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Politics

Royalty and Celebrity


Shah Jahan was famed for many achievements, including architectural design. He built the monumental mausoleum Taj Mahal as a memorial to one of his beloved wives Arjumand Banu Begum * Mumtaz Mahal.

Shah Jahan in his Durbar

ShahJahan.jpg


1628-1658 CE * Military Conqueror

Architect

Shahanshah Al-Sultan al-‘Azam wal Khaqan al-Mukarram, Malik-ul-Sultanat, Ala Hazrat Abu’l-Muzaffar Shahab ud-din Muhammad Shah Jahan I, Sahib-i-Qiran-i-Sani, Padshah Ghazi Zillu’llah, Firdaus-Ashiyani, Shahanshah—E—Sultanant Ul Hindiya Wal Mughaliya

Shah Jahan

a.k.a. Mirza Shahabuddin Baig Muhammad Khan Shah Jahan

a.k.a. Shah Jehan

a.k.a. Prince Khurram

a.k.a. Shihāb al-Dīn Muḥammad Khurram


Earth-birth 15-Jan-1592 CE (N.S. date add 10 days to O.S. date)

dematerialization 01-Feb-1666 CE (N.S. date add 10 days to O.S. date) (age 74)

https://en.wikipedia.org/wiki/Old_Style_and_New_Style_dates

IndiaShahJahan_21h41m45s_d1d9d10.png

Military Conqueror + Architect = ruled from 1628 until 1658 CE * Shah Jahan * 1592-1666

birth data from https://en.wikipedia.org/wiki/Shah_Jahan * tentatively rectified

charts + graphs + tables = produced by Shri Jyoti Star * adapted by BP Lama


born on Saptami * Krishna Paksha

Rising Nakshatra

Masculine Nativities

Uttaraphalguni * Aryaman


BPL commentary

For Uttaraphalguni natives, the condition of radiant, romantic, intelligent, creative, idealistic, central, confident, gaming, self-reflexive, pitrikaraka Surya may considerably affect the outcome.

Father-figures, politicians, celebrity, royalty, entitled roles, brilliant dramatists, radiant deities, sparkling genius, glittering creativity, intelligentsia, speculators, poets, romantic lovers, gamblers, and game-players may be especially influential.

Instructional guidance provided by emissaries from the civilizations of Denebola.


Uttara-phalguni gentlemen are famously hot-headed. Simha pada-1 = radiant confidence, flamboyance, and remarkable intelligence. While much depends upon the characteristics of Surya, the Falgun birth of masculine valence favors dramatic displays of royalty, celebrity, and entitlement.

Kanya pada 2-3-4 = equally smart and authoritative, but more focused upon personal enclosure and distant lands, often wielding power from a private, sanctuary, or secluded location.

Although Shil Ponde's description often fits the Kanya pada 2-3-4 of Uttaraphalguni, the Simha pada-1 is rarely rough or ungrateful. Still, they can be impatient with others who are less confident or less intelligent.

Themes of political power, radiant confidence, and bright celebrity drama may contextualize Utthram's terrestrial experience. Applies also to Chandra in Uttaraphalguni

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 83


"a proud and arrogant disposition,

  • with a tendency to ride roughshod over other peoples' opinions.

Uttara natives are extremely intelligent

but because of their inordinate pride,

  • they accept favors ungraciously even when in need

and are ungrateful to those from whom they receive these favors."


ShahJahan_1631Bichir.jpg

Shah Jahan painted in 1631 Persian Miniature style artist Bichir

Biographical events matched to the Vimshottari Dasha calendar


Chandra Mahadasha * age birth until 3 years

Chandra in Shravana * Chandra-Makara - Draco * Chandra in classroom-5 * Surya-yuti-Chandra * Chandra-yuti-Budha

15-Jan-1592 (N.S.) Earth-birth in Lahore, Mughal Empire * Chandra-Budha bhukti * Budha lagnesha-karmesha


Mangala Mahadasha * age 3-10

Mangala in bhava-7 * Mangala-Meena * Mangala kahala parivartamsha Guru-3

bhukti of separation from the bio-mother; ruler of 3-8 is typically challenging for the Kanya nativity


Rahu Mahadasha * age 10-28

09-Oct-1609 exchange the vows of marriage-1 with Kandahari Begum * Rahu-Shani bhukti * Shani rules navamsha

21-Aug-1611 birth of first child, daughter * Rahu-Budha bhukti * Budha rules 9th-from-Chandra

10-May-1612 exchange the vows of marriage-2 with Arjumand Banu Begum ( aka Mumtaz-Mahal)* Rahu-Budha bhukti

03-Sept-1617 exchange the vows of marriage-3 with Izz un-Nisa Begum * Rahu-Surya bhukti

18-Apr-1719 grieve the decease of mother Taj Bibi Bilqis Makani * Rahu-Chandra bhukti * matri-maraka Chandra rules 7th-from-Chandra


Guru Mahadasha * age 28-44

Guru in bhava-3 kahala parivartamsha Mangala-7

07-Nov-1627 grieved the decease of father Emperor Jahangir * Guru-Ketu bhukti * Ketu chidrakaraka

07-July-1631 death of Mumtaz-Mahal * Guru-Surya bhukti * Surya ruler-of-12 loss of identity, invisibility


Shani mahadasha * age 44-63

Shani in bhava-10 * Maha Parivartamsha Yoga Budha-Maraka-5 ++ Shani-yuti-Rahu Mithunaya-10

1650 grieved decease of wife-1 Kandahari Begum * Shani-Mangala bhukti * kalatra-maraka Mangala rules 2nd-deom-7th


Budha Mahadasha * age 63 until 74 (fleshdeath)

Budha in bhava-5 * Budha-Makara - Draco * maha-parivartamsha Shani-10

Chandra-yuti-Budha * Surya-yuti-Budha * Surya rules 12 invisibility

1658 ill and imprisoned by his son * Budha-Ketu bhukti

01-Feb-1666 CE dematerialization (N.S.)(age 74) * Budha-Rahu bhukti

Distinctive features of the nativity

Surya * pitrikaraka * jyotikaraka

lagnesha

  • Surya-Makara - Draco * Savitra * the stimulator * brightly charismatic confidence of Center-stage Surya radiates through the hierarchical structuring rashi of Shani
  • Surya in bhava-5 * swabhava * center of sparkling entitlements * poetic romance * literary-artistic intelligence * splendid speculations * radiates brightly political celebrity * focus on glamour * genius for dramatic entertainments * eye on smart gambling * brilliant in games * bright center of creative performance * father may be a dramatist-speculator-politician
  • Surya-yuti-Chandra * confidently sensitive * bright comforter * entitled to express emotion * radiantly rhythmic * creatively intelligent mother * * sensitive to the spiritual rays of the Sun * parents are culturally aligned * patriotic father
  • Surya-yuti-Budha * confidently conversational * bright messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * gestures conduct the spiritual rays of the Sun * radiantly descriptive * articulate in drama * skillful game-player * self-confident announcements * talks about ideals * narrative of power-politics * recites love poems * describes divine romance

FATHER

CAREER


Chandra * matrikaraka * garha-karaka

  • Chandra-Makara - Draco * comforted by ritual hierarchical ordering
  • Chandra in classroom-5 * comfortable with politics * familiar with speculation * intelligent confident mother * soothed by playing games * charmed by children * needs applause * sensitive to center-stage roles * nourished by self-expression * feels entitled * attuned to romantic emotion * settled into the rhythm of artistic performance * routinely seeks amusement * calmed by admiration * undulating celebrity
  • Somana-yuti-Surya * Emotionally entitled * sensitive to fatherly folk * needs sparkling centrality * sentimentally romantic * creative mother * comforted by confidence * undulating intelligence * soothed by attention * calmed by applause * feels like royalty
  • Somana-yuti-Budha * Emotionally communicative * sensitive to sibling figures * sheltered by workmates * calmed by a chatty cohort * talkative mother * needs to evangelize * makes empathetic gestures * soothed by conversation * feels like a messenger


Kuja * bhratru-karaka * virya-karaka


Budha * bandhava-karaka * karaha-karaka * zisya-karaka

lagnesha for Kanya radical lagna


Guru * dhavakaraka * bahuta-karaka


Zukra * svadhu-karaka * kalatra-karaka


Shani * duro-karaka * jara-karaka

  • Shani-Mithunaya * tiresome old documents * resists new explanations * must conform to management hierarchy * must maintain orderly communications * rigid process handling * heavy old discussions * obligatory scripted conversations * inflexible instructions * must endure proletarian talk * slow elderly messengers * structural compression upon hand-arm-shoulder * restricted breathing * insufficient team cooperation * must continue old collaborations * scarce information resources
  • Shani in Bhava-10 (beneficial placement) * Structured, orderly, time-conscious responsibilities * must govern the old order * maintains dignified reputation * cautious, conventional leadership style * burdensome social-authority roles * chronic weighty executive duties * heavy decision-making portfolio * sustains the conventional hierarchies * oppressed by lack of freedom to choose social policies * resistance to new rules * intolerance toward unconventional leaders * leadership fatigue * Shani-10 supports socially-approved, rigidly dutiful lawgiver-roles such as president, premier, principal, director, company boss, governor, mayor
  • Shani-yuti-Rahu * stiff resistance to unbridled ambition * formally regulated cultural mixing * disciplined thrills * class-based limitations upon privilege * repressed quest for intriguing importance * socially constrained opportunism * shimmering illusion of systematic conformity * irregular achievements * over-reaching elders * restricted risks

From Chandra-Makara - Draco lagna, the mature voice of sober serious structured hierarchical Professor Shani rules

  • the emotionally-motivated traditionalism, family lineage conserving, treasure-preserving, language-and-history remembering, acquisitive, genetic conservation of 2nd-from-Chandra
  • the emotional authenticity of in-the-body feelings represented by sensitive, receptive, absorptive Chandrana

Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Rahu-Mithunaya * shimmering illusion of cooperation * craving for conversation * mask of messaging * boundary-breeching broadcasts * extraordinary explanations * ambitious administration * preposterous propaganda * extravagant commercial transactions * marvelous advertising * thrilling photographs * unusual ensembles * exciting cohort * mesmerizing instructions * over-reaching management * seeks special importance via apparent (but perhaps not authentic) attributes of information delivery * sensational scripts * exaggerated announcements * exceptional business methods *seeks privilege via communicator-roles
  • Rahu in bhava-10 * passion for leadership power * in swabhava of Sober Shani, the Shadowy Specter seeks privilege via glamorous executive decisions * thrilled by iconic status * craves symbolic importance * hungers for regulatory authority * outsider who cleverly insinuates into lawful governance * cleverly challenges official rules * mesmerizing ascent to high social status * may pose as a boss * shimmering smoky illusion of legitimate power * trespasses cultural limits of old hierarchies * boundary-breeching hunger for commanding roles * ambition for elite rank * desires to hold a respected position * opportunistic climb to top of the corporate pyramid * culturally-mixed reputation * ambition of the father's family
  • Rahu-yuti-Shani * amplified public formality * magnified systematics * exotic social conventions * tricky regulations * opportunistic elders * fascinating (but perhaps illusory) appearance of strictly lawful structures * hypnotic ascent to privileged rank * pragmatic cross-cultural mixing

Ketu * kavandha-karaka * chidra-karaka * vasana-karaka (vacuum)

Arudha lagna = bhava-9 politics, dharma

Karakamsha = bhava-5 politics, royalty, entitlement, charisma

Remarkable double parivartamsha yoga

  1. Maha Parivartamsha Yoga = Budha-Maraka-5 ++ Shani-yuti-Rahu Mithunaya-10 * a powerhouse for regal charisma-5 exchanged with governance authority-10
  2. Kahala Parivartamsha Yoga Mangala-Meena-7 ++ Guru-Vrischika-3 * advising-7 exchange with communications-3


Chandra in bhava-5

Chandra in Shravana * soothed by careful listening * protectors of undulating shamanic sound * needs customary lawfulness

* Chandra-yuti-Budha

the emotionally dignified , social-ordering, leadership-seeking; 10th-from-Chandra


Mangala in bhava-7 * Mangala-Meena


Budha in bhava-5 * Budha-Makara - Draco

yuti Chandra- Makara yuti Surya-Makara - Draco

Surya-yuti-Budha

karmesha-10 = Budha in bhava-5


Guru in bhava-3 * Guru in Vrizchika

Guru kahala parivartamsha Mangala-Meena-7


Zukra in bhava-4 * dig-bala

Zukra-Dhanuzya yuti Ketu-Dhanuzya

Zukra-yuti-Ketu-4 suggests early separation from the mother and the childhood home (he was taken at 6 days from his bio-mother, raised by a senior queen, and returned to his bio-mom aged 13)

Zukra rules 2-9 suggesting luxury in the childhood home


Shani in bhava-10

Rahu-Mithunaya yuti Shani-Mithuna

Shani putrapathi * Shani-yuti-Rahu in 6th-from-Chandra indicates lifelong emotional struggle with sons (5) and with opportunistic (Rahu) military conquests.


Rahu in bhava-10 * Rahu-Mithunaya

yuti Shani-Mithuna * Shani-yuti-Rahu


Ketu in Bhava-4 * Ketu-Dhanuzya

yuti Zukra-Dhanuzya

Zukra-yuti-Ketu-4

ShahJahan_RedFortDelhi_.jpg

commissioned by Shan Jahan * The Red Fort in Delhi * painted in 1852 (250 years after its construction)

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