demanding Actor's Studio school for five years]. Yet the draining impact of Shani in 12th-from-Chandra suggests that a lifelong dramatist career would have been unsustainable. INCOME [Shani-Kumbha] rules-and-occupies 11th-from-Chandra as a [Yogakaraka] profitable benefactor. In the long run, Shani provides a modest but consisten economic, revenue-streaming income from entertainments [5]. Although he had only a few triumphant cinema roles, those few [Shani few] were iconic. DH enjoyed royalties [5] from licensing the rights [5] to merchandise and replays of his two most celebrated performances. CREATIVE OPPRESSION [Shani in Bhava-5] strictly regulates any expressions of creative genius. He may impose such heavy restrictions that a normally brilliant environment such as theatre, romance, game-playing, or glittering celebrity may be perceived as punitive or constricted. Shani would normally block creative expression in drama, and cause one to seek freedom in other venues. CELEBRITY ACTOR LEAVES ACTING By his early 40's and the onset of karmesha Chandra Mahadasha, DH had shifted away from [12] the dramatist-producer-director roles of the cinema industry, and into a more permissive career as an art collector [Guru-2] fine-arts painter [Rahu-3] and photographer [Rahu-3]. CHILDREN Shani accepts romance less as a joy and more as a duty. [Shani in Bhava-5] inevitably generates heavy responsibility for children. The first child is often disciplined and structured in personality.
[Rahu] rajyalobha-karaka [ambition] * picchala-karaka [slippery] [for Tulā indriya-lagna] [Rahu-3 casts passionately publishing mercantile drishti into 7-9-11] check Guru for defining source of Rahu's broad philosophical inclusiveness [desire to communicate about principled beliefs] [craving for exhilarating inspirational conversations on life philosophy] [opportunistic messaging on humanistic global theory] [exciting writer-publisher on matters of ideology and faith] [thrilling discussions on higher worldview] [over-reaching mixed-culture commercial transactions] [passion for writing-editing a correspondence corpus] [ambitious cohort may evangelize on doctrine] ...... [defensive-ritualized Mūla-4] [navamsha Rahu-Karkata]
OUTCOMES - RAHU CAREER - Rahu-Mula-3 cinema occupies 10th-from-Chandra Easy Rider 1936-2010 artist Dennis Hopper was a notorious Hollywood actor and director, but he was also a fine-arts painter who produced galleries full of artistic work. Despite five years study at the prestigious New York City Actors Studio [under the legendary Lee Strassburg] most of DH cinema work was undistinguished. Nevertheless, a small handful of celebrated rebel-roles transformed [8] Dennis Hopper into a counterculture icon.
Regardless of the volatility created by drug addiction and persistent marriage squabbles, DH was rarely out of work [10th-from-Chandra] When Hopper outgrew dramatic acting, expansive Guru-ruled Rahu ambitiously reached for opportunities to grow into roles as director and producer.
His capitalization grew mainly from Guru-2 art collections
Hopper seemed obsessed [Rahu] with his treasury [2nd-from-2].
Mula bhava-3 cinema Rahu-Mula is prone to the thrill of all-or-nothing risk Rahu-Dhanus is noted for cultural mixing doctrines, ideologies, and beliefs [Dhanus].
LEARNING PATHWAY = Rahu-Mula = Rebel Without a Cause Usually Rahu-3-Mula is a photographer, writer, publisher, announcer, or businessperson who experiences a Learning Pathway that features a Rahu-esque dramatic cycle of rise-and-fall within a taboo-challenging media-based career. When Rahu-3-Mūla [annihilating risk] occupies 10th-from-Chandra, undoubtedly the media-messaging career would be exciting and high-profile. Career = Iconic Rebel Fascinating Rahu-challenge to rigid social practices in narrative transmission [3] He played the Rebel.
6th-from-Rahu + 12th-from-Ketu karmic hot-spot learning challenge = randhrasthana bhava-8 contains yuvati-pati Mangala + [Surya-yuti-Budha] Rahu amplifies His ruler Guru-2-Vṛścika. A confident and brilliant media personality, DH nevertheless dealt with the draining, debilititating effect of Rahu's ruler Guru in 12th-from-Rahu Fear of loss of valuable collections such as his paintings and financial assets. Mula themes of annihilation seemed to be driven by a subconscious expectation [12th ] of being catastrophically drained by invisible forces. Rahu-Mula drishti into Shukra-7 Hopper famously married, and acrimoniously divorced, five times. He struggled publically with recurring narrative [Budha] of unseen, incalculable losses. Court documents tended to wildly overestimate the value of his paintings. Toward the end of his life, as his wealth grew, so did his chronic and gnawing paranoia [Mula-Rahu-3 mentality]. Chandra-6 is often comfortable in the world of endless lawsuits DH hired lawyers and filed criminal complaints [6] against invisible predatory thieves until the day of his death. Naturally, if challenging graha should occupy or own the bhava which is 6th-from-Rahu + 12th-from-Ketu, the results can be exaggerated. Particularly inner graha [Surya-Mangala-Budha] are afflicted when they occupy the adversarial 6th-from-Rahu + 12th-from-Ketu. [Ketu] kavandha-karaka [headless] * chidra-karaka [gaping] * vasana-karaka [vacuum] [for Tulā indriya-lagna] [passively fixated on ambitiously inspirational-dogmatic Rahu-Dhanus-3 = sibling-cousins, cohort, neighbors, messengers, managers] [dispersion of detailed credenda] [dissolution of ideological communications] [restlessly apathetic toward patronage narratives] [may abdicate explanatory guidance roles] [surrenders useless life-principles] [forgives the trespass of father and guru-figures] [abandons unsustainable religious propaganda] [absent from empty beliefs] [walks away from doctrinal instruction] [disregards patriarchal announcements] [eccentric gestures of episcopate may symbolize their disoriented worldview ] [presbyters may signal erratic mentality] [has the mental skills and the broad understanding, but disinterested in preaching] ... ... [class-conscious Arudha-2] [navamsha Ketu-Makara]
OUTCOMES - KETU |
||
![]() [How Readings Work] [Sample Sacred Jewels Ratna Recommendationn] [Seva] |
[Copyright © 1994-2024 by Barbara Pijan Lama] [Contact] [How to Request a Jyotishavidya Reading] Barbara Pijan Lama Jyotishavidya Vedic Astrology Surya Sun Chandra Moon Mangala Mars Budha Mercury Guru Jupiter Shukra Venus Shani Saturn Rahu Ketu Graha Planets Dasha Timeline Calendar Nakshatra Navamsha Marriage Children Treasury Career Spiritual Wisdom Cycles of re-Death and re-Birth The information on barbarapijan.com , including all readings and reports, is provided for educational purposes only. Wishing you every happiness and continuing success in studies! |