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Phil Collins

a.k.a. Philip David Charles Collins

Earth-birth Wednesday-30-Jan-1951



commercially dominant songwriter-vocalist


professional recordings producer

multi-instrumentalist musician

dramatic actor


Phil Collins

data from

tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = generated by Shri Jyoti Star -

- adapted by BP Lama

Rising Nakshatra

Masculine Public-Figure Examples

Svati - Arcturus

Chotthi - Vayu - Nishtya


For Svatika births of a masculine valence, the disposition of mesmerizing, hypnotic, shadowy, exciting, passionate, ambitious, opportunistic, privilege-seeking Professor Rahu may considerably affect the outcome .

For those born into the paradigm of Nishthya, exotics, ethnic mixers, opportunists, fascinators, mesmerizers, privilege-seekers, impostors, rogues, agents of passion and desire, self-proclaimers, self-promoters, charlatans, masters of smoke and oils, and entrancingly ambitious persons may be especially influential.

Guided by the instructing intelligences of Arcturus. Their purpose is to broker trade agreements and balance the interests of multiple ambitious stakeholders.

Social justice, personal power

[Rahu] -ruled Svatika gentlemen are Mix-Master Middlemen. They tend to be fascinating figures. By skillfully mixing and trading with different folks, Svatika chaps build exotic new exchange relationships.

They are often found in policy organizations and government agencies, where their social equity work is distinctively multi-cultural. Roles include trader, exchanger, bridge-builder, diplomat, negotiator, deal-maker, bargainer, marriage-matcher, alliance-designer, and other balancing activities that engage two mismatched sides within one functional agreement.

Svatika represents Rahu's desire to amplify Shukra's quest for harmonious agreements. Rahu challenges cultural boundaries. The mix-master may skillfully combine unusual agents and mismatched agendas in order to obtain a rebalanced status. Similar to Sadachbia, the Svatika-born are mixed-system orchestrators who may take direction from Otherworldly sources. The character of Rahu is determinative.

Due to their Rahu-gifted ability to think outside the box, Svatika-born may realize previously unthinkable opportunities for diplomacy and fair exchange. Their success is noted in negotiation, trade-deals, and bargaining in commodities, ideas, or services.

In politics, Nishthya fellows may be associated with social, economic, or political integration of previously hostile or excluded participants. Their special talent is dealing with those who may be rogues, outsiders, stigmatized, or posturing frauds . Vayu-born graciously mix people and environments that were once segregated, by making successful pairings between ethnicities, religions, nations, or individuals of differing practice.

Their pursuit of a social justice agenda is not entirely idealistic. It is ultimately motivated by their desire to obtain privilege by facilitating partnership geared to increased barter, brokerage, and exchange.

Themes of opportunity, fascination with appearances, and acquisition of privilege may contextualize Svatika's terrestrial experience. Applies also to Chandra-Svati

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra. p 84r.

" ... a slow and deliberative character,

  • almost ponderous in thought and action

  • Yet, intelligent and logical

While he may be slower at arriving at conclusions than most people,

  • on final analysis his reasoning is sound

  • and his conclusion more accurate than others who may be more brilliant.

He is very religious, somewhat orthodox ,

  • and his environment permitting will attend church regularly

  • or at any rate participate in some religious activity.

Many priests or ministers are found to have Swati on the Rising Point." [end quote]


Collins first wedding in 1975, life-partner-1 with toddler


Collins with second lifepartner, actress Jill Tavelman


Phil Collins with third life-partner, entrepreneur Orianne Cevey in 200x

Biographical Events matched to Vimshottari Dasha bhukti

[Rahu Mahadasha] [age birth until age 15.7]

Tue-30-Jan-1951 Earth-birth in Putney Hospital, Chiswick, Middlesex, London, England * Rahu-Rahu svabhukti * dvadasa Sade-Sati

Nov-1952 until Nov-1955 Janma Sade-Sati via Tula

  • [1-personality, physique, competition, uniqueness, style of movement, vitality, kinetic energy patterns]
  • [age 2-5]

[Guru Mahadasha ] [age 15.7 until age 31.7]

1970 [PDCC age 19] joined Genesis, the soon-to-be-world-famous musical band, * Guru-Guru svabhukti * Guru rules 3-bands, ensemble performance

Apr-1971 until Jun-1973 = Shani Ashtamsha via Urisha

  • [4-home, security, routines]
  • Urisha 7th-navamsha

25-Dec-1972 [PDCC age 21] grieved the decease of father * Guru-Ketu bhukti

1975 [PDCC age 24] consecration of marriage -1-of-3 with childhood friend from drama school, Andrea Bertorelli * Guru-Shukra bhukti ++ gochara R-K Vṛṣa-Vṛścika contact svamsha Vṛścika-Shukra

1975 [PDCC age 24] adopts the daughter of lifepartner-1 previous marriage * Guru-Shukra bhukti * Shukra lagnesha-randhresha new identity as father

1975 [PDCC age 24] when the hired lead singer drops out, PDCC temporarily becomes the lead singer of Genesis * Guru-Shukra bhukti * Shukra lagnesha-randhresha new identity as lead singer

14-Sep-1976 [PDCC age 25] celebrated the birth of child-1, son Simon * Guru-Shukra bhukti * Shukra lagnesha

1980 [PDCC age 29] bitter accusations and divorce from lifepartner-1 * Shani-Budha bhukti * Guru-Rahu chidradasha + Rahu-Return + dvadasa Sade-Sati via-12-Kanya

13-Feb-1981 [PDCC age 30] release of PDCC's first solo album, the top-selling Face Value ** Guru-Rahu chidradasha + Rahu-Return + dvadasa Sade-Sati

[Shani Mahadasha]] [age 31.7 until age 50.7]

1982 [PDCC age 32] second solo album, Hello I Must be Going, earns international praise and top sales in the youth-pop-ballad sector.* Shani-Shani svabhukti * Shani rules 5-artistic performance, prizes ++ dvadasa Sade-Sati

Oct-1982 until Dec-1984 Janma Sade-Sati via Tula

  • [1-personality, physique, competition, uniqueness, style of movement, vitality, kinetic energy patterns]
  • age 31-34

1984 [PDCC age 33] [JT age 28] consecration of marriage- 2-of-3 with dramatist Jill Tavelman * Shani-Shani svabhukti * Shani rules Makara svamsha ++ gochara R-K Vṛṣa-Vṛścika contact Shukra-Vṛścika ++ janma Sade-Sati

1985 [PDCC age 34] popular audience success continues. Next album, No Jacket Required, ascends the sales charts * Shani-Shani svabhukti * Shani rules 5-artistic performance, prizes

08-Oct-1996 [PDCC age 45] following a string of weakly received musical releases, the album Dance into the Light is judged critical and sales failure. Commentators opine that PDCC's celebrity performance career is dead. * Shani-Rahu bhukti

1996 [PDCC age 45] finalized divorce from lifepartner-2 * Shani-Rahu bhukti

1999 [PDCC age 48] consecration of marriage-3-of-3 with translator, marketer, events-mgt + jewelry-design businesswoman, Orianne Cevey * Shani-Rahu bhukti ++ gochara R-K via Karkata-Makara contact Makara svamsha

27-Mar-2000 [PDCC age 49] wins Academy Award for best original song, for the movie Tarzan * Shani-Guru chidradasha

[Guru-Kumbha] [Guru in bhava-1] [Guru-yuti-Mangala ] [Guru-yuti-Shukra] [Guru-yuti-Rahu]

[Budha Mahadasha] [age 50.7 until age 67.7]

Jun-2000 until Jul-2002= Shani Ashtamsha via Urisha

  • [8, volatility, sudden changes, initiation, identity transformation]
  • [Urisha 7th navamsha]

2006 [PDCC age 55] announced separation from lifepartnership-3 * Budha-Shukra bhukti * Shukra randhresha[Shukra-yuti-Rahu]

2006 [PDCC age 55] reuniting with two former Genesis bandmates, PDCC organizes a musical tour. The aging performers garner critical and sales success ** Budha-Shukra bhukti * Shukra randhresha-lagnesha rejuvenation [Shukra-yuti-Rahu]

2007 [PDCC age 56] broke neck vertebra while performing onstage during a Genesis musical concert * Budha-Shukra bhukti * Shukra randhresha surgery [Shukra-yuti-Rahu] ++ Shukra rules volatile 8th-from-Chandra emotional emergency

2007 [PDCC age 56] begins new 9-year lifepartnership [not sanctified] with journalist beloved * Budha-Shukra bhukti * Shukra lagnesha [Shukra-yuti-Rahu]

2008 [PDCC age 57] announced finalization of divorce from lifepartnership-3. The award to aggrieved spouse-with-children was the largest divorce penalty [£25M ] in UK legal history at that time * Budha-Chandra bhukti * Chandra rules 2nd-from-9 = financial payout for spouse 3-of-3

Nov-2011 until Nov-2014 Janma Sade-Sati via Tula

  • [1-personality, physique, competition, uniqueness, style of movement, vitality, kinetic energy patterns]
  • [age 31-34]

Nov-2011 [PDCC age 60] [mom's age 98] grieved the decease of mother , theatrical representative, Winifred June Strange Collins * Budha-Rahu bhukti ++ janma Sade-Sati

2013 [PDCC age 62] announces retirement from active performing, citing health concerns * Budha-Rahu bhukti

Jan-2016 [PDCC age 65] announced a reunification with lifepartner-3 and their shared sons * Budha-Shani chidradasha * yogakaraka Shani rules 5-children, 4-household

Oct-2016 [PDCC age 65] announces a new musical tour, which succeeds financially [2] although PDCC must be helped to the stage in a mobility-chair * Budha-Shani chidradasha * yogakaraka Shani rules 5-creative performance

[Ketu Mahadasha] [age 67.7 until age 74.7]

2018 [PDCC age 65-66] significant health challenges result in multiple hospitalizations * Ketu-Ketu svabhukti

[Shukra Mahadasha] [age 74.7 until age 94.7]

Oct-2020 [PDCC age 69] failed marital reunification attempt, as the tabloid press reports financial lawsuits amid wife's secret remarriage * Ketu-Chandra bhukti * Chandra-1 self rules 2nd-from-9 saturation from 3rd-marriage

26-Mar-2022 [PDCC age 71] having sung to appreciative live audiences from a mobility-chair, due to illnesses traced to a 2007 broken vertebra, during final date of a long tour ending in London, PDCC announces the conclusion of Genesis onstage live performances * Ketu-Rahu bhukti

Aug-2029 until Jun-2032 = Shani Ashtamsha via Urisha

  • [8, volatility, sudden changes, initiation, identity transformation]
  • Urisha 7th-navamsha
phil-collins_2010.jpg Prominent Features of the Nativity


pitri-karaka [father] jyoti-karaka [light]

[friendly-gainful vriddhi-pati for Tulā indriya-lagna]

[class-conscious driver-builder-farmer father may be primary parent]

[bright center of ethno-national governance]

[intelligence for conservative localism]

[icon of lawfully customary Old Ways]

[political focus on environmental policy]

[confident demonstrations of farming and land-ownership]


[musical-enriching Śrāvaṇa-2] [navamsha Surya-Urisha] intuitively confident singer-financier

  • [Surya-Makara-Draco] Savitra * the stimulator * brightly charismatic confidence of Center-stage Surya radiates through the hierarchical structuring rashi of Shani
  • [Surya in bhava-4] center of root routines * brightens the patriarchal folkways * intelligence for housing * focus on farming * smart gardens * dramatic transportation * ethnic entitlements * political parenting * Stable confidence * attention on foundational infrastructure * eye on security * sparkling center of the patriotic-drama * father may be a schoolteacher-landowner-patriot


[Surya in bhava-4] rules

  • 11 - income, profitability, friendships, gain-of-goals, achievement, distribution systems, community, social network


  • 7-contracts, negotiations, arrangements = 8th-from-Surya

a lifelong theatrical performer, PDCC's presentation style = distinctively plebian, average-guy, conventional balding middle-aged man [Makara]

  • yet the songs he sings contain narratives of intensive transformation, disastrous calamity, terrifying discoveries, catastrophic change, and upheaval [8] within relationships [7]


Dad worked as an home-insurance agent. [Surya in bhava-12] rules 7-contracts, representation, brokerage


matrikaraka [mother] * garha-karaka [village]

[inimical-medicating rogesha for Kumbha indriya-lagna]


[class-conscious Arcturus-2] [navamsha Chandra in Makara] intuitively sensitive hierarchically regulated social ordering

  • [Chandra-Tula] comforted by ritual negotiation of agreements * sensitive to balance * needs to trade
  • [Chandra in Svati - Arcturus] soothed by risky agreements * guardians of culturally-mixed harmony * fascinating bargains * opportunistic arrangements
  • [Chandra in classroom-9] comfortable with paradigmatic belief * emotionally attuned to sacred doctrine * accustomed to priesthood * maternal piety * soothed by globalist perspective * sentimentally righteous holiness * feels the pulse of preaching * calmed by a broad worldview * acculturated to principled understanding * needs a familiar catechism * protective patrons * habitually seeks guidance * settled into philosophical habits * undulating convictions * mother may be devout, philosophical, a disciple, a proselyte


[Chandra in classroom-9] rules

  • 6 conflict, pharmacy, distrust, medical situations, litigation, divorce


[Chandra in classroom-9] activates Karkata-6 = 10th-from-Chandra

Collin's career is based in emotionally evocative 6-narratives of divorce, distress, distrust, accusation, and suffering.

He famously writes and performs a battery of songs which exemplify the themes relationship break-ups disagreements, and emotional disorientation due to absence of trust

Karkata familiar, emotional relationships


The powerfully creative cluster [Kuja + Shukra + Guru + Rahu] occupy 5th from Chandra = emotionally-driven dynamic, direct, competitive, innovative artistic performance

  • Collins has five children from three marriages

  • among them, nearly all are entertainers [5] including daughter Lily Collins, fashion model and dramatist


Winifred June Strange Collins. Mom was a theatrical agent and media producer. Recognized in the London drama world [9] Mom promoted people and ideas, including materials for and about her famous son Phil.

[Chandra in classroom-9] rules 10th-from-Chandra, career.

  • PDCC is best known for his high-profile contentious divorces
  • and his extensive songwriting to document and rhythmically lyricize those break-ups.

Chandra being [inimical-medicating rogesha for Kumbha indriya-lagna] suggests that the mother-son relationship may have been unbalanced

[Shukra-1] ruler of the matristhāna-4, shows mom's identity with artistic performance, similar to PDCC's children.

MARRIAGES partnership support expectations

Multiple marriages predicted due to Shukra's companion graha. Four weddings likely.

the sequence of Shukra-profiled wifely lifepartners ordered by degree of graha

  1. Shukra = 5 deg.
  2. Mangala = 13 deg.
  3. Guru = 17 deg.
  4. Rahu = 26 deg.

[7th-from-Chandra-9] lifepartnership 1-of-3

  • 3-business management, sibling-communication, cohort
  • Mesha championship, getting-started, new, first-arrival
  • lifepartner-1 = childhood friend from drama-school, Andrea Bertorelli

8th-from- [7th-from-Chandra-9] lifepartnership 2-of-3

  • 10-public reputation, social visibility, career
  • Vṛścika transformation, secrecy, healing, hiding, penetrating insights, initiations
  • lifepartner-2 = actress Jill Tavelman

3rd-from- [7th-from-Chandra-9] lifepartnership 3-of-3

  • 5-creativity, children, intelligence, theatre, romance
  • Mithunaya business, marketing, sales, communications
  • lifepartner-3 = marketing, events-mgt, + jewelry-design businesswoman, Orianne Cevey

OCC = met PDCC when she worked as an event manager + language translator on one of his world concert tours [Kumbha].

  • PDCC paid USD_25-million to OCC in divorce settlement
  • Following a bitter divorce, the couple reunited and re-split during PDCC 's Shukra-Shukra svabhukti = Shukra rules 5th-from-5 [idealism] ++ 12th-from-5 [retreat, withdrawal]


bhratru-karaka [brother] virya-karaka [virile]


[collaborative-communicative sahaja-pati for Kumbha indriya-lagna]

[dutiful-regulating karmesha for Kumbha indriya-lagna]

[Kuja Dosha for alliance-1]


[social-ordering, class-conscious Varuna-2] [navamsha Kuja-Makara-uchcha] intuitively regulated lawful competition




  • [Mangala-Kumbha] vigorous community activism * warrior for economic progress * proactive linking * push toward regulated systems * pursues profitable roles * spearhead of mass interconnectivity * futuristic thrust * dominating energy in social networking * conquest of marketplace interactions * champion of distributed associations
  • [Mangala in bhava-1] forward fighter * muscular champion * competitive winner * drive toward performance vitality * embodied action * primal sexuality * pursuit of progress * direct movement * physical engineering * thrusting vigor * dominating personality * pushy * dynamic innovator * energized conquests * athletic body
  • [Kuja-yuti-Guru] multiple competitions * many brother-figures * energized growth * dynamic generosity * masculine force joins optimistic expansion * champion of philosophy * potential for aggressive preaching * promotes broad worldview * indoctrinating actions
  • [Kuja-yuti-Shukra] dual sexuality * energized bargaining * dynamic trading * masculine force joins feminine allure * kinetic sensuality * productive arrangements * competitive mating * vigorously balance-seeking in partnership * pursues diplomatic resolutions * innovative arrangements
  • [Kuja-yuti-Rahu] thrill of muscular action * competitive ambition * passion to win * fascinating physicality * compulsive drive toward heroic battle * dynamic desires * champion of culture-clash * forward thrust toward opportunity * forceful pursuit of privilege


Kuja + Shukra + Guru + Rahu occupy 5th from Chandra

  • emotionally-driven dynamic, direct, competitive, innovative creativity

Mangala activates Vrischika = 2nd-from-Chandra

  • face song acquired wealth family lineage knowledge treasuries:

[Mangala in bhava-1] activates

  • 7-relationships, contracts, advocacy, fairness, legal judgments, lawcourts, appeals, representation, equity, diplomacy, bargaining, partners
  • 3- songwriting and music production business
  • 10-public visibility, symbolic roles, leadership, enduring positions, reputation, command

Within the remarkable Kumbha cluster, Mangala adds a dynamic, inventive, muscular, active energy to the intensely romantic, complex relationship [Shukra-Mangala] patterns

[Kuja Dosha] is dramatically enhanced by Ketu-7 intakes Kuja-1 drishti

  • Modern themes of break-up [battering Kuja[ due to unsustainable emptiness and disconnection within relationships


jamayah-karaka [sibling] sandesha-karaka [message] shisya-karaka [student]

[creative-displaying vidya-pati for Kumbha indriya-lagna]

[mysterious-transformative randhresha for Kumbha indriya-lagna]

[systems narrative of marketplace doctrine]

[theoretically principled economic connections]

[talks about philosophy of distributive association]

[brilliant yet secretive friends]

[communicates about romance and transformation]


[arranging-contractual Pūrvāṣāḍhā-3] [navamsha Budha-Tula] intuitively arranging balancing relationship communications

[Atmakaraka writing, lyrics, messaging, event-planning, schedules, touring, entourage, communication, video-audio]

  • [Budha-Dhanus] priestly communications *†theoretical discourse * inspirational conversations * articulation of sacred beliefs * doctrinal pronouncements * sends messages about broad worldview * descriptive philosophical understanding * specifically defined interpretive principles * explains the indoctrination procedure * expertly detailed sermons * ideological programming * hands-arms-shoulders send preaching gestures
  • [Budha in bhava-11] narrative of marketplace information * describes ecological gridwork * calculates economic profit * reports on revenues * describes distributive networks * talks about social participation * Sibling-type friendships * conversations about voluntary connections * announces achievements * delivers interlinking instructions * discussion in large assemblies * defines the webworks of community


[Budha in bhava-11] rules

  • 5 artistic creative stage- performance
  • 8- insurance, hidden assets, catastrophic conditions
  • 9, father, beliefs, celebrity, charity, international fortunes

[Atmakaraka] Budha the Writer-Writer-Writer and Producer

  • occupies the emotionally talkative, communicative cohort evangelical instructional team-working administrative managerial announcing publishing reporting explanatory conversational lyrical messaging 3rd-from-Chandra

Budha occupies Shukra-ruled Pūrvāṣāḍhā = songs

writing, communications, publications, narrative, lyrics, coupling with special focus on love relationships [Shukra] music tone sounds [Shukra] arrangements, values [Shukra]


dhava-karaka [husband] bahuta-karaka [variety]


[gainful-economic vriddhi-pati for Kumbha indriya-lagna]

[conserving-entreasuring dhanesha for Kumbha indriya-lagna]

[multiple systematic personality attributes]

[embodiment of interconnected philosophical beliefs]

[identified with understanding of assemblies]

[iconic personification of marketplace worldview]

[personality exemplifies collectivist ideology]

[paragon of economically indoctrinated cheerfulness] [preacher-and-teacher may deliver proletarian wisdom]

[expansive speaker-storyteller with a vast social network]

[lagnesha + karmesha = high visibility priest or theorist]

[dhanayoga Guru-1 rules 2 + 11 = abundant capitalized earnings]


[imaginative-guiding Shatataraka-4] [navamsha Guru-Meena] intuitively expansive broad-scope philosophical visionary imagination




  • [Guru-Kumbha] much networking * hope for the future * many marketplaces * optimistic about big associations * permission to connect * scientific beliefs * doctrine of economic linkage * distributed guidance * expands the scope of social participation * multiple communities * diversity of friendships
  • [Guru in bhava-1] much vitality * philosophical personality * permission for unrestricted action * generous disposition * numerous identities * expands the scope of competition * many cheerful sporting activities * believes in birthright * expansive aura * extra height-or-girth * embodiment of tolerant cheer * a patron of personal benefit * in a wifely nativity, husbandly-companion may be an expander-philanthropist-benefactor
  • [Guru-yuti-Mangala] bhratri-karaka * multiple brotherly-figures * permission to compete-and-win * expansive conquests * progressive philosophy * large-scale invasive actions * vigorous champion of optimistic belief
  • [Guru-yuti-Shukra] sodarya-karaka * multiple feminine-figures * permission to make deals * abundant pleasures * blossoming treasures * expansion of art * inspirational music * optimistic diplomatic philosophy * large-scale alignments * broad scope of partnerships * diverse financial arrangements
  • [Guru-yuti-Rahu] mizra-karaka * multiple mix-culture opportunities * permission to bend barriers * many impostors * abundant expedience * wide scope of ambition * craving for expansion * seeks promotional advantage via globalist philosophy * optimistic toward obtainment of privilege


Kuja + Shukra + Guru + Rahu occupy 5th from Chandra

  • emotionally-driven dynamic, direct, competitive, innovative creativity + Guru expansion, inclusion
  • large-scale stadium performance tours

[Guru in bhava-1] rules

  • 2 face, voice, assets, storytelling, narratives, heritage values
  • 11-earning, revenues == contains vidyapati Budha-11

Money-maker Guru typically enriches the Kumbha-born


His HNWI status has endured for decades.

  • PDCC was reported to have paid $US_42_million in divorce settlements [6] .

  • Yet, his total earnings have far exceeded the astounding cost of his divorces.
  • Each one of his traumatic personal break-ups has produced an oeuvre of high-earning songs [Guru-yuti-Rahu]

PDCC remains firmly a member of the HNWI super-earners category in the music industry.


svadu-karaka [sweet] kalatra-karaka [wifely companion] [energizing-identifying lagnesha for Tulā indriya-lagna]

[mysterious-revealing randhesha for Tulā indriya-lagna]


[transformational-secretive Dhaniṣṭha-4] [navamsha Shukra-Vrischika] intuitively harmonious penetrating invasion




  • [Shukra-Kumbha] appreciation of social networks * likes knitting-knotting * attracted to marketplace revenues * pleased by large-group connectivity * prefers a friendly partner * collectivist arrangements * enjoys regulated systems * sweetly gracious within big crowds * scientific aesthetic * financially balanced economic linkage
  • [Shukra-5] seeks pleasure via refined gaming * enjoys center-stage beauty * creative feminine-figures * pleasing children * talented students * delights in financial speculation * political grace * aesthetic designs to adorn the heart * graceful solar plexus * dramatic relationships * sweet celebrity romance * delights in fine arts * appreciation of entitlements * in a husbandly nativity, wifely-companion may be a dramatist-politician-artist-genius
  • [Shukra-yuti-Mangala] sweetened conquests * gracious competition * appreciation for pioneering innovation * aesthetic of sporting interactions * proactive negotiations * musical brother-figure * competitive contracts * accommodating dual sexuality * prefers relationships with energetic partners
  • [Shukra-yuti-Guru] sweetened expansions * gracious diversity * appreciation for philosophical doctrine * adjustable catechism * numerous negotiations * humanistic agreements * generous beauty * balanced patronage * arrangements according to priestly paradigm of belief * prefers relationships with generous partners
  • [Shukra-yuti-Rahu] sweetened adventure * gracious ambition * appreciation for opportunities * thrilling negotiations * passionate sensuality * over-reaching agreements * exceptional beauty * enjoys cultural mixing * barrier-bending relationships * unorthodox arrangements * diplomatic equity balances exhilarating chance * risk-rewarding contracts * unconventionally attractive * pleasantly mesmerizing appearance * prefers exciting partners


artistic performance, creative literature, romantic theatre, speculating [Shukra-5] rules

  • [1-personality, physique, competition, uniqueness, style of movement, vitality, kinetic energy patterns]
  • contains chandra-1
  • [8, volatility, sudden changes, initiation, identity transformation]

PDCC's oevre of modern popular ballads express the theme of catalysis, sudden unexpected change, romanticshock, traumatic discoveries, call to rejuvenation

Kuja + Shukra + Guru + Rahu occupy 5th from Chandra

  • emotionally-driven dynamic, direct, competitive, innovative creativity = musical, relationship-oriented, harmony-seeking, values-focused and wealth-accumulating creativity

Genesis 1951- songwriter drummer Phil Collins

Shukra activates Collins = master of the lyrical fantasy dirge.

Topics of private [12] narrative of relationship disharmony [12] + bedroom culture, private imagination, dreams + conditions and persons adversarial [6th] to agreement [7th]

[Shukra-1] activates

  • 4-home, security, familiar routines, mother, parents
  • 9-ideology, beliefs, principled worldview
  • Shukra activates traumatic 8th-from-Chandra


duro-karaka [endurance] * jara-karaka [Jahre, years]

[Vimala Yoga]

[energizing-identifying lagnesha for Kumbha indriya-lagna]

[researching-sojourning vyaya-pati for Kumbha indriya-lagna]

[staunch resistance to change of complaint status]

[imposes chronic argumentation due to undisclosed grievance]

[contested legitimacy of hidden assets]

[burderned by service-class in-laws]

[must regulate dangerous servants]

[imposes normal social inequities during times of catastrophe]

[camouflaged dry hardening of intestinal flow]

[intimidated by toxic hidden forces]

[obliged to keep medical secrets]

[must hide old disagreements]


[fantasizing-conceptual Uttaraphalgunī-4] [navamsha Shani-Meena] intuitively class-conscious disciplined visionary imagination

  • [Shani-Kanya] overburdened accusations * obliged to sustain litigious disagreements * rigidly persistent disease conditions * structural compression upon colon + digestive tract * must normalize exploitation * weighty subordinate tasks * hierarchical conditions of enforced servitude * must work within master-slave systems * must respect antiquated physicians * slow-acting remedies * intractable servants * stubborn employees * insufficient pharmacy * must work with dried medications * must continue to minister to the suffering * scarce service resources * maintainer of old arguments
  • [Shani in Bhava-8] steady time-structured transformations * impedes infinity * must impose order upon dangerous environments * resists the advance of inexorable change * must regenerate while maintaining the system * cautiously conventional initiations * tense renewals * postpones surgery * fear of eruptions * chronic trauma patterns * pressures on the hidden mechanisms of sexual-reproduction * blocks the revelation of mysteries * pushback against emerging new cycles * disaster fatigue * martial law * dry rigidity limits rejuvenation * frugal in-laws * elders preserve undisclosed assets


[Shani in Bhava-8] rules

  • 12- sanctuary dreaming imagination, privacy, seclusion.
  • occupies the 12th-from-Chandra, suggesting a degree of blockage or resistance toward freely flowing emotional comfort and security

Shani lagnesha rules Kumbha-1 = theatrical 5th-from-Chandra

  • Collins' performance roles began in childhood. His first singing role was aged five.
  • His mum [Chandra] a theatrical agent, placed Phil into numerous children's singing and drama-acting roles within the extensive London theatre industry. He also had cinema roles, and his income from these performances bolstered the family's finances.

The chronically dissatisfied and criticizing 6th-from-Shani

contains a remarkably powerful Kumbha cluster in bhava-1


rajyalobha-karaka [ambition] picchala-karaka [slippery]


[for Simha indriya-lagna]

[Rahu-7 casts passionately bargaining Other-identified drishti into 11-1-3]

check Shani for defining source of Rahu's social-rank positioning


[collaborative-publishing Purvabhadra-3] [navamsha Rahu-Mithuna] intuitively over-reaching passion for collaborative writing management teamwork




  • [Rahu-Kumbha] shimmering illusion of profitable webworks * over-reaching friendliness * mirage of knitted netting knotwork * fabulous marketplace associations * extraordinary electro-magnetic connections * intriguing ecologies * mask of lawfully interlinked systems * fascinating achievements * culturally mixed social networks * seeks special importance via apparent [but perhaps not authentic] attributes of† scientific futurism * extravagant assemblies * finds opportunity in economic distribution * craves community-linkage * seeks privilege via socialite-roles
  • [Rahu in bhava-7] passion for prestige alliance * in svabhava of Suave Shukra, the Shadowy Specter seeks opportunistic arrangements * strategic use of the law-courts * expediently amplified bargains * extraordinary relationships * extravagant promises * outsider who cleverly insinuates into partnerships * astounding advisors * unorthodox negotiations * marvellous match-making * thrilling surge of brokered agreement * non-standard pacts * surprisingly advantageous loop-holes * exaggerated equity * unusual exchange valuation * sweet mirage of fair treatment * enthralling mixed-culture treaties * may pose as an impartial counselor * disguised as a deal-maker * mesmerizing diplomacy * appears as a pleasant advocate * social mobility sought via convenient contracts

  • [Rahu-yuti-Mangala] amplified competition * magnified championship * exotic pursuits * tricky innovation * opportunistic brother-warriors * fascinating [but perhaps illusory] appearance of dynamic energy * hypnotic attack * passion for engines * craves hot movement * invasive force of cross-cultural mixing
  • [Rahu-yuti-Guru] amplified generosity * magnified diversity * exotic beliefs * tricky teachings * opportunistic guides * unconventional children * fascinating [but perhaps illusory] appearance of inspired philosophy * hypnotic preaching * expansive worldview * inclusive cross-cultural mixing * optimistic about risk
  • [Rahu-yuti-Shukra] amplified attractions * magnified beauty * exotic taste * tricky partners * opportunistic feminine-figures * fascinating [but perhaps illusory] appearance of luxurious pleasure * Strange-and-wonderful designs * thrilling relationships * barrier-bending brokerage * unusual contracts * hypnotic arrangements * gracious balance of cross-cultural mixing * entrancing music


Kuja + Shukra + Guru + Rahu occupy 5th from Chandra emotionally-driven dynamic, direct, competitive, innovative creativity = extraordinary, ambitious, taboo-challenging creativity

Risk-rewarding Rahu = resides in svakshetra Kumbha=1

Rahu amplifies the rulers of 2 + 3 + 3 + 9 + 10 + 11


kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum]

[for Kumbha indriya-lagna]

[dispersed engagement with creative partnership]

[dissolution of political advocacies]

[surrenders celebrity alliances]

[forgives broken romantic promises]

[abandons unsustainable speculative arrangements]


[believing-optimistic Uttaraphalgunī-1] [navamsha Ketu-Dhanus] intuitively distancing witness detached philosophical inspiration

  • [Ketu-Singha] brightly dissociates from creative performance * fragmented entertainments * meaningless display * eccentric intelligence * peculiar brilliance * not limited by celebrity roles * entitled martyrdom * ignores restriction on political opinion * releases a sparkling crimson cloud of divine charisma into the misty abyss[Ketu in classroom-7] equably ambivalent toward agreements * absentee advocates * disregards contractual loyalties * disinterested in mutuality * wanders from the middle-balance * empty arrangements * irrelevance of equity * surrenders alliances * abandons the usual covenants * ignores advice * incoherent promises * liberation via surrendered negotiations * unless other graha in 7, may prefer to live free from partners


  • Ketu's ruler Surya occupies 6th-from-Ketu in bhava-12, suggesting a constitutional intelligence for contract dissolution
  • Career performance themes of abandonment, despair, exhaustion, disconnection, surrender, loss.


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