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COHORT born six months after
born five months after
born two weeks after
born four months before
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songwriter musician entertainer a.k.a. Philip David Charles Collins Earth-birth Wednesday-30-Jan-1951
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percussionist professional recordings producer multi-instrumentalist musician commercially elite songwriter-vocalist dramatic actor 1951- Phil Collins data from https://en.wikipedia.org/wiki/Phil_Collins tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = generated by Shri Jyoti Star - www.vedicsoftware.com - adapted by BP Lama |
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Rising Nakshatra Masculine Public-Figure Examples Śrāvaṇa श्रावण Shrona - Hari-deva - Viṣṇu ṛkṣa BPL COMMENTARY // keeping the beat // For Zra-vana births of masculine valence, the condition of reflective, sheltering, undulating, rhythmic, habitual, culturally rooted, boundary-defending, security-seeking, nourishing, parental, matrikaraka Chandra may considerably affect the outcome. For those born into the Soma-ruled paradigm of Apramaya, mother-figures, protectors, guardians, elemental spirits, natural environments, waters, roots, eggs, gardeners, farmers, fisher-folk, caretakers, foundation-builders, police, schoolteachers, parents, providers of nourishment, and defenders of the root culture, may be especially influential. Throughout life, whatever their travels for safety or financial need, श्रावण-born remain profoundly patriotic toward their homeland and anchored in familiar domestic routines. Often devoted to maintaining the hierarchy of the ethno-religion, due to Chandra. Instructional guidance provided by emissaries from the civilizations of Aquila. Their purpose is sensitive, parental leadership and maintenance of the comforting rhythms of the social orderr. The Listener = Shaman Śrāviṣṭha gentlemen are exceptionally concerned with their social reputation. Parental in their authority style, they adopt organizational caretaker roles and are found in secure positions at all levels of society. Śrāvaṇa-born are often found working in the slow but reliable bureaucracies which evoke their characteristic persevering patience. Apramaya-born are often found operating charitable agencies, teaching school, or protecting their cultural foundations. Although their careers may elevate to the highest ranks of social decision-making, Hari-born remember always the simple family folk and their concerns with property, security, and nourishment. As fathers, teachers, and social leaders, shravistha chaps are generally stable and protective. They are blessed with an intuitive understanding of the social law in context of ancient customs. Many are lawyers, judges, social-justice advocates, or teachers of the law. In personal relationships, their comfort-seeking Chandra seeks an equally placid, parental match. Yet, being such peaceful people, these men may find balance with wives who are somewhat more outspoken. Śrāvaṇa-born are highly skilled listeners. Due to their exceptional sensitivity to rhythm, pace, and tone, Śrāvaṇa can be singers and musicians. Śrāviṣṭha gentlemen are typically superb dancers who delight in the orchestrated flow of gracious dancing. When the occasion calls for careful listening to the beat of the music, their steps may be practiced and elegant. Measured, appropriate tone Śrāvaṇa must combine Shani's mandate to maintain the larger social order with parental Chandra's focus on the local settlement, housing, schools, and farms. Often their focus is property law . Although public dignity remains important, Śrāvaṇa fellows are also concerned to maintain the steady life flow [Chandra] of the ethnicity or the nation. Combining Chandra's orientation to the past with Shani's need for reliable rules of conduct, shrona folks may appear to be rather old-fashioned. They find comfort in the old liturgical rhythms and are often regular participants in the rites of public worship. Their most cherished roles are usually Father and Grandfather. Themes of social stability , public safety, property rights, protection of the old routines, maintenance of the tribe, and the soothing rhythms of homelife may contextualize Śrāvaṇa's terrestrial experience. Applies also to Chandra in Śrāvaṇa |
QUOTATION श्रावण Śrāvaṇa from Shil-Pondey (1939). Hindu Astrology Joytisha-Shastra. p 86 . " An excellent character, the keynote of which is kind heartedness and generosity,
This man will always be able to accumulate the good things of life
He will be disposed to share his belongings with the poor and needy.
Many social workers and philanthropists have Śrāvaṇa rising. He will also be very religious
Collins first wedding in 1975, life-partner-1 with toddler
Collins with lifepartner-2, actress Jill Tavelman
Phil Collins with life-partner-3, entrepreneur Orianne Cevey in 200x |
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Biographical Events matched to
Vimshottari Dasha
bhukti
[Rahu Mahadasha] = [age birth until 10.2]
Tue-30-Jan-1951 = Earth-birth in Putney Hospital, Chiswick, Middlesex, London, England * Rahu-Budha bhukti * Budha ātmakāraka ++ dvadasa Sade-Sati [Guru Mahadasha ] = [age 10.2 until age 26.2]
Nov-1952 until Nov-1955 Janma Sade-Sati via Tula
1970 [PDCC age 19] joined Genesis, the soon-to-be-world-famous musical band * Guru-Shukra bhukti * Shukra rules 3 =bands, ensemble performance Apr-1971 until Jun-1973 = Shani Ashtamsha via Urisha
25-Dec-1972 [PDCC age 21] grieved the bio-decease of father* Guru-Chandra bhukti * Chandra rules 7th-from Surya 1975 [PDCC age 24] consecration of marriage -1-of-3 with childhood friend from drama school, Andrea Bertorelli * Guru-Rahu chidra-dasha ++ gochara R-K Vṛṣa-Vṛścika contact Urisha svamsha 1975 [PDCC age 24] adopts the daughter of lifepartner-1 Bertorelli * Guru-Rahu chidra-dasha * Rahu mixing, child-adoptions 1975 [PDCC age 24] when the hired lead singer drops out, PDCC temporarily becomes the lead singer of Genesis * Guru-Rahu chidra-dasha * Rahu-2 singing, voice-face 14-Sep-1976 [PDCC age 25] celebrated the birth of bio-child-1, son Simon * Guru-Rahu chidra-dasha [Shani Mahadasha] [age 26.2 until age 45.2] 1980 [PDCC age 29] bitter accusations and divorce-1 from lifepartner-1 * Shani-Budha bhukti * Budha rogesha + Rahu-Return + dvadasa Sade-Sati 13-Feb-1981 [PDCC age 30] release of PDCC's first solo album, top-selling Face Value * Shani-Budha bhukti * ātmakāraka Budha publications rules 9-fortune + Rahu-Return + dvadasa Sade-Sati 1982 [PDCC age 32] second solo album, Hello I Must be Going, earns international praise and top sales in the youth-pop-ballad sector.* Shani-Budha bhukti * ātmakāraka Budha sales + Rahu-Return + dvadasa Sade-Sati via Kanya-9 Oct-1982 until Dec-1984 Janma Sade-Sati via Tula
1984 [PDCC age 33] [JT age 28] consecration of marriage- 2-of-3 with dramatist Jill Tavelman * Shani-Shukra bhukti ++ gochara R-K Vṛṣa-Vṛścika contact Urisha svamsha ++ janma Sade-Sati 1985 [PDCC age 34] popular audience success continues. Next album, No Jacket Required, ascends the sales charts * Shani-Shukra * yogakaraka Shukra rules 5 + 10 ++ gochara R-K Vṛṣa-Vṛścika contact Urisha-svamsha ++ dvithya Sade-Sati [Budha Mahadasha] = [age 45.2 until age 62.2]
Jun-2000 until Jul-2002= Shani Ashtamsha via Urisha
1996 [PDCC age 45] following their 1984 wedding, finalization of divorce-2-of-2, officially ending marriage-2 f with J. Tavelman * Budha-Budha svabhukti * ātmakāraka Budha rogesha divorce 08-Oct-1996 [PDCC age 45] following a string of weakly received musical releases, the album Dance into the Light ajudged critical and sales failure. Commentators opine that PDCC's celebrity performance career is dead. * Budha-Budha svabhukti * Budha rules 12th-from-Chandra delusion 1999 [PDCC age 48] consecration of marriage-3-of-3 with translator, marketer, events-mgt + jewelry-design businesswoman, Orianne Cevey * Budha-Shukra bhukti ++ gochara R-K via Simha-Kumbha contact natal R-K 27-Mar-2000 [PDCC age 49] wins Academy Award for best original song, for the movie Tarzan * Budha-Shukra bhukti * yogakaraka Shukra music, Shukra rules 5 + 10 2006 [PDCC age 55] announced separation from lifepartnership-3 * Budha-Rahu bhukti 2006 [PDCC age 55] reuniting with two former Genesis bandmates, PDCC organizes a musical tour. The aging performers garner critical and sales success * Budha-Rahu bhukti * Rahu-2 songs, banking 2007 [PDCC age 56] broke neck vertebra while performing onstage during a Genesis musical concert * Budha-Rahu bhukti * Rahu-yuti-Guru rules 6th-from-Chandra = emotionally sourced injury + Rahu-2 neck 2007 [PDCC age 56] begins new 9-year lifepartnership [not formally sanctified] with journalist beloved * Budha-Rahu bhukti 2008 [PDCC age 57] finalization of divorce-3-of-3, officially ending marriage-3 with translator-businesswoman, Orianne Cevey. The award to aggrieved spouse-with-children was the largest divorce penalty [£25M ] in UK legal history at that time * Budha-Guru bhukti * Guru rules impoverishing 6th-from-Chandra Nov-2011 until Nov-2014 Janma Sade-Sati via Tula
Nov-2011 [PDCC age 60] [mom's age 98] grieved the bio-decease of mother, reputed theatrical agent, Winifred June Strange Collins * Budha-Shani chidra-dasha ++ janma Sade-Sati via 10 [Ketu Mahadasha] = [age 62.2 until age 69.2] 2013 [PDCC age 62] announces retirement from active performing, citing health concerns] but returns to showbiz in 2016] * Ketu-Ketu svabhukti ++ janma Sade-Sati Jan-2016 [PDCC age 65] announced a reunification with ex-lifepartner-3 and their shared sons * Ketu-Mangala bhukti * Kuja rules 4-security, household ++ dvithya Sade-Sati Oct-2016 [PDCC age 65] announces a new musical tour, which succeeds financially -- although PDCC must be helped to the stage in a mobility-chair * Ketu-Rahu bhukti * Rahu-2 voice-face, banking 2018 [PDCC age 65-66] medical challenges result in multiple hospitalizations * Ketu-Guru bhukti * Guru rules 6th-from-Chandra = emotionally sourced ailment [Shukra Mahadasha] = [age 69.2 until age 89.2]
Oct-2020 [PDCC age 69] failed marital reunification attempt, as the tabloid press reports financial lawsuits amid wife-3's secret remarriage * Shukra-Shukra svabhukti * Rahu-yuti-Shukra * Shukra rules 8th-from-Chandra secrets 26-Mar-2022 [PDCC age 71] having sung to appreciative live audiences from a mobility-chair, due to illnesses traced to a 2007 broken vertebra, during final date of a long tour ending in London, PDCC announces the conclusion of Genesis onstage live performances * Shukra-Shukra svabhukti * Shukra rules 8th-from-Chandra identity-change 2022 [PDCC age 71] sales of music catalog nets USD-350-M, making PDCC the most affluent living musician. * Shukra-Shukra svabhukti * yogakaraka Shukra-2 Aug-2029 until Jun-2032 = Shani Ashtamsha via Urisha
Surya Mahadasha] = [age 89.2 until age 95.2] |
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Prominent Features of the Nativity
[Sparkling Splendid Surya] pitri-karaka [father] -- jyoti-karaka [light] [mysterious-revealing randhresha for Makara-born]
[bright focus of orderly transformation randhresha] [radiates political confidence using hierarchical status] [center-stage roles in changing social structure] [class-conscious revolutionary randhresha father] [pragmatic father may be regulating innovator, official initiator, governing politician-gambler] ... [musical-storytelling Śrāvaṇa-2] = [navamsha Surya-Urisha] intuitively confident expression of voice, tone, words, narrative, values, historical meanings
OUTCOMES - MAGNIFICENT MARTANDA self-reflexively confident, bright Earthen-body aura, regal style of movement, embodied intelligence, radiantly kinetic, politically competitive, splendidly innovative [Surya in bhava-1] rules
CAREER - SPARKLING SURYA PDCC famously writes and performs a battery of songs which exemplify the themes relationship break-ups , devastating disagreements, betrayal, and emotional disorientation due to absence of trust [6] Collin's presentation = distinctively plebian, utterly unpretentious, modest appearance, average-guy profile, conventional balding middle-aged man [Makara] EARNINGS and POPULARITY Distinguished and highly profitable musical performance of rogesha-6-narratives of divorce, dispute, distrust, accusation. Mournful, haunting lyrics creatively express [Surya] suffering [rogesha] due to unfair treatment in unbalanced relationships [rogesha]. Shani-7 labha-pati in 7 [tax attorneys, divorce attorneys, musical intellectual-property attorneys...] ++Surya-11 rogesha which increases the revenues by making the break-up songs ever-more authentic [Surya authenticity].
Profitability from ruler of 6 in 6th-from-6 [11] = friends overwhelm the enemies, gains-11 overwhelm the distress-6. Does not eliminate the suffering, but converts the sorrow into marketplace revenues. Center of attention [Surya] within fanclubs [11] and vast proletarian crowds [Shani-ruled-11]
During his final [and highly remunerative-11] global performance tours, due to frailty and injury [6] PDCC had to be rolled onstage in a mobility-chair in order to sing for his fans. The devoted audience responded to the visage of one crippled by medical distress with resounding applause [Surya] . FATHER Dad worked as a household-insurance agent. Surya being [inimical-medicating rogesha] suggests that the father may have dealt with problems, complaints, injuries, distress, disease, damage, medication and medical treatment. [Comfortable Caretaking Chandra] matrikaraka [mother] -- garha-karaka [village] [balancing-brokering jaya-pati for Makara - Draco indriya-lagna]
[comforted by stable habitual negotiation in governance positions] [culturally sensitive to organizational balance] [needs to sense the evenly flowing pulse of reciprocity in leadership] [socially visible fair protector of customary ancestral folkways] [emotionally aligned to agreeable executive rhythms] [bargaining jaya-pati middleman performance of socially prominent duties] [environmentalist feelings attuned to commanding airy deva] [elite deal-making mother may be contractually responsible ruler, mediating figurehead, diplomatic official, gracious in her respected social role] ... [normalizing-hierarchical Arcturus-2] = [navamsha Chandra in Makara] intuitively sensitive class-conscious organizational institutional ordering
OUTCOMES - ANCESTRAL SOMA sensitively ordering, protectively lawful, routinely governing, parentally regulating, rhythmically dutiful, customary commander, predictable hierarch, culturally respected, emotionally responsible, needs to hold elite positions [Chandra in classroom-10] rules
CAREER - CARETAKING CHANDRA
a lifelong theatrical performer, PDCC's presentation style = emotionally evocative, elaborating themes of security, caretaking, need for shelter eveloped a materially and artistically successful career in the music industry based primarily on musical performance, singing and writing about relationship emotions,
PDCC's oeuvre of modern popular ballads express the theme of catalysis, sudden unexpected change, romanticshock, traumatic discoveries, call to rejuvenation Children The powerfully creative cluster in Mesha [Kuja + Shukra + Guru + Rahu] occupies 5th from Chandra = emotionally-driven dynamic, direct, competitive, innovative artistic performance
MOTHER Winifred June Strange Collins. Mom was a theatrical agent and media producer. Recognized in the London drama world, Mom promoted people and ideas, including materials for and about her famous son Phil. [Chandra in classroom-8] rules Karkata-5 = 10th-from-Chandra = mom's career in entertainment. Mom was a theatrical casting agent. She worked with aspiring creative performers of all ages, including children. Budha-10 rules-and- casts-drishti into the matristhāna-4-Mithuna
MARRIAGES partnership support expectations Multiple marriages predicted due to Shukra's companion graha = champion Kuja, many-maker Guru, multi-cultural Rahu. Three or Four weddings likely, with additional romantic relationships of varying lengths-intensities also expected due to permissive Guru.
the sequence of Shukra-profiled wifely life-partners ordered by degree of graha
[7th-from-Chandra-8 ] lifepartnership 1-of-3 lifepartner-1 = childhood friend from drama-school, Andrea Bertorelli
8th-from- [7th-from-Chandra-8] lifepartnership 2-of-3 lifepartner-2 = actress Jill Tavelman
3rd-from- [7th-from-Chandra-8]lifepartnership 3-of-3 lifepartner-3 = marketing, events-mgt, + jewelry-design businesswoman, Orianne Cevey
OCC = met PDCC when she worked as an event manager [Mithuna] + language translator [Mithuna] on one of his world concert tours [Shukra Kumbha]. A legendary divorce from lifepartnership-3 = 6th-from-4 = large-scale bhava-9
[Competitive Champion Kuja] bhratru-karaka [brother] -- virya-karaka [virility] [Kuja Dosha for alliance-1] [homebound-anchoring bandesha for Makara - Draco indriya-lagna] [gainful-friendly labha-pati for Makara - Draco indriya-lagna] [Dhanayoga = Kumbha-Mangala-2 rules Vrischika-11]
[champion of inflammatory marketplace statements] [connectivity warrior for preservation of communal ways] [home-bound bandesha battles for keeping community values] [popular labha-pati forward-moving friendship-driven finance] [commonplace energetic voice] [pro-actively pushy everyman speech] [collectivist verbalized narrative of economic conquests] [energetic electrical systems fuel distributive prowess] [vigorously expresses mass-participation opinions about competitive pricing] [combatively associative family of origin] [socially networked brother-cousins or co-workers may promote real-estate acquisition bandesha or local profits labha-pati] ... [community-connected Varuna-3] = [vargottamsha] [navamsha Kuja-Kumbha] intuitively ordered distributive networked economic competition + [Varuna-Kuja-yuti-Guru-Varuna] + [Varuna-Kuja-yuti-Shukra-Dhaniṣṭha] + [Varuna-Kuja-yuti-Rahu-Pegasus]
OUTCOMES - MOVING MANGALA financially competitive, verbally assertive, forthrightly spoken, forceful declarations, forward-pushing use of language, enlivened by vital memories, vigorous pursuit of precious storage, energetic thrust of traditional values, knowledge-driven engineer, proactively acquisitive family lineage, champion of heritage preservation [Mangala in bhava-2] rules
CAREER - COMPETITIVE KUJA [Dhanayoga = Kumbha-Mangala-2 rules Vrischika-11]
Kuja + Shukra + Guru + Rahu occupy Kumbha = artistic-performance, romantic, creative 5th from Chandra-Tula-10
Mangala ruler of Vrischika-11 = musical, percussive 2nd-from-Chandra Within the remarkable Kumbha cluster, Kuja adds a dynamic, inventive, muscular, active energy to the intensely romantic, complex relationship patterns [Busy Bantering Budha] jamayah-karaka [sibling] -- sandesha-karaka [message] -- shisya-karaka [student] = [Harsha Yoga] [inimical-accusing rogesha for Makara - Draco indriya-lagna] [believing-principled dharmesha for Makara - Draco indriya-lagna]
[dreamlike narrative of inspirational doctrine] [debates the theoretical meaning of otherworldly symbolism] [detailed philosophical imagination] [conflicted clairsentient sacred teachings] [instructional meditation on principles of belief] [intuitively transmitted cosmological diagrams] ... [arranging-harmonizing Pūrvāṣāḍhā-3] = [navamsha Budha-Tula] intuitively arranging balancing relationship communications [ātmakāraka writing, lyrics, messaging, event-planning, schedules, touring, entourage, communication, video-audio]
OUTCOMES - BANTERING BUDHA friendly discussion, articulate distributor, community communicator, busy profitable networking, mercurial revenues, associatively gesturing, mass-participation messenger, fundraising conversations, chatty socialite, economic explainer [Budha in bhava-11] rules
OUTCOMES - BANTERING BUDHA [ātmakāraka] Budha the Writer-Writer-Writer and Commercial Producer
[ātmakāraka Budha writing, lyrics, sales] song writer, topics of relationship, vocalist, multi-decade global music sales THE BAND - Genesis - AND THE SONGS Budha-10 public profile focused on teams, bands, groups Budha-10 rules 10th-from-10 = Shani-Kanya-7
Budha occupies Shukra-ruled Pūrvāṣāḍhā = songs PDCC salient reputation - even more recognized than his career as a singer = his much-admired lyrical facility as a popular, evocative songwriter writing, communications, publications, naarrative, lyrics Due to Shukra-ruled Pūrvāṣāḍhā = coupling with special focus on love relationships [Shukra] music tone sounds [Shukra] arrangements, values [Shukra] [Generous Growing Guru] dhava-karaka [husband] -- bahuta-karaka [variety] [busy-collaborative sahaja-pati for Makara - Draco indriya-lagna] [retreating-interior vyaya-pati for Makara - Draco indriya-lagna]
[writing-publishing sahaja-pati marketplace assessor of values] [believes in wisely connecting imaginatively vyaya-pati capitalized collections] [permission to engage in financial hoarding within family network] [generous collectivist narrative of heritage humanism] [optimistic gridworking of widespread traditions] [speaks inspirationally of faith in friendship] [distribution of accruals from storage ecologies] [proclaims systematicly upon remembered historical knowledge] [principled speeches about mass-participation in conserved memory] [guided by gainful acquisitive worldview] [family-of-origin may be cheerfully discursive sahaja-pati, inclusively interlinked] [for wifely nativity, husbandly companion may be economical banker, socialite collector, scientific librarian, associative warehouser, populist financier, interwoven linguist, proletarian master of dialog] ... [imaginative-guided Shatataraka-4] = [navamsha Guru-Meena] intuitively expansive broad-scope philosophical visionary imagination + [Varuna-Guru-yuti-Mangala-Varuna] + [Varuna-Guru-yuti-Shukra-Dhaniṣṭha] + [Varuna-Guru-yuti-Rahu-Pegasus]
OUTCOMES - BENEVOLENT BRIHASPATI expansively enriching, abundantly knowledgeable, multiple family lineages, numerous traditions, optimistic accumulator, jovial speaking-and-singing, broad-scope of historical understanding [Guru in bhava-2] rules
CAREER - GENEROUS GURU Kuja + Shukra + Guru + Rahu occupy 5th from Chandra = chronically dissatisfied and criticizing 6th-from-Shani
Rahu-Guru-12 amplifies the scope of breakage of marriage contract
LAGNESHA - GURU-12 = drama Guru lagnesha resides in Kumbha-12 with Rahu-Kumbha yuti Guru-Kumbha yuti Mangala-Kumbha yuti Shukra-Kumbha = theatrical 5th-from-Chandra
Each one of his traumatic personal break-ups has produced an oeuvre of high-earning songs [Guru-yuti-Rahu]
[Sweetly Suave Shukra] svadu-karaka [sweet] -- kalatra-karaka [wifely companion] = [svabhava] [Yogakaraka witty-entitled vidya-pati for Makara-Draco indriya-lagna] [Yogakaraka dutiful-regulatory karmesha for Makara - Draco indriya-lagna]
... [transformational-secretive Dhaniṣṭha-4] = [navamsha Shukra-Vrischika] intuitively harmonious penetrating invasion + [Dhaniṣṭha-Shukra-yuti-Mangala-Varuna] + [Dhaniṣṭha-Shukra-yuti-Guru-Varuna] + [Dhaniṣṭha-Shukra-yuti-Rahu-Pegasus]
OUTCOMES - SWEETENING SHUKRA sensually acquisitive, appreciates artistic traditions, harmoniously speaking, historical aesthetics, finances from mother-and-father, lovely eyes, musical feminine-figures, beautiful collections, family-based relationships Shukra-2] rules
CAREER - BRIGHT BHRIGU-TANAYA Cluster of four power-graha in 12= 6th-from-7, including Shukra karaka for relationships
Kuja + Shukra + Guru + Rahu occupy Kumbha-5th from Chandra
Master of the lyrical fantasy dirge Topics of private [12] narrative of relationship disharmony [12] + bedroom culture, private imagination, dreams + conditions and persons adversarial [6th] to agreement [7th]
[Sober Structural Shani] duro-karaka [endurance] -- jara-karaka [Jahre, years] [energizing-identifying lagnesha for Makara - Draco indriya-lagna] [conserving-entreasuring dhana-pati for Makara - Draco indriya-lagna]
[class-concious logically calculating orthodoxy] [believes in service] [Maintains the minsterial credenda] [old priesthood continues mandatory exploitations] [lawfully argumentative patriarchs] [strict rules for public complaint] [fear of mistreatment from religious infractions] [staunch brittle resentment of betrayed ideologue] [dhana-pati principled unfair limitations upon heritage banking-finance] [lagnesha benefits realistic understanding of laborers and pragmatic patronage of servants] [rigidly disciplined dogmatic unsatisfied father] [father may impose strategic judgments] [father-figure may be a cranky presbyter, rigidly judgemental preaching minister, worker-oppressing senior politician] ... [fantasizing-conceptual Uttaraphalgunī-4] = [navamsha Shani-Meena] intuitively class-conscious disciplined visionary imagination
OUTCOMES - STRUCTURAL SHANI ideologically rigid, religiously regulatory, philosophically conventional, staunchly sermonizing, respectfully patronizing, doctrinally disciplined [Shani in Bhava-9] rules
CAREER - SOBER SHANI
Particularly in his first two marriages, PDCC was accused of negligent fatherhood. On his rare visitations, PDCC was said to have acted in an adversarial and disgruntled manner
EARNINGS Shani = power of legal contract negotiation and enforcement
Along with Beatle Paul McCartney [who was married to his lawyer's daughter] and King of Pop Michael J. Jackson , PDCC ranks among the top three pop-music earners [Risk-rewarding Rāhu] rajyalobha-karaka [ambition] -- picchala-karaka [slippery] = [svakshetra] [for Makara - Draco indriya-lagna]
[Rahu-2 casts passionately enriching capitalizing drishti into 6-8-10] ... [collaborative-publishing Pūrvābhādra-3] = [navamsha Rahu-Mithuna] intuitively over-reaching passion for collaborative writing management teamwork + [Pegasus-Rahu-yuti-Mangala-Varuna] + [Pegasus-Rahu-yuti-Guru-Varuna] + [Pegasus-Rahu-yuti-Shukra-Dhaniṣṭha]
OUTCOMES - RISK-REWARDING RAHU Risk-rewarding Rahu = resides in svakshetra Kumbha-12 Rahu amplifies the rulers of 2 + 3 + 8 + 9 + 10 + 11 Kuja + Shukra + Guru + Rahu occupy Kumbha-5th from Chandra emotionally-driven dynamic, direct, competitive, innovative creativity = extraordinary, ambitious, taboo-challenging creativity [Collapsing unshackling Ketu] kavandha-karaka [headless] -- chidra-karaka [gaping] -- vasana-karaka [vacuum] = [liberating location for Ketu = papa-upa-graha in dusthamsha-12] [beneficial placement for Makara - Draco indriya-lagna] check Surya + Surya-drishti to source Ketu's charmingly ambivalent, passively entitled, ceremonial detachment [eccentric display of undisclosed assets] [dramatic disregard for conventional emergency response] [brightly idealistic scattered disbursing of confidential information] [typically ambivalent about demonstrating proprietary secrets] [windy fiery environments may dissolve the mental concentration]
[in-laws of the first marriage, if any, may be remote or oddly showy] [wandering self-entitled approach to identity-change] [peculiar ceremonial initiations] [incoherent political response toward the elephant-in-the-room] [ambivalently romantic about dangerous catastrophe] [fragmented boasting about father's evolution] .... [believing-optimistic Uttaraphalgunī-1] = [navamsha Ketu-Dhanus] intuitively distancing witness detached philosophical inspiration
OUTCOMES - EVACUATING KETU 11th-from-Chandra generally a loner. Huge crowds for musical performances, nearly unlimited earnings, yet few reliable friends Ketu-Simha romance-drift, heartbreak, display [Simha] of liberation, withdrawal, disconnection, surrender. following emptiness themes such as distancing, distrust, disappointment, and divorce.
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