Rudyard Kipling poetic fiction songwriter 1865-1936 * BP Lama Jyotishavidya

born six months after

The Tower 1865-1939 William Butler Yeats

born one month after

POTUS-29 Teapot Dome 1865-1923 Warren G. Harding

author George Orwell called Kipling a "Jingo Imperialist"

Kipling recorded how the Victorian world finalized modernized in response to World War-1, and how Empire was experienced by different populations within it

Kipling produced vigorously race-hate language for anti-German propaganda

literary innovator in genre of short-story

children's books were hugely popular when published and remained so, despite his other prolific works having been denigrated as Victorian imperialist boastings

poet

novelist

songwriter

Anglo-Indian newspaper journalist

short-story author

celebrated litterateur

1907 Nobel Prize in Literature

narrative themes of British Empire

Rudyard Kipling

a.k.a. Joseph Rudyard Kipling

Earth-birth Saturday-30-Dec-1865

dematerialization 18-Jan-1936 [age 70]

Link to NYT review of Kipling's legacy

Celebrated British writer of fiction, songs, slogans

narratives of Empire and colonialism

Rudyard Kipling

1865-1936

birth data from http://en.wikipedia.org/wiki/Rudyard_Kipling

tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = produced by Shri Jyoti Star - adapted by BP Lama

Rising Nakshatra

Masculine Nativities

Chitra-Spica

Citthirai * Vismakarma * Azinech * Alaraph * Arista * Dana

BPL commentary

For Chitra - Tvastri births of a masculine valence, the condition of kinesthetic, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome.

For those born into the Mangala-ruled paradigm of Visvakarma, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, builders, drivers, drillers, diggers, exploders, aggressors, pursuers, competitions and battles may be especially influential.

Guided by instructors from civilizations of Spica. Their purpose is architectural engineering and crafting of beautiful, functional, and artistic alliances, arrangements, and designs.

Designs + Arrangements

[Kuja] -ruled Chaitra fellows have a knack for competition. Goal-oriented and kinetic in building, patterning Tvastri, they strive for dominant power in engineering, artisan mechanics, architecture, and applied design arts such as skilled handcraft. As authors, Chaitrika often illustrate their works with fine drawings. Tvastri-born have a natural affinity for tools, engines, driving, building.

Kanya pada 1-2 express Kuja's rulership of 3-writing + 8-mystical transformations, while also displaying the frustrating tension of chatty Budha versus active Kuja. Literary Budha plays a stronger role for pada 1-2, producing scholars and writers who argue about architectonics, engineering design, color values, and mechanics. Pada 1-2 = also skilled in handcraft and may be professors-cum-tradesmen, fine-arts painters, model-builders, or practicing musicians.

Tula-Vanika pada 3-4 express Kuja's rulership of 2-collections, assets + 7-contractual equity. Shukra's bargaining behavior and financial skills play a stronger role for pada 3-4, who enjoy the mutual attractions of Shukra-Mangala. In music, arts, and engineering, they pursue harmonious arrangements. They often play stringed instruments, and write beautiful songs. Chaitrika pada 3-4 can be found in the design world, in financial negotiations, and in dynamic meditator roles.

Themes of productive touch including artistic design, musical instruments, mechanical engineering, and crafting of dynamic arrangements contextualize Vismakarma's terrestrial experience. Incoming drishti from Kuja can mobilize their progressive, pioneering actions. Also applies to Chandra in Chitra-Spica.

QUOTATION from Shil-Ponde. [1939] .Hindu Astrology Joytisha-Shastra.p 84

"Chitra natives are quiet, thoughtful, and profound.

Very slow in movement and of great dignity in bearing and manner.

they like to read books on serious and philosophical subjects.

they make good students in their youth.

they are also extremely clever with their hands,

which are strong, supple, and dexterous.

they like to do things or fashion things with their hands

and could be sculptors or artists or surgeons."

Kipling in the late 1890's

1915, Rudyard Kipling age 50, at the height of his fame

Jungle Book 1865-1936 Empire Rudyard Kipling was enormously feted during his lifetime due to the extraordinary power of his communicative [uchcha] Rohini-Chandra-1 ruler of 3, ruler of 3rd-from-Chandra, 3 = arudha lagna, 3= karakamsha, ++ Rahu-5 drishti into Chandra-1. RK's parents [Chandra=1] were socialite-artists and RK was very close to them. They supported his every literary endeavor.

IF... a poem by Rudyard Kipling

If you can keep your head when all about you

Are losing theirs and blaming it on you,

If you can trust yourself when all men doubt you

But make allowance for their doubting too,

If you can wait and not be tired by waiting,

Or being lied about, don’t deal in lies,

Or being hated, don’t give way to hating,

And yet don’t look too good, nor talk too wise:

If you can dream–and not make dreams your master,

If you can think–and not make thoughts your aim;

If you can meet with Triumph and Disaster

And treat those two impostors just the same;

If you can bear to hear the truth you’ve spoken

Twisted by knaves to make a trap for fools,

Or watch the things you gave your life to, broken,

And stoop and build ’em up with worn-out tools:

If you can make one heap of all your winnings

And risk it all on one turn of pitch-and-toss,

And lose, and start again at your beginnings

And never breath a word about your loss;

If you can force your heart and nerve and sinew

To serve your turn long after they are gone,

And so hold on when there is nothing in you

Except the Will which says to them: “Hold on!”

If you can talk with crowds and keep your virtue,

Or walk with kings–nor lose the common touch,

If neither foes nor loving friends can hurt you;

If all men count with you, but none too much,

If you can fill the unforgiving minute

With sixty seconds’ worth of distance run,

Yours is the Earth and everything that’s in it,

And–which is more–you’ll be a Man, my son!

Biographical details matched to Vimshottari Dasha calendar

Jungle Book 1865-1936 Empire Rudyard Kipling

Chandra Mahadasha * age birth until age 7.1

[Chandra-Urisha] [Chandra in Rohini-Aldebaran] [Chandra in classroom-8]

30-Dec-1865 * Earth-birth in Bombay, Bombay Presidency, British India [now Mumbai, Gujarat, India] Chandra-Rahu bhukti

1871 [RK age 6] Kipling's parents abandoned him and his sister in England, while mom and dad returned to India. The foster family bullied and abused him for three childhood years age 7-10 * Chandra-Shukra bhukti * Shukra rules 6th-from-Chandra ++ Sade-Sati

Mangala Mahadasha * age 7.1 until age 14.1

[Mangala-Dhanus] [Mangala in bhava-3] [Kuja-yuti-Surya] [Kuja-yuti-Budha] [Kuja-yuti-Guru] [Kuja-yuti-Shukra]

Rahu Mahadasha * age 14.1 until age 31.1

[Rahu-Parthya] [Rahu in bhava-12]

1886 [RK age 21] published first poetry * Rahu-Shani bhukti * Shani rules 5 = 3rd-from-3rd

1890-91 [RK age 26] Nervous breakdown, including the death of his intimate friend Wolcott Balestier - Rahu-Ketu bhukti * Ketu disorientation, severance

18-Jan-1892 [RK age 26] consecration of marriage-1-of-1 with the publisher Carrie Balestier [Ballister] in London. She was the sister of his deceased lover, Wolcott Balestier, of the noted publishing family. * Rahu-Shukra bhukti * samchara Rahu-Ketu via Vṛṣa-Vṛścika contact Chandra-Urisha

29-Dec-1892 [RK age 27] celebrated the birth of child-1 * Rahu-Shukra bhukti * * samchara Rahu-Ketu via Vṛṣa-Vṛścika contact Chandra-Urisha

1894 [RK age 29] published the acclaimed children's story Jungle Book * Rahu-Surya bhukti * Surya-3 publication rules 11-accomplishments, awards

May-1896 [RK age 31] public assault by brother-in-law Beatty Balestier, who was RK's landlord, romantic interest, and publisher * Rahu-Chandra bhukti * Chandra-8 hidden relationships

Jul-1896 [RK age 31] repatriated to southern England, with Carrie and children * Rahu-Chandra bhukti * Chandra homeland

1897 [RK age 32] published Captains Courageous, the celebrated children's book * Rahu-Mangala chidra-dasha [Kuja-yuti-Budha] -3

Guru Mahadasha * age 31.1 until age 47.1

[Guru-Dhanus] [Guru in bhava-3] [Guru-yuti-Surya] [Guru-yuti-Mangala] [Guru-yuti-Budha] [Guru-yuti-Shukra]

1898 [RK age 33] reportedly, marriage in decline * Guru-Guru svabhukti * Guru rogesha

Feb-1899 [RK age 34] published the soon-to-be controversial White Man's Burden apprehended as a paean to imperialism * Guru-Guru svabhukti * Guru-3 rules 3 publications + 6-controversy

1899 [RK age 34] grieved the tragic decease of child-1 [daughter, age 6, via pneumonia] Guru-Guru svabhukti * Guru rules 2nd-from-5 = decease of eldest child

Dec-1907 [RK age 42] Nobel Prize in Literature - Guru-Shukra bhukti * Shukra-3 writing lagnesha

22-Nov-1910 [RK age 45] grieved the decease of mother Alice Macdonald Kipling * Guru-Mangala bhukti * matrimaraka Mangala activates 2nd-from-Chandra + dvadasa Sade-Sati

Jan-1911 [RK age 45] grieved the decease of father John Lockwood Kipling * Guru-Mangala bhukti * Mangala rules 12th-from-Chandra + dvadasa Sade-Sati

Shani mahadasha * age 47.1 until age 66.1

[Shani-Tula] [Shani in Bhava-1]

May-1912 until Jun-1914 Janma Sade-Sati Urisha * overlaps Shani-Shani svabhukti

27-Sep-1915 [RK age 50] grieved the tragic decease of child-3 [son John age 18 killed in WW-1 fighting] * Shani-Shani svabhukti * Shani rules 2nd-from-9th-from-Chandra = decease of child-3 + dvithya Sade-Sati

Budha Mahadasha * age 66.1 until dematerialization age 70

[Budha-Dhanus] [Budha in bhava-3] [Budha-yuti-Surya] [Budha-yuti-Mangala] [Budha-yuti-Guru] [Budha-yuti-Shukra]

Shani Ashtamsha via Dhanus-8 = Dec-1928 until Apr-1931

18-Jan-1936 [RK age 70] decease via brain hemorrhage * Budha-Ketu bhukti

Salient features of the Nativity

Jungle Book 1865-1936 Empire Rudyard Kipling

[Surya]

pitri-karaka [father] jyoti-karaka [light]

[friendly-gainful vriddhi-pati forTulā indriya-lagna]

[bright center of doctrinal messages]

[creative business in inspirational slogans]

...

[dramatic-creative Pūrvāṣāḍhā-1] = [navamsha Surya-Simha] confidently celebrated-displayed

[Surya-Dhanus] Aditya * the unsplit, undivided * brightly charismatic confidence of Center-stage Surya radiates through the preaching-teaching philosophical rashi of Brihaspati
[Surya in bhava-3] center of commerce * mercantile intelligence * smart reports * dramatic instructional delivery * creative descriptions * sparkling retinue * splendid games of manual-skill * self-referential announcements * admirable handcraft * cinematic genius * smart technology * focus on teamwork * entertaining explanations * administrative entitlements * confident writing * eye on process management * regal messaging * bright center of discourse * brilliant gesturing * father may be a businessman-craftsman-communicator
[Surya-yuti-Kuja] confidently progressive * bright warrior * moves in alignment with the spiritual rays of the Sun * creatively intelligent brother-figures * self-reflexive political pursuits * champion of brilliant ideals * competitive father-figure * entitled to conquer * focused on winning * radiantly pioneering
[Surya-yuti-Budha] * confidently conversational * bright messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * gestures conduct the spiritual rays of the Sun * radiantly descriptive * articulate in drama * skillful game-player * self-confident announcements * talks about ideals * narrative of power-politics * recites love poems * describes divine romance
[Surya-yuti-Guru] confidently expansive in drama * generous in games * smart children * multiple father-figures * brightly self-referential teachers * charitably manifests the spiritual rays of the Sun * creatively intelligent doctrine * entitled to philosophize * inclusively idealistic in romance
[Surya-yuti-Shukra] confidently harmonious * brightly creative bargainer * uniquely intelligent feminine-figures * entitled to pleasures * aesthetic expressions align with the spiritual rays of the Sun * financial politics * graciously creative * dramatic promises * radiantly diplomatic * self-reflexively attractive * father may be artist-broker-arranger

FATHER

Dad = John Lockwood Kipling.

Dad was a design teacher and artist in Bombay for most of his life. Surya-yuti-Guru + [Surya-yuti-Budha] .

Dad = a sculptor and professor of architecture Surya-yuti-Shukra .
Dad held a prominent position in arts education in their British Colonial settlement in the great port of Bombay, India.
[Surya-yuti-Shukra] indicates that Kipling enjoyed his relationship with his artist father.

nevertheless, Surya-3 occupies occupies the trauma-inducing, discovering, revealing, danger-seeking 8th-from-Chandra. Like son, dad led a partially camouflaged life.

OUTCOMES - SURYA

Earnings from publication

[vriddhi-pati for Tulā indriya-lagna]

Astounding concentration of graha in 3 includes the combined rulers of 1 + 2 + 3 + 6 + 7 + 8 + 9 + 11 + 12 Mangala + Shukra + Budha [all three at 2-deg Mula] + Surya + Guru [in Apah]

[Mūla] Surya rules 11 popularity

RK's robust language praising king and empire resonated deeply with a people seeking pride [Surya] in their Commonwealth [11]

Sparkling activates Simha [10th navamsha] = masculine radiant entitlement

RK's Imperialistic [Surya] literature and patriotic songs were wildly popular with Commonwealth and Euro-American readers during the heyday of the British Empire.

[Surya-yuti-Guru] + Surya-Dhanus masculine confidence

More than simply a literary author and songwriter, RK was a highly symbolic male personality.

Admirers declared him to embody the genius [Surya] of a humanistic vision of global civilization [Guru]

[Surya-yuti-Shukra] + [Surya-yuti-Guru]

A small group of well-connected men decide who receives Nobel Prizes. These men included supporters of Empire and of Kipling.
The prize was established in 1895 by Alfred Nobel , who made a fortune in military explosives.
During Guru-Shukra bhukti, RK was the first English-language author to receive the Nobel Prize in Literature
RK remains the youngest writer ever to receive that prize

[Mūla] Surya + [Mūla] Mangala + [Mūla] Shukra

However, after the colonialist viewpoint had dissipated with the collapse of Empire following WW-2, RK's formerly praised-to-the-stars genius was questioned. Eventually, literary critics deprecated RK's work as a romanticized artifact of Imperial culture.

After WW-2, RK's award of 1907 Nobel Prize in Literature began to be cited as a cautionary example of misguided enthusiasm among the tiny Euro-elite of prize-givers
and a call to be more alert to the political impact of Nobel Prizes.

[Chandra]

matrikaraka [mother] * garha-karaka [village]

[uchcha]

[dutiful-hierarchical Karmesha for Tulā-born]

...

[oratorical-heritage Rohini-2] [Chandra mūlatrikoṇa]

[navamsha Chandra-Urisha] intuitively sensitive preserving lineage values

[Pushkara pada]

[Chandra-Urisha] comforted by precious values * settled into rhythmic gathering * needs luxury
[Chandra in Rohini-Aldebaran] * needs lavish appreciation * protectors of luxurious domiciles * soothed by sensuality
[Chandra in classroom-8] comfortable with crisis * familiar with catastrophe * unpredictable mother * feels the pulse of cyclical rebirth * soothed by secrecy * sensitive to danger * revolutionary sentiment * accustomed to frequent upheaval * seeks deeply rhythmic initiation * acculturated to masked exploration * occult sensitivities * needs eruptive energies * nourished by non-disclosure * emotionally attuned to trauma * undulating shakti-shocks * mother may be a mystic, healer, concealer, agent of disguise

OUTCOMES - CHANDRA

[oratorical-lineage Rohini-2] storytelling Chandra in classroom-8

rules Karkata-10
[Chandra-Urisha-uchcha] occupies 11th-from-10th = profitability of the storytelling career

Chandra karmesha

RK was known to the public as an exemplary, patriotic parent-writer, who produced much-beloved books for children.

[Chandra in classroom-8]

comfortable with crisis = soothing, familiar patterns of secrecy in the emotional life
Before age 7, RKs early years were said to have been pampered and pleasant Chandra-Urisha [uchcha] [ mūlatrikoṇa]
RK's personal life was filled with sustained absences, hidden liaisons

Secretive, transformative Chandra-8 occupies 6th-from-Shukra-cluster-3 while Shani occupies 6th-from-Chandra=

virtually all of the energy in the nativity is anchored into the 6/8-from-Chandra

Wife's family

8th-from-Chandra * contains Shukra + Kuja + Budha [all in Mula] + Surya + Guru.

Kipling had an extremely complex and demanding relationship with his in-laws.

His in-laws operated the publishing house which handled his promotions, distributions, and royalties.
RK never worked with any other publishers.

Chandra in Vrishabha * rules the managing, commercial 3rd-from-Chandra familiar rhythms and routines focused into professional habits [Karkata-10] of writing-communication.

Managed by the mercantile Ballister family and on a day-to-day basis by Carrie, RK produced a lifetime of literary projects, and most of them enjoyed significant commercial success.
Shukra-3 wife is a publisher

RK was both deeply attached and deeply conflict toward his wife's family, who controlled his career.

One of Carrie Kipling's brothers, the author-publisher Wolcott Balestier, is said to have been Kipling's romantic lover Wolcott's suicide was a cause of RK's severe nervous breakdown in young adulthood.
Another of her brothers Beatty Balestier [Ballister] was their landlord in Vermont, USA
he was also Kipling's marketing, distribution, and publishing agent upon whose good will Kipling's career much depended.

Recently uncovered Literary correspondence, hidden since the 1880's, suggests that RK had passionate involvement with both of his wife's brothers.
Despite having been very productive in New England living near his wife's family, after a violent disagreement with his brother-in-law, RK suddenly relocated his young family back to southern England.

8 = wife's family = his publishers, promoters, controllers of RK's career [10 Karkata]

[Chandra-Urisha] [uchcha] occupies 6/8 from commercial writing-publication Dhanus-3
RK's lifelong career was controlled by his wife's family, the Balestier [Ballister] publishing firm
in addition to wife Carrie, RK had fraught, intensely emotional relationships with two of the Balestier brothers

Somana's 6/8 angle from the mercantile, messaging sahaja-bhava

RK would have experienced an intense need for lavish attention [Rohini] in virtually all of his life experiences
His body and its behaviors [1] would have been a contentious and potentially toxic experience, due to kalpa-sthana 1-Tula being 6th-from-Chandra
Nevertheless, Shani-1 in 6th-from-Chandra grants endurance
Shani applies the correction of extreme discipline.
RK's sexual tastes Surya+Shukra+Kuja in [Mūla] 3 created undisclosed relationships which were punitively incompatible with cultural conventions, potentially causing self-contempt and danger of criminal conviction

Chandra Mahadasha * age birth until age 7.1

Kipling accounted the earliest years of life to have been blissful and idyllic. He remembered the joy of a close supportive bond with his parents, their siblings [his uncles and aunts] and his younger sister. However, Chandra in classroom-8 would require some trauma also.

MOTHER

Mom = Alice Macdonald Kipling, an artist and socialite.

[Chandra in Rohini-Aldebaran] Mom was admired for her beauty and her wit.
a popular entertainer, a familiar figure to all in their Anglo-Indian social class, a writer and conversationalist, one of four celebrity sisters
Chandra activates 10-social reputation.
Her personality and social position [10] aided RK's career.

Parents provide coverage for RK's undisclosed travels

[Chandra in classroom-8] needs secrecy, transformative environments, hidden worlds
RK often took extended solo visits with his parents, leaving his wife and children behind

mūla] Shukra-3 in 8th-from-8th = awkward angle shad-ashtaka 6/8 toward Chandra-8

in trauma-inducing, discovering, revealing, danger-seeking 8th-from-Chandra

RK's parents [8] viscerally disliked his wife [7]

Need [Chandra] for Complex, hidden relationships that are adversarial to RK's writing-publishing success

camouflaged bhava-8 suggests a career-protecting code of secrecy among those with whom he was most comfortable.
First, his protective parents.
RK belonged to a literary men's club in London where he socialized with men like himself who identified with masculinity and Empire.
The men with whom RK socialized in England, New England, and South Africa, were reportedly not enamored of the frustrated and controlling Mrs. Kipling.
She was nonetheless an essential presence in RK's life seen via her Vṛścika Chandra matching his svamsha

MARRIAGE partnership mutual support expectations

[7th-from-Chandra-8]

bhava-2 family lineage, wealth containment, evaluation, assets, language, history, heritage values
Vṛścika secrecy, discovery, undisclosed activities, regeneration, camouflage, masks

the powerful [uchcha] Chandra in 6/8 adversarial shad-ashtakya to kalatra-karaka Shukra, suggesting that RK's emotional nature was misaligned with that of his career-managing wife..

Vṛścika-2 = 7th-from-Chandra ruled by [Mūla] Kuja-8 ++ [Mūla] Kuja-8 takes drishti from disciplining [uchcha] Shani-1

Yes on children, no on the marriage partnership

RK's Chandra-Urisha expresses emotional alignment with family protection, housekeeping, and parenting.
He adored his children and was devastated when 2 of his three offspring died before finishing their 18th year.
nevertheless, the marriage was known to be unhappy

[Kuja]

bhratru-karaka [brother] virya-karaka [virile]

[ashtangata within 17 degrees of Surya]

[Mula-1]

[Mangala-Dhanus] vigorous development of humanistic worldview * energized inspiration * thrust toward doctrinal expansion * proactive teaching-preaching * promotes philosophical globalism * champion of broad understanding * pursues patronage
[Mangala in bhava-3] drive toward commerce * push toward scripted communication * active touring * vigorous pronouncements * invasive management * energized process * hyperactive mentality * athletic sibling-figures * promotional sales * photographs of the muscular physique * dynamic marketing * champion of teamwork * pursuit of business
[Kuja-yuti-Surya] kinetic creativity * glorious innovator * high-energy confidence * dynamic genius * dominating force joins willful charm * competitive politics * brilliant winner * physically active father-figure * vigorous theatrical display
[Kuja-yuti-Budha] proactive communications * energized signaling * dynamic reporting * clipped speech patterns * abrupt announcements * masculine messaging patterns * pushes toward direct commands * forward thrusting gestures * incisive speech * forceful writing
[Kuja-yuti-Guru] multiple competitions * many brother-figures * energized growth * dynamic generosity * masculine force joins optimistic expansion * champion of philosophy * potential for aggressive preaching * promotes broad worldview * indoctrinating actions
[Kuja-yuti-Shukra] dual sexuality * energized bargaining * dynamic trading * masculine force joins feminine allure * kinetic sensuality * productive arrangements * competitive mating * vigorously balance-seeking in partnership * pursues diplomatic resolutions * innovative arrangements

OUTCOMES - MANGALA

Astounding concentration of graha in 3 includes the combined rulers of 1 + 2 + 3 + 6 + 7 + 8 + 9 + 11 + 12 = Mangala + Shukra + Budha [all three at 2-deg Mula] + Surya + Guru [in Apah]

Mangala rules Chitra-Spica indriya-lagna

[Mangala-Dhanus] yuti [Surya-Dhanus] yuti Shukra-Dhanus yuti Guru-Dhanus yuti Budha-Dhanus

Kuja-3-Mula rules

2-banking, stories
7 contractual relationships.
RK was married once. The formal union was said to be enduring, but unhappy.
[Mūla] Kuja involved RK in numerous discreet relationships with men [including with both of Carrie's brothers] which caused increasing unhappiness in the marriage.

Kuja rules 2-family ++ Kuja joins 1 + 2 + 3 + 6 + 7 + 8 + 9 + 11 + 12

RK was born into a creative family . His mother and her three sisters were famed for their beauty [Shukra] and creativity [Surya]. Mom's sisters [Shukra] married elite men [Surya]. His extended family's artistic accomplishments were helpful in raising the social profile of RK's own artistic, literary, and other public endeavors.

Mangala Mahadasha * age 7.1 until age 14.1

According to RK, during the years age 7-10 his parents stayed in India while he was placed with a foster family in England, who bullied and abused him
++ Sade-Sati

[Mūla] 3 = Guru + Budha + Kuja-Mula = all in 8th-from-Chandra

RK recounted deep scars due to physical violence and psychological bullying

Age six, RK was shipped to England, thousands of miles away from his family in Bombay. The hostess with whom his parents boarded him was viciously strict with harsh beatings and punishment for moral correction.
When RK's mother discovered the abuses, she quietly removed him and nothing was mentioned until years later. [8th-from-Chandra]

[Budha]

jamayah-karaka [sibling] sandeza-karaka [message] zisya-karaka [student]

[philosophical-doctrinal dharmesha for Tulā indriya-lagna]

[retreating-contemplative vyaya-pati for Tulā indriya-lagna]

...

[Mūla-1] [navamsha Budha-Mesha] intuitively detailed explanatory description of pioneering innovations

[Budha-Dhanus] priestly communications * theoretical discourse * inspirational conversations * articulation of sacred beliefs * doctrinal pronouncements * sends messages about broad worldview * descriptive philosophical understanding * specifically defined interpretive principles * explains the indoctrination procedure * expertly detailed sermons * ideological programming * hands-arms-shoulders send preaching gestures
[Budha in bhava-3] [svabhava] narrative of cohort collaboration * chatty siblings * articulate announcements * discusses commerce * instructions for management * conversations about information technology * clever programming * logical reporting * talks about daily business * handles information * skillful printing * scripted dialog * text instructions * writes lyrics * detailed media-messaging * communication tactics * explains marketing * quick manufacturing * descriptive process * signaling gestures
[Budha-yuti-Surya] amusing explanations * entertaining chatter * central roles in communication * brightly clear descriptions * dramatic enunciation * confidently delivers instruction * articulation of radiant certainty * political messenger * talkative father-figures
[Budha-yuti-Mangala] competitive communications * scripted actions * impatient conversations * potential for sexualized messaging * penetrating explanations * direct instruction * signals forward action * pioneering movement * outspoken opinions * talkative brother-figures
[Budha-yuti-Guru] explainer of ideology * descriptive preaching * professorial explanations * theoretical discourse * instructs in sacred doctrine * articulation of charitable generosity * optimistic messages * expansive scope of documentary reporting * numerous specific announcements * detailed guidance * verbalizing paternal figures
[Budha-yuti-Shukra] explainer of balanced arrangements * diplomatic conversations * parity-seeking discussions * manual adjustments * enjoys words * sweet descriptions * delivers instruction about relationships * articulator of equity in agreements * message of fairly bargained contracts * skilled in songwriting * talkative sister-cousin-cohort * detailed lyricist * attracts chatty partners

OUTCOMES - BUDHA

Astounding concentration of graha in 3 includes the combined rulers of 1 + 2 + 3 + 6 + 7 + 8 + 9 + 11 + 12 + Mangala + Shukra + Budha [all three at 2-deg Mula] + Surya + Guru [in Apah]

Budha narratives rules

9-fortune, globalism, world-travel, dharma-worldview
12-distant lands, foreign places, imagination, interiority, invisibility -- contains over-reaching Rahu in bhava-12

Budha activates 2-5 from Vrishabha-Chandra

2 = sounds, speech, stories] , words: historic language, stored knowledge, story-telling bhava-2
5 = fame = 12 Rahu in bhava-12 + prizes Nobel Prize in Literature, 1907

Dialog, Patois

Although RK's phonetic dialog renderings [Budha] were later criticized as patronizing and colonialist, during the Edwardian era, RK was seen as a genius reporter [3] of authentic [Surya] conversations [Budha]

Kipling's imaginative fantasy writings with their signature phonetic sing-song verse became extremely famous and celebrated throughout the Anglosphere
Using a phonetic style that was easy for English readers of all social classes to read-out-loud to their children, Kipling became a darling of children's literature.
This clever orthography pleasantly expressed the translation [3] of the Indic phonology was received by Anglo ears.

Budha-3-Mula occupies the mysterious, trauma-inducing, discovering, revealing, danger-seeking 8th-from-Chandra -8

Writing dozens of influential books about mystical international settings

[Guru]

dhava-karaka [husband] bahuta-karaka [variety]

[many philosophically expansive entitlements] [growth of creative wisdom]

...

[Pūrvāṣāḍhā-2] [navamsha Guru-Kanya] intuitively expansive unbalanced complaining argumentation

[Guru-Dhanus] much philosophy * wide worldview * doctrine of inclusive diversity * broad scope of guidance * humanistic ideology * permission to preach * expands the range of beliefs * multiple theories * generous priests * global beneficence * many sacred teachings
[Guru in bhava-3] many messages * extensive commerce * many photographs * numerous publications * several collaborators * multiple transactions * many tours * frequent business trips * many sales * numerous discussions * much detailed interaction * extensive planning operations * variety of ensemble performances * evangelistic growth * so many meetings * patron of communications technologies * in a wifely nativity, husbandly-companion may be a businessman-writer
[Guru-yuti-Surya] pitri-karaka * multiple father-figures * abundant confidence * much radiance * believes in light * widens the scope of theatrical display * permission to be the center of attention * humanistic political philosophy * large-scale dramatic radiance
[Guru-yuti-Mangala] bhratri-karaka * multiple brotherly-figures * permission to compete-and-win * expansive conquests * progressive philosophy * large-scale invasive actions * vigorous champion of optimistic belief
[Guru-yuti-Budha] yukta-karaka * multiple sibling-teammate figures * permission to deliver information * abundant conversational messaging * believes in detailed communications * expansive dialog * many announcements * wide scope of evangelism * talks about philosophy * optimistic viewpoint in discussions
[Guru-yuti-Shukra] sodarya-karaka ** multiple feminine-figures * permission to make deals * abundant pleasures * blossoming treasures * expansion of art * inspirational music * optimistic diplomatic philosophy * large-scale alignments * broad scope of partnerships * diverse financial arrangements

OUTCOMES - BRIHASPATI

[Guru-Dhanus] -3 rules 5+6+8+11

bhava-3 writing publications management administration scheduling
Meena-6 Karakamsha = war, propaganda, servitude, colonialism
11th-from-Chandra
8th-from-Chandra

Astounding concentration of graha in 3 includes the combined rulers of 1 + 2 + 3 + 6 + 7 + 8 + 9 + 11 + 12 = Mangala + Shukra + Budha [all three at 2-deg Mula] + Surya + Guru [in Apah]

Icon of British Paternalism - Guru-yuti-Surya

In his day, Kipling was an enormously feted writer and celebrated public figure.

RK appeared to many of his Edwardian generation to have epitomized [Surya] the experience of a colonial ruling patriarchy, who were portrayed as kindly wise overlords [Guru] providing principled understanding [Guru] to the childlike, underdeveloped populations of their colonies.

Guru rogesha = conflict [6] from writing [3]

Sadly, RK's literary reputation has not withstood the test of time.

Guru rules Meena-6-karakamsha

Modern literary critics tend to disparage his characterizations as condescending [Guru-Surya self-righteousness] rather than intriguing.

[Shukra]

svadu-karaka [sweet] kalatra-karaka [wifely companion]

[energizing-identifying lagnesha for Tulā indriya-lagna]

[mysterious-revealing randhresha for Tulā indriya-lagna]

...

[Mūla-1] [navamsha Shukra-Mesha] intuitively diplomatic preference for physicalized competitive arrangements

[Shukra-yuti-Surya]

[Shukra-yuti-Mangala]

[Shukra-yuti-Budha]

[Shukra-yuti-Guru]

[Shukra-Dhanus] appreciation of humanistic belief * advocates for theory * attracted to teachers * agrees with priests * pleased by broad perspective * prefers inspiring partners * dogmatic arrangements * enjoys indoctrination * delighted by philosophy * aesthetic of shared worldview
[Shukra-3] seeks pleasure via communications * talks about relationships * sweetens the administrative tasks * smooth style of messaging * enjoys commercial harmony * pleasant retinue * satisfied by literacy * balanced numeracy skills * prefers collaborative teamwork * aesthetically phrased announcements * appreciation of conversation * nice designs to adorn the ears * attractive shoulders * lovely arms * graceful hands * chatty sisters- aunts-neighbors * attuned to the cohort * likes musical groups * fair-and-balanced reporting * in a husbandly nativity, wifely-companion may be a manager-communicator-writer

[Shukra-yuti-Surya] balanced roles in drama * appreciation for political display * pleasantly charming * self-focused diplomacy * radiant bright beauty * self-reflexive bargaining * sweet entitlements * negotiating father-figure * self-directed arrangements * focus on trade exchange * solipsistic romance * idealistic contracts * enjoys the game of deal-making * prefers self-confident partners
[Shukra-yuti-Mangala] sweetened conquests * gracious competition * appreciation for pioneering innovation * aesthetic of sporting interactions * proactive negotiations * musical brother-figure * competitive contracts * accommodating dual sexuality * prefers relationships with energetic partners
[Shukra-yuti-Budha] sweetened messages * gracious explanations * talented in singing-songwriting * articulate negotiations * advocates for reasoning process * talkative feminine-figures * pleasant conversations * bargaining for business * sibling-cohort collaborative harmony * enjoys the company of students * detailed contracts * prefers logical arrangements
[Shukra-yuti-Guru] sweetened expansions * gracious diversity * appreciation for philosophical doctrine * adjustable catechism * numerous negotiations * humanistic agreements * generous beauty * balanced patronage * arrangements according to priestly paradigm of belief * prefers relationships with generous partners

OUTCOMES - SHUKRA

Astounding concentration of graha in 3 includes the combined rulers of 1 + 2 + 3 + 6 + 7 + 8 + 9 + 11 + 12 = Mangala + Shukra + Budha [all three at 2-deg Mula] + Surya + Guru [in Apah]

Shukra-3 occupies the trauma-inducing, discovering, revealing, danger-seeking 8th-from-Chandra ++ Bhrigu's affiliation with so many other graha could be expected to create a variety of additional relationships.

Shukra-Mula occupies 6/8 from Chandra ++ Shukra activates Tula-indriya-lagna = the emotionally conflicted [6th-from-Chandra]= Shani-Tula-6

kalatrakaraka Shukra-3 lagnesha + ruler of Chandra

Mūla takes potentially annihilating risks. Mangala + Shukra + Budha [all three at 2-deg Mula]

[Mūla] Shukra mixws outcomes = activates 1 + 1 [profoundly validating] + 6 + 8 [accusing, toxic, catastrophic, transformative]

1-identity, physical appearance, forward movement
8-sudden unexpected changes, regenerative, transformation of identity
Shukra rules [6th-from-Chandra] while Shani occupies [6th-from-Chandra]
occupies 8th-from-Chandra ++ rules Chandra

Carrie [Shukra] and her publisher family [Chandra] were RK's exclusive agents.

They had structural control over RK's life choices and his financial fortunes.
Their comprehensive management of his literary work facilitated Kipling's work being distributed throughout the Anglosphere.

Shani-1 rules professional-recognition 10th-from-Chandra = Kumbha-5

Shani restrictive drishti into RK's Shukra-3-complex ++ Chandra occupies 6th-from-Chandra

Carrie [Shukra] was said to have organized [Shani] every detail of their home life [Shani rules 4] so that her husband could have the optimal writing conditions.
Shukra accepting drishti of [uchcha] Shani suggests a highly regulated professional writing environment.

Due to Carrie's highly effective, business-oriented ordering behaviors [uchcha] Shani-drishti into 3]

RK produced a remarkable amount of impeccably well-prepared, ready-for-publication creative literature on a regular pace [Shani] throughout his lifetime.

RK's parents and his intimate, nourishing, comfort-zone [Chandra] lifestyle were at permanent loggerheads with Carrie. Yet Carrie very successfully managed [3] the entire commercial mechanism of getting his work marketed, produced, and sold [3 sales]

Intense marital conflict ensued after Kipling's literary reputation had been established.
RK wanted more lifestyle freedom - particularly, to keep the company of the men he preferred
However, Carrie had so much business clout that he suffered her restrictions in order to maintain his success

[Shani]

duro-karaka [endurance] * jara-karaka [Jahre, years]

[uchcha]

[Śaśaka Yoga]

[Yogakaraka homebound-securing bandesha for Tulā indriya-lagna]

[Yogakaraka speculative-creative vidya-pati for Tulā indriya-lagna]

...

[Atmakaraka discipline, structure, order, hierarchy, conventionalism, normalcy, rank, status, class, limits]

[Svatika-4] = [navamsha Shani-Meena] lawful-hierarchical imagination

[Shani-Tula] overburdened agreements * restricted leverage * mandatory bargaining * strict rules for making agreements * structural compression upon kidney-pancreas * rigidly regulated match-making * must form socially approved partnerships * must honor the lowest-common-denominator in deal-making * mandatory fairness * must normalize social justice * unyielding obligatory diplomacy * must advocate for equity * exchanges must be lawful * must continue conventional negotiations * scarce trading resources * maintainer of old bargains
[Shani in Bhava-1] time-structured personality * mature conduct * must produce under pressure * strictly orderly movement * regimented appearance * grim determination to survive * tense competition * muscular fatigue * required activity drills * chronically impeded self-expression * bodily seizures * identified with heavy responsibility * resists unnecessary change * often looks older * lives to work * elders preserve class-conscious identity

OUTCOMES - SHANI

hardworking, disciplined Shani in Bhava-1 rules

4-foundations, schooling
5-intelligence, creativity

Drishti of [uchcha] Shani into Dhanus-3 = discipline + control

PATRIOTIC ICON of the hierarchy of EMPIRE * the Sun Never Sets

[uchcha] [Shani in Bhava-1] rules

4-homeland, patriotism, ethno-national sentiment, security, cultural foundations
5-fame, creative arts, celebrity, prizes, worldview Kumbha-5 = 10th-from-Chandra

RK won a stupendous number of literary prizes, not least of which was the 1907 Nobel Prize in Literature.

Durokaraka Shani occupies the chronically emotionally unbalanced [6th-from-Chandra]

Shani activates Kumbha-5 Arudha lagna creative literature, prizes, acclaim, entitlements

Diligent [uchcha] [Shani in Bhava-1] located in [6th-from-Chandra]

casts His intense 3rd drishti upon bhava-3 writing
7th-drishti upon bhava-7 contracts, fulfilling and maintaining RK's legal arrangements
10th drishti upon bhava-10 public reputation = 3rd-from-Chandra solidifying RK's public image as an exemplary citizen, father, and patriot

Disciplined and Productive Literary Life * Shani -1 is Orderly

RK wrote systematically, producing hand-written drafts on a schedule from "block-out" to galley proof.
Despite their personality mismatches, Rudyard and Carrie Kipling worked together productively, for decades.
Her support was integral to his literary success both ergonomically and commercially.
Carrie's [nīcha] Vṛścika-Chandra occupies RK's navamsha lagna, suggesting an emotional partnership despite the underlying anger [Vṛścika].
Shani drishti to Shukra shows the discipline with which Carrie arranged their family life in strict detail, so that Rudyard could continue to write at home without unwanted interruption.

Shani-1 drishti into Kuja-3 = suppressed quarreling

Carrie was said to have been bitter [Shani occupies [6th-from-Chandra] about his regular, long sojourns from their home when RK either stayed with his indulgent parents [Chandra] or commingled with other gentlemen of similar tastes [Mūla] Kuja] .

Friends honored Carrie Kipling for maintaining a household schedule [Shani] that well supported his writing
Yett the couple were known to live in a state of mutual grievance for decades, living in a climate of persistent but quietly dignified quarrelling.

Elder spouse * Shani drishti upon Shukra while Shukra owns Shani

Carrie was three + years elder to Rudyard

[Rahu]

rajyalobha-karaka [ambition] picchala-karaka [slippery]

[Chitra]

[Rahu-Parthya] shimmering illusion of humility * craving for crime * mask of exploitive assistance * ambitious physicians * intriguing addictions * mirage of medication * fascinating injuries * over-reaching accusations * amazing illnesses * extraordinary arguments * may be obsessed with servants-and-servitude * seeks special importance via apparent [but perhaps not authentic] conflict management * shrewd dealings in sickness * ingenious divorce * extravagant litigation * seeks privilege via victim-roles
[Rahu in bhava-12] passion for prestige privacy * in svabhava of Saptarishi Guru, the Shadowy Specter seeks glamorous invisible retreat * exciting culturally mixed interior guidance * outsider who cleverly insinuates into visionary roles * thrilling psychic adventures * seeks importance via enclosures * exciting invisible events * opportunities via mother's beliefs * extraordinary spirits * self-promoting dreams * exceptional results from imaginative research * mesmerizing Other-Worlds * trespasses the cultural boundaries of private inspiration * may pose as a dream-interpreter * may appear as a magician from distant lands

OUTCOMES - RAHU

[Rahu in bhava-12] ambition for privilege via cultural mixing in enclosed, isolated, distant worlds

Chitra-Rahu-Parthya imagination, drawings, privacy, casts drishti into

4-homeland, cultural rhythms
6-death of children, disease, disagreement, servitude, disintegration of promises, loss of equity
8-mysteries, masks, containing the emotionally needy Chandra in Rohini-Aldebaran

passion for being a foreigner

Rahu-12 drishti into 4-household + 8-identity-change

RK loved to travel. He generated a lifetime pattern of international house-shifts [4] which continued throughout his married adulthood.
Needing transformative change [8] he shifted between Anglosphere settlements in India his birth-land, England, New England [USA] and South Africa.

Budha-[Mūla] 3 phonetics rules Rahu-12 fascinating foreignness

For better or for worse, one of the strongest common images of India transmitted to the outside world remains the charming tonal stereotypes of Kipling's fiction

A century later, the patronizing colonial philosophy is decidedly out of date. However, most of Kipling's writing is still in print.
Due mainly to the charm of his phonetic renderings, English-speaking children worldwide are still being read Rikki-Tikki-Tavi by their loving parents.

[Ketu]

kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum]

[Ketu-Meena] sleepily dissociates from isolated ashrama * incomplete gestalt * unlimited visionary insight * wandering spirit guides * unsustainable sanctuary * dissolution of private prayer * foggy boundaries of distant worlds * permeable understanding of cetacean cultures * ignores restrictions on clairsentience * disarrayed dreams * releases a golden oceanic cloud of wisdom into the misty abyss
[Ketu in classroom-6] [beneficial] ungrounded enemies * disregards criminal boundaries * absentee maternal relatives * dissolves limits on medications * ambivalent toward exploitations * disinterested in disagreement * disregards accusations * ignores the physicians * walks away from sickness * abandons suffering * vacuous conflicts * liberation via surrender of guilt-and-blame * unless other graha in 6, may prefer to live free from mother's relatives

OUTCOMES - KETU

Ketu in classroom-6 occupies the emotionally motivated community-linking, gainful, friendly, goal-oriented, socially-networked [11th-from-Chandra]

Many of RK's friends had eccentric [Ketu], potentially criminalized [6] socially marginalized qualities [6] , but these detachments encouraged them to form social clubs and networks of profitable Odd-Fellows [11]

How Readings Work] [Sample Sacred Jewels Ratna Recommendation] [Seva]

updated: :25 January 2022

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