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Writing and Publishing

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COHORT

friend of fellow literary author-publisher

friend and romantic rival of

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playwright

publisher

essayist

social commentator

Nobel Prize for Literature, 1948

literary critic

T.S. Eliot

a.k.a. Thomas Stearns Eliot

Earth-birth Wednesday-26-Sep-1888

dematerialization 04-Jan-1965 [age 76]

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Wasteland poet

literary publisher

1888-1965

Thomas Stearns Eliot

birth data from http://en.wikipedia.org/wiki/T_S_Eliot

tentatively rectified by BP Lama Jyotishavidya

[BT memory 07:45 from father's letter]

charts + graphs + tables = produced by Shri Jyoti Star - adapted by BP Lama

Rising Nakshatra

Masculine Nativities

Chitra-Spica

Citthirai - Vismakarma - Azinech - Alaraph - Arista - Dana

BPL commentary

For Chitra - Tvastri births of a masculine valence, the condition of kinesthetic, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome.

For those born into the Mangala-ruled paradigm of Visvakarma, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, builders, drivers, drillers, diggers, exploders, aggressors, pursuers, competitions and battles may be especially influential.

Guided by instructors from civilizations of Spica. Their purpose is architectural engineering and crafting of beautiful, functional, and artistic alliances, arrangements, and designs.

Designs + Arrangements

[Kuja] -ruled Chaitra fellows have a knack for competition. Goal-oriented and kinetic in building, patterning Tvastri, they strive for dominant power in engineering, artisan mechanics, architecture, and applied design arts such as skilled handcraft. As authors, Chaitrika often illustrate their works with fine drawings. Tvastri-born have a natural affinity for tools, engines, driving, building.

Kanya pada 1-2 express Kuja's rulership of 3-writing + 8-mystical transformations, while also displaying the frustrating tension of chatty Budha versus active Kuja.

Literary Budha plays a stronger role for pada 1-2, producing scholars and writers who argue about architectonics, engineering design, color values, and mechanics. Pada 1-2 = also skilled in handcraft and may be professors-cum-tradesmen, fine-arts painters, model-builders, or practicing musicians.

[Tula-Vanika] pada 3-4 express Kuja's rulership of 2-collections, assets + 7-contractual equity. Shukra's bargaining behavior and financial skills play a stronger role for pada 3-4, who enjoy the mutual attractions of Shukra-Mangala.

In music, arts, and engineering, they pursue harmonious arrangements. They often play stringed instruments, and write beautiful songs. Chaitrika pada 3-4 can be found in the design world, in financial negotiations, and in dynamic meditator roles.

Themes of productive touch including artistic design, musical instruments, mechanical engineering, and crafting of dynamic arrangements contextualize Vismakarma's terrestrial experience. Incoming drishti from Kuja can mobilize their progressive, pioneering actions. Also applies to Chandra in Chitra-Spica.

QUOTATION from Shil-Ponde. [1939] . Hindu Astrology Joytisha-Shastra. p 84

" Chitra natives are quiet, thoughtful, and profound.

Very slow in movement and of great dignity in bearing and manner.

  • they like to read books on serious and philosophical subjects.

they make good students in their youth.

they are also extremely clever with their hands ,

  • which are strong, supple, and dexterous.

they like to do things or fashion things with their hands

  • and could be sculptors or artists or surgeons ."

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Waste Land 1888-1965 publisher T.S. Eliot chatting by the fireplace with fellow literary publisher A Room of One's Own 1882-1941 Bloomsbury Virginia Woolf

QUOTATION from T.S. Eliot, " The Use of Poetry and the Use of Criticism"

" Communication" will not explain poetry. I will not say that there is not always some varying degree of communication in poetry, or that poetry could exist without any communication taking place. There is room for very great individual variation in the motives of equally good individual poets and we have the assurance of Coleridge, with the approval of Mr. Housman, that " poetry gives most pleasure when only generally and not perfectly understood."

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Honors and Awards - Rahu in bhava-11

list of TS Eliot's prizes and awards from Wikipedia

  • 1948 Order of Merit awarded by King George VI
  • 1948 Nobel Prize for Literature " for his outstanding, pioneer contribution to present-day poetry"
  • 1950 Tony Award for Best Play = Broadway production of The Cocktail Party.
  • 1951 officier de la Legion d'Honneur
  • 1955 Hanseatic Goethe Prize [Hamburg]
  • 1959 Dante Meda, Florence
  • 1960 Commandeur de l'Ordre des Arts et des Lettres
  • 1964 Presidential Medal of Freedom
  • 1983 Two posthumous Tony Awards for his poems used in the musical Cats

  • Eliot College of the University of Kent, England, named after him
  • Celebrated on commemorative postage stamps
  • A star on the St. Louis Walk of Fame
  • 13 honorary doctorates [including Oxford, Cambridge, the Sorbonne, and Harvard]

Biographical events matched to the Vimshottari Dasha calendar

[Chandra Mahadasha] age birth until age 1.2

26-Sep-1888 Earth-birth in St. Louis, Missouri, USA * Chandra-Shukra bhukti

[Mangala Mahadasha] age 1.2 until age 8.2

[Rahu Mahadasha] age 8.2 until age 26.2

1905 [TSE age 17] graduating from his Missouri high school, TSE goes to Boston for a year of prep school before entering Harvard College in 1906* Rahu-Budha bhukti * Budha basic schooling, skills, exams, diploma

1909 [TSE age 21] earned AB + AM in philosophy from Harvard College * Rahu-Shukra bhukti * [Budha-yuti-Shukra] * Budha diploma

1910 [TSE age 22] a funded scholarship sojourn in Paris based at the Sorbonne * Rahu-Shukra bhukti* Shukra activates 9 global travel, fortune

1911 returns to Harvard for doctoral study * Rahu-Shukra bhukti* Shukra activates 9 university higher study

May-1912 until Jun-1914 Janma Sade-Sati Urisha

1914 awarded a fully-paid fellowship for study at Merton College, Oxford. Plagued by sexual desire, TSE writes poetry about his raging passions - sometimes shockingly vulgar. Suddenly quits his studies. * Rahu-Mangala chidra-dasha * Vṛścika-Jyeṣtha -Mangala-3 writing rules 8 sudden identity transformation ++ janma Sade-Sati

[Guru Mahadasha] age 26.2 until age 42.2

1915 [TSE age 27] publication of first major poem, The Love Song of J. Alfred Prufrock. An extended erudite rant on a young man's sexual frustration, it is widely read in literary circles * Guru-Guru svabhukti ++ dvithiya Sade-Sati [Guru in bhava-3] broad scope audience

26-Jun-1915 [TSE age 27] consecration of marriage-1-of-2 with Vivienne Haigh-Wood, a governess in Cambridge * Guru-Guru svabhukti ++ dvithiya Sade-Sati * Guru activates Meena 7th navamsha * gochara R-K Makara-Karkata contact natal R-K

May-1916 [TSE age 28] Although his completed dissertation was submitted properly, TSE remained in UK rather than defend his philosophy thesis in person at Harvard University. The Ph.D. was not conferred * Guru-Guru svabhukti ++ dvithiya Sade-Sati ++ Rahu-Return

1917 [TSE age 29] begins clerk job in the foreign accounts dept at Lloyds Bank London, where TSE will work for the next decade * Guru-Shani bhukti * Shani activates 6-employee status

07-Jan-1919 [TSE age 31] grieved the decease of father * Guru-Shani bhukti [Shani-yuti-Rahu]

1921 nervous breakdown. Takes a leave of absence from the bank. * Guru-Ketu bhukti

29-Jun-1927 [TSE age 39] formal conversion of catechesis from Unitarian to Anglican doctrine * Guru-Chandra bhukti * Chandra-9 doctrine

Nov-1927 [TSE age 39] 14 years after first-arrival in Britain his age 25, formal conversion of citizenship from USA to UK * Guru-Mangala bhukti * Mangala activates 8-identity transformation

10-Sep-1929 [TSE age 41] grieved the decease of mother - Guru-Rahu chidra-dasha

[Shani Mahadasha] age 37.5 until age 56.5

1932 [TSE age 44] one-year faculty appointment at Harvard. Resumes life-companionship with former girlfriend, drama professor Emily Hale * Shani-Shani svabhukti * Shani activates 5-romance, drama

1933 [TSE age 44] following 18 years of marriage, TSE separates from wife-1 VHW. Accusing her of mental derangement, TSE and his brother-in-law have VHW court- committed to an insane asylum. The marriage remained legally intact until her death in 1947, but TSE met with her only once in 15 years * Shani-Shani svabhukti * Shani activates 6-divorce, accusation, animosity, jail. Aśleṣa -Shani-yuti-Rahu = cruelty

1937-1957 [TSE age 48 until age 68] begin 20-year life-companionship with Mary Trevelyan * begin Shani-Shukra bhukti

Nov-1939 [TSE age 50] World-War-2 begins in Britain * Shani-Shukra bhukti* Shukra activates 6th-from-Chandra

Jun-1941 until Aug-1943 Janma Sade-Sati Urisha

1947 [TSE age 59] grieved the decease of wife-1 Vivienne Wood * Shani-Guru chidra-dasha * Guru activates 2nd-from-7th-from-Chandra

[Budha Mahadasha] age 56.5 until age 73.5

Oct-1948 [TSE age 60] awarded 1948 Nobel Prize for Literature * Budha-Budha svabhukti * lagnesha Budha-yuti-Shukra rules-9 celebrity

1948 [TSE age 60] Order of Merit awarded by King George VI - Budha-Budha svabhukti * lagnesha Budha-yuti-Shukra rules-9 celebrity

1950 [TSE age 62] receives the Tony Award for Best Play = Broadway production of The Cocktail Party * Budha-Budha svabhukti * lagnesha Budha-yuti-Shukra activates -9 celebrity

1951 [TSE age 63] awarded the rank of Officier de la Legion d'Honneur * Budha-Budha svabhukti * lagnesha Budha-yuti-Shukra rules-9 celebrity

10-Jan-1957 [TSE age 68] [EVF age 30] consecration of marriage-2-of-2 with Esme Valerie Fletcher. EVF had been TSE's secretary at the publishing house since Aug-1949. EVF managed TSE's literary estate until her death in 2012 * Budha-Chandra bhukti * gochara R-K Vṛṣa-Vṛścikacontact Chandra-Urisha

04-Jan-1965 [TSE age 76] dematerialization via emphysema, following a lifetime of smoking * Budha-Shani chidra-dasha [Shani-yuti-Rahu]

Eliot_TS_midlife.png Distinctive features of the nativity

[Surya]

pitri-karaka [father] * jyoti-karaka [light]

[contemplative-retreating vyaya-pati for Kanya indriya-lagna]

[bright center of clandestine service]

[identified with ministry to foreign lands]

[brilliantly embodied argumentative imagination]

...

[inventive Hasta-1] [navamsha Surya-Mesha-uchcha]

  • [Surya-Kanya] Poshanya * Pushna - the nourisher * brightly charismatic confidence of Center-stage Surya radiates through the analytical logical rashi of Budha
  • [Surya in bhava-1] center of attention * bright embodiment * intelligence for competition * focus on appearance * genius for innovative self-expression * athletic entitlements * eye on personality * sparkling center of embodied vitality * father may be an icon-competitor-inventor

FATHER

Dad was a leading businessman in St Louis Surya in bhava-1.

Dad's factory made bricks. Hasta manufacturing. The venture had bankrupted in the 1870's when economic depression that had swept the USA. But having been born in 1888, TSE was the youngest of his seven children. He experienced a wealthy childhood with superb education. Chandra-9 activates 11 = Dhanayoga

OUTCOMES - SURYA

[Surya in bhava-1] activates 12. Distinctive personality as an American transplant insinuating into British literary society.

[Chandra]

matrikaraka [mother] * garha-karaka [village]

[friendly-gainful vriddhi-pati for Kanya indriya-lagna]

...

[rhythmic Rohini-4] [Chandra mūlatrikoṇa]

[navamsha Chandra-Karkata] intuitively sensitive flowing protective caretaking

  • [Chandra-Urisha] [uchcha] [mūlatrikoṇa] comforted by precious values * settled into rhythmic gathering * needs luxury
  • [Chandra in Rohini - Aldebaran] needs lavish appreciation * protectors of luxurious domiciles * soothed by sensuality
  • [Chandra in classroom-9] comfortable with paradigmatic belief * emotionally attuned to sacred doctrine * accustomed to priesthood * maternal piety * soothed by globalist perspective * feels the pulse of preaching * calmed by a broad worldview * acculturated to principled understanding * needs a familiar catechism * protective patrons * habitually seeks guidance * settled into philosophical habits * undulatingconvictions * mother may be devout, philosophical, a disciple, a proselyte

MOTHER

Mom = Charlotte Champe Stearns.

  • Mom was a schoolteacher, a scholar, and a poetess writing on devotional topics.
  • Her works were published in church periodicals. Chandra in classroom-9

MARRIAGE partnership emotional equity support expectations

[7th-from-Chandra-9]

  • union-1
  • bhava-3 writing, management, cohort
  • Vṛścikasexual-reproduction, secrecy, transformative cycles containing Kuja-yuti-Guru

Challenge to TSE's ability to negotiate fairly with women, and in particular a learning in regard to the wife

  • Shukra occupies the accusatory, imbalanced, criminal, toxic, exploitive 6th-from-Chandra

IIn Guru-Guru svabhukti ++ dvithiya Sade-Sati, TSE married Vivienne Haigh-Wood

  • TSE's first marriage was well documented by his literary friends such as A Room of One's Own 1882-1941 Bloomsbury Virginia Woolf and Principia Mathematica 1872-1970 philosopher Bertrand Russell.

VHW would appear to have suffered from severely painful, and deranging, endometriosis [Vṛścika] along with mental health imbalances [3] .

  • The union was reportedly deeply unhappy. Yet for reasons of church doctrine, TSE did not divorce VHW until long after her institutional confinement.
  • TSE and VHW's brother had her committed to an insane asylum, where TSE abandoned her.
  • Aśleṣa -Shani-yuti-Rahu suggests his capacity for vindictiveness and expedient cruelty.

8th-from- [7th-from-Chandra-9] = [2nd-from-Chandra]

  • marriage-2
  • bhava-10 public recognition, social authority, respect
  • Mithunaya = communication, dialog, writing, publication, announcements, commerce, administration

Budha-Rahu bhukti = second marriage to Esme Valerie Fletcher [EVF age 30, TSE age 68] .

EVF had been his secretary at the publishing house since Aug-1949. Mithunaya administration.

  • the union was said to be pleasant, childless, and fully focused upon the development of his literary estate, which she was expected to inherit.
  • The second avowed alliance = Mithunaya indriya-lagna-1 ruled by Budha-yuti-Shukra-5.
  • Budha suggests that lifepartner-2 could be significantly younger and Shukra = likely of pleasant appearance.

[Kuja]

bhratru-karaka [brother] * virya-karaka [virile]

[svakshetra]

[collaborative sahaja-pati for Kanya indriya-lagna]

[mysterious-discovering randhresha for Kanya indriya-lagna]

...

[Jyeṣtha -1] [navamsha Kuja-Dhanus] intuitively forward-moving competitive exploration discovery

[Kuja-yuti-Guru]

  • [Mangala-Vṛścika] vigorous pursuit of hidden assets * proactive exploration * energetic initiation * exposure of shocking secrets * plunges the tantric depths * push toward discovery * champion of emergency action
  • [Mangala in bhava-3] drive toward commerce * push toward scripted communication * active touring * vigorous pronouncements * invasive management * energized process * hyperactive mentality * athletic sibling-figures * promotional sales * photographs of the muscular physique * dynamic marketing * champion of teamwork * pursuit of business
  • [Kuja-yuti-Guru] multiple competitions * many brother-figures * energized growth * dynamic generosity * masculine force joins optimistic expansion * champion of philosophy * potential for aggressive preaching * promotes broad worldview * indoctrinating actions

OUTCOMES - KUJA

[Budha]

jamayah-karaka [sibling] * sandeza-karaka [message] * zisya-karaka [student]

[energizing-identifying lagnesha for Kanya indriya- lagna ]

[dutiful-hierarchical karmesha for Kanya indriya-lagna]

...

[secretive Chitra-4] [navamsha Budha-Vrischika] intuitively explaining detailed hidden empowerment

[Budha-yuti-Shukra]

  • [Budha-Tula ] articulation of contracts * equable discussions * balanced designs * commercial arrangements * explains procedure for fair agreements * descriptive bargaining * skillful matching * accommodating conversations * messages about negotiation * programming for trade exchanges * manufactures harmonious patterns * hands-arms-shoulders send equalizing gestures
  • [Budha in bhava-2] narrative of values-fulfillment * conversations about natural resources * talks about history * instructions for asset conservation * explains banking procedures * cherished recordings * discusses sound values * articulation of speech-song * quick-darting eyes-face * tells stories * defines storage methods * describes family lineage * manual preservation of collections * chats about knowledge base * conserves libraries * quick with language * manages archives * repeats from memory
  • [Budha-yuti-Shukra] explainer of balanced arrangements * diplomatic conversations * parity-seeking discussions * manual adjustments * enjoys words * sweet descriptions * delivers instruction about relationships * articulator of equity in agreements * message of fairly bargained contracts * skilled in songwriting * talkative sister-cousin-cohort * detailed lyricist * attracts chatty partners

OUTCOMES - BUDHA

Budha activates Mithunaya [10th navamsha] = writing, publishing, literary criticism

Commercial, explaining, verbose, descriptive Budha activates

  • bhava-1 physical appearance, personality, identity, mind's build-out of the material body
  • bbhava-10 profession, leadership, social recognition, public roles

[Guru]

dhava-karaka [husband] * bahuta-karaka [variety]

[homebound-anchoring bandesha for Kanya indriya-lagna]

[bargaining-balancing yuvati-pati for Kanya indriya-lagna]

...

[calculating Anuradha-2] [navamsha Guru-Kanya] intuitively expanding scope of hidden business services

[Guru-yuti-Mangala]

  • [Guru-Vṛścika] much mystery * many sudden discoveries * optimistic about emergencies * believes in healing * many masks * hidden doctrine * permission to reveal * transformative guidance * expands the scope of secret undertakings * multiple initiations
  • [Guru in bhava-3] many messages * extensive commerce * many photographs * numerous publications * s everal collaborators * multiple transactions * many tours * frequent business trips * many sales * numerous discussions * much detailed interaction * extensive planning operations * variety of ensemble performances * evangelistic growth * s o many meetings * patron of communications technologies * in a wifely nativity, husbandly-companion may be a businessman-writer
  • [Guru-yuti-Mangala] bhratri-karaka * multiple brotherly-figures * permission to compete-and-win * expansive conquests * progressive philosophy * large-scale invasive actions * vigorous champion of optimistic belief

OUTCOMES - GURU

Guru activates Meena = 11th-from-Chandra community, economics

Guru in bhava-3

In early years, TSE worked in a London bank, handling correspondence [3] regarding foreign accounts [Budha-2] .

TTSE worked as a productive, respected, commercially viable literary publisher. With a team [3] TSE operated a financially successful book publishing company.

TSE edited, marketed, promoted, and developed [Guru] the work of many struggling poets and fiction writers, creating a readership [audience, 3] that economically supported their careers.

[Shukra]

svadu-karaka [sweet] * kalatra-karaka [wifely companion]

[svakshetra]

[svabhava]

[historical-acquisitive dhanesha for Kanya indriya-lagna]

[doctrinal-guiding dharmesha for Kanya indriya-lagna]

...

[diplomatic Chitra-3] [mūlatrikoṇa] [navamsha Shukra-Tula] [vargottamsha]

[Budha-yuti-Shukra]

  • [Shukra-Vanika] appreciation of negotiation * taste for balanced color schemes * attracted to beautiful designs * enjoys the company of designers * prefers adjustable partners * pleased by brokerage * equable alliances * artfully arranges agreements * bargains sweetly * harmonious mediation * match-making for equity * aesthetic of the fair-trade deal
  • [Shukra-2] seeks pleasure via gathered treasuries * enjoys banked assets * bargains toward collected equity * feminine-figures predominate the family * gracious storyteller * pretty preservations * balanced linguistic expression * beautiful voice * pleasing designs to adorn the face * aesthetics of mouth + jaw + teeth + hair * graceful neck * prefers historical values * appreciation of speech-and-song * in a husbandly nativity, wifely-companion may be a banker-collector-historian-preserver
  • [Shukra-yuti-Budha] sweetened messages * gracious explanations * talented in singing-songwriting * articulate negotiations * advocates for reasoning process * talkative feminine-figures * pleasant conversations * bargaining for business * s ibling-cohort collaborative harmony * enjoys the company of students * detailed contracts * prefers logical arrangements

OUTCOMES - SHUKRA

word-and-knowledge Shukra-2 rules

  • 2-heritage values, face-voice, vocabulary, stored assets, knowledge of history and languages, family lineage
  • 9-father, patronage, preaching, sacred teachings, credenda, globalism, worldview

Shukra activates 9-universities.

[Shukra-yuti-Budha] lagnesha shows TSE's lifelong engagement with universities. He attended the Sorbonne and Oxford at various times. TSE spent many years affiliated with Harvard University. Beginning as an undergraduate in the college, TSE earned a MA and completed all requirements including a submitted dissertation for the Ph.D. [not conferred because he did not personally appear for the defense] . TSE was later awarded a one-year faculty appointment at Harvard, and some of his archive is stored there.

Woman-trouble + family friction

Shukra occupies the accusatory, imbalanced, criminal, warlike, toxic, exploitive [6th-from-Chandra]

[Shukra-Vanika] -2 would normally indicate a luxury-loving, pleasant family culture.

Yet being in [6th-from-Chandra], the kutumbha-bhava is also a site of conflict and imbalance. Although communication was sustained [Budha] and financial support flowed [Shukra], nevertheless TSE left his St. Louis family home age 15, and did not return.

[Shani] * duro-karaka [endurance] * jara-karaka [Jahre, years]

[witty-creative vidya-pati for Parthya indriya-lagna]

[inimical-medicating rogesha for Parthya indriya-lagna]

...

[profitable Aśleṣa-3] [navamsha Shani-Kumbha]

[Shani-yuti-Rahu]

  • Shani-Karkata * overburdened routines * class-conscious ethnicity * habitual conformity * must accept social responsibility for emotional stability * old defensive structures * structural compression upon stomach * strict security systems * proletarian cultural roots * must continue orderly sustainable settlements * rigid resistance to change of the folkways * regulates farming-fishing habits * must care for elders * aging local infrastructure * cramped shipping ports * ancient roadways * agricultural drought * dark dwellings * often stuck in a rut * protective policing routines * scarce domestic resources * maintainer of old seasonal rhythms
  • [Shani in Bhava-11] [svabhava] [beneficial] steady time-structured achievements * must maintain connections * sustainedeffort toward realistic aims * must regulate economic linkage * cautiously conventional accomplishments * class-conscious social network * chronic pressure on nerves-skin * few friendships * limited revenues * works hard for earnings * resists new associations * supports lawful distribution systems * accepts marketplace rules * salary worker fatigue * rigidly dutiful socialite roles * elders maintain community responsibilities
  • [Shani-yuti-Rahu] stiff resistance to unbridled ambition * formally regulated cultural mixing * disciplined thrills * class-based limitations upon privilege * repressed quest for intriguing importance * s ocially constrained opportunism * shimmering illusion of systematic conformity * irregular achievements * over-reaching elders * restricted risks

OUTCOMES - SHANI

Aśleṣa Shani-Karkata * literary themes of Old Rite, ancestral homeland, old roots, return to an ancient source

bhava-6 misalignment, exploitation, conflict, accusation

Shani in Bhava-11 = achievement, friendship networks, rules Kumbha 10th-from-Chandra

Shani-yuti-Rahu in gainful, earning 11 occupies the emotionally talkative, communicative cohort evangelical instructional team-working administrative managerial announcing publishing reporting explanatory conversational lyrical messaging 3rd-from-Chandra

The Modern Exhaustion

TSE's main creative literary [5] topics were How Life Goes On under conditions of permanent conflict [6] , toxic relationships, endless wars, and unrelieved stress.

[Rahu]

rajyalobha-karaka [ambition] * picchala-karaka [slippery]

[dramatizing Pushya-1] [navamsha Rahu-Simha] intuitively over-reaching political-dramatic romance display

  • [Rahu-Karkata] shimmering illusion of security * craving for customary rhythms * risky policing * ambitious home-building * mask of ancestral belonging * extravagant loyalty to the homeland * tantalizing defenses * over-reaching patriotism * fabulous farms * exceptional fisheries * grandiose gardens *passion for oceans * fascinating ethnic routines * marvelous localities * intriguing owned-stewarded properties * extraordinary cetaceans * seeks special importance via apparent [but perhaps not authentic] attributes of caretaking * seeks privilege via protective roles
  • [Rahu in bhava-11] passion for prestige rewards * in Roguish Rahu's svabhava co-ruled by materialistic Shani * the Shadowy Specter seeks glamorous material attainments * outsider who cleverly insinuates into social-networking roles * high-risk marketplace gains * ravenous for revenues * astounding awards * extraordinary economic connections * desires linkage into privileged systems * expediently gainful assemblies * opportunistic community activism * over-reaching friendships * craves prodigious profitability * exciting culturally-mixed gridworks * phony fellowship * may pose as a populist *boundary-breaching aim-achievement * thrillingly surge of amazing earnings * trespasses the normal cultural limits on distributive association
  • [Rahu-yuti-Shani] amplified public formality * pragmatic exaggeration * exotic social conventions * s lippery hierarchies * tricky rules * opportunistic elders * fascinating [but perhaps illusory] strict conformism * regulated risk-taking * hypnotic outsider insinuates normalcy * orderly cross-cultural mixing * thrilling legitimations

OUTCOMES - RAHU

Shani-yuti-Rahu in gainful, earning 11 occupies the emotionally talkative, communicative cohort evangelical instructional team-working administrative managerial announcing publishing reporting explanatory conversational lyrical messaging 3rd-from-Chandra

A central figure in the literary community [Rahu-11 mutual drishti Guru-3]

[Rahu in bhava-11] produced stunning number of prizes, awards for work accomplished, public honors

Rahu-yuti-Shani activates 5-celebrity

[Ketu]

kavandha-karaka [headless] * chidra-karaka [gaping] * vasana-karaka [vacuum]

[scattered hierarchical intelligence]

[disengaged witness to institutional politics]

[liberated from displays of rank]

[disregard for the drama of empty status]

...

[economic Uttarāṣāḍha-3] [navamsha Ketu-Kumbha] intuitively dispersing friendly marketplace connections

  • [Ketu-Makara-Draco] * formally dissociates from strict regulations * dissolves caste hierarchy * meaningless� rules * vacuous laws * walks away from social authority positions * s everance from executive roles * not limited by public protocol * ignores conventional structure * disregards class barriers * releases a cold blue cloud of institutional order into the misty abyss
  • [Ketu in classroom-5] ambivalent toward ceremony * eccentric offspring * wandering eldest child * demonstrates dramatic confidence in non-existent things * apathetic toward political displays * ungrounded speculation * disregards standard intelligence * disoriented creativity * incoherent romantic ideals * disinterested in games * liberation via surrender of entitlements * unless other graha in 5 or Ketu's ruler is strong, may prefer to live free from children

OUTCOMES - KETU

Dissociative Ketu in classroom-5 resides in 99th-from-Chandra

Shani drishti into Ketu-5. TSE produced no offspring.
T. S. Eliot, Four Quartets

Section V.

" What we call the beginning is often the end

And to make an end is to make a beginning.

The end is where we start from. And every phrase

And sentence that is right [where every word is at home,

Taking its place to support the others,

The word neither diffident nor ostentatious,

An easy commerce of the old and the new,

The common word exact without vulgarity,

The formal word precise but not pedantic,

The complete consort dancing together]

Every phrase and every sentence is an end and a beginning,

Every poem an epitaph. And any action

Is a step to the block, to the fire, down the sea's throat

Or to an illegible stone: and that is where we start.

We die with the dying:

See, they depart, and we go with them.

We are born with the dead:

See, they return, and bring us with them.

The moment of the rose and the moment of the yew-tree

Are of equal duration. A people without history

Is not redeemed from time, for history is a pattern

of timeless moments. So, while the light fails

On a winter's afternoon, in a secluded chapel

History is now and England.

With the drawing of this Love and the voice of this Calling

We shall not cease from exploration

And the end of all our exploring Will be to arrive where we started

And know the place for the first time.

Through the unknown, remembered gate

When the last of earth left to discover

Is that which was the beginning

At the source of the longest river

The voice of the hidden waterfall

And the children in the apple tree

Not known, because not looked for

But heard, half�heard, in the stillness

Between two waves of the sea.

Quick now, here, now, always-

A condition of complete simplicity

[Costing not less than everything]

And all shall be well and

All manner of thing shall be well

When the tongues of flame are infolded

Into the crowned knot of fire

And the fire and the rose are one."
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