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COHORT Literary friend and publisher of poet and fellow editor
Commercial Publisher of
Born 5 days before
" The eyes of others our prisons their thoughts our cages." ~~Virginia Woolf The Waves, published 1931 "and in me too the wave rises. It swells it arches its back. I am aware once more of a new desire, something rising beneath me like the proud horse whose rider first spurs and then pulls him back. What enemy do we now perceive advancing against us, you whom I ride now, as we stand pawing this stretch of pavement? It is death. Death is the enemy. It is death against whom I ride with my spear couched and my hair flying back like a young man's, like Percival's, when he galloped in India. I strike spurs into my horse. Against you I will fling myself, unvanquished and unyielding, O Death!" |
litterateur + novelist + essayist owner of Hogarth Press member of the Bloomsbury Group "arguably the major lyrical novelist in the English language" a.k.a. Ginya a.k.a. Adeline Virginia Stephen a.k.a. Virginia Stephen Woolf Earth-birth Wed-25-Jan-1882 dematerialization 28-Mar-1941 [age 59] |
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" When the Day of Judgment dawns and people, great and small,
come marching in to receive their heavenly rewards, the Almighty will gaze upon the mere bookworms and say to Peter,
"Look, these need no reward.
We have nothing to give them.
They have loved reading."
~~ A Room of One's Own 1882-1941 Bloomsbury Virginia Woolf |
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novelist essayist publisher 1882-1941 Adeline Virginia Stephen Woolf birth data from https://en.wikipedia.org/wiki/Virginia_Woolf tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = produced by Shri Jyoti Star - adapted by BP Lama |
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Rising Nakshatra Feminine Nativities Citthirai - Vismakarma - Azinech - Alaraph - Arista - Dana BPL commentary For Chitra - Tvastri births of a feminine valence, the condition of kinesthetic, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome. For those born into the Mangala-ruled paradigm of Visvakarma, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, builders, drivers, drillers, diggers, exploders, aggressors, pursuers, competitions and battles may be especially influential. Guided by instructors from civilizations of Spica. Their purpose is architectural engineering and crafting of beautiful, functional, and artistic alliances, arrangements, and designs. Designs + Arrangements [Kuja] -ruled Vismakarma ladies are blessed with direct, muscular physical and sexual energy. They are often found in environments where beautiful designs plus physical agility are valued. Chitrani drawing skills often place them into garment-making and decoration. They typically excel in competitive , vitality-focused fields such as fashion modeling , cinematic acting, musical performance, choreography and dance, and athletics which emphasize balanced movement. Kanya pada 1-2 expresses Kuja's rulership of 3-writing-commerce + 8-secret transformations, while also displaying the frustrating tension of chatty Budha versus active Kuja. Budha's Writing skills may emerge in pada 1-2. Kanya-Chaitra are often found in media communications and commercial aspects of design work, where their pro-active process management is distinctive. Trust and relationship integrity may be growth-challenging. [Tula - Vanika] Pada 3-4 emphasizes Kuja's rulership of 2-collections, treasuries + 7-contracts, alliances. Shukra's bargaining behavior and financial skills rise in pada 3-4 due to the pleasant attractions of Shukra-Mangala. Ladies often enjoy considerable wealth via face, voice, marriage, and family lineage. In music, arts, and partnership-craft, they pursue harmonious arrangements. They often play stringed instruments, and write beautiful songs. In the arts, entertainment, beauty, and design industries, their contractual deals are often luxuriously beneficial. Themes of competitive movement , agile beauty, dynamic design, and financial equity may contextualize Chaitra's terrestrial experience. Incoming drishti from Kuja can mobilize their progressive, pioneering actions. Also applies to Chandra in Chitra - Spica. |
QUOTATION from Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra . p 96. " An expensive and luxurious person.
She likes to change costumes several times a day
Variety is the spice of life to this woman
Many actresses, musicians, artists and opera singers have Chitra rising.
Virginia Woolf in 1927 [VSW age 45] |
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[Ketu Mahadasha ] [age birth until age 2.0] Wed-25-Jan-1882 Earth-birth in Kensington, London, England * Ketu-Shani bhukti [Shukra Mahadasha ] [age 2.0 until age 22.0] 05-May-1895 [VSW age 13] grieved the decease of mother * Shukra-Guru bhukti [Somana-yuti-Guru] Grules 12th-from-Chandra Jul-1909 until May-1912 Janma Sade-Sati Mesha [8] [Surya Mahadasha ] [age 22.0 until age 28.0] 22-Feb-1904 [VSW age 22] grieved decease of father *Surya-Surya svabhukti * [Surya-yuti-Budha] pitrimaraka Budha rules 2nd-from-pitribhava [Chandra Mahadasha ] [age 28.0 until age 38.0]
10-Aug-1912 [VSW age 30] consecration of marriage 1-of-1 with fellow publisher Leonard Woolf * Chandra-Rahu bhukti * samchara Rahu-Ketu via Meena-Kanya contact Kanya svamsha 26-Mar-1915 [VSW age 33] first published work The Voyage Out * Chandra-Shani bhukti * Shani rules 3rd-from-3 creative publications [ Mangala Mahadasha] [age 38.0 until age 45.0] 1922 begin long-lasting sexual friendship with Mrs. Vita Sackville-West, which provided content for the next book * Mangala-Guru bhukti * Guru rules Meena 7th navamsha 1925 the stream-of-consciousness novel entitled Mrs. Dalloway = published to rave reviews. This text is still considered one of the loveliest expressions of the literary genre * Mangala-Shukra bhukti [Shukra-yuti-Budha]* Shukra rules 9-creative fortunes [Rahu Mahadasha] [age 45.0 until decease age 59 Apr-1927 publication of To The Lighthouse [her most famous book] * Rahu-Rahu svabhukti -[ Rahu in bhava-3 ] thrilling publications Apr-1939 until Jun-1941 Janma Sade-Sati Mesha [8] Sep-1940 [VSW age 58] one month after Nazi bombs destroyed their former home, Leonard + Virginia Woolf lost their replacement home during the nightly WW-2 Blitzkrieg attacks * Rahu-Shukra bhukti * [Shukra-yuti-Surya] Surya rules 2nd-from-4th-from-Chandra-8 ++ Janma Sade-Sati 28-Mar-1941 [VSW age 59] death by suicidal river drowning during bi-polar despair * Rahu-Shukra bhukti * maraka Shukra rules-2 ++ Janma Sade-Sati |
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[Surya] pitri-karaka [father] * jyoti-karaka [light] [svabhava] [contemplative-retreating vyaya-pati for Kanya indriya-lagna] [bright focus of political hierarchy] [confidently displays conventional intelligence] [center-stage roles in fixed-rank drama] [class-conscious creative-speculative-entitled father] ... [appreciating Śrāvaṇa-2] [navamsha Surya-Urisha] intuitively imaginative [12] brightly vocal richly intoned values-preserving speech heritage storytelling confidence
OUTCOMES - SURYA [Surya in bhava-5] occupies famous Makara-10th-from-Chandra rulers of 1 + 2 + 9 + 10 + 12 occupy creative vidyasthāna
aristocratic [Makara social-class] campaigner for women's rights [5 civil rights, political rights, human rights] bright, steady voice in slow, hierarchically-resisted efforts [Makara] toward women's equality Center of a creative retinue [5] consisting of the Bloomsbury cohort along with her tightly knit (and dysfunctional) coterie of siblings, Surya vyaya-pati VSW recorded a lifetime of literary observation of herself, slowly succumbing to personality dissolution. Surya-5 ruled Simha-12-Karakamsha
FATHER Dad = Leslie Stephen, famed literary editor [Surya in bhava-5] [Surya-yuti-Budha] Although famed as a creative-arts figure within their social class, Dad was rarely available [Surya rules 12] [Chandra] matrikaraka [mother] * garha-karaka [village] [friendly-economic vriddhi-pati for Parthya indriya-lagna] ... [collaborative-communicative Aśvini-3] [navamsha Chandra in Mithuna] intuitively sensitive informative process management [Somana-yuti-Shani-nicha] [nishturabashi yoga]
OUTCOMES - CHANDRA CAREER - 10th-from-Chandra MOTHER MARRIAGE [Kuja] [dikbala] [busy-communicative sahaja-pati for Kanya indriya-lagna] [mysterious-discovering randhresha for Kanya indriya-lagna] ... [disguising-eruptive Mriga-4] [navamsha Mangala-Vrischika] intuitively competitive exploratory pursuit of dangerously healing discovery
OUTCOMES - MANGALA professionally publishing writing lecturing [Mangala in bhava-10] [dikbala] in communications 3rd-from-Chandra [Mangala in bhava-10] [dikbala] rules 3-8 ++ occupies 6/8 from Budha As a writer, she was a spiller of secrets. [8] Being both writer and publisher of her own works, she was free to reveal the truth. VSW was also a very busy commercial publisher. VSW and her husband Leonard Woolf designed and operated their own mechanized literary press. They handled virtually every aspect of the business, from book design to finance. Kuja is often a troublemaker for Kanya born struggle for equality with her brothers [Kuja] and sexually abusive punishment from them
[Budha] jamayah-karaka [sibling] * sandesha-karaka [message] * shisya-karaka [student] [energizing-identifying lagnesha for Kanya indriya-lagna] [dutiful-hierarchical karmesha for Kanya indriya-lagna] ... [creative Dhaniṣṭha-1] [navamsha Budha-Simha] intuitively detail-explains brightly romantic dramatic-political display [Atmakaraka writing, publishing, conversation, script, text, articulation, handcraft, business] [atmakaraka Budha rules Kanya Svamsha]
OUTCOMES - BUDHA [Atmakaraka] [lagnesha ] [karmesha] Budha occupies 3rd-from-3 bhava-5 creative endeavors contains the rulers of 1 + 2 + 9 + 10 + 12 Sibling and cohort Communication VSW had seven siblings There was constant communication among her sibling group, and among her adult cohort which included many artists, writers, editors, and publishers. Many of these were also the customers of her commercial publishing house, Bloomsbury Press. Bhava-5 creative intelligentsia also receives a disciplining time-structured drishti from [nīcha] [Shani in Bhava-8] ++ [Mangala in bhava-10] [dikbala] [Guru] dhava-karaka [husband] * bahuta-karaka [variety] [homebound-anchoring bandesha for Kanya indriya-lagna] [bargaining-balancing yuvati-pati for Kanya indriya-lagna] ... [Bharani-4] [navamsha Guru-Vrischika] intuitively expansive generous innovative hidden empowerments secret initiations [Guru-yuti-Shani-nicha]
OUTCOMES - GURU [collecting-valuing dhanesha for Kanya indriya-lagna] [believing-doctrinal dharmesha for Kanya indriya-lagna] [delights in hierarchical ranking games] [pleasure from elite status romance] ... [Uttarāṣāḍha -4] [navamsha Shukra-Meena-uchcha] intuitively harmonizing tonal-artistic visionary imagination
OUTCOMES - SHUKRA
[Shani] duro-karaka [endurance] * jara-karaka [Jahre, years] [nīcha] [witty-creative vidya-pati for Kanya indriya-lagna] [inimical-medicating rogesha for Kanya indriya-lagna] ... [dramatizing-displaying Bharani-1] [navamsha Shani-Simha] intuitively structured hierarchically constrained genius romance theatre political display
OUTCOMES - SHANI
[Rahu] rajyalobha-karaka [ambition] * picchala-karaka [slippery] [for Kanya indriya-lagna] [Rahu-3 casts passionately publishing mercantile drishti into 7-9-11] check Mangala for defining source of Rahu's dynamic competitive energy [ambition to deliver transformative instruction] [seeks privilege via passionate narratives of revolutionary change] [exhilarating communication about mysterious rebirth] [announcement of thrilling discoveries] [exceptionally invasive business process] [exaggerated secrecy within cohort ensemble] [opportunistically enterprising non-disclosing sibling-cousin] [over-reaching scope of commercial initiations] [compulsive concealment skills] [boundary-challenging news about rejuvenation in media publication] ... [evolving-emerging Anuradha-4] [navamsha Rahu-Vrischika] [vargottamsha] intuitively over-reaching dangerously thrilling empowering secrets
OUTCOMES - RAHU [Ketu] kavandha-karaka [headless] * chidra-karaka [gaping] * vasana-karaka [vacuum] [Rohiṇī-2] [navamsha Ketu-Urisha] intuitively dispersing liberating sensual values
OUTCOMES - KETU Ketu occupies the literary 3rd-from-Chandra = mental wandering, repeating narratives of abandonment, and dissociation |
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