COHORT born six months after
born five months after
born two weeks after
born four months before
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songwriter musician entertainer a.k.a. Philip David Charles Collins Earth-birth Wednesday-30-Jan-1951
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percussionist professional recordings producer multi-instrumentalist musician commercially dominant songwriter-vocalist dramatic actor 1951- Phil Collins data from https://en.wikipedia.org/wiki/Phil_Collins tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = generated by Shri Jyoti Star - www.vedicsoftware.com - adapted by BP Lama |
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Rising Nakshatra Masculine Public-Figure Examples Pashu - Pushana-vana - Antyabha BPL COMMENTARY For Revatika births of a masculine valence, the condition of conversational, discursive, explanatory, instructional, argumentative, commercializing, evangelical Kumara may considerably affect the outcome. Pashu the Pastor may be sensitively attuned to the signals of the animal kingdom. Hearing [Budha] the voices of mineral, plant, animal, and human worlds, antyabha-born often work for the welfare of all creatures. Many veterinarians and animal-welfare activists are Revatī-born. These way-showers are also found in all aspects of music and dancing, producing melodies, beats, and lyrics. Whatever the Pashu folk say, others will follow and believe. For those born into the Budha-ruled paradigm of Antyabha, siblings, cousins, schoolmates, bandmates, team-mates, castmates, classmates, entourage, ensemble, neighbors, managers, cohort, coterie, collaborative group, publishers, messengers, merchants, commercial agents, reporters, writers, scripts, plans, schedules, instructions, radio-television-internet, news-media, conferences, committees, discussions, travel itineraries, and texts -- and beasts of every description - may be especially influential. Budha's amsha favors business of all types. Revati may produce imaginatively talkative attorneys especially commercial lawyers. Partners, siblings, and companions may also follow the logical argumentor's trade. Instructional guidance is provided by emissaries from the civilizations of stars clustered near Zeta Piscium. Their purpose is to shepherd the flocks in safe passage, calling them to follow with an imaginative, sweet sound and rhythm The Way-Shower Revatika expresses the natural tension between Busy Bantering Budha and Guiding Generous Guru. Commercially oriented Budha is a master of writing, reporting, cinema, and detailed communication. Kumara naturally matches the vibration of chatty students and a younger audience. Yet, brihaspati much prefers to preach on broad-scope topics, ideology and inclusive doctrine. Paushna-born often find themselves in shepherding roles that require delivering a message to their herd of followers. The usual delivery style is musical, oratorical, or imaginative, but any method of Showing the Way may be chosen. Pashu the Pastor combines a broad welcoming vision with a beckoning repeating signal frequency such as a slogan, ajingle, or a melody. Themes of pastoral guidance, musical messaging, and benevolent outreach to all creatures may contextualize Revatika's terrestrial experience. Applies also to Chandra in Revatī - Pashu |
Revati QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 89 " ... Often distinguished by a birthmark on the thigh. They usually have well formed and beautiful physiques
They are fond of their family and friends
They may not be born to wealth
They will know how to enjoy wisely and well the fruits of their endeavors. These people are wise and intelligent and make excellent counselors
[end quote]
Collins first wedding in 1975, life-partner-1 with toddler
Collins with lifepartner-2, actress Jill Tavelman
Phil Collins with life-partner-3, entrepreneur Orianne Cevey in 200x |
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Biographical Events matched to
Vimshottari Dasha
bhukti
[ Rahu Mahadasha] [age birth until 8.6]
Tue-30-Jan-1951 Earth-birth in Putney Hospital, Chiswick, Middlesex, London, England * Rahu-Budha bhukti * Budha ātmakāraka ++ dvadasa Sade-Sati [ Guru Mahadasha ] [age 8.6 until age 24.6]
Nov-1952 until Nov-1955 Janma Sade-Sati via Tula
1970 [PDCC age 19] joined Genesis, the soon-to-be-world-famous musical band, * Guru-Shukra bhukti * Shukra rules 3 =bands, ensemble performance Apr-1971 until Jun-1973 = Shani Ashtamsha via Urisha
25-Dec-1972 [PDCC age 21] grieved the decease of father * Guru-Mangala bhukti [Kuja-yuti-Rahu] 1975 [PDCC age 24] consecration of marriage -1-of-3 with childhood friend from drama school, Andrea Bertorelli * Guru-Rahu chidradasha ++ gochara R-K Vṛṣa-Vṛścika contact Vṛścika-Shukra navamsha 1975 [PDCC age 24] adopts the daughter of lifepartner-1 Bertorelli * Guru-Rahu chidradasha 1975 [PDCC age 24] when the hired lead singer drops out, PDCC temporarily becomes the lead singer of Genesis * Guru-Rahu chidradasha [Shani Mahadasha] [age 24.6 until age 43.6]
14-Sep-1976 [PDCC age 25] celebrated the birth of bio-child-1, son Simon * Shani-Shani svabhukti * Shani rules 5th-from-Chandra 1980 [PDCC age 29] bitter accusations and divorce from lifepartner-1 * Shani-Budha bhukti * Budha rules 6th navamsha + Rahu-Return + dvadasa Sade-Sati 13-Feb-1981 [PDCC age 30] release of PDCC's first solo album, top-selling Face Value * Shani-Budha bhukti * Budha publications rules 10th-from-10+ Rahu-Return + dvadasa Sade-Sati 1982 [PDCC age 32] second solo album, Hello I Must be Going, earns international praise and top sales in the youth-pop-ballad sector.* Shani-Shukra bhukti * Shukra rules 3-sales + Rahu-Return + dvadasa Sade-Sati via Kanya Oct-1982 until Dec-1984 Janma Sade-Sati via Tula
1984 [PDCC age 33] [JT age 28] consecration of marriage- 2-of-3 with dramatist Jill Tavelman * Shani-Shukra bhukti ++ gochara R-K Vṛṣa-Vṛścika contact Shukra-Vṛścika ++ janma Sade-Sati 1985 [PDCC age 34] popular audience success continues. Next album, No Jacket Required, ascends the sales charts * Shani-Shukra * Shukra rules 3-sales ++ gochara R-K Vṛṣa-Vṛścika contact Shukra-Vṛścika ++ dvithya Sade-Sati [ Budha Mahadasha] [age 43.6 until age 60.6]
Jun-2000 until Jul-2002= Shani Ashtamsha via Urisha
1996 [PDCC age 45] following their 1984 wedding, finalization of divorce-2, officially ending marriage-2 from J. Tavelman * Budha-Budha svabhukti * Budha rules 12th-from-Chandra emotional dissolution 08-Oct-1996 [PDCC age 45] following a string of weakly received musical releases, the album Dance into the Light is judged critical and sales failure. Commentators opine that PDCC's celebrity performance career is dead. * Budha-Budha svabhukti * Budha rules 12th-from-Chandra delusion 1999 [PDCC age 48] consecration of marriage-3-of-3 with translator, marketer, events-mgt + jewelry-design businesswoman, Orianne Cevey * Budha-Shukra bhukti ++ gochara R-K via Simha-Kumbha contact natal R-K 27-Mar-2000 [PDCC age 49] wins Academy Award for best original song, for the movie Tarzan * Budha-Shukra bhukti * Shukra music, Shukra rules 8th-from-Chandra rejuvenation 2006 [PDCC age 55] announced separation from lifepartnership-3 * Budha-Rahu bhukti 2006 [PDCC age 55] reuniting with two former Genesis bandmates, PDCC organizes a musical tour. The aging performers garner critical and sales success * Budha-Rahu bhukti 2007 [PDCC age 56] broke neck vertebra while performing onstage during a Genesis musical concert * Budha-Guru bhukti * Guru rules 6th-from-Chandra emotionally sourced injury 2007 [PDCC age 56] begins new 9-year lifepartnership [not formally sanctified] with journalist beloved * Budha-Guru bhukti 2008 [PDCC age 57] finalization of divorce-3, officially ending marriage-3 with businesswoman, Orianne Cevey. The award to aggrieved spouse-with-children was the largest divorce penalty [£25M ] in UK legal history at that time * Budha-Guru bhukti * Guru rules impoverishing 6th-from-Chandra [Ketu Mahadasha] [age 60.6 until age 67.6]
Nov-2011 until Nov-2014 Janma Sade-Sati via Tula
Nov-2011 [PDCC age 60] [mom's age 98] grieved the decease of mother, theatrical agent, Winifred June Strange Collins * Ketu-Ketu svabhukti ++ janma Sade-Sati 2013 [PDCC age 62] announces retirement from active performing, citing health concerns [but returns to showbiz in 2016] * Ketu-Surya bhukti * Surya rogesha health imbalance ++ janma Sade-Sati Jan-2016 [PDCC age 65] announced a reunification with lifepartner-3 and their shared sons * Ketu-Shani bhukti * Shani-7 contract loyalty ++ dvithya Sade-Sati Oct-2016 [PDCC age 65] announces a new musical tour, which succeeds financially -- although PDCC must be helped to the stage in a mobility-chair * Ketu-Shani bhukti * Shani rules 5th-from-Chandra entertainment routines [Shukra Mahadasha] [age 67.6 until age 87.6]
2018 [PDCC age 65-66] significant health challenges result in multiple hospitalizations * Shukra-Shukra svabhukti * Shukra rules 8-surgeries, trauma Oct-2020 [PDCC age 69] failed marital reunification attempt, as the tabloid press reports financial lawsuits amid wife-3's secret remarriage * Shukra-Shukra svabhukti * Shukra rules 8-secrets, discoveries, shocks 26-Mar-2022 [PDCC age 71] having sung to appreciative live audiences from a mobility-chair, due to illnesses traced to a 2007 broken vertebra, during final date of a long tour ending in London, PDCC announces the conclusion of Genesis onstage live performances * Shukra-Surya bhukti * Surya rules 6-health Aug-2029 until Jun-2032 = Shani Ashtamsha via Urisha
Surya Mahadasha] [age 87.6 until age 93.6] |
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Prominent Features of the Nativity
[Sparkling Splendid Surya] pitri-karaka [father] jyoti-karaka [light] [inimical-medicating rogesha for Meena - Antya indriya-lagna] [bright focus of lawful marketplace] [confidently displays conventional earnings] [center-stage roles in community governance] [class-conscious socialite-networking-fundraising father] [usually is the mother's eldest child] ... [musical-storytelling Śrāvaṇa-2] [navamsha Surya-Urisha] intuitively confident expression of voice, tone, words, narrative, values, historical meanings
OUTCOMES - SURYA self-reflexively interlinked, brightly connected, charmingly friendly, regal style of maintaining community, intelligently goal-focused, creatively independent earnings, radiantly achieving, politically networked, splendidly associative, center-stage socialite icon [Surya in bhava-11] rules
CAREER - SURYA PDCC famously writes and performs a battery of songs which exemplify the themes relationship break-ups , devastating disagreements, betrayal, and emotional disorientation due to absence of trust [6] Collin's presentation = distinctively plebian, utterly unpretentious, modest appearance, average-guy profile, conventional balding middle-aged man [Makara] EARNINGS and POPULARITY Distinguished and highly profitable musical performance of rogesha-6-narratives of divorce, dispute, distrust, accusation. Mournful, haunting lyrics creatively express [Surya] suffering [rogesha] due to unfair treatment in unbalanced relationships [rogesha]. Shani-7 labha-pati in 7 [tax attorneys, divorce attorneys, musical intellectual-property attorneys...] ++Surya-11 rogesha which increases the revenues by making the break-up songs ever-more authentic [Surya authenticity].
Profitability from ruler of 6 in 6th-from-6 [11] = friends overwhelm the enemies, gains-11 overwhelm the distress-6. Does not eliminate the suffering, but converts the sorrow into marketplace revenues. Center of attention [Surya] within fanclubs [11] and vast proletarian crowds [Shani-ruled-11]
During his final [and highly remunerative-11] global performance tours, due to frailty and injury [6] PDCC had to be rolled onstage in a mobility-chair in order to sing for his fans. The devoted audience responded to the visage of one crippled by medical distress with resounding applause [Surya] . FATHER Dad worked as a household-insurance agent. Surya being [inimical-medicating rogesha] suggests that the father may have dealt with problems, complaints, injuries, distress, disease, damage, medication and medical treatment. [Comfortable Caretaking Chandra] matrikaraka [mother] * garha-karaka [village] [creative-gaming vidya-pati for Meena - Antya indriya-lagna] check Shukra + Shukra-drishti to source Chandra's reciprocal feelings, harmonizing rhythms, diplomatic sensibilities [gracefully comfortable with relationship crisis] [familiar with brokered identity changes] [needs to bargain for transformative rebirth] [settled into a rhythm of sudden discovery and rebalancing] [at some juncture in the lifespan, one's previous bargained agreements utterly die, catalyzing an emotional rebirth into new alliances] ... [populist-economic Arcturus-3] [navamsha Chandra in Kumbha] intuitively sensitive popular connections - proletarian sensibilities
OUTCOMES - CHANDRA sentimentally undisclosing, emotionally secretive, caretaker in dangerous situations, needs chaotic feelings, securely grounded through disastrous upheaval, anchored into sudden emergency response, sensitive to disguised dependencies, protected by camouflaged assets, sense of having hidden empowerments [Chandra in classroom-8] rules
CAREER - CHANDRA
a lifelong theatrical performer, PDCC's presentation style = emotionally evocative, elaborating themes of security, caretaking, need for shelter 5 glitterati, celebrity, sparkling bright romantic idealism ideals of genius, intellect, poetry, romance, creative art
PDCC's oeuvre of modern popular ballads express the theme of catalysis, sudden unexpected change, romanticshock, traumatic discoveries, call to rejuvenation Children The powerfully creative cluster in Mesha [Kuja + Shukra + Guru + Rahu] occupies 5th from Chandra = emotionally-driven dynamic, direct, competitive, innovative artistic performance
MOTHER Winifred June Strange Collins. Mom was a theatrical agent and media producer. Recognized in the London drama world, Mom promoted people and ideas, including materials for and about her famous son Phil. [Chandra in classroom-8] rules Karkata-5 = 10th-from-Chandra = mom's career in entertainment. Mom was a theatrical casting agent. She worked with aspiring creative performers of all ages, including children. Budha-10 rules-and- casts-drishti into the matristhāna-4-Mithuna
MARRIAGES partnership support expectations Multiple marriages predicted due to Shukra's companion graha = champion Kuja, many-maker Guru, multi-cultural Rahu. Three or Four weddings likely, with additional romantic relationships of varying lengths-intensities also expected due to permissive Guru.
the sequence of Shukra-profiled wifely life-partners ordered by degree of graha
[7th-from-Chandra-8 ] lifepartnership 1-of-3 lifepartner-1 = childhood friend from drama-school, Andrea Bertorelli
8th-from- [7th-from-Chandra-8] lifepartnership 2-of-3 lifepartner-2 = actress Jill Tavelman
3rd-from- [7th-from-Chandra-8]lifepartnership 3-of-3 lifepartner-3 = marketing, events-mgt, + jewelry-design businesswoman, Orianne Cevey
OCC = met PDCC when she worked as an event manager [Mithuna] + language translator [Mithuna] on one of his world concert tours [Shukra Kumbha]. A legendary divorce from lifepartnership-3 = 6th-from-4 = large-scale bhava-9
[Competitive Champion Kuja] bhratru-karaka [brother] virya-karaka [virile] [Kuja Dosha for alliance-1] [conserving-entreasuring dhana-pati for Meena - Antya indriya-lagna] [philosophical-doctrinal dharmesha for Meena - Antya indriya-lagna] check Shani + Shani-drishti to source Kuja's disciplined community-connections, systematic engineering, economic forward-push [dynamic pursuit of clandestine connections] [behind-the-scenes marketplace activism] [drive toward globalized wealth via economic innovation] [seeks friendly physical sanctuary] ... [community-connected Varuna-3] [vargottamsha] [navamsha Kuja-Kumbha] intuitively ordered distributive networked economic competition [Varuna-Kuja-yuti-Guru-Varuna] [Varuna-Kuja-yuti-Shukra-Dhaniṣṭha] [Varuna-Kuja-yuti-Rahu-Pegasus]
OUTCOMES - MANGALA invisibly penetrating, subconsciously discovering, pursues therapeutic sanctuary, surgically contemplative, incisively clairsentient, drilling into private spaces, unseen explorations, sexually clandestine, pushing-forward into dreamworlds [Mangala in bhava-12]
CAREER - MANGALA Kuja + Shukra + Guru + Rahu occupy Kumbha = artistic-performance, romantic, creative 5th from Chandra-Tula
Mangala ruler of activates Vrischika-9 = 2nd-from-Chandra [Mangala in bhava-12] activates
Within the remarkable Kumbha cluster, Kuja adds a dynamic, inventive, muscular, active energy to the intensely romantic, complex relationship patterns [Kuja Dosha] is dramatically enhanced by amplifcation of Rahu-12 [Busy Bantering Budha] jamayah-karaka [sibling] sandesha-karaka [message] shisya-karaka [student] \[bargaining-balancing jaya-pati for Meena indriya-lagna] [homebound-anchoring bandhesha for Meena indriya-lagna] ... [arranging-harmonizing Pūrvāṣāḍhā-3] [navamsha Budha-Tula] intuitively arranging balancing relationship communications [ātmakāraka writing, lyrics, messaging, event-planning, schedules, touring, entourage, communication, video-audio]
OUTCOMES- BUDHA talkatively authoritative, recognizable in media advertising, executive instructions, publicly explains orderly social process, chief organizational spokesperson, verbally commanding, skillfully describes regulation, governance by collaboration [Budha in bhava-10] rules
CAREER - BUDHA [ātmakāraka ] Budha the Writer-Writer-Writer and Commercial Producer
THE BAND - Genesis - AND THE SONGS Budha-10 public profile focused on teams, bands, groups Budha-10 rules 10th-from-10 = Shani-Kanya-7
Budha occupies Shukra-ruled Pūrvāṣāḍhā = songs PDCC salient reputation - even more recognized than his career as a singer = his much-admired lyrical facility as a popular, evocative songwriter writing, communications, publications, naarrative, lyrics Due to Shukra-ruled Pūrvāṣāḍhā = coupling with special focus on love relationships [Shukra] music tone sounds [Shukra] arrangements, values [Shukra] [Generous Growing Guru] dhava-karaka [husband] bahuta-karaka [variety] [svabhava] [energizing-identifying lagnesha for Meena - Antya] [dutiful-hierarchical karmesha for Meena - Antya] check Shani + Shani-drishti to source Brihaspati's systematic expansion, distributive inclusiveness, community-connected abundance [dreamer's expansive understanding of vast universal connectivity] [identity based in interlinked astral realms] [mass-participation with invisible distributive charities] [clairsentient awareness of electrical-etheric guidance] [numerous highly respected arrayed sanctuaries] [imagination extended via populist beliefs] [may preach to secluded community gatherings upon the intuitive use of symbolism] [permissive collectivist private enclosures] [social network associates those in contemplative isolation] [dreamworld may supply inspirational electro-magnetic vitality] [in a wifely nativity, husband may be an elusive, disappearing, or misunderstood foreigner-phantom - yet reputed to be wise] ... [imaginative-guiding Shatataraka-4] [navamsha Guru-Meena] intuitively expansive broad-scope philosophical visionary imagination [Varuna-Guru-yuti-Mangala-Varuna] [Varuna-Guru-yuti-Shukra-Dhaniṣṭha] [Varuna-Guru-yuti-Rahu-Pegasus]
OUTCOMES - GURU privately philosophical, expansively imaginative, broadly visionary, cheerfully insightful, contemplatively secluded, tolerantly prayerful, invisibly guided [Guru in bhava-12] rules
CAREER - BRIHASPATI Kuja + Shukra + Guru + Rahu occupy 5th from Chandra = chronically dissatisfied and criticizing 6th-from-Shani
Rahu-Guru-12 amplifies the scope of breakage of marriage contract
LAGNESHA - GURU-12 = drama Guru lagnesha resides in Kumbha-12 with Rahu-Kumbha yuti Guru-Kumbha yuti Mangala-Kumbha yuti Shukra-Kumbha = theatrical 5th-from-Chandra
Each one of his traumatic personal break-ups has produced an oeuvre of high-earning songs [Guru-yuti-Rahu]
[Sweetly Suave Shukra] svadu-karaka [sweet] kalatra-karaka [wifely companion] [busy-messaging sahaja-pati for Meena indriya-lagna] [mysterious-revealing randhresha for Meena indriya-lagna] ... [transformational-secretive Dhaniṣṭha-4] [navamsha Shukra-Vrischika] intuitively harmonious penetrating invasion [Dhaniṣṭha-Shukra-yuti-Mangala-Varuna] [Dhaniṣṭha-Shukra-yuti-Guru-Varuna] [Dhaniṣṭha-Shukra-yuti-Rahu-Pegasus]
OUTCOMES - SHUKRA pleasantly meditative, aesthetically contemplative, privately sensual, seeking balanced invisible arrangements, musically intuitive, harmoniously researching, prefering luxurious bedrooms, wealth-via-contractual agreements, attracted to imaginative companions [Shukra-12] rules
CAREER - BHRIGU Cluster of four power-graha in 12= 6th-from-7, including Shukra karaka for relationships
Kuja + Shukra + Guru + Rahu occupy Kumbha-5th from Chandra
Master of the lyrical fantasy dirge Topics of private [12] narrative of relationship disharmony [12] + bedroom culture, private imagination, dreams + conditions and persons adversarial [6th] to agreement [7th]
[Sober Structural Shani] duro-karaka [endurance] * jara-karaka [Jahre, years] [dikbala] [gainful-friendly labha-pati for Meena - Antya indriya-lagna] [retreating-contemplative vyaya-pati for Meena - Antya indriya-lagna] check Budha + Budha-drishti to source Shani's dutiful assistance, orderly aid, materialist logic [strict adherence to unfair contracts] [must maintain unjust alliances] [obligatory negotiation with elder ministers] [economic gains from unbalanced overworked partnerships] [mandatory lawfully continuation of service agreements] [dreamlike, rigidly withdrawing, mature, unyielding, stubbornly ministering, gainful, networking lifepartner] ... [fantasizing-conceptual Uttaraphalgunī-4] [navamsha Shani-Meena] intuitively class-conscious disciplined visionary imagination
OUTCOMES - SHANI formally promising, agreement-maintaining, rigidly contractual, alliance constricting, relationship regulating, orthodox marrying, conventionally matched, equitably responsible, systematically bargaining, trust-imposing, lawfully pledging, seriously oath-taking [Shani in Bhava-7] rules
CAREER - SHANI
EARNINGSShani = power of legal contract negotiation and enforcement
Along with Beatle Paul McCartney [who was married to his lawyer's daughter] and King of Pop Michael J. Jackson , PDCC ranks among the top three pop-music earners [Risk-rewarding Rāhu] rajyalobha-karaka [ambition] picchala-karaka [slippery] --- [svakshetra] [for Meena indriya-lagna] check Shani + Shani-drishti to source Rahu's apparently systematic, shimmeringly gainful, mimicking connectivity [Rahu-12 casts passionately private secluding drishti into 4-6-8] [wants to be a prestigious social networker, yet obsessed with privacy] [passion for community-connected interior guidance] [hallucinating electrical apparitions] [desires unorthodox associative linkage within undetected arrays] [yearns for access to futuristic research enclosures] [seeks opportunistic gain-of-goals in secluded other-worlds] [craves invisible economic achievement] [desires opaque profitable friendship gridworks] [ambitiously over-reaching distribution systems in the contemplative dreamworld] [ambitious socialite seeks clandestine revenues] [hungry to gain advantage of isolated conceptual matrix] [seeks importance via clairsentient status empowerments] ... [collaborative-publishing Purvabhadra-3] [navamsha Rahu-Mithuna] intuitively over-reaching passion for collaborative writing management teamwork [Pegasus-Rahu-yuti-Mangala-Varuna] [Pegasus-Rahu-yuti-Guru-Varuna] [Pegasus-Rahu-yuti-Shukra-Dhaniṣṭha]
OUTCOMES - RAHU Risk-rewarding Rahu = resides in svakshetra Kumbha-12 Rahu amplifies the rulers of 2 + 3 + 8 + 9 + 10 + 11
Kuja + Shukra + Guru + Rahu occupy Kumbha-5th from Chandra emotionally-driven dynamic, direct, competitive, innovative creativity = extraordinary, ambitious, taboo-challenging creativity [Collapsing Unshackling Ketu] kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum] beneficial placement for Meena indriya-lagna] check Surya + Surya-drishti to source Ketu's charmingly ambivalent, passively entitled, ceremonial detachment [unconcerned with quarrels about artistic creativity] [disinterested in unbalanced political arguments] [scatters the romantic conflicts] [abandons vacuous melodrama] [disengaged witness to unfair entitlements] [liberated from disagreements with celebrity theatrics] [disregard toward the complaints of intellectual speculators] [adversaries may accuse one of empty ceremonial game-playing] [dismisses the discomfort of heart-and-spine ailments] [apathetic toward displays of bright light] [passively fixated on ambitiously opportunistic friendly- profitable Rahu-Kumbha-12 phantoms, dream-images, intuitive imaginings, symbolic teaching, ancestral guidance, private understanding] .... [believing-optimistic Uttaraphalgunī-1] [navamsha Ketu-Dhanus] intuitively distancing witness detached philosophical inspiration
OUTCOMES - KETU
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