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Drama and Song

Fine Arts

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COHORT

Born seven months after

Born six months after

born 6 months before

Five marriages, five divorces

notable substance addiction

significant mental-health challenges

 DennisHopper_EasyRider_1969.jpg

Dennis Hopper in 1969, playing the iconic sneering "Easy Rider" role

Hollywood dramatist

film director

fine-arts painter

art collector

photographer

Counterculture Icon

Dennis Hopper

Earth-birth Sunday-17-May-1936

dematerialization 29-May-2010 [age 74]

HopperDennis_19h14m_d1d9d10.png

dramatist

cinematic director

fine-arts painter + sculptor

1936-2010

Dennis Hopper

birth data from https://en.wikipedia.org/wiki/Dennis_Hopper

tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = generated by Shri Jyoti Star - www.vedicsoftware.com

- adapted by BP Lama

Rising Nakshatra

Masculine Public-Figure Examples

Jyeṣṭha

Kita - Thrikketta

BPL COMMENTARY

For Jyeṣṭha births of a masculine valence, the condition of conversational, discursive, explanatory, instructional, argumentative, commercializing, evangelical Kumara may considerably affect the outcome.

For those born into the Budha-ruled paradigm of Varta, siblings, cousins, schoolmates, bandmates, team-mates, castmates, classmates, entourage, ensemble, neighbors, managers, cohort, coterie, collaborative group, publishers, messengers, merchants, commercial agents, reporters, writers, scripts, plans, schedules, instructions, radio-television-internet, news-media, conferences, committees, discussions, travel itineraries, and texts may be especially influential.

Instructional guidance is provided by emissaries from the civilizations of Antares.

Their purpose is to communicate a forceful, dynamic, healing regeneration cycle via sexual energy transfer and discovery of secrets.

Penetrating Communications

[Budha-ruled] Jyeṣṭha gentlemen are typically outspoken, incisive and decisive, competitive, descriptive, and energetic communicators. Thrikketta-born maintain a deep sense of mental seniority.

Capable writers, Ketta men are quick-witted and skilled in handcraft. Articulate and pro-active to the point of verbal aggression, they find a ready audience on topics of a mysterious, apocryphal, hidden, or forbidden nature.

Thriketta fellows may be handlers of secrets of a sexual, psychological, political, military, engineering, or financial nature.

Masters of verbal control and manipulation, Zakra chaps are often found in politics. Due to the influence of nakshatra-pati Budha, often Jyeṣṭha -born use words to manage an ever-transforming experience of power.

In the process of channeling these mysterious and compelling kinetic energies, thriketta men may engage in sexual intrigue and dangerous liaisons. Ketta-born are natural psychologists. Jyestha can become transformative healers when their sexual energy consciousness evolves.

Themes of verbal contest, sexual energy transfer, and healing discovery may contextualize Jyeṣṭha 's terrestrial experience. Also applicable to Chandra in Jyeṣṭha - Antares

QUOTATION Jyeṣṭha

from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra .p 85

" A dark and sensitive nature ...

  • superficially religious

  • but are hypocrites at heart.

On the surface they are respectable, law abiding citizens, ostensible church-goers,

  • but secretly their morals are loose

  • and their tempers passionate.

Smooth, oily, and suave to all appearances,

  • they carry in their hearts schemes and thoughts which might not stand the light of day."

[end quote]

HopperDennis_Cannes_2008.jpg

Dennis Hopper at Cannes 2008

en.wikipedia.org/wiki/Dennis_Hopper#/media/File:Dennis_Hopper_Cannes_2008.jpg

HopperDennis_196x.jpg

Dennis Hopper in character for 1960's rural American role

Biographical events matched to the Vimshottari Dasha

Budha Mahadasha [age birth until age 6.5]

17-May-1936 Earth-birth in Dodge City, Kansas, USA * Budha-Rahu bhukti ++ dvadasa Sade-Sati

Feb-1937 until Apr-1939 Janma Sade-Sati Meena

  • [6 adversarial roles, scapegoat, medication, service]
  • [age 1-4]

Ketu Mahadasha [age 6.5 until age 13.5]

[Shukra Mahadasha] [age 13.5 until age 33.5]

1954 [DH age 18] career begins with first television role , followed by recognized cinema roles * Shukra-Mangala bhukti * [Kuja=7 parivartamsha Shukra-6]

Aug-1961 [DH age 25] consecration of marriage-1-of-5 with actress Brooke Hayward * Shukra-Guru bhukti * Guru rules Dhanus 7th-navamsha ++ samchara Rahu-Ketu via Simha-Kumbha contact navamsha Chandra-Kumbha

26-Jun-1962 [DH age 26] celebrated the birth of child-1 daughter, marin Hopper * Shukra-Shani bhukti

Apr-1966 until Jun-1968 Janma Sade-Sati Meena

  • [6 adversarial roles, scapegoat, medication, service]
  • [age 30-33]

  • overlaps Shukra-Budha bhukti +Shukra-Ketu chidradasha

[Surya Mahadasha] [age 33.5 until age 39.5]

1968 [DH age 30] DH begins camera work on Easy Rider, the cinema-role which will make him a Hollywood star. At the same time, lifepartnership 1-of-1 is unraveling. * Surya-Surya svabhukti ++ dvithya Sade-Sati

1969 [DH age 31] divorce from alliance-1 * Surya-Rahu bhukti ++ dvithya Sade-Sati

1970 [DH age 33] co-writer + director + actor in the counterculture classic film Easy Rider. DH portrayed a macho, oppositional-defiant motorcycle personality that became emblematic for 1960's anti-establishment attitude * Surya-Rahu bhukti ++ dvithya Sade-Sati

31-Oct-1970 [DH age 36] consecration of marriage-2-of-5 with the celebrated singer, michelle Phillips * Surya-Guru bhukti * Guru rules Dhanus svamsha ** samchara Rahu-Ketu via Simha-Kumbha contact navamsha Chandra-Kumbha

08-Nov-1970 [DH age 36] divorce from alliance-2, following eight days of marriage * Surya-Guru bhukti

1972 [DH age 38] marriage 3-of-5 with actress [later, expressive arts therapist] Daria Halprin, until-1976 * Surya-Budha bhukti * Budha rules Mithuna 7th-navamsha ** samchara Rahu-Ketu via Simha-Kumbha contact navamsha Chandra-Kumbha

[Chandra Mahadasha] [age 39.5 until age 49.5]

1976 [DH age 42] divorce 3-of-5, following three years of marriage- and two children born into the union * Chandra-Rahu bhukti

1979 [DH age 45] following a string of critical failures, wins acclaim for portraying a photojournalist in Apocalypse Now * Chandra-Shani bhukti * Shani rules 11th-from-Chandra achievement + Shani rules 3-cinema

07-Aug-1982 [DH age 46] grieved decease of father * Chandra-Shukra bhukti * [Kuja-7 parivartamsha Shukra-6] * Mangala rules 12th-from-Surya

1983 [DH age 47] highly publicized rage-wander in the Mexican desert following his father's death * Chandra-Shukra bhukti [Kuja-7 parivartamsha Shukra-6] * Shukra-6 intoxication

1983 [DH age 47] DH enters drug rehabilitation for the first time * Chandra-Shukra bhukti [Kuja-7 parivartamsha Shukra-6] * Shukra-6 medication, medical treatments

[Mangala Mahadasha] [age 49.5 until age 56.5]

1989 [DH age 53] begins lifetime sobriety [no alcohol, no drugs] * Mangala-Ketu bhukti ++ samchara Rahu-Ketu via Kumbha-Simha contact navamsha Chandra

17-Jun-1989 [DH age 53] consecration of marriage 4-of-5 with actress [dancer, choreographer] Katherine LaNasa * Mangala-Budha bhukti * Budha rules Mithuna svamsha ** * samchara Rahu-Ketu via Simha-Kumbha contact navamsha Chandra-Kumbha

[Rahu Mahadasha] [age 56.5 until decease age 74 ]

Jun-1995 until Apr-1998 Janma Sade-Sati Meena

  • [6 adversarial roles, scapegoat, medication, service]
  • [age 59-62]

Apr-1992 [DH age 56] divorce 4-of-5 * Rahu-Rahu svabhukti

13-Apr-1996 [DH age 60] consecration of marriage 5-of-5 with actress Victoria Duffy * Rahu-Guru bhukti * Guru rules Dhanus svamsha *** samchara Rahu-Ketu via Kanya-Meena contact Chandra-Meena ++ janma Sade-Sati

12-Jan-2007 [DH age 71] grieved the decease of mother - Rahu-Surya bhukti * * Surya rules 7th-from-matristhana

Jan-2010 [DH age 74] begin proceedings for divorce 5-of-5 accompanied by vicious and paranoid accusations on both sides. * Guru-Guru svabhukti

29-May-2010 [DH age 74] blessed liberation from the Earthen-body, via liver failure, prostate cancer * Guru-Guru svabhukti * maraka Guru rules-2

Salient features of the nativity

[Sparkling Splendid Surya]

pitri-karaka [father] * jyoti-karaka [light]

[friendly-gainful vriddhi-pati for Tulā indriya-lagna]

[camouflaged center of financial revenues]

[intelligence for discovery of richly rejuvenating transformations]

[hidden healing entitlements trigger new vitality via neck-throat-eyes-mouth-tongue-teeth]

[focused into luxurious demonstrations of mysterious pleasurable initiations]

[sensually enriching presence in crisis intervention environments]

[political connections linked to undisclosed investments]

[community-focused father may express revolutionary political values]

[father or self, may make catastrophic financial decisions, yet recover]

[secretive suddenly-changing father-figure may be surgeon, undercover missionary, tax evaluator, asset-insurer, or forensic banker]

...

[populist-profitable Kṛttikā-3] [navamsha Surya-Kumbha] intuitively confident community-commons economic distribution systems . Usually some sort of popular hero.

[Surya-yuti-Kuja] -- [Surya-yuti-Budha] combines rulers of 2 + 7 + 9 + 11 + 12

  • [Surya-Urisha] Ravaye - the noisy one, the roaring one [Ravi = firebird; Rava = howl, yell, or squawk]

  • [Surya in bhava-8] center of revelation * spectacular explosions * heart of rebirth * splendid emergence * intelligence for trauma healing * political secrecy * confident rejuvenation * brightly transformative * focus on discovery * initiatory entitlements * eye on hidden assets * sparkling center of mystery * father may be interventions healer, undercover agent, brilliantly disguised

  • [Surya-yuti-Kuja] confidently progressive * bright warrior * moves in alignment with the spiritual rays of the Sun * creatively intelligent brother-figures * self-reflexive political pursuits * champion of brilliant ideals * competitive father-figure * entitled to conquer * focused on winning * radiantly pioneering

  • [Surya-yuti-Budha] confidently conversational * brightly explaining messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * gestures conduct the spiritual rays of the Sun * radiantly descriptive * articulate in drama * skillful game-player * self-confident announcements * talks about ideals * narrative of power-politics * recites love poems * describes divine romance

OUTCOMES - SURYA

self-reflexively emerging, brightly transformative, charmingly volatile, regal style of self-reinvention, discovery focused, radiantly recycling, politically camouflaged, splendidly disguised, center-stage rejuvenator [Surya in bhava-8] rules

  • 11-fruitful revenues, interconnected income, profits, material achievement, social networking, friendships, community linkage, fan-clubs, mass participation gatherings, collectivism, marketplace gridworks, distribution, association, populism, economic systems, fundraising, gains-and-goals, awards for work accomplished, health of the enemies

CAREER - SURYA

Surya yuti Mangala yuti Budha [8, undercover identities] = combined rulers of 2 + 7 + 9 + 11 + 12

entertainment arts [Mangala-Budha-Surya] and fine arts [Shukra]

[Surya in bhava-8] rules 11-proletarian roles, hidden sources of income from undiscovered assets

Confident Surya intakes expansive drishti from Guru-2 = family capital + face-voice + values- knowledge

FATHER

James Millard Hopper [1916-1982]

Purportedly a local postmaster, dad was also a secret agent for the American OSS [pre-CIa] [Surya in bhava-8]

[Surya in bhava-8] -- [Surya-Urisha] reveals that dad was using the postmaster job as a camouflager.

[Comfortable Caretaking Chandra]

matrikaraka [mother] * garha-karaka [village]

[dutiful-hierarchical karmesha for Tulā-indriya-lagna]

[comfortable with visionary public service ministry]

[status-minded offering of compassionate aid to the exploited]

[intuitively helps those who suffer from otherworldly distress]

[routinely feels overworked by divinatory guidance, then sick]

[imaginatively disposed toward defensive argumentation]

[mother may be an ancestral dream guide, yet her dissolved identity may attach her to illness, victimization, servitude, or abuse]

[in scapegoated 6, one may be chastized, blamed, or accused for visionary, symbolic, imaginative, contemplative, clairsentient activities -or dreaming-sleeping]

...

[populist-profitable Revatī-3] [navamsha Chandra in Kumbha] intuitively sensitive mass-market populist

  • [Chandra-Meena] comforted by ancestral guidance * settled into rhythmic intuition * needs contemplative sanctuary

  • [Chandra in Revatī - Pashu] soothed by wayfaring rhythms * protector of poetic interpretation * needs to feel wisely dreamlike

  • [Chandra in classroom-6] comfortable with caretaking * accustomed to nursing * calmed by humility * ill-or-exploited-or-adversarial mother * familiar with animosity * acculturated to accusation * familiar with betrayal * habituated to indictment * needs to be helpful * feels the pulse of service ministry * protects the sick-and-vulnerable * routine domestic conflict * emotionally attuned to victims * settled into the rhythm of problematics * seeks ritual remedies * soothed by medication * suffers rhythmically repeating ailments * undulating imbalances * mother may be a servant, health-aide, apothecary, physician or mother suffers injury-illness-crime

OUTCOMES - CHANDRA

sensitively ministering, protectively helping, routinely analyzing, parentally criticizing, rhythmically complaining, customary service, predictably laboring, culturally exploiting, emotionally unbalanced, needs to be argumentative [Chandra in classroom-6] rules

  • 10-career, profession, dignity, regulatory roles, governance duties, social authority, symbolic recognition, iconic visibility, leadership responsibility, top status, reputation, commanding positions, honor, high regard, public respect, executive power, elite rank, lawful imposition, organizational director

CAREER - CHANDRA

  • [folk reputation 10th-from-Chandra = habitual public duties conducted via Dhanus-3. Known for inspirational messaging, optimistic announcements, doctrinal scripts, principled teamwork ]

Karkata-10 = Arudha lagna = ruled by [Revatī-Chandra in classroom-6]

10th-from-Chandra contains [Mula=Rahu in bhava-3] cinema dramatist-producer-director, gallery photography shows, artistic presentations,

ADDICTION and RECOVERY

Chandra-6 intakes permission, expansive, optimistic drishti from I-know-better-than-you [Jyeṣṭha-Guru-Vṛścika] [2, food-and-drink]

  • DH broad range of self-medicating behavioral addictions and substance addictions grew -and-grew, until age-48
  • During Chandra-Shukra bhukti, DH entered an irreversible sobriety which he maintained until decease. Shukra lagnesha.

MOTHER

Marjorie Mae Davis Hopper [1917-2007]. Mom was a drama teacher [Chandra in Revatī - Pashu]

MARRIAGE partnership emotional equity support expectations

[7th-from-Chandra-6]

five marriages + 5 divorces. All five of his wives outlived him.

Lifepartnership 1-of-5

  • bhava-12 privacy, imagination, seclusion, enclosure
  • Kanya service, unbalanced arrangements, complaint

actress Brooke Hayward, recognized dramatist and divorced mother of two young sons. Her career was ascending, his was descending.

  • protected by Budha-8 giving [Vimala yoga]
  • seven-year marriage, daughter [fashion designer]

Lifepartnership 2-of-5

  • bhava-7 marriage contract, arrangements contains [Bharani Shukra-Mesha]
  • Mesha physicality, innovation, fleshly force

celebrated singer Michelle Philips

  • Shukra [singer] occupies 2nd-from-Chandra = 2nd lifepartnership
  • marriage duration = 8 days
  • [Kuja-8 parivartamsha Shukra-7] impulsive contractual behavior

Lifepartnership 3-of-5

  • bhava-2 family, financial assests, values of sound-color, knowledge
  • Vrischika contains ātmakāraka [Guru-Vṛścika-Jyeṣṭha ]

actress [later, expressive arts therapist] Daria Halprin

  • Guru rules 6-medical treatments, therapies
  • three-year union, two children

Lifepartnership 4-of-5

  • bhava-9 beliefs, life philosophy, higher perspective
  • Mithuna dialog, discourse, planning, naotation, scripts

actress [dancer, choreographer] Katherine LaNasa

  • three-year union, child

Lifepartnership 5-of-5

  • bhava-4 retirement, settlement, anchoring
  • Makara structure, age, establishment, roots, resistance to movement

actress Victoria Duffy

[comfortable with visionary public service ministry]

[Competitive Champion Kuja]

bhratru-karaka [brother] * virya-karaka [virile]

[svabhava]

[collecting-traditional dhanesha for Tulā indriya-lagna]

[bargaining-balancing yuvati-pati for Tulā indriya-lagna]

...

[competitive-challenging Rohiṇī-1] [navamsha Mangala-Mesha] intuitively competitive forward-pushing physicalized champion pioneer

[Kuja-yuti-Budha]

[Kuja-yuti-Surya]

[Kuja-8 parivartamsha Shukra-7]

  • [Mangala-Urisha] vigorous pursuit of heritage collections * proactive in acquisition * pro-actively conserves the hoard *pushes the herd * competes for banked treasuries * Sound engineering * actively preserves food * promotes color value * dynamic arts of speech-song * innovative conservation * pioneering libraries * champion of historic knowledge

  • [Mangala in bhava-8] --- [svabhava] drive toward discovery * pursuit of rebirth * revolutionary dynamics * aggressive approach to emergency events * energetic transformations * urge to dig-drill -dive-excavate-plumb-explode-explore * vigorous revelations * explosive eruptions * unexpected force * pushes through camouflage * mysterious conquests * pro-active rejuvenating surgeries

  • [Kuja-yuti-Surya] sparkling kinetic creativity * glorious innovator * high-energy confidence * dynamic genius * dominating force joins willful charm * fiercely competitive politics * brilliant winner * invigorating routines * physically active father-figure * self-referential championship * vigorously moving theatrical display

  • [Kuja-yuti-Budha] proactive communications * energized signaling * dynamic reporting * clipped speech patterns * abrupt announcements * champion of vigorous messaging * pushes toward direct commands * forward thrusting gestures * incisive speech * forceful writing

OUTCOMES - MANGALA

progressively discovering, competitively exploring, energized transformation, pro-active disaster response, dives deep into secrets, reveals hidden power, innovative initiations, vigorously identity-changing, kinetically traumatic, pursuing rejuvenation, promotes sudden eruption, champion of revolutionary renewal [Mangala in bhava-8] rules

  • 2-acquisition, family legacy, tradition, language-lexicon, preserved memory, banking, collections, entreasurement, herd-hoard, treasury containment, financial capital, accrued amounts, asset evaluation, knowledge of history, speech-song, heritage values, color-sound, arts-and-music, face-voice-eyes-teeth-mouth-hair, genetics, stored resources, health of the father

  • 7-covenant, promise, trust, contractual relationships, social justice, advocacy, legal judgments, lawcourts, appeals, representation, equity, diplomacy, partners, justice, marriage, legal and formal partnerships, negotiation, alliance-crafting, match-making, fair arrangements, even deals, advocacy, trading, bargaining, brokerage, haggling, go-between, middleman, meddler

CAREER - MANGALA

Surya yuti Mangala yuti Budha [8, undercover identities]

= combined rulers of 2 + 7 + 9 + 11 + 12

[Kuja-8 parivartamsha Shukra-7] DH known for five marriages but also for divorces, addictions, and adversarial relationships with cinematic directors

[Busy Bantering Budha]

jamayah-karaka [sibling] * sandesha-karaka [message] * shisya-karaka [student]

[Vimala yoga]

[philosophical-doctrinal dharmesha for Tulā indriya-lagna]

[retreating-contemplative vyaya-pati for Tulā indriya-lagna]

check Shukra + Shukra-drishti to source Budha's sensual discourse, enriching information, musical instructions

...

[property-owning, defensive Rohiṇī-4] [navamsha Budha-Karkata] intuitively explaining details of homelife folkways customary protection

[Budha-yuti-Surya]

[Budha-yuti-Mangala]

Surya yuti Mangala yuti Budha [8, undercover identities] = combined rulers of 2 + 7 + 9 + 11 + 12

  • [Budha-Urisha] financial communications * articulation of tonal value * talks about stored goods * discusses collected assets * delivers descriptive evaluations * sends historic messages * skillfully signals the music * preservation methods * describes sound frequencies * hands-arms-shoulders send sensual gestures

  • [Budha in bhava-8] narrative of hidden information * mysterious facts * unexpected eruptions of factual data * shocking revelation * writes about revolutionary cycles * speaks-and-sings about dynamic rebirth * detailed discoveries * describes transformative change * explains initiation * delivers instructions for new identity * hand-arm gestures signal healing renewal

  • [Budha-yuti-Surya] amusing explanations * entertaining chatter * central roles in communication * brightly clear descriptions * dramatic enunciation * confidently delivers instruction * articulation of radiant certainty * political messenger * talkative father-figures

  • [Budha-yuti-Mangala] competitive communications * scripted actions * impatient conversations * potential for sexualized messaging * penetrating explanations * direct instruction * dominating dialog * signals forward action * pioneering logical movement * energetically outspoken opinions * talkative brother-figures

OUTCOMES - BUDHA

talkative initiator, camouflage manager, articulate disrupter, hidden manipulator, transformative communicator, identity-changing conversation, mysterious gesturing, rebirth explainer, detailed describer of occult process [Budha in bhava-8] rules

  • 9-ideology , paradigm of belief, profession of faith, principled convictions, higher understanding, father-figures, priestly patronage, preaching, patriarchal entitlements, philosophical convictions, theory, public spiritual guidance, celebrated doctrines, sangha, sacred teachings, credenda, globalism, dharma, worldview, weltanschauung, mother's health
  • 12 enclosures, the bed, fantasies, privacy, interior spiritual guidance, clandestine undertakings, intuitive awareness, non-linear conceptual undertanding, concealment, seclusion, invisibility, dissolved identity, meditation, contemplation, dreamworlds, astral plane, imaginary scenarios, sanctuary sleep, distant lands, health of the avowed partner

CAREER - BUDHA

Budha is an adolescent. If not properly raised by Chandra-Surya, then Budha often remains socially and emotionally immature. If addiction is added to the mentalized Budha mix, one may remain the perpetual Peter Pan.

His parents would not have been able to provide modeling of a stable, bargaining, evolving marriage due to Chandra-6 and Surya-8

  • DH's marriage 5-of-5 happened when DH turned 60

[Rohini-Budha-yuti-Mangala] [8] demands to hold the center of the spousal attention

  • the verbal attacks and paranoid accusations against his later spouses [focused mainly on their sabotage of his precious art collection] becane increasingly intense as he aged.
  • The likely culprit for the accusations is Mangala-8 parivartamsha Shukra-7, engaging verbal Budha and self-righteous Surya.

Like many financially privileged men, Hopper was in a position to remarry increasingly younger women.

  • Budha-8 may signify a revolving-door [8] of changing identity narratives suggesting immaturity [Budha] of delayed development and remarrying regularly to obtain "newer models" of the wifely companion.
  • Budha-8 yuti yuvati-pati Mangala suggests that each newly matched wife was younger and younger in order to match his never-maturing emotional reality

As ruler of 12, Budha allows withdrawal and teenage sulking with no consequences via Vimala Yoga.

  • Typical of many addicts, Hopper remained emotionally stagnant starting from the age when he became addicted.
  • The stagnation ended, and his artistic flowering began, at the time of sobriety during Chandra-Shukra bhukti = Shukra lagnesha. [age 48, maturity year of Rahu-Ketu].

[Generous Growing Guru]

dhava-karaka [husband] * bahuta-karaka [variety]

[busy-communicative vikrama-pati for Tulā indriya-lagna]

[inimical-argumentative rogesha for Tulā indriya-lagna]

...

[imaginative-fantasizing Jyeṣṭha-4] [navamsha Guru-Meena] intuitively expansive philosophically wide-scope humanistic optimistic imagination

[ātmakāraka expansion, philosophy, patronage, beliefs, doctrine, faith]

  • [Guru-Vṛścika] much mystery * many sudden discoveries * optimistic about emergencies * believes in healing * many masks * hidden doctrine * permission to reveal * propagation of penetrating life-force rebirth * transformative guidance * expands the scope of secret undertakings * multiple initiations

  • [Guru in bhava-2] much hoard * many songs * many stories * extensive history * generous natural reserves * several genetic lines * many accumulated goods * numerous languages * expansive oratory * large eyes * many voices * many valuations * extensive accounts * grows the family lineage * optimistic heritage * believes in historic conservation * patron of speech-and-song * in a wifely nativity, husbandly-companion may be a keeper, curator, collector, preserver

OUTCOMES - BRIHASPATI

expansively enriching, abundantly knowledgeable, multiple family lineages, numerous traditions, optimistic accumulator, jovial speaking-and-singing, broad-scope of historical understanding [Guru in bhava-2] rules

  • 3-communications, messaging, sermons, scripts, radio-television, media-products, Writing and Publishing, letters of correspondence, announcements, planning, schedules, sales, marketing, documentation, reporting, cohort, entourage, committee-work, iterative stepwise process, manufacturing, commercial business, instruction, explanation, discussion, diagrams, labeling, event management, signage, training, itinerary, tours

  • 6-ministries of service, dehumanization, misconduct, war, jail, slavery, pollution, argumentation, healthcare workers, ailment, injury, medical treatment, hypocrisy, crime, cheating, animosity, toxins, complaints, accusation, litigation, imbalanced conditions, injustice, betrayed promises, servants, laborers, hostility, animosity, disagreement, dehumanization

CAREER - GURU

speech, knowledge, traditions, collections, values, face [Guru in bhava-2] occupies globalizing worldview believing 9th-from-Chandra -Meena

ātmakāraka Brihaspati activates kārakāmsha Meena-6 containing Revatī-Chandra

[Guru in bhava-2] things put in the mouth = food, drink, medicines.

Confident, optimistic speakers, cleverly sonorous values-based speech.

Guru transmits blessings of face, voice, speech patterns, eyes, history, languages. via expansive, permissive drishti into

  • 6 contains karmesha-10
  • 8 + Surya-Mangala-Budha
  • 10 [promotes career]

Multitudinous visual values, and remarriages [2]

Capitalization, Voice-Face, storytelling, genetics, collections

most of DH's capital assets came from the valuation of his large pop-art collection. He knew many of the top collectors in this genre, and just by talking with them [2] he could inflate the value of various pieces.

[Sweetly Suave Shukra]

svadu-karaka [sweet] * kalatra-karaka [wifely companion]

[svabhava]

[energizing-identifying lagnesha for Tulā indriya-lagna]

[mysterious-revealing randhesha for Tulā indriya-lagna]

check Kuja + Kuja-drishti to source Shukra's competitive bargaining, innovative diplomacy, kinetic attractions

[competitive relationships with revolutionary actors]

[secretive energeticly active trade-exchanges]

[vigorously pursued interpersonal agreements]

[pioneering price broker]

[lifepartner may be an innovative middleman, pushy advocate, champion bargainer, athletic attorney]

...

[contractual-bargaining Bharani-3] [navamsha Shukra-Tula]

[Kuja-8 parivartamsha Shukra-7]

  • [Shukra-Mesha] appreciation of direct movement * primal relationships * likes innovation * aesthetic of physicality * attracted to champions * pleasures of conquest * kinetic sensuality * prefers a lithely sporting partner * sweetly competitive * aristocratic agreements

  • [Shukra-7] seeks pleasure via interpersonal relationships * enjoys contractual harmony * prefers adjustable partners * lovely designs to adorn the lower back * kidney-adrenal over-use * often too much sugar * sensual genitalia * gracious advisers * balanced mutual agreement * fair financial arrangements * appreciation of equity * pleasurable deal-making * in a husbandly nativity, wifely-companion may be an advocate, educator, counselor, attorney, broker, intermediary

OUTCOMES - SHUKRA

sensually balancing, appreciative of equity, harmoniously arranging, aesthetically pairing, financially contractual, musical-artistic partnerships, bargaining purpose of relationships, advocates for fairness, sweetly adjusting, diplomatic negotiator [Shukra-7] rules

  • 1- distinctive attributes of personality, dense material incorporation, individual personification, earthen embodiment, physical integrity, kinetic energy, dance, style of movement, athletic prowess, muscular mobility, unique character, kinetic vitality, circumstances of birth, tangible appearance, coherent social identity

  • 8-unexpected eruptions of regenerating force, occult initiation, mystical revelation, shocking intervention, opaque empowerments, invasive surgery, intensive healing, evolution, violent explosion, sudden identity change, rejuvenation, recycling, rebirth, hidden assets, upheaval, undisclosed secrets, transformative events, discovery, in-laws of first marriage, health of younger sibling-cousin

CAREER - SHUKRA

lagnesha [Shukra-7] rules 8 +++ [Kuja-8 parivartamsha Shukra-7]

despite and numerous domestic violence convictions, dH was consistently able to settle out of court.

significant alcohol and drug-related misbehavior along with domestic violence behaviors, yet never convicted of crimes, never imprisoned.

The charges were often serious, but his sincere willingness [and funding available] to undertake corrective therapy seemed to convince most judges that imprisonment was not necessary. [Budha-8 rules 12 = Vimala Yoga protection from consequences]

COMPLEX MARRIAGE PATTERNS

Shukra-7 parivartamsha with Mangala-8 involves Budha + Surya.

It is Shukra's incompatibility with Surya which marks the self-other drama.

  • powerful cycle of self-identity transformation via entering then destroying five marriage contracts
Kalatra karaka Shukra activates the complex and difficult marriage negotiations

Bhava-7 occupies 6th-from-Rahu = 12th-from Ketu

Hopper was famously married five times. His marital life was characterized by a series of impulsive, criticizing, accusing divorces.

[Budha-yuti-Surya] + [Budha-yuti-Mangala] in parivartamsha with Shukra shows

  • the over-mentalization of adolescent, argumentative Budha-8,
  • the impulsive physical actions of Mangala-8,
  • and the self-righteous certainty of narcissistic Surya-8

all combustibly over-stimulating the normally peaceable and agreeable Shukra-7.

PARANOIA from Surya

Surya-8 also rules 6th-from-Chandra. Simha-11 = income, revenue, marketplace viability

After a period of delirious infatuation with the new wife [from Latin fatus, meaning fool] DH seemed to perceive each of his five spouses as a predatory thief in wifely disguise.

uncorrectably vindictive toward each of his five wives

  • even knowing that he was suffering an untreatable stage of terminal cancer and would soon be dead , dH filed for divorce from his fifth wife and the mother of his youngest child during the final months of his life.

Awareness of his impending death did not reduce the virulence of his animosity toward the spouse nor the verbosity [Budha] and aggressiveness [Mangala] of his self-elevating accusations of abuse [6th from Rahu] toward her.

After his death, dH three adult children and wife-5 the mother of a 4th minor daughter, all engaged in a protracted legal battle over DH estate. Bhava-8 inheritance.

[Sober Structural Shani]

duro-karaka [endurance] *jara-karaka [Jahre, years] --- [svakshetra]

[mūlatrikoṇa if within 0-20 deg]

[Yogakaraka homebound-securing bandesha for Tulā indriya-lagna]

[Yogakaraka speculative-creative vidya-pati for Tulā indriya-lagna]

[systematically ordered creativity]

[politics of economic networks]

...

[mercantile-publishing Purvabhadra-3] [navamsha Shani-Mithuna] intuitively structured regulatory class-conscious communications

  • [Shani-Kumbha] heavy old economic systems * obliged to conform to marketplace rules * responsible scientific work * structural compression upon skin-nerves-ankles * mandatory electro-magnetic networking * regulated revenues * lawfully distributed earnings * must materialize past-to-future gridwork * must sustain lowest-common-denominator connections * proletarian communities * conventional friendships * elderly mentors * Slowly achieves social-material goals * scarce conductive resources * maintainer of old economies

  • [Shani in Bhava-5] steady time-structured intelligence * heavy responsibility for children * pessimistic in romance * cautious financial speculation * resists ceremony * limits special entitlements * obligatory entertainments * dreads political games * tightly disciplined creativity * mother's family often rigidly conventional * blocked heart-and-spine * subdued sparkle * performance fatigue * intolerant of time-wasting amusements * elders maintain ordinary rights

OUTCOMES - SHANI

formally disciplined showmanship, chronic political pressures, fear of unruly children, rigidly legalistic demonstration, constricted romance, enduring obligations for ceremonial performance, regulated creativity, orthodox approach to gambling and games, conventional intelligence, responsible for maintaining order in dramatic scenarios, systematically speculative, imposing structure upon artistic performance, lawfully entitled to hold central roles, seriously legitimating political ideas [Shani in Bhava-5] rules

[svakshetra] [Yogakaraka]

  • 4 cultural foundations, property boundaries, way of Life, protection, defense , homeland, household, routines, rituals, mother, parents, customary rhythms, caretakers, socialization schooling, gardens, waterways, transportation, housing, social security, sense of place, environmentalism, citizenship, belonging, ethnic basis, ethnoreligion, patriotism, real-estate, farming, land-ownership, burial, predictability, health of the elder sibling

  • 5- Politics, center-stage roles, theatre, demonstration, display, charming brilliance, genius, poetry, choice-making, showmanship, gambling and gamesmanship, romantic idealism, creativity, fashion-shows, flamboyance, celebrity entitlements, confidence, artistic performance, drama, children, financial speculation, intelligence, entertainments, fun

CAREER - SHANI

Professional drama may be approached with discipline [DH attended the demanding Actor's Studio school for five years]. Yet the draining impact of Shani in 12th-from-Chandra suggests that a lifelong dramatist career would have been unsustainable.

INCOME

[Shani-Kumbha] rules-and-occupies 11th-from-Chandra as a [Yogakaraka] profitable benefactor. In the long run, shani provides a modest but consisten economic, revenue-streaming income from entertainments [5].

Although he had only a few triumphant cinema roles, those few [Shani few] were iconic. DH enjoyed royalties [5] from licensing the rights [5] to merchandise and replays of his two most celebrated performances.

CREATIVE OPPRESSION

[Shani in Bhava-5] strictly regulates any expressions of creative genius. He may impose such heavy restrictions that a normally brilliant environment such as theatre, romance, game-playing, or glittering celebrity may be perceived as punitive or constricted. Shani would normally block creative expression in drama, and cause one to seek freedom in other venues.

CELEBRITY ACTOR LEAVES ACTING

By his early 40's and the onset of karmesha Chandra Mahadasha, dH had shifted away from [12] the dramatist-producer-director roles of the cinema industry, and into a more permissive career as an art collector [Guru-2] fine-arts painter [Rahu-3] and photographer [Rahu-3].

CHILDREN

Shani accepts romance less as a joy and more as a duty. [Shani in Bhava-5] inevitably generates heavy responsibility for children.

The first child is often disciplined and structured in personality.

  • His eldest child, adaughter, became a recognized fashion designer [5].

[Risk-rewarding Rāhu]

rajyalobha-karaka [ambition] * picchala-karaka [slippery]

[for Tulā indriya-lagna]

check Guru + Guru-drishti to source Rahu's apparently generous, mirage of philosophical conviction

[Rahu-3 casts passionately publishing mercantile drishti into 7-9-11]

[desire to communicate about principled beliefs]

[craving for exhilarating inspirational conversations on life philosophy]

[opportunistic messaging on humanistic global theory]

[exciting writer-publisher on matters of ideology and faith]

[thrilling discussions on higher worldview]

[over-reaching understanding mixed-culture commercial transactions]

[passion for patronage of writing-editing correspondence]

[ambitious cohort may evangelize on doctrine]

......

[defensive-ritualized Mūla-4] [navamsha Rahu-Karkata]

  • [Rahu-Dhanus] shimmering illusion of wisdom * craving for philosophical principle * mirage of generous patronage * extraordinary theory * extravagant preaching * unorthodox approach to higher truth * mask of global humanism* fascinating doctrine * over-reaching catechisms * fabulous proselytism * seeks special importance via apparent [but perhaps not authentic] attributes of philosophical belief * seeks privilege via guru-roles

  • [Rahu in bhava-3] passion for prestige communication *in svabhava of Busy Budha, the Shadowy Specter = glamorous writing - outsider who cleverly insinuates into culturally important communicator roles * exotic photography * unusual journalistic reporting * thrilling announcements * unorthodox commentary * mesmerizing messaging * craves publication * ambitious sibling-cousins * mixed-culture collaborative teams * desire for conversations * over-reaching commerce * exciting gestures * opportunistic approach to manufacturing * expedient application of information technology * boundary-breaching sibling-cohort * astonishing dialogs * unconventional explanations * remarkable retinue * entranced by one's own evangelism * seeks privilege via project management

OUTCOMES - RAHU

CAREER - Rahu-Mūla-3 cinema occupies 10th-from-Chandra

Easy Rider 1936-2010 artist Dennis Hopper was a notorious Hollywood actor and director, but he was also a fine-arts painter who produced galleries full of artistic work.

Despite five years study at the prestigious New York City Actors Studio [under the legendary Lee Strassburg] most of DH cinema work was undistinguished.

Nevertheless, asmall handful of celebrated rebel-roles transformed [8] Dennis Hopper into a counterculture icon.

  • Due to the convulsive social-change happening during the revolutionary, anti-establishment, anti-war-machine 1960's, dH's celluloid visage was propelled into national fame.

Regardless of the volatility created by drug addiction and persistent marriage squabbles, dH was rarely out of work [10th-from-Chandra]

When Hopper outgrew dramatic acting, expansive Guru-ruled Rahu ambitiously reached for opportunities to grow into roles as director and producer.

  • DH remained well-known within the cinema industry [3] while developing a significant career as a fine-arts photographer.

His capitalization grew mainly from Guru-2 art collections

  • Rahu in 2nd-from-2nd allowed DH to take capital from his assessed collections and invest it into production [3] of new photographs and organized gallery shows.

Hopper seemed obsessed [Rahu] with his treasury [2nd-from-2].

  • He designed complex legal contracts [Shukra] that would prevent his wives whether ex- or present from getting an unfair share of his loot.

Mula bhava-3 cinema

Rahu-Mūla is prone to the thrill of all-or-nothing risk

Rahu-Dhanus is noted for cultural mixing doctrines, ideologies, and beliefs [Dhanus].

  • Communications media, scripted dialog, cinema, radio = typically the most ambitious career pathway.

LEARNING PATHWAY =

Rahu-Mūla = Rebel Without a Cause

Usually Rahu-3-Mūla is a photographer, writer, publisher, announcer, or businessperson who experiences a Learning Pathway that features a Rahu-esque dramatic cycle of rise-and-fall within a taboo-challenging media-based career.

When Rahu-3-Mūla [annihilating risk] occupies 10th-from-Chandra, undoubtedly the media-messaging career would be exciting and high-profile.

Career = Iconic Rebel

Fascinating Rahu-challenge to rigid social practices in narrative transmission [3] He played the Rebel.

  • Rahu in Mula in the emotionally dignified , social-ordering, leadership-seeking; 10th-from-Chandra indicates a salient career in matters of Mula = rebel without a cause

6th-from-Rahu + 12th-from-Ketu

karmic hot-spot learning challenge = randhrasthana

bhava-8 contains yuvati-pati Mangala + [Surya-yuti-Budha]

Rahu amplifies His ruler Guru-2-Vṛścika. A confident and brilliant media personality, dH nevertheless dealt with the draining, debilititating effect of Rahu's ruler Guru in 12th-from-Rahu

Fear of loss of valuable collections such as his paintings and financial assets.

Mula themes of annihilation seemed to be driven by a subconscious expectation [12th ] of being catastrophically drained by invisible forces.

Rahu-Mūla drishti into Shukra-7

Hopper famously married, and acrimoniously divorced, five times.

He struggled publically with recurring narrative [Budha] of unseen, incalculable losses. Court documents tended to wildly overestimate the value of his paintings. Toward the end of his life, as his wealth grew, so did his chronic and gnawing paranoia [Mūla-Rahu-3 mentality].

Chandra-6 is often comfortable in the world of endless lawsuits DH hired lawyers and filed criminal complaints [6] against invisible predatory thieves until the day of his death.

Naturally, if challenging graha should occupy or own the bhava which is 6th-from-Rahu + 12th-from-Ketu, the results can be exaggerated.

Particularly inner graha [Surya-Mangala-Budha] are afflicted when they occupy the adversarial 6th-from-Rahu + 12th-from-Ketu.

Collapsing unshackling Ketu]

kavandha-karaka [headless] * chidra-karaka [gaping] * vasana-karaka [vacuum]

[for Tulā indriya-lagna]

check Budha + Budha-drishti to source Ketu's spacey sentences, vague instructions, disinterested discourse

[declines detailed discussion of the credenda]

[dissolution of ideological communications]

[restlessly apathetic toward meeting agenda with patrons]

[may abdicate explanatory guidance roles]

[surrenders ineffective defining life-principles]

[forgives the trespass of chattering father and guru-figures]

[abandons unsustainable religious propaganda]

[absent from discussions about empty beliefs] [walks away from outdated doctrinal instruction]

[disregards sermonizing announcements]

[eccentric gestures of episcopate may symbolize their disoriented worldview ]

[presbyters may signal erratic mentality]

[has the mental skills and the broad understanding - yet barring yuti-graha in 9, Keu-9 = disinterested in informational preaching]

[passively fixated on ambitiously opportunistic inspirational-dogmatic Rahu-Dhanus-3 sibling-cousins, cohort, neighbors, messengers, managers, writers, reporters, projects, plans, publicity]

... ...

[regulatory-hierarchical Arudha-2] [navamsha Ketu-Makara]

  • [Ketu-Mithuna] dissociates from conversation * incomplete messages * explains the ineffable * empty instructions * absent from discussion * martyr to commerce * wandering mentality * fragmented signals * not limited by conventional talk * dialog of liberation * ignores normal business * forgives the sibling-cohort * incoherent scripts * releases a plant-green cloud of explanatory gestures into the misty abyss

  • [Ketu in classroom-9] disinterested in fixed credenda * wandering worldview *disengaged from faith doctrine * disregards theory * liberating philosophy * irrelevance of patriarchal dogma * ambivalence toward conventional convictions * spacey father * weird beliefs * empty public guidance * forsaken by preceptors * ignores the ordinary understandings * incoherent ideology * unless other graha in 9, may prefer to live free from father-figures

OUTCOMES - KETU
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