Rising
Nakshatra
Masculine Nativities
Chitra-Spica
Citthirai - Vismakarma - Azinech - Alaraph - Arista - Dana
BPL commentary
For Chitra - Tvastri births of a masculine valence, the condition of
kinesthetic, direct, yang-energy, forward-pushing bhratru-karaka
Mangala
may considerably affect the outcome.
For those born into the Mangala-ruled paradigm of Visvakarma,
brother-figures, warriors, hunters, athletes, dancers,
champions,
challengers, inventors, explorers, dis-coverers, engineers, builders,
drivers, drillers, diggers, exploders, aggressors, pursuers,
competitions and battles may be especially influential.
Guided by instructors from civilizations of
Spica. Their purpose is architectural engineering
and crafting of beautiful, functional, and artistic alliances,
arrangements, and designs.
Designs + Arrangements
[Kuja] -ruled Chaitra
fellows have a knack for competition. Goal-oriented and kinetic in building,
patterning Tvastri, they strive for dominant
power in engineering, artisan mechanics, architecture, and applied
design arts such as skilled handcraft. As authors, Chaitrika
often illustrate their works with fine drawings. Tvastri-born have a natural
affinity for tools, engines, driving, building.
Kanya pada 1-2 express Kuja's
rulership of 3-writing + 8-mystical transformations, while also displaying the
frustrating tension of chatty Budha versus active Kuja. Literary Budha plays a
stronger role for pada 1-2, producing scholars and
writers
who argue about architectonics, engineering design, color values, and
mechanics. Pada 1-2 = also skilled in handcraft and may be
professors-cum-tradesmen, fine-arts painters, model-builders, or practicing
musicians.
[Tula-Vanika] pada 3-4 express
Kuja's rulership of 2-collections, assets + 7-contractual equity. Shukra's
bargaining behavior
and financial skills play a stronger role for pada 3-4, who enjoy the
mutual attractions of Shukra-Mangala. In music, arts, and engineering, they
pursue harmonious
arrangements.
They often play stringed instruments, and write beautiful songs. Chaitrika
pada 3-4 can be found in the design world, in financial negotiations,
and in dynamic meditator roles.
Themes of
productive touch
including artistic design, musical instruments, mechanical engineering,
and crafting of
dynamic arrangements contextualize Vismakarma's terrestrial
experience. Incoming drishti from Kuja can mobilize their progressive,
pioneering actions. Also applies to
Chandra in Chitra-Spica. |
QUOTATION from Shil-Ponde. [1939] .
Hindu Astrology Joytisha-Shastra.
p 84
" Chitra natives are quiet, thoughtful, and profound.
Very slow in movement and of great dignity in
bearing and manner.
they make good students in their youth.
they are also
extremely clever with their
hands
,
they like to do things or
fashion
things with their hands
Kipling in the late 1890's
1915, Rudyard Kipling age 50, at the height of his fame
Jungle Book 1865-1936 Empire
Rudyard Kipling
was enormously feted during his lifetime due to the extraordinary power of his
communicative [uchcha] Rohini-Chandra-1 ruler of 3, ruler of 3rd-from-Chandra, 3
= arudha lagna, 3= karakamsha, ++ Rahu-5 drishti into Chandra-1. RK's parents
[Chandra=1] were socialite-artists and RK was very close to them. They supported
his every literary endeavor. |
IF... a poem by Rudyard Kipling
If you can keep your head when all about you Are losing theirs and blaming
it on you,
If you can trust yourself when all men doubt you But make allowance for
their doubting too,
If you can wait and not be tired by waiting,
Or being lied about, don't deal in lies,
Or being hated, don't give way to hating,
And yet don't look too good, nor talk too wise:
If you can dream, and not make dreams your master,
If you can think, and not make thoughts your aim If you can meet with
Triumph and Disaster And treat those two impostors just the same
If you can
bear to hear the truth you've spoken Twisted by knaves to make a trap for
fools,
Or watch the things you gave your life to, broken,
And stoop and build 'em up with worn-out tools: If you can make one heap of
all your winnings And risk it all on one turn of pitch-and-toss,
And lose, and start again at your beginnings And never breath a word about
your loss If you can force your heart and nerve and sinew To serve your turn
long after they are gone,
And so hold on when there is nothing in you Except the Will which says to
them: "Hold on!"
If you can talk with crowds and keep your virtue,
Or walk with kings, nor lose the common touch,
If neither foes nor loving friends can hurt you If all men count with you,
but none too much,
If you can fill the unforgiving minute
With sixty seconds' worth of
distance run,
Yours is the Earth and everything that's in it,
And, which is more, you'll be a Man, my son! |
Biographical details matched to
Vimshottari Dasha
calendar
[Chandra Mahadasha] age birth until age 7.1
30-Dec-1865 * Earth-birth in Bombay, Bombay Presidency, British India [now
Mumbai, Gujarat, India] Chandra-Rahu bhukti
1871 [RK age 6] Kipling's parents abandoned him and his sister in England,
while mom and dad returned to India. The foster family bullied and abused him
for three childhood years age 7-10 * Chandra-Shukra bhukti* Shukra rules
6th-from-Chandra ++
Sade-Sati
Mangala Mahadasha
* age 7.1 until age 14.1
[Rahu Mahadasha] age 14.1 until age 31.1
1886 [RK age 21] published first poetry * Rahu-Shani bhukti * Shani
rules 5 = 3rd-from-3rd
1890-91 [RK age 26] Nervous breakdown, including the death of his intimate
friend Wolcott
Balestier -
Rahu-Ketu bhukti * Ketu disorientation, severance
18-Jan-1892 [RK age 26] consecration of marriage-1-of-1
with the publisher Carrie Balestier [Ballister] in London. She was the sister of
his deceased lover, Wolcott Balestier, of the noted publishing family. *
Rahu-Shukra bhukti *
samchara Rahu-Ketu
via Vṛṣa-Vṛścikacontact
Chandra-Urisha
29-Dec-1892 [RK age 27] celebrated the birth of child-1 -
Rahu-Shukra bhukti * *
samchara Rahu-Ketu
via Vṛṣa-Vṛścikacontact
Chandra-Urisha
1894 [RK age 29] published the acclaimed children's story
Jungle Book - Rahu-Surya bhukti * Surya -3 publication rules
11-accomplishments, awards
May-1896 [RK age 31] public assault by brother-in-law Beatty Balestier, who
was RK's landlord, romantic interest, and publisher *
Rahu-Chandra bhukti * Chandra-8 hidden relationships
Jul-1896 [RK age 31] repatriated to southern England, with Carrie and
children * Rahu-Chandra bhukti * Chandra homeland
1897 [RK age 32] published Captains Courageous, the celebrated
children's book * Rahu-Mangala chidra-dasha [Kuja-yuti-Budha]
-3
[Guru Mahadasha] age 31.1 until age 47.1
1898 [RK age 33] reportedly, marriage in decline * Guru-Guru svabhukti
* Guru rogesha
Feb-1899 [RK age 34] published the soon-to-be controversial White Man's
Burden
apprehended as a paean to imperialism * Guru-Guru svabhukti * Guru-3
rules 3 publications + 6-controversy
1899 [RK age 34] grieved the tragic decease of
child-1
[daughter, age 6, via pneumonia] Guru-Guru svabhukti * Guru rules 2nd-from-5
= decease of eldest child
Dec-1907 [RK age 42]
Nobel Prize in Literature -
Guru-Shukra bhukti* Shukra -3 writing lagnesha
22-Nov-1910 [RK age 45] grieved the decease of
mother Alice Macdonald Kipling *
Guru-Mangala bhukti * matrimaraka Mangala activates 2nd-from-Chandra +
dvadasa
Sade-Sati
Jan-1911 [RK age 45] grieved the decease of father
John Lockwood Kipling *
Guru-Mangala bhukti * Mangala rules 12th-from-Chandra + dvadasa
Sade-Sati
[Shani Mahadasha] age 47.1 until age 66.1
May-1912 until Jun-1914
Janma Sade-Sati Urisha
* overlaps Shani-Shani svabhukti
27-Sep-1915 [RK age 50] grieved the tragic decease of
child-3
[son John, age 18, killed in WW-1 fighting] * Shani-Shani svabhukti * Shani
rules 2nd-from-9th-from-Chandra = decease of child-3 + dvithya
Sade-Sati
[Budha Mahadasha] age 66.1 until
dematerialization
age 70
Shani Ashtamsha via Dhanus-8
= Dec-1928 until Apr-1931 18-Jan-1936 [RK age 70] decease via brain hemorrhage
* Budha-Ketu bhukti
|
|
Salient features of the Nativity
[Surya]
pitri-karaka
[father] jyoti-karaka
[light]
[friendly-gainful
vriddhi-pati forTulā
indriya-lagna]
[bright center of doctrinal messages]
[creative business in inspirational slogans]
...
[dramatizing Pūrvāṣāḍhā-1] [navamsha
Surya-Simha] intuitively confident theatrical political
ceremonial display [Surya-yuti-Kuja]
[Surya-yuti-Budha]
[Surya-yuti-Guru]
[Surya-yuti-Shukra]
- [Surya-Dhanus]
Aditya - the unsplit, undivided * brightly charismatic
confidence of Center-stage Surya radiates through the preaching-teaching
philosophical rashi of Brihaspati
- [Surya in bhava-3]
center of commerce
* mercantile intelligence * smart reports * dramatic instructional
delivery * creative descriptions * sparkling retinue * splendid games of
manual-skill * self-referential announcements * admirable handcraft * cinematic
genius * smart technology * focus on teamwork * entertaining explanations *
administrative entitlements * confident
writing * eye on process management *
regal messaging
* bright center of discourse * brilliant gesturing *
father may be a businessman-craftsman-communicator
- [Surya-yuti-Kuja]
confidently progressive * bright warrior * moves in alignment with the spiritual
rays of the Sun * creatively intelligent brother-figures * self-reflexive
political pursuits *
champion of brilliant ideals * competitive
father-figure * entitled to conquer * focused on winning * radiantly pioneering
- [Surya-yuti-Budha] *
confidently conversational * bright messenger * entitled to discuss *
creatively intelligent sibling-cohort * discursive father-figure * gestures
conduct the spiritual rays of the Sun * radiantly descriptive * articulate in
drama * skillful game-player * self-confident announcements * talks about
ideals * narrative of power-politics * recites love poems * describes divine
romance
- [Surya-yuti-Guru]
confidently expansive in drama * generous in games * smart children
* multiple father-figures * brightly self-referential teachers * charitably
manifests the spiritual rays of the Sun * creatively intelligent doctrine *
entitled to philosophize * inclusively idealistic in romance
- [Surya-yuti-Shukra]
confidently harmonious * brightly creative bargainer * uniquely intelligent
feminine-figures *
entitled to pleasures * aesthetic expressions
align with the spiritual rays of the Sun * financial politics * graciously
creative * dramatic promises * radiantly diplomatic * self-reflexively
attractive *
father may be artist-broker-arranger
FATHER
Dad = John Lockwood Kipling.
Dad was a design teacher and artist in Bombay for most of his life.
Surya-yuti-Guru +
[Surya-yuti-Budha] .
- Dad = a sculptor and professor of architecture
Surya-yuti-Shukra
.
- Dad held a prominent position in arts education in their British Colonial
settlement in the great port of Bombay, India.
- [Surya-yuti-Shukra]
indicates that Kipling enjoyed his relationship with his artist father.
nevertheless, Surya-3 occupies occupies the trauma-inducing, discovering,
revealing, danger-seeking
8th-from-Chandra.
Like son, dad led a partially camouflaged life.
OUTCOMES - SURYA
Earnings from publication
[vriddhi-pati for Tulā
indriya-lagna]
Astounding concentration of graha in 3 includes the combined rulers of 1 + 2
+ 3 + 6 + 7 + 8 + 9 + 11 + 12 Mangala + Shukra + Budha [all three at 2-deg Mula]
+ Surya + Guru [in Apah]
[Mūla] Surya rules 11 popularity
- RK's robust language praising king and empire
resonated deeply with a people seeking pride [Surya] in their Commonwealth
[11]
Sparkling activates Simha [10th navamsha]
= masculine radiant entitlement
RK's Imperialistic [Surya] literature and patriotic songs were wildly popular
with Commonwealth and Euro-American readers during the heyday of the British
Empire.
[Surya-yuti-Guru] +
Surya-Dhanus
masculine confidence
More than simply a literary author and songwriter, RK was a highly
symbolic male personality.
- Admirers declared him to embody the genius [Surya] of a humanistic vision of
global civilization [Guru]
[Surya-yuti-Shukra] +
[Surya-yuti-Guru]
- A small group of well-connected men decide who receives Nobel Prizes. These
men included supporters of Empire and of Kipling.
- The prize was established in 1895 by Alfred Nobel , who made a fortune in
military explosives.
- During Guru-Shukra bhukti, RK was the first English-language author to
receive the
Nobel Prize in Literature
- RK remains the youngest writer ever to receive that prize
[Mūla] Surya + [Mūla] Mangala + [Mūla] Shukra
However, after the colonialist viewpoint had dissipated with the collapse of
Empire following WW-2, RK's formerly praised-to-the-stars genius was questioned.
Eventually, literary critics deprecated RK's work as a romanticized artifact of
Imperial culture.
- After WW-2, RK's award of 1907 Nobel Prize in Literature
began to be cited as a cautionary example of misguided enthusiasm
among the tiny Euro-elite of prize-givers
- and a call to be more alert to the political impact of Nobel Prizes.
[Chandra]
matrikaraka
[mother] * garha-karaka
[village]
[uchcha]
[dutiful-hierarchical
Karmesha
for Tulā -born]
...
[oratorical-heritage
Rohini-2] [mūlatrikoṇa] [navamsha
Chandra-Urisha] intuitively
sensitive preserving lineage values
[Pushkara pada]
- [Chandra-Urisha] comforted
by precious values * settled into rhythmic gathering * needs luxury
- [Chandra in
Rohini - Aldebaran] * needs lavish appreciation * protectors of luxurious
domiciles * soothed by sensuality
- [Chandra in classroom-8]
comfortable with crisis * familiar with catastrophe * unpredictable
mother * feels the pulse of cyclical rebirth * soothed by secrecy * sensitive
to danger * revolutionary sentiment * accustomed to frequent upheaval *
seeks deeply rhythmic initiation
* acculturated to masked exploration * occult sensitivities *
needs eruptive energies
* nourished by non-disclosure * emotionally attuned to trauma * undulating
shakti-shocks * mother may be a mystic, healer, concealer, agent of disguise
OUTCOMES - CHANDRA
[oratorical-lineage
Rohini-2] storytelling
Chandra in classroom-8
- rules Karkata-10
- [Chandra-Urisha-uchcha]
occupies 11th-from-10th = profitability of the storytelling career
Chandra karmesha
-
RK was known to the public as an exemplary, patriotic parent-writer, who
produced much-beloved books for children.
[Chandra in classroom-8]
- comfortable with crisis = soothing, familiar patterns of secrecy in the
emotional life
- Before age 7, RKs early years were said to have been pampered and pleasant
Chandra-Urisha
[uchcha] [ mūlatrikoṇa]
- RK's personal life was filled with sustained absences, hidden liaisons
Secretive, transformative Chandra-8 occupies 6th-from-Shukra-cluster-3 while
Shani occupies 6th-from-Chandra=
Wife's family
8th-from-Chandra
* contains Shukra + Kuja + Budha [all
in Mula] + Surya + Guru.
Kipling had an extremely complex and demanding relationship with his in-laws.
- His in-laws operated the publishing house which handled his promotions,
distributions, and royalties.
- RK never worked with any other publishers.
Chandra in Vrishabha
* rules the managing, commercial
3rd-from-Chandra
familiar rhythms and routines focused into
professional habits
[Karkata-10] of writing-communication.
-
Managed by the mercantile Ballister family and on a day-to-day basis by
Carrie, RK produced a lifetime of literary projects, and most of them enjoyed
significant commercial success.
-
Shukra-3 wife is a publisher
RK was both deeply attached and deeply conflict toward his wife's family, who
controlled his career.
- One of Carrie Kipling's brothers, the author-publisher Wolcott Balestier, is
said to have been Kipling's romantic lover Wolcott's suicide was a cause of RK's
severe nervous breakdown in young adulthood.
- Another of her brothers Beatty Balestier [Ballister] was their landlord in
Vermont, USA
- he was also Kipling's marketing, distribution, and publishing agent upon
whose good will Kipling's career much depended.
- Recently uncovered Literary correspondence, hidden since the 1880's,
suggests that RK had passionate involvement with both of his wife's brothers.
- Despite having been very productive in New England living near his wife's
family, after a violent disagreement with his brother-in-law, RK suddenly
relocated his young family back to southern England.
8 = wife's family = his publishers, promoters, controllers of RK's
career [10 Karkata]
- [Chandra-Urisha] [uchcha]
occupies 6/8 from commercial writing-publication Dhanus-3
- RK's lifelong career was controlled by his wife's family, the Balestier
[Ballister] publishing firm
- in addition to wife Carrie, RK had fraught, intensely emotional
relationships with two of the Balestier brothers
Somana's 6/8 angle from the mercantile, messaging sahaja-bhava
- RK would have experienced an intense need for lavish attention [Rohini] in
virtually all of his life experiences
- His body and its behaviors [1] would have been a contentious and potentially
toxic experience, due to kalpa-sthana 1-Tula being 6th-from-Chandra
- Nevertheless, Shani-1 in 6th-from-Chandra grants endurance
- Shani applies the correction of extreme discipline.
- RK's sexual tastes Surya+Shukra+Kuja in [Mūla] 3 created undisclosed
relationships which were punitively incompatible with cultural conventions,
potentially causing self-contempt and danger of criminal conviction
[Chandra Mahadasha] age birth until age 7.1Kipling accounted the earliest years of life to
have been blissful and idyllic. He remembered the joy of a close supportive bond
with his parents, their siblings [his uncles and aunts] and his younger sister.
However,
Chandra in classroom-8
would require some trauma also.
MOTHER
Mom = Alice Macdonald Kipling, an artist and socialite.
- [Chandra in
Rohini - Aldebaran] Mom was admired for her beauty and her wit.
- a popular entertainer, a familiar figure to all in their Anglo-Indian social
class, a writer and conversationalist, one of four celebrity sisters
- Chandra activates 10-social reputation.
- Her personality and social position [10] aided RK's career.
Parents provide coverage for RK's undisclosed travels
- [Chandra in classroom-8]
needs secrecy, transformative environments, hidden worlds
- RK often took extended solo visits with his parents, leaving his wife and
children behind
Mūla] Shukra-3 in 8th-from-8th = awkward angle
shad-ashtaka 6/8 toward Chandra-8
in trauma-inducing, discovering, revealing, danger-seeking
8th-from-Chandra
- RK's parents [8] viscerally disliked his wife [7]
Need [Chandra] for Complex, hidden relationships that are adversarial to
RK's writing-publishing success
- camouflaged bhava-8 suggests a career-protecting code of secrecy among those
with whom he was most comfortable.
- First, his protective parents.
- RK belonged to a literary men's club in London where he socialized with men
like himself who identified with masculinity and Empire.
- The men with whom RK socialized in England, New England, and South Africa,
were reportedly not enamored of the frustrated and controlling Mrs. Kipling.
- She was nonetheless an essential presence in RK's life seen via her
VṛścikaChandra matching his svamsha
MARRIAGE partnership mutual support expectations
[7th-from-Chandra-8]
- bhava-2 family lineage, wealth containment, evaluation, assets, language,
history, heritage values
- Vṛścikasecrecy, discovery, undisclosed activities, regeneration,
camouflage, masks
the powerful [uchcha] Chandra in
6/8 adversarial
shad-ashtakya to
kalatra-karaka Shukra, suggesting that RK's emotional nature was
misaligned with that of his
career-managing wife..
Vṛścika-2 = 7th-from-Chandra ruled by [Mūla] Kuja-8 ++ [Mūla] Kuja-8 takes
drishti from disciplining [uchcha] Shani-1 Yes on children, no on the
marriage partnership
- RK's
Chandra-Urisha
expresses emotional alignment with family protection, housekeeping,
and parenting.
- He adored his children and was devastated when 2 of his three offspring died
before finishing their 18th year.
- nevertheless, the marriage was known to be unhappy
[Kuja]
bhratru-karaka
[brother] virya-karaka
[virile]
[ashtangata
within 17 degrees of Surya]
[champion Mula-1]
- [Mangala-Dhanus]
vigorous development of humanistic worldview * energized inspiration * thrust
toward doctrinal expansion * proactive teaching-preaching * promotes
philosophical globalism * champion of broad understanding * pursues patronage
- [Mangala in bhava-3]
drive toward commerce * push toward scripted communication * active touring *
vigorous pronouncements * invasive management * energized process *
hyperactive mentality
* athletic sibling-figures * promotional sales * photographs of the
muscular physique * dynamic marketing * champion of teamwork * pursuit of
business
- [Kuja-yuti-Surya]
kinetic creativity * glorious innovator * high-energy confidence * dynamic
genius * dominating force joins willful charm * competitive politics * brilliant
winner * physically active father-figure * vigorous theatrical display
- [Kuja-yuti-Budha]
proactive communications * energized signaling * dynamic reporting * clipped
speech patterns * abrupt announcements * masculine messaging * pushes toward
direct commands * forward thrusting gestures * incisive speech * forceful
writing
- [Kuja-yuti-Guru]
multiple competitions * many brother-figures * energized growth * dynamic
generosity * masculine force joins optimistic expansion * champion of philosophy
* potential for aggressive preaching * promotes broad worldview * indoctrinating
actions
- [Kuja-yuti-Shukra]
dual sexuality * energized bargaining * dynamic trading * masculine force joins
feminine allure * kinetic sensuality * productive arrangements * competitive
mating * vigorously balance-seeking in partnership * pursues diplomatic
resolutions * innovative arrangements
OUTCOMES - MANGALA
Astounding concentration of graha in 3 includes the combined rulers of 1 + 2
+ 3 + 6 + 7 + 8 + 9 + 11 + 12 = Mangala + Shukra + Budha [all three at 2-deg
Mula] + Surya + Guru [in Apah]
Mangala rules
Chitra-Spica
indriya-lagna
[Mangala-Dhanus] yuti [Surya-Dhanus]
yuti Shukra-Dhanus
yuti Guru-Dhanus
yuti Budha-Dhanus
Kuja-3-Mula rules
- 2-banking, stories
- 7 contractual relationships.
- RK was married once. The formal union was said to be enduring, but unhappy.
- [Mūla] Kuja involved RK in numerous discreet relationships with men
[including with both of Carrie's brothers] which caused increasing unhappiness
in the marriage.
Kuja rules 2-family ++ Kuja joins 1 + 2 + 3 + 6 + 7 + 8 + 9 + 11 + 12
RK was born into a
creative family . His mother and her
three sisters were famed for their beauty [Shukra] and creativity [Surya]. Mom's
sisters [Shukra] married elite men [Surya]. His extended family's artistic
accomplishments were helpful in raising the social profile of RK's own artistic,
literary, and other public endeavors.
Mangala Mahadasha *
age 7.1 until age 14.1
- According to RK, during the years age 7-10 his parents
stayed in India while he was placed with a foster family in England, who bullied
and abused him
- ++
Sade-Sati
[Mūla] 3 = Guru + Budha + Kuja-Mula =
all in 8th-from-Chandra RK recounted deep scars due to
physical violence and psychological bullying
- Age six, RK was shipped to England, thousands of miles away from his family
in Bombay. The hostess with whom his parents boarded him was viciously strict
with harsh beatings and punishment for moral correction.
- When RK's mother discovered the abuses, she quietly removed him and
nothing was mentioned
until years later. [8th-from-Chandra]
[Budha]
jamayah-karaka
[sibling] sandeza-karaka
[message] zisya-karaka
[student]
[philosophical-doctrinal
dharmesha
for Tulā
indriya-lagna]
[retreating-contemplative
vyaya-pati
for Tulā
indriya-lagna]
...
[Mūla-1] [navamsha Budha-Mesha] intuitively detailed explanatory description
of pioneering innovations
[Budha-yuti-Surya]
[Budha-yuti-Mangala]
[Budha-yuti-Guru]
[Budha-yuti-Shukra]
- [Budha-Dhanus]
priestly communications *�theoretical discourse * inspirational conversations *
articulation of sacred beliefs * doctrinal pronouncements * sends messages
about broad worldview * descriptive philosophical understanding * s pecifically
defined interpretive principles * explains the indoctrination procedure *
expertly detailed sermons * ideological programming * hands-arms-shoulders send
preaching gestures
- [Budha in bhava-3] [svabhava]
narrative of cohort collaboration
* chatty siblings * articulate announcements * discusses commerce *
instructions for management * conversations about information technology *
clever programming * logical reporting * talks about daily business * handles
information * skillful printing * scripted dialog * text instructions * writes
lyrics * detailed media-messaging * communication tactics * explains marketing *
quick manufacturing * descriptive process * signaling gestures
- [Budha-yuti-Surya]
amusing explanations * entertaining chatter * central roles in communication *
brightly clear descriptions * dramatic enunciation * confidently delivers
instruction * articulation of radiant certainty * political messenger *
talkative father-figures
- [Budha-yuti-Mangala]
competitive communications * scripted actions
* impatient conversations * potential for sexualized messaging * penetrating
explanations * direct instruction * dominating dialog * s ignals forward action
* pioneering logical movement * energetically outspoken opinions * talkative
brother-figures
- [Budha-yuti-Guru]
explainer of ideology * descriptive preaching * professorial explanations *
theoretical discourse * instructs in sacred doctrine *
articulation of charitable generosity *
optimistic messages * expansive scope of documentary reporting *
numerous specific announcements * detailed guidance * verbalizing paternal
figures
- [Budha-yuti-Shukra]
explainer of balanced arrangements * diplomatic conversations * parity-seeking
discussions * manual adjustments * enjoys words * sweet descriptions * delivers
instruction about relationships *
articulator of equity in agreements * message
of fairly bargained contracts * skilled in songwriting * talkative
sister-cousin-cohort * detailed lyricist * attracts chatty partners
OUTCOMES - BUDHA
Astounding concentration of graha in 3 includes
the combined rulers of 1 + 2 + 3 + 6 + 7 + 8 + 9 + 11 + 12 + Mangala +
Shukra + Budha [all three at 2-deg Mula] + Surya + Guru [in Apah]
Budha narratives rules
- 9-fortune, globalism, world-travel, dharma-worldview
- 12-distant lands, foreign places, imagination, conceptual thought, theory,
research, interior guidance, interiority, invisibility, hallucination
- 12 contains over-reaching
Rahu in bhava-12
Budha activates 2-5 from Vrishabha-Chandra
Dialog, Patois
Although RK's phonetic dialog renderings [Budha] were later criticized as
patronizing and colonialist, during the Edwardian era, RK was seen as a genius
reporter [3] of authentic [Surya] conversations [Budha]
- Kipling's imaginative fantasy writings with their signature phonetic
sing-song verse became extremely famous and celebrated throughout the
Anglosphere
- Using a phonetic style that was easy for English readers of all social
classes to read-out-loud to their children, Kipling became a darling of
children's literature.
- This clever orthography pleasantly expressed the translation [3] of the
Indic phonology was received by Anglo ears.
Budha-3-Mula occupies the mysterious,
trauma-inducing, discovering, revealing, danger-seeking
8th-from-Chandra -8
-
Writing dozens of influential books about mystical
international settings
[Guru]
dhava-karaka
[husband] bahuta-karaka
[variety]
[many philosophically expansive entitlements] [growth of creative wisdom]
...
[Pūrvāṣāḍhā-2] [navamsha Guru-Kanya] intuitively expansive unbalanced
complaining argumentation
[Guru-yuti-Surya]
[Guru-yuti-Mangala]
[Guru-yuti-Budha]
[Guru-yuti-Shukra]
- [Guru-Dhanus] much
philosophy * wide worldview * doctrine of inclusive diversity * broad scope of
guidance * humanistic ideology * permission to preach * expands the range of
beliefs * multiple theories * generous priests * global beneficence * many
sacred teachings
- [Guru in bhava-3] many messages
* extensive commerce * many photographs * numerous publications * s everal
collaborators * multiple transactions * many tours * frequent business trips *
many sales * numerous discussions * much detailed interaction * extensive
planning operations * variety of ensemble performances * evangelistic growth * s
o many meetings * patron of communications technologies * in a wifely nativity,
husbandly-companion may be a businessman-writer
- [Guru-yuti-Surya]
pitri-karaka * multiple father-figures * abundant confidence * much
radiance * believes in light * widens the scope of theatrical display *
permission to be the center of attention * humanistic political philosophy *
large-scale dramatic radiance
- [Guru-yuti-Mangala]
bhratri-karaka * multiple brotherly-figures * permission to
compete-and-win * expansive conquests * progressive philosophy * large-scale
invasive actions * vigorous champion of optimistic belief
- [Guru-yuti-Budha]
yukta-karaka * multiple sibling-teammate figures * permission
to deliver information
* abundant conversational messaging * believes in detailed communications *
expansive dialog * many announcements * wide scope of evangelism * talks about
philosophy * optimistic viewpoint in discussions
- [Guru-yuti-Shukra]
sodarya-karaka ** multiple feminine-figures * permission to make
deals * abundant pleasures * blossoming treasures * expansion of art *
inspirational music * optimistic diplomatic philosophy * large-scale alignments
* broad scope of partnerships * diverse financial arrangements
OUTCOMES - BRIHASPATI
[Guru-Dhanus] -3 rules
5+6+8+11
- bhava-3 writing publications management administration scheduling
- Meena-6
Karakamsha
= war, propaganda, servitude, colonialism
- 11th-from-Chandra
- 8th-from-Chandra
Astounding concentration of graha in 3 includes the combined rulers of 1 + 2
+ 3 + 6 + 7 + 8 + 9 + 11 + 12 = Mangala + Shukra + Budha [all three at 2-deg
Mula] + Surya + Guru [in Apah]
Icon of British Paternalism -
Guru-yuti-Surya
In his day, Kipling was an enormously feted writer and celebrated public
figure.
RK appeared to many of his Edwardian generation to have
epitomized
[Surya] the experience of a colonial ruling patriarchy, who were portrayed as
kindly wise overlords [Guru] providing principled understanding [Guru] to the
childlike, underdeveloped populations of their colonies.
Guru rogesha = conflict [6] from writing [3]
- Sadly, RK's literary reputation has not withstood the test of time.
Guru rules Meena-6-karakamsha
- Modern literary critics tend to disparage his characterizations as
condescending [Guru-Surya self-righteousness] rather than intriguing.
[Shukra]
svadu-karaka
[sweet]
kalatra-karaka
[wifely companion]
[energizing-identifying lagnesha
for Tulā indriya-lagna]
[mysterious-revealing
randhresha
for Tulā indriya-lagna]
...
[champion Mūla-1] [navamsha Shukra-Mesha] intuitively
competitive pioneering dominating financially suave negotiation of harmonious
contracts
[Shukra-yuti-Surya]
[Shukra-yuti-Mangala]
[Shukra-yuti-Budha]
[Shukra-yuti-Guru]
- [Shukra-Dhanus]
appreciation of humanistic belief * advocates for theory * attracted to teachers
* agrees with priests * pleased by broad perspective * prefers inspiring
partners * dogmatic arrangements * enjoys indoctrination * delighted by
philosophy * aesthetic of shared worldview
- [Shukra-3]
seeks pleasure via communications
* talks about relationships * s weetens the administrative tasks * s mooth
style of messaging * enjoys commercial harmony * pleasant retinue * s atisfied
by literacy * balanced numeracy skills * prefers collaborative teamwork *
aesthetically phrased announcements * appreciation of conversation * nice
designs to adorn the ears * attractive shoulders * lovely arms * graceful hands
* chatty sisters- aunts-neighbors * attuned to the cohort * likes musical groups
* fair-and-balanced reporting * in a husbandly nativity, wifely-companion may be
a manager-communicator-writer
- [Shukra-yuti-Surya]
balanced roles in drama * appreciation for political display * pleasantly
charming * self-focused diplomacy * radiant bright beauty * self-reflexive
bargaining * sweet entitlements * negotiating father-figure * self-directed
arrangements * focus on trade exchange * s olipsistic romance * idealistic
contracts * enjoys the game of deal-making * prefers self-confident partners
- [Shukra-yuti-Mangala]
sweetened conquests * gracious competition * appreciation for pioneering
innovation * aesthetic of sporting interactions * proactive negotiations *
musical brother-figure * competitive contracts * accommodating dual sexuality *
prefers relationships with energetic partners
- [Shukra-yuti-Budha]
sweetened messages * gracious explanations * talented in singing-songwriting *
articulate negotiations * advocates for reasoning process * talkative
feminine-figures * pleasant conversations * bargaining for business * s
ibling-cohort collaborative harmony * enjoys the company of students * detailed
contracts * prefers logical arrangements
- [Shukra-yuti-Guru]
sweetened expansions * gracious diversity * appreciation for philosophical
doctrine * adjustable catechism * numerous negotiations * humanistic agreements
* generous beauty * balanced patronage * arrangements according to priestly
paradigm of belief * prefers relationships with generous partners
OUTCOMES - SHUKRA
Astounding concentration of graha in 3 includes the combined rulers of 1
+ 2 + 3 + 6 + 7 + 8 + 9 + 11 + 12 = Mangala + Shukra + Budha [all three
at 2-deg Mula] + Surya + Guru [in Apah]
Shukra-3
occupies the trauma-inducing, discovering, revealing, danger-seeking
8th-from-Chandra ++
Bhrigu's affiliation with so many other graha could be expected to create a
variety of additional relationships.
Shukra-Mula occupies 6/8
from Chandra ++ Shukra activates Tula-indriya-lagna = the emotionally conflicted
[6th-from-Chandra]=
Shani-Tula-6
kalatrakaraka
Shukra-3
lagnesha + ruler of Chandra
Mūla takes potentially
annihilating risks. Mangala + Shukra + Budha [all three
at 2-deg Mula]
[Mūla] Shukra mixws outcomes = activates 1 + 1 [profoundly validating] + 6 +
8 [accusing, toxic, catastrophic, transformative]
Carrie [Shukra] and her publisher family [Chandra] were RK's exclusive
agents.
- They had structural control over RK's life
choices and his financial fortunes.
- Their comprehensive management of his literary work facilitated Kipling's
work being distributed throughout the Anglosphere.
Shani-1 rules professional-recognition 10th-from-Chandra = Kumbha-5
Shani restrictive drishti into RK's
Shukra-3-complex ++ Chandra occupies 6th-from-Chandra
- Carrie [Shukra] was said to have
organized
[Shani] every detail of their home life [Shani rules 4] so that her husband
could have the optimal writing conditions.
- Shukra accepting drishti
of [uchcha] Shani suggests a highly regulated professional writing
environment.
Due to Carrie's highly effective,
business-oriented ordering behaviors [uchcha] Shani-drishti into 3]
- RK produced a remarkable amount of impeccably well-prepared,
ready-for-publication creative
literature on a
regular pace
[Shani] throughout his lifetime.
RK's parents and his intimate, nourishing, comfort-zone [Chandra] lifestyle
were at permanent loggerheads
with Carrie. Yet Carrie very successfully
managed [3] the entire commercial
mechanism of getting his work marketed, produced, and sold [3 sales]
- Intense marital conflict ensued after Kipling's literary reputation had been
established.
- RK wanted more lifestyle freedom - particularly, to keep the company of the
men he preferred
- However, Carrie had so much business clout that he suffered her restrictions
in order to maintain his success
[Shani]
duro-karaka
[endurance] * jara-karaka
[Jahre, years]
[uchcha]
[ŚaśakaYoga]
[Yogakaraka
homebound-securing
bandesha
for Tulā indriya-lagna]
[Yogakaraka
speculative-creative
vidya-pati
for Tulā indriya-lagna]
...
[Atmakaraka
discipline, structure, order, hierarchy, conventionalism,
normalcy, rank, status, class, limits]
[imaginative Arcturus-4] [navamsha Shani-Meena] intuitively
dreamlike hierarchical class-conscious visionary structure
- [Shani-Tula] overburdened
agreements * restricted leverage * mandatory bargaining * strict rules for
making agreements * structural compression upon kidney-pancreas * rigidly
regulated match-making * must form socially approved partnerships * must honor
the lowest-common-denominator in deal-making * mandatory fairness *
must normalize social justice * unyielding obligatory diplomacy
* must advocate for equity * exchanges must be lawful * must
continue conventional negotiations * scarce trading resources * maintainer of
old bargains
- [Shani in Bhava-1]
time-structured personality * mature conduct * must produce under pressure * strictly orderly movement * regimented appearance * grim determination to survive
* tense competition * muscular fatigue
* required activity drills * chronically impeded self-expression *
bodily seizures * identified with heavy responsibility
* resists unnecessary change * often looks older * lives to work *
elders preserve class-conscious identity
OUTCOMES - SHANI
hardworking, disciplined Shani in
Bhava-1
rules
- 4-foundations, schooling
- 5-intelligence, creativity
Drishti of [uchcha] Shani into Dhanus-3 = discipline + control
PATRIOTIC ICON of the hierarchy of EMPIRE * the Sun Never Sets
[uchcha] [Shani in Bhava-1]
rules
- 4-homeland, patriotism, ethno-national sentiment, security, cultural
foundations
- 5-fame, creative arts, celebrity, prizes,
worldview Kumbha-5 =
10th-from-Chandra
RK won a stupendous number of literary prizes, not least of which was the
1907 Nobel Prize in Literature.
- Durokaraka Shani occupies the chronically emotionally unbalanced [6th-from-Chandra]
Shani activates Kumbha-5 Arudha
lagna
creative literature, prizes, acclaim, entitlements
Diligent [uchcha] [Shani in
Bhava-1] located in [6th-from-Chandra]
- casts His intense 3rd drishti
upon bhava-3 writing
- 7th-drishti upon bhava-7 contracts, fulfilling and maintaining RK's legal
arrangements
- 10th drishti upon bhava-10 public reputation =
3rd-from-Chandra
solidifying RK's public image as an exemplary citizen, father, and
patriot
Disciplined and Productive Literary Life * Shani -1 is Orderly
- RK wrote systematically, producing
hand-written drafts on a
schedule from " block-out" to
galley proof.
- Despite their personality mismatches, Rudyard and Carrie Kipling worked
together productively, for decades.
- Her support was integral to his literary success both ergonomically and
commercially.
- Carrie's [nīcha] Vṛścika-Chandra occupies RK's navamsha lagna, suggesting
an emotional partnership despite the underlying anger
[Vṛścika].
- Shani drishti to Shukra shows the discipline with which Carrie arranged
their family life in strict detail, so that Rudyard could continue to write at
home without unwanted interruption.
Shani-1 drishti into Kuja-3 = suppressed quarreling
Carrie was said to have been bitter
[Shani occupies [6th-from-Chandra]
about his regular, long sojourns from their home when RK either stayed with his
indulgent parents [Chandra] or commingled with other gentlemen of similar tastes
[Mūla] Kuja] .
- Friends honored Carrie Kipling for maintaining a household schedule [Shani]
that well supported his writing
- Yett the couple were known to live in a state of mutual grievance for
decades, living in a climate of persistent but
quietly dignified quarrelling.
Elder spouse * Shani
drishti upon Shukra while Shukra owns Shani
- Carrie was three + years elder to Rudyard
[Rahu]
rajyalobha-karaka
[ambition] picchala-karaka
[slippery]
[Chitra]
- [Rahu-Parthya]
shimmering illusion of humility * craving for crime * mask of
exploitive assistance * ambitious physicians * intriguing addictions * mirage of
medication * fascinating injuries * over-reaching accusations * amazing
illnesses * extraordinary arguments * may be obsessed with
servants-and-servitude * seeks special importance via apparent [but perhaps not
authentic] conflict management * shrewd dealings in sickness * ingenious
divorce * extravagant litigation * seeks privilege via
victim-roles
- [Rahu in bhava-12]
passion for prestige privacy * in svabhava of Saptarishi Guru,
the Shadowy Specter seeks glamorous invisible retreat * exciting culturally
mixed interior guidance * outsider who cleverly insinuates into visionary
roles * thrilling psychic adventures * seeks importance via enclosures *
exciting invisible events * opportunities via mother's beliefs *
extraordinary spirits * self-promoting dreams * exceptional results from
imaginative research * mesmerizing Other-Worlds *
trespasses
the cultural boundaries of private inspiration * may pose as a
dream-interpreter * may appear as a magician from distant lands
OUTCOMES - RAHU
[Rahu in bhava-12] ambition for
privilege via cultural mixing in enclosed, isolated, distant worlds
Chitra-Rahu-Parthya
imagination, drawings, privacy, casts
drishti into
- 4-homeland, cultural rhythms
- 6-death of children, disease, disagreement, jealousy, servitude, disintegration of
promises, loss of equity
- 8-mysteries, masks, containing the emotionally needy
Chandra in Rohini - Aldebaran
passion for being a foreigner
Rahu-12 drishti into 4-household + 8-identity-change
- RK loved to travel. He generated a lifetime pattern of international
house-shifts [4] which continued throughout his married adulthood.
- Needing transformative change [8] he shifted between Anglosphere settlements
in India his birth-land, England, New England [USA] and South Africa.
Budha-[Mūla] 3 phonetics rules Rahu-12
fascinating foreignness
For better or for worse, one of the strongest common images of India
transmitted to the outside world remains the charming tonal stereotypes of
Kipling's fiction
- A century later, the patronizing colonial philosophy is decidedly out of
date. However, most of Kipling's writing is still in print.
- Due mainly to the charm of his phonetic renderings, English-speaking
children worldwide are still being read
Rikki-Tikki-Tavi by their loving parents.
[Ketu]
kavandha-karaka
[headless] chidra-karaka
[gaping] vasana-karaka
[vacuum]
- [Ketu-Meena] sleepily
dissociates from isolated ashrama * incomplete gestalt * unlimited visionary
insight * wandering spirit guides * unsustainable sanctuary * dissolution of
private prayer * foggy boundaries of distant worlds * permeable understanding of
cetacean cultures * ignores restrictions on clairsentience * disarrayed dreams *
releases a golden oceanic cloud of wisdom into the misty abyss
- [Ketu in classroom-6]
[beneficial] ungrounded enemies * disregards criminal boundaries * absentee
maternal relatives * dissolves limits on medications * ambivalent toward
exploitations * disinterested in disagreement * disregards accusations * ignores
the physicians * walks away from sickness * abandons suffering * vacuous
conflicts * liberation via surrender of guilt-and-blame * unless other graha in
6, may prefer to live free from mother's relatives
OUTCOMES - KETU
Ketu in classroom-6 occupies
the emotionally motivated community-linking, gainful, friendly, goal-oriented,
socially-networked [11th-from-Chandra]
Many of RK's friends had eccentric [Ketu], potentially criminalized [6]
socially marginalized qualities [6] , but these detachments encouraged them to
form social clubs and networks of profitable Odd-Fellows [11] |