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born 8 months after
born one month after
born 2 months before
born 4 months before
born 5 months before
amorously associated with
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Icon of American 1950's culture drama-model singer dancer a.k.a. Norma Jeane Mortenson a.k.a. Norma Jean Baker a.k.a. Mrs. Norma Jeane Dougherty a.k.a. Mrs. DiMaggio a.k.a. Mrs. Miller Earth-birth Tuesday-01-Jun-1926 dematerialization 05-Aug-1962 (age 36) MM Birth Certificate (no time recorded) |
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cinema drama fashion-model 1926-1962 Norma Jean Mortensen a.k.a. "Marilyn Monroe" birth information from https://en.wikipedia.org/wiki/Marilyn_Monroe tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = produced by Shri Jyoti Star - www.vedicsoftware.com - adapted by BP Lama |
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Rising Nakshatra Feminine Public-Figure Examples Arudra - Betelgeuse * Trinetra BPL COMMENTARY For Arudra - Orion births of a feminine valence, the disposition of mesmerizing, hypnotic, shadowy, exciting, passionate, ambitious, opportunistic, privilege-seeking Professor Rāhu may considerably affect the outcome . For those born into the paradigm of Rahu-ruled Rudhira, exotics, ethnic mixers, opportunists, fascinators, mesmerizers, privilege-seekers, impostors, rogues, intensifiers of passion and desire, self-proclaimers, self-promoters, agents-provocateur , charlatans, masters of smoke and oils, and entrancingly ambitious persons may be especially influential. Instructional guidance is provided by emissaries from Orion. Their purpose is to communicate the passionate animal vitality via stormy, turbulent, swaying, exciting gesture and signal. Passionately Communicative [Risk-rewarding Rāhu] -ruled Ardraka ladies have stormytemperament. They may be considered capricious, inconsistent, and demanding. Often they are found in sensuous, writhing, twisting, fascinating roles. Mesmerizing dancers, they use the communicative signaling of hands, shoulders, legs, hips, and pelvic thrust to great advantage. Depending upon Arudra - Orion's social environment, their seductive appeal may express as private or public When professionalized, tiruvaatira-born may be stage performers of high excellence, who send waves of desire [Rahu] through an audience numbering one or one-million. Rahu-ruled Arudra - Betelgeuse displays the animal intensity of the storm. Arudra women often are blessed with the capacity to regenerate their physical vitality and recreate their persona. Ardraka women are often the diva type who are sensuously clever [Rahu] verbally quick, and impatient with those who are less communicatively responsive. Thiruvaathira-born may be gifted in handcraft, commerce, painting, descriptive writing, evocative song-writing, and the arts of seductive imagery such as photography, costume, and arts-of-style [Budha]. Themes of stimulating signal patterns, passionate messaging, volatility, intense cycles of attraction-and-repulsion, and stormy outbursts may contextualize Arudra - Orion's terrestrial experience. Applies also to Chandra in Arudra - Orion. |
QUOTATION Arudra from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra, p 93r. " A critical fault-finding disposition is apparently conferred ... Her disagreeable disposition, coupled with a sarcastic manner and speech,
Although she is extremely clever in her conversation and many people will be impressed by her speech,
She is extravagant to the point of wastefulness,
She has weak lungs and should be careful of colds and coughs,
Norma Jean Mortenson in 1946 (age 20)
Early stages of modeling career |
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Jan-1954, Hollywood celebrities Marilyn Monroe and husband-2-of-3, Joe DiMaggio |
Marilyn Monroe [age 18] WW-2 magazine photo |
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The final, iconic look- cosmetically master-crafted over a decade of experimenting with surgical re-design, along with paint-and-poses. This advertising image is still recognized worldwide, more than 50 years after MM's dematerialization |
The famous Chicago updraft = vent grating on Michigan Avenue |
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London, 1956 - Marilyn Monroe with lifepartner-3, celebrated writer Arthur Miller |
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![]() Oct-1956 = Marilyn Monroe meeting Elizabeth-2 |
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![]() MM Birth Certificate = no time recorded |
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Biographical events matched to Vimshottari Dasha
[Mangala Mahadasha] [age birth until 6.2]
01-Jun-1926 Earth-birth as Norma Jean Mortenson in Los Angeles, California , USA. Norma was the unacknowledged daughter of Charles Stanley Grainger, acinema-studio film cutter supervisor, and bipolar-affected mom Gladys Pearl Baker Mortenson, astudio film-cutter. Little Norma was given to foster care soon after her birth. * Mangala-Rahu bhukti [Rahu Mahadasha] [age 6.2 until 24.2]
Dec-1931 until Mar-1934 Janma Sade-Sati Makara
1934 [NJ age 8] after taking Norma Jean out of foster care due to mom's mental improvement, her mom suffers a prolonged psychotic episode. Diagnosed as a paranoid schizophrenic (in 1934 diagnostic terms) Gladys Monroe will remain institutionalized until her suicide. * Rahu-Rahu svabhukti ++ janma Sade-Sati 1934 [NJ age 8] begin sexual abuse by predatory foster father * Rahu-Rahu svabhukti ++ janma Sade-Sati 1935 [NJ age 9] Norma Jean is sent to live in the Los Angeles Orphan Home in Hollywood * Rahu-Rahu svabhukti ++dvithya Sade-Sati sum-1937 [NJ age 11] Norma Jean leaves the orphanage and moves into the home of family guardians. Guardian- father begins sexually abusing her. To escape the molestation, nor ma Jean lives in numerous homes in several cities. * Rahu-Guru bhukti * Guru rules 12th-from-Chandra isolation + Guru rules Ketu in 4th-from-4, empty ungrounded homes 1941 [NJ age 15] returns to live with the predator family. Drops out from high school and begins modeling. * Rahu-Budha bhukti * Budha lagnesha body-appearance * Budha rules 4-home, familiar base 1942 [NJ age 16] the foster family relocates to USA- east coast, leaving Norma Jean behind in California * Rahu-Budha bhukti * Budha rules 6th-from-Chandra, emotional betrayal 19-Jun-1942 [NJ age 16] two weeks after her 16th birthday, naJ civil consecration of marriage-1-of-3 with 21-yo son of family friends, Jim Dougherty . The union was arranged to protect juvenile NJ from having to go back to the orphanage * Rahu-Budha bhukti * [Surya-yuti-Budha] Surya rules Simha 7th-navamsha ++ R-K gochara Singha-Kumbha contact Kumbha svamsha 1944 [NJ age 18] Husband ships-out to the WW-2 Pacific battles. Norma moves into the home of her new in-laws, who are part of the social network which has variously helped, housed, supported, and misused her. She takes a war-factory job, soon earning a self-sufficient income. * Rahu-Ketu bhukti * disconnections, uncoupling Jan-1945 [NJ age 19] quits factory job, moves into her own apt, and begins photographic modeling. * Rahu-Shukra bhukti * financial, beautiful Shukra rules 5-fashion, theatre, fame, sparkle contains uchcha-Shani-Tula 1946 [NJ age 20] adopts the stage name Marilyn Monroe and dyes her hair platinum blonde * Rahu-Shukra bhukti * financial, beautiful Shukra rules 5-fashion, theatre, fame, sparkle contains Mar-1948 [NJ age 22] Following affair with studio executive, begins Hollywood contract * Rahu-Surya bhukti * Surya rules 3-managers 1949 [NJ age 23] Following an affair with the director of a modelling agency, mM is gifted with a silicone surgical jaw implant and a reshaped nose, paid by the agency. First nude photos are published. MM travels to New York with a cinema promotional ensemble. * Rahu-Chandra bhukti * Chandra-8 transformations rules 2-face [Guru Mahadasha] [age 24.2 until decease age 36]
fall-1950 [NJ age 24] negotiated by her lover at the ad agency, aseven-year cinema contract is signed. After signing, the lover dies of a heart attack. * Guru-Guru svabhukti * Guru rules 7-contracts 1951 [NJ age 25] the new contract put MM into higher profile dramatic roles, albeit all roles = sex vixen. * Guru-Guru svabhukti * Guru rules 7-sexual exchange, arrangements 1952 [NJ age 26] more prominent roles, more sexualization, erratic behavior, and more drugs * Guru-Guru svabhukti * Guru rules 7-sexual exchange, arrangements * Guru rules 12th-from-Chandra, tamasic states, coma, stupification 14-Jan-1954 [NJ age 28] Following poor publicity due to her self-broken cinema contract, consecration of marriage-2-of-3 with baseball champion, Giuseppe Paulo DiMaggio [a.k.a. Joe DiMaggio] * Guru-Shani bhukti * Shani rules Kumbha svamsha ++ R-K gochara Dhanus-Mithuna = contact natal R-K 29-Jun-1956 [NJ age 30] civil marriage-3-of-3 with playwright, litterateur, social critic Arthur Miller * Guru-Budha bhukti * [Surya-yuti-Budha] Surya rules Simha 7th-navamsha * R-K gochara Vṛṣa-Vṛścika contact navamsha R-K ( Jewish ceremonial vows = spoken 01-Jul-1956) 1958 [NJ age 32] despite difficulties of personal behavior, health issues including endometriosis, drug addiction, and marriage volatility, mM's films are critically and commercially successful * Guru-Shukra bhukti * financial, beautiful Shukra rules 5-fashion, theatre, fame, sparkle contains uchcha-Shani-Tula 1960 [NJ age 34] divorce from lifepartner-3, arthur Miller * Guru-Shukra bhukti * Shukra rules 12 = 6th-from-7 ++ dvadasa Sade-Sati Feb-1961 until Jan-1964 Janma Sade-Sati Makara
05-Aug-1962 [NJ age 36] blessed liberation from the earthen body, attributed to acute barbiturate poisoning. Coroner declared the death to be a likely suicide. * Guru -Chandra bhukti * maraka Chandra activates-2 ++ janma Sade-Sati |
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Distinctive Features of the Nativity
[Sparkling Splendid Surya] pitri-karaka [father] -- jyoti-karaka [light] [busy-messaging vikrama-pati for Mithuna indriya-lagna] check Shukra + Shukra-drishti to source Surya's sensual radiance, sweet charisma, financial entitlements [artistic father may be inaccessible, distanced, or cloistered] ... [managing-commercial Rohiṇī-3] [navamsha Surya-Mithuna] intuitively confident business collaboration [Rohiṇī-Surya-yuti-Budha-Rohiṇī]
OUTCOMES - MAGNIFICENT MARTANDA self-reflexively imaginative, brightly ghostlike visage, sparkling Other-worldly charm, regal style of creative seclusion, quietly focused on interior understanding, radiantly dreamlike, politically visionary, splendidly private research intelligence, center-stage theatre of symbolic ideas [Surya in bhava-12] rules
CAREER - SPARKLING SURYA FATHER [Surya in bhava-12] may indicate an imaginary, specter, ephemeral, invisible (12) father-figure [Surya]. Dad was consciously unknown to her. Although a paternal name is mentioned on her birth certificate, monroe claimed that her identity-transforming mother (ruler of 8 Chandra in 8th-from-8th) had identified several different men as being young Norma Jean's bio-dad . According to Ms. Monroe, she never met any man who admitted to being her father. Instead, she fantasized that various movie stars were her real dad. Her mother pointed to several popular cinema stars as the marvelous progenitor. Biographers have opined that Norma Jean's father was likely her mom's former shift-supervisor in a film-cutting factory. Dharmesha-9 Surya in 6 would suggest that the bio-dad = a rank-and-file worker. Shani in 9th-from-Chandra suggests the blocked identity of father. Surya-12 rules-3 communications = the privacy of the bedroom is communicated into messaging media such as cinema and photographic advertisement [Comfortable Caretaking Chandra] matrikaraka [mother] -- garha-karaka [village] [conserving-entreasuring dhana-pati for Mithuna indriya-lagna] check Shani + Shani-drishti to source Chandra's orderly feelings, structured rhythms, class-conscious sensibilities [mysterious official family history dhana-pati ] [intuitive mood-regulating sound-healer] [soothed by periodic social shocks] [needs psychic upheaval at fixed intervals] [attuned to transformation of rigid hierarchies] [dutiful feelings may suddenly stop-and-start] [at some juncture in the lifespan, old social status utterly dies, then catalytic rebirth into a new social class] [comfortable with disruptive public influence] [sympathetic to institutional tumult] [grounded by orderly rhythmic rejuvenation] [may sing-or-speak dhana-pati for conventional emotional healing] [polite mother may know an unsettling lineage narrative] [class-conscious mother may have fluctuating ability to normalize her inner turmoil] [dignified mother may be socially proper yet structurally disguised, traumatized by government, unpredictable use of formality] ...... [dramatizing-showy Dhaniṣṭha-1] [navamsha Chandra-Simha] intuitively sensitive to entertaining political display
OUTCOMES - ANCESTRAL SOMA sentimentally undisclosing, emotionally secretive, caretaker in dangerous situations, needs chaotic feelings, securely grounded through disastrous upheaval, anchored into sudden emergency response, sensitive to disguised dependencies, protected by camouflaged assets, sense of having hidden empowerments [Chandra in classroom-8] rules
CAREER - CARETAKING CHANDRA
When the lifeplan is crafted with Chandra-Makara-Draco] -- [Chandra in classroom-8] the socially identifying class routines [Makara social class, chandra routines] are scheduled to undergo radical renewal. Chandra-8 = comfortable with crisis and familiar with catastrophe. The mother is prone to sudden changes and one's life trajectory is unpredictable, even if born into the most rigid social circumstances. At some juncture in the lifespan, one's old class status utterly dies, catalyzing a rebirth into a new social class
Chandra receives no incoming Parashari drishti MOTHER Chandra-8 suggests a cycle or recycling of mothers. MM was raised by a variety of mother-figures including her natural mother, her mother's friends, and her foster-mother. She stayed with each of them for varying lengths of time [Makara lawful periodicity] often shuttling between these three. Chandra-8 activates 7th-from-8 partnership. Seeking a parent figure. Occupies bhava-8 taking drishti of Rahu may suggest her mother's unpredictability as well as her own. Her mother also married three times. MARRIAGE partnership emotional equity support expectations [7th-from-Chandra-8] lifepartner 1-of-3 policeman, member of her extended family (Karkata-2)
8th-from [7th-from-Chandra-8] lifepartner 2-of-3 Kumbha-9 = father-figure. Baseball hero, Joe DiMaggio = celebrity athlete [Kuja] According to MM, the union was short-lived due to jealousy.
3rd-from [7th-from-Chandra-8] lifepartner 3-of-3 Kanya-4 = distinguished playwright and literary writer, arthur Miller
Mood-Dysregulation Patterns + + speculated bi-polar mood-regulation disorder https://en.wikipedia.org/wiki/Bipolar_disorder The core pattern of Borderline Personality Disorder is a profound terror of abandonment. In extreme cases the terror may provoke psychotic episodes. The name borderline indicates that one's misery lingers on the border between neurotic anxiety and psychotic hallucination. MM recalled in interviews that one of her earliest memories was a terrifying scene of her mother smothering toddler Norma Jean with a pillow. Mom is retrospectively acknowledged to have suffered from unpredictable violence in context of extreme mood swings, depression, and suicidal threats. Mental illness in various guises was noted throughout the family network. There were several suicides including her mom. A suiciding elder elicits the child's abandonment response. Beautiful and supremely talented though she was, mM's mood swings from depression to exhilaration became more extreme as she aged. MM attraction to narcissistic masculine partners similar to her childhood sexual predators (mostly politicians, mostly actors) became fraught with unmanageable anxiety. [Competitive Champion Kuja] bhratru-karaka (brother) * virya-karaka (virile) [inimical-medicating rogesha for Mithuna indriya-lagna] [friendly-gainful labha-pati for Mithuna indriya-lagna] check Shani + Shani-drishti to source Kuja's disciplined community-connections, systematic engineering, economic forward-push [karako bhavo nashto for patron, chieftain, father, indoctrinator] [Dhanayoga ruler of 11 occupies 11th-from-11] [dynamic humanistic, patronizing marketplace fighter] [broad global understanding of principled economic systems] [energized ideological pontification on networks and arrays] [community-driven dominant celebrity] [worldview based in forceful championship of proletarian wisdom] [vigorously promotes philosophical convictions about orderly distribution gridworks] [goal-achieving but hostile father may be patron, patriarch, pushy believer, mass-participation indoctrinator, socially connected pro-active preacher] ... [cinema-publication Pūrvābhādra-3] [navamsha Kuja-Mithuna] intuitively physicalized explanatory communication [Pegasus-Kuja-yuti-Guru-Dhaniṣṭha]
OUTCOMES - MOVING MANGALA dynamically philosophical, vigorously globalist, forward-pushing preacher, innovatively dogmatic, pro-actively ideological worldview, kinetically charitable, energetically patronizing, champion of extensive philanthropic action [Mangala in bhava-9] rules
CAREER - MOTIVATED MANGALA Kuja activates Vrischika 10th navamsha [contains Guru-yuti,Ketu, signaling the reputation for suicide + 3 divorces before age 36] Mangala-9 provides a dynamic, sexualized drive toward entertainment arts and politics in 5th-from-5th Kuja-9 self-righteous lashing-out often indicates expressions of anger or aggressiveness of father. Kuja rogesha implies high conflict. Finance economic gains
[Busy Bantering Budha] jamayah-karaka [sibling] -- sandesha-karaka [message] -- shisya-karaka [student] [energizing-identifying lagnesha for Mithuna indriya-lagna] [homebound-anchoring bandesha for Mithuna indriya-lagna] check Shukra + Shukra-drishti to source Budha's sensual discourse, enriching information, musical instructions [imaginative evaluation of sound-and-color] [talks about historical values] [fantasy narrative about sensual pleasures] ... [musical-voicing Rohiṇī-2] [navamsha Budha-Urisha] [Rohiṇī-Budha-yuti-Surya-Rohiṇī]
OUTCOMES - BANTERING BUDHA abstractly conceptual announcements, backchannel communication, private discussions, talks about intuitive meanings, clandestine projects, enclosed messages, dissolved information, specifically fantasizing, imaginative dialogs, invisible transactions, questioning research, interior translating Budha in bhava-12] rules
CAREER - BUSY BUDHA talkative, script-seeking, cinema-communications lagnesha Budha activates kārakāmsha = Mithuna-1 containing fabulous, over-the-top Rahu [Generous Growing Guru] dhava-karaka [husband] -- bahuta-karaka [variety] [svabhava] --- [svabhava] [bargaining-partnering jaya-pati for Mithuna indriya-lagna] [dutiful-hierarchical karmesha for Mithuna indriya-lagna] [karako bhavo nashto for father, patrons, chieftains, indoctrinators] check Shani + Shani-drishti to source Brihaspati's systematic expansion, distributive inclusiveness, community-connected abundance [expanded associative networks of believers] [multiple father-figure community advisers] [many scientific indoctrinator roles] [theoretical vision of marketplace gridworks] [many profitable optimistic patrons] [preaches on distributive populism] [may be a guru-figure within an economic-scientific sangha] [father-figure may be electrician, professor, systems-connector, socialite] [within a wifely nativity, the husbandly-companion may be electrician, professor, systems-connector, economist] ... [exploring-revealing Dhaniṣṭha-4] [navamsha Guru-Vrischika] intuitively expansive optimistic exploratory discovery [Dhaniṣṭha-Guru-yuti-Mangala-Pegasus]
OUTCOMES - GENEROUS GURU expansively philosophical, abundantly global, multiple worldviews, numerous patrons, optimistic father-figures, diversely ideological, tolerantly preaching, broad-scope of understanding [Guru in bhava-9] rules
CAREER - BENEVOLENT BRIHASPATI one of the most reliable indicators of material ascendance is the mutual drishti of Guru-and-Rahu, in any rashi
yuvati pati, धव कारक ;dhavakaraka Guru in navamsha yuti Ketu contributes to three divorces before age 36 Guru-yuti-Ketu in Vṛścika navamsha-9 suggests her three marriages, three divorces, no living children According to Shri BV Raman in 300 Combinations, mM benefits from the beautiful yoga 243. Dhatrutva Yoga = extraordinary generosity
[Sweetly Suave Shukra] svadu-karaka [sweet] -- kalatra-karaka [wifely companion] [witty-speculative vidya-pati for Mithuna indriya-lagna] [retreating-meditative vyaya-pati for Mithuna indriya-lagna] [Dhanayoga Shukra-11 rules 5] ++ uchcha-Shani-Tula-5 rules 9 ... [face-voice-eyes-hair-mouth Aśvini-2] [navamsha Shukra-Urisha] intuitively harmonizing precious attractive entertaining [5] fantasizing [12] sound-color values
OUTCOMES - SWEETENING SHUKRA sweetly gainful, fairly negotiated fundraising, arranges the balanced gain-of-goals, financially distributive, enjoys social-participation assemblies, prefers feminine friends, graciously socially connected, advocates for associative interlinkage, equably rewarded, architecturally gridworked, represents the collectivity, smooths community relationships [Shukra-11] rules
CAREER - BRIGHT BHRIGUTANAYA occupies [5th-from-Chandra] entertainment, romance, gambling-and-games, entitlements, celebrity, drama Shukra receives incoming drishti from [uchcha] Shani-5 connotes artistic structure, composition, sense of design movement costume [Sober Structural Shani] duro-karaka [endurance] -- jara-karaka [Jahre, years] -- [uchcha] [mysterious-revealing randhresha for Mithuna indriya-lagna] [believing-philosophical dharmesha for Mithuna indriya-lagna] check Shukra + Shukra-drishti to source Shani's rigidly harmonizing, fairly adjudicating, reciprocally orderly systems [rigid politics of institutional social justice] [tight restrictions on bargaining genius] [responsible for legitimating formalized brokerage] [must negotiate to maintain order among children and students] [harsh obligation to prevent contractual entitlements] [must apply rank-and-class to mediating intelligence ] [heavy burden of legal equality may cause cardiac fatigue] [repressed advising counsel may ossify heart-and-spine] [must regulate hidden arrangements randhresha and beliefs about fairness dharmesha to reduce partner speculation] ... [bargaining-brokering Chitra-3] [vargottamsha] [navamsha Shani-Tula-uchcha] intuitively ordering class-conscious slow hierarchical social justice [ātmakāraka Responsibility, institutions, law-and-order, respect for elders, endurance, time]
OUTCOMES - STRUCTURAL SHANI formally disciplined showmanship, chronic political pressures, fear of unruly children, rigidly legalistic demonstration, constricted romance, enduring obligations for ceremonial performance, regulated creativity, orthodox approach to gambling and games, conventional intelligence, responsible for maintaining order in dramatic scenarios, systematically speculative, imposing structure upon artistic performance, lawfully entitled to hold central roles, seriously legitimating political ideas [Shani in Bhava-5] rules
CAREER - SOBER SHANI [bargaining-brokering Chitra-3] [navamsha-Shani-Tula-uchcha] [vargottamsha] -- [ātmakāraka] Shani-5 in 10th-from-Chandra suggests an orderly, equity-seeking, contract-structured entertainment (5) career. She also had the potential to be involved with government at the highest levels ([uchcha] Shani). Ms. Monroe was said to have been a diligent worker who practiced her dance routines and scripts in a disciplined manner. [uchcha] Shani-5 rules 8-mysteries, non-disclosure, dangerous liaisons +++ 9-celebrity life philosophy, dharma, worldview Shani receives drishti from both Guru and Rahu, creating a Guru-Shani-Rahu trine in 1-5-9 that radiates in considerable magnitude From [Chandra-Makara-Draco] lagna, the mature voice of sober serious structured hierarchical Professor Shani rules
randhresha Shani-5 indicates that despite her personal sense of responsibility and duty [Shani] the forces of unexpected identity change altered her public profile and sudden events surprised her both personally (Chandra-8) and professionally (Shani-the emotionally dignified , social-ordering, leadership-seeking; 10th-from-Chandra) Children Guru drishti into putra-putrikisthāna-5 is fertile, but blocked by [uchcha] Shani-5 * and Guru-Chandra in 2-12 angle suggests no progeny MM was married three times by the age of 30. Although MM had no living children, reportedly she miscarried twice and suffered an ectopic pregnancy during her third marriager. [Risk-rewarding Rāhu] rajyalobha-karaka [ambition] -- picchala-karaka [slippery] [for Mithuna indriya-lagna] [Rahu-1 casts passionately unique individualizing drishti into 5-7-9] check Budha + Budha-drishti to source Rahu's apparently explanatory, shimmering mirage of communicative flair [passionate messaging via vital bodily movement] [opportunistic discussions about mixed or exotic identity] [fascinating physique communicates excitiement] [entrancing insinuation of privilege via scripted writhing, shadowing, or cultural-mixing] [potential for fraudulently or fabulously exaggerated advertising, in matters of physicality, embodiment, innovation, style of movement, athletic prowess, vitality, unique identity, personality integrity, or conditions of birth] [astonishing empowerment via manufactured shimmering illusion of photographs] [tangible personal appearance signals the onset of exciting new energy] [entrancing cult of media-messaging slippery kinetic posture] ... [face-voice-values Punarvasu-2] [navamsha Rahu-Urisha-uchcha] intuitively over-reaching ambitious opportunistic financial, oratorical, heritage, sound-valued cultural-mixing movements
OUTCOMES - RISK-REWARDING RAHU Rahu activates risk-escalating Varuna Svamsha one of the most reliable indicators of material ascendance is the mutual drishti of Guru-and-Rahu, in any rashi
CAREER - RAHU outgoing drishti of ambitious Rahu in bhava-1-Arudra impacts
" I am made of photographs" MM experienced the world through an instrumental, expedient, opportunistic, fabricated personality Rahu in bhava-1 Built upon the basic chassis of young Norma Jean Baker, the charismatic fashion icon Marilyn Monroe was crafted by a series of cosmetic artists, image managers, talent agents, professional handlers, and business partners. [Mithuna] Marilyn Monroe (stage name) was magnetically [Rahu] photogenic [Mithuna] . Rahu provides a sparkling, mottled aura coupled with a natural Arudra double-Rahu enthusiasm for risk-taking as well as a Mithuna mental engagement in the world of communications media. Legendary images feature various provocative (Arudra) poses, wearing various items of couture, displaying different appliances and layers of cosmetic paint. Underneath the veneer percolates Rahu's desire for the privileges attending the important person (1) and the fascinating excitement of a taboo-breaking embodiment. [Collapsing unshackling Ketu] kavandha-karaka [headless] -- chidra-karaka [gaping] -- vasana-karaka [vacuum] for Mithuna indriya-lagna] check Guru + Guru-drishti to source Ketu's optimistic wandering, believing surrender, faith in emptiness [absence, disappointment, disorientation within fairly-bargained, patronizing relationships] [unconcerned with lack of belief in equity] [dispersed engagement with preachy partnerships] [dissolution of doctrinal advocacies] [surrenders faith-based bargains] [forgives broken sacred promises] [abandons unsustainable sermonizing arrangements] [absent from empty ideological alliances] [disregards theoretical agreements] [eccentric principled deals] [passively fixated upon ambitiously messaging, instructional, commercial Rahu-Mithuna-1 fabulous physical embodiment] ... [secretive-discovering Pūrvāṣāḍhā-4] [navamsha Ketu-Vrischika- uchcha]
OUTCOMES - EVACUATING KETU Reputation, lasting social impression 10th-Navamsha contains Guru-yuti-Ketu Vrischika
CONTRACTUAL MARRIAGE Collapsing Ketu -7 receives incoming drishti from Rahu-1 + [uchcha] Shani-5 Ketu-7 uncertainty and disconnectedness regarding marriage partnerships
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