COHORT born six weeks after
born two months before
born four months before
born five months before
honorary niece of
Whitney Houston in 1992 [WEH age 29] |
musical recording artist songwriter theatrical performer fashion model philanthropist a.k.a. Whitney Elizabeth Houston Earth-birth Friday-09-Aug-1963 dematerialization 11-Feb-2012 [age 48]
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musical entertainer cinema dramatist fashion model 1963 - 2012 Whitney Elizabeth Houston birth data from https://en.wikipedia.org/wiki/Whitney_Houston tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = produced by Shri Jyoti Star - www.vedicsoftware.com - adapted by BP Lama |
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Rising Nakshatra Feminine Public-Figure Examples Bhaga = Falgun = Utthram BPL COMMENTARY For Uttaraphalguni births of a feminine valence, the condition of radiant, romantic, intelligent, creative, idealistic, central, confident, gaming, self-reflexive, pitrikaraka Surya may considerably affect the outcome. For those born into the Surya-ruled paradigm of Uttora, father-figures, politicians, celebrity, royalty, entitled roles, brilliant dramatists, radiant deities, sparkling genius, glittering creativity, intelligentsia, speculators, poets, romantic lovers, gamblers, and game-players may be especially influential. Instructional guidance provided by emissaries from the civilizations of Denebola. Their purpose to brighten and glorify the divine intelligence through spectacular creativity. Brilliantly dramatic Uttara-phalguni women are famously confident and willful. Monarchic entitlement pairs with aristocratic service via noblesse oblige . While much depends upon the characteristics of sparkling nakshatra-pati Surya, the feminine Falgun is often found in bright environments of royalty, celebrity, theatre, creative arts, amusements, and games. Uttaraphalguni ladies radiate a profound love for living creatures, both wild and domestic. On behalf of the animal kingdom and its denizens, the women of Aryaman may undertake political activism. As righteous (and self-righteous) human mistresses of the animal world , their political style may include fiery displays of romantic idealism. They may collect animals. [Simha - Leya] pada-1 features charismatic centrality and stage presence, focused into the physical embodiment. Pada-1 must hold the center of attention, whether in celebrity politics, entertainment and fashion, dramatic acting, or all three. Typically, one attracts an elder husband along with many romances. Kanya Pada 2-3-4 = equally dazzling, idealistic, smart, and flamboyant, but more focused upon expressing the genius of the imagination. Often a splendid dramatist and performing musician due to nakshatra-pati Surya. Typically, one attracts a generous husband. Themes of political power, radiant confidence, and bright celebrity drama may contextualize Utthram's terrestrial experience. Applies also to Chandra in Uttaraphalgunī - Aryaman |
QUOTATION Aryaman from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 95 " A joyous healthy disposition yet quietly so.
She is born to a family with social background and loves to mingle with her friends in various social activities
She has fixed principles from which she will not deviate. She prefers to choose her friends
She is efficient and adept at managing her home and her domestic life." [end quote]
Whitney as a young woman, with her famed Mother, Cissy Houston |
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Biographical details matched to Vimshottari Dasha bhukti
[Budha Mahadasha] [age birth until age 16.2 ]
Fri-09-Aug-1963 Earth-birth in Newark, New Jersey, USA * Budha-Budha svabhukti Apr-1966 until Jun-1968 Janma Sade-Sati Meena
[ Ketu Mahadasha] [age 16.2 until age 23.2]
1981 [WEH age 18] earned high school diploma * Ketu-Chandra bhukti * Somana-yuti-Guru * Guru rules 4-diploma 1981 [WEH age 18] represented by friends of her parents [Chandra + Guru] WEH enters contract as a professional fashion model. As one of the first young Black teen models, her image graced the cover of a famous teen-audience magazine, generating income and fame. * Ketu-Chandra bhukti * Chandra rules 11-revenue, contains [Aśleṣa-Surya-yuti-Shukra-Aśleṣa] 1984 [WEH age 21] begin ascent into musical stardom, hit recordings, video, and live performances * Ketu-Guru bhukti * [Revatī-Somana-yuti-Guru-Revatī] * Guru rules 7-contracts = 10th-from-10 + Chandra rules 11-profitability [ Shukra Mahadasha] [age 31.1 until decease age 48]
1991 [WEH age 27] parents' divorce * Shukra-Chandra bhukti * Chandra rules 8th-from-4, shocking change to family home 18-Jul-1992 [WEH age 28] consecration of wedding-1-of-1 with singer, Bobby Brown * Shukra-Chandra bhukti * [Revatī-Somana-yuti-Guru-Revatī] Guru rules Meena svamsha ++ samchara Rahu-Ketu via Dhanus-Mithuna contact natal R-K 1992 [WEH age 28] WEH first major cinema role in The Bodyguard . The performance received both disdain of theatre critics for its poor dramatic values, and popular applause with high sales profits. The film's musical soundtrack was a colossal best-seller. * Shukra-Chandra bhukti * [Revatī-Somana-yuti-Guru-Revatī] Guru rules Dhanus 10th-navamsha inspirational performance + Chandra rules 11-revenues ++ samchara Rahu-Ketu via Dhanus-Mithuna 04-Mar-1993 [WEH age 29] celebrated the birth of child-1, a daughter * Shukra-Mangala bhukti * Kuja rules-9th-from-Chandra =children + dvadasa Sade-Sati Jun-1995 until Apr-1998 Janma Sade-Sati Meena
1995 [WEH age 31] cinema role in Waiting to Exhale. Both panned by critics and embraced by audiences. Played by an entirely African-American cast of actors and singers, mainly women [Shukra] the movie was heralded for its visual appeal [Shukra] and its beautifully scripted authentic [Surya] dialog [3] . Once again, the film's musical soundtrack [Shukra] was a colossal best-seller. * Shukra-Rahu bhukti * Rahu-Mithuna-10 media-messages ++ janma Sade-Sati 1996 [WEH age 32] one of the highest-paid actresses in Hollywood, earning 10M-USD for her role in The Preacher's Wife. Again enacted by mainly Black dramatists, the film was financially successful and the soundtrack won top awards in the Gospel Music category. * Shukra-Rahu bhukti * Rahu-Mithuna-10 media-messages ++ janma Sade-Sati 1997 [WEH age 33] with astounding paychecks along with producers awards for both music and cinema, WEH is recognized as an elite figure in the entertainment industry. She is respected as both a commercial businesswoman and an artistic super-performer.* Shukra-Guru bhukti * [Revatī-Somana-yuti-Guru-Revatī] Chandra rules 11-paycheck + Guru rules 7-contracts, Meena-svamsha-Revati singing + Dhanus 10th-navamsha inspirational music ++ janma Sade-Sati 2000 [WEH age 36] following cancellations, no-shows without notice, poor voicing, and erratic behavior, WEH is fired and released from numerous performance contracts. Drug abuse and marital abuse were rumored. * Shukra-Shani bhukti * Shani rogesha sickness, marital-conflict, addiction 2002 [WEH age 38] high-profile lawsuit by WEH entertainment management company accuses WEH of fraud and demands exhorbitant payment. * Shukra-Shani bhukti * Shani rogesha accusation, litigation 02-Feb-2003 [WEH age 40] grieved the decease of her career manager-father * Shukra-Budha bhukti * Budha rules 12th-from-pitrikaraka Surya 2003 [WEH age 40] lawsuit by management company is dismissed ; plaintiff receives nothing* Shukra-Budha bhukti * lagnesha-karmesha Budha rules 7th-from-Chandra balanced settlement [ Surya Mahadasha ] [age 43.2 until decease age 48]
2007 [WEH age 44] following a legal declaration alleging verbal, emotional, and physical abuse, finalization of divorce-1, officially ending marriage-1 with singer, Bobby Brown, * Surya-Surya svabhukti * Surya rules both 6th-from--7 ++ 6th-from-Chandra emotional grievance 11-Feb-2012 [WEH age 48] blessed liberation from the Earthen-body, via drugged drowning in a hotel bathtub * Surya-Shukra bhukti * maraka Shukra rules -2 ... posthumous 26-Jul-2015 decease of WEH 's only child, daughter, bobby Christina Brown, via at-home drowning * Chandra-Rahu bhukti |
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Salient Features of the Nativity
[Sparkling Splendid Surya] pitri-karaka [father] jyoti-karaka [light] [retreating-contemplative vyaya-pati for Kanya indriya-lagna] check Chandra + Chandra-drishti to source Surya's rhythmic certainty, sensitive radiance, soothingly confident display [usually is the eldest child] [bright center of national community] [charismaticly protective roles in mass-participation gatherings] [radiant icon of customary socializing] [bright attention focused in ancient connecting pathways] [self-confidence in familiar friendships] [folksy solipsistic style of ethnic boundary defense] [social collective demonstrates caretaking guardianship] [displays gridworked wholistic stewardship of lands and waters] [safeguards marketplace boundaries] [may radiate a quiet but confident style of interlinked parenting intelligence] [sheltering father-figure may be patriotic socialite, gainful warden of local economy, profitable homeland custodian] ... [regulatory-corporate Aśleṣa-2] [navamsha Surya-Makara] intuitively confident class-conscious hierarchical artistic performance [Aśleṣa-Surya-yuti-Shukra-Aśleṣa] asta-harana - combines the rulers of 2 + 9 + 12
OUTCOMES - SURYA self-reflexively announcing, bright messages, regal style of gesture, communicative intelligence, radiantly descriptive, politically collaborative, splendidly explanatory [Surya in bhava-3] rules
CAREER - SURYA
[Aśleṣa-Surya-yuti-Shukra-Aśleṣa] = entertainment, celebrity relationships, women's fashion display, singing [Surya Mahadasha] [age 37.1 until age 42.1]
FATHER - Manager of Teams [regulatory-rankinge Aśleṣa-2] Dad military career Dad was originally a military officer, Surya-Karkata ++ Shani mutual-exchange-Surya When the talent of his wife and daughter began to ascend, dad became the official family career manager .
Dad and his deputies managed every aspect of their professional life. His military background [Shukra rules-6] emphasized security [Surya rules 4].
Chandra-Surya share a 5/9 angle suggesting that, despite their 1991 divorce when WEH was 27] there was creative affinity between mother-and-father. Surya rules emotionally adversarial Simha-6th-from-Chandra, so that a balanced parental marriage is factored out of the nativity according to the Learning Plan. Yet, mom and dad maintained a mutually beneficial professional relationship. Shani mutual-drishti Surya = permanent tension between entitlement vs. Obligation Yogakaraka Shani rules 9-10. Shani's drishti into [Surya in bhava-3]-Karkata
[Comfortable Caretaking Chandra] matrikaraka [mother] * garha-karaka [village] [friendly-gainful vriddhi-pati for Parthya indriya-lagna] check Guru + Guru-drishti to source Chandra's optimistic feelings, humanistic rhythms, global sensibilities' [intangible sensitivity to equity in the collective dreamworlds] [comforted by relationship with contemplative goal-oriented mother] [soothed by friendly partnership in intuitively wholistic arrangments] [culturally attuned to symbolic imagery] [needs to feel balanced pulse of ritualized interior guidance] [advocating protector of visionary ancestral agreements] [environmentalist feelings attuned to cetacean sounds and misty water-element deva] [conceptually understanding mother may be sleepy advisor, vague meddler, reflective broker, foggy mediator, clairsentient match-maker] ... [optimistic-ideological Revatī-Pashu-1] [navamsha Chandra-Dhanus] intuitively sensitive inspirational principled doctrinally guided feelings [Revatī-Chandra-yuti-Guru-Revatī] = combined rulers of 4 + 7 + 11
OUTCOMES - CHANDRA sensitively adjusting, protectively harmonious, routinely bargaining, parentally equalizing, rhythmically arranging, customary middleman, predictably meddling, culturally agreeable, emotionally adjudicating, needs to hold mediating positions [Chandra in classroom-7] rules
CAREER - CHANDRA
MOTHER Mom = the popular singer Cissy Houston. Chandra-yuti-Guru combines the rulers of 3 + 8 + 11
wise guidance from multiple mother figures, within an interlinked community of friendship [11]
PARENTS Socially Conservative, orthodox Believer
both parents adhered to standards of social decorum.
MARRIAGE partnership emotional equity support expectations [7th-from-Chandra-11] = Lifepartnership-1-of-1
WEH married a fellow singer and touring performer. He was a father to a considerable number of offspring. The union was reputed to suffer from domestic abuse, including dehumanizing behaviors and self-medication with alcohol-and-drugs [Kanya] [Competitive Champion Kuja] bhratru-karaka [brother] virya-karaka [virile] [balancing-bargaining yuvati-pati for Urisha indriya-lagna] [contemplative-enclosing vyaya-pati for Urisha indriya-lagna] [vigorously argumentative political campaigns] [energetically victimized stage performance] [brilliant theatrical enactment of loss, betrayal , disappointment] [expresses dramatic creativity with logical precision and planning] [promotes dynamic demonstrations of specific grievance] [wins praising applause from the disenfranchised] [physicalized service actions while playing romantic poetic games] [may battle over accusatory litigation with one's own children or students] ... [musical-financial Hasta-2] [navamsha Mangala-Urisha]
OUTCOMES - MANGALA energetic center-stage performer, brightly kinetic dramatist, champion of romantic pursuit, vigorously gambling, dynamically creative, competitively political, sparkling entertainer, pioneering displays, dominant winner in gambling and games [Mangala in bhava-5] rules
CAREER - KUJA RELATIONSHIPS - KUJA Mangala-Kanya occupies the marital 7th-from-Chandra, indicating a physically active and critically-investigating life mate Such a lifemate may be aggressively critical also.
WEH endured an abusive marriage with her accusing, battering, competitive peer-vocalist-entertainer [5] [Mangala] . In addition, he contested her sexual identity [Kuja]. [Busy Bantering Budha] jamayah-karaka [sibling] sandesha-karaka [message] shisya-karaka [student] [collecting-preserving dhanesha for Urisha indriya-lagna] [creative-witty vidya-pati for Urisha indriya-lagna] ... [theatrical-sparkling Pūrvaphalgunī-1] [vargottamsha] [navamsha Budha-Simha] intuitively explaining dramatic romantic artistic performance display
OUTCOMES - BUDHA talkative parents and caretakers, at-home instruction, discusses security, describes cultural foundations, articulates familiar rhythms, describes habitual places, repeats routine conversations, communicates about household, explains the folkways, follows a customary mental pathway [Budha in bhava-4] rules
CAREER - BUDHA Budha rules 2-voice-face-lyrical storytelling = contains Rahu-Mithuna signaling a potent, articulate, ambitious family-of-origin Budha = the team, the entourage, the ensemble, the promoters, the handlers, the managers [Generous Growing Guru] dhava-karaka [husband] bahuta-karaka [variety] --- [svakshetra] [mysterious-revealing randhresha for Urisha indriya-lagna] [friendly-gainful vriddhi-pati for Urisha indriya-lagna] ... [networking-revenues Revatī-3] [navamsha Guru-Kumbha] [Revatī-Guru-yuti-Chandra-Uttarabhadra] = combined rulers of 3 + 8 + 11
OUTCOMES - GURU expansively friendly within the social rank, inspirationally lawfully profitable, philosophy of institutional marketplace linkage, generous status mentoring, conventionally community-connected, class-consciously associative [Guru in bhava-11] rules
CAREER - BRIHASPATI community, crowds, earnings, friends, social networking, revenues Guru rules inspirational-music Shukra-Dhanus in 10th navamsha WEH musical- dramatic performances appealed emotionally to a broad and diverse [Somana-yuti-Guru] range of people. Guru-Meena-11 = social-participation collectives, wide {Guru] cultural [Chandra] community [11] immersed in intuitive, personally meaningful, non-rational, symbolic vision [Meena]
HUSBAND - GURU Guru-Meena [11] suggests that the marriage partners were connection through a large [Guru] friendship network. Mutual drishti between Guru-and-Mangala can produce fertility along with a great amount of kinetic energy for community engagement. RELATIONSHIPS Chandra-yuti-Guru expands the scope and number of social connections to caretakers [Chandra]
[Sweetly Suave Shukra] svadu-karaka [sweet] kalatra-karaka [[wifely companion] [energizing-identifying lagnesha for Urisha indriya-lagna] [inimical-medicating rogesha for Urisha indriya-lagna] ... [preaching-optimistic Aśleṣa-1] [navamsha Shukra-Dhanus] combines the rulers of 1 + 4 + 6
OUTCOMES - SHUKRA pleasantly sensual communication style, enjoys balanced conversation, harmoniously collaborative teamwork, aesthetic of beautiful project presentation, likes the process of writing-and-publishing, commercial finance, prefers a luxurious office, mentally engaged in making fair arrangements, musical-artistic media-messaging transactions, appreciates having a gracious neighborly cohort [Shukra-3] rules
CAREER - SHUKRA lagnesha = aslesha Shukra-3, beauty in communicative messaging, teams, ensemble, cooperation [Shukra-Karkata] occupies the emotionally-driven creative performance genius 5th from Chandra
[ Shukra Mahadasha] [age 17.1 until age 37.1]
Known first as a live-audience Church singer [Shukra-music = mutual drishti with Shani-9, sangha, believers] WEH 's inspirational recordings [navamsha-10 Shukra-Dhanus, inspirational music] developed a wide audience [3, audience, the listeners] . WEH cinema performances [Surya,3] garnered even more financial [Shukra,3] commercial success [3, communications media] PROJECTS, MANAGERS, TEAMS 20 years duration of Shukra Mahadasha was overall commercially-artistically beneficial not only for WEH but also for her substantial beauty-music team. Her dad [Surya] was WEH top career manager, but there were numerous specialty team managers as well [3 management, skills, tasks, projects]
[Shukra-3] rules team-working 3rd-from-Chandra [Urisha] = writing, scripts, commerce, entourage
although a solo artist on stage [Surya], WEH was a businesswoman [3]. A sparkling charismatic individual [Surya] she was also continuously surrounded by technicians, stylists, stage managers, agents, and innumerable teammies [Shukra music business, 3-attendants, retainers, co-workers] Lawsuits by Father against Daughter - [ Shukra-yuti-Surya pitrikaraka] Shukra is rogesha ++ Shukra = ruler of 8th-from-Chandra = sudden emotional shocks, danger, or attack. beautiful musical Shukra is partly responsible for self-medication and unfair, exploitive relationships. Shukra drishti introduces a perpetual inflow of jealousy, addiction, and abuse into pitristhana-Makara-9, producing the lawsuits of her father-manager against his own daughter in the attempt to appropriate her assets. . [Sober Structural Shani] duro-karaka [endurance] * jara-karaka [Jahre, years] --- [svakshetra] [Yogakaraka doctrinal-guiding dharmesha for Urisha indriya-lagna] [Yogakaraka dutiful-exective karmesha for Urisha indriya-lagna] [class-concious orthodox catechesis] [believes in the conventional rule of law-and-order] [steadily maintains the orderly credenda] [old priesthood continues mandatory conformism] [lawfully governing patriarchs] [strict standards for bureaucratic regulation] [fear of punitive religious beliefs] [dharmesha socially approved ideology] [karmesha leadership proceeds from ideological convictions] [pragmatic patronage of universities and temples] [philosophical understanding limited by social norms] [prefers older respected religious teachings] [rigidly disciplined dogmatic responsible father] [father may impose orderly principled judgments upon the sangha] [father-figure may be a presbyter, governor, director, professor of law, elite hierarch] ...... [ministering-complaining Dhaniṣṭha-2] [navamsha Shani-Kanya] [ātmakāraka duty, the burden of responsibility, workload, timeclock, class-consciousness, status]
OUTCOMES - SHANI ideologically rigid, religiously regulatory, philosophically conventional, staunchly sermonizing, respectfully patronizing, doctrinally disciplined [Shani in Bhava-9] rules
CAREER - SHANI orthodox dogma, orderly worldview, structured beliefs [Shani in Bhava-9] occupies conventional, conforming Makara within the emotionally associative, community-linking, economically fruitful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra Shani-Makara-9 mutual-drishti Surya-Karkata-3 a permanent tension between media-messaging entitlements vs. doctrinal-sacerdotal obligation . Surya rules household-4 while publicly responsible Shani rules 9-10 Their fraught territories are constantly activated in a polarized tug-of-war. One is constantly called into the duties of public life [Shani] and there is no rest [4, retirement, shelter] until the end.. [Risk-rewarding Rāhu] rajyalobha-karaka [ambition] picchala-karaka [slippery] [for Urisha indriya-lagna] check Budha + Budha-drishti to source Rahu's apparently explanatory, shimmering mirage of communicative flair [Rahu-2 casts passionately enriching capitalizing drishti into 6-8-10] [passionately detailed messaging via voice-face-hair] [opportunistic discussions about asset collection and finance] [fascinating process for documenting sound values] [astonishing commercial acquisitions] ... [financial-heritage Punarvasu-2] [navamsha Rahu-Urisha-uchcha]
OUTCOMES - RAHU scion of an African-American musical dynasty [2] When the ruler is endowed with effectiveness and the navamsha position is also supported [Rahu in bhava-2] = super-power of mix-master in the worlds of values, heritage, the genetic story that is told by the face, the complexion ... hair, eyes, mouth, teeth, voice, speech, song, -- storytelling and record-keeping. WEH was called in the entertainment industry a "cross-over artist" Her high-profile fashion-and-entertainment package easily crossed-over [Rahu] most of the race-and-class boundaries of the American pop-culture audience [Mithuna, audience]. WEH was praised for a commercially viable [Mithuna] mixed sacred-and-secular music, culturally both black-and-white fashion styles, and fluid gender-identity boundaries. [Collapsing unshackling Ketu] kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum] [for Urisha indriya-lagna] [beneficial placement for Urisha indriya-lagna] check Guru + Guru-drishti to source Ketu's ungrounded convictions, disengaged belief [unconcerned with threats of doctrinal disintegration] [apathetic toward catastrophic consequences of credenda] [liberated from terrifying beliefs about death-and-rebirth] [passively fixated on ambitiously messaging-commercial Rahu-Mithuna-2 treasuries, store-holds, family-members, bankers, memory-collectors, warehousers, knowledge-preservers, or second-spouse] ... [secretive-emerging Pūrvāṣāḍhā-4] [navamsha Ketu-Vṛścika-uchcha]
OUTCOMES - KETU
[accidental death, randomness] occupies [exploring-disguising Pūrvāṣāḍhā-4] inspirational mysteries Pūrvāṣāḍhā-4 is a notably powerful position for Ketu the Annihilator. The power of any Vṛścika-pada is the power of non-disclosure. In the years preceding WEH tragic 2012 suicide by drowning, the odd location of Ketu in 10th-from-Chandra was perplexing to observers. External public appearances [10] would not have confirmed WEH ongoing energetic erosion typical of Evacuator Ketu. Collapsing Ketu in 10th-from-Soma typically signifies a spiritually detached figure, amystical recluse or renunciate, aperson demonstrating surrender or annihilation, or [in the worst case] an astrologer.
The site of WEH victimization was not visible to outsiders. The self-medication and marital abuse that slowly unraveled her celebrated performance genius was bhava-4 Simha = 6th-from-Chandra = the home. Her own parents, her parenting, her foundational security, and her safety within her own household became the site of emotional battering. Simha = also 6th-navamsha, and ruler Surya implicates the father-figures in management roles.
-------- [Ketu-Dhanus] [8] occupies 10th-from-Chandra = camouflaged professional exhaustion
Ultimately, wEH gained highest familiar repute 10th-from-Chandra. for her unexpected [8] disembodiment [Ketu] = end-of-things
The red flag of Ketu is no-show, absenteeism, and cancellation. WEH had developed a pattern of erratic and dissociative professional behaviors [Ketu 10th-amsha] Excessive cancelled performances spurred lawsuits and peer concern. Despite frequent time-off, the cause was opined to be exhaustion [Ketu]. Confirmation of the hidden meaning of Ketu-8 in 10th-from-Chandra was ultimately provided by WEH tragic suicide, which left behind a cherished daughter. As the years have rolled by, wEH reputation is less framed by a brilliant artistic career - but rather by the circumstances of her mortal exit and final relief, combined with the subsequent suicide of her only child, her daughter. WEH widely grieved death by drowning while drug-numbed, under stress from pressured re-entrance into a career she had wished to exit [Ketu], produced an emotionally evocative image of despair, incoherent tragedy, hopeless failure, and martyrdom to unsustainable public expectations [10] |
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