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Drama and Song

Fine Arts

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COHORT

Born seven months after

Born six months after

born 6 months before

born 11 mos before

potential parallel incarnation of

Five marriages, five divorces

notable substance addiction until absolute sobriety vow

mental-health challenges

 DennisHopper_EasyRider_1969.jpg

Dennis Hopper in 1969, playing the iconic sneering "Easy Rider" role

Hollywood dramatist - cinema director

fine-arts painter

art collector - photographer

Counterculture Icon

Dennis Lee Hopper

Earth-birth = Sunday-17-May-1936

bio-decease = 29-May-2010 [age 74]

HopperDennis_16h32m_d1d9d10.png

dramatist - cinematic director

5-decade volatile career in TV and film

fine-arts photographer + painter + sculptor

Hollywood hero + Hollywood pariah

1936-2010

Dennis Lee Hopper

birth data from en.wikipedia.org/wiki/Dennis_Hopper

tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = generated by Shri Jyoti Star - www.vedicsoftware.com

- adapted by BP Lama

Rising Nakshatra

Masculine Public-Figure Examples

Chitra - Spica

Citthirai - Visvakarma - Azinech - Alaraph - Arista - Dana

BPL COMMENTARY

For Chitra - Tvastri births of a masculine valence, the condition of kinesthetic, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome.

For those born into the Mangala-ruled paradigm of Visvakarma, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, builders, drivers, drillers, diggers, exploders, aggressors, pursuers, competitions and battles may be especially influential.

Guided by instructors from civilizations of Spica. their purpose is architectural engineering and crafting of beautiful, functional, and artistic alliances, arrangements, and designs.

Designs + Arrangements

[Competitive Champion Kuja]-ruled Chaitra fellows have a knack for competition. Goal-oriented and kinetic in building, patterning Tvastri, they strive for dominant power in engineering, artisan mechanics, architecture, and applied design arts such as skilled handcraft. As authors, chaitrika often illustrate their works with fine drawings. Tvastri-born have a natural affinity for tools, engines, driving, building.

Kanya pada 1-2 express Kuja's rulership of 3-writing + 8-mystical transformations, while also displaying the frustrating tension of chatty Budha versus active Kuja. Literary Budha plays a stronger role for pada 1-2, producing scholars and writers who argue about architectonics, engineering design, color values, and mechanics. Pada 1-2 = also skilled in handcraft and may be professors-cum-tradesmen, fine-arts painters, model-builders, or manually gifted musicians.

[Tula - Vanika] pada 3-4 express Kuja's rulership of 2-collections, assets + 7-contractual equity. Shukra's bargaining behavior and financial skills play a stronger role for pada 3-4, who enjoy the mutual attractions of Shukra-Mangala. In music, arts, and engineering, they pursue harmonious arrangements. They often play stringed instruments, and write beautiful songs. Chaitrika pada 3-4 can be found in the design world, in financial negotiations, and in dynamic meditator roles.

Themes of productive touch including artistic design, musical instruments, mechanical engineering, and crafting of dynamic arrangements contextualize Vismakarma's terrestrial experience. Incoming drishti from Kuja can mobilize their progressive, pioneering actions. Also applies to Chandra in Chitra - Spica.

QUOTATION Tvastri

from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra. p 84

" Chitra natives are quiet, thoughtful, and profound.

Very slow in movement and of great dignity in bearing and manner.

  • they like to read books on serious and philosophical subjects.

they make good students in their youth.

they are also extremely clever with their hands,

  • which are strong, supple, and dexterous.

they like to do things or fashion things with their hands

  • and could be sculptors or artists or surgeons."

[end quote, Shil Pondey, 1939]

HopperDennis_Cannes_2008.jpg

Dennis Hopper at Cannes film festival, 2008-CE

en.wikipedia.org/wiki/Dennis_Hopper#/media/File:Dennis_Hopper_Cannes_2008.jpg

HopperDennis_196x.jpg

Dennis Hopper in character for 1960's rural American role

Biographical events matched to the Vimshottari Dasha

Budha Mahadasha [age birth until age 8.7]

Sun-17-May-1936 = Earth-birth in Dodge City, Kansas, USA * Budha-Chandra bhukti ++ dvadasa Sade-Sati

Feb-1937 until Apr-1939 Janma Sade-Sati Meena

  • [7, contracts, relationships, promises, fair deals, bargaining, middleman, brokerage, parity, agreement]
  • [age 1-4]

Feb-1944 until Dec-1945 [DLH age 7-8] At the peak of WW-2 in the Pacific, DLH father enlists into the Office of Strategic Services. Dad is said to have operated under cover of a medical dispensary in Kai Huan, China. Without explanation, DLH is sent to his isolated farmer grandparents. * Budha-Shani chidradasha * Shani rogesha

Ketu Mahadasha [age 8.7 until age 15.7]

1950 [DLH age 13] DLH, his parents, and his two younger brothers moved out of flat Midwest into balmy San Diego, California. High-school socializing, emphasized Drama * Ketu-Shani bhukti * Shani rules 11th-from-Chandra, friendships + Shani rules 5-theatre

[Shukra Mahadasha] = [age 15.7 until age 35.7]

1954 [DLH age 18] career begins with first television role , followed by recognized cinema roles * Shukra-Shukra svabhukti + [Kuja-9 parivartamsha Shukra-8] * Shukra rules 9-celebrity, drama, entertainment

Aug-1961 [DLH age 25] consecration of wedding-1-of-5 with cinema actress Brooke Hayward * Shukra-Rahu bhukti ++ samchara Rahu-Ketu via Simha-Kumbha contact Simha svamsha

26-Jun-1962 [DLH age 26] celebrated the birth of child-1 daughter, Marin Hopper * Shukra-Guru bhukti

Apr-1966 until Jun-1968 Janma Sade-Sati Meena

  • [7, contracts, relationships, promises, fair deals, bargaining, middleman, brokerage, parity, agreement]
  • [age 30-33]

  • overlaps Shukra-Guru bhukti +Shukra-Shani bhukti

1968 [DLH age 30] rejecting Hollywood rules and lacking support Sade-Sati, DLH slowly begins camera work on the low-budget Indy film, Easy Rider. This bare-bones youth-themed production will eventually mark DLH as a national youth-outlaw icon. * Shukra-Budha bhukti * Budha lagnesha-karmesha ++ janma Sade-Sati via-7 + Budha = youth, handcraft, camera-skills

1969 [DLH age 31] following a downward spiral of domestic violence including a broken nose for Brooke, divorce-1 - on grounds of extreme cruelty - legally concludes alliance-1 with actress, Brooke Hayward * Shukra-Budha bhukti + [Kṛttikā-Surya-yuti-Budha-Rohiṇī] = Surya rules 6th-from-Chandra ++ dvithya Sade-Sati

1970 [DLH age 33] co-writer + director + actor in the counterculture classic film Easy Rider. DLH portrayed a macho, oppositional-defiant motorcycle personality. To many, this emblematic cinema figure seemed to perfectly represent the generational 1960's anti-establishment narrative * Shukra-Budha bhukti * Budha lagnesha-karmesha = scripts, cinema ++ dvithya Sade-Sati

31-Oct-1970 [DLH age 36] consecration of wedding-2-of-5 with the celebrated pop-singer, Michelle Phillips * Shukra-Budha bhukti + [Kṛttikā- Surya-yuti-Budha-Rohiṇī] = Surya rules Simha svamsha * samchara Rahu-Ketu via Simha-Kumbha contact Simha svamsha

08-Nov-1970 [DLH age 36] following eight days of marriage, divorce-2 - granted on basis of dangerous domestic violence - legally concludes alliance-2 with singer, Michelle Phillips * Shukra-Budha bhukti * [Rohiṇī-Budha-yuti-Surya-Kṛttikā] * Surya rules 6th-from-Chandra = emotional toxicity

[Surya Mahadasha] = [age 35.7 until age 41.7]

May-1972 [DLH age 38] marriage 3-of-5 with actress [later, expressive arts therapist] Daria Halprin, until-1976 * Surya-Surya svabhukti * Surya rules Simha svamsha * samchara Rahu-Ketu via Simha-Kumbha contact Simha svamsha

1976 [DLH age 42] following three years of marriage + two children born into the union , divorce-3 concludes marriage 3-of-5 * Surya-Ketu bhukti

[Chandra Mahadasha] = [age 41.7 until age 51.7]

1979 [DLH age 45] following a string of critical failures, DLH wins acclaim for cinematic portrayal of photojournalist in Apocalypse Now * Chandra-Rahu bhukti

07-Aug-1982 [DLH age 46] grieved bio-decease of father * Chandra-Shani bhukti

1983 [DLH age 47] traumatized by his father's death, highly publicized, intoxicated rage-wander in the Mexican desert * Chandra-Shani bhukti * Shani rogesha

1983 [DLH age 47] DLH enters drug-misuse rehabilitation for the first time * Chandra-Shani bhukti * Shani rogesha = medical treatment

[Mangala Mahadasha] = [age 51.7 until age 58.7]

17-Jun-1989 [DLH age 53] consecration of marriage 4-of-5 with actress + ballet-dancer + choreographer, Katherine LaNasa * Mangala-Rahu bhukti ++ samchara Rahu-Ketu via Simha-Kumbha contact Simha svamsha

1989 [DLH age 53] avowed beginning of lifetime sobriety [no alcohol, no drugs] * Mangala-Guru bhukti * Guru rules 7 = vows, promises, covenant ++ samchara Rahu-Ketu via Kumbha-Simha contact Simha svamsha

Apr-1992 [DLH age 56] divorce-4 legally concludes marriage 4-of-5 with dramatist dancer, Katherine LaNasa * Mangala-Budha bhukti * [Rohiṇī-Budha-yuti-Surya-Kṛttikā] * Surya rules 6th-from-Chandra = emotional distress

[Rahu Mahadasha] = [age 58.7 until decease age 74 ]

Jun-1995 until Apr-1998 Janma Sade-Sati Meena

  • [7, contracts, relationships, promises, fair deals, bargaining, middleman, brokerage, parity, agreement]
  • [age 59-62]

13-Apr-1996 [DLH age 60] [VD age 28] consecration of wedding 5-of-5 with actress Victoria Duffy, 32 years his junior * Rahu-Rahu svabhukti * ++ samchara Rahu-Ketu via Kanya-Meena contact Chandra-Meena ++ janma Sade-Sati

12-Jan-2007 [DLH age 71] [mom age 89] grieved the bio-decease of mother to whom he was said to have been very close [7] * Rahu-Shukra bhukti * + [Kuja-9 parivartamsha Shukra-8] * Kuja rules 2nd-from-matrikaraka Chandra

2008 [DLH age 74] accompanied by vicious and paranoid accusations on both sides, begin proceedings for divorce 5-of-5 * Rahu-Shukra bhukti + [Kuja-9 parivartamsha Shukra-8] Kuja rules 8-upheaval

29-May-2010 [DLH age 74] blessed liberation from the Earthen-body, via liver failure, combined with prostate cancer. According to his formal Will, DLH 40-M-USD estate was divided - after legal battles - among his designated heirs.* Rahu-Surya bhukti * + [Kṛttikā- Surya-yuti-Kuja -Rohiṇī] + [Kuja-9 parivartamsha Shukra-8] = maraka Shukra rules-2
Salient features of the nativity

[Sparkling Splendid Surya]

pitri-karaka [father] -- jyoti-karaka [light]

[retreating-contemplative vyaya-pati for Kanya indriya-lagna]

[karako bhavo nashto for father, patrons, chieftains, indoctrinators]

  • check Shukra + Shukra-drishti to source Surya's sensual radiance, sweet charisma, financial entitlements

[righteously radiates privately held heritage beliefs]

[enriched patrons develop the imaginative conceptual intelligence]

[may luxuriously dramatize the dreamlike inner understanding]

[musical-artistic certainty may be drained by shrouded romance]

[uniquely sensuous patriarchal guides emit clandestine rays]

[financial politics of unseen entitlements or foreign banking]

[may travel to distant lands for speaking-singing performance]

[has faith in the value of traditional symbolic sound-color tones]

[confidently displays the father's subtle knowledge of language meanings]

[father-figure may be acquisitive politician, pleasure-seeking entertainer, vocalizing doctrinal guide, storytelling preacher, professor of historical theory]

...

[populist-profitable Kṛttikā-3] = [navamsha Surya-Kumbha] intuitively confident community-commons economic distribution systems . Usually some sort of popular hero.

+ [Kṛttikā-Surya-yuti-Kuja-Rohiṇī]

+ [Kṛttikā-Surya-yuti-Budha-Rohiṇī]

  • [Surya-Urisha] [Ravaye - the noisy one, the roaring one. Ravi = firebird; Rava = howl, yell, or squawk] * brightly charismatic confidence of Center-stage Surya radiates through the acquisitive sensual rashi of Shukra

  • [Surya in bhava-9] icon of inspirational teachings * intelligent patronage * geo-politics * bright preaching * focus on beliefs * philosophical entitlements * self-righteous dad * Sanctimonious pontificator * eye on humanistic worldview * confident ideologue * sparkling star of principled global indoctrination * father may be a politician, entertainer, philosopher, preacher, professor of theory

  • [Surya-yuti-Budha] confidently conversational * brightly explaining messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * gestures conduct the spiritual rays of the Sun * radiantly descriptive * articulate in drama * skillful game-player * self-confident announcements * talks about ideals * narrative of power-politics * recites love poems * describes divine romance

  • [Surya-yuti-Kuja] confidently progressive = bright warrior = moves in alignment with the spiritual rays of the Sun = creatively intelligent brother-figures = self-reflexive political pursuits = champion of brilliant ideals = competitive father-figure = entitled to conquer = focused on winning = radiantly pioneering

OUTCOMES - MAGNIFICENT MARTANDA

self-reflexively sermonizing, brightly philosophical, charmingly self-righteous, regal style of pontificating, doctrinally focused, radiantly patriarchal, politically ideological, splendidly patronizing, center-stage religious guide [Surya in bhava-9] rules

  • 12 enclosures, the bed, fantasies, privacy, interior spiritual guidance, clandestine undertakings, intuitive awareness, non-linear conceptual undertanding, concealment, seclusion, invisibility, dissolved identity, meditation, contemplation, dreamworlds, astral plane, imaginary scenarios, sanctuary sleep, distant lands, distress of the avowed partner

CAREER - SPARKLING SURYA

Surya yuti Mangala yuti Budha

= combined rulers of 1 + 3 + 8 + 10 + 12

+ + [Kuja-9 parivartamsha Shukra-6]

entertainment arts [Mangala-Budha-Surya] exchange with fine arts [Shukra]

confident Surya intakes expansive drishti from Guru-3

  • Accomplished fine-arts painter and gallery photographer. Financially capitalized.

FATHER

James Millard Hopper [1916-1982] [Purportedly a local postmaster in San Diego

[Surya-9, father holds guidance position]. Dad's earlier career was with the American OSS [pre-CIA] in SE-Asia.

During DLH's teenage years, his Father was officially the town postmaster. However, dad's earlier career had been with a government intelligence agency of the WW-2 era, Consideering the impact of randhresha-Kuja, it is indeed feasible that dad was a former spy. Some claimed that that dad = FBI agent.

[Comfortable Caretaking Chandra]

matrikaraka [mother] -- garha-karaka [village]

[friendly-gainful vriddhi-pati for Parthya indriya-lagna]

  • check Guru + Guru-drishti to source Chandra's optimistic feelings, humanistic rhythms, global-outreach sensibilities'

[intangible sensitivity to equity in the collective dreamworlds]

[comforted by relationship with contemplative goal-oriented mother]

[soothed by friendly partnership in intuitively wholistic arrangments]

[culturally attuned to symbolic imagery]

[needs to feel balanced pulse of ritualized interior guidance]

[advocating protector of visionary ancestral agreements]

[environmentalist feelings attuned to cetacean sounds and misty water-element deva]

[conceptually understanding mother may be sleepy advisor, vague meddler, reflective broker, foggy mediator, clairsentient match-maker]

...

[ordering-hierarchical Revatī-2] = [navamsha Chandra-Makara-Draco] intuitively sensitive class-conscious ranked status lawfully ordered feelings

  • [Chandra-Meena] comforted by ancestral guidance * settled into rhythmic intuition * needs contemplative sanctuary

  • [Chandra in Revatī - Pashu] soothed by wayfaring rhythms * protector of poetic interpretation * needs to feel wisely dreamlike

  • [Chandra in classroom-7] comfortable with arrangements * familiar with sensitive arbitration * needs ancestral harmony * soothed by match-making * feels the pulse of trading exchange * allied to the advisor-mother * accustomed to ritual adjudication * habitual negotiator * calmed by customary counseling * needs cycles of rhythmic emotional rebalancing * seeks contractual equity * sheltered by a parenting partner * nourished by undulating agreements * brokering mother may be an intuitive go-between, diplomat, attorney, mediator, meddler

OUTCOMES - ANCESTRAL SOMA

sensitively adjusting, protectively harmonious, routinely bargaining, parentally equalizing, rhythmically arranging, customary middleman, predictably meddling, culturally agreeable, emotionally adjudicating, needs to hold mediating positions [Chandra in classroom-7] rules

  • 11-fruitful revenues, interconnected income, profits, material achievement, social networking, friendships, community linkage, fan-clubs, mass participation gatherings, collectivism, marketplace gridworks, distribution, association, populism, economic systems, fundraising, gains-and-goals, awards for work accomplished, health of the enemies

CAREER - CARETAKING CHANDRA

  • [folk-reputation 10th-from-Chandra = land-ownership, patriotism, ethnicity, familiar rhythms, cultural foundations, defense of a way-of-life in the inspirational optimistic dogmatic style of Dhanus-4]

10th-from-Chandra contains [Mula= Rahu in bhava-4]

Contractual Soma-7 rules 11-social community, networks, connections, friendship, fundraising. DLH was well-connected socially, attending glamorous parties. Despite his intimate-partnership saga, he developed substantial revenues and was able to link with investors [11]

ADDICTION and RECOVERY

Simha-12 = 6th-from-Chandra

DLH reputed for five marriages but also for other behavioral conflict patterns, such as divorces, addictions, and adversarial oppositional-defiant relationships with cinematic directors [Simha] when his creative vision [12] conflicted with theirs

  • accounts for DLH's churning relationship life, including five marriages-and-divorces.

Emotionally Chandra-7 intakes permission, expansive, optimistic drishti from I-know-better-than-you [Jyeṣṭha-Guru-Vṛścika]

  • DLH broad range of self-medicating behavioral addictions and substance addictions grew -and-grew, until age-48
  • During Chandra-Surya chidra-dasha , DLH entered an irreversible sobriety which he maintained until decease. Shukra lagnesha.

MENTAL HEALTH

a consistent narrative throughout DLH's 5 marriages and 5 divorces was serial accusation of secret [8] crimes. With some variations, the same complaint of intent to perpetrate hidden wrongs [8] was lodged against each wife, in sequence. [DLH suffered from clinical paranoia.]

MOTHER

Marjorie Mae Davis Hopper [1917-2007].

Mom = drama teacher [Budha-ruled Chandra in Revatī - Pashu]

MARRIAGE partnership emotional equity support expectations

five marriages + 5 divorces. All five of of DLH's wives outlived him.

[7th-from-Chandra-7]

= Lifepartnership 1-of-5

actress Brooke Hayward, well-connected Hollywood dramatist and divorced mother of two young sons. Due to Brooke's famous mother, she enjoyed many industry friends. Her career was ascending, while DLH's was descending.

Three total children into a young marriage.

seven-year marriage, one shared daughter [daughter became a fashion designer]

Spouse = dedicated to the Learner's identity[1]

  • 1 = Learner's bodily appearance, identity, vitality, energy, self-invention
  • Kanya service, unbalanced arrangements, argument, complaint, toxicity [pollution is sourced from the Learner]

8th-from [7th-from-Chandra-7]= 2nd-from-Chandra

= Lifepartnership 2-of-5

celebrated pop-music singer, Michelle Philips

marriage duration = 8 days

  • 8 contains [Bharani Shukra-Mesha] singer
  • complex and contradictory [Kuja-9 parivartamsha Shukra-8] = pattern of impulsive, career-draining agreements
  • Mesha physicality, innovation, fleshly force, championship

3rd-from- [7th-from-Chandra-7]

= Lifepartnership 3-of-5

three-year union, two children

cinema actress-dancer + expressive arts therapist - Daria Halprin

  • 3 - technique, craft, business, cinema, handcraft
  • Vrischika-3 contains ātmakāraka ruler of 4 + 7 [Guru-Vṛścika-Jyeṣṭha ]
  • fertile Guru drishti into Guru-ruled Chandra-7

10th-from- [7th-from-Chandra-7]

= Lifepartnership 4-of-5

actress, ballet-dancer, choreographer = Katherine LaNasa

three-year union, child

  • 10 - public reputation, social visibility, dignity, responsibility, leadership
  • contains ephemeral [Ketu-Mithuna]
  • Mithuna dialog, discourse, planning, choreographic notation, scripts
  • clever Budha karmesha in 12th-from-10, tends to drain-out the energetic thrust of 10

5th-from [7th-from-Chandra-7]

= Lifepartnership 5-of-5

actress Victoria Duffy, 32-yrs DLH junior

14-yr union, one child

  • 5- children, creativity, romance, gamesmanship, artistic performance
  • Makara structure, age, establishment, roots, resistance to movement

Ruler of 5 = Shani-6

  • widely reported worsening of DLH decades-long mental-health struggles [6, imbalance] including paranoid ideation that wife was stealing [6] his art collection

[Competitive Champion Kuja]

bhratru-karaka [brother] -- virya-karaka [virility]

[karako bhavo nashto for father, patrons, chieftains, indoctrinators]

[busy-messaging sahaja-pati for Kanya indriya-lagna]

[mysterious-revealing randhresha for Kanya indriya-lagna]

  • check Shukra + Shukra-drishti to source Kuja's actively diplomatic, dynamicly acquisitive, competitively evaluating

[energized ideologically directed wealth acquisition]

[values-driven dominant celebrity]

[forceful conquest of stored assets]

[vigorously active enriching business management sahaja-pati]

[forward-pushing promotion of heritage beliefs]

[may aggressively pursue hidden randhresha resources]

[financial father may be aesthetic patron, storytelling patriarch, pushy believing banker, indoctrinating music promoter, pro-active preaching historian]

...

[competitive-challenging Rohiṇī-1] = [navamsha Mangala-Mesha] intuitively competitive forward-pushing physicalized champion pioneer

+ [Rohiṇī-Kuja-yuti-Budha-Rohiṇī]

+ [Rohiṇī-Kuja-yuti-Surya-Kṛttikā]

+ + [Kuja-9 parivartamsha Shukra-6]

  • [Mangala-Urisha] vigorous pursuit of heritage collections * proactive in acquisition * pro-actively conserves the hoard *pushes the herd * competes for banked treasuries * Sound engineering * actively preserves food * promotes color value * dynamic arts of speech-song * innovative conservation * pioneering libraries * champion of historic knowledge

  • [Mangala in bhava-9] drive toward doctrine = champion of paradigmatic belief = pursuit of patronage = dynamic preaching = philosophy of innovation = believes in conquest = aggressive or sexualized paternal energies = dominating military father-figures = growth-challenging paternal behavior

  • [Kuja-yuti-Surya] sparkling kinetic creativity * glorious innovator * high-energy confidence * dynamic genius * dominating force joins willful charm * fiercely competitive politics * brilliant winner * invigorating routines * physically active father-figure * self-referential championship * vigorously moving theatrical display

  • [Kuja-yuti-Budha] proactive communications * energized signaling * dynamic reporting * clipped speech patterns * abrupt announcements * champion of vigorous messaging * pushes toward direct commands * forward thrusting gestures * incisive speech * forceful writing

OUTCOMES - MOVING MANGALA

dynamically philosophical, vigorously globalist, forward-pushing preacher, innovatively dogmatic, pro-actively ideological worldview, kinetically charitable, energetically patronizing, champion of extensive philanthropic action [Mangala in bhava-9] rules

  • 3-communications, messaging, sermons, scripts, radio-television, media-products, Writing and Publishing, letters of correspondence, announcements, planning, schedules, sales, marketing, documentation, reporting, cohort, entourage, committee-work, iterative stepwise process, manufacturing, commercial business, instruction, explanation, discussion, diagrams, labeling, event management, signage, training, itinerary, tours

  • 8-unexpected eruptions of regenerating force, occult initiation, mystical revelation, shocking intervention, opaque empowerments, invasive surgery, intensive healing, evolution, violent explosion, sudden identity change, rejuvenation, recycling, rebirth, hidden assets, upheaval, undisclosed secrets, transformative events, discovery, in-laws of first marriage, health of younger sibling-cousin

CAREER - COMPETITIVE KUJA

Mangala yuti Budha yuti Surya

= combined rulers of 1 + 3 + 8 + 10 + 12

+ + [Kuja-9 parivartamsha Shukra-8]

cinema dramatist-producer-director, gallery photography shows, artistic presentations,

[Kuja-9 parivartamsha Shukra-8]

Kuja rules 8-secrecy, hidden assets, undisclosed conversations, transformative change

Mangala-9 beliefs, life philosophy, higher perspective

entertainment arts [Mangala-Budha-Surya] exchange with fine arts [Shukra]

[Busy Bantering Budha]

jamayah-karaka [sibling] -- sandesha-karaka [message] -- shisya-karaka [student]

[energizing-identifying lagnesha for Kanya indriya-lagna]

[dutiful-hierarchical karmesha for Kanya indriya-lagna]

  • ccheck Shukra + Shukra-drishti to source Budha's sensual discourse, enriching information, musical instructions

[talks about historical beliefs]

[pronounces narratives of heritage doctrinal value]

[detailed assessment of music-tone-color]

[represents the stored assets of tribal chieftains]

[identified lagnesha with paternal legacy]

[sonorous confessional testimony]

[respected karmesha roles in philosophically guided craftwork preservation]

[calculates itemized treasury accounts]

[delivers storytelling worldview to youth]

[exponent of financially principled charity]

[collecting father-figure may be talkative banker, lyrical singer, bookkeeping evaluator, dialoging musician]

...

[property-owning, defensive Rohiṇī-4] = [navamsha Budha-Karkata] intuitively explaining details of homelife folkways customary protection

+ [Rohiṇī-Budha-yuti-Surya-Kṛttikā]

+ [Rohiṇī-Budha-yuti-Mangala-Rohiṇī]

  • [Budha-Urisha] financial communications * articulation of tonal value * talks about stored goods * discusses collected assets * delivers descriptive evaluations * sends historic messages * skillfully signals the music * preservation methods * describes sound frequencies * hands-arms-shoulders send sensual gestures

  • [Budha in bhava-9] narrative of father-figure * witty guru * broad-scope communicator * repeats the catechism * ideological reasoning * reiterates the doctrine * skillful grandchildren * discusses patronage * detailed articulation of worldview * explains the paradigm of belief * talks about sacred texts * examines the dharma * interprets theoretical claims * delivers quick sermons * logical investigations into philosophical truths * chatty priests * religious dialogues

  • [Budha-yuti-Surya] illuminating explanations * entertaining chatter * central roles in communication * brightly clear descriptions * dramatic enunciation * confidently delivers instruction * articulation of radiant certainty * political messenger * talkative father-figures

  • [Budha-yuti-Mangala] competitive communications * scripted actions * impatient conversations * potential for sexualized messaging * penetrating explanations * direct instruction * dominating dialog * signals forward action * pioneering logical movement * energetically outspoken opinions * talkative brother-figures

OUTCOMES - BANTERING BUDHA

mercurially philosophical, paternally communicative, mercantile worldview, businesslike father-figure, narrative of higher understanding, inspirational publishing, globally descriptive, broad-scope conversations [Budha in bhava-9] rules

  • 1- distinctive attributes of personality, dense material incorporation, individual personification, earthen embodiment, physical integrity, kinetic energy, dance, style of movement, athletic prowess, muscular mobility, unique character, kinetic vitality, circumstances of birth, forward push, tangible appearance, coherent social identity

  • 10-career, profession, dignity, regulatory roles, governance duties, social authority, symbolic recognition, iconic visibility, leadership responsibility. top status, reputation, commanding positions, honor, high regard, public respect, executive power, elite rank, lawful imposition, organizational director

CAREER - BUSY BUDHA

DLH was considered to demonstrate salient traits of of oppositional-defiant personality, which often indicates childhood mistreatment such as bullying

symbolic counter-culture, burned-out hero [10], cinema industry director-producer

Budha yuti Surya yuti Mangala

= combined rulers of 1 + 3 + 8 + 10 + 12

entertainment arts [Mangala-Budha-Surya] exchange with fine arts [Shukra]

rules 11-proletarian roles, hidden sources of income from undiscovered assets

Budha is an adolescent. If not properly raised by Chandra-Surya, then Budha often remains socially and emotionally immature. If addiction is added to the mentalized Budha mix, the Learner may remain the perpetual Peter Pan.

His parents would not have been able to provide modeling of a stable, bargaining, evolving marriage due to Chandra-6 and Surya-8

  • DLH 's marriage 5-of-5 happened when DLH turned 60

+ [Rohiṇī-Budha-yuti-Mangala] [9]

demands to hold the center of the spousal attention

  • the verbal attacks and paranoid accusations against his later spouses [focused mainly on their sabotage of his precious art collection] becane increasingly intense as he aged.
  • The likely culprit for the accusations is Mangala-8 parivartamsha Shukra-7, engaging verbal Budha and self-righteous Surya.

Like many financially privileged men, Hopper was in a position to remarry increasingly younger women.

  • Budha-8 may signify a revolving-door [8] of changing identity narratives suggesting immaturity [Budha] of delayed development and remarrying regularly to obtain "newer models" of the wifely companion.
  • Budha-8 yuti yuvati-pati Mangala suggests that each newly matched wife was younger and younger in order to match his never-maturing emotional reality

As ruler of 12, Budha allows withdrawal and teenage sulking with no consequences via Vimala Yoga.

  • Typical of many addicts, Hopper remained emotionally stagnant starting from the age when he became addicted.
  • The stagnation ended, and his artistic flowering began, at the time of sobriety during Chandra-Shukra bhukti = Shukra lagnesha. [age 48, maturity year of Rahu-Ketu].

[Generous Growing Guru]

dhava-karaka [husband] -- bahuta-karaka [variety]

[homebound-anchoring bandesha for Kanya indriya-lagna]

[bargaining-balancing yuvati-pati for Kanya indriya-lagna]

  • check Mangala + Mangala-drishti to source Guru's expansively regenerating, wisely evolving, generously initiating philanthropies

[multiple wide-scale commercial explorations]

[numerous secretive siblings-cousins-teammates]

[believes in using hidden resources for expansion of business]

[many revealing discussions about discovery contracts yuvati-pati]

[rejuvenating patriotic bandesha announcements]

[abundant initiating instructions about self-reinvention and rebirth]

[may catastrophize the transformative empowerment of ensemble teamworkers]

[frequent emergency meetings about management process]

[may generate rhetoric of fair bargains yuvati-pati yet typically masked protectionist bandesha in business]

[for wifely Learners, camouflaged husbandly-companion may be shocking instructor, rotundly explosive, dangerously descriptive, skilled disaster administrator]

...

[imaginative-fantasizing Jyeṣṭha-4] = [navamsha Guru-Meena ] intuitively expansive philosophically wide-scope humanistic optimistic imagination

[ātmakāraka expansion, philosophy, patronage, beliefs, doctrine, faith]

  • [Guru-Vṛścika] much mystery * many sudden discoveries * optimistic about emergencies * believes in healing * many masks * hidden doctrine * permission to reveal * propagation of penetrating life-force rebirth * transformative guidance * expands the scope of secret undertakings * multiple initiations

  • [Guru in bhava-3] many messages * extensive commerce * many photographs * numerous publications * several collaborators * multiple transactions * many tours * frequent business trips * many sales * numerous discussions * much detailed interaction * extensive planning operations * variety of ensemble performances * evangelistic growth * so many meetings * patron of communications technologies * In the nativity of a Wifely Learner, , husbandly-companion may be jovial businessman, cheerful writer, optimistic announcer

OUTCOMES - GENEROUS GURU

expansively describing, abundantly publishing, multiple teamworks, numerous projects, optimistic manager, many itineraries, broad-scope of collaborative interaction [Guru in bhava-3] rules

= [navamsha Guru-Makara-nīcha]

  • 4 cultural foundations, property boundaries, way of Life, protection, defense , homeland, household, routines, rituals, mother, parents, customary rhythms, caretakers, socialization schooling, gardens, waterways, transportation, housing, social security, sense of place, environmentalism, citizenship, belonging, ethnic basis, ethno-religion, patriotism, real-estate, farming, land-ownership, burial, predictability, health of the elder sibling

  • 7-covenant, promise, trust, contractual relationships, social justice, advocacy, legal judgments, lawcourts, appeals, representation, equity, diplomacy, partners, justice, marriage, legal and formal partnerships, negotiation, alliance-crafting, match-making, fair arrangements, even deals, advocacy, trading, bargaining, brokerage, haggling, go-between, middleman, meddler

CAREER - BENEVOLENT BRIHASPATI

[Guru in bhava-3] occupies globalizing worldview believing 9th-from-Chandra -Meena

ātmakāraka Brihaspati activates kārakāmsha Meena -7 containing Revatī-Chandra = marriage contract, arrangements contains

[Guru in bhava-3] [confident, optimistic speakers, cleverly sonorous values-based speech.

Guru transmits blessings of face, voice, speech patterns, eyes, history, languages. via expansive, permissive drishti into

  • 6 contains karmesha-10
  • 8 + Surya-Mangala-Budha
  • 10 [promotes career]

Multitudinous visual values, and remarriages [2]

Capitalization, Voice-Face, storytelling, genetics, collections

most of DLH 's capital assets came from the valuation of his large pop-art collection. He knew many of the top collectors in this genre, and just by talking with them [2] he could inflate the value of various pieces.

[Sweetly Suave Shukra]

svadu-karaka [sweet] -- kalatra-karaka [wifely companion]

[collecting-preserving dhana-pati for Kanya indriya-lagna]

[philosophical-believing dharmesha for Kanya indriya-lagna]

  • check Kuja + Kuja-drishti to source Shukra's competitive bargaining, innovative diplomacy, kinetic attractions

[harmonious hidden competitive banking dhana-pati relationships]

[pleasantly camouflaged pushy financial arrangements]

[believes dharmesha in value of energeticly negotiated transformative change]

[may present mysteriously attractive physical vigor]

[may champion occult investigations or masked storage containment dhana-pati]

[may enjoy rebalancing invasive surgical intervention for personal muscular rebirth]

[aesthetic preference for athletic rejuvenation]

[aggressive diplomatic response to catastrophic bodily threa]

[bargains to reveal undisclosed secret vitality exposing knightly virtue and supreme force]

...

[contractual-bargaining Bharani-3] = [navamsha Shukra-Tula]

+ + [Kuja-9 parivartamsha Shukra-8]

  • [Shukra-Mesha] appreciation of direct movement * primal relationships * likes innovation * aesthetic of physicality * attracted to champions * pleasures of conquest * kinetic sensuality * prefers a lithely sporting partner * sweetly competitive * aristocratic agreements

  • [Shukra-8] seeks pleasure via occult secrets * enjoys disguised relationships * balanced healing arts * aesthetic of non-disclosure * camouflaged arrangements * hidden equity * pleasing designs to adorn the sexual-reproductive organs * sensual sphincters * obscured finance * taste for rejuvenating initiation * transformed by feminine-figures * delighted by sudden renewal * pleasant in-laws * appreciation of identity change * for husbandly Learners, wifely-companion may hold a secretive position

OUTCOMES - SWEETENING SHUKRA

graciously camouflaged, agreeably undisclosing, appreciative of hidden arrangements, harmoniously recycling, aesthetically rejuvenating, balanced response to emergency, financially secretive, initiates musical-artistic evolution, enjoys intrigue, suddenly changing agreements, transformative relationships [Shukra-8] rules

  • 2-acquisition, family legacy, food supply, tradition, language-lexicon, preserved memory, banking, collections, entreasurement, herd-hoard, containment, financial capital, accrued amounts, asset evaluation, knowledge of history, speech-song, heritage values, color-sound, arts-and-music, face-voice-eyes-teeth-mouth-hair, genetics, stored resources, health of the father

  • 9-ideology , paradigm of belief, profession of faith, principled convictions, higher understanding, father-figures, priestly patronage, preaching, patriarchal entitlements, philosophical convictions, theory, public spiritual guidance, celebrated doctrines, sangha, sacred teachings, credenda, globalism, dharma, worldview, weltanschauung, mother's health

CAREER - BRIGHT BHRIGU-TANAYA

++ + [Kuja-9 parivartamsha Shukra-8]

life-defining pattern of catastrophic failures followed by fresh-starts [8]

kuṭumba-pati Shukra occupies bhava-8

bhava-2 family, financial assests, values of sound-color, knowledge

  • DLH famously lived with drug-and-alcohol [Shukra] addiction for many years, then suddenly, absolutely entered lifetime sobriety.

  • In addition to his volatile identity changes [Shukra-8 + Rahu in 8th-from-Chandra] DLH was also a public icon of eruptive personality, creating catalysis and chaos both on-screen and off

2nd-from-Chandra = things put in the mouth = food, drink, medicines

2 speech, knowledge, traditions, collections, values, face = family capital + face-voice + values- knowledge

Shukra rules 3rd-from-Chandra cinema, publicity = = Urisha-9 celebrity

intensive lifestyle emergencies + transformation

rules bhava-12 privacy, imagination, seclusion, enclosurere

despite numerous domestic violence convictions, DLH was consistently able to settle out of court.

significant alcohol and drug-related misbehavior along with domestic violence behaviors, yet never convicted of crimes, never imprisoned.

The charges were often serious, but his sincere willingness [and funding available] to undertake corrective therapy seemed to convince most judges that imprisonment was not necessary. [Surya-9 rules 12 ]

COMPLEX MARRIAGE PATTERNS

Shukra-8 parivartamsha with Mangala-9 involves Budha + Surya.

Shukra's incompatibility with Surya marks the self-other drama.

  • powerful cycle of self-identity transformation via entering then destroying five marriage contracts s
Kalatra karaka Shukra activates the complex and difficult marriage negotiations

Bhava-7 occupies 6th-from-Rahu = 12th-from Ketu

Hopper was famously married five times. His marital life was characterized by a series of impulsive, criticizing, accusing divorces.

[Budha-yuti-Surya + [Budha-yuti-Mangala] in parivartamsha with Shukra shows

  • the over-mentalization of adolescent, argumentative Budha-8,
  • the impulsive physical actions of Mangala-8,
  • and the self-righteous certainty of narcissistic Surya-8

all combustibly over-stimulating the normally peaceable and agreeable Shukra-7.

PARANOIA from Surya

Surya-10 also rules 6th-from-Chandra. Simha-11 = income, revenue, marketplace viability

After a period of delirious infatuation with the new wife [from Latin fatus, meaning fool] DLH seemed to perceive each of his five spouses as a predatory thief in wifely disguise.

uncorrectably vindictive toward each of his five wives

  • even knowing that he was suffering an untreatable stage of terminal cancer and would soon be dead , dH filed for divorce from his fifth wife and the mother of his youngest child during the final months of his life.

Awareness of his impending death did not reduce the virulence of his animosity toward the spouse nor the verbosity [Budha] and aggressiveness [Mangala] of his self-elevating accusations of abuse [6th from Rahu] toward her.

After his death, dH three adult children and wife-5 the mother of a 4th minor daughter, all engaged in a protracted legal battle over DLH estate. Bhava-8 inheritance.

[Sober Structural Shani]

duro-karaka [endurance] -- jara-karaka [Jahre, years]

[witty-creative vidya-pati for Parthya indriya-lagna]

[inimical-medicating rogesha for Parthya indriya-lagna]

[bitter old economic enemies]

[chronic ailment of skin-nerves-ankles-calves]

[must maintain exploitive marketplace systems to accomplish required fundraising]

[popular respect for sober work with social conflict]

[enduringly systematic ministries of service]

[Maintains the community structure through long-term politicized vidya-pati litigation]

[interlinked laws sustain proletarian servitude]

[strict rules for making formal complaints within mass-participation networks]

[fear of weighty scientific medical duties]

[vidya-pati creative demonstrations of futuristic problematizing]

[polluted rogesha requires regulation of voluntary associations]

[military responsibilities may foster gainful friendships]

[accusatory arguments limited by collective norms]

[earnings governed by rigidly disciplined labor]

[oneself and one's children vidya-pati may benefit from electro-magnetic medical treatment]

[mother's socialite sibling-cousins or cohort may be squabbling over revenues, jealous of others' achievements, pessimistic about gainful servants, disputatious about electricity]

...

[mercantile-publishing Pūrvābhādra-3] = [navamsha Shani-Mithuna] intuitively structured regulatory class-conscious communications

  • [Shani-Kumbha] heavy old economic systems * obliged to conform to marketplace rules * responsible scientific work * structural compression upon skin-nerves-ankles * mandatory electro-magnetic networking * regulated revenues * lawfully distributed earnings * must materialize past-to-future gridwork * must sustain lowest-common-denominator connections * proletarian communities * conventional friendships * elderly mentors * Slowly achieves social-material goals * scarce conductive resources * maintainer of old economies

  • [Shani in Bhava-6] * intrepid assistance * steady time-structured resistance to enemies * must serve the chronic victims * outlasts the adversaries * survives military siege * tense digestion * relentless criticism * constitutional illness-injury * tolerance for servitude * aging physicians * enduring diseases * service fatigue * helper's burnout * prevents innovative treatments * blocks new medications * professional social workers * patiently aids the disadvantaged * dutiful healthworker * accepts the rules of medical institutions * lawfully supports the sick * reliable herbalist * conventional pharmacist * protocols for problematizing * realistic about addiction * accepts abuse * neutral to crime * military discipline * governs the poor * regulates debt * legislates loans * respected elder of an oppressed people

OUTCOMES - STRUCTURAL SHANI

formally aggrieved, chronic complaints, old injuries, rigidly adversarial, constricted crime, enduring accusations, regulatory litigation, orthodox exploitation, conventionally laboring, responsible service ministry, systematically helping, imposing argumentation, lawfully unjust, seriously serves the disadvantage [Shani in Bhava-6] rules

  • 5- Politics, center-stage roles, theatre, demonstration, display, charming brilliance, genius, poetry, choice-making, showmanship, gambling and gamesmanship, romantic idealism, creativity, fashion-shows, flamboyance, celebrity entitlements, confidence, artistic performance, drama, children, financial speculation, intelligence, entertainments, fun

  • 6-ministries of service, dehumanization, misconduct, war, jail, slavery, pollution, argumentation, healthcare workers, ailment, injury, medical treatment, hypocrisy, crime, cheating, animosity, toxins, complaints, accusation, litigation, blaming, scapegoat, aid workers, helpers. imbalanced conditions, injustice, betrayed promises, servants, laborers, hostility, animosity, disagreement, dehumanization

CAREER - SOBER SHANI

Shani-6 rules = Makara-5 = Arudha lagna entertainment industry, drama

6-disagreement, conflict, toxicity, unfair conditions, labor contains

adversarial behaviors, addiction-recovery narrative, five accusational divorces, lawsuits against previous partnerships

Professional drama may be approached with discipline [DLH attended the demanding Actor's Studio school for five years]. Yet the draining impact of Shani in 12th-from-Chandra suggests that a lifelong dramatist career would have been unsustainable.

INCOME

[Shani-Kumbha] rules-and-occupies 11th-from-Chandra

In the long run, Shani provides a modest but consisten economic, revenue-streaming income from contractual agreements [7]

Although he had only a few triumphant cinema roles, those few [Shani few] were iconic.

DLH enjoyed royalties [5] from licensing the rights [5] to merchandise and replays of his two most celebrated performances.

CREATIVE OPPRESSION

[Shani in Bhava-5] strictly regulates any expressions of creative genius. He may impose such heavy restrictions that a normally brilliant environment such as theatre, romance, game-playing, or glittering celebrity may be perceived as punitive or constricted. Shani would normally block creative expression in drama, and cause one to seek freedom in other venues.

CELEBRITY ACTOR LEAVES ACTING

By his early 40's and the onset of karmesha Chandra Mahadasha, DLH had shifted away from [12] the dramatist-producer-director roles of the cinema industry, and into a more permissive career as an art collector [Guru-2] fine-arts painter [Rahu-3] and photographer [Rahu-3].

CHILDREN

Shani accepts romance less as a joy and more as a duty. [Shani in Bhava-5] inevitably generates heavy responsibility for children.

The first child is often disciplined and structured in personality.

  • His eldest child, adaughter, became a recognized fashion designer [5].

[Risk-rewarding Rāhu]

rajyalobha-karaka [ambition] -- picchala-karaka [slippery]

[for Kanya indriya-lagna]

  • check Guru + Guru-drishti to source Rahu's apparently generous, fascinatingly wise, shimmering mirage of philosophical conviction

[Rahu-4 casts passionately property-oingwning habitual drishti into 8-10-12]

[passion to mimic the glamorous appearance of principled homelife]

[pretentious righteousness of over-reaching local denizens]

[hungers for sacerdotal empowerments via philosophical licenses and diplomas]

[cultural foundations supply global opportunities]

[may be obsessed with developing builded shelters to advance a priestly purpose]

[ambitious indoctrinateded parents may exaggerate their faith in real-estate or vehicles]

[wants boundaried prestigious inspirational mixed-culture environments for sacred understanding]

[craves international lifestyle with privileged citizenship]

[sermonizing pretensions of preachy patriotism]

[may patronize unusual styles of transport]

[may believe that protection = provided by fabulous boundary-fencing or astonishing dwelling walls]

......

[defensive-ritualized Mūla-4] = [navamsha Rahu-Karkata]

  • [Rahu-Dhanus] shimmering illusion of wisdom * craving for philosophical principle * mirage of generous patronage * extraordinary theory * extravagant preaching * unorthodox approach to higher truth * mask of global humanism* fascinating doctrine * over-reaching catechisms * fabulous proselytism * seeks special importance via apparent [but perhaps not authentic] attributes of philosophical belief * seeks privilege via guru-roles

  • [Rahu in bhava-4] passion for prestige property * unusual home routines * exotic roots * in svabhava of Comforting Chandra, the Shadowy Specter seeks homestead advantage * outsider who cleverly insinuates into the local settlement * culturally-mixed kitchens * fascinating vehicles * extraordinary ships * glamorous guardianship * important infrastructure * irregular land-use * over-reaching protectionism * exciting real-estate * expedient nationalism * instrumental environmentalism * unorthodox parenting * trespasses customary seasonal limits * disrupts habitual agriculture * over-extended fencing * Strange traffic on roadways * craves a showcase home * marvelous gardens * desires fabulous shelters * ambitious mother * social mobility sought via patriotism

OUTCOMES - RISK-REWARDING RAHU

Guru-ruled [Rahu in bhava-4] = expansive property ownership, regional patriotic identity, grounded in 2nd-phase of life through local arts-culture in Taos, New Mexico

CAREER - Rahu-Mūla-5 [entertainment] occupies 10th-from-Chandrara

Easy Rider 1936-2010 art-collections Dennis Lee Hopper = notorious Hollywood actor and director, but he was also a fine-arts painter who produced galleries full of artistic work.

Despite five years study at the prestigious New York City Actors Studio [under the legendary Lee Strassburg] most of DLH cinema work was undistinguished.

Nevertheless, asmall handful of celebrated rebel-roles transformed [8] Dennis Hopper into a counterculture icon.

  • Due to the convulsive social-change happening during the revolutionary, anti-establishment, anti-war-machine 1960's, dH's celluloid visage was propelled into national fame.

Regardless of the volatility created by drug addiction and persistent marriage squabbles, dH was rarely out of work [10th-from-Chandra]

When Hopper outgrew dramatic acting, expansive Guru-ruled Rahu ambitiously reached for opportunities to grow into roles as director and producer.

  • DLH remained well-known within the cinema industry [3] while developing a significant career as a fine-arts photographer.

His capitalization grew mainly from Guru-2 art collections

  • Rahu in 2nd-from-2nd allowed DLH to take capital from his assessed collections and invest it into production [3] of new photographs and organized gallery shows.

Hopper seemed obsessed [Rahu] with his treasury [2nd-from-2].

  • He designed complex legal contracts [Shukra] that would prevent his wives whether ex- or present from getting an unfair share of his loot.

Mula bhava-3 cinema

Rahu-Mūla is prone to the thrill of all-or-nothing risk

Rahu-Dhanus is noted for cultural mixing doctrines, ideologies, and beliefs [Dhanus].

  • Communications media, scripted dialog, cinema, radio = typically the most ambitious career pathway.

LEARNING PATHWAY =

Rahu-Mūla = Rebel Without a Cause

Usually Rahu-3-Mūla is a photographer, writer, publisher, announcer, or businessperson who experiences a Learning Pathway that features a Rahu-esque dramatic cycle of rise-and-fall within a taboo-challenging media-based career.

When Rahu-3-Mūla

[annihilating risk] occupies 10th-from-Chandra, undoubtedly the media-messaging career would be exciting and high-profile.

Career = Iconic Rebel

Fascinating Rahu-challenge to rigid social practices in narrative transmission [3] He played the Rebel.

  • Rahu in Mula in the emotionally dignified , social-ordering, leadership-seeking; 10th-from-Chandra indicates a salient career in matters of Mula = rebel without a cause

6th-from-Rahu + 12th-from-Ketu

karmic hot-spot learning challenge = randhrasthana

bhava-8 contains yuvati-pati Mangala + [Surya-yuti-Budha]

Rahu amplifies His ruler Guru-2-Vṛścika. A confident and brilliant media personality, dH nevertheless dealt with the draining, debilititating effect of Rahu's ruler Guru in 12th-from-Rahu

Fear of loss of valuable collections such as his paintings and financial assets.

Mula themes of annihilation seemed to be driven by a subconscious expectation [12th ] of being catastrophically drained by invisible forces.

Rahu-Mūla drishti into Shukra-7

Hopper famously married, and acrimoniously divorced, five times.

He struggled publically with recurring narrative [Budha] of unseen, incalculable losses. Court documents tended to wildly overestimate the value of his paintings. Toward the end of his life, as his wealth grew, so did his chronic and gnawing paranoia

[Mūla-Rahu-3 mentality].

Chandra-6 is often comfortable in the world of endless lawsuits DLH hired lawyers and filed criminal complaints [6] against invisible predatory thieves until the day of his death.

Naturally, if challenging graha should occupy or own the bhava which is 6th-from-Rahu + 12th-from-Ketu, the results can be exaggerated.

Particularly inner graha

[Surya-Mangala-Budha] are afflicted when they occupy the adversarial 6th-from-Rahu + 12th-from-Ketu.

[Collapsing unshackling Ketu]

kavandha-karaka [headless] -- chidra-karaka [gaping] -- vasana-karaka [vacuum]

[for Dhanus - Haya indriya-lagna]

  • check Budha + Budha-drishti to source Ketu's spacey sentences, vague instructions, disinterested discourse

[dispersed engagement with mercantile leadership]

[dissolution of commanding communications authority]

[restlessly anarchic toward high-ranking teamwork roles]

[may abdicate top administrative position]

[surrenders useless organizational projects]

[apatheticly forgives the trespass of executive handlers]

[abandons unsustainable elite propaganda]

[absent from empty state-regulated instructional delivery]

[disregards obsolete announcement conventions]

  • [may be passively fixated upon ambitiously principled, opportunisticly inspirational, fascinatingly dogmatic Rahu-Dhanus -4 parents, householders, property-owners, gardeners, stewards of Earth]

[eccentric gestures may symbolize a disoriented regime ]

[reputation for erratic formal proclamations]

[has management skills and dignified status, but walks away from public empowerments]

...

[regulatory-hierarchical Arudha-2] = [navamsha Ketu-Makara]

  • [Ketu-Mithuna] dissociates from conversation * incomplete messages * explains the ineffable * empty instructions * absent from discussion * martyr to commerce * wandering mentality * fragmented signals * not limited by conventional talk * dialog of liberation * ignores normal business * forgives the sibling-cohort * incoherent scripts * releases a plant-green cloud of explanatory gestures into the misty abyss

  • [Ketu in classroom-10] disregards social rank * no barriers in class-pyramid * fearless toward regulations * martyr to corporate elites * well-known for surrendering * absent from officialdom * irrelevance of government protocols * ambivalent toward public opinion * disinterested in high positions * ignores hierarchical ordering rules * abandons organizational authority * unless other graha in 10, may prefer to live free from heavy leadership duties

OUTCOMES - EVACUATING KETU

Marriage-4-of-5

[Ketu in classroom-10] occupies the defensive, culturally-rooted, seasonal-calendar, routinized, patriotic, ethno-nationalistic, comfort-seeking, home-loving, foundational, property-owning [4th-from-Chandra]

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