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COHORT Literary friend and publisher of poet and fellow editor
Commercial Publisher of
Born 5 days before
" The eyes of others our prisons their thoughts our cages." ~~Virginia Woolf The Waves, published 1931 "and in me too the wave rises. It swells it arches its back. I am aware once more of a new desire, something rising beneath me like the proud horse whose rider first spurs and then pulls him back. What enemy do we now perceive advancing against us, you whom I ride now, as we stand pawing this stretch of pavement? It is death. Death is the enemy. It is death against whom I ride with my spear couched and my hair flying back like a young man's, like Percival's, when he galloped in India. I strike spurs into my horse. Against you I will fling myself, unvanquished and unyielding, oDeath!" |
litterateur + novelist + essayist owner of Hogarth Press member of the Bloomsbury Group "arguably the major lyrical novelist in the English language" a.k.a. Ginya a.k.a. Adeline Virginia Stephen a.k.a. Virginia Stephen Woolf Earth-birth Wed-25-Jan-1882 dematerialization 28-Mar-1941 [age 59] |
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" When the Day of Judgment dawns and people, great and small,
come marching in to receive their heavenly rewards,
the Almighty will gaze upon the mere bookworms and say to Peter, "Look, these need no reward. We have nothing to give them. They have loved reading." ~~ A Room of One's Own 1882-1941 Bloomsbury Virginia Woolf |
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novelist - essayist - publisher 1882-1941 Adeline Virginia Stephen Woolf birth data from https://en.wikipedia.org/wiki/Virginia_Woolf
tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = produced by Shri Jyoti Star - www.vedicsoftware.com - adapted by BP Lama |
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Rising Nakshatra Feminine Public-Figure Examples Citthirai - Visvakarma - Azinech - Alaraph - Arista - Dana BPL COMMENTARY For Chitra - Tvastri births of a feminine valence, the condition of kinesthetic, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome. For those born into the Mangala-ruled paradigm of Visvakarma, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, builders, drivers, drillers, diggers, exploders, aggressors, pursuers, competitions and battles may be especially influential. Guided by instructors from civilizations of Spica. their purpose is architectural engineering and crafting of beautiful, functional, and artistic alliances, arrangements, and designs. Designs + Arrangements [Competitive Champion Kuja]-ruled Vismakarma ladies are blessed with direct, muscular physical and sexual energy. They are often found in environments where beautiful designs plus physical agility are valued. Chitrani drawing skills often place them into garment-making and decoration. They typically excel in competitive , vitality -focused fields such as fashion modeling , cinematic acting, musical performance, choreography and dance, and athletics which emphasize balanced movement. Kanya pada 1-2 expresses Kuja's rulership of 3-writing-commerce + 8-secret transformations, while also displaying the frustrating tension of chatty Budha versus active Kuja. Budha's Writing skills may emerge in pada 1-2. Kanya-Chaitra are often found in media communications and commercial aspects of design work, where their pro-active process management is distinctive. Trust and relationship integrity may be growth-challenging. [Tula - Vanika] Pada 3-4 emphasizes Kuja's rulership of 2-collections, treasuries + 7-contracts, alliances. Shukra's bargaining behavior and financial skills rise in pada 3-4 due to the pleasant attractions of Shukra-Mangala. Ladies often enjoy considerable wealth via face, voice, marriage, and family lineage. In music, arts, and partnership-craft, they pursue harmonious arrangements. They often play stringed instruments, and write beautiful songs. In the arts, entertainment, beauty, and design industries, their contractual deals may be luxuriously beneficial. Themes of competitive movement , agile beauty, dynamic design, and financial equity may contextualize Chaitra's terrestrial experience. Incoming drishti from Kuja can mobilize their progressive, pioneering actions. Also applies to Chandra in Chitra - Spica. |
QUOTATION Tvastri from Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra . p 96 . " An expensive and luxurious person.
She likes to change costumes several times a day
Variety is the spice of life to this woman
Many actresses, musicians, artists and opera singers have Chitra rising..." ... [end quote from Shil Pondey , 1939]
Virginia Woolf in 1927 [VSW age 45] |
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[Ketu Mahadasha] = [age birth until age 2.1] Wed-25-Jan-1882, Earth-birth in Kensington, London, England * Ketu-Shani bhukti [Shukra Mahadasha] = [age 2.1 until 22.1]
05-May-1895 [VSW age 13] grieved the bio-decease of mother via rheumatic fever. * Shukra-Guru bhukti * Guru rules 12th-from-matrikaraka-Chandra 22-Feb-1904 [VSW age 22] grieved bio-decease of father * Shukra-Ketu chidra-dasha [Surya Mahadasha] = [age 22.1 until age 28.1]
Jul-1909 until May-1912 Janma Sade-Sati Mesha
10-Aug-1912 [VSW age 30] consecration of wedding 1-of-1 with fellow writer-publisher, Leonard Woolf * Chandra-Rahu bhukti ++ samchara Rahu-Ketu via Meena-Kanya contact Kanya indriya lagna ++ dvithya Sade-Sati [Chandra Mahadasha] = [age 28.1 until age 38.1]
26-Mar-1915 [VSW age 33] first published work = The Voyage Out * Chandra-Shani bhukti * Shani rules 5-celebrated literary works [Mangala Mahadasha] = [age 38.1 until age 45.1] 1922 [VSW age 40] begin long-lasting, complex sexual friendship with Mrs. Vita Sackville-West, which provided content for the next book * Mangala-Shani bhukti * Shani rules 5-romance + [Aśvini-Somana-yuti-Shani-Bharani-nīcha] + [Aśvini-Somana-yuti-Guru-Bharani] 1925 [VSW age 43] published to rave reviews = VW's stream-of-consciousness novel, Mrs. Dalloway. The luminous text is still considered an exemplary expression of its modern-English literary genre * Mangala-Shukra bhukti * Shukra-5 creative literature = rules 2-sonorous storytelling + 9-fortune [Rahu Mahadasha] = [age 45.1 until decease age 59]
Mar-1927 [VSW age 45] publication of To The Lighthouse = VSW's most famous book * Rahu-Rahu svabhukti * Rahu in bhava-3 = writing-publishing Apr-1939 until Jun-1941 Janma Sade-Sati Mesha
Sep-1939 [VSW age 57] Hitler invades Poland * Rahu-Shukra bhukti * Shukra rules Ketu-9 dissolution of confidence, faith, belief ++ Janma Sade-Sati via 8-cataclysm ++ nīcha-Shani-Return Sep-1940 [VSW age 58] one month after Nazi bombs destroyed their former home, Leonard + Virginia Woolf lost their replacement home during the nightly WW-2 Blitzkrieg attacks * Shukra rules 6th-from-4, war against the home ++ Janma Sade-Sati 28-Mar-1941 [VSW age 59] following the bombing of her home by the Nazi Blitzkrieg, terrorized by threats of racial violence toward her Jewish husband [Shani-Mesha-8] suicidal river drowning during low-cycle bi-polar mood = despair * Rahu-Shukra bhukti * maraka Shukra rules 2 ++ Janma Sade-Sati + nicha-Shani-8 |
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[Sparkling Splendid Surya] pitri-karaka [father] -- jyoti-karaka [light] = [svabhava] [contemplative-retreating vyaya-pati for Kanya indriya-lagna]
[bright focus of political hierarchy] [lawfully entitled to attention from artistic performers] [imposes splendid rules for imaginary vyaya-pati games] [charmingly cautious private romance] [confidently displays conventional intelligence] [socially ranked, center-stage fashionable roles] [elite father may be class-conscious gambler, self-dramatizing official, uniformed courtier, soberly contemplative vyaya-pati idealist] ... [evaluating-sonorous Śrāvaṇa-2] = [navamsha Surya-Urisha] intuitively imaginative [12] brightly vocal richly intoned values-preserving speech heritage storytelling confidence + [Śrāvaṇa-Surya-yuti-Budha-Dhaniṣṭha] + [Śrāvaṇa-Surya-yuti-Shukra-Vaisva]
OUTCOMES - MAGNIFICENT MARTANDA self-reflexively ceremonial, brightly intelligent, charmingly creative, regal style of celebration, scholarly focus, radiantly demonstrative, politically speculating, splendidly romantic [Surya in bhava-5] rules
CAREER - SPARKLING SURYA [Śrāvaṇa-Surya-yuti-Budha-Dhaniṣṭha] + + [Śrāvaṇa-Surya-yuti-Shukra-Vaisva] = combined rulers of 1 + 2 + 9 + 10 + 12 occupy Makara-5 = 10th-from-Chandra
Center of Creative Performance = Bloomsbury Group In pre-WW-2 London,Virginia Woolf was a central figure within the influential creative writer-artist intelligentsia called Bloomsbury Group, politics Surya-yuti-Shukra-women
Vyayapati Surya Mastering the rhetorical style of stream-of-consciousness writing, VSW plumbed the depths of her subconscious mind [12] ;expressed her discoveries via a brilliantly solipsistic [Surya] yet social-class-defined narrative [Makara]
FATHER [Śrāvaṇa-Surya-yuti-Budha-Dhaniṣṭha] [Śrāvaṇa-Surya-yuti-Shukra-Vaisva] Dad = Leslie Stephen, prominent literary editor Dad was widely known in literary circles = Surya-5 occupies 10th-from-Chandra Although famed as a creative-arts figure within their English social class, dad was rarely available for personal interaction with his children [Ketu-9, absentee father] [Comfortable Caretaking Chandra] matrikaraka [mother] -- garha-karaka [village] [friendly-economic vriddhi-pati for Parthya indriya-lagna]
[comfortable with physically disruptive change] [sympatheticly pushes into rejuvenating crisis battles] [sentimentally attuned to vigorously initiatory actions] [forward-moving rhythms stabilize hidden feelingss] [life-force gives impetus for emotional healing] [needs to feel thrust of catalytic rebirth] [soothed by gainful vriddhi-pati identity transformation] [volatile embodied feelings may suddenly stop-and-start] [undulating noble warrior of social-participation linkage vriddhi-pati] [intuitively parental pioneering populism vriddhi-pati] [eruptive mood cycle spectrum from vitality to terror] [sensitively attuned to aggressive shocks]
[traumatized champion mother may be inscrutably moody] [athletic socialite mother's gridwork may suddenly fluctuate] [friendly, goal-oriented vriddhi-pati mother may alternate as disguised challenger, mysterious knightly aristocrat, unpredictable inventor] ......... [collaborative-communicative Aśvini-3] = [navamsha Chandra in Mithuna] intuitively sensitive informative process management + [Aśvini-Somana-yuti-Guru-Bharani] + [Aśvini-Somana-yuti-Shani-Bharani-nīcha]
OUTCOMES - ANCESTRAL SOMA sentimentally undisclosing, emotionally secretive, caretaker in dangerous situations, needs chaotic feelings, securely grounded through disastrous upheaval, anchored into sudden emergency response, sensitive to disguised dependencies, protected by camouflaged assets, sense of having hidden empowerments [Chandra in classroom-8] rules
CAREER - CARETAKING CHANDRA
+ [Aśvini-Somana-yuti-Guru-Bharani] + [Aśvini-Somana-yuti-Shani-Bharani-nīcha]
= combined rulers of 4 + 5 + 6 + 7 + 11 [Chandra in classroom-8] rules 11-Social Network VSW maintained many of her parents' economic-social connections Chandra rules Shravana-svamsha EARNINGS Labha-pati Chandra rules Soma+Shani+ Guru,
VSW achieved earnings from sales of her fiction-writing [5] + from her-and-Leonard's Hogarth Press publishing business MOOD DYSREGULATION CHALLENGES Terrifying janma sade-sati during horrors of WW-2
Intensified by ] Aśvini-Somana-yuti-Shani-Bharani-nīcha] niṣṭhurabhāṣi yoga] ;
WW-2 bombings overlapping the second-Sade-Sati caused VW to experience extreme emotional duress. Sade-Sati often temporarily deprives one of external home, hearth, parenting, protection, shelter, security, stability .. in order to force the bloom of internal self-stabilization, rooting, anchoring, calming, self-protection
;Fearing intensely [Shani fear] for the safety of her Jewish husband in the event of a Nazi invasion, VSW committed suicide by intentional drowning in the River Ouse. Chandra waters.
MOTHER - trained nurse, author, painter's model, philanthropic socialite Widowed then remarried, mom birthed two groups of children. Julia Prinsep Jackson Duckworth Stephen [07-Feb-1846 until 05-May-1895]
reflecting the complexity of combined rulers of 4 + 5 + 6 + 7 + 11, Mom Julia led a complicated life.
She worked as an English Pre-Raphaelite painter's model .
Nisturabhashi Yoga - compounded by nīcha-Shani - suggests that mom was so busy with a crushing workload, that she had little time for young Virginia. VSW age 13, mom deceased age 49 via rheumatic fever.
MARRIAGE emotional support expectations of partnership
VSW married the politician, writer, publisher, essayist, autobiographer, and political theorist Leonard Sidney Woolf Simha 7th-navamsha contains Leonard's Simha-Chandra + VSW ātmakāraka navamsha-Simha- Budha + navamsha-Shani, indicating personal identity and longevity in the union.
After VSW's 1941 decease, LW eventually formed a subsequent enduring companionship. However, he never formally remarried, and he was buried under a tree, next to VSW. [Competitive Champion Kuja] bhratru-karaka [brother] -- virya-karaka [virility] = [dikbala] [busy-communicative sahaja-pati for Kanya indriya-lagna] [mysterious-discovering randhresha for Kanya indriya-lagna]
[proactively competitive executive communications] [energized detailed government explanations] [challenges structure of conventional public announcements sahaja-pati] [institutional champion of disaster-recovery randhresha progress] [leads with pro-active social engineering policies for commerce] [transactional warrior may contest the rules for organizational intervention randhresha] [seeks hierarchical authority using description and diagram] [weaponized publicity energy promotes elite upward climb] [vigorously successful rise to administrative recognition] [prominent talkative brother-cousin or fellow-fighter may be mercantile sahaja-pati commander] ... .... [disguising-eruptive Mriga-4] = [navamsha Mangala-Vrischika] intuitively competitive exploratory pursuit of dangerously healing discovery
OUTCOMES - MOVING MANGALA commercially competitive, self-promoting project manager, socially recognized announcements, forward-pushing sales career, militarized executive marketer, social regulator via active communication, talking head, leadership in energetically innovative publications, champion of professional information delivery [Mangala in bhava-10] rules
CAREER - MOTIVATED MANGALA Kuja-10 in Businesslike Mrigasiras is vigorously commercial
In addition to becoming a celebrated fiction-and-essay writer, VSW was also a very busy commercial publisher. VSW and her husband Leonard Woolf designed and operated their own mechanized literary press. They handled virtually every aspect of the business, from book design to selling in shops. Ruler of 3 occupies 10-reputation 10-reputation for 3-ish-things. ; VSW known for
Mangala-10 occupies 6/8 from Budha-5
Mangala-10 intakes drishti from Shani-8
As a writer, she was a spiller of secrets. [Shani-8 + Guru-8 + Chandra-8 = many secrets]
BROTHERS struggle for equality with her brothers [Kuja] and sexually abusive punishment from them [Kuja rules 3-8. Generally Mangala provisions a sexual growth-challenge for Kanya-born] Incoming drishti from nīcha-Shani-8 suggests the terrible secret of VSW's sexual abuse by her elder half-brothers, and her parents' denial of the terror [Busy Bantering Budha] jamayah-karaka [sibling] -- sandesha-karaka [message] -- shisya-karaka [student] [energizing-identifying lagnesha for Kanya indriya-lagna] [dutiful-hierarchical karmesha for Kanya indriya-lagna]
[dramatizes hierarchical entitled empowerments] [describes government intelligence sources] [talks about cleverly status-positioning games] [official coded writings] [charming gestures may formalize romantic intentions] [identified lagnesha with conduits of social-regulatory information] [institutional karmesha political conversations in private spaces] [may publish conventional analysis] [may discuss socially-approved theatrical performance] [facilitates class-conscious entertainments for children and artists] [lawful eldest child may be a normalizing politician , mainstream creative artist, writer on sociological topics, high-ranking specuator] ... [creative-displaying Dhaniṣṭha-1] = [navamsha Budha-Simha] intuitively detail-explains brightly romantic dramatic-political display [ātmakāraka writing, publishing, conversation, script, text, articulation, handcraft, business] + [Dhaniṣṭha-Budha-yuti-Surya-Śrāvaṇa] + [Dhaniṣṭha-Budha-yuti-Shukra-Vaisva]
OUTCOMES - BANTERING BUDHA conversationally entertaining, articulately political, collaboratively romantic, mentally creative, analytically speculative, cleverly dramatic, instructionally idealistic [Budha in bhava-5] rules
CAREER - BUSY BUDHA VSW started writing in her teen years, and wrote continuously until her decease. She wrote day and night for years. [creative-demonstrating Dhaniṣṭha-1] ;[Budha in bhava-5] = [ātmakāraka] [Śrāvaṇa-Surya-yuti-Budha-Dhaniṣṭha] + + [Śrāvaṇa-Surya-yuti-Shukra-Vaisva] = combined rulers of 1 + 2 + 9 + 10 + 12
[ātmakāraka] = [lagnesha] = [karmesha] Budha occupies Makara-5 = 10th-from-Chandra Sibling and cohort Communication VSW had seven siblings [Budha] There was constant communication among her sibling group = 1 + 2 + 9 + 10 + 12 In addition, her adult cohort included many artists, writers, editors, and publishers. Many of these were also the customers of her commercial publishing house, Hogarth Press. [Generous Growing Guru] dhava-karaka [husband] -- bahuta-karaka [variety] [homebound-anchoring bandesha for Kanya indriya-lagna] [bargaining-balancing yuvati-pati for Kanya indriya-lagna]
[widespread camouflage of pervasive challenge to existing agreements yuvati-pati] [many disguised inventions] [secret rituals bandesha of energetic transformation] [stablizing bandesha growth of undisclosed pioneering developments] [generosity toward champions of invigorating rejuvenation] [extensive of financial dhana-pati problematics] [diverse engineering of unprecedented identity-change] [masked belief in heat-engine of mystical rebirth] [many hidden guides drive forward-pushing emergence of new life-force] [for wifely nativities, husbandly-companion may be occult vitality guide, maker of blood-brain discoveries, revolutionary warrior, innovative obstetrician, competitive surgeon] ... [secretive-revelatory Bharani-4] = [navamsha Guru-Vrischika] intuitively expansive generous innovative hidden empowerments secret initiations + [Bharani-Guru-yuti-Chandra-Aśvini] + [Bharani-Guru-yuti-Shani-Bharani-nīcha]
OUTCOMES - GENEROUS GURU generouslydisguised, hidden patrons, expansively veiled, cheerfully non-disclosing, doctrinally opaque, many surgeries, multiple emergencies, believes in healing, guidance via secret initiation, mystically transformative, inspirationally recycling, jovially rebirthing, optimisticly discovering, suddenly extensively eruptive [Guru in bhava-8] rules
CAREER - GENEROUS GURU [Aśvini-Somana-yuti-Guru-Bharani] [Aśvini-Somana-yuti-Shani-Bharani-nīcha] [niṣṭhurabhāṣi yoga = निष्ठुरभाषिन् = speaking harshly] = combined rulers of 4 + 5 + 6 + 7 + 11 [sweet Shukra] svadu-karaka [sweet] -- kalatra-karaka [wifely companion] [collecting-valuing dhana-pati for Kanya indriya-lagna] [believing-doctrinal dharmesha for Kanya indriya-lagna]
[delights in hierarchical ranking games] [pleasure from elite status romance] [pleased by dignified celebrity] [sweetly legitimate political bargains] [likes harmoniously staged, status-symbol displays] [appreciation for artisticly conventional fashions] [gracious orderly demonstrations of social prominence karmesha] [structured shows of entitled affluence] [adores theatre of class-conscious manners] [delights in romantic social-positioning games] [enjoys gambling drama of regulated speculation] [pleased by properly behaved, normalized intelligent children] [in husbandly nativity, wifely-companion may be formalist artistic performer, creator of stately entertainments, distinguished stage-musician or august singer] ... ... [visionary-guided Uttarāṣāḍha -4] = [navamsha Shukra-Meena-uchcha] intuitively harmonizing tonal-artistic visionary imagination + [Uttarāṣāḍha-Shukra-yuti-Surya--Śrāvaṇa] + [Uttarāṣāḍha-Shukra-yuti-Budha-Dhaniṣṭha]
OUTCOMES - SWEETENING SHUKRA sensually charismatic, agreeably theatrical, appreciative of romantic entitlements, harmoniously creative, aesthetically entertaining, graciious dramatic performance, financially speculative, musical-artistic students-adolescents, enjoys gambling, idealistic political relationships [Shukra-5] rules
CAREER - BRIGHT BHRIGU-TANAYA [Śrāvaṇa-Surya-yuti-Budha-Dhaniṣṭha] + + [Śrāvaṇa-Surya-yuti-Shukra-Vaisva] = combined rulers of 1 + 2 + 9 + 10 + 12 occupy Makara-5 = -10th-from-Chandra
Ruler of 2 + 9 occupies 5 = celebrated [5-9] lyrical, sonorous, luscious language [2] VSW was born into an elevated social register,
Mothers against Women VSW was reputed as a lecturer [Budha lagnesha karmesha] on women's rights, women's suffrage, and women's economic equality But -- perhaps not surprisingly given her [nīcha-Shani-yuti-Chandra] [niṣṭhurabhāṣi yoga] drishti into 5-Surya-Shukra-Budha
FOOD - EATING asta-harana Shukra rules 2-food, mouth, family traditions
[Sober Structural Shani] duro-karaka [endurance] -- jara-karaka [Jahre, years] = [nīcha] = [Harsha Yoga] [witty-creative vidya-pati for Kanya indriya-lagna] [inimical-medicating rogesha for Kanya indriya-lagna]
[blood-and-brain pressure may impose sudden identity change] [survives physical threats to muscular vitality] [continues rigidly competitive initiation systems] [must resist sudden eruptions of frightening evolutionary force] [must endure hidden burdens of noble birth] [must maintain dangerous fiery weapons] [obliged to fight with camouflaged aggressive engineering during fearful emergencies] [creative vidya-pati intellectual discipline, but nicha-Shani 10th-drishi into putrabhava may affect the children] [heavy dangerous laboring rogesha yet personally unharmed Harsha Yoga] [steady pursuit of championship during upheavals of occult transformation] [elders may require unexpectedly harsh duties of secret warriorship] ... [dramatizing-displaying Bharani-1] = [navamsha Shani-Simha] intuitively structured hierarchically constrained genius romance theatre political display + [Aśvini-Somana-yuti-Guru-Bharani] + [Aśvini-Somana-yuti-Shani-Bharani-nīcha] [niṣṭhurabhāṣi yoga = निष्ठुरभाषिन् = speaking harshly]
OUTCOMES - STRUCTURAL SHANI lawfully transformative, camouflaged disasters, orderly evolution, frozen discovery, slow rebirth, systematically revolutionary, emergency protocol, structured healing, mature acceptance of catastrophic change [Shani in Bhava-8] rules
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Behari commentary WRT Shani-Mesha-8
************************************ CAREER - SOBER SHANI [Shani rules economics, social-participation networks, Kumbha Svamsha] [Śrāvaṇa-Surya-yuti-Budha-Dhaniṣṭha] + + [Srvana-Surya-yuti-Shukra-Vaisva] = combined rulers of 1 + 2 + 9 + 10 + 12
agent of revolutionary social change for women. ruler of pitristhana-9 occupies 3rd-from-9, showing her father's identity [3, editor] ; MOTHER's conservatism - niṣṭhurabhāṣi yoga [Shani in Bhava-8] forms a niṣṭhurabhāṣi yoga, suggesting that Mom was a repressive agent toward matters located in 10, 2, 5 VSW was reputed as a lecturer on women's rights, women's suffrage, and women's economic equality But -- perhaps not surprisingly given her [nīcha-Shani-yuti-Chandra = niṣṭhurabhāṣi yoga] drishti into 5-Surya-Shukra-Budha --- VSW's socialite-nurse mother was opposed to women's right to vote [Risk-rewarding Rāhu] rajyalobha-karaka [ambition] -- picchala-karaka [slippery] [for Kanya indriya-lagna] [Rahu-3 casts passionately publishing mercantile drishti into 7-9-11]
[ambition to deliver penetrating instruction] [seeks privilege via administrative procedures for revolutionary change] [exhilarating communication about mysterious rebirth] [announcement of rejuvenating discoveries] ;[exceptionally invasive management style] ;[amplified use of hidden information within cohort ensemble] [opportunistically enterprising non-disclosing sibling-cousins] ;[discusses over-reaching use of masked initiations] ;[compulsiverepetition of emergency planning process] [boundary-challenging conversations about dangerous events] ;[ambitious advertiser of threatening propaganda] [opportunistically enterprising secretive team-managers, manipulative sibling-cousin] ... [evolving-emerging Anuradha-4] = [vargottamsha] [navamsha Rahu-Vrischika] intuitively over-reaching dangerously thrilling empowering secrets
OUTCOMES - RISK-REWARDING RAHU VSW was a splendid prose writer who received broad public acclaim for her literary output. Rahu's ruler [Mangala in bhava-10] Mithuna] produces a high-visibility reputation for writing, publishing, information delivery
[Collapsing unshackling Ketu] kavandha-karaka [headless] -- chidra-karaka [gaping] -- vasana-karaka [vacuum] [for Kanya indriya-lagna]
[dissociated from historical patronage] [dismisses the traditionally fixed catechism] [cherished faith in empty values] [lacks principled heritage doctrinal barriers] [boundaryless freedom of wealth acquisitions] [may travel globally without understanding local spoken languages] [absentee father may preach upon theories of capitalism and asset acquisition] [may be passively fixated upon ambitiously secretive-emerging Rahu-Vṛścika-3 sibling-cousins, secretaries, team-mates, apprentices, castmates, classmates, co-workers, neighbors] ...... [tonal-historic Rohiṇī-2] = [vargottamsha] [navamsha Ketu-Urisha] intuitively dispersing liberating sensual values
OUTCOMES - EVACUATING KETU [Ketu in classroom-9] occupies the literary 3rd-from-Chandra = philosophical mental wandering, repeating narratives of abandonment, and dissociation [Ketu in classroom-9] absentee father, invalidating father VSW's father, Leslie Stephen, was a prominent member of the social register [Surya-Makara] and admired for his fine work as a literary editor. Nevertheless, he preferred the company of his friends, and he was not a present figure for much of Virginia's upbringing. Dad's response to her complaints about sexual abuse from her half-brothers = what would in modern days be called gaslighting. In other words, he asserted that her version of criminally invasive events had never occurred, and that she was simply fantasizing to make a drama [Surya rules 12] |
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