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Drama and Song

Songwriter


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COHORT

born six weeks after


born two months before

born four months before

born five months before


honorary niece of




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Whitney Houston in 1992 [WH age 29]

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musical recording artist

songwriter

theatrical performer

fashion model

philanthropist


Whitney Houston

a.k.a. Whitney Elizabeth Houston


Earth-birth Friday-09-Aug-1963

dematerialization 11-Feb-2012 [age 48]


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musical entertainer

cinema dramatist

fashion model

1963 - 2012

Whitney Elizabeth Houston


birth data from http://en.wikipedia.org/wiki/Whitney_Houston

tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = produced by Shri Jyoti Star - adapted by BP Lama

Rising Nakshatra

Feminine Nativities

Uttaraphalgunī - Aryaman

Bhaga - Falgun - Utthram


BPL commentary

For Uttaraphalguni births of a feminine valence, the condition of radiant, romantic, intelligent, creative, idealistic, central, confident, gaming, self-reflexive, pitrikaraka Surya may considerably affect the outcome.

For those born into the Surya-ruled paradigm of Uttora, father-figures, politicians, celebrity, royalty, entitled roles, brilliant dramatists, radiant deities, sparkling genius, glittering creativity, intelligentsia, speculators, poets, romantic lovers, gamblers, and game-players may be especially influential.

Instructional guidance provided by emissaries from the civilizations of Denebola. Their purpose to brighten and glorify the divine intelligence through spectacular creativity.


Brilliantly dramatic

Uttara-phalguni women are famously confident and willful. Monarchic entitlement pairs with aristocratic service via noblesse oblige . While much depends upon the characteristics of sparkling nakshatra-pati Surya, the feminine Falgun is often found in bright environments of royalty, celebrity, theatre, creative arts, amusements, and games.

Uttaraphalguni ladies radiate a profound love for living creatures, both wild and domestic. On behalf of the animal kingdom and its denizens, the women of Aryaman may undertake political activism. As righteous (and self-righteous) human mistresses of the animal world , their political style may include fiery displays of romantic idealism. They may collect animals.

[Simha-Leya] pada-1 features charismatic centrality and stage presence, focused into the physical embodiment. Pada-1 must hold the center of attention, whether in celebrity politics, entertainment and fashion, dramatic acting, or all three. Typically, one attracts an elder husband along with many romances.

Kanya Pada 2-3-4 = equally dazzling, idealistic, smart, and flamboyant, but more focused upon expressing the genius of the imagination. Often a splendid dramatist and performing musician due to nakshatra-pati Surya. Typically, one attracts a generous husband.

Themes of political power, radiant confidence, and bright celebrity drama may contextualize Utthram's terrestrial experience. Applies also to Chandra in Uttaraphalgunī - Aryaman

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 95


" A joyous healthy disposition yet quietly so.

  • She has a very soft pleasing voice,

  • bubbling over with fun and humor.

She is born to a family with social background

and loves to mingle with her friends in various social activities

  • Yet, she is not frivolous,

  • but beneath her joyous manner, rather serious minded.

She has fixed principles from which she will not deviate.

She prefers to choose her friends

  • from among the people who are artistically inclined and cultured.

She is efficient and adept at managing her home and her domestic life."


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Whitney as a young woman, with her famed singer mom, Cissy Houston

Biographical details matched to Vimshottari Dasha bhukti



[Budha Mahadasha] [age birth until age 16.6]

Fri-09-Aug-1963 Earth-birth in Newark, New Jersey, USA * Budha-Budha svabhukti

Apr-1966 until Jun-1968 Janma Sade-Sati Meena

  • [7, contracts, relationships, equity, fair arrangements, bargains]
  • [age 3-6]

[Ketu Mahadasha] [age 16.6 until age 23.6]

1981 [WH age 18] high school diploma * Ketu-Shukra bhukti

1981 [WH age 18] represented by friends of her parents [Chandra + Guru] WH enters contract as a professional fashion model. As one of the first young Black teen models, her image graced the cover of a famous teen-audience magazine, generating income and fame. * Ketu-Shukra bhukti ++ Shukra-11 dhanayoga

1985 [WH age 22] begin ascent into musical stardom, hit recordings, video, and live performances * Ketu-Shani bhukti * Shani rules 5-entertainment


[Shukra Mahadasha] [age 23.6 until age 43.6]

1991 [WH age 27] parents' divorce * Shukra-Surya bhukti * Surya rules 6th-from-Chandra

18-Jul-1992 [WH age 28] consecration of marriage-1-of-1 with singer, Bobby Brown * Shukra-Chandra bhukti * Chandra rules Karkata 7th-navamsha * samchara Rahu-Ketu via Dhanus-Mithuna contact natal R-K

1992 [WH age 28] WH first major cinema role in The Bodyguard received both disdain of theatre critics for its poor dramatic values, and popular applause with high sales profits. The film's musical soundtrack was a colossal best-seller. * Shukra-Chandra bhukti * Shukra-11 dhanayoga ++ Chandra rules 11-profits ++ 5th-from-Chandra drama.

04-Mar-1993 [WH age 29] celebrated the birth of child-1, a daughter * Shukra-Chandra bhukti * Chandra rules 5th-from-Chandra

1995 [WH age 31] cinema role in Waiting to Exhale - again both panned by critics and embraced by audiences. Played by an entirely African-American cast of actors and singers, mainly women, the movie was heralded as an American cultural breakthrough. Once again, the film's musical soundtrack was a colossal best-seller. * Shukra-Rahu bhukti * Shukra-11 dhanayoga ++ Rahu-10 iconic symbolism ++ Rahu breaches cultural barriers ++ janma Sade-Sati

Jun-1995 until Apr-1998 Janma Sade-Sati Meena

  • [7, contracts, relationships, equity, fair arrangements, bargains]
  • [age 33-36]

1996 [WH age 32] one of the highest-paid actresses in Hollywood, earning 10-million USD for her role in The Preacher's Wife. Again enacted by mainly Black dramatists, the film was financially successful and the soundtrack won top awards in the Gospel Music category. * Shukra-Rahu bhukti * Shukra-11 dhanayoga ++ Rahu-10 iconic symbolism ++ Rahu breaches cultural barriers ++ janma Sade-Sati

1997 [WH age 33] with astounding paychecks and producers awards for both music and cinema, WH is an elite figure in the entertainment industry. She is respected as both a commercial businesswoman and an artistic superperformer. * Shukra-Rahu bhukti * Shukra-11 dhanayoga ++ Rahu-10 elite figure

2000 [WH age 36] following cancellations, no-shows without notice, poor voicing, and erratic behavior, WH is fired and released from numerous performance contracts. Drug abuse and marital abuse were rumored. * Shukra-Shani bhukti * Shani-5 rogesha = self-medication, conflict, abusive relationships

2002 [WH age 38] high-profile lawsuit by WH entertainment management company accuses WH of fraud and demands exhorbitant payment. * Shukra-Shani bhukti * Shani-5 rogesha = lawsuits, accusation

02-Feb-2003 [WH age 40] grieved the decease of her manager-father * Shukra-Shani bhukti * pitrimaraka Shani rules 7th-from-Surya

2003 [WH age 40] aggrieved lawsuit by mgt company is dismissed; plaintiff receives nothing * Shukra-Budha bhukti * Budha rules 8th-from-6, upheaval of lawsuit


[Surya Mahadasha] [age 43.6 until decease age 48]

2007 [WH age 44] divorce from alliance-1 with singer, Bobby Brown, alleging verbal, emotional, and physical abuse * Surya-Surya svabhukti * Surya rules 6th-from-Chandra

11-Feb-2012 [WH age 48] dis-embodiment via drugged drowning * Surya-Ketu bhukti

...

posthumous

26-Jul-2015 decease of WH's only child, daughter, Bobby Christina Brown, via at-home drowning * Chandra-Rahu bhukti

Salient Features of the Nativity

[Surya]

pitri-karaka [father] jyoti-karaka [light]

[retreating-contemplative vyaya-pati for Kanya indriya-lagna]

[usually is the eldest child]

[bright center of ethno-national community]

...

[regulatory-corporate Aśleṣa-2] [navamsha Surya-Makara] intuitively confident class-conscious hierarchical artistic performance

[Surya-yuti-Shukra]] asta-harana - combines the rulers of 2 + 9 + 12

  • [Surya-Karkata] Bhanu - ray of light ** brightly charismatic confidence of Center-stage Surya radiates through the nourishing caretaking rashi of Chandra
  • [Surya in bhava-11] center of community * genius for associative systems * radiates through the gridwork * entitled to work-and-earn * network intelligence * focus on interlinked ecologies * uniquely creative marketplace revenues * exemplifies knotting-netting-knitting connectivity * distributed light * eye on friendships * celebrated by crowds * sparkling center of social-economic drama * father may be an earner-socialite-organizer
  • [Surya-yuti-Shukra] confidently harmonious * brightly creative bargainer * uniquely intelligent feminine-figures * entitled to pleasures * aesthetic expressions align with the spiritual rays of the Sun * financial politics * graciously creative * dramatic promises * radiantly diplomatic * self-reflexively attractive * father may be artist-broker-arranger [Aśleṣa]

OUTCOMES - SURYA

Surya-yuti-Shukra = entertainment, celebrity relationships, women's fashion display, singing

[Surya in bhava-11] rules

  • 12-privacy, isolation, imagination, distance, remote locations
  • 12-bedroom, imagination, conceptual thought, research, interior guidance, hallucination, private prayer, retreat
  • Surya rules 6th-from-Chandra

CAREER - SURYA

WH persona had a notable community focus [Surya-11].

 She self-expressed [Surya] vibrantly in larger groups such as church choirs.

[Surya Mahadasha] [age 43.6 until decease age 48]

  • a period of continued earnings in the entertainment industry, yet emotionally unbalanced conditions prevailed. Suicide during * Surya-Ketu bhukti

FATHER - Manager

Dad was originally a military officer, Surya-Karkata ++ Shani mutual-exchange-Surya

 When the talent of his wife and daughter began to ascend, Dad became the official family career manager .

He managed the gospel-and-nightclub singing career of WH's legendary mother, Cissy Houston. When WH became an adult, her Dad worked as WH's career manager until his retirement.

Supervising payment contracts, he and his deputies were responsible for ensuring that brilliant musical and artistic performances of his wife and daughter could earn top dollar.

Chandra-Surya share a 5/9 angle suggesting that, despite their 1991 divorce when WH was 27] there was affinity between mother-and-father. Surya rules emotionally adversarial 6th-from-Chandra, so that a balanced parental marriage is factored out of the nativity according to the Learning Plan. Yet, mom and dad maintained a mutually beneficial professional relationship.

Shani mutual-drishti Surya

 permanent tension between entitlement vs. obligation

Shani is both vidya-pati and rogesha. Shani's drishti into Surya both professionalizes the entertainment world and introduces a perpetual inflow of jealousy, addiction, and abuse into the Surya sphere.

Dad's military experience provided a more orderly approach to these challenges, but predatory agents of rogesha Shani continued to lurk.


[Chandra]

matrikaraka [mother] * garha-karaka [village]

[friendly-gainful vriddhi-pati for Parthya indriya-lagna]

...

[inspirational-believing Revatī-1] [navamsha Chandra-Dhanus] intuitively sensitive inspirational principled doctrinally guided feelings 

[Somana-yuti-Guru] = combined rulers of 4 + 7 + 11

  • [Chandra-Meena] comforted by ancestral guidance * settled into rhythmic intuition * needs contemplative sanctuary
  • [Chandra in Revatī - Pashu] soothed by wayfaring rhythms * protector of poetic interpretation * needs to feel wisely dreamlike
  • [Chandra in classroom-7] comfortable with arrangements * familiar with bargaining * needs harmony * soothed by match-making * feels the pulse of deal-making * allied to the mother * accustomed to adjudication * habitual negotiator * calmed by customary arrangements * rhythmic rebalancing * needs fair contracts * sheltered by a parenting partner * nourished by agreements * undulating equity * mother may be a match-maker, attorney, advocate, judge
  • [Somana-yuti-Guru] Emotionally effusive * needs to expand * seeks familiar guidance * sheltered by doctrine * comforted by customary worship * protected by sacred ritual * nourished by beliefs * soothed by fertility * inspirational parents * multiple mothers * feels like a teacher-preacher

OUTCOMES - CHANDRA

[Chandra in classroom-7]  rules

  • 11, fanclubs community crowd-groups, community-linked, social-participation - contains [Aslesha-Shukra-yuti-Surya]

CAREER - 10th-from-Chandra

contains a super-secretive-Ketu

  •  [Ketu in classroom-4
  • [mysterious-emerging Pūrvāṣāḍhā-4]
  • [navamsha Ketu-Vrischika-uchcha]

 Camouflaged professional exhaustion

In the years preceding WH tragic 2012 suicide, the location of Ketu in 10th-from-Chandra was perplexing to observers. Pūrvāṣāḍhā-4 is a notably powerful position for The Annihilator. Yet, the power of any Vrischika-pada is the power of ccamouflage.

External appearances would not have confirmed the usual implications of Evacuator Ketu holding the public-recognition, familiar-face position.

Ketu in 10th-from-Soma typically signifies a spiritual figure, a mystic or renunciate, a person demonstrating surrender or annihilation, or [in the worst case] an astrologer.

Ketu-4 could suggest absentee parents, and disinterest in schooling. Ketu-4 could show lack of safety limits within the household, that might make it easier for predators to enter.

  •  However, WH external appearance was dazzling [Rahu-10].  Although self-medication and marital abuse had entered the narrative when Shukra's Magnificent Mahadasha began to dwindle, nevertheless WH private sorrows remained private [12 Simha = 6th-from-Chandra]
  • It was only with onset of the Surya Mahadasha that the depth of suffering was a little displayed. The public audience [Simha display] learned of an agonizing divorce [6] culminating years of severe marital abuse. Even for this spectacular entertainer, earning mega-millions in artistic contracts, the issue of unsafe conditions in the home began to emerge.

The red flag of Ketu is no-show, absenteeism, and cancellation. WH had developed a pattern of erratic and dissociative professional behaviors [Ketu 10th-amsha]  Excessive cancelled performances spurred lawsuits and peer concern. Despite frequent time-off, the cause was opined to be exhaustion [Ketu].

Confirmation of the meaning of Ketu in 10th-from-Chandra was ultimately provided by WH tragic suicide, which left behind a cherished daughter. As the years have rolled by, WH reputation is less framed by a brilliant artistic career - but rather by the circumstances of her mortal exit and final relief.  KETU.

MOTHER

Mom = the popular singer Cissy Houston.

Chandra-yuti-Guru  combines the rulers of 5 + 7 + 11

Mom had several styles [Guru] ranging from devotional church music to nightclub lyrics.

 Chandra-yuti-Guru = multiple mother figures

Many of mom's family-and-friends had maternal roles in WH life. WH's many mothers supported the talented young girl as she rose through the ranks. Within the notoriously exploitive entertainment industry, WH's many-mothers wisely [Guru] sheltered and protected WH.

Parents

[Shani in Bhava-5] intake by Chandra

++ Shani drishti intake by Surya

 both parents adhered to standards of social decorum. WH identity as a gay woman was notoriously suppressed by both parents, who feared social judgment.

MARRIAGE partnership emotional equity support expectations

[7th-from-Chandra-7] = Lifepartnership-1-of-1

  • 1 - physical embodiment, personality, mobility, vitality, integrity contains [Mangala in bhava-1] capacity for aggressive outbursts
  • Kanya = assisting, ailing, argumentative, criticizing 

WH endured an abusive marriage criticizing, competitive, and dominating peer [Mangala] . In addition, he contested her sexual identity [Kuja]. 

[Kuja Dosha for alliance-1] ++ Kuja dosha into unsafe Ketu-4


[Kuja]

bhratru-karaka [brother] virya-karaka [virile]

[svabhava]

[busy-collaborative sahaja-pati for Parthya indriya-lagna]

[mysterious-transformative randhresha for Parthya indriya-lagna]

[Kuja Dosha for alliance-1]

[identified with unbalanced energy]

[personally promotes dynamic dissolution of contracts]

[actively pushes into sexualized conflict]

[manages complaints using logical argumentative process]

[pursues individualized ministries of service]

[mentally assists the relentless force of ongoing physical change]

[embodiment of warlike commercial vigor]

[provocative catalysis from brother-cousins, neighbors, co-workers] [urge to self-destruct]

...

[musical-financial Hasta-2] [navamsha Mangala-Urisha]

  • [Mangala-Kanya] penetrating logic * proactive helping * thrust toward service * energetic assistance to the needy * pushy complaints * [potentially] vindictive * champion of litigious accusation * military planning * aggressive indictments * investigative journalism * medical treatment interventions
  • [Mangala in bhava-1] forward fighter * muscular champion * competitive winner * drive toward performance vitality * embodied action * primal sexuality * pursuit of progress * direct movement * physical engineering * thrusting vigor * dominating personality * pushy * dynamic innovator * energized conquests * athletic body

OUTCOMES - KUJA

[Mangala in bhava-1] rules

  • 3-management, communications,  documentation, publication, scripting
  • 3 tours, scheduling, schematics, itinerary, commerce
  • 3-business, writing, ensemble, entourage, collaboration,
  • 8-secrecy, camouflage, undisclosed finance, hidden relationships, destruction-and-rebirth

CAREER - KUJA

  • WH fashion-modeling, cinema, songwriting, musical performance career was a commercial enterprise [3]
  • WH supported a large entourage, plus a legion of managers and handlers [Guru dristhi into bhava-3 expands the size of the cohort]

RELATIONSHIPS - KUJA

Mangala-Kanya occupies the marital 7th-from-Chandra, indicating a physically active and critically-investigating life mate


[Budha]

jamayah-karaka [sibling] sandeza-karaka [message] zisya-karaka [student]

[energizing-identifying lagnesha for Kanya indriya-lagna]

[dutiful-hierarchical karmesha for Kanya indriya-lagna]

[imaginative narrative of entitled conversations]

[creatively dramatic inner talk]

[private political discourse]

...

[theatrical-sparkling Pūrvaphalgunī-1] [navamsha Budha-Simha] [vargottamsha] intuitively explaining dramatic romantic artistic performance display

  • [Budha-Simha] political communications * articulation of unique creativity * delivers celebratory announcements * manufacturers bright displays * explains celebrity entitlements * romantic messages * declares poetic adoration * delights in glittering phrases * manages entertainments * details the procedure for theatrical amusements * speaks with royal flamboyance * talks about gambling * plays intelligent games * hands-arms-shoulders send dramatic gestures

  • [Budha in bhava-12] narrative of mental sanctuary * talks about quietude * commerce of the hermitage * discusses interior spiritual guidance * speaks from invisible location * instructions on reflective contemplation * detailed descriptions of intimate privacy * diagrams the astral inner terrain * explainer of quiet prayer * imaginative siblings * communication with distant worlds * delivers information about clairsentience * skillfully defines the dreamworld * logical visions

OUTCOMES - BUDHA

Budha = the team, the entourage, the ensemble, the promoters, the handlers, the managers

[Budha in bhava-12]  rules

  • 1-personality, embodiment, vitality, movement
  • 10 respected public positions, reputation contains Rahu-Mithuna signaling a potent, articulate, ambitious family-of-origin

[Guru]

dhava-karaka [husband] bahuta-karaka [variety]

[svakshetra]

[Hamsha Yoga]

[homebound-anchoring bandesha for Kanya indriya-lagna]

[bargaining-arranging jaya-pati for Kanya indriya-lagna]

[many imaginative peers] [advisors have broad-scope viewpoint]

 [contemplative understanding of partnership]

[multiple marriages with visionary spouses]

...

[networking-revenues Revatī-3] [navamsha Guru-Kumbha]

[Guru-yuti-Chandra] = combined rulers of 4 + 7 + 11

  • [Guru-Meena] much sleep * theoretical understanding * broad inner guidance * optimistic imaginings * inspirational dreams * intuitive beliefs * doctrine of esoteric understandings * expands the scope of contemplative awareness * multiple prayers * permission to envision
  • [Guru in bhava-7] many contracts * optimistic negotiations * much partnership * abundant agreement * numerous alliances * extensive bargaining * multiple trusts * expansion of advocacy * fertile match-making * typically more than one spouse * patron of legal arrangements * proliferation of promises * in a wifely nativity, husbandly-companion may be an attorney-counselor-broker
  • [Guru-yuti-Chandra] matri-karaka * multiple mother-figures * permission to do what feels good [not always beneficial, see Chandra's nakshatra] Much expansion of folkways * much humanistic cultural philosophy * many gardens * broad scope of sheltering settlements * generous nourishment * believes in defending the old ways of life * usually rather stout

OUTCOMES - GURU

parental, habitual [Guru in bhava-7]  [Guru-yuti-Chandra-Revati] rules

  • 7 contractual relationships, marriage, agreements, advisers, attorneys, middlemen
  • 4-home, childhood, life foundations, security

CAREER - GURU

WH musical- dramatic performances appealed emotionally to a broad and diverse [Somana-yuti-Guru] range of people. Guru-Meena = diversity with a doctrinal quality. WH musical style was admired by fans young and old, rich and poor, black and white, men and women.

[Guru in bhava-7] rules Ketu-4 in the emotionally dignified , familiar-face, visibility-seeking Dhanus-4 10th-from-Chandra.

  • WH had been in the public eye since her career began, age 14.
  • Once into her 30's, WH exhaustion and reluctance to continue performing became socially visible.

HUSBAND - GURU

Guru-Meena [7] suggests that the marriage partners were true peers. Mutual drishti between Guru-and-Mangala can produce fertility along with a great amount of kinetic energy.

RELATIONSHIPS

Chandra-yuti-Guru expands the scope and number of partnerships.  Many mothers, and many core relationships with caretakers.  


HoustonWhitney_Foto.jpg[Shukra]

svadu-karaka [sweet] kalatra-karaka [[wifely companion]

[collecting-preserving dhana-pati forfor Kanya indriya-lagna]

[believing-guiding dharmesha for Kanya indriya-lagna]

[Dhanayoga dhanesha Shukra-11 ruler of 11th-from-11 occupies 11]

...

[preaching-optimistic Aśleṣa-1] [navamsha Shukra-Dhanus]

[ashtangata harana] [Shukra-yuti-Surya] combines the rulers of 2 + 9 + 12

  • [Shukra-Karkata]] values comforting routine * likes to nourish * attracted to settled habits * prefers a home-loving partner * taste for folk-lifestyle * appreciates farmers-and-fishers * pleased by secure borders * enjoys rhythmic seasons * adorns beautiful gardens * seeks balanced parenting arrangements * aesthetic of domestic sharing
  • [Shukra-11] seeks pleasure via social connectivity * pleasant community linkage * balances asset distribution systems * seeks network equity * association with artists * values friendly financial connections * likes knitting-and-knotting * pleasing designs to adorn the skin * graceful ankles * appreciation of friendships * aesthetic of fair deals in marketplace * enjoys attractive friends * in a husbandly nativity, wifely-companion may be a socialite-economist-networker-economist-networker
  • [Shukra-yuti-Surya] balanced roles in drama * appreciation for political display * pleasantly charming * self-focused diplomacy * radiant bright beauty * self-reflexive bargaining * sweet entitlements * negotiating father-figure * self-directed arrangements * focus on trade exchange * solipsistic romance * idealistic contracts * enjoys the game of deal-making * prefers self-confident partners

OUTCOMES - SHUKRA

scion of an African-American musical dynasty [2]

pleasantly socializing [Shukra-11] rules

  • harmonizing Tula 10th navamsha
  • 9 theory, first principles, doctrine, credenda, church, congregation of believers
  • 9-faith, sangha, paradigm of belief, credenda, catechism
  • 2-voice, heritage, traditions, genetics, song, knowledge, sound-tones

[Shukra-Karkata] occupies the emotionally-driven creative performance genius 5th from Chandra

  • musical, relationship-oriented, harmony-seeking, values-focused, capital-accumulating entertainments

CAREER -SHUKRA

crowds, earnings, social networking, revenues

Known first as a live-audience Church singer [9, sangha]  WH's inspirational recordings [navamsha Shukra-Dhanus, inspirational music] developed a broad following [11]. Her cinema performances [Surya] garnered even more fans [11]

[Shukra Mahadasha] [age 23.6 until age 43.6]

20 years duration of Shukra Mahadasha was overall exceptionally profitable [11]  artistically rewarded [Shukra-11] and guided by beliefs [Shukra dharmesha].

Shukra-11 rules team-working 3rd-from-Chandra [Urisha] = writing, scripts, commerce, entourage

  • Whitney Houston wrote much of her own music.
  • musical touring throughout career;
  • gainfulness [11] from entourage, ensemble-drama; songwriting.

although a solo artist on stage [Surya], WH was a business [3]. A sparkling individual, she was also continuously surrounded by technicians, stylists, stage managers, agents, and innumerable teammies


[Shani]

duro-karaka [endurance] * jara-karaka [Jahre, years]

[svakshetra]

[witty-creative vidya-pati for Kanya indriya-lagna]

[inimical-medicating rogesha for Kanya indriya-lagna]

[imposes lawful order upon creative arts performance]

[heavy responsibilities for regulating orderly entitlements]

[strict social rules impose limitations on children]

[politics of conventional government hierarchy]

[normalizing restrictions on romantic games]

......

[ministering-complaining Dhaniṣṭha-2] [navamsha Shani-Kanya]

[Atmakaraka duty, responsibility, workload, timeclock, class-consciousness, status]  

  • [Shani-Makara-Draco] heavy old institutions * obliged to conform to the time-clock * rigidly ranked class-systems * strict regimes * pressure to complete socially required duties * structural compression upon knees-calves-skeleton * * strictly imposed protocols * must normalize old rules * unyielding pressure of public judgment * class-conscious elders * punitive regulators * must endure proletarian manners * must continue disciplined work * scarce building resources * maintainer of old hierarchies
  • [Shani in Bhava-5] steady time-structured intelligence * heavy responsibility for children * pessimistic in romance * cautious financial speculation * resists ceremony * limits special entitlements * obligatory entertainments * dreads political games * tightly disciplined creativity * mother's family often rigidly conventional * blocked heart-and-spine * subdued sparkle * performance fatigue * intolerant of time-wasting amusements * elders maintain ordinary rights

OUTCOMES - SHANI

[Shani in Bhava-5] rules

  • 5-creativity, children, artistic performance, drama, entertainment industry, charisma, celebrity
  • rogesha 6-conflict, medication, disagreement, accusation, mistreatment, imbalance

orderly, structured  [Shani in Bhava-5] occupies conventional, conforming Makara within the emotionally associative, community-linking, economically fruitful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra

Shani mutual-drishti Surya

a permanent tension between entitlement vs. obligation

[Shani in Bhava-5] is a compromised position, no matter how artistically gifted one may be. In Surya's svabhava, matters of romance, gambling, children, and creative genius must be organized, lawful, and socially approved.

Privacy-seeking Surya rules 12 while socially responsible Shani rules 6, and their fraught territories are constantly activated in a polarized tug-of-war. There is no rest.


[Rahu]

rajyalobha-karaka [ambition] picchala-karaka [slippery]

[svabhava]

[for Kanya indriya-lagna]

[Rahu-10 casts passionately lawful institutional drishti into 2-4-6]

check Budha for defining source of Rahu's communicative flair

[regulatory authority based in mixed-culture commerce]

[fascinating icon of publicity messaging]

[elite commander of exciting scripted announcements]

[astonishing social rise of businesspeople, writers, publicists, schedulers, shopkeepers, clerks, team-managers]

[reputed for fabulous communication skills]

...

[financial-heritage Punarvasu-2] [navamsha Rahu-Urisha-uchcha]

  • [Rahu-Mithuna] shimmering illusion of cooperation * craving for conversation * mask of messaging * boundary-breaching broadcasts * extraordinary explanations * ambitious administration * preposterous propaganda * extravagant commercial transactions * marvelous advertising * thrilling photographs * unusual ensembles - exciting cohort * mesmerizing instructions * over-reaching management * seeks special importance via apparent [but perhaps not authentic] attributes of information delivery * sensational scripts * exaggerated announcements * exceptional business methods *seeks privilege via communicator-roles
  • [Rahu in bhava-10] passion for prestige positions * in svabhava of Sober Shani, the Shadowy Specter seeks glamorous leadership roles * thrilled by iconic status * craves symbolic importance * hungers for outstanding recognition * outsider who cleverly insinuates into respected hierarchies * authoritatively challenges official rules * mesmerizing ascent to high social status * may pose as a boss * shimmering smoky illusion of legitimate command * trespasses cultural limits of rigid old order * boundary-breaching public reputation - ambition for elite rank * desire for eminence * opportunistic climb to top of the corporate pyramid * prominent cultural-mixing figurehead * ambition of the father's family

OUTCOMES - RAHU

 [Rahu in bhava-10] has a super-power

= the ability to symbolic a nation, an institution, a corporation, an empire.

 If Rahu's ruler is fragile, Shri Rahu can be expected to exhibit a fabulous rise to the top, followed by a tragic fall to the bottom.

At the peak [10] of her career, WH was called in the entertainment industry a /cross-over artist/

Her high-profile fashion-and-entertainment package easily crossed [Rahu] most of the race-and-class boundaries of the American pop-culture audience [Mithuna, audience].

As a public symbol, WH was praised for a commercially viable [Mithuna]  mixed sacred-and-secular music, black-and-white fashion styles, and cultural-identity boundaries.


[Ketu]

kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum]

[for Kanya indriya-lagna]

[unrooted in customary folk beliefs]

[unconcerned with parental ideologies]

 [liberated from the bonds of ancestral convictions]

[passively fixated on ambitiously messaging-commercial Rahu-Mithuna-10 leaders, commanders, hierarchs]

...

[secretive-emerging Pūrvāṣāḍhā-4] [navamsha Ketu-Vrischika-uchcha]

  • [Ketu-Dhanus] philosophically dissociates from sacred convictions * odd professors * dissolves indoctrination * empty paradigm of belief * dispersed worldview * not limited by conventional beliefs * eccentric teachings * peculiar convictions * ignores restricted catechesis * releases a warm golden cloud of broad inclusivity into the misty abyss
  • [Ketu in classroom-4] ambivalent toward the cultural foundations * absentee mother-figure * disregards local customs * dissolved property boundaries * wanders from the ancestral home * often away * ignores conventional schooling * irrelevance of habitual folkways * surrenders nationality * dismisses bondage to parents * abandons the established routines * may prefer to live free from fixed roots

OUTCOMES - KETU

[Ketu in classroom-4]  [accidental death, randomness] occupies [masked, hidden-power Pūrvāṣāḍhā-4] inspirational mysteries

[Ketu-Dhanus] in 10th-from-Chandra

  • socially recognized symbol [10 icons] of ungrounded faith, of annihilation of doctrine, of dissolution of principled beliefs

Ultimately, WH gained highest repute for her disembodiment in 4 = end-of-things

Her widely grieved death by drowning while drug-numbed, under stress from pressured re-entrance into a career she had wished to exit [Ketu], produced an emotionally evocative image of despair, incoherent tragedy, hopeless failure, and martyrdom to unsustainable public expectations [10]

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