COHORT born 11 months after
born six weeks before
born four months before
born six months before
born seven months before
professional collaborator with
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musical recording artist entertainment producer vocalist theatrical performer stage designer philanthropist empath a.k.a. Yog a.k.a. Georgios Kyriacos Panayiotou
Earth-birth Tues-25-Jun-1963
dematerialization 25-Dec-2016 [age 53]
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pop-music singer songwriter center-stage dancer commercial music producer musician orchestrator 1963 - 2016 George Michael - Georgios Kyriacos Panayiotou birth data from https://en.wikipedia.org/wiki/George_Michael tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = produced by Shri Jyoti Star - www.vedicsoftware.com - adapted by BP Lama |
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Rising Nakshatra Masculine Public-Figure Examples Citthirai - Visvakarma - Azinech - Alaraph - Arista - Dana BPL COMMENTARY For Chitra - Tvastri births of a masculine valence, the condition of kinesthetic, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome. For those born into the Mangala-ruled paradigm of Visvakarma, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, builders, drivers, drillers, diggers, exploders, aggressors, pursuers, competitions and battles may be especially influential. Guided by instructors from civilizations of Spica. Their purpose is architectural engineering and crafting of beautiful, functional, and artistic alliances, arrangements, and designs. Designs + Arrangements [Competitive Champion Kuja]-ruled Chaitra fellows have a knack for competition. Goal-oriented and kinetic in building, patterning Tvastri, they strive for dominant power in engineering, artisan mechanics, architecture, and applied design arts such as skilled handcraft. As authors, chaitrika often illustrate their works with fine drawings. Tvastri-born have a natural affinity for tools, engines, driving, building. Kanya pada 1-2 express Kuja's rulership of 3-writing + 8-mystical transformations, while also displaying the frustrating tension of chatty Budha versus active Kuja. Literary Budha plays a stronger role for pada 1-2, producing scholars and writers who argue about architectonics, engineering design, color values, and mechanics. Pada 1-2 = also skilled in handcraft and may be professors-cum-tradesmen, fine-arts painters, model-builders, or manually gifted musicians. [Tula - Vanika] pada 3-4 express Kuja's rulership of 2-collections, assets + 7-contractual equity. Shukra's bargaining behavior and financial skills play a stronger role for pada 3-4, who enjoy the mutual attractions of Shukra-Mangala. In music, arts, and engineering, they pursue harmonious arrangements. They often play stringed instruments, and write beautiful songs. Chaitrika pada 3-4 can be found in the design world, in financial negotiations, and in dynamic meditator roles. Themes of productive touch including artistic design, musical instruments, mechanical engineering, and crafting of dynamic arrangements contextualize Vismakarma's terrestrial experience. Incoming drishti from Kuja can mobilize their progressive, pioneering actions. Also applies to Chandra in Chitra - Spica.
George Michael with entertainer Elton John, at the 1997 funeral of Diana Spencer George Michael [age young-adult] with his parents |
QUOTATION Spica from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra. p 84 " Chitra natives are quiet, thoughtful, and profound. Very slow in movement and of great dignity in bearing and manner.
they make good students in their youth. they are also extremely clever with their hands ,
they like to do things or fashion things with their hands
[end quote]
Yorgos Kyriacos Panayiotou in 1983, age 20
Yorgos Kyriacos Panayiotou age 19, in London |
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on a publicist-arranged date in 1980's, avisibly annoyed George Michael poses with the polite fashion model Brooke Shields |
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Biographical details matched to Vimshottari Dasha bhukti
[ Ketu Mahadasha] [age birth until age 3.3]
Tue-25-Jun-1963 Earth-birth as Georgios Kyriacos Panayiotou, in East Finchley, middlesex, England * Ketu-Shukra bhukti [ Shukra Mahadasha] [age 3.3 until age 23.3]
Sep-1977 until Nov-1979 Janma Sade-Sati Simha
1971 [GM age 8] a head injury provokes worldview shift, and GM's thence-forward fascination with music begins * Shukra-Shukra svabhukti * Shukra rules 9-worldview 1979 [GM age 16] as a teenager, GM wrote the lyrics and musical orchestration for several emotionally evocative songs. When recorded two years later, these songs ; would become huge pop-dance-hits * Shukra-Rahu bhukti * Rahu ambition 1981 [GKP age 18] while still in high-school, GM forms the instantly successful musical partnership Wham! * Shukra-Guru bhukti * Guru rules 7- partnerships 1984 [GKP age 21] GM's self-performed song Careless Whisper becomes a multinational top-seller * Shukra-Shani bhukti * Shani-5 rules 5-celebrity, fame Apr-1985 [GKP age 22] becomes the first western pop-musician to perform in the newly opened China, to intl acclaim ; * Shukra-Shani bhukti * Shani-5 rules 5-celebrity, fame 1988 [GKP age 25] the popular song Faith wins Grammy Award * Shukra-Budha chidradasha * [Budha-yuti-Shukra] ++ Budha lagnesha-karmesha social reputation [ Surya Mahadasha ] [age 23.3 until age 29.3]
1992 [GKP age 29] begin life-defining love relationship [Shukra] with Brazilian dress designer, anselmo Feleppa * Surya-Shani bhukti * Shani rules Kumbha 7th navamsha Mar-1993 [GKP age 30] grieved the decease of beloved partner, anselmo Feleppa, via AIDS-related brain hemorrhage * Surya-Budha bhukti * Budha rules 7th-from-7 [Chandra Mahadasha] [age 29.3 until age 39.3]
1997 [GKP age 34] grieved the decease of mother, former dancer Lesley Angold, via cancer * Chandra-Rahu bhukti 1997 [GKP age 31] begin 12-year lifepartnership with sportswear executive, Kenny Goss. * Chandra-Rahu bhukti 07-Apr-1998 [GKP age 35] arrested by Los Angeles Police for "lewd acts". GKP protests that the crime-screen was set-up by morality-policing entrapment * Chandra-Rahu bhukti [Mangala Mahadasha] [age 39.3 until age 46.3] 2006, 2006, 2007, 2008 [GKP age 43-45] multiple arrests for sex and drug offenses * Mangala-Rahu until Mangala-Ketu++ janma Sade-Sati Nov-2006 until Sep-2009 Janma Sade-Sati Simha
2008 [GKP age 45] enters retirement due to turbulent personal life, drug issues, and deteriorating reputation * Mangala-Ketu bhukti ++ janma Sade-Sati [12] spr-2010 [GKP age 46] break-up of 12-year lifepartnership with Kenny Goss, due to disagreements about substance use disorder. Followed by drunk-driving car-crash which damaged a residence. * Mangala-Ketu bhukti ++ dvithya Sade-Sati Sep-2010 [GKP age 47] sentenced to jail [released after 4 weeks] for driving intoxicated, car-crash, property damage * Mangala-Shukra bhukti ++ dvithya Sade-Sati Nov-2011 hospitalized for pneumonia [grief]. Enters and exits comatose status. Tracheotomy * Mangala-Chandra chidradasha * Chandra rules 12th-from-Chandra = emotionally sourced hospitalization, needs enclosure [Rahu Mahadasha] [age 46.3 until decease age 53]
2013 [GKP age 50] hospitalization following severe inury to back of head, sustained while falling from his moving car * Rahu-Rahu svabhukti 25-Dec-2016 [GKP age 53] blessed liberation from the earthen body, via heart failure, at home in Goring-on-Thames, Oxfordshire, England * Rahu-Guru bhukti * maraka Guru rules 7 |
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Salient features of the Nativity
[Sparkling Splendid Surya] pitri-karaka [father] jyoti-karaka [light] [dikbala] [retreating-contemplative vyaya-pati for Kanya indriya-lagna] bright center of commercial project leadership] [intelligence for high-visibility private information] [elite interpretive messaging roles] [decision-maker for writing-publishing organizations] [radiantly confident display of imaginative scripts] [creative public media communications] [makes authoritative announcements ] [socially respected explanatory instructions] [talkative father-figure may be businessman, team-manager, wordsmith, manufacturer, collaborator] ... [inspirational-dogmatic Arudra-1] [navamsha Surya-Dhanus] intuitively believing principled philosophical doctrinal optimistic humanistic confidence [Arudra-Surya-yuti-Rahu-Puna]
OUTCOMES - SURYA iconic uniqueness, high visibility intelligence, autocratic style, socially prominent, radiantly regulatory, confidently commanding, sparkling center-stage public creatives [Surya in bhava-10] rules
CAREER - SURYA Surya rules [Magha-Somana-yuti-Kuja-Yoni] [simha-12] richly imaginative, creative performance Advantageous Outrageous [Surya-yuti-Rahu] engages a powerful Sarala Yoga Revenie-making friendly Surya occupies the profitable 11th-from-Chandra Brilliant youth-culture icon, challenges social boundaries Raised bilingual/bicultural [Surya-yuti-Rahu] in England, Georgios [Yorgos] Kyriacos Panayiotou worked under the stage name // George Michael //. Performer, vocalist-dancer [Surya-Arudra] event-staging, business management, recordings producer [Mithuna] Radiantly bi-lingual, bi-sexual, bi-cultural public identity [Mithuna] [Surya-yuti-Rahu] super-performer with ambivalent gay identity
Mithuna = media-messaging expertise, detailed planning for tours, boundary-breaching commercial productions, successfully phrased-and-paced danceable song-writing [ Surya Mahadasha ] [age 23.3 until age 29.3] Surya-Rahu bhukti
Surya-Shukra chidradasha
FATHER Dad = Kyriacos Panayiotou, aprominent restaurateur of Greek Cypriot nationality . Dad married a British wife and raised his family in London. [Surya-yuti-Rahu] Young George, his father's only son, was named Georgios [Yorgos] Kyriacos Panayiotou.
His dad was an immigrant Greek Cypriot [Rahu]. Dad was deeply identified with the language and culture of his homeland. Dad was passionately focused [Rahu] on earnings.
Starting from a low rung, [6, servitude] Dad became a capitalized businessman
GM acknowledged the material benefits of his dad's business acumen [Surya-Mithuna] and the personal enrichment of his own biculturalism [Rahu]
Dad saw his son's singing business as a foppish British lifestyle, which brought dishonor to the hardworking patriarch [Surya-6, aggrieved father] Like dad, GM became a commercial success in music selling and tour production within the entertainment industry.
[Comfortable Caretaking Chandra] matrikaraka [mother] * garha-karaka [village] [friendly-gainful vriddhi-pati for Parthya indriya-lagna] ... ... [inventive-pioneering Magha-1] [navamsha Chandra-Mesha] intuitively sensitive pursuing competitive champion [Magha-Somana-yuti-Kuja-Yoni]
OUTCOMES - CHANDRA sensitively imaginative, soothingly reflective, protectively clairsentient, absorptively routinized, rhythmically meditative, safely interior [Chandra in classroom-12] rules
CAREER - CHANDRA
[Magha-Somana-yuti-Kuja-Yoni] emotionally effusive, kinetically sexualized] counted fromfrom Simha Chandra, Kuja yogakaraka rules 4 + 9 From his first public performances until the end of Chandra Mahadasha [age 40] GM displayed [Simha] a mesmerizing emotionally-drivenl dance ability.
[Chandra Mahadasha] [age 29.3 until age 39.3]
MOTHER Mom had been a professional dancer.
MARRIAGE partnership emotional equity support expectations
Emotional conflict, and circumstantial conflict in diseased, medicated conditions
8th-from-[7th-from-Chandra-12]
Termination of alliance-2
[Competitive Champion Kuja] bhratru-karaka [brother] virya-karaka [virile] [Kuja Dosha for alliance-1] [busy-messaging sahaja-pati for Kanya indriya-lagna] [mysterious-revealing randhresha for Kanya indriya-lagna] check Surya + Surya drishti to source Kuja's sparkling chivalrous actions, brilliant political energy, self-dramatizing athletic prowess [vigorous heart-centered clandestine sexuality] [behind-the-scenes fiery entitled romance] [flamboyantly dramatizes vigorously private interactions] [brilliantly dynamic pioneering imagination] [unseen energies promote sudden political change] [creative drive produces energized clairsentient dreamworld motion] ... [ministering-logistical Pūrvaphalgunī-2] [navamsha Kuja-Kanya] intuitively innovative ministries-of-service [Magha-Somana-yuti-Kuja-Yoni]
OUTCOMES - MANGALA invisibly penetrating, subconsciously discovering, pursues therapeutic sanctuary, surgically contemplative, incisively clairsentient, drilling into private spaces, unseen explorations, sexually clandestine, pushing-forward into dreamworlds [Mangala in bhava-12]
CAREER - MANGALA [Mangala Mahadasha] [age 39.3 until age 46.3]
Yet protected from severe consequences due to [Sarala Yoga] [सरल - straight, direct, easy] prevents unrecoverable harm from catastrophic upheavals, instead energizing the crisis into transformative rebirth. Schooling Guru-7 bandhesha formal schooling [4]. GM was able to complete high school. His affluent father insisted that GM - his only son - earn a baccalaureate diploma, in order to lay a foundation for his adult future. However, mangala drishti into Guru-7 bandesha GM was drawn into high-energy dancing-performing. Mangala-12-Sima theatre Despite his father's preferences and resources le niveau secondaire marked the end of GMs academic studies. Guru provided such abundance that high-school was more than enough. KUJA MAHADASHA [age 39.3 until age 46.3] Volatility of [Magha-Somana-yuti-Kuja-Yoni] = Challenging Years hasten the end of career Mangala Mahadasha
Despite continuous earnings [11] ++ acquisition of vehicles and real-estate [4], mangala Mahadasha featured outbursts [8] of provocative indeed disastrous energy. As bandhesha, mangala signals retirement. not surprisingly, inner turmoil was concentrated into the Sade Sati Nov-2006 until Sep-2009 Janma Sade-Sati Simha [12] [age 44-47] Mangala-Shani until Mangala-Surya [randhresha]++ janma Sade-Sati
Mangala-Surya bhukti * Surya randhresha identity-change ++ janma Sade-Sati
[Busy Bantering Budha] jamayah-karaka [sibling] sandesha-karaka [message] shisya-karaka [student] [energizing-identifying lagnesha for Kanya indriya-lagna] [dutiful-hierarchical karmesha for Kanya indriya-lagna] [talks about historical beliefs] [pronounces narratives of heritage doctrinal value] [detailed assessment of music-tone-color] [represents the wealth of tribal chieftains] [publicly identified with paternal legacy] [sonorous confessional testimony] [calculates the itemized treasury] [delivers storytelling guidance to youth] [exponent of financially principled charity] [father-figure may be banker-financier-musician] ...... [rhythmic-protective Rohiṇī-4] [navamsha Budha-Karkata] intuitively explaining caretaking-shelter [Rohini-Budha-yuti-Shukra-Rohiṇī]
OUTCOMES - BUDHA mercurially philosophical, paternally communicative, mercantile worldview, businesslike father-figure, naarrative of higher understanding, inspirational publishing, globally descriptive, broad-scope conversations [Budha in bhava-9] rules
CAREER - BUDHA [Rohini-Budha-yuti-Shukra-Rohiṇī] writing, planning, managing, arranging GM lyrical impact from Budha. Content generally about distress and disappointment [6] in relationships [Shukra].
[Rohini-Budha-yuti-Shukra-Rohiṇī] occupy reputation recognition 10th-from-Chandra-Simha
[Generous Growing Guru] dhava-karaka [husband] bahuta-karaka [variety] [svakshetra] [homebound-anchoring bandesha for Kanya indriya-lagna] [bargaining-arranging jaya-pati for Kanya indriya-lagna] [many imaginative peers] [charitably generous toward others] [wise advisors have broad-scope viewpoint] [contemplative understanding of human reciprocity] [multiple alliances with fantasizing partners] [dreamlike conceptual bargaining for security and trust] [wholistic comprehension of perfect harmony] [usually, a gap between symbolic union and real earthen marriage] ... [hierarchical-normalizing Revatī-2] [navamsha Guru-Makara-nīcha ] intuitively expansive materialistic philosophy
OUTCOMES - GURU expansively agreeable, abundantly contractual, multiple alliances, numerous arrangements, optimistic negotiator, broad-scope of brokerage [Guru in bhava-7] rules
CAREER - BRIHASPATI CHARITY and INSPIRATION In maturity, George Michael devoted much of his time to charities for mothers and children. [Guru-Meena] legendary philanthropy = both individual and organizational. ++ ability to inspire listeners [3] through his music GM's most famous song - Faith - inspired young listeners worldwide with a message of ultimate faith in love, despite the reality of disappointment in human relationships Genius for writing songs and playing musical instrument touch [3]
GM played much of the music for his recordings
Children GM produced no acknowledged children. Shani-5 does not per se block reproduction. Shani may delay, but generally He does not deny unless other influences push Him into a material limitation of denial status. Shani-5 [in any rashi] does dictate a heavy pressure of responsibility for children. Meena- Guru-7 drishti into 11-1-3, but there is a 6/8 shadashtakya angle between Guru and Chandra-12, along with Ketu-4 occupies 5th-from-Chandra, which preclude biological offspring. GM although not a father himself, did accept responsibility for children. His legendary philanthropic donations[Guru generosity] focused on mothers and children. Even after decease, he left bequests to childrens' charities. [Sweetly Suave Shukra] svadu-karaka [sweet] kalatra-karaka [wifely companion] --- [svakshetra] [acquisitive-sensual dhanesha for Kanya indriya-lagna] [doctrinal-philosophical dharmesha for Kanya indriya-lagna] ... [rhythmic-protective Rohiṇī-4] [navamsha Shukra-Karkata] intuitively routinized, undulating, harmonious sentimental caretaking parental
OUTCOMES - SHUKRA sensually philosophical, appreciative of higher understanding, harmoniously patronizing, aesthetically wisdom-guiding, financially optimistic, musical-artistic father-figure, global scope of relationships [Shukra-9] rules
CAREER - SHUKRA 10th-from entertainment-genius Chandra-Simha dhanesha = Rohini-Shukra-9, ruler of 2-beauty + 9-worldview 9 = father-figures, patronage, paradigmatic beliefs, worldview folk-reputation 10th-from-Chandra
[Shukra-yuti-Budha] Urisha-5 musical entertainments, singing, arrangements, sensuality Yogakaraka Shukra rules Urisha-10th navamsha
[Sober Structural Shani] duro-karaka [endurance] * jara-karaka [Jahre, years] [svakshetra] [witty-creative vidya-pati for Kanya indriya-lagna] [inimical-medicating rogesha for Kanya indriya-lagna] [imposes lawful order upon creative arts performance] [heavy responsibilities for regulating creative entitlements] [strict social rules impose limitations on children and entertainment] [speculativepolitics of conventional government hierarchy] [normalizing restrictions on romantic games] ...... [ministering-complaining Dhaniṣṭha-2] [navamsha Shani-Kanya] intuitively class-conscious service ministries [ātmakāraka respecter of hierarchies, social ordering, regulator, maintains old structures]
OUTCOMES - SHANI formally disciplined showmanship, chronic political pressures, fear of unruly children, rigidly legalistic demonstration, constricted romance, enduring obligations for ceremonial performance, regulated creativity, orthodox approach to gambling and games, conventional intelligence, responsible for maintaining order in dramatic scenarios, systematically speculative, imposing structure upon artistic performance, lawfully entitled to hold central roles, seriously legitimating political ideas [Shani in Bhava-5] rules
CAREER - SHANI Shani rules Makara-6th-from-Chandra IDENTITY = Work, work, work singing = a type of work, when Shani rules-2 1981 [GKP age 18] forms the instantly successful musical partnership Wham! * Shukra-Shani bhukti * Shani-1 rules Kumbha 7th-navamsha partnerships [Risk-rewarding Rāhu] rajyalobha-karaka [ambition] picchala-karaka [slippery] [svabhava] [for Kanya indriya-lagna] [Rahu-10 casts passionately lawful institutional drishti into 2-4-6] check Budha + Budha-drishti to source Rahu's apparently explanatory, shimmering mirage of communicative flair [regulatory authority based in mixed-culture commerce] [fascinating icon of publicity messaging] [elite commander of exciting scripted announcements] [reputed for fabulously articulate communication skills] [respected high-visibility figure in process management]
[astonishing social rise of businesspeople, writers, publicists, schedulers, shopkeepers, clerks, team-managers] ... ... ... [publishing-writing Punarvasu-3] [vargottamsha] [navamsha Rahu-Mithuna] intuitively over-reaching passion for communications-messaging [Arudra-Surya-yuti-Rahu-Puna]
OUTCOMES - RAHU Generous Guru-ruled [Rahu- Punarvasu-3] is charitable with an aim to restore the original blessings of the Vasu. The public reputation is mixed, expansive, philosophical . However, rahu must contend with His sworn enemy, Lord Surya [the dad] . [Rahu-yuti-Surya] usually has a heroic dimension. GM became a global icon in the pop-romance genre, representing the glamour of gay artistic culture but also the social liberation mistreated gay persons, often criminalized or held in toxic contempt. The advantageous which enable this confident emergence = Surya contributes
[Arudra-Surya-yuti-Rahu-Puna] pair occupies revenue-making friendly 11th-from-Chandra Rahu in 6/8 from Shani-1 indicates profound internal discord in regard to social regulations, deeply exacerbated by his criticizing, demeaning father. [Surya in bhava-6] [Arudra-1] [Collapsing unshackling Ketu] kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum] [for Kanya indriya-lagna] check Guru for the source of Ketu's ephemeral convictions, optimistic belief [disintegrates the roots of customary folk beliefs] [unconcerned with maintaining outdated parental ideologies] [unburdened by fixed principled philosophy] [liberated from the bonds of fearful ancestral worldview] [surrenders unnecessary moral dogma] [removes the anchoring security of ancient faith-preachings ] [ephemeral guardian of free-moving ethno-religious understanding] [cheerfully theoretical mother may be tolerant understanding itinerant caretaker, inconsistently humanistic schoolteacher, meditative priestly householder] [passively fixated on ambitiously messaging, expediently commercial Rahu-Mithuna-10 leaders, commanders, iconic-figures, bosses, hierarchs] ... ... [principled-believing Uttarāṣāḍha-1] [vargottamsha] [navamsha Ketu-Dhanus] [pushkara pada]
OUTCOMES - KETU Dissociative Ketu in disregards social conventions. Also largely disregards or is not prone to be influenced by occurrences in distant worlds. |
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