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born six weeks after
born two months before
born four months before
born five months before
honorary niece of
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musical recording artist + songwriter theatrical performer + fashion model philanthropist a.k.a. Whitney Elizabeth Houston Earth-birth Friday-09-Aug-1963 dematerialization 11-Feb-2012 (age 48) | |||
musical entertainer + fashion model * 1963 - 2012 * Whitney Elizabeth Houston birth data from http://en.wikipedia.org/wiki/Whitney_Houston * tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = produced by Shri Jyoti Star * adapted by BP Lama | ||||
Rising Nakshatra Feminine Nativities Bhaga * Falgun * Utthram BPL commentary For Uttaraphalguni births of a feminine valence, the condition of radiant, romantic, intelligent, creative, idealistic, central, confident, gaming, self-reflexive, pitrikaraka Surya may considerably affect the outcome. For those born into the Surya-ruled paradigm of Uttora, father-figures, politicians, celebrity, royalty, entitled roles, brilliant dramatists, radiant deities, sparkling genius, glittering creativity, intelligentsia, speculators, poets, romantic lovers, gamblers, and game-players may be especially influential. Instructional guidance provided by emissaries from the civilizations of Denebola. Their purpose to brighten and glorify the divine intelligence through spectacular creativity. Brilliantly dramatic Uttara-phalguni women are famously confident and willful. Monarchic entitlement pairs with aristocratic service via noblesse oblige. While much depends upon the characteristics of sparkling nakshatra-pati Surya, the feminine Falgun is often found in bright environments of royalty, celebrity, theatre, creative arts, amusements, and games. Uttaraphalguni ladies radiate a profound love for living creatures, both wild and domestic. On behalf of the animal kingdom and its denizens, the women of Aryaman may undertake political activism. As righteous (and self-righteous) human mistresses of the animal world, their political style may include fiery displays of romantic idealism. They may collect animals. Simha-Leya pada-1 features charismatic centrality and stage presence, focused into the physical embodiment. Pada-1 must hold the center of attention, whether in celebrity politics, entertainment and fashion, dramatic acting, or all three. Typically one attracts an elder husband along with many charming romances. Kanya Pada 2-3-4 = equally dazzling, idealistic, smart, and flamboyant, but more focused upon expressing the genius of the imagination. Often a splendid dramatist and performing musician due to nakshatra-pati Surya. Typically one attracts a generous husband. Themes of political power, radiant confidence, and bright celebrity drama may contextualize Utthram's terrestrial experience. Applies also to Chandra in Uttaraphalguni-Aryaman | QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 95 "A joyous healthy disposition yet quietly so.
She is born to a family with social background and loves to mingle with her friends in various social activities
She has fixed principles from which she will not deviate. She prefers to choose her friends
She is efficient and adept at managing her home and her domestic life." ![]()
Whitney as a young woman, with her famed singer mom, Cissy Houston | |||
![]() Whitney Houston in 1992 (WH age 29) |
Biographical details matched to Vimshottari Dasha bhukti
Budha Mahadasha * age birth until age 16.6 09-Aug-1963 Earth-birth in Newark, New Jersey, USA * Budha-Budha svabhukti Apr-1966 until Jun-1968 Janma Sade-Sati Meena Ketu Mahadasha age 16.6 until age 23.6 1981 high school diploma * Ketu-Zukra bhukti 1985 (WH age 22) begin ascent into musical fame, hit recordings, video, and live performances * Ketu-Shani bhukti * atmakaraka Shani activates 5-fame Zukra Mahadasha * age 23.6 until age 43.6 18-Jul-1992 (WH age 28) exchange of marriage vows with singer Bobby Brown * Zukra-Chandra bhukti * Chandra-yuti-Guru * Guru activates Meena Svamsha * samchara Rahu-Ketu via Dhanuzya-Mithunaya * contact natal R-K 04-Mar-1993 celebrated the birth of child-1 * Zukra-Kuja bhukti * Kuja activates 9th-from-Chandra-Meena Jun-1995 until Apr-1998 Janma Sade-Sati Meena 02-Feb-2003 (WH age 40) grieved the decease of father * Zukra-Budha bhukti * Budha activates 12th-from-Surya Surya Mahadasha * age 43.6 until decease age 48 2007 (WH age 44) divorce-1 from singer Bobby Brown, alleging abuse * Surya-Mangala * Kuja-1 rules 8-identity change 11-Feb-2012 (WH age 48) dematerialization via drugged drowning * Surya-Zukra bhukti * Zukra maraka activates-2 posthumous 26-Jul-2015 decease of WH's only child, daughter, Bobby Christina Brown, via drowning ; * Chandra-Rahu bhukti | |||
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Salient features of the Nativity
Surya * pitri-karaka (father) * jyoti-karaka (light)
FATHER Surya-Karkata Dad was a theatrical manager. He managed the singing career of WH's mother, and he worked as WH's career manager until his decease.
Chandra-Surya share a 5/9 angle suggesting that, despite their divorce, there was a mutually supportive affinity between mother-and-father. They maintained a professional relationship. CAREER - SURYA Surya-yuti-Zukra = entertainment, celebrity relationships, women's fashion display, singing WH persona had a notable community focus . She self-expressed most vibrantly in larger groups such as church choirs. Chandra * matrikaraka (mother) * garha-karaka (village)
CAREER - CHANDRA Somana-yuti-Guru-Revati music. WH musical- dramatic performances appealed emotionally to a broad [Guru] cross-section of the appreciative public (7). Guru-Meena diversity with a doctrinal quality. WH musical style was admired by fans young and old, rich and poor, black and white, men and women. MOTHER Mom = the popular singer Cissy Houston. Chandra-yuti-Guru = her mom's music also appealed to a wide demographic swath of listeners since she sang in several styles ranging from devotional church music [Guru] to drug-and-exploitation influenced nightclub material. Chandra in classroom-7 receives incoming Parashari drishti from both disciplining, orderly, Shani-5 , suggesting oppressive entertainment performance workload
MARRIAGE emotional support partnership
CAREER - KUJA
Mangala in bhava-1-Kanya occupies the marital 7th-from-Chandra, indicating a physically active and critically-investigating life mate Budha * jamayah-karaka (sibling) * sandeza-karaka (message) * zisya-karaka (student) lagnesha for Kanya radical lagna
CAREER - BUDHA Budha = the team, the entourage, the ensemble, the promoters, the handlers, the managers WH delivered both live shows (Simha) and recordings [Budha]. She supported a huge entourage, plus a legion of managers and handlers [Budha] Budha in bhava-12 = lagnesha + karmesha = communications media identity profession Budha-Simha occupies bhava-12 = the emotionally adversarial 6th-from-Chandra
Guru * dhava-karaka (husband) * bahuta-karaka (variety) Hamsha Yoga
CAREER - GURU Guru activates Meena Svamsha Guru activates Dhanuzya 10th navamsha containing familiar-face Chandra + songstress Zukra Guru-yuti-Chandra = Guru in bhava-7
Chandra-yuti-Guru expands both the scope of WH musical reach and the number of her personal and professional partnerships. Role of Mother is expansive and primary partner. Guru in bhava-7 dhava-karaka suggests that the husbandly-companion (the first husband) displayed qualities of eruptive change and rejuvenating rebirth . Husband and mother [Chandra] are allied. Second husbandly-companion is a friend, likely a feminine identity, due to Chandra-ruled Zukra-11 multiple mother figures Chandra-yuti-Guru Uttaraphalguni lagna attracts many entertainers into the life. WH's many mothers supported the talented young girl as she rose through the ranks in the notoriously exploitive entertainment industry. To the extent possible, WH's many-mothers sheltered and protected a gifted, delicate flower. Zukra * svadu-karaka (sweet) * kalatra-karaka (wife)
CAREER - ZUKRA Zukra
Dhanayoga
Writing + Entourage Whitney Houston wrote much of her own music. musical touring throughout career; entourage, ensemble-drama; songwriting. Also passionate drive to write songs = Rahu+Mangala-Urisha in 3rd Navamsha. although a solo artist on stage, she was surrounded by technicians, stylists, stage managers, agents, and innumerable teammies Music, Drama, Dance Zukra occupies Karkata = 5th from Chandra in Revatika
Shani * duro-karaka (endurance) * jara-karaka (years)
CAREER - SHANI Shani in Bhava-5 occupies profitable Makara = the emotionally associative, community-linking, economically fruitful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra
Shani in Bhava-5 casts disciplining,
intentionally limiting drishti into
As rogesha,
Shani in Bhava-5 faces a
peculiar restriction-obligation
one must (Shani must) endure heavy
responsibility for masses of persons who are locked into a depressive,
overworked expectation in the realms of creative performance, children,
politics, drama, games, romance
incoming drishti of Zukra (drugs) and Surya (pride).
Shani drishti to Chandra ++ Shani drishti to Surya suggest that both
parents were constrained to produce an appearance of social decorum and
uphold a standard of public behavior. Her identity as a gay woman was
notoriously suppressed by both parents, who feared social judgment.
Rahu * * rajyalobha-karaka (ambition) * picchala-karaka (slippery)
Rahu in bhava-10 * passion for leadership power *
in svabhava of Sober Shani, the Shadowy Specter seeks privilege via glamorous
executive decisions * thrilled by iconic status * craves symbolic
importance * hungers for regulatory authority
* outsider who cleverly insinuates into lawful governance *
cleverly challenges official rules * mesmerizing ascent to high
social status * may pose as a boss * shimmering smoky illusion
of legitimate power * trespasses cultural limits of old hierarchies * boundary-breeching hunger for
commanding roles * ambition for
elite rank * desires to hold a respected position * opportunistic climb
to top of the corporate pyramid * culturally-mixed reputation * ambition of
the father's family How Will I Know 1963-2012 singer model
Whitney Houston
* music was widely liked by exceptionally diverse social
segments. Her high-profile career crossed most of the race-and-class boundaries of the American
popular music audience. Ketu * * kavandha-karaka (headless) * chidra-karaka (gaping) * vasana-karaka (vacuum) Ketu in
classroom-4 occupies
Dhanuzya = the emotionally dignified , social-ordering, leadership-seeking; 10th-from-Chandra suggesting an emotionally evocative
recognized public image of dissolution, characterizing a tragic,
hopeless,
martyred, symbolic
role
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