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COHORT born six weeks after
born two months before
born four months before
born five months before
honorary niece of
Whitney Houston in 1992 [WEH age 29] |
musical recording artist songwriter theatrical performer cinema producer fashion model philanthropist a.k.a. Whitney Elizabeth Houston Earth-birth Friday-09-Aug-1963 bio-decease = 11-Feb-2012 [age 48]
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musical entertainer cinema dramatist fashion model 1963 - 2012 Whitney Elizabeth Houston birth data from en.wikipedia.org/wiki/Whitney_Houston tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = produced by Shri Jyoti Star - www.vedicsoftware.com - adapted by BP Lama |
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Rising Nakshatra Feminine Public-Figure Examples Pūrvāṣāḍhā - Apah Asadhash - Pooraadam - Purvasharha - Ambudaiva BPL COMMENTARY For Pūrvā feminine Learners, the condition of sweetly musical, artistic, harmony-seeking, negotiating, balancing, arranging, designing, matching, pairing, sensually pleasuring ākarṣaṇa -karaka Bright Beautiful Bhrigu may considerably affect the outcome. For those born into the Shukra-ruled paradigm of Ambudaiva, feminine figures such as sisters, aunts, and wives, along with partnerships, sensual pleasures, arrangements, valuation, pricing, equity, bargains, trades, treaties, trusts and treaties, adjustments, justice, finance, artistic beauty, treasuries, storage, align ment, attunement, harmonies , and music, may be especially influential. Instructional guidance is provided by emissaries from the civilizations of Sinnuntu. their purpose is expansion of inspirational beauty and melodious sound. Inspirational diplomatic grace Feminine births in Pūrvāṣāḍhā carry a special benevolence for music, beauty, treasuries, ornaments, design, and gracious relationships. Pūrvāṣāḍhā ladies are often dramatists, musicians, and entertainers. Often, they sing beautifully and play stringed instruments. They love to travel and serve as a muse to creative partners. Feminine births in Asadhash tend to benefit from the sweetness and relationship orientation of Shukra. In addition to Shukra endowments in diplomacy, beauty, and finance, they may be splendid singers, theatrical designers, and graceful fashion models. Pūrvāṣāḍhā are often lyricists and poets, with a gift for playing many instruments. Their tonal arrangements may appeal to everyday folks. These ladies are self-indulgent and pure of heart. Brihaspati represents their typically generous husbands and their characteristic faith. Typically, Apah-born are attracted to a global worldview or to some sacred doctrine. Guru-influenced humanism and compassion often expands the range of inspirational roles that benefit women, musicians, and creative artists. Their complexion may feature a Guru-golden glow. Like all Shukra-governed births, Apah-born must take care to avoid the misuse of drugs and alcohol. Ambudaiva's true purpose is inspirational guidance which leads to natural states of balance and pleasure. Yet, Shukra 's sweet-seeking may also attract the false balance of intoxication. Themes of generous arrangements, affluence, favor, harmony, blessing, beauty, artistry, and luxurious indulgence may contextualize Apah's terrestrial experience. Applies also to Chandra in Pūrvāṣāḍhā - Apah |
QUOTATION Pūrvāṣāḍhā from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 99 " Lovely eyes set in a beautiful face,
She is also to be distinguished by the small well-proportioned feet. She has a generous positive character and should be successful in some occupation
She is apt to have been born in an influential family." [end quote, Shil Pondey, 1939]
Whitney as a young woman, with her famed Mother, gospel singer Cissy Houston. During mom's lifetime of celebrated musical performances, Cissy Houston often sang with Whitney. Cissy Houston also sang Las Vegas touring backup vocals for her gospel-loving friend, Elvis Presley |
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Biographical details matched to Vimshottari Dasha bhukti
[Budha Mahadasha] = [age birth until age 10]
Fri-09-Aug-1963 = Earth-birth at Presbyterian Hospital in Newark, New Jersey, USA * Budha-Surya bhukti * Surya dharmesha Apr-1966 until Jun-1968 Janma Sade-Sati Meena
[Ketu Mahadasha] = [age 10 until age 17] [Shukra Mahadasha] = [age 17 until age 37]
1981 [WEH age 18] represented by friends of her parents [11-social-network] WEH enters employment contract as a professional fashion model. As one of the first young Black teen models, her image graced the cover of famous teen-audience magazine, generating income and fame. * Shukra-Shukra svabhukti * Shukra rules 11-revenue, friends 1981 [WEH age 18] earned high school diploma * Shukra-Shukra svabhukti 1984 [WEH age 21] begin ascent into musical stardom, hit recordings, video, and live performances * Shukra-Surya bhukti * Surya-yuti-Shukra -Surya rules 11th-from-11 = 9-fortunate entertainments + Shukra rules 11-revenues from massive popular success 13-Apr-1989 [WEH age 25] first meeting at a Soul Train event, with husband-to-be, singer Bobby Brown * Shukra-Rahu bhukti * Rahu-7 partnership ---------- 1991 [WEH age 27] parents' divorce * Shukra-Guru bhukti * Chandra-yuti-Guru * Chandra randhresha = emotional identity-change 18-Jul-1992 [WEH age 28] celebrated wedding-1-of-1 with singer, Bobby Brown * Shukra-Guru bhukti * Guru rules Meena 7th-navamsha ++ samchara Rahu-Ketu via Dhanus-Mithuna contact natal R-K 1992 [WEH age 28] WEH first major cinema role in The Bodyguard . Performance received both disdain of theatre critics for its poor dramatic values, and popular applause with high sales profits. The film's musical soundtrack = colossal best-seller. * Shukra-Guru bhukti * Guru lagnesha ++ samchara Rahu-Ketu via Dhanus-Mithuna 04-Mar-1993 [WEH age 29] celebrated birth of child-1, daughter * Shukra-Guru bhukti ++ dvadasa Sade-Sati Jun-1995 until Apr-1998 Janma Sade-Sati Meena
1995 [WEH age 31] cinema role in Waiting to Exhale. Panned by critics yet embraced by audiences. Played by an entirely African-American cast of actors and singers, mainly women [Shukra] the movie was heralded for its visual appeal [Shukra] and its beautifully scripted authentic [Surya] dialog . Once again, film's musical soundtrack [Shukra] = colossal best-seller. * Shukra-Shani bhukti * Shani-2 face-voice rules 3-cinema ++ janma Sade-Sati [4] 1996 [WEH age 32] among the highest-paid actresses in Hollywood, earning 10M-USD for her role in The Preacher's Wife. Again enacted by mainly Black dramatists, film was financially successful + soundtrack won top awards in the Gospel Music category. * Shukra-Shani bhukti * Shani-2 face-voice rules 3-cinema ++ janma Sade-Sati [4] ---------- 1997 [WEH age 33] with astounding paychecks along with producers awards for both music and cinema, WEH = recognized as elite figure [10] in the entertainment industry. Respected [10] as both commercial businesswoman and artistic super-performer. * Shukra-Budha bhukti * Budha-9 rules 10 + 10th-from-10 ++ janma Sade-Sati ---------- 11-Jan-2000 [WEH age 36] police arrest criminal drugs offense, in Kona airport, Hawai'i - and again in San Francisco * Shukra-Ketu chidra-dasha 2000 [WEH age 36] following cancellations [Ketu] no-shows without notice, poor voicing, and erratic behavior, WEH = fired and released from numerous performance contracts. Rumored drug abuse and marital abuse. * Shukra-Ketu chidra-dasha * Ketu-1 [Surya Mahadasha] = [age 37 until age 43]
2002 [WEH age 38] high-profile lawsuit filed by her father's entertainment management company. Accuses WEH of non-payment for contracted services [fraud], demanding US-1-million repayment. * Surya-Rahu bhukti * Rahu-7 contracts 02-Feb-2003 [WEH age 40] [dad age 82] grieved bio-decease of her volatiles [8] military-officer, career manager-father, via diabetes and cardiac ailment. WEH does not attend the funeral * Shukra-Guru bhukti *[Somana-yuti-Guru] = Chandra rules 12th-from-Surya 2003 [WEH age 40] lawsuit by now-deceased father's management company = dismissed. Plaintiff receives nothing * Shukra-Shani bhukti * Shani rules 6th-from-6th from Chandra = cancellation of parental disputes Mar-2004 [WEH age 41] following series of domestic violence and spousal promiscuity challenges, enters rehabilitation spa for drug-alcohol recovery * Surya-Shani bhukti * Shani rules 12th-from-Chandra = sanctuary, hospitalization [Chandra Mahadasha] = [age 43 until bio-decease age 48]
08-Sep-2006 [WEH age 43] following years of drug-fueled, violent spousal interaction, masked by publicity statements of domestic harmony and affection, WEH files Legal separation alleging verbal, emotional, and physical abuse * Chandra-Chandra svabhukti * Chandra randhresha = turbulent identity-change 24-Apr-2007 [WEH age 44] divorce-1 = official end to 14-year alliance with singer, Bobby Brown. WEH receives sole custody of their child. * Chandra-Chandra svabhukti * Chandra randhresha = turbulent identity-change 11-Feb-2012 [WEH age 48] blessed liberation from Earthen-body, via drugged drowning in hotel bathtub * Chandra-Shani bhukti * maraka Shani rules 2 |
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Salient Features of the Nativity
[Sparkling Splendid Surya] pitri-karaka [father] -- jyoti-karaka [light] [philosophical-doctrinal dharmesha for Dhanus-born]
[camouflaged glowing center of entrancing rhythmic pulse] [secret nourishing healing intelligence for sacral-plexus, pelvis] [creative awareness of hidden ancient light] [parentally protective presence during dharmesha principled crisis intervention] [focus of folkways mysteries] [sensitive star of the old-ways rejuvenation] [ritualized dharmesha father-figure may be obscured by flowing waters] [dharmesha believing father holds undisclosed defensive roles] [father-of-Learner may be masked ethnic dharmesha priest, mystical farmer-fisher, concealer of shocking ancestral wisdom] ... [regulatory-corporate Aśleṣa-2] = [navamsha Surya-Makara] intuitively confident class-conscious hierarchical artistic performance + [Aśleṣa-Surya-yuti-Shukra-Aśleṣa-asta]
OUTCOMES - MAGNIFICENT MARTANDA self-reflexively emerging, brightly transformative, charmingly volatile, regal style of self-reinvention, discovery focused, radiantly recycling, politically camouflaged, splendidly disguised, center-stage rejuvenator [Surya in bhava-8] rules
CAREER - SPARKLING SURYA Shani-2 mutual-drishti Surya-8
+ [Aśleṣa-Surya-yuti-Shukra-Aśleṣa-asta] = rulers of 6 + 9 + 11 ruler of 11 joins ruler of 11th-from-11
[Aśleṣa-Surya-yuti-Shukra-Aśleṣa] = entertainment, celebrity relationships, women's fashion display, singing
Surya-Chandra occupy mutually beneficial 5-9 angle =
FATHER - Manager of Teams [regulatory-rankinge Aśleṣa-2] Dad military career = Surya rules 4-national defense ++ Simha 6th-navamsha Dad was originally a military officer, Surya-Karkata ++ Shani-Makara mutual-exchange-Surya-Karkata When the talent of his wife and daughter began to ascend, dad became the official family career manager .
Dad and his deputies managed every aspect of their professional life. His military background [Shukra rules-6] emphasized security [Surya rules 4].
Chandra-Surya share a 5/9 angle suggesting that [despite their 1991 divorce when WEH was 27] there was long-term creative affinity between mother-and-father. Surya pitrikaraka rules emotionally adversarial Simha-6th-from-Chandra. Dad was adversarial to the applause received by WEH, and litigiously greedy. He launched a lawsuit demanding lavish payment [which failed]. Yet, mom and dad maintained a mutually beneficial professional relationship. Shani-2 mutual-drishti Surya-8 = permanent tension between entitlement vs. Obligation Shani's drishti into [Surya in bhava-3]-Karkata
[Comfortable Caretaking Chandra] matrikaraka [mother] -- garha-karaka [village] = [dikbala] = [svabhava] [mysterious-initiatory randhresha for Dhanus - Haya indriya-lagna]
[comforted by stable habitual private reflection] [culturally sensitive to transformative randhresha imaginative vision] [needs to sense the fluid pulse of interior guidance] [protector of the ancestral sanctuaries] [emotionally aligned to entrancing randhresha meditative rhythms] [environmentalist feelings attuned to watery lake-dwelling deva] [anchoring withdrawn mother may be charitable localist, secret-keeping randhresha contemplative schoolteacher, dreamlike householder, sleepy gardener, claircognizant protector of ancient rituals] ... [ordering-regulatory Revatī-Pashu-2] = [navamsha Chandra-Makara-Draco] intuitively sensitive class-conscious ranked status lawfully ordered feelings + [Revatī-Guru-yuti-Chandra-Revatī]
OUTCOMES - ANCESTRAL SOMA sensitively parental, protecting the ancient ways, routinely stabilizing, sustaining the household, rhythmically seasonal, needs a garden,predictable habits, culturally situated, customary guardian, emotionally caretaking, needs to defend the security of the vulnerable [Chandra in classroom-4] rules
CAREER - CARETAKING CHANDRA
habitual rhythm, comforting routines, soothing cycles, predictable way of life, safe dwellings] + [Revatī-Chandra-yuti-Guru-Revatī] = combined rulers of 1 + 4 + 8 [Chandra randhresha = via the mother = hidden turbulence, sudden evolutionary change, rejuvenation, rebirth, danger, self-reinvention] MOTHER Mom = nationally popular, acclaimed gospel singer, Cissy Houston [a.k.a. Emily Drinkard]. + [Revatī-Chandra-yuti-Guru-Revatī] = combined rulers of 1 + 4 + 8
Mother and Community Chandra-yuti-Guru = wise guidance from multiple mother figures, but also tales of masked abuse [Soma randhresha = masking].
MARRIAGE partnership emotional equity support expectations = Lifepartnership-1-of-1 = Bobby Brown
WEH married a fellow singer and touring performer. BB fathered a considerable number of offspring. The union was reputed to suffer from domestic abuse, including dehumanizing behaviors and self-medication with alcohol-and-drugs [Kanya] [Competitive Champion Kuja] bhratru-karaka [brother] -- virya-karaka [virility] = [dikbala] [witty-creative vidya-pati for Dhanus - Haya indriya-lagna] [contemplative-retreating vyaya-pati for Dhanus - Haya indriya-lagna]
[proactively competitive executive polemic] [intelligently vidya-pati energized detailed government strategy] [innovative informative regulatory litigation] [institutional champion of medical progress] [leads with pro-actively argued social engineering policies] [mentally strategic orderly warrior dominates public conflicts] [fights for executive authority using tools of logical reasoning] [weaponized verbal tactics energize upward climb] [vigorous backchannel accusations behind-closed-doors vyaya-pati] [prominent brother-cousin may undertake physical service ministry] ... [musical-financial Hasta-2] = [navamsha Mangala-Urisha]
OUTCOMES - MOVING MANGALA commercially competitive, self-promoting project manager, socially recognized announcements, forward-pushing sales career, militarized executive marketer, social regulator via active communication, talking head, leadership in energetically innovative publications, champion of professional information delivery [Mangala in bhava-10] rules
CAREER - COMPETITIVE KUJA Although widely celebrated as a singer, WEH was also famed for her fashion-model costuming, physical musculature, and performance vitality forceful declarations, computationally logical, rational truth-speaker, energetically investigative, service-driven engineer = KANYA [Mangala in bhava-10] Kuja-10 drishti into 1 + 3 + 5 = energized, artistic, theatrical performance 1 + 5 5-artistic performance, creativity, romance, gambling showmanship, theatre, children RELATIONSHIPS - KUJA Kuja rules 5-entertainments = artistic, charismatic, creative theatrical performance +++ [12, privacy, sanctuary, drug-induced tamasic conditions][tamasic hallucination, drug-induced sleep, privacy, quiet] Sexually abusive older male sibling WEH suffered many years of childhood sexual abuse via older step-brother [her father's son from dad's previous marriage] = 11th-from-11th-from-11th-from-Chandra = Mangala-Kanya-10. Kuja rules 12, suggesting that the abuse pattern remained invisible [12, private rooms] to those outside of the family Husband-1-of-1 Mangala-Kanya occupies marital 7th-from-Chandra, indicating a physically active and critically-investigating life mate Such a lifemate may be aggressively criticizing also.
WEH endured an abusive marriage with her accusing, battering, competitive peer-entertainer spouse [Mangala rules 5] In addition, he contested her sexual identity [Kuja]. [Busy Bantering Budha] jamayah-karaka [sibling] -- sandesha-karaka [message] -- shisya-karaka [student] [balancing-bargaining samatā-pati for Dhanus - Haya indriya-lagna] [dutiful-commanding karmesha for Dhanus - Haya indriya-lagna]
[pronounces entitled homilies] [brightly politicized exegetical sermons explain the scriptures] [righteously dramatized principled instructions on karmesha public duty] [chatters romanticly about samatā-pati contractual obligations] [self-centered discussions define self-determined catechesis] [may deliver the dharma as ceremonial karmesha hierarch] [regal certainty informs descriptive preaching] [theatrical confessional mediated samatā-pati testimony] [intelligent lectures upon the game of international politics] [publishes pontifications upon one's majestic wisdom] [explainer of divine-right doctrine] [augustly announces speculative faith-based convictions]
[confidently procedural father-figure may be kingly administrator, talkative politician, a demonstrating ideologue, a glittering patron of merchants, principled theatrical manager] ... [theatrical-sparkling Pūrvaphalgunī-1] = [vargottamsha] [navamsha Budha-Simha] intuitively explaining dramatic romantic artistic performance display
OUTCOMES - BANTERING BUDHA mercurially philosophical, paternally communicative, mercantile worldview, businesslike father-figure, narrative of higher understanding, inspirational publishing, globally descriptive, broad-scope conversations [Budha in bhava-9] rules
CAREER - BUSY BUDHA [Simha-9, radiant display of faith community, philosophical principles, credenda] [Dhanayoga = Budha-1 rules 2 + 11] Budha-9 [father] occupies 6th-from-Chandra Budha rules Mithuna 10th navamsha = media-messaging career Budha rules Rahu-Mithuna [7] Budha = the team, entourage, ensemble, promoters, handlers, managers [Generous Growing Guru] dhava-karaka [husband] -- bahuta-karaka [variety] = [svakshetra] = [Hamsha Yoga] [energizing-identifying lagnesha for Dhanus - Haya indriya-lagna] [homebound-anchoring bandhesha for Dhanus - Haya indriya-lagna] [identified lagnesha with customary faith in vaguely dreamlike old-ways stability] [believes in visionary growth via real-estate and transportation] [develops intuitively broadening security apparatus, such as trackways or fencing] [may lagnesha own multiple securely defended bandhesha water-side homes and properties for cetacean wisdom] [foundational teaching of private prayer in meditation] [imaginatively inclusive philosophy of bandhesha education] [local patrons support culture of interior understanding] [expands enclosed infrastructure] [wisely conceptualized increase of local worship sanctuaries] [benevolent inner guidance of parents, landowners, police-defenders, educators may fertilize ethnic diversity] [for wifely Learners, quietly abundant husbandly-companion may be illuminating generous parent, contemplative schoolteacher, clairsentient farmer, domestic dreamer, guru-guide for hallucinating ritualized ethno-patriots] ... [networking-revenues Revatī-3] = [navamsha Guru-Kumbha] + [Revatī-Guru-yuti-Chandra-Revatī]
OUTCOMES - BENEVOLENT BRIHAS-PATI expansively patriotic, generously routinized, doctrinally ritualistic, abundantly home-based, cheerfully localized, broadly educating, philosophically property-stewarding, diversely transporting, widely established, extensively familiarizing, multiplying marine-environments [Guru in bhava-4] rules
CAREER - BENEVOLENT BRIHASPATI lagnesha -bandhesha Guru+ [Revatī-Chandra-yuti-Guru-Revatī] = combined rulers of 1 + 4 + 8 WEH musical- dramatic performances appealed emotionally to a broad and diverse [Somana-yuti-Guru] range of people. Guru-Meena -11 = social-participation collectives, wide {Guru] cultural [Chandra] community [11] immersed in intuitive, personally meaningful, non-rational, symbolic vision [Meena ]
Mutual drishti between Guru-and-Mangala can produce fertility along with a great amount of kinetic energy for community engagement. RELATIONSHIPS Chandra-yuti-Guru expands the scope and number of social connections to caretakers [Chandra]
svadu-karaka [sweet] -- kalatra-karaka [wifely companion] = [Harsha Yoga] [inimical-medicating rogesha for Dhanus - Haya indriya-lagna] [friendly-gainful labha-pati for Dhanus - Haya indriya-lagna]
[graciously undisclosed caretaking interventions] [enjoys esoteric protection of occult environments] [ labha-pati profitable camouflaged real-estate ownership] [smoothly soothes disastrous rogesha upsets via secretly initiated rituals] [opaque stabilizing partnerships in rogesha adversarial settings] [courteously shelters the endangered via hidden emergency arrangements] [pleasantly transformative routinized healing] [aesthetic taste for overwhelming catastrophic seasonal cycles] [ancestrally grounded shrouded reciprocating in-laws] [skillful balancing of labha-pati gainfully terrifying rhythmic changes] [sensually rejuvenating parental relationships] [for Husbandly Learners, wifely companion may be undercover nurse, identity-changing gardener, suavely friendly medicinal nutritionist] ... [preaching-optimistic Aśleṣa-1] = [navamsha Shukra-Dhanus] + [asta-Aśleṣa-Shukra-yuti-Surya-Aśleṣa]
OUTCOMES - SWEETENING SHUKRA graciously camouflaged, agreeably undisclosing, appreciative of hidden arrangements, harmoniously recycling, aesthetically rejuvenating, balanced response to emergency, financially secretive, initiates musical-artistic evolution, enjoys intrigue, suddenly changing agreements, transformative relationships [Shukra-8] rules
CAREER - BRIGHT BHRIGU-TANAYA Shukra rules superpowered navamsha Kuja-yuti-Rahu in Urisha-music + [Aśleṣa-Surya-yuti-Shukra-Aśleṣa-asta] = [Shukra ashtangata harana] + [Aśleṣa-Surya-yuti-Shukra-Aśleṣa-asta] = rulers of 6 + 9 + 11 Aśleṣa Shukra- rules-3, beauty in communicative messaging, teams, ensemble, cooperation [Shukra-Karkata] occupies the emotionally-driven creative performance genius 5th from Chandra
[Shukra Mahadasha] = [age 24.8 until age 44.8]
Known first as a live-audience Church singer [Shukra-music = mutual drishti with Shani-9, sangha, believers] WEH 's inspirational recordings [navamsha-10 Shukra-Dhanus, inspirational music] developed a wide audience [3, audience, listeners] . WEH cinema performances [Surya,3] garnered even more financial [Shukra,3] commercial success [Shukra rules 3, communications media] PROJECTS, MANAGERS, TEAMS 20 years duration of Shukra Mahadasha was overall commercially-artistically beneficial not only for WEH but also for her substantial beauty-music team. Her dad [Surya] was WEH top career manager, but there were numerous specialty team managers as well [3 management, skills, tasks, projects]
rules bhava-3 ++ team-working
3rd-from-Chandra
although a solo artist on stage [Surya], WEH = businesswoman [3] . A sparkling charismatic individual [Surya] she was also continuously surrounded by technicians, stylists, stage managers, agents, and innumerable teammies [Shukra music business, 3-attendants, retainers, co-workers] Lawsuits by Father against Daughter Shukra-yuti-Surya pitrikaraka] Shukra is rogesha ++ Shukra = ruler of 8th-from-Chandra = sudden emotional shocks, danger, or attack. beautiful musical Shukra is partly responsible for self-medication and unfair, exploitive relationships. Shukra drishti introduces a perpetual inflow of jealousy, addiction, and abuse into pitristhana-Makara-9, producing the lawsuits of her father-manager against his own daughter in the attempt to appropriate her assets. . [Sober Structural Shani] duro-karaka [endurance] -- jara-karaka [Jahre, years] = [svakshetra] [acquisitive-evaluative dhana-pati for Dhanus - Haya indriya-lagna] [collaborative-communicative sahaja-pati for Dhanus - Haya indriya-lagna] [respectfully formal hierarchical speech] [retains the traditional class-conscious language] [burdensome sahaja-pati collaborative family duties] [obligatory continuation of old social levels] [may have a paucity of true knowledge yet quite smug due to structured material hoarding] [mandatory conventional lineage dhana-pati storytelling ] [speak s cautiously about sibling-cousins sahaja-pati who maintain orderly distribution of family affluence] [strictly traditional status-ranked values] [sensual memories filtered through rigidly restrictive rules] [socially regulated truth-telling about preserving collections] [staunch resistance against changes to normalized narratives] [must keep records of old dhana-pati songs and bardic poems about the true law] [materialistic elders may require the preservation of historically fixed values of social-standing and oratorical stateliness] ...... [ministering-complaining Dhaniṣṭha-2] = [navamsha Shani-Kanya] [ātmakāraka duty, burden of responsibility, workload, timeclock, class-consciousness, status]
OUTCOMES - STRUCTURAL SHANI obliged to family heritage, cautious speech, narratives of duty, financial responsibility, has to conserve natural resources, oppressed by old vows, mature evaluation, collects valuable old artifacts, limited food, must preserve secret treasuries, must regulate the lineage assets, structured style of singing, slowed [but not prevented] acquisition of enduring pleasure, burdensome historical precedent, family-of-origin may impose heavy restraints [Shani in bhava-2] rules
CAREER - SOBER SHANI ātmakāraka Shani rules 2-singing, tonal-values, heritage narratives, "what goes in the mouth" rules 2-voice-face-lyrical storytelling = signaling a potent, articulate, ambitious family-of-origin 3 = she traveled and cooperated with an entourage [3] of costumers, designers, schedulers, singers, writers, and managers. orthodox dogma, orderly worldview, structured beliefs [Shani in Bhava-9] occupies conventional, conforming Makara within the emotionally associative, community-linking, economically fruitful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra Shani-2 mutual-drishti Surya-8
Surya rules household-4 while publicly responsible Shani rules 9-10 Their fraught territories are constantly activated in a polarized tug-of-war. Learners may be constantly called into the duties of public life [Shani] and there is no rest [4, retirement, shelter] until the end.. [Risk-rewarding Rāhu] rajyalobha-karaka [ambition] -- picchala-karaka [slippery] for Dhanus - Haya indriya-lagna] [if Rahu-7 = yuti-other-graha, suggests multiple media-messaging marriages] [Rahu-7 casts passionately bargaining Other-identified drishti into 11-1-3]
[ambitious instructions for commercial alliance] [seeks prestige via dithering for information] [over-reaching desire to balance the scripted process] [astonishing passion for detailed equity agreements] [unorthodox writing-editing about diplomatic discussions] [peace advocating manager of exciting negotiation projects] [risky taboo-challenging talk about reciprocity] [fascinatingly fabulous matched coupling] [spouse may be an extraordinary communicator with prestigious management status or unusual cultural background in collaborative interaction] ... [financial-heritage Punarvasu-2] = [navamsha Rahu-Urisha-uchcha]
OUTCOMES - RISK-REWARDING RAHU Rahu-7 Mithuna = business contracts drishti into 11 [11 revenues, community networks ++ Mithuna, media-messaging, business, communications] community, crowds, earnings, friends, social networking, revenues scion of an African-American musical dynasty When the ruler is endowed with effectiveness and the navamsha position is also supported WEH was called in the entertainment industry a "cross-over artist" Her high-profile fashion-and-entertainment package easily crossed-over [Rahu]most of the race-and-class boundaries of the American pop-culture audience [Mithuna, audience]. WEH was praised for a commercially viable [Mithuna] mixed sacred-and-secular music, culturally both black-and-white fashion styles, and fluid gender-identity boundaries. [Collapsing unshackling Ketu] kavandha-karaka [headless] -- chidra-karaka [gaping] -- vasana-karaka [vacuum] [for Dhanus - Haya indriya-lagna]
[disregards obsolete paradigmatic believer identities] [eccentricly energized natural inspirational movements] [incoherent doctrinal dismissal of priestly conditions of birth]
[ghostly individualized uplifting appearance] [scattered philosophical personality] [kineticly fragmented individualized principles of faith] [exemplifies disconnected ideological convictions] [abandons personal attributes of specific fixed catechesis] [restless behavioral apathy toward disintegration of universal worldview] [may ignore untenable preaching-and-teaching abilities] [focused upon talkative instructional partner, may project nebulizing disinterest toward independent theological activities] ... [secretive-emerging Pūrvāṣāḍhā-4] = [navamsha Ketu-Vṛścika-uchcha]
OUTCOMES - EVACUATING KETU
[accidental death, randomness] occupies [exploring-disguising Pūrvāṣāḍhā-4] inspirational mysteries Pūrvāṣāḍhā-4 = notably powerful position for Ketu the Annihilator. The power of any Vṛścika-pada is the power of non-disclosure. In the years preceding WEH tragic 2012 suicide by drowning, odd location of Ketu in 10th-from-Chandra was perplexing to observers. External public profile [10] would not have confirmed WEH ongoing energetic erosion typical of Evacuator Ketu. Collapsing Ketu in 10th-from-Soma typically signifies a spiritually detached figure, amystical recluse or renunciate, aperson demonstrating surrender or annihilation, or [in the worst case] an astrologer.
The site of WEH victimization was not visible to outsiders. The self-medication and marital abuse that slowly unraveled her celebrated performance genius was bhava-4 Simha = 6th-from-Chandra = the home. Her own parents, her parenting, her foundational security, and her safety within her own household became the site of emotional battering. Simha = also 6th-navamsha, and ruler Surya implicates the father-figures in management roles.
-------- 8] occupies 10th-from-Chandra = camouflaged professional exhaustion
Ultimately, wEH gained highest familiar repute 10th-from-Chandra. For her unexpected [8] disembodiment [Ketu] = end-of-things
The red flag of Ketu is no-show, absenteeism, and cancellation. WEH had developed a pattern of erratic and dissociative professional behaviors [Ketu 10th-amsha] Excessive cancelled performances spurred lawsuits and peer concern. Despite frequent time-off, cause was opined to be exhaustion [Ketu]. Confirmation of the hidden meaning of Ketu-8 in 10th-from-Chandra was ultimately provided by WEH tragic suicide, which left behind a cherished daughter. As the years have rolled by, wEH reputation is less framed by a brilliant artistic career - but rather by the circumstances of her mortal exit and final relief, combined with the subsequent suicide of her only child, her daughter. WEH widely grieved death by drowning while drug-numbed, under stress from pressured re-entrance into a career she had wished to exit [Ketu], produced an emotionally evocative image of despair, incoherent tragedy, hopeless failure, and martyrdom to unsustainable public expectations [10] |
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