Drama and Song

Fine Arts

COHORT

Born seven months after

• Ave Maria 1935-2007 tenor Luciano Pavarotti

Born six months after

• General Electric 1935-2020 CEO Jack Welch

born 6 months before

• Pope-266 Francis 1936- Jorge Bergoglio

• 49th Nizari Ismaili Imam 1936- Agha Khan-4 Karim al-Husseini

potential parallel incarnation of

Steppenwolf 1877-1962 anti-Nazi Hermann Hesse

Five marriages, five divorces

notable substance addiction until absolute sobriety vow [Soma-8]

mental-health challenges

Dennis Hopper in 1969, playing the iconic sneering "Easy Rider" role

Hollywood dramatist - cinema director

fine-arts painter

art collector - photographer

Counterculture Icon

Dennis Lee Hopper

Earth-birth Sunday-17-May-1936

dematerialization 29-May-2010 [age 74]

dramatist - cinematic director

fine-arts painter + sculptor

1936-2010

Dennis Lee Hopper

birth data from https://en.wikipedia.org/wiki/Dennis_Hopper

tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = generated by Shri Jyoti Star - www.vedicsoftware.com

- adapted by BP Lama

Rising Nakshatra

Masculine Nativity

Pūrvaphalgunī

Yoni - Bhagadaivata - Prakphalguni - Arjuni

BPL COMMENTARY

For Purvaphalguni - Yoni - births of a masculine valence, the condition of sweetly musical, artistic, harmony-seeking, negotiating, balancing, arranging, designing, matching, pairing, sensually pleasuring akarshana-karaka Bright Beautiful Bhrigu may considerably affect the outcome.

Due to the definitive influence of kalatra-karaka Shukra, gentlemen born into the realms of Bharani - Yamya, Pūrvaphalgunī - Yonī, or Pūrvāṣāḍhā may find that their worldview is greatly shaped by the character of the feminine companions.

For those born into the Shukra-ruled paradigm of Vutavabana, feminine figures such as sisters, aunts, and wives, along with partnerships, contracts, bargains, sensual pleasures, lovers, artistic beauty, luxurious scents, treasuries, financial arrangements, and music , may be especially influential.

Instructional guidance provided by emissaries from the civilizations of Zosma. Their purpose is to dramatize, glamorize, and politicize the grand theatrical values of creative life.

Diplomatic charm

[Sweetly Suave Shukra] -ruled Purvaphalguni gentlemen are often found in the sparkling bright worlds of politics , romantic idealism, entertainment, speculative finance, and spectator sports. Yoni-born chaps often display a thick mane of leonine hair and a charming sense of humor.

They are happiest when enjoying a choreographed sport, playing music, dancing with agility and grace, or performing a richly costumed dramatic role for an appreciative audience, delighted by spectacle and applause, they glitter and smile at parties, political campaigns, gambling and games..

Depending upon the placements of dhanakaraka Shukra and dhana=pati Budha, the Purvarjuni-born may also excel in financial showmanship, bargaining toward a political or commercial agreement, and the high drama of romantic relationships.

Like all Shukra-governed births, bhagadaivata-born must take care to avoid the misuse of drugs and alcohol. Political success depends upon the charisma of lagnesha Surya. Financial success depends upon the dual-dhanakaraka Shukra and Budha.

Themes of political celebrity, lavish musical entertainments, arts and fashion, and financial agreements may contextualize Pubba's terrestrial experience. Applies also to Chandra-Purvaphalguni.

QUOTATION Pūrvaphalgunī

from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra. p 83

" A physical rather than a mental type.

• A healthy constitution

• not given to worry or anxiety regarding the problems of living.

He must guard against impulsiveness

since he is apt to to act without sufficient thought

• and as a result he makes many mistakes

• which are difficult to rectify

• and which may be disastrous .

He is very active physically and will be proficient at various sports

• reveling in the joy of mere action,

• even purposeless action.

These people seem never to rest and are constantly in motion.

• As soon as they have finished one thing they start on another,

• frequently doing several things at a time."

[end quote, Shil Pondey, 1939]

Dennis Hopper at Cannes 2008

en.wikipedia.org/wiki/Dennis_Hopper#/media/File:Dennis_Hopper_Cannes_2008.jpg

Dennis Hopper in character for 1960's rural American role

Biographical events matched to the Vimshottari Dasha

• Easy Rider 1936-2010 art-collections Dennis Lee Hopper

Budha Mahadasha [age birth until age 10.8]

• [Budha-Urisha] -- [Budha in bhava-10 + [Rohiṇī-Budha-yuti-Surya-Kṛttikā] [Rohiṇī-Budha-yuti-Mangala-Rohiṇī]

Sun-17-May-1936 Earth-birth in Dodge City, Kansas, USA * Budha-Surya bhukti ++ dvadasa Sade-Sati

Feb-1937 until Apr-1939 Janma Sade-Sati Meena

• [8, sudden identity change, transformation, chaos, upheaval, rejuvenation, rebirth]
• [age 1-4]

Ketu Mahadasha [age 10.8 until age 17.8]

• [Ketu-Mithuna] -- [Ketu in classroom-11]

1950 [DLH age 13] family moved out of Midwest into San Diego, California * Ketu-Rahu bhukti

[Shukra Mahadasha] [age 17.8 until age 37.8]

married three times within Shukra Mahadasha

• [Shukra-Mesha] -- [Shukra-9] [Kuja-10 parivartamsha Shukra-9]

1954 [DLH age 18] career begins with first television role , followed by recognized cinema roles * Shukra-Shukra svabhukti * [Kuja-10 parivartamsha Shukra-9] * Shukra rules 3-television

Aug-1961 [DLH age 25] consecration of marriage-1-of-5 with cinema actress Brooke Hayward * Shukra-Rahu bhukti ++ samchara Rahu-Ketu via Simha-Kumbha contact Simha indriya-lagna

26-Jun-1962 [DLH age 26] celebrated the birth of child-1 daughter, Marin Hopper * Shukra-Rahu bhukti

Apr-1966 until Jun-1968 Janma Sade-Sati Meena

• [8, sudden identity change, transformation, chaos, upheaval, rejuvenation, rebirth]
• [age 30-33]

• overlaps Shukra-Guru bhukti +Shukra-Shani bhukti

1968 [DLH age 30] DLH begins camera work on Easy Rider, the cinema-role which will make him a Hollywood star. At the same time, lifepartnership 1-of-1 is unraveling. * Shukra-Shani bhukti * Shani rogesha + Shani rules earnings 11th-from-Chandra ++ janma Sade-Sati

1969 [DLH age 31] divorce-1 concludes alliance-1 with actress Brooke Hayward * Shukra-Shani bhukti * Shani rogesha divorce ++ dvithya Sade-Sati

1970 [DLH age 33] co-writer + director + actor in the counterculture classic film Easy Rider. DLH portrayed a macho, oppositional-defiant motorcycle personality. To many, this emblematic cinema figure seemed to perfectly represent the generational 1960's anti-establishment narrative * Shukra-Budha bhukti * Budha scripts, cinema ++ dvithya Sade-Sati

31-Oct-1970 [DLH age 36] consecration of marriage-2-of-5 with the celebrated singer, Michelle Phillips * Shukra-Budha bhukti * Rohiṇī-Budha-yuti-Mangala-Rohiṇī] * Kuja rules Vrischika svamsha * samchara Rahu-Ketu via Simha-Kumbha contact Simha indriya-lagna

08-Nov-1970 [DLH age 36] following eight days of marriage, divorce-2 concludes alliance-2 with singer, Michelle Phillips * Shukra-Budha bhukti * [Rohiṇī-Budha-yuti-Surya-Kṛttikā] * Surya rules 6th-from-Chandra = emotional toxicity

May-1972 [DLH age 38] marriage 3-of-5 with actress [later, expressive arts therapist] Daria Halprin, until-1976 * Shukra-Budha bhukti * Rohiṇī-Budha-yuti-Mangala-Rohiṇī] * Kuja rules Vrischika svamsha * samchara Rahu-Ketu via Simha-Kumbha contact Simha indriya-lagna

[Surya Mahadasha] [age 37.8 until age 43.8]

• [Surya-Urisha] -- [Surya in bhava-10] + + [Kṛttikā-Surya-yuti-Kuja-Rohiṇī] [Kṛttikā-Surya-yuti-Budha-Rohiṇī]

1976 [DLH age 42] following three years of marriage + two children born into the union , divorce-3 concludes marriage 3-of-5 * Surya-Rahu bhukti

1979 [DLH age 45] following a string of critical failures, DLH wins acclaim for cinematic portrayal of a photojournalist in Apocalypse Now * Surya-Shukra bhukti * karmesha Shukra rules 3-cinema

[Chandra Mahadasha] [age 43.8 until age 53.8]

• [Chandra-Meena] -- [Chandra in Revatī - Pashu] -- [Chandra-8]

07-Aug-1982 [DLH age 46] grieved decease of father * Chandra-Rahu bhukti

1983 [DLH age 47] traumatized by his father's death, highly publicized rage-wander in the Mexican desert * Chandra-Rahu bhukti

1983 [DLH age 47] DLH enters drug-misuse rehabilitation for the first time * Chandra-Guru bhukti * Guru randhresha rebirth, identity-change

17-Jun-1989 [DLH age 53] consecration of marriage 4-of-5 with actress + ballet-dancer + choreographer, Katherine LaNasa * Chandra-Shukra bhukti +++ samchara Rahu-Ketu via Simha-Kumbha contact Simha indriya-lagna

1989 [DLH age 53] avowed beginning of lifetime sobriety[no alcohol, no drugs] * Chandra-Surya chidradasha * Surya lagnesha ++ samchara Rahu-Ketu via Kumbha-Simha contact Simha indriya-lagna

[Mangala Mahadasha] [age 53.8 until age 60.8]

• [Mangala-Urisha] -- [Mangala in bhava-10] + + [Rohiṇī-Kuja-yuti-Budha-Rohiṇī] [Rohiṇī-Kuja-yuti-Surya-Kṛttikā] + + [Kuja-10 parivartamsha Shukra-9]

Apr-1992 [DLH age 56] divorce-4 concludes marriage 4-of-5 with dramatist dancer, Katherine LaNasa * Mangala-Shani bhukti * Shani rogesha

Jun-1995 until Apr-1998 Janma Sade-Sati Meena

• [8, sudden identity change, transformation, chaos, upheaval, rejuvenation, rebirth]
• [age 59-62]

13-Apr-1996 [DLH age 60] [VD age 28] with actress Victoria Duffy, 32 years his junior, consecration of wedding 5-of-5 * Mangala-Surya bhukti * [Rohiṇī-Kuja-yuti-Surya-Kṛttikā] Mangala rules Vrischika svamsha ++ samchara Rahu-Ketu via Kanya-Meena contact Chandra-Meena ++ janma Sade-Sati

[Rahu Mahadasha] [age 60.8 until decease age 74 ]

• [Rahu-Dhanus] -- [Rahu in bhava-5] = 10th-from-Chandra

12-Jan-2007 [DLH age 71] grieved the bio-decease of mother * Rahu-Budha bhukti * Budha rules 7th-from-matrikaraka Chandra

2008 [DLH age 74] accompanied by vicious and paranoid accusations on both sides, begin proceedings for divorce 5-of-5 * Rahu-Ketu bhukti

29-May-2010 [DLH age 74] blessed liberation from the Earthen-body, via liver failure, combined with prostate cancer * Rahu-Shukra bhukti * Shukra gives effect of maraka Budha

• Easy Rider 1936-2010 Dennis Lee Hopper

[Sparkling Splendid Surya]

pitri-karaka [father] -- jyoti-karaka [light]

[dikbala]

[energizing-identifying lagnesha for Simha indriya-lagna]

check Shukra + Shukra-drishti to source Surya's sensual radiance, sweet charisma, financial entitlements

[brightly charming center of self-exemplified historical-musical values]

[widely recognized elite financial figure]

[dignified public representative of language and lineage]

[charismatic social appeal to entreasured classes]

[institutional leadership conduct may be affected by personalized pleasure entitlements]

[high intelligence for personalized expression of precious heritage knowledge]

[public sees radiant physical vitality via hair, eyes, voice]

[genetically shaped appearance may form the basis of command]

[enriched father may be banker, asset collector-curator, warehouser, geneticist, evaluator, assessor]

...

[populist-profitable Kṛttikā-3] [navamsha Surya-Kumbha] intuitively confident community-commons economic distribution systems . Usually some sort of popular hero.

[Kṛttikā-Surya-yuti-Kuja-Rohiṇī]

[Kṛttikā-Surya-yuti-Budha-Rohiṇī]

• [Surya-Urisha] [Ravaye - the noisy one, the roaring one. Ravi = firebird; Rava = howl, yell, or squawk] * brightly charismatic confidence of Center-stage Surya radiates through the acquisitive sensual rashi of Shukra

• [Surya in bhava-10] bright center of hierarchy * creatively confident chieftain * legislative intelligence * focus on social order * regulatory entitlements * political authority * brilliant career * eye on elite positions * radiant reputation * sparkling star of public leadership drama * dignified father may be lawful ruler, governor, executive director, supervisor, boss

• [Surya-yuti-Budha] confidently conversational * brightly explaining messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * gestures conduct the spiritual rays of the Sun * radiantly descriptive * articulate in drama * skillful game-player * self-confident announcements * talks about ideals * narrative of power-politics * recites love poems * describes divine romance

• [Surya-yuti-Kuja] confidently progressive = bright warrior = moves in alignment with the spiritual rays of the Sun = creatively intelligent brother-figures = self-reflexive political pursuits = champion of brilliant ideals = competitive father-figure = entitled to conquer = focused on winning = radiantly pioneering

OUTCOMES - MAGNIFICENT MARTANDA

self-reflexively commanding, brightly law-imposing, charmingly authoritative, regal style of maintaining social order, hierarchically focused, radiantly responsible, politically elite, splendidly regulating, center-stage chief executive [Surya in bhava-10] rules

• 1- distinctive attributes of personality, dense material incorporation, individual personification, earthen embodiment, physical integrity, kinetic energy, dance, style of movement, athletic prowess, muscular mobility, unique character, kinetic vitality, circumstances of birth, tangible appearance, coherent social identity

CAREER - SPARKLING SURYA

Surya-10 lagnesha rules 1-identity, vitality, movement style, kinetic energy, innovation

Surya yuti Mangala yuti Budha

[10, social visibility] = combined rulers of 1 + 2 + 4 + 9 + 11

entertainment arts [Mangala-Budha-Surya] exchange with fine arts [Shukra]

[Surya in bhava-10]

Confident Surya intakes expansive drishti from Guru-4

• Accomplished fine-arts painter and gallery photographer. Financially capitalized.

FATHER

James Millard Hopper [1916-1982]

Purportedly a local postmaster in San Diego [Surya-10, father holds directing position]. Dad's earlier career was with the American OSS [pre-CIA] in SE-Asia.

During DLH's teenage years, his Father was officially the town postmaster. However, dad's earlier career had been with an intelligence agency of the WW-2 era, and some claimed that that dad was an FBI agent. His parents met in this service [Chandra-8 rules 12]. It is more likely that DLH's mother held a clandestine appointment.

[Comfortable Caretaking Chandra]

matrikaraka [mother] -- garha-karaka [village]

[Vimala Yoga]

[retreating-contemplative vyaya-pati for Simha indriya-lagna]

check Guru + Guru-drishti to source Chandra's imaginative feelings, visionary rhythms, wholistic sensibilities

[identified with transformative symbolic understanding]

[intuitive wholistic identity-change]

[soothed by periodic interior upheavals]

[needs protected meditation at rhythmic intervals]

[attuned to shocking dreamworld images]

[vague, all-one feelings may suddenly stop-and-start]

[essential need for sanctuary in-or-near water]

[anonymously charitable]

[at some juncture in the lifespan, old inner spiritual guidance utterly dies, catalyzing an emotional rebirth into a new comprehensive symbolic worldview]

[comfortable with disruptive cetacean influence]

[absorbs pulsing oceanic waves of subtle sound]

[anchored by ancestral inner guidance]

[inspirationally rejuvenating hallucinations]

[traumatized mother may be quietly moody]

[mother's contemplative grounding may fluctuate]

[clairsentient mother may seem secretly entranced, mysterious or unpredictable]

...

[ordering-hierarchical Revatī-2] [navamsha Chandra-Makara-Draco] intuitively sensitive class-conscious ranked status lawfully ordered feelings

• [Chandra-Meena] comforted by ancestral guidance * settled into rhythmic intuition * needs contemplative sanctuary

• [Chandra in Revatī - Pashu] soothed by wayfaring rhythms * protector of poetic interpretation * needs to feel wisely dreamlike

• [Chandra in classroom-8] comfortable with crisis * familiar with catastrophe * unpredictable mother * feels the pulse of cyclical rebirth * soothed by secrecy * consoled by calamity * sensitive to danger * revolutionary sentiment * accustomed to frequent upheaval * seeks deeply rhythmic initiation * acculturated to masked exploration * occult sensitivities * needs eruptive energies * nourished by non-disclosure * emotionally attuned to trauma * undulating shakti-shocks * mother may be a mystic, healer, concealer, agent of disguise

OUTCOMES - ANCESTRAL SOMA

[Vimala Yoga]

sentimentally undisclosing, emotionally secretive, caretaker in dangerous situations, needs chaotic feelings, securely grounded through disastrous upheaval, anchored into sudden emergency response, sensitive to disguised dependencies, protected by camouflaged assets, sense of having hidden empowerments [Chandra in classroom-8] rules

• 12 - enclosures, the bed, fantasies, privacy,interior spiritual guidance, clandestine undertakings, intuitive awareness, non-linear conceptual undertanding, concealment, seclusion, invisibility, dissolved identity, meditation, contemplation, dreamworlds, astral plane, imaginary scenarios, sanctuary sleep, distant lands, health of the avowed partner

CAREER - CARETAKING CHANDRA

• [folk reputation 10th-from-Chandra = creatively entitled, celebrated, literary, artistic-performance, inspirational optimistic dogmatic Dhanus-5]
• contains Rahu-5

10th-from-Chandra contains [Mula=Rahu in bhava-5] cinema dramatist-producer-director, gallery photography shows, artistic presentations,

ADDICTION and RECOVERY

• accounts for DH's five marriages-and-divorces. DH famously lived with toxic addiction for many years, then suddenly, absolutely entered lifetime sobriety.

• In addition to his volatile identity changes [8] DH was also a

Emotionally churningChandra-8 intakes permission, expansive, optimistic drishti from I-know-better-than-you [Jyeṣṭha-Guru-Vṛścika]

• DLH broad range of self-medicating behavioral addictions and substance addictions grew -and-grew, until age-48
• During Chandra-Surya chidradasha, DLH entered an irreversible sobriety which he maintained until decease. Shukra lagnesha.

MENTAL HEALTH

a consistent narrative throughout DH's 5 marriages and 5 divorces was serial accusation of secret [8] crimes. With some variations, the same complaint of intent to perpetrate hidden wrongs [8] was lodged against each wife, in sequence. [DH suffered from clinical paranoia.]

MOTHER

Marjorie Mae Davis Hopper [1917-2007].

Mom = drama teacher [Budha-ruled Chandra in Revatī - Pashu]

MARRIAGE partnership emotional equity support expectations

five marriages + 5 divorces. All five of of DLH's wives outlived him.

[7th-from-Chandra-8] Lifepartnership 1-of-5

actress Brooke Hayward, well-connected Hollywood dramatist and divorced mother of two young sons. Due to her famous mother, many industry friends. Her career was ascending, his was descending.

Three total children into a young marriage. Spouse = center of family life [2].

• [2, family lineage, assets, entreasurement, historical values, language, genetics]
• Kanya service, unbalanced arrangements, argument, complaint
• seven-year marriage, one shared daughter [fashion designer]

8th-from [7th-from-Chandra-8] = 2nd-from-Chandra = Lifepartnership 2-of-5

celebrated pop-music singer, Michelle Philips

• 9- celebrity, sacred-priesthood, father, patronage = [Bharani Shukra-Mesha] singer
• Mesha physicality, innovation, fleshly force, championship

marriage duration = 8 days

• [Kuja-10 parivartamsha Shukra-9] = pattern of impulsive, career-draining agreements

3rd-from-[[7th-from-Chandra-8] Lifepartnership 3-of-5

ccinema actress-dancer - expressive arts therapist - Daria Halprin

• 4-real-estate, property ownership, stability, familiar environments
• Vrischika-4 contains ātmakāraka ruler of 5-8 [Guru-Vṛścika-Jyeṣṭha ]

three-year union, two children

• ffertile Guru drishti into Guru-ruled Chandra-8

10th-from [7th-from-Chandra-8] Lifepartnership 4-of-5

actress, ballet-dancer, choreographer = Katherine LaNasa

• 11-community, friendship, collectivity, goal-achievement, earnings
• Mithuna dialog, discourse, planning, choreographic notation, scripts
• contains ephemeral [Ketu-Mithuna]

three-year union, child

5th-from [7th-from-Chandra-8] Lifepartnership 5-of-5

actress Victoria Duffy, 32-yrs DLH junior

• 6-conflicted arrangments, unfair relationships, imbalance, toxicity, litigation
• Makara structure, age, establishment, roots, resistance to movement
• widely reported mental-health struggles [6, imbalance] including paranoid ideation that wife was stealing [6] his art collection

14-yr union, one child

[Competitive Champion Kuja]

bhratru-karaka [brother] -- virya-karaka [virility]

[dikbala]

[Yogakaraka homebound-securing bandesha for Simha indriya-lagna]

[Yogakaraka doctrinal-believing dharmesha for Simha indriya-lagna]

check Shukra + Shukra-drishti to source Kuja's actively knowledgeable, dynamicly acquisitive, competitive valuations

...

[competitive-challenging Rohiṇī-1] [navamsha Mangala-Mesha] intuitively competitive forward-pushing physicalized champion pioneer

[Rohiṇī-Kuja-yuti-Budha-Rohiṇī]

[Rohiṇī-Kuja-yuti-Surya-Kṛttikā]

++ + [Kuja-7 parivartamsha Shukra-6]

• [Mangala-Urisha] vigorous pursuit of heritage collections * proactive in acquisition * pro-actively conserves the hoard *pushes the herd * competes for banked treasuries * Sound engineering * actively preserves food * promotes color value * dynamic arts of speech-song * innovative conservation * pioneering libraries * champion of historic knowledge

• [Mangala in bhava-10] drive toward high position * pursuit of social authority * fights for rank * pushes upward gaining status * invasive regulation * hierarchical dynamics * dominating executive roles * energized governing conquests * champion of leadership elites

• [Kuja-yuti-Surya] sparkling kinetic creativity * glorious innovator * high-energy confidence * dynamic genius * dominating force joins willful charm * fiercely competitive politics * brilliant winner * invigorating routines * physically active father-figure * self-referential championship * vigorously moving theatrical display

• [Kuja-yuti-Budha] proactive communications * energized signaling * dynamic reporting * clipped speech patterns * abrupt announcements * champion of vigorous messaging * pushes toward direct commands * forward thrusting gestures * incisive speech * forceful writing

OUTCOMES - MOVING MANGALA

commercially competitive, self-promoting project manager, socially recognized announcements, forward-pushing sales career, militarized executive marketer, social regulator via active communication, talking head, leadership in energetically innovative publications, champion of professional information delivery [Mangala in bhava-10] rules

[Yogakaraka]

• 4 cultural foundations, property boundaries, way of Life, protection, defense , homeland, household, routines, rituals, mother, parents, customary rhythms, caretakers, socialization schooling, gardens, waterways, transportation, housing, social security, sense of place, environmentalism, citizenship, belonging, ethnic basis, ethnoreligion, patriotism, real-estate, farming, land-ownership, burial, predictability, health of the elder sibling

• 9-ideology , paradigm of belief, profession of faith, principled convictions, higher understanding, father-figures, priestly patronage, preaching, patriarchal entitlements, philosophical convictions, theory, public spiritual guidance, celebrated doctrines, sangha, sacred teachings, credenda, globalism, dharma, worldview, weltanschauung, mother's health

CAREER - MOTIVATED MANGALA

bhava-4 retirement, settlement, anchoring

Vrischika-4 = Arudha lagna

Mangala rules bhava-9 beliefs, life philosophy, higher perspective

Surya yuti Mangala yuti Budha

[10, social visibility] = combined rulers of 1 + 2 + 4 + 9 + 11

entertainment arts [Mangala-Budha-Surya] exchange with fine arts [Shukra]

[Kuja-8 parivartamsha Shukra-7] DLH known for five marriages but also for divorces, addictions, and adversarial relationships with cinematic directors

[Busy Bantering Budha]

jamayah-karaka [sibling] -- sandesha-karaka [message] -- shisya-karaka [student]

[historical-evaluating dhanesha for Simha indriya-lagna]

[profitable-friendly labha-pati for Simha indriya-lagna]

check Shukra + Shukra-drishti to source Budha's sensual discourse, enriching information, musical instructions

DHANAYOGA Budha rules 2-11

...

[property-owning, defensive Rohiṇī-4] [navamsha Budha-Karkata] intuitively explaining details of homelife folkways customary protection

[Rohiṇī-Budha-yuti-Surya-Kṛttikā]

[Rohiṇī-Budha-yuti-Mangala-Rohiṇī]

• [Budha-Urisha] financial communications * articulation of tonal value * talks about stored goods * discusses collected assets * delivers descriptive evaluations * sends historic messages * skillfully signals the music * preservation methods * describes sound frequencies * hands-arms-shoulders send sensual gestures

• [Budha in bhava-10] communications publicity * narrative of leadership * makes official pronouncements * describes social responsibilities * conversations about policy decisions * prominent spokesperson * talks about maintaining order * explainer of governance * detailed executive announcements * delivers lawful information * chats about social authority * scripted hierarchical management methods * dignified sibling-cohort * reputation for writing

• [Budha-yuti-Surya] amusing explanations * entertaining chatter * central roles in communication * brightly clear descriptions * dramatic enunciation * confidently delivers instruction * articulation of radiant certainty * political messenger * talkative father-figures

• [Budha-yuti-Mangala] competitive communications * scripted actions * impatient conversations * potential for sexualized messaging * penetrating explanations * direct instruction * dominating dialog * signals forward action * pioneering logical movement * energetically outspoken opinions * talkative brother-figures

OUTCOMES - BANTERING BUDHA

talkatively authoritative, recognizable in media advertising, executive instructions, publicly explains orderly social process, chief organizational spokesperson, verbally commanding, skillfully describes regulation, governance by collaboration [Budha in bhava-10] rules

• 2-acquisition, family legacy, tradition, language-lexicon, preserved memory, banking, collections, entreasurement, herd-hoard, treasury containment, financial capital, accrued amounts, asset evaluation, knowledge of history, speech-song, heritage values, color-sound, arts-and-music, face-voice-eyes-teeth-mouth-hair, genetics, stored resources, health of the father

• 11-fruitful revenues, interconnected income, profits, material achievement, social networking, friendships, community linkage, fan-clubs, mass participation gatherings, collectivism, marketplace gridworks, distribution, association, populism, economic systems, fundraising, gains-and-goals, awards for work accomplished, health of the enemies

CAREER - BUSY BUDHA

kuṭumba-pati Budha occupies bhava-10

bhava-2 family, financial assests, values of sound-color, knowledge

11-social community, networks, connections, friendship, fundraising

Surya yuti Mangala yuti Budha

[10, social visibility] = combined rulers of 1 + 2 + 4 + 9 + 11

entertainment arts [Mangala-Budha-Surya] exchange with fine arts [Shukra]

rules 11-proletarian roles, hidden sources of income from undiscovered assets

Budha is an adolescent. If not properly raised by Chandra-Surya, then Budha often remains socially and emotionally immature. If addiction is added to the mentalized Budha mix, one may remain the perpetual Peter Pan.

His parents would not have been able to provide modeling of a stable, bargaining, evolving marriage due to Chandra-6 and Surya-8

• DLH 's marriage 5-of-5 happened when DLH turned 60

[Rohiṇī-Budha-yuti-Mangala] [7] demands to hold the center of the spousal attention

• the verbal attacks and paranoid accusations against his later spouses [focused mainly on their sabotage of his precious art collection] becane increasingly intense as he aged.
• The likely culprit for the accusations is Mangala-8 parivartamsha Shukra-7, engaging verbal Budha and self-righteous Surya.

Like many financially privileged men, Hopper was in a position to remarry increasingly younger women.

• Budha-8 may signify a revolving-door [8] of changing identity narratives suggesting immaturity [Budha] of delayed development and remarrying regularly to obtain "newer models" of the wifely companion.
• Budha-8 yuti yuvati-pati Mangala suggests that each newly matched wife was younger and younger in order to match his never-maturing emotional reality

As ruler of 12, Budha allows withdrawal and teenage sulking with no consequences via Vimala Yoga.

• Typical of many addicts, Hopper remained emotionally stagnant starting from the age when he became addicted.
• The stagnation ended, and his artistic flowering began, at the time of sobriety during Chandra-Shukra bhukti = Shukra lagnesha. [age 48, maturity year of Rahu-Ketu].

[Generous Growing Guru]

dhava-karaka [husband] -- bahuta-karaka [variety]

[witty-creative vidya-pati for Simha indriya-lagna]

[mysterious-revealing randhresha for Simha indriya-lagna]

check Mangala + Mangala-drishti to source Guru's expansively regenerating, wisely evolving, generously initiating philanthropies

...

[imaginative-fantasizing Jyeṣṭha-4] [navamsha Guru-Meena] intuitively expansive philosophically wide-scope humanistic optimistic imagination

[ātmakāraka expansion, philosophy, patronage, beliefs, doctrine, faith]

• [Guru-Vṛścika] much mystery * many sudden discoveries * optimistic about emergencies * believes in healing * many masks * hidden doctrine * permission to reveal * propagation of penetrating life-force rebirth * transformative guidance * expands the scope of secret undertakings * multiple initiations

• [Guru in bhava-4] many local roots * growth of homes * fertile gardens * many diploma-licenses * abundant owned-stewarded property * many vehicles * multiple protective caretakers * multiple mother-figures * much shipping-transport * tolerance for parochial perspectives * numerous deeds of title * a patron of environmental stewardship * in a wifely nativity, husbandly-companion may be a grower, building developer, schoolteacher, miner, shipper, landowner

OUTCOMES - BENEVOLENT BRIHAS-PATI

expansively patriotic, generously routinized, doctrinally ritualistic, abundantly home-based, cheerfully localized, broadly educating, philosophically property-stewarding, diversely transporting, widely established, extensively familiarizing, multiplying marine-environments [Guru in bhava-4] rules

• 5- Politics, center-stage roles, theatre, demonstration, display, charming brilliance, genius, poetry, choice-making, showmanship, gambling and gamesmanship, romantic idealism, creativity, fashion-shows, flamboyance, celebrity entitlements, confidence, artistic performance, drama, children, financial speculation, intelligence, entertainments, fun

• 8-unexpected eruptions of regenerating force, occult initiation, mystical revelation, shocking intervention, opaque empowerments, invasive surgery, intensive healing, evolution, violent explosion, sudden identity change, rejuvenation, recycling, rebirth, hidden assets, upheaval, undisclosed secrets, transformative events, discovery, in-laws of first marriage, health of younger sibling-cousin

CAREER - BENEVOLENT BRIHASPATI

8-secrecy, hidden assets, undisclosed conversations, transformative change

[Guru in bhava-4] ccupies globalizing worldview believing 9th-from-Chandra -Meena

ātmakāraka Brihaspati activates kārakāmsha Meena-8 containing Revatī-Chandra

[Guru in bhava-4]

Confident, optimistic speakers, cleverly sonorous values-based speech.

Guru transmits blessings of face, voice, speech patterns, eyes, history, languages. via expansive, permissive drishti into

• 6 contains karmesha-10
• 8 + Surya-Mangala-Budha
• 10 [promotes career]

Multitudinous visual values, and remarriages [2]

Capitalization, Voice-Face, storytelling, genetics, collections

most of DLH 's capital assets came from the valuation of his large pop-art collection. He knew many of the top collectors in this genre, and just by talking with them [2] he could inflate the value of various pieces.

[Sweetly Suave Shukra]

svadu-karaka [sweet] -- kalatra-karaka [wifely companion]

[busy-collaborative sahaja-pati for Simha indriya-lagna]

[dutiful-executive karmesha for Simha indriya-lagna]

check Kuja + Kuja-drishti to source Shukra's competitive bargaining, innovative diplomacy, kinetic attractions

...

[contractual-bargaining Bharani-3] [navamsha Shukra-Tula]

[Kuja-10 parivartamsha Shukra-9]

• [Shukra-Mesha] appreciation of direct movement * primal relationships * likes innovation * aesthetic of physicality * attracted to champions * pleasures of conquest * kinetic sensuality * prefers a lithely sporting partner * sweetly competitive * aristocratic agreements

• [Shukra-9] seeks pleasure via philosophical doctrine * enjoys wide worldview * believes in beauty * feminine-figures preach-teach on higher principles * broad scope of negotiations * expansive musical taste * pleasing designs to adorn the pelvic floor * graceful hips * balanced femoral sockets * sweet sacral plexus * appreciation of theory * father may be financier-broker-arbitrator-artist * in a husbandly nativity, wifely-companion may hold a guidance position

OUTCOMES - SWEETENING SHUKRA

sensually philosophical, appreciative of higher understanding, harmoniously patronizing, aesthetically wisdom-guiding, financially optimistic, musical-artistic father-figure, global scope of relationships [Shukra-9] rules

• 3-communications, messaging, sermons, scripts, radio-television, media-products, Writing and Publishing, letters of correspondence, announcements, planning, schedules, sales, marketing, documentation, reporting, cohort, entourage, committee-work, iterative stepwise process, manufacturing, commercial business, instruction, explanation, discussion, diagrams, labeling, event management, signage, training, itinerary, tours

• 10-career, profession, dignity, regulatory roles, governance duties, social authority, symbolic recognition, iconic visibility, leadership responsibility. top status, reputation, commanding positions, honor, high regard, public respect, executive power, elite rank, lawful imposition, organizational director

CAREER - BRIGHT BHRIGUTANAYA

2nd-from-Chandra = things put in the mouth = food, drink, medicines

Shukra rules cinema, publicity = 3rd-from-Chandra = Urisha-10

[3] symbolic counter-culture hero [10], cinema industry director-producer

rules bhava-7 marriage contract, arrangements contains

rules bhava-12 privacy, imagination, seclusion, enclosure

++ + [Kuja-7 parivartamsha Shukra-6]

despite and numerous domestic violence convictions, dH was consistently able to settle out of court.

significant alcohol and drug-related misbehavior along with domestic violence behaviors, yet never convicted of crimes, never imprisoned.

The charges were often serious, but his sincere willingness [and funding available] to undertake corrective therapy seemed to convince most judges that imprisonment was not necessary. [Budha-8 rules 12 = Vimala Yoga protection from consequences]

COMPLEX MARRIAGE PATTERNS

Shukra-7 parivartamsha with Mangala-8 involves Budha + Surya.

It is Shukra's incompatibility with Surya which marks the self-other drama.

• powerful cycle of self-identity transformation via entering then destroying five marriage contracts

Bhava-7 occupies 6th-from-Rahu = 12th-from Ketu

Hopper was famously married five times. His marital life was characterized by a series of impulsive, criticizing, accusing divorces.

[Budha-yuti-Surya + [Budha-yuti-Mangala] in parivartamsha with Shukra shows

• the over-mentalization of adolescent, argumentative Budha-8,
• the impulsive physical actions of Mangala-8,
• and the self-righteous certainty of narcissistic Surya-8

all combustibly over-stimulating the normally peaceable and agreeable Shukra-7.

PARANOIA from Surya

Surya-10 also rules 6th-from-Chandra. Simha-11 = income, revenue, marketplace viability

After a period of delirious infatuation with the new wife [from Latin fatus, meaning fool] DLH seemed to perceive each of his five spouses as a predatory thief in wifely disguise.

uncorrectably vindictive toward each of his five wives

• even knowing that he was suffering an untreatable stage of terminal cancer and would soon be dead , dH filed for divorce from his fifth wife and the mother of his youngest child during the final months of his life.

Awareness of his impending death did not reduce the virulence of his animosity toward the spouse nor the verbosity [Budha] and aggressiveness [Mangala] of his self-elevating accusations of abuse [6th from Rahu] toward her.

After his death, dH three adult children and wife-5 the mother of a 4th minor daughter, all engaged in a protracted legal battle over DLH estate. Bhava-8 inheritance.

[Sober Structural Shani]

duro-karaka [endurance] -- jara-karaka [Jahre, years]

- [dik-bala]

[Śaśaka Yoga]

[inimical-medicating rogesha for Simha indriya-lagna]

[balancing-bargaining yuvati-pati for Simha indriya-lagna]

[conflicted, using legal means to achieve unfair results, mature, unyielding, systematic, economic, scientific, orderly lifepartner]

...

[mercantile-publishing Pūrvābhādra-3] [navamsha Shani-Mithuna] intuitively structured regulatory class-conscious communications

• [Shani-Kumbha] heavy old economic systems * obliged to conform to marketplace rules * responsible scientific work * structural compression upon skin-nerves-ankles * mandatory electro-magnetic networking * regulated revenues * lawfully distributed earnings * must materialize past-to-future gridwork * must sustain lowest-common-denominator connections * proletarian communities * conventional friendships * elderly mentors * Slowly achieves social-material goals * scarce conductive resources * maintainer of old economies

• [Shani in Bhava-7] [beneficial placement] enduring partnerships * heavy vows * must balance-and-rebalance * lawful relationships * tense bargaining * grim determination to maintain the contract * chronic marital responsibilities * compression of the visible genitalia * pressured bargaining * negotiation fatigue * unyielding alliances * slow-moving advisors * resists new arrangements * elders maintain respected old promises

OUTCOMES - STRUCTURAL SHANI

formally promising, agreement-maintaining, rigidly contractual, alliance constricting, relationship regulating, orthodox marrying, conventionally matched, equitably responsible, systematically bargaining, trust-imposing, lawfully pledging, seriously oath-taking [Shani in Bhava-7] rules

• 6-ministries of service, dehumanization, misconduct, war, jail, slavery, pollution, argumentation, healthcare workers, ailment, injury, medical treatment, hypocrisy, crime, cheating, animosity, toxins, complaints, accusation, litigation, blaming, scapegoat, aid workers, helpers. imbalanced conditions, injustice, betrayed promises, servants, laborers, hostility, animosity, disagreement, dehumanization

• 7-covenant, promise, trust, contractual relationships, contracts, advocacy, legal judgments, lawcourts, appeals, representation, equity, diplomacy, partners, justice, marriage, legal and formal partnerships, negotiation, alliance-crafting, match-making, fair arrangements, even deals, advocacy, trading, bargaining, brokerage, haggling, go-between, middleman, meddler

CAREER - SOBER SHANI

6-disagreement, conflict, toxicity, unfair conditions, labor contains

adversarial behaviors, addiction-recovery narrative, five accusational divorces, lawsuits against previous partnerships

Professional drama may be approached with discipline [DLH attended the demanding Actor's Studio school for five years]. Yet the draining impact of Shani in 12th-from-Chandra suggests that a lifelong dramatist career would have been unsustainable.

INCOME

[Shani-Kumbha] rules-and-occupies 11th-from-Chandra

In the long run, shani provides a modest but consisten economic, revenue-streaming income from contractual agreements [7]

Although he had only a few triumphant cinema roles, those few [Shani few] were iconic.

DLH enjoyed royalties [5] from licensing the rights [5] to merchandise and replays of his two most celebrated performances.

CREATIVE OPPRESSION

[Shani in Bhava-5] strictly regulates any expressions of creative genius. He may impose such heavy restrictions that a normally brilliant environment such as theatre, romance, game-playing, or glittering celebrity may be perceived as punitive or constricted. Shani would normally block creative expression in drama, and cause one to seek freedom in other venues.

CELEBRITY ACTOR LEAVES ACTING

By his early 40's and the onset of karmesha Chandra Mahadasha, DLH had shifted away from [12] the dramatist-producer-director roles of the cinema industry, and into a more permissive career as an art collector [Guru-2] fine-arts painter [Rahu-3] and photographer [Rahu-3].

CHILDREN

Shani accepts romance less as a joy and more as a duty. [Shani in Bhava-5] inevitably generates heavy responsibility for children.

The first child is often disciplined and structured in personality.

• His eldest child, adaughter, became a recognized fashion designer [5].

[Risk-rewarding Rāhu]

rajyalobha-karaka [ambition] -- picchala-karaka [slippery]

[for Simha indriya-lagna]

[Rahu-5 casts passionately dramatic speculative drishti into 9-11-1]

check Guru + Guru-drishti to source Rahu's apparently generous, mirage of philosophical conviction

[compelling desire to demonstrate acts of inspired preaching]

[enthusiastic display of principled understanding]

[craving for exhilarating doctrinal politics]

[glamourized celebration of theological-ideological worldview]

[potential for fraudulently or fabulously exaggerated wisdom, in matters of politics, drama, celebrity, romance, creative performance, game-playing and gambling, financial speculation, and children]

[over-reaching humanistic generosity in uniquely attention-getting artistic performance]

[excitingly, astoundingly faith-centered, philosophical drama]

[may involve globalist believers showcase roles for extraordinary children]

......

[defensive-ritualized Mūla-4] [navamsha Rahu-Karkata]

• [Rahu-Dhanus] shimmering illusion of wisdom * craving for philosophical principle * mirage of generous patronage * extraordinary theory * extravagant preaching * unorthodox approach to higher truth * mask of global humanism* fascinating doctrine * over-reaching catechisms * fabulous proselytism * seeks special importance via apparent [but perhaps not authentic] attributes of philosophical belief * seeks privilege via guru-roles

• [Rahu in bhava-5] passion for prestige political display * hungry for celebrity * fascinating romance * extraordinary games * in svabhava of Splendid Surya, the Shadowy Specter seeks exceptional children * outsider who cleverly insinuates into center-stage creative roles * culturally mixed entertainment * amplified poetic idealism - enchanted by one's own charisma * flamboyant fashion * unusual autobiography * craves admiring attention * intriguing displays of creative genius * seeks important roles in performance art * unconventional literary expression * desires royal entitlement * mesmerizing pageantry * entrancing dramatic splendor * opportunistic lovers * ambitious games-players * may wear the persona

  [mask] of a thespian * pretentious intellectuality * thrilling demonstrations in the eye of the camera * boundary-breaching politics

OUTCOMES - RISK-REWARDING RAHU

Rahu-2 speech, knowledge, traditions, collections, values, face

= family capital + face-voice + values- knowledge

CAREER - Rahu-Mūla-5 [entertainment] occupies 10th-from-Chandra

Easy Rider 1936-2010 art-collections Dennis Lee Hopper was a notorious Hollywood actor and director, but he was also a fine-arts painter who produced galleries full of artistic work.

Despite five years study at the prestigious New York City Actors Studio [under the legendary Lee Strassburg] most of DLH cinema work was undistinguished.

Nevertheless, asmall handful of celebrated rebel-roles transformed [8] Dennis Hopper into a counterculture icon.

• Due to the convulsive social-change happening during the revolutionary, anti-establishment, anti-war-machine 1960's, dH's celluloid visage was propelled into national fame.

Regardless of the volatility created by drug addiction and persistent marriage squabbles, dH was rarely out of work [10th-from-Chandra]

When Hopper outgrew dramatic acting, expansive Guru-ruled Rahu ambitiously reached for opportunities to grow into roles as director and producer.

• DLH remained well-known within the cinema industry [3] while developing a significant career as a fine-arts photographer.

His capitalization grew mainly from Guru-2 art collections

• Rahu in 2nd-from-2nd allowed DLH to take capital from his assessed collections and invest it into production [3] of new photographs and organized gallery shows.

Hopper seemed obsessed [Rahu] with his treasury [2nd-from-2].

• He designed complex legal contracts [Shukra] that would prevent his wives whether ex- or present from getting an unfair share of his loot.

Mula bhava-3 cinema

Rahu-Mūla is prone to the thrill of all-or-nothing risk

Rahu-Dhanus is noted for cultural mixing doctrines, ideologies, and beliefs [Dhanus].

• Communications media, scripted dialog, cinema, radio = typically the most ambitious career pathway.

LEARNING PATHWAY =

Rahu-Mūla = Rebel Without a Cause

Usually Rahu-3-Mūla is a photographer, writer, publisher, announcer, or businessperson who experiences a Learning Pathway that features a Rahu-esque dramatic cycle of rise-and-fall within a taboo-challenging media-based career.

When Rahu-3-Mūla

[annihilating risk] occupies 10th-from-Chandra, undoubtedly the media-messaging career would be exciting and high-profile.

Career = Iconic Rebel

Fascinating Rahu-challenge to rigid social practices in narrative transmission [3] He played the Rebel.

• Rahu in Mula in the emotionally dignified , social-ordering, leadership-seeking; 10th-from-Chandra indicates a salient career in matters of Mula = rebel without a cause

6th-from-Rahu + 12th-from-Ketu

karmic hot-spot learning challenge = randhrasthana

bhava-8 contains yuvati-pati Mangala + [Surya-yuti-Budha]

Rahu amplifies His ruler Guru-2-Vṛścika. A confident and brilliant media personality, dH nevertheless dealt with the draining, debilititating effect of Rahu's ruler Guru in 12th-from-Rahu

Fear of loss of valuable collections such as his paintings and financial assets.

Mula themes of annihilation seemed to be driven by a subconscious expectation [12th ] of being catastrophically drained by invisible forces.

Rahu-Mūla drishti into Shukra-7

Hopper famously married, and acrimoniously divorced, five times.

He struggled publically with recurring narrative [Budha] of unseen, incalculable losses. Court documents tended to wildly overestimate the value of his paintings. Toward the end of his life, as his wealth grew, so did his chronic and gnawing paranoia

[Mūla-Rahu-3 mentality].

Chandra-6 is often comfortable in the world of endless lawsuits DLH hired lawyers and filed criminal complaints [6] against invisible predatory thieves until the day of his death.

Naturally, if challenging graha should occupy or own the bhava which is 6th-from-Rahu + 12th-from-Ketu, the results can be exaggerated.

Particularly inner graha

[Surya-Mangala-Budha] are afflicted when they occupy the adversarial 6th-from-Rahu + 12th-from-Ketu.

[Collapsing unshackling Ketu]

kavandha-karaka [headless] -- chidra-karaka [gaping] -- vasana-karaka [vacuum]

[for Simha indriya-lagna]

check Budha + Budha-drishti to source Ketu's spacey sentences, vague instructions, disinterested discourse

[dispersed engagement with commercial earnings]

[dissolution of business profits]

[restless apathy toward marketplace transactions]

[surrenders management revenues]

[apatheticly forgives the talktive trespass of sibling-cousins]

[abandons unsustainable conversational friendships]

[absent from empty chattering connections]

[disregards detailed community gatherings]

[eccentricly articulated achievements]

[passively fixated on ambitiously opportunistic inspirational-dogmatic Rahu-Dhanus-5 children, celebrities, idealists, creative artists, politicians, speculators]

...

[regulatory-hierarchical Arudha-2] [navamsha Ketu-Makara]

• [Ketu-Mithuna] dissociates from conversation * incomplete messages * explains the ineffable * empty instructions * absent from discussion * martyr to commerce * wandering mentality * fragmented signals * not limited by conventional talk * dialog of liberation * ignores normal business * forgives the sibling-cohort * incoherent scripts * releases a plant-green cloud of explanatory gestures into the misty abyss

• [Ketu in classroom-11] eccentric friends * no limits on profitability * dissolves barriers in community * peculiar social network * vacuous associations * irrelevance of material achievements * intangible goals * ambivalence toward economics * disappearing elder siblings * disregards social awards * ignores marketplace norms * abandons large group systems * unless other graha occupy 11, may prefer to live free from socializing = off-the-grid.

OUTCOMES - EVACUATING KETU

Marriage-4-of-5

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