Writing and Publishing

born six months after

• The Tower 1865-1939 William Butler Yeats

born one month after

• POTUS-29 Teapot Dome 1865-1923 Warren G. Harding

author George Orwell called Kipling a "Jingo Imperialist"

Kipling recorded how the Victorian world finalized modernized in response to World War-1, and how Empire was experienced by different populations within it

Kipling produced vigorously race-hate language for anti-German propaganda

literary innovator in genre of short-story

children's books were hugely popular when published and remained so, despite his other prolific works having been denigrated as Victorian imperialist boastings

Celebrated British writer * Rudyard Kipling * 1865-1936

birth data from http://en.wikipedia.org/wiki/Rudyard_Kipling * tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = produced by Shri Jyoti Star * adapted by BP Lama

Rising Nakshatra

Masculine Nativities

Mriga-zirasa * Mraga * Marga-ziraza * Agrahayani

BPL commentary

For Mriga-zirshana births of a masculine valence, the condition of pioneering, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome.

For those born into the paradigm of Mangala-ruled Invaka, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, drivers, drillers, diggers, exploders, aggressors, pursuers, competitions and battles may be especially influential.

Instructional guidance is provided by the civilizations of Orion. Their purpose is to promote engaging, instinctive messages that conquer, compete, startle, stimulate, pioneer, attack, and provoke.

Verbally Incisive and Commanding

Gentlemen born within a nakshatra of Mangala are gifted with a knack for competition. Shrewd, verbally intimidating, and goal-directed in Mriga-Sirasa, they strive for dominance within their cohort. Mriga are often found in business management, commercial finance, sales, marketing, advertising, script-writing, publishing, propaganda, cinema, and media-communications.

Kuja-ruled Mriga-zirasa chaps tend to be pro-active, and energetic in pursuit of the win. Although their physique could be quite heavyset, their agility is surprising. Agrahayani-born are often found in politics, manufacturing, media-messaging, and commerce, especially in sales, marketing, and advertising roles where their energy delivers competitive advantage.

Mraga are often accurate marksmen, able to handle weapons and metal equipment. Agrahayani fellows may have a special affinity for quadruped animals, bands of brothers, and soldiers. Due to the crystalline structure of their noses, Mraga-born have an extraordinarily acute sense of smell.

Vrishabha - Urisha pada 1-2 represent the 7-12 angle and the Zukra-Kuja attraction. Those born in pada 1-2 pursue artistic communications, legal contracts, equity, and brokerage in secluded enclosures, such as research laboratories, private rooms, or the imagination. They have special gifts for fantasy, imagery, and distant worlds. Their goal is the formation of vitally valuable partnerships. Depending upon Yogakaraka Shani ruler of 9+10, the Vrishabha pada of Krittika have a stronger propensity toward governance roles,

Mithunaya - Dvamdva pada 3-4 represent the 6-11 angle and the Budha-Kuja tension of doing-vs-talking. Pada 3-4 are profit-driven and not averse to theft or breaking contracts for advantage. They have a special gift for marketplace systems. Friends (11) and enemies (6) have equal influence. Pada 3-4 may focus on friendships, economics, and dominating the competition..

Themes of forward movement, group activity, and sporting competition may contextualize Mriga's terrestrial experience. Applies also to Chandra in Mriga-zirshana.

QUOTATION from: Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra . p 80

"Unless other testimonies in the chart predominate to modify the effect of Mraga rising,

• these people may be very unpleasant characters.

They are inclined to be misanthropic in their attitude toward life and people.

• They seem always to see the worst side of people and of conditions.

They are suspicious of other peoples' motives

• and even vicious at times.

Unless checked, these thoughts will lead to vicious action

• and they can be quite dangerous to others whom they dislike.

Possibly this attitude is caused and aggravated by some permanent organic disability

• which is usually the lot of those who are born with Mraga rising."

Kipling in the late 1890's

Biographical details matched to Vimshottari Dasha calendar

• Jungle Book 1865-1936 Empire Rudyard Kipling

Rudyard Kipling in 1915 (RK age 50, at the height of his fame)

Chandra Mahadasha * age birth until age 0.5

• Chandra-Urisha * Chandra in Rohini * Chandra in classroom-1

30-Dec-1865 * Earth-birth in Bombay, Bombay Presidency, British India (now Mumbai, Gujarat, India) * Chandra-Zukra bhukti

Mangala Mahadasha * age 0.5 until age 7.5

• Mangala-Dhanuzya * Mangala in bhava-8 * Kuja-yuti-Surya * Kuja-yuti-Budha * Kuja-yuti-Guru * Kuja-yuti-Zukra

1871 Kipling's parents abandoned him and his sister in England, while mom and dad returned to India. The foster family bullied and abused him for three childhood years age 7-10 * Mangala-Ketu bhukti * Ketu abanadonment ++ Sade-Sati

Rahu Mahadasha * age 7.5 until age 25.5

• Rahu-Kanya - Parthya * Rahu in bhava-5

1886 published first poetry * Rahu-Zukra bhukti * Zukra lagnesha * Budha-yuti-Zukra

1890-91 Nervous breakdown including the death of his intimate friend Wolcott Balestier * Rahu-Mangala chidradasha * Kuja-8 rules 12, retreat, withdrawal

Guru Mahadasha * age 25.5 until age 41.5

• Guru-Dhanuzya * Guru in bhava-8 * Guru-yuti-Surya * Guru-yuti-Mangala * Guru-yuti-Budha * Guru-yuti-Zukra

18-Jan-1892 * exchange marriage vows with the sister of his deceased lover Wolcott Balestier, the publisher Carrie Balestier (Ballister) in London. (RK age 26) * Guru-Guru swabhukti * Guru rules Kany7th navamsha * samchara Rahu-Ketu via Vrishabha-Vrischika contact Chandra-Urisha

29-Dec-1892 * celebrated the birth of child-1 birth * Guru-Guru swabhukti

1894 published the widely celebrated children's story, Jungle Book * Guru-Shani bhukti * Shani rules 9-celebrity

May-1896 * public assault by Beatty Balestier = RK's brother-in-law, landlord, romantic interest, and publisher * Guru-Budha bhukti * Budha-8 hidden relationships rules Rahu-5 drama * Budha-yuti-Mangala aggressions

July-1896 * repatriated to southern England, with Carrie and family * Guru-Budha bhukti * Budha itineraries, schedules, travel

1897 published the celebrated children's book Captains Courageous * Guru-Budha bhukti * Budha publications

1898 * reportedly, marriage in decline * Guru-Ketu bhukti * Ketu apathy

Feb-1899 published the soon-to-be controversial White Man's Burden apprehended as a paean to imperialism * Guru-Ketu bhukti * Ketu-11 Commonwealth, empire

1899 * grieved the tragic decease of child-1 * Guru-Ketu bhukti * Ketu-11 occupies 7th-from-5th

Shani mahadasha * age 41.5 until age 60.5

• Shani-Thula * Shani in Bhava-6

Dec-1907 * Nobel Prize in Literature * Shani-Shani swabhukti * yogakaraka-uttama-Shani-6 rules 10th-from-Chandra,+++ Shani rules 9-celebrity, fortunes

22-Nov-1910 * grieved the decease of mother Alice Macdonald Kipling (RK age 45) * Shani-Budha bhukti * Budha rules 2nd-from-Chandra + Sade-Sati

Jan-1911 grieved the decease of father John Lockwood Kipling (RK age 45) * Shani-Budha bhukti * Budha rules 7th-from-Surya + Sade-Sati

• Janma Sade-Sati Urisha-1 = May-1912 until Jun-1914

27-Sept-1915 * grieved the tragic decease of child-3 (son John age 18 military service) * Shani-Zukra bhukti + Sade-Sati

Budha Mahadasha * age 60.5 until decease age 70

• Budha-Dhanuzya * Budha in bhava-8 * Budha-yuti-Surya * Budha-yuti-Mangala * Budha-yuti-Guru * Budha-yuti-Zukra

Shani Ashtamsha via Dhanuzya-8 = Dec-1928 until Apr-1931

18-Jan-1936 (RK age 70) dematerialization via brain hemorrhage * Budha-Rahu bhukti

Salient features of the Nativity

• Jungle Book 1865-1936 Empire Rudyard Kipling

IF...

a poem by Rudyard Kilpling

If you can keep your head when all about you

Are losing theirs and blaming it on you,

If you can trust yourself when all men doubt you

But make allowance for their doubting too,

If you can wait and not be tired by waiting,

Or being lied about, don’t deal in lies,

Or being hated, don’t give way to hating,

And yet don’t look too good, nor talk too wise:

If you can dream–and not make dreams your master,

If you can think–and not make thoughts your aim;

If you can meet with Triumph and Disaster

And treat those two impostors just the same;

If you can bear to hear the truth you’ve spoken

Twisted by knaves to make a trap for fools,

Or watch the things you gave your life to, broken,

And stoop and build ’em up with worn-out tools:

If you can make one heap of all your winnings

And risk it all on one turn of pitch-and-toss,

And lose, and start again at your beginnings

And never breath a word about your loss;

If you can force your heart and nerve and sinew

To serve your turn long after they are gone,

And so hold on when there is nothing in you

Except the Will which says to them: “Hold on!”

If you can talk with crowds and keep your virtue,

Or walk with kings–nor lose the common touch,

If neither foes nor loving friends can hurt you;

If all men count with you, but none too much,

If you can fill the unforgiving minute

With sixty seconds’ worth of distance run,

Yours is the Earth and everything that’s in it,

And–which is more–you’ll be a Man, my son!

Surya * pitrikaraka * Jyotikaraka

• Mula-Surya-Dhanuzya* Aditya * the unsplit, undivided * brightly charismatic confidence of Center-stage Surya radiates through the preaching-teaching philosophical rashi of Brihaspati
• Surya in bhava-8 * center of revelation and emergence * intelligence for trauma healing and rejuvenation * brightly transformative * focus on discovery * initiatory entitlements * father-figure plays disguised roles * eye on occulted mysteries * sparkling center of the secrecy-drama
• Surya-yuti-Kuja * confidently progressive * bright warrior * moves in alignment with the spiritual rays of the Sun * creatively intelligent brother-figures * self-reflexive political pursuits * champion of brilliant ideals * competitive father-figure * entitled to conquer * focused on winning * radiantly pioneering
• Surya-yuti-Budha * confidently conversational * bright messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * gestures conduct the spiritual rays of the Sun * radiantly descriptive * articulate in drama * skillful game-player * self-confident announcements * talks about ideals * narrative of power-politics * recites love poems * describes divine romance
• Surya-yuti-Guru * confidently expansive in drama * generous in games * smart children * permissive father-figure * brightly self-referential teachers * charitably manifests the spiritual rays of the Sun * creatively intelligent doctrine * entitled to philosophize * inclusively idealistic in romance
• Surya-yuti-Zukra * confidently harmonious * brightly creative bargainer * uniquely intelligent feminine-figures * entitled to pleasures * aesthetic expressions align with the spiritual rays of the Sun * financial politics * graciously creative * dramatic promises * radiantly diplomatic * self-reflexively attractive * father may be artist-broker-arranger

FATHER

Dad = John Lockwood Kipling. Dad was a teacher and artist Surya-yuti-Guru + Surya-yuti-Budha .

• Dad = a sculptor and professor of architecture Surya-yuti-Zukra . He held a prominent position in arts education in their British Colonial settlement in the great port of Bombay, India.
• Surya-yuti-Zukra indicates that Kipling enjoyed his relationship with his artist father.

International House Shifts * urya-8 rules 4 locality.

SRK generated a lifetime pattern of international house-shifts which continued throughout his married adulthood. Seeking transformative change, he moved often between India his birth-land, England, New England (USA) and South Africa.

PATRIOTIC ICON of GLOBAL UNITY * the Sun Never Sets

Surya-Dhanuzya rules 4-homeland

RK's Imperialistic literature and patriotic songs were wildly popular with Commonwealth and Euro-American readers during the heyday of the British Empire.

More than simply a literary author and songwriter, RK was a highly symbolic male personality. Admirers declared him to embody the genius (Surya) of a humanistic vision of global civilization Surya-Dhanuzya.

RK was the first English-language author to receive the Nobel Prize in Literature during the swabhukti of his yogakaraka dharmesha uttama-Shani. He remains the youngest writer ever to receive that prize

However, after the colonialist viewpoint had dissipated with the collapse of Empire following WW-2, RK's formerly praised genius was questioned. Eventually, literary critics disregarded RK's work as a romanticized artifact of Imperial culture.

After WW-2, RK's award of 1907 Nobel Prize in Literature began to be cited as a cautionary example of misguided enthusiasm among the tiny Euro-elite of prize-givers, and a call to be more alert to the political impact of Nobel Prizes.

Chandra * matrikaraka * garha-karaka

mulatrikona

atmakaraka

Chandra in classroom-1 rules Karkata-3 Karakamsha = writing, publication

uttama-Chandra rules Arudha lagna Karkata-3 = bhava-3 writing publications management administration scheduling

• Chandra-Urisha * uttama * moolatrikona * comforted by precious sensual values
• Chandra in Rohini * mulatrikona * comforted by lavish appreciation * protectors of luxurious domiciles * needs sensual caretaking
• Chandra in classroom-1 * comfort in glowing incandescent embodiment * familiar with kinetic energy * feels the beating pulse of muscular movement * accustomed to body-based emotional response * needs the energy flow of active pursuit * feels like a pioneer * soothed by championship * sensitive to new birth * seeks calming routine activities * undulating personality

Icon of British Paternalism

In his day, Kipling was an enormously feted writer and celebrated public figure. RK appeared to many of his Edwardian generation to have epitomized the experience of a paternalistic (Chandra) colonial ruling elite, who were portrayed as kindly protectors Chandra-Urisha , slowly educating the childlike, vulnerable populations of their colonies.

Chandra in classroom-1 RK's robust language praising king and empire resonated deeply with a people seeking pride in their ethnic identity.

Sadly, RK's literary reputation has not withstood the test of time. Modern literary critics tend to disparage his characterizations as condescending rather than intriguing.

Conflict and upheaval: Chandra occupies 6/8 from secretive Dhanuzya-8 = hidden liaisons, wife's family

Somana's 6/8 angle from the intensely clandestine activities of bhava-8 containing RK's Budha + Surya + Guru + Mangala + Zukra.

• RK would have experienced emotional conflict in virtually all of his life's activities. In particular, matters of the identity (1) and cultural customs (Chandra-1) would have been contentious and potentially toxic.
• RK's sexual tastes Zukra+Kuja in Mula-8 created undisclosed relationships which were incompatible with cultural conventions.

MOTHER

Mom = Alice Macdonald Kipling, an artist and socialite. She was admired for her beauty and her wit. a popular entertainer, a familiar figure to all in their Anglo-Indian social class, a writer and conversationalist, one of four celebrity sisters * Chandra rules 3-siblings. Her personality and social connections aided her son's career.

Defining influence of Mother and parents-overall

Chandra in classroom-1 = personally identified with and emotionally close to both parents during his entire lifetime. RK often took long solo visits with his parents, leaving his wife and children behind.

RK's parents viscerally disliked his wife * Zukra-8 in awkward angle shad-ashtaka 6/8 toward Chandra-1 +++ Zukra-8 -Mula located in 8th-from-Chandra

Complex, hidden relationships * 8th-from-Chandra-1

Extramarital partners appear via four graha yuti Zukra.

The additionals are located in camouflaged bhava-8 suggesting a code of secrecy among the extras, who generally all knew each other. RK belonged to a literary men's club in London where he socialized with men like himself who identified with masculinity and Empire.

• The men with whom RK socialized in England, New England, and South Africe, were reportedly not enamored of the frustrated and controlling Mrs. Kipling. She was nonetheless an unmoveable presence in RK's life seen via strict Shani in 7th navamsha ++ her Vrischika Chandra in his 7th-from-Chandra-1

Wife's family = 8 = 8th-from-Chandra * contains Zukra + Kuja + Budha (all in Mula) + Surya + Guru.

One of her brothers, the author-publisher Wolcott Balestier, is said to have been Kipling's romantic lover. Another of her brothers Beatty Balestier (Ballister) was their landlord in Vermont, USA; he was also Kipling's marketing, distribution, and publishing agent upon whose good will Kipling's career much depended.

Kipling had an extremely complex and demanding relationship with his in-laws.

• Recently uncovered Literary correspondence, hidden since the 1880's, suggests that RK had passionate involvement with both of his wife's brothers.
• Despite having been very productive in New England living near his wife's family, after a violent disagreement with his brother-in-law, RK suddenly removed his young family back to southern England.

His in-laws operated the publishing house which handled his promotions, distributions, and royalties. RK never worked with any other publishers.

MARRIAGE partnership mutual support expectations

7th-from-Chandra-1

• = = bhava-7 contractual relationships. RK was married once. The union was said to be enduring, but unhappy.

7th-from-Chandra ruled by Mula-Kuja-8 ++ Mula-Kuja-8 takes drishti from disciplining uttama-Shani-6

Their marriage was said to have been lacking attraction while holding customary roles .RK's Chandra in classroom-1 expresses emotional alignment with family protection, housekeeping, and parenting. He adored his children and was devastated when 2 of his three children died before finishing their 18th year.

RK was promoted as a model parent-writer, who produced much-beloved books for children. However friends reported that his spousal affections were limited. RK took extended trips to visit male friends, or his parents (Chandra) leaving his wife unsupported for long periods of time. Intensifying matters is the powerful uttama-Chandra in 6/8 adversarial shad-ashtakya to kalatra-karaka Zukra, suggesting that RK's emotional nature was misaligned with that of his wife..

Comfort Zone

Chandra in Vrishabha * rules the managing, commercial 3rd-from-Chandra familiar rhythms and routines. Karkata 3 = also the arudha lagna ++ the karakamsha. This geometry suggests that one is most comfortable emotionally when working on a project. Carrie and Rudyard produced a lifetime of literary projects, and most of them enjoyed significant commercial success.

Loss of two children * 6 graha in 12th-from-5th

TrTragically, two of his three children died prematurely: a daughter of pneumonia age-6 and a son by shrapnel in WW-1 age-18. Attributable to the weight of graha in 4.

Kuja * bhratru-karaka * virya-karaka

* Vimala yoga

Mangala = ashtangata within 17 degrees of Surya

• Mangala-Dhanuzya * vigorous development of humanistic worldview* thrust toward doctrinal expansion * proactive teaching-preaching * promotes philosophical globalism * champion of broad understanding * pursues patronage
• Mangala in bhava-8 * drive toward discovery * pursuit of rebirth * revolutionary dynamics * invasive transformations * vigorous revelations * energized mysterious conquests
• Kuja-yuti-Surya * kinetic creativity * glorious innovator * high-energy confidence * dynamic genius * dominating force joins willful charm * competitive politics * brilliant winner * physically active father-figure * vigorous theatrical display
• Kuja-yuti-Budha * communicative competitions * energized signaling * dynamic reporting * clipped speech patterns * abrupt announcements * masculine messaging patterns * pushes toward direct commands * forward thrusting gestures * incisive speech * forceful writing
• Kuja-yuti-Guru * multiple competitions * many brother-figures * energized growth * dynamic generosity * masculine force joins optimistic expansion * champion of humanistic worldview * potential for aggressive preaching * indoctrinating actions
• Kuja-yuti-Zukra * dual sexuality * energized bargaining * dynamic trading * masculine force joins feminine allure * sweetly harmonized with competitors * champion of equality

Marriage Challenges, Opportunities, Protections * vimala yoga

Mangala-Dhanuzya yuti Surya-Dhanuzya yuti Zukra-Dhanuzya yuti Guru-Dhanuzya yuti Budha-Dhanuzya

• Mangala yuvathipathi + vyayapathi
• Kuja-8-Mula rules both 7 and the marriage-adversarial 6th-from-7th
• Kuja + Zukra + Budha occupy Mula
• Kuja rules 7th-from Chandra in classroom-1

Kuja involved RK in numerous discreet relationships with men (including with both of Carrie's brothers) which caused increasing unhappiness in hthe marriage.

Kipling accounted the earliest years of life to have been blissful and idyllic. He remembered the joy of a close supportive bond with his parents (7 = 4th-from-4th + 7th-from-Chandra), their siblings (his uncles and aunts) and his younger sister.

Mula-8 = Guru + Budha + Kuja-Mula = secrecy, violence, traumatic abuse

RK recounted deep scars due to physical violence and psychological bullying = Kuja-Ketu bhukti ++ Sade-Sati

• Age six, RK was shipped to England, thousands of miles away from his family in Bombay. The hostess with whom his parents boarded him was viciously strict with harsh beatings and punishment for moral correction. When RK's mother discovered the abuses, she quietly removed him and nothing was mentioned (Ketu) until years later.

Budha * bandhava-karaka * zisya-karaka

• Budha-Dhanuzya * priestly communications* theoretical discourse * inspirational conversations * articulation of sacred beliefs * doctrinal pronouncements * sends messages about broad worldview * descriptive philosophical understanding * specifically defined interpretive principles * explains the indoctrination procedure * expertly detailed sermons * ideological programming * hands-arms-shoulders send preaching gestures
• Budha in bhava-8 * narrative of hidden information * mysterious facts * unexpected eruptions of factual data * shocking revelation * speaks-and-sings about dynamic rebirth * detailed discoveries * describes transformative change * explains initiation * delivers instructions for new identity * hand-arm gestures signal healing renewal
• Budha-yuti-Surya * amusing explanations * central roles in communication * brightly clear descriptions * dramatic enunciation * confidently delivers instruction * articulation of radiant certainty * political messenger * talkative father-figures
• Budha-yuti-Mangala * competitive communications * scripted actions * impatient conversations * potential for sexualized messaging * penetrating explanations * direct instruction * signals forward action * pioneering movement * outspoken opinions * talkative brother-figures
• Budha-yuti-Guru * explainer of ideology * descriptive preaching * professorial explanations * theoretical discourse * instructs in sacred doctrine * articulation of charitable generosity * optimistic messages * expansive scope of documentary reporting * numerous specific announcements * detailed guidance * verbalizing paternal figures
• Budha-yuti-Zukra * explainer of balanced arrangements * diplomatic conversations * parity-seeking discussions * manual adjustments * enjoys words * sweet descriptions * delivers instruction about relationships * articulator of equity in agreements * message of fairly bargained contracts * skilled in songwriting * talkative sister-cousin-cohort * detailed lyricist * attracts chatty partners

Bantering Budha rules Mithunaya 10th navamsha = publishing

Kipling's imaginative fantasy writings with their signature phonetic sing-song verse became extremely famous and celebrated throughout the Anglosphere

Using a phonetic style that was easy for English readers of all social classes to read-out-loud to their children, Kipling became a darling of children's literature. This clever orthography (Chandra-1-uttama rules 3-writing systems) pleasantly expressed the translation (3) of the Indic phonology was received by Anglo ears.

• Budha narratives rules 2-banking, stories + 5-fame, creative arts
• Budha rules 2-5 from Vrishabha-Chandra

Budha-Dhanuzya (sounds, speech, stories)

• words: historic language, stored knowledge, story-telling bhava-2

vidyapathi romance = Budha-8-Mula in mysterious 8th-from-Chandra

• Writing dozens of influential books about mystical international settings
• Nobel Prize in Literature, 1907

Budha-8 hiding rules 2- genetic lineage

• Kipling's only son was killed in WorldWar-1 age 18. Kipling had no brothers and no surviving sons, therefore his male lineage ended with him.

Guru * dhavakaraka * bahuta-karaka

• Guru-Dhanuzya * mulatrikona * much philosophy * wide worldview * doctrine of inclusive diversity * broad scope of humanistic guidance * expands the range of beliefs * multiple theories * generous priests * global beneficence * many sacred teachings
• Guru in bhava-8 * much secrecy * many sudden changes * many confidences * multiple trauma events * numerous identity transformations * generous in-laws * extensive tantra * expansion of undisclosed forces * abundance of initiations * many mysteries * generation of emergencies * hidden teachers * believes in invasive healing * patron of rejuvenating surgeries * in a wifely nativity, husband-figure may be a secretive healer
• Guru-yuti-Surya pitri-karaka * multiple father-figures * abundant confidence * much radiance * believes in light * widens the scope of theatrical display * permission to be the center of attention * humanistic political philosophy * large-scale dramatic radiance
• Guru-yuti-Mangala bhratri-karaka * multiple brotherly-figures * permission to compete-and-win * expansive conquests * progressive philosophy * large-scale invasive actions * vigorous champion of optimistic belief
• Guru-yuti-Budha yukta-karaka * multiple sibling-teammate figures, abundant conversational messaging, much detailede humanistic philosophy, large discussions
• Guru-yuti-Zukrara sodarya-karaka ** multiple feminine-figures * permission to make deals * abundant pleasures + treasures * expansion of art + music * optimistic diplomatic philosophy * large-scale alignments * broad scope of partnerships * diverse financial arrangementsts

Hidden Relationships, Camouflaged Identities

Guru the Multiplier rules 8th-from-Chandra transformation of identity. Bhava-8 contains = Kuja + Zukra + Budha + Surya + Guru.

Double-8 Guru generates secrecy and mystery

• Guru rules secretive 8 + profitable 11 from Vrishabha radical lagna
• Guru rules secretive 8 + profitable 11 from Vrishabha-Chandra

Zukra * svadhu-karaka * kalatra-karaka

• Zukra-Dhanuzya * appreciation of humanistic belief * likes broad perspectives * attracted to teachers and priests * pleasures of theory * dogmatic arrangements * enjoys indoctrination * aesthetic of philosophical worldview
• Zukra-8 * seeks pleasure via occult secrets * enjoys rejuvenating relationships * balanced healing arts * aesthetic of non-disclosure * camouflaged arrangements * hidden equity * pleasing designs to adorn the sexual-reproductive organs * likes initiation * transformed by feminine-figures * delighted by sudden renewal * pleasant in-laws * appreciation of identity change

• Zukra-yuti-Surya * balanced roles in drama * appreciation for political display * theatrical negotiations * self-focused diplomacy * radiant bright beauty * self-reflexive bargaining * sweetly confident entitlements * enjoys games * negotiating father-figure * intelligent arrangements * focus on trade exchange * self-directed romance * idealistic contracts * match-making according to father's choice or self-will
• Zukra-yuti-Mangala * sweetened conquests * gracious competition * appreciation for pioneering innovation * aesthetic of sporting interactions * proactive negotiations * musical brother-figure * competitive contracts * accommodating sexuality *prefers relationships with energetic partners
• Zukra-yuti-Budha * sweetened messages * gracious explanations * talented in singing-songwriting * articulate negotiations * talkative feminine-figures * pleasant conversations * bargaining for business * sibling-cohort communicative harmony * enjoys the company of students * detailed contracts * logical arrangements
• Zukra-yuti-Guru * sweetened expansions * gracious diversity * appreciation for philosophical doctrine * adjustable catechism * numerous negotiations * humanistic agreements * generous beauty * balanced patronage * arrangements according to priestly paradigm of belief

Zukra-8ra-8 = 8th-from-Chandra ++ Bhrigu's affiliation with so many other graha could be expected to create a variety of additional relationships.

Zukra-8 rules 1-identity ++ 6-conflict, disagreement, distrust +++ 6 contains uttama-Shani)

kalatrakaraka = discipline + control * Drishti of uttama-Shani into 8

Carrie and her publisher family were RK's exclusive agents. * cluster of Graha yuti Zukra.

Their comprehensive management of his literary work facilitated Kipling's work being distributed throughout the Anglosphere.

Conflict ensued after Kipling's literary reputation had been established and he wanted more lifestyle freedom (particularly, to keep the company of the men he preferred). However, his wife's family had so much clout that he suffered their restrictions in order to maintain his career.

His wife was said to have been bitter about his regular, long sojourns from their home when he commingled with other gentlemen of similar background.

Zukra-Mula occupies 6/8 from Chandra ++ Zukra rules the emotionally conflicted 6th-from-Chandra = Shani-Thula-6

Effective if unappreciated

Carrie (Zukra) was said to have organized every detail of their home life (4, 7) so that her husband could have the optimal writing conditions. Zukra accepting drishti of uttama-Shani suggests a highly regulated professional writing environment. Due to Carrie's relentless ordering behaviors, RK produced a remarkable amount of ready-for-publication creative literature on a regular pace throughout his lifetime.

Shani * duro-karaka * jara-karaka

yogakaraka rules 9+10

uttama-Shani-6 rules 10th-from-Chandra

• Shani-Thula * uttama * heavy old agreements * restricted leverage * mandatory bargaining * strict rules for making agreements * structural compression upon kidney-pancreas * rigidly regulated match-making * limitations upon socially approved partnerships * must honor the lowest-common-denominator in deal-making * mandatory fairness * must normalize social justice * must work in structures of unyielding diplomacy * must cooperate with slow elderly counselors*exchanges must be lawful * must continue conventional negotiations * scarce trading resources
• Shani in Bhava-6 (beneficial placement) * Structured, orderly, time-conscious enemies * must serve the chronic victims * outlasts the adversaries * survives military siege * tense digestion * cautiously conventional crimes * relentless criticism * obligatory guilt * constitutional illness-injury * tolerance for servitude * aging physicians * enduring diseases * service fatigue * helper's burnout * prevents innovative treatments * blocks new medications * professional social workers * patiently aids the disadvantaged * steady healthworker * accepts the rules of medical institutions * lawfully supports the sick * excellent for herbalist + pharmacist * follows protocols for social problems * mature approach to drug addiction + abuse + crime * governs the poor * regulates debt * legislates loans * respected elder of an oppressed people

Uttama-Shani in Bhava-6 rules celebrity, international, worldview Makara-9 = 10th-from-Chandra,

Shani rules bhava-9 internationalism, humanism, wide-worldview, celebrity, fortunes

Diligent Shani casts His intense 3rd drishti upon bhava-8 + 12 + 3. = 3rd-from-Chandra

Disciplined and Productive Literary Life * Shani Orderly

• Despite their personality mismatches, Rudyard and Carrie Kipling worked together for decades. Her support was integral to his literary success both ergonomically and commercially.
• Shani drishti to Zukra shows the discipline with which Carrie arranged their family life in strict detail, so that Rudyard could continue to write at home without unwanted interruption.

Shani drishti into Kuja = suppressed quarreling

Friends honored Carrie for maintaining a household schedule that well supported his writing, but the couple were known to be unhappy for decades, living in a climate of persistent but quietly dignified quarrelling.

Elder spousese

Carrie was three + years elder to Rudyard. = Shani drishti upon Zukra while Zukra owns Shani

Rahu * rajyalobha-karaka * picchala-karaka (slippery)

• Rahu-Kanya - Parthya * shimmering illusion of humility * craving for crime * mask of exploitive assistance * ambitious medicating physicians * intriguing addictions * mirage of humble service ministry * fascinating injuries * over-reaching concern with injustice * amazing illnesses * extraordinary arguments * may be obsessed with servants-and-servitude * seeks special importance via apparent (but perhaps not authentic) engagement with high-conflict scenarios * shrewd dealings in sickness * ingenious divorce * extravagant litigation * seeks privilege via victim-roles
• Rahu in bhava-5 * passion for politics * hungry for celebrity * fascinating romance * extraordinary games * in swabhava of Splendid Surya, the Shadowy Specter seeks privilege via exceptional children (often adopted) * outsider who cleverly insinuates into center-stage creative roles * culturally mixed entertainment * amplified poetic idealism * enchanting individual charisma * flamboyant fashion * unusual autobiography * craves attention * intriguing displays of creative genius * seeks important roles in performance art * unconventional literary expression * desires royal entitlement * mesmerizing pageantry * entrancing dramatic splendor * opportunistic lovers * ambitious games-players * may wear the persona (mask) of a thespian * pretensions intellectuality * thrilling demonstrations in the eye of the camera * boundary-breeching politics

Rahu in bhava-5 ceremonies, creativity awards casts drishti into

• 9-fortune, internationalism, dharma-worldview
• 11-profits, revenues
• 1-personality, appearances

Privilege-seeking Rahu in bhava-5-celebrity casts drishti upon Chandra-1-uttama-identity

RK won a stupendous number of prizes, not least of which was the 1907 Nobel Prize in Literature.

RK was born into a celebrated family . His mother and her three sisters were famed for their beauty and creativity; all the sisters married elite men. RKs early years were said to have been pampered and pleasant. His parents' artistic accomplishments were helpful in raising the social profile of RK's own artistic, literary, and other public endeavors.

Rahu in bhava-5 ambition for privilege via creative arts, publications, political drama

FAME * Budha speech rules Rahu creative literature

A century later, the patronizing colonial philosophy is decidedly out of date. However, most of Kipling's writing is still in print. English-speaking children worldwide are read Rikki-Tikki-Tavi by their parents - due mainly to the charm of his phonetic renderings. For better or for worse, one of the strongest common images of India transmitted to the outside world remains the charming tonal stereotypes of Kipling's fiction

Ketu * kavandha-karaka * chidra-karaka

• Ketu-Meena * sleepily dissociates from isolated ashrama * incomplete gestalt * unlimited visionary insight * wandering spirit guides * unsustainable sanctuary * dissolution of private prayer * foggy boundaries of distant worlds * permeable understanding of cetacean cultures * ignores restrictions on clairsentience * disarrayed dreams * releases a golden oceanic cloud of wisdom into the misty abyss
• Ketu in classroom-11 * eccentric friends * no limits on profitability * dissolves barriers in community * peculiar social network * vacuous associations * irrelevance of material goals * ambivalence toward economics * disappearing elder siblings * disregards social awards * ignores marketplace norms * abandons large group systems * unless other graha occupy 11, may prefer to live free from socializing = off-the-grid.

Ketu occupies the emotionally motivated community-linking, gainful, friendly, goal-oriented, socially-networked 11th-from-Chandra RK did not bring his friends to his home.

How Readings Work * Sample Gem Recommendation Report * Seva

updated: :25 February 2020

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