COHORT Literary friend and publisher of poet and fellow editor
Commercial Publisher of
Born 5 days before
" The eyes of others our prisons their thoughts our cages." ~~Virginia Woolf The Waves, published 1931 "and in me too the wave rises. It swells it arches its back. I am aware once more of a new desire, something rising beneath me like the proud horse whose rider first spurs and then pulls him back. What enemy do we now perceive advancing against us, you whom I ride now, as we stand pawing this stretch of pavement? It is death. Death is the enemy. It is death against whom I ride with my spear couched and my hair flying back like a young man's, like Percival's, when he galloped in India. I strike spurs into my horse. Against you I will fling myself, unvanquished and unyielding, oDeath!" |
litterateur + novelist + essayist owner of Hogarth Press member of the Bloomsbury Group "arguably the major lyrical novelist in the English language" a.k.a. Ginya a.k.a. Adeline Virginia Stephen a.k.a. Virginia Stephen Woolf Earth-birth Wed-25-Jan-1882 dematerialization 28-Mar-1941 [age 59] |
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" When the Day of Judgment dawns and people, great and small,
come marching in to receive their heavenly rewards,
the Almighty will gaze upon the mere bookworms and say to Peter,
"Look,
these need no reward.
We have nothing to give them.
They have loved reading."
~~ A Room of One's Own 1882-1941 Bloomsbury Virginia Woolf |
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novelist essayist publisher 1882-1941 Adeline Virginia Stephen Woolf birth data from https://en.wikipedia.org/wiki/Virginia_Woolf tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = produced by Shri Jyoti Star - www.vedicsoftware.com - adapted by BP Lama |
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Rising Nakshatra Feminine Public-Figure Examples Bhaga = Falgun = Utthram BPL COMMENTARY For Uttaraphalguni births of a feminine valence, the condition of radiant, romantic, intelligent, creative, idealistic, central, confident, gaming, self-reflexive, pitrikaraka Surya may considerably affect the outcome. For those born into the Surya-ruled paradigm of Uttora, father-figures, politicians, celebrity, royalty, entitled roles, brilliant dramatists, radiant deities, sparkling genius, glittering creativity, intelligentsia, speculators, poets, romantic lovers, gamblers, and game-players may be especially influential. Instructional guidance provided by emissaries from the civilizations of Denebola. Their purpose to brighten and glorify the divine intelligence through spectacular creativity. Brilliantly dramatic Uttara-phalguni women are famously confident and willful. Monarchic entitlement pairs with aristocratic service via noblesse oblige . While much depends upon the characteristics of sparkling nakshatra-pati Surya, the feminine Falgun is often found in bright environments of royalty, celebrity, theatre, creative arts, amusements, and games. Uttaraphalguni ladies radiate a profound love for living creatures, both wild and domestic. On behalf of the animal kingdom and its denizens, the women of Aryaman may undertake political activism. As righteous (and self-righteous) human mistresses of the animal world , their political style may include fiery displays of romantic idealism. They may collect animals. [Simha - Leya] pada-1 features charismatic centrality and stage presence, focused into the physical embodiment. Pada-1 must hold the center of attention, whether in celebrity politics, entertainment and fashion, dramatic acting, or all three. Typically, one attracts an elder husband along with many romances. Kanya Pada 2-3-4 = equally dazzling, idealistic, smart, and flamboyant, but more focused upon expressing the genius of the imagination. Often a splendid dramatist and performing musician due to nakshatra-pati Surya. Typically, one attracts a generous husband. Themes of political power, radiant confidence, and bright celebrity drama may contextualize Utthram's terrestrial experience. Applies also to Chandra in Uttaraphalgunī - Aryaman |
QUOTATION Uttaraphalgunī - Aryaman from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 95 " A joyous healthy disposition yet quietly so.
She is born to a family with social background and loves to mingle with her friends in various social activities
She has fixed principles from which she will not deviate. She prefers to choose her friends
She is efficient and adept at managing her home and her domestic life." [end quote]
Virginia Woolf in 1927 [VSW age 45] |
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Biographical Details matched to
Vimshottari Dasha
calendar
[Ketu Mahadasha] [age birth until age 4.7]
Wed-25-Jan-1882, Earth-birth in Kensington, London, England * Ketu-Guru bhukti [Shukra Mahadasha] [age 4.7 until age 24.7]
05-May-1895 [VSW age 13] grieved the decease of mother via rheumatic fever. * Shukra-Guru bhukti * Guru rules 12th-from-matrikaraka 22-Feb-1904 [VSW age 22] grieved decease of father * Shukra-Ketu bhukti [Surya Mahadasha] [age 24.7 until age 30.7]
Jul-1909 until May-1912 Janma Sade-Sati Mesha
10-Aug-1912 [VSW age 30] consecration of marriage 1-of-1 with fellow writer-publisher, Leonard Woolf * Chandra-Rahu bhukti ++ samchara Rahu-Ketu via Meena-Kanya contact Kanya indriya lagna ++ dvithya Sade-Sati [Chandra Mahadasha] [age 30.7 until age 40.7]
26-Mar-1915 [VSW age 33] first published work = The Voyage Out * Chandra-Shani bhukti * Shani rules 5-literary works [ Mangala Mahadasha] [age 40.7 until age 47.7] 1922 [VSW age 40] begin long-lasting sexual friendship with Mrs. Vita Sackville-West, which provided content for the next book * Mangala-Rahu bhukti 1925 [VSW age 43] stream-of-consciousness novel, Mrs. Dalloway = published to rave reviews. The luminous text is still considered an exemplary expression of its literary genre * Mangala-Shukra bhukti * Shukra rules 2-sonorous storytelling Mar-1927 [VSW age 45] publication of To The Lighthouse = VSW's most famous book * Mangala-Chandra bhukti * Chandra rules 11-accomplishments, gains [ Rahu Mahadasha] [age 47.7 until decease age 59]
Apr-1939 until Jun-1941 Janma Sade-Sati Mesha
Sep-1939 [VSW age 57] Hitler invades Poland * Rahu-Shukra bhukti * Shukra rules 2-7-from-Chandra = maraka feelings ++ Janma Sade-Sati ++ nīcha-Shani-Return Sep-1940 [VSW age 58] one month after Nazi bombs destroyed their former home, Leonard + Virginia Woolf lost their replacement home during the nightly WW-2 Blitzkrieg attacks * * Shukra rules 6th-from-4, war against the home ++ Janma Sade-Sati 28-Mar-1941 [VSW age 59] following the bombing of her home by the Nazi Blitzkrieg, death by suicidal river drowning during low-cycle bi-polar despair * Rahu-Shukra bhukti * maraka Shukra rules 2 ++ Janma Sade-Sati |
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Distinctive Features of the Nativity
[Sparkling Splendid Surya] pitri-karaka [father] * jyoti-karaka [light] [contemplative-retreating vyaya-pati for Kanya indriya-lagna] [svabhava] [bright focus of political hierarchy] [lawfully entitled to attention from creative artists] [splendidly certain about imaginary games] [charmingly cautious private romance] [confidently displays conventional intelligence] [socially ranked, center-stage fashionable roles] [father = self-dramatizing, class-conscious, courtier, speculative, entitled] ... [evaluating-sonorous Śrāvaṇa-2] [navamsha Surya-Urisha] intuitively imaginative [12] brightly vocal richly intoned values-preserving speech heritage storytelling confidence [Sravana-Surya-yuti-Budha-Dhaniṣṭha] [Sravana-Surya-yuti-Shukra-Vaisva]
OUTCOMES - SURYA self-reflexively ceremonial, brightly intelligent, charmingly creative, regal style of celebration, scholarly focus, radiantly demonstrative, politically speculating, splendidly romantic [Surya in bhava-5] rules
CAREER - SURYA [Sravana-Surya-yuti-Budha-Dhaniṣṭha] ++ [Sravana-Surya-yuti-Shukra-Vaisva] = combined rulers of 1 + 2 + 9 + 10 + 12 occupy Makara-5 = 10th-from-Chandra
Surya rules Aryaman lagna Center of Creative Performance = Bloomsbury Group In pre-WW-2 London,Virginia Woolf was a central figure within the influential creative writer-artist intelligentsia called Bloomsbury Group, politics Surya-yuti-Shukra-women
Vyayapati Surya Mastering the rhetorical style of stream-of-consciousness writing, VSW plumbed the depths of her subconscious mind [12] ;expressed her discoveries via a brilliantly solipsistic [Surya] yet social-class-defined narrative [Makara]
FATHER [Sravana-Surya-yuti-Budha-Dhaniṣṭha] [Sravana-Surya-yuti-Shukra-Vaisva] Dad = Leslie Stephen, prominent literary editor Dad was widely known in literary circles = Surya-5 occupies 10th-from-Chandra Although famed as a creative-arts figure within their English social class, dad was rarely available for personal interaction with his children [Ketu-9, absentee father] [Comfortable Caretaking Chandra] matrikaraka [mother] * garha-karaka [village] [friendly-economic vriddhi-pati for Parthya indriya-lagna] check Kuja + Kuja-drishti to source Chandra's forward-pushing drive toward conquest [comfortable with physically disruptive change] [sympatheticly pushes into rejuvenating crisis] [sentimentally attuned to initiatory actions] [hidden grounding ; through forward-moving rhythms] [one's bodily appearance can provide impetus for emotional healing] [needs to feel catalyticly active] [identified with transformative social-participation linkage] [intuitively pioneering populism] [soothed by vigorous cycles of vitality] [fleshbody needs systematic touch-healing at fixed intervals] [attuned to aggressive shocks] [interlinked feelings may suddenly stop-and-start] [at some juncture in the lifespan, one's old community identity utterly dies, starting a catalytic rebirth into a new network of friendships] [traumatized champion mother may be inscrutably moody] ;[energetic mother's socialite gridwork may suddenly fluctuate] [friendly, goal-oriented mother may alternate as disguised, mysterious, or unpredictable] ......... [collaborative-communicative Aśvini-3] [navamsha Chandra in Mithuna] intuitively sensitive informative process management [Aśvini-Somana-yuti-Guru-Bharani] ; ++ [Aśvini-Somana-yuti-Shani-Bharani-nīcha = niṣṭhurabhāṣi yoga = निष्ठुरभाषिन् = protector speaks harshly] -- albeit some authorities would consider this yoga to be neutralized by Guru [e.g. BV Raman] it is heavily compounded by the nīcha-Shani = combined rulers of 4 + 5 + 6 + 7 + 11
OUTCOMES - CHANDRA sentimentally undisclosing, emotionally secretive, caretaker in dangerous situations, needs chaotic feelings, securely grounded through disastrous upheaval, anchored into sudden emergency response, sensitive to disguised dependencies, protected by camouflaged assets, sense of having hidden empowerments [Chandra in classroom-8] rules
CAREER - CHANDRA
[Somana-yuti-Guru] -- [Somana-yuti-Shani-nīcha ]
Chandra rules 11-Social Network VSW maintained many of her parents' economic-social connections ;EARNINGS Labha-pati Chandra rules Soma+Shani+ Guru,
VSW achieved earnings from sales of her fiction-writing [5] + from her-and-Leonard's Hogarth Press publishing business MOOD DYSREGULATION CHALLENGES Terrifying janma sade-sati during horrors of WW-2
Intensified by [Aśvini-Somana-yuti-Shani-Bharani-nīcha ] [niṣṭhurabhāṣi yoga] ;
WW-2 bombings overlapping the second-Sade Sati caused her extreme duress.
;Fearing intensely [Shani fear] for the safety of her Jewish husband in the event of a Nazi invasion, VSW committed suicide by intentional drowning in the River Ouse. Chandra waters.
MOTHER - trained nurse, author, painter's model, philanthropic socialite Widowed then remarried, mom birthed two groups of children. Julia Prinsep Jackson Duckworth Stephen [07-Feb-1846 until 05-May-1895]
reflecting the complexity of combined rulers of 4 + 5 + 6 + 7 + 11, Mom led a complicated life.
Nisturabhashi Yoga - compounded by nīcha-Shani - suggests that mom was so busy with a crushing workload, that she had little time for young Virginia. VSW age 13, mom deceased age 49 via rheumatic fever.
MARRIAGE emotional support expectations of partnership
VSW married the politician, writer, publisher, essayist, autobiographer, and political theorist Leonard Sidney Woolf Simha 7th-navamsha contains Leonard's Simha-Chandra + VSW ātmakāraka navamsha-Simha- Budha + navamsha-Shani, indicating personal identity and longevity in the union.
After VSW's 1941 decease, LW eventually formed a subsequent enduring companionship. However, he never formally remarried, and he was buried under a tree, next to VSW. [Competitive Champion Kuja] bhratru-karaka [brother] virya-karaka [virile] [dikbala] [busy-communicative sahaja-pati for Kanya indriya-lagna] [mysterious-discovering randhresha for Kanya indriya-lagna] [proactively competitive executive action] [energized detailed government announcements] [innovative informative regulatory documentation] ... .... [disguising-eruptive Mriga-4] [navamsha Mangala-Vrischika] intuitively competitive exploratory pursuit of dangerously healing discovery
OUTCOMES - MANGALA commercially competitive, self-promoting project manager, socially recognized announcements, forward-pushing sales career, militarized executive marketer, social regulator via active communication, talking head, leadership in energetically innovative publications, champion of professional information delivery [Mangala in bhava-10] rules
CAREER - MANGALA Kuja-10 in Businesslike Mrigasiras is vigorously commercial
In addition to becoming a celebrated fiction-and-essay writer, VSW was also a very busy commercial publisher. VSW and her husband Leonard Woolf designed and operated their own mechanized literary press. They handled virtually every aspect of the business, from book design to selling in shops. Ruler of 3 occupies 10-reputation 10-reputation for 3-ish-things. ; VSW known for
Mangala-10 occupies 6/8 from Budha-5
Mangala-10 intakes drishti from Shani-8
As a writer, she was a spiller of secrets. [Shani-8 + Guru-8 + Chandra-8 = many secrets]
BROTHERS struggle for equality with her brothers [Kuja] and sexually abusive punishment from them [Kuja rules 3-8. Generally Mangala provisions a sexual growth-challenge for Kanya-born] Incoming drishti from nīcha-Shani-8 suggests the terrible secret of VSW's sexual abuse by her elder half-brothers, and her parents' denial of the terror [Busy Bantering Budha] jamayah-karaka [sibling] * sandesha-karaka [message] * shisya-karaka [student] [svabhava] [energizing-identifying lagnesha for Kanya indriya-lagna] [dutiful-hierarchical karmesha for Kanya indriya-lagna] [service ministry of futuristic public duty] [conflicted personality undertakes leadership responsibilities] [logical complaint against systemic economic injustice] [narrative of marketplace imbalances] [friendship linkage exchanges detailed social grievances] [sibling-cousin may be victim advocate, physician, or public-servant] ... [creative-displaying Dhaniṣṭha-1] [navamsha Budha-Simha] intuitively detail-explains brightly romantic dramatic-political display [ātmakāraka writing, publishing, conversation, script, text, articulation, handcraft, business] [Dhaniṣṭha-Budha-yuti-Surya-Śrāvaṇa] [Dhaniṣṭha-Budha-yuti-Shukra-Vaisva]
OUTCOMES - BUDHA conversationally entertaining, articulately political, collaboratively romantic, mentally creative, analytically speculative, cleverly dramatic, instructionally idealistic [Budha in bhava-5] rules
CAREER - BUDHA VSW started writing in her teen years, and wrote continuously until her decease. She wrote day and night for years. [creative-demonstrating Dhaniṣṭha-1] [Budha-Makara-Draco] ;[Budha in bhava-5] -- [ātmakāraka ] [Sravana-Surya-yuti-Budha-Dhaniṣṭha] ++ [Sravana-Surya-yuti-Shukra-Vaisva] = combined rulers of 1 + 2 + 9 + 10 + 12
[ātmakāraka ] -- [lagnesha] -- [karmesha] Budha occupies Makara-5 = 10th-from-Chandra Sibling and cohort Communication VSW had seven siblings [Budha] There was constant communication among her sibling group = 1 + 2 + 9 + 10 + 12 In addition, her adult cohort included many artists, writers, editors, and publishers. Many of these were also the customers of her commercial publishing house, Hogarth Press. [Generous Growing Guru] dhava-karaka [husband] * bahuta-karaka [variety] [homebound-anchoring bandesha for Kanya indriya-lagna] [bargaining-balancing yuvati-pati for Kanya indriya-lagna] ... [secretive-revelatory Bharani-4] [navamsha Guru-Vrischika] intuitively expansive generous innovative hidden empowerments secret initiations [Bharani-Guru-yuti-Chandra-Aśvini] [Bharani-Guru-yuti-Shani-Bharani-nīcha ]
OUTCOMES - GURU generouslydisguised, hidden patrons, expansively veiled, cheerfully non-disclosing, doctrinally opaque, many surgeries, multiple emergencies, believes in healing, guidance via secret initiation, mystically transformative, inspirationally recycling, jovially rebirthing, optimisticly discovering, suddenly extensively eruptive [Guru in bhava-8] rules
CAREER - GURU [Aśvini-Somana-yuti-Guru-Bharani] [Aśvini-Somana-yuti-Shani-Bharani-nīcha ] [niṣṭhurabhāṣi yoga = निष्ठुरभाषिन् = speaking harshly] = combined rulers of 4 + 5 + 6 + 7 + 11 [sweet Shukra] svadu-karaka [sweet] kalatra-karaka [wifely companion] [collecting-valuing dhanesha for Kanya indriya-lagna] [believing-doctrinal dharmesha for Kanya indriya-lagna] [delights in hierarchical ranking games] [pleasure from elite status romance] ... ... [visionary-guiding Uttarāṣāḍha -4] [navamsha Shukra-Meena-uchcha] intuitively harmonizing tonal-artistic visionary imagination
OUTCOMES - SHUKRA sensually charismatic, agreeably theatrical, appreciative of romantic entitlements, harmoniously creative, aesthetically entertaining, graciious dramatic performance, financially speculative, musical-artistic students-adolescents, enjoys gambling, idealistic political relationships [Shukra-5] rules
CAREER - BHRIGU [Sravana-Surya-yuti-Budha-Dhaniṣṭha] ++ [Sravana-Surya-yuti-Shukra-Vaisva] = combined rulers of 1 + 2 + 9 + 10 + 12 occupy Makara-5 = -10th-from-Chandra
Ruler of 2 + 9 occupies 5 = celebrated [5-9] lyrical, sonorous, luscious language [2] VSW was born into an elevated social register,
Mothers against Women VSW was reputed as a lecturer [Budha lagnesha karmesha] on women's rights, women's suffrage, and women's economic equality But -- perhaps not surprisingly given her [nīcha-Shani-yuti-Chandra] [niṣṭhurabhāṣi yoga] drishti into 5-Surya-Shukra-Budha --- VSW's socialite-nurse mother [Chandra-Aśvini rules 11] was opposed to women's right to vote FOOD - EATING asta-harana Shukra rules 2-food, mouth, family traditions
[Sober Structural Shani] duro-karaka [endurance] * jara-karaka [Jahre, years] [nīcha] [Harsha Yoga] [witty-creative vidya-pati for Kanya indriya-lagna] [inimical-medicating rogesha for Kanya indriya-lagna] check Kuja + Kuja drishti to source Shani's pushy rigidity, instinctive survivalism, primitive laws [blood-and-brain pressure imposes sudden identity change] ... [dramatizing-displaying Bharani-1] [navamsha Shani-Simha] intuitively structured hierarchically constrained genius romance theatre political display [Aśvini-Somana-yuti-Guru-Bharani] [Aśvini-Somana-yuti-Shani-Bharani-nīcha ] [niṣṭhurabhāṣi yoga = निष्ठुरभाषिन् = speaking harshly]
OUTCOMES - SHANI lawfully transformative, camouflaged disasters, orderly evolution, frozen discovery, slow rebirth, systematically revolutionary, emergency protocol, structured healing, mature acceptance of catastrophic change [Shani in Bhava-8] rules
********************************** Behari commentary WRT Shani-Mesha-8 ************************************ CAREER - SHANI [Shani rules economics, social-participation networks, Kumbha Svamsha] [Sravana-Surya-yuti-Budha-Dhaniṣṭha] ++ [Srvana-Surya-yuti-Shukra-Vaisva] = combined rulers of 1 + 2 + 9 + 10 + 12
agent of revolutionary social change for women. ruler of pitristhana-9 occupies 3rd-from-9, showing her father's identity [3, editor] ; MOTHER's conservatism - niṣṭhurabhāṣi yoga [Shani in Bhava-8] forms a niṣṭhurabhāṣi yoga, suggesting that Mom was a repressive agent toward matters located in 10, 2, 5 VSW was reputed as a lecturer on women's rights, women's suffrage, and women's economic equality But -- perhaps not surprisingly given her [nīcha-Shani-yuti-Chandra = niṣṭhurabhāṣi yoga] drishti into 5-Surya-Shukra-Budha --- VSW's socialite-nurse mother was opposed to women's right to vote [Risk-rewarding Rāhu] rajyalobha-karaka [ambition] * picchala-karaka [slippery] [for Kanya indriya-lagna] [Rahu-3 casts passionately publishing mercantile drishti into 7-9-11] check Kuja + Kuja-drishti to source Rahu's apparently recycling, mesmerizingly transformative, thrilling evolutionary force [ambition to deliver penetrating instruction] [seeks privilege via administrative procedures for revolutionary change] [exhilarating communication about mysterious rebirth] [announcement of rejuvenating discoveries] [exceptionally invasive management style] [exaggerated secrecy within cohort ensemble] [opportunistically enterprising non-disclosing sibling-cousins] [discusses over-reaching use of masked initiations] [compulsive repetition of emergency planning process] [boundary-challenging conversations about dangerous threats] ... [evolving-emerging Anuradha-4] [vargottamsha] [navamsha Rahu-Vrischika] intuitively over-reaching dangerously thrilling empowering secrets
OUTCOMES - RAHU VSW was a splendid prose writer who received broad public acclaim for her literary output. Rahu's ruler [Mangala in bhava-10] [Mithuna] produces a high-visibility reputation for writing, publishing, information delivery
[Collapsing unshackling Ketu] kavandha-karaka [headless] * chidra-karaka [gaping] * vasana-karaka [vacuum] [for Kanya indriya-lagna] check Shukra + Shukra-drishti to source Ketu's vacuously sweet, ambivalently evaluating, arbitrarily enriching sensuality [dissociated from historical patronage] [dismisses the traditionally fixed catechism] [cherished faith in empty values] [lacks principled heritage doctrinal barriers] [boundaryless freedom of wealth acquisitions] [may travel globally without understanding local spoken languages] [absentee father may preach upon theories of capitalism and asset acquisition ] [passively fixated on ambitiously secretive-emerging Rahu-Vṛścika-3 sibling-cousins, secretaries, team-mates, castmates, classmates, co-workers, neighbors] ...... [tonal-historic Rohiṇī-2] [vargottamsha] [navamsha Ketu-Urisha] intuitively dispersing liberating sensual values
OUTCOMES - KETU [Ketu in classroom-9] occupies the literary 3rd-from-Chandra = philosophical mental wandering, repeating narratives of abandonment, and dissociation [Ketu in classroom-9] absentee father, invalidating father VSW's father, Leslie Stephen, was a prominent member of the social register [Surya-Makara] and admired for his fine work as a literary editor. Nevertheless, he preferred the company of his friends, and he was not a present figure for much of Virginia's upbringing. Dad's response to her complaints about sexual abuse from her half-brothers was what would in modern days be called gaslighting. In other words, he did asserted that her version of criminally invasive events had never occurred, and that she was simply fantasizing [Surya rules 12] |
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