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COHORT born six months after
born five months after
born two weeks after
born four months before
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songwriter musician entertainer a.k.a. Philip David Charles Collins Earth-birth Wednesday-30-Jan-1951
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commercially dominant songwriter-vocalist percussionist professional recordings producer multi-instrumentalist musician dramatic actor 1951- Phil Collins data from https://en.wikipedia.org/wiki/Phil_Collins tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = generated by Shri Jyoti Star - www.vedicsoftware.com - adapted by BP Lama |
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Rising Nakshatra Masculine Public-Figure Examples Chotthi - Vayu - Nishtya BPL COMMENTARY For Svatika births of a masculine valence, the disposition of mesmerizing, hypnotic, shadowy, exciting, passionate, ambitious, opportunistic, privilege-seeking Professor Rahu may considerably affect the outcome . For those born into the paradigm of Nishthya, exotics, ethnic mixers, opportunists, fascinators, mesmerizers, privilege-seekers, impostors, rogues, agents of passion and desire, self-proclaimers, self-promoters, charlatans, masters of smoke and oils, and entrancingly ambitious persons may be especially influential. Guided by the instructing intelligences of Arcturus. Their purpose is to broker trade agreements and balance the interests of multiple ambitious stakeholders. Social justice, personal power [Rahu] -ruled Svatika gentlemen are Mix-Master Middlemen. They tend to be fascinating figures. By skillfully mixing and trading with different folks, Svatika chaps build exotic new exchange relationships. They are often found in policy organizations and government agencies, where their social equity work is distinctively multi-cultural. Roles include trader, exchanger, bridge-builder, diplomat, negotiator, deal-maker, bargainer, marriage-matcher, alliance-designer, and other balancing activities that engage two mismatched sides within one functional agreement. Svatika represents Rahu's desire to amplify Shukra's quest for harmonious agreements. Rahu challenges cultural boundaries. The mix-master may skillfully combine unusual agents and mismatched agendas in order to obtain a rebalanced status. Similar to Sadachbia, the Svatika-born are mixed-system orchestrators who may take direction from Otherworldly sources. The character of Rahu is determinative. Due to their Rahu-gifted ability to think outside the box, Svatika-born may realize previously unthinkable opportunities for diplomacy and fair exchange. Their success is noted in negotiation, trade-deals, and bargaining in commodities, ideas, or services. In politics, Nishthya fellows may be associated with social, economic, or political integration of previously hostile or excluded participants. Their special talent is dealing with those who may be rogues, outsiders, stigmatized, or posturing frauds . Vayu-born graciously mix people and environments that were once segregated, by making successful pairings between ethnicities, religions, nations, or individuals of differing practice. Their pursuit of a social justice agenda is not entirely idealistic. It is ultimately motivated by their desire to obtain privilege by facilitating partnership geared to increased barter, brokerage, and exchange. Themes of opportunity, fascination with appearances, and acquisition of privilege may contextualize Svatika's terrestrial experience. Applies also to Chandra-Svati |
QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra. p 84r. " ... a slow and deliberative character,
While he may be slower at arriving at conclusions than most people,
He is very religious, somewhat orthodox ,
Many priests or ministers are found to have Swati on the Rising Point." [end quote]
Collins first wedding in 1975, life-partner-1 with toddler
Collins with second lifepartner, actress Jill Tavelman
Phil Collins with third life-partner, entrepreneur Orianne Cevey in 200x |
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Biographical Events matched to
Vimshottari Dasha
bhukti
[Rahu Mahadasha] [age birth until age 15.7] Tue-30-Jan-1951 Earth-birth in Putney Hospital, Chiswick, Middlesex, London, England * Rahu-Rahu svabhukti * dvadasa Sade-Sati Nov-1952 until Nov-1955 Janma Sade-Sati via Tula
[Guru Mahadasha ] [age 15.7 until age 31.7] 1970 [PDCC age 19] joined Genesis, the soon-to-be-world-famous musical band, * Guru-Guru svabhukti * Guru rules 3-bands, ensemble performance Apr-1971 until Jun-1973 = Shani Ashtamsha via Urisha
25-Dec-1972 [PDCC age 21] grieved the decease of father * Guru-Ketu bhukti 1975 [PDCC age 24] consecration of marriage -1-of-3 with childhood friend from drama school, Andrea Bertorelli * Guru-Shukra bhukti ++ gochara R-K Vṛṣa-Vṛścika contact svamsha Vṛścika-Shukra 1975 [PDCC age 24] adopts the daughter of lifepartner-1 previous marriage * Guru-Shukra bhukti * Shukra lagnesha-randhresha new identity as father 1975 [PDCC age 24] when the hired lead singer drops out, PDCC temporarily becomes the lead singer of Genesis * Guru-Shukra bhukti * Shukra lagnesha-randhresha new identity as lead singer 14-Sep-1976 [PDCC age 25] celebrated the birth of child-1, son Simon * Guru-Shukra bhukti * Shukra lagnesha 1980 [PDCC age 29] bitter accusations and divorce from lifepartner-1 * Shani-Budha bhukti * Guru-Rahu chidradasha + Rahu-Return + dvadasa Sade-Sati via-12-Kanya 13-Feb-1981 [PDCC age 30] release of PDCC's first solo album, the top-selling Face Value ** Guru-Rahu chidradasha + Rahu-Return + dvadasa Sade-Sati [Shani Mahadasha]] [age 31.7 until age 50.7] 1982 [PDCC age 32] second solo album, Hello I Must be Going, earns international praise and top sales in the youth-pop-ballad sector.* Shani-Shani svabhukti * Shani rules 5-artistic performance, prizes ++ dvadasa Sade-Sati Oct-1982 until Dec-1984 Janma Sade-Sati via Tula
1984 [PDCC age 33] [JT age 28] consecration of marriage- 2-of-3 with dramatist Jill Tavelman * Shani-Shani svabhukti * Shani rules Makara svamsha ++ gochara R-K Vṛṣa-Vṛścika contact Shukra-Vṛścika ++ janma Sade-Sati 1985 [PDCC age 34] popular audience success continues. Next album, No Jacket Required, ascends the sales charts * Shani-Shani svabhukti * Shani rules 5-artistic performance, prizes 08-Oct-1996 [PDCC age 45] following a string of weakly received musical releases, the album Dance into the Light is judged critical and sales failure. Commentators opine that PDCC's celebrity performance career is dead. * Shani-Rahu bhukti 1996 [PDCC age 45] finalized divorce from lifepartner-2 * Shani-Rahu bhukti 1999 [PDCC age 48] consecration of marriage-3-of-3 with translator, marketer, events-mgt + jewelry-design businesswoman, Orianne Cevey * Shani-Rahu bhukti ++ gochara R-K via Karkata-Makara contact Makara svamsha 27-Mar-2000 [PDCC age 49] wins Academy Award for best original song, for the movie Tarzan * Shani-Guru chidradasha [Guru-Kumbha] [Guru in bhava-1] [Guru-yuti-Mangala ] [Guru-yuti-Shukra] [Guru-yuti-Rahu] [Budha Mahadasha] [age 50.7 until age 67.7] Jun-2000 until Jul-2002= Shani Ashtamsha via Urisha
2006 [PDCC age 55] announced separation from lifepartnership-3 * Budha-Shukra bhukti * Shukra randhresha[Shukra-yuti-Rahu] 2006 [PDCC age 55] reuniting with two former Genesis bandmates, PDCC organizes a musical tour. The aging performers garner critical and sales success ** Budha-Shukra bhukti * Shukra randhresha-lagnesha rejuvenation [Shukra-yuti-Rahu] 2007 [PDCC age 56] broke neck vertebra while performing onstage during a Genesis musical concert * Budha-Shukra bhukti * Shukra randhresha surgery [Shukra-yuti-Rahu] ++ Shukra rules volatile 8th-from-Chandra emotional emergency 2007 [PDCC age 56] begins new 9-year lifepartnership [not sanctified] with journalist beloved * Budha-Shukra bhukti * Shukra lagnesha [Shukra-yuti-Rahu] 2008 [PDCC age 57] announced finalization of divorce from lifepartnership-3. The award to aggrieved spouse-with-children was the largest divorce penalty [£25M ] in UK legal history at that time * Budha-Chandra bhukti * Chandra rules 2nd-from-9 = financial payout for spouse 3-of-3 Nov-2011 until Nov-2014 Janma Sade-Sati via Tula
Nov-2011 [PDCC age 60] [mom's age 98] grieved the decease of mother , theatrical representative, Winifred June Strange Collins * Budha-Rahu bhukti ++ janma Sade-Sati 2013 [PDCC age 62] announces retirement from active performing, citing health concerns * Budha-Rahu bhukti Jan-2016 [PDCC age 65] announced a reunification with lifepartner-3 and their shared sons * Budha-Shani chidradasha * yogakaraka Shani rules 5-children, 4-household Oct-2016 [PDCC age 65] announces a new musical tour, which succeeds financially [2] although PDCC must be helped to the stage in a mobility-chair * Budha-Shani chidradasha * yogakaraka Shani rules 5-creative performance [Ketu Mahadasha] [age 67.7 until age 74.7] 2018 [PDCC age 65-66] significant health challenges result in multiple hospitalizations * Ketu-Ketu svabhukti [Shukra Mahadasha] [age 74.7 until age 94.7] Oct-2020 [PDCC age 69] failed marital reunification attempt, as the tabloid press reports financial lawsuits amid wife's secret remarriage * Ketu-Chandra bhukti * Chandra-1 self rules 2nd-from-9 saturation from 3rd-marriage 26-Mar-2022 [PDCC age 71] having sung to appreciative live audiences from a mobility-chair, due to illnesses traced to a 2007 broken vertebra, during final date of a long tour ending in London, PDCC announces the conclusion of Genesis onstage live performances * Ketu-Rahu bhukti Aug-2029 until Jun-2032 = Shani Ashtamsha via Urisha
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[Surya] pitri-karaka [father] jyoti-karaka [light] [friendly-gainful vriddhi-pati for Tulā indriya-lagna] [class-conscious driver-builder-farmer father may be primary parent] [bright center of ethno-national governance] [intelligence for conservative localism] [icon of lawfully customary Old Ways] [political focus on environmental policy] [confident demonstrations of farming and land-ownership] ... [musical-enriching Śrāvaṇa-2] [navamsha Surya-Urisha] intuitively confident singer-financier
OUTCOMES - SURYA [Surya in bhava-4] rules
CAREER - SURYA
a lifelong theatrical performer, PDCC's presentation style = distinctively plebian, average-guy, conventional balding middle-aged man [Makara]
FATHER Dad worked as an home-insurance agent. [Surya in bhava-12] rules 7-contracts, representation, brokerage [Chandra] matrikaraka [mother] * garha-karaka [village] [inimical-medicating rogesha for Kumbha indriya-lagna] ... [class-conscious Arcturus-2] [navamsha Chandra in Makara] intuitively sensitive hierarchically regulated social ordering
OUTCOMES - CHANDRA [Chandra in classroom-9] rules
CAREER [Chandra in classroom-9] activates Karkata-6 = 10th-from-Chandra Collin's career is based in emotionally evocative 6-narratives of divorce, distress, distrust, accusation, and suffering. He famously writes and performs a battery of songs which exemplify the themes relationship break-ups disagreements, and emotional disorientation due to absence of trust Karkata familiar, emotional relationships Children The powerfully creative cluster [Kuja + Shukra + Guru + Rahu] occupy 5th from Chandra = emotionally-driven dynamic, direct, competitive, innovative artistic performance
MOTHER Winifred June Strange Collins. Mom was a theatrical agent and media producer. Recognized in the London drama world [9] Mom promoted people and ideas, including materials for and about her famous son Phil. [Chandra in classroom-9] rules 10th-from-Chandra, career.
Chandra being [inimical-medicating rogesha for Kumbha indriya-lagna] suggests that the mother-son relationship may have been unbalanced [Shukra-1] ruler of the matristhāna-4, shows mom's identity with artistic performance, similar to PDCC's children. MARRIAGES partnership support expectations Multiple marriages predicted due to Shukra's companion graha. Four weddings likely.
the sequence of Shukra-profiled wifely lifepartners ordered by degree of graha
[7th-from-Chandra-9] lifepartnership 1-of-3
8th-from- [7th-from-Chandra-9] lifepartnership 2-of-3
3rd-from- [7th-from-Chandra-9] lifepartnership 3-of-3
OCC = met PDCC when she worked as an event manager + language translator on one of his world concert tours [Kumbha].
[Kuja] bhratru-karaka [brother] virya-karaka [virile] [svabhava] [collaborative-communicative sahaja-pati for Kumbha indriya-lagna] [dutiful-regulating karmesha for Kumbha indriya-lagna] [Kuja Dosha for alliance-1] ... [social-ordering, class-conscious Varuna-2] [navamsha Kuja-Makara-uchcha] intuitively regulated lawful competition
OUTCOMES - MANGALA Kuja + Shukra + Guru + Rahu occupy 5th from Chandra
Mangala activates Vrischika = 2nd-from-Chandra
[Mangala in bhava-1] activates
Within the remarkable Kumbha cluster, Mangala adds a dynamic, inventive, muscular, active energy to the intensely romantic, complex relationship [Shukra-Mangala] patterns [Kuja Dosha] is dramatically enhanced by Ketu-7 intakes Kuja-1 drishti
[Budha] jamayah-karaka [sibling] sandesha-karaka [message] shisya-karaka [student] [creative-displaying vidya-pati for Kumbha indriya-lagna] [mysterious-transformative randhresha for Kumbha indriya-lagna] [systems narrative of marketplace doctrine] [theoretically principled economic connections] [talks about philosophy of distributive association] [brilliant yet secretive friends] [communicates about romance and transformation] ... [arranging-contractual Pūrvāṣāḍhā-3] [navamsha Budha-Tula] intuitively arranging balancing relationship communications [Atmakaraka writing, lyrics, messaging, event-planning, schedules, touring, entourage, communication, video-audio]
OUTCOMES - BUDHA [Budha in bhava-11] rules
[Atmakaraka] Budha the Writer-Writer-Writer and Producer
Budha occupies Shukra-ruled Pūrvāṣāḍhā = songs writing, communications, publications, narrative, lyrics, coupling with special focus on love relationships [Shukra] music tone sounds [Shukra] arrangements, values [Shukra] [Guru] dhava-karaka [husband] bahuta-karaka [variety] [dikbala] [gainful-economic vriddhi-pati for Kumbha indriya-lagna] [conserving-entreasuring dhanesha for Kumbha indriya-lagna] [multiple systematic personality attributes] [embodiment of interconnected philosophical beliefs] [identified with understanding of assemblies] [iconic personification of marketplace worldview] [personality exemplifies collectivist ideology] [paragon of economically indoctrinated cheerfulness] [preacher-and-teacher may deliver proletarian wisdom] [expansive speaker-storyteller with a vast social network] [lagnesha + karmesha = high visibility priest or theorist] [dhanayoga Guru-1 rules 2 + 11 = abundant capitalized earnings] ... [imaginative-guiding Shatataraka-4] [navamsha Guru-Meena] intuitively expansive broad-scope philosophical visionary imagination
OUTCOMES - GURU Kuja + Shukra + Guru + Rahu occupy 5th from Chandra
[Guru in bhava-1] rules
Money-maker Guru typically enriches the Kumbha-born PDCC
His HNWI status has endured for decades.
PDCC remains firmly a member of the HNWI super-earners category in the music industry. [Shukra] svadu-karaka [sweet] kalatra-karaka [wifely companion] [energizing-identifying lagnesha for Tulā indriya-lagna] [mysterious-revealing randhesha for Tulā indriya-lagna] ... [transformational-secretive Dhaniṣṭha-4] [navamsha Shukra-Vrischika] intuitively harmonious penetrating invasion
OUTCOMES - SHUKRA artistic performance, creative literature, romantic theatre, speculating [Shukra-5] rules
PDCC's oevre of modern popular ballads express the theme of catalysis, sudden unexpected change, romanticshock, traumatic discoveries, call to rejuvenation
Kuja + Shukra + Guru + Rahu occupy 5th from Chandra
Genesis 1951- songwriter drummer Phil Collins Shukra activates Collins = master of the lyrical fantasy dirge. Topics of private [12] narrative of relationship disharmony [12] + bedroom culture, private imagination, dreams + conditions and persons adversarial [6th] to agreement [7th] [Shukra-1] activates
[Shani] duro-karaka [endurance] * jara-karaka [Jahre, years] [energizing-identifying lagnesha for Kumbha indriya-lagna] [researching-sojourning vyaya-pati for Kumbha indriya-lagna] [staunch resistance to change of complaint status] [imposes chronic argumentation due to undisclosed grievance] [contested legitimacy of hidden assets] [burderned by service-class in-laws] [must regulate dangerous servants] [imposes normal social inequities during times of catastrophe] [camouflaged dry hardening of intestinal flow] [intimidated by toxic hidden forces] [obliged to keep medical secrets] [must hide old disagreements] ... [fantasizing-conceptual Uttaraphalgunī-4] [navamsha Shani-Meena] intuitively class-conscious disciplined visionary imagination
OUTCOMES - SHANI [Shani in Bhava-8] rules
Shani lagnesha rules Kumbha-1 = theatrical 5th-from-Chandra
The chronically dissatisfied and criticizing 6th-from-Shani contains a remarkably powerful Kumbha cluster in bhava-1
[Rahu] rajyalobha-karaka [ambition] picchala-karaka [slippery] [svakshetra] [for Simha indriya-lagna] [Rahu-7 casts passionately bargaining Other-identified drishti into 11-1-3] check Shani for defining source of Rahu's social-rank positioning ... [collaborative-publishing Purvabhadra-3] [navamsha Rahu-Mithuna] intuitively over-reaching passion for collaborative writing management teamwork
OUTCOMES - RAHU Kuja + Shukra + Guru + Rahu occupy 5th from Chandra emotionally-driven dynamic, direct, competitive, innovative creativity = extraordinary, ambitious, taboo-challenging creativity Risk-rewarding Rahu = resides in svakshetra Kumbha=1 Rahu amplifies the rulers of 2 + 3 + 3 + 9 + 10 + 11 [Ketu] kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum] [for Kumbha indriya-lagna] [dispersed engagement with creative partnership] [dissolution of political advocacies] [surrenders celebrity alliances] [forgives broken romantic promises] [abandons unsustainable speculative arrangements] .... [believing-optimistic Uttaraphalgunī-1] [navamsha Ketu-Dhanus] intuitively distancing witness detached philosophical inspiration
OUTCOMES - KETU
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