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Drama and Song

Commerce and Material Economy


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International Fashion Model

clothing designer

dramatist + dancer

Aishwarya Rai

Earthbody-Entry Thursday-01-Nov-1973

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cinema drama-model-commerce * 1973- _________* Aishwarya Rai

birth data from http://en.wikipedia.org/wiki/Aishwarya_Rai * tentatively rectified by BP Lama

charts, graphs, and tables produced by Shri Jyoti Star * adapted by BP Lama

Rising Nakshatra

Feminine Nativity

Purvaphalguni * Yoni


BPL commentary

For Purvaphalguni * Yoni * births of a feminine valence, the condition of sweetly musical, artistic, harmony-seeking, negotiating, balancing, arranging, designing, matching, pairing, sensually pleasuring akarshana-karaka Bright Bhrigu may considerably affect the outcome.

For those born into the Zukra-ruled paradigm of Vutavabana, feminine figures such as sisters, aunts, and wives, along with partnerships, contracts, bargains, sensual pleasures, lovers, artistic beauty, luxurious scents, treasuries, financial arrangements, and music, may be especially influential.

Instructional guidance provided by emissaries from the civilizations of Zosma. Their purpose is to dramatize, glamorize, and politicize the grand theatre of creative life.


Diplomatic charm

Zukra-ruled Purvaphalguni ladies are often the diva type. Yoni-born are found in the sparkling bright worlds of political diplomacy, romance, entertainment, speculative finance, performance arts, and fashion design. Women born into a nakshatra of Zukra are often blessed by a special aptitude for music, beauty, treasuries, ornaments, design arts, and financial affairs.

Yoni-born are happiest when playing musical instruments, dancing on the theatrical stage, or performing a richly costumed dramatic role for an appreciative audience, Delighted by spectacle and applause, they glitter and radiate at parties, creative events, political campaigns, and games..

Depending upon the placements of dhanakaraka Zukra and dhanapathi Budha, the Purvarjuni-born may also display financial intelligence, deal-brokering ability, and glamour in romantic relationships. Queenly and self-referential, they require equity in marriage and business contracts. Honesty is deeply important to them. Yet, due to Zukra's bargaining nature, the insult of disloyalty may be balanced by financial compensation.

Like all Zukra-governed births, Bhagadaivata-born must take care to avoid the misuse of drugs and alcohol. Political and creative success depends upon the charisma of lagnesha Surya. Financial success depends upon the dual-dhanakaraka Zukra and Budha.

Themes of theatrical celebrity, lavish musical entertainments, arts and fashion, and financial agreements may contextualize Pubba's terrestrial experience. Applies also to Chandra-Purvaphalguni.

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 95

"... an oval face, whose features are well proportioned

  • and a quiet, well modulated voice, soft and cultured.
She is modest and unassuming
  • but has a strong and fine character beneath her quiet demeanor.

Very hospitable and sociable, she likes to meet people

  • and is interested in what they have to say and in their troubles.

She likes to sew or embroider

  • and is often occupied with such tasks.

She also is keenly interested in occult subjects

  • And likes to listen to discussions on these matters and to read about them.

She is scrupulous in her obligations

  • and a favor done to her will always be repaid promptly with something else added."


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Aishwarya Rai in 2013 (age 40)

Biographical events matched to the Vimshottari Dasha calendar

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Aishwarya Rai in 2011

Zukra Mahadasha * age birth until sge 11.7

01-Nov-1973 Earth-birth in Mangaluru, Karnataka, India * Zukra-Rahu bhukti


Surya Mahadasha * age 11.7 until age 17.7


Chandra Mahadasha * age 17.7 until age 27.7

1993 (AR age 20) wins international supermodel contest resulting in worldwide publicity * Chandra-Rahu bhukti

1997 (AR age 23) first cinema roles = Iruvar [Tamil]++ Aur Pyaar Ho Gaya [Hindi]* Chandra-Budha bhukti * Budha rules 10th navamsha +++ 10th-from-Chandra


Mangala Mahadasha * age 27.7 until age 34.7

20-Apr-2007 exchanged the vows of Marriage with celebrated dramatist Abhishek Bachchan * Mangala-Zukra bhukti * samchara Rahu-Ketu via Kumbha-Simha contact Simha lagna


Rahu Mahadasha * age 34.7 until age 52.7

16-Nov-2011 celebrated the birth of child-1 (AR age 38) * Rahu-Gurui bhukti

18-Mar-2017 grieved the decease of father (AR age 44)* Rahu-Budha bhukti * Budha rules 12th-from-Surya


Guru Mahadasha * age 52.7 until age 68.7


Shani mahadasha * age 68.7 until age 87.7

Distinctive features of the Nativity

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RaiAishwarya_photo.jpgSurya * pitrikaraka * jyotikaraka

lagnesha

  • Surya-Vanika * nichha * Hiranya-garbha * golden fetus
  • Surya in bhava-3 * center of commerce * intelligence for reports * dramatic instructional delivery * creative descriptions * self-referential announcements * confident handcraft * splendid technology * father-figure plays collaborative * teamwork roles * entertaining explanations * administrative entitlements * focus on communication * eye on process management * iconic messaging * bright center of discourse * brilliant gesturing

FATHER

Dad = Krishnaraj Roy = Army biologist

CAREER


Chandra * matrikaraka * garha-karaka

Atmakaraka

  • Chandra-Dhanuzya * comforted by rhythmic catechesis of belief
  • Chandra in Purva-azadha * comforted by valued beliefs * protectors of inspirational music * needs philosophical harmony * soothed by expansively beautiful design
  • Chandra in classroom-5 * comfort in politics * familiar with gambling and games * soothed by celebrity, charm, children * needs to feel the repeating pulse of confident self-expression * emotionally attuned to uniqueness * settled into the rhythm of romance * intelligent customary routines * calmed by artistic performance * undulating creativity
  • Somana-yuti-Zukra * Emotionally indulgent * comforted by balanced arrangements * nourished by luxurious pleasures * sensitive to sisterly figures * needs to negotiate * seeks shelter in alliances* preference for owned properties * soothed by beauty * feels like a partner
  • Somana-yuti-Rahu * Emotionally expedient * sensitive to exotic figures * needs exciting opportunities * unconventional parenting style * soothed by unusual experiences * undulating desires * craves nurturing * feels exceptional

MOTHER

Mom = Vrinda Rai = scriptwriter + cinema producer

CAREER

= Chandra familiar to the people; motherhood, schoolteacher, cultural roots

= Chandra familiar faces, patriotism, folkways, motherlandnichha-Guru-4 rules Chandra


Kuja * bhratru-karaka * virya-karaka

  • Mangala-Meza * moolatrikona 0-18 deg. * Swakshetra * vigorous pursuit of dominance * straightforward dynamic actions * competitive winner * propulsive battering weaponry * push toward conquest * pioneering vitality * hot yang-energy * thrusting force * forward-driving movement * champion of innovation
  • Mangala in bhava-9 * karako bhavo nashto * drive toward doctrine * champion of paradigmatic belief * pursuit of patronage * dynamic preaching * energized philosophical conquests * aggressive or sexualized paternal energies * dominating father-figures. Often Kuja-9 = challenges to the father's life + lifestyle.

Budha * bandhava-karaka * zisya-karaka

  • Budha-Vrizchika * secretive communications * articulation of transformative process * emergency pronouncements *delivers messages about dangerous situations * descriptive initiations * discusses undisclosed information * mysterious handcraft * * articulately defined masking * gives instruction for penetrating procedures * expertly detailed disguise * hands-arms-shoulders make occult gestures
  • Budha in bhava-4 * narrative of parents, homeland, roots, routine, ritual * discusses the mother-figure, parenting, comfort, security * conversations about defense * describer of sheltering protection, fences * instructions for boundaries, policing, guardianship, familiarity * explainer of homeland customs * delivers instructions for anchoring, patriotic slogans * talks about farms, fishing, nourishment * collaborates with teams in transportation, vehicles, schooling, foundations, folkways* narrative of customary rhythms, seasons

Businesslike Budha rules 10th navamsha +++ 10th-from-Chandra = commercial orientation, media-messaging, sales, production


Guru * dhavakaraka * bahuta-karaka

  • Guru-Makara * nichha * understands social structure * develops many rules * class-conscious convictions * conventional doctrine * believes in common sense * pragmatic guidance * philosophical realism * diverse social responsibilities * principled materialistic worldview * faith in hierarchical order * preaches about wise governance * widens the scope of institutional authority
  • Guru in bhava-6 * much ministry of service * extensive distress * philosophical disagreements * many ailments* numerous physicians * diverse diagnoses * abundant digestive imbalance * many grievances * numerous accusations * broad scope of war + crime + conflict *cheerful acceptance of human miseries * extensive animosity * believes in problematicity * patron of pharmacies * many medicaments

Benevolent Brihaspati rules Arudha lagna Dhanuya = bhava-5 creativity fashion drama romance


Zukra * svadhu-karaka * kalatra-karaka

  • Zukra-Dhanuzya * appreciation of humanistic belief * likes broad perspectives * attracted to teachers and priests * pleasures of theory * dogmatic arrangements * enjoys indoctrination * aesthetic of philosophical worldview
  • Zukra-5 * pleasure of dramatic gaming enjoys center-stage equity * feminine-figures are prominent in the creative * political environments * pleasing designs to adorn the heart * graceful solar plexus * literary and fine arts * appreciation of creativity
  • Zukra-yuti-Chandra * sweetened security * gracious caretaking * appreciation for nourishing protection * emotionalized negotiations * sheltering arrangements * soft caretaking beauty * sheltering arrangements * balanced caretaking * soothed by beauty * pleasant emotional response * enjoys local rhythms * arrangements according to the folkways * musical mother-figure * protective contracts
  • Zukra-yuti-Rahu * sweetened adventure * gracious ambition * appreciation for exciting opportunism * masked negotiations * over-reaching agreements * exceptional beauty * enjoys cultural mixing * barrier-bending, culturally unusual arrangements * diplomatic equity balanced with exhilarating risk * risk-rewarding contracts * typically an unconventionally attractive, pleasantly mesmerizing appearance.

Zukra rules Karakamsha bhava-1 fleshbody personality physical appearance


Shani * duro-karaka * jara-karaka

  • Shani-Mithunaya * tiresome old documents * resistance to change of explanations * obliged to conform to the hierarchical managers * must materialize orderly information delivery * rigid process handling * heavy old discussions * obligatory, strictly scripted conversations * inflexible instructions * must endure the lowest-common-denominator proletarian communication * slow elderly messengers * vital energy compression stress zone = hand-arm-shoulder * restricted breathing * insufficient team cooperation * must continue to collaborate, cooperate, gesture, and signal despite scarce available resources
  • Shani in Bhava-11 * Structured, orderly, time-conscious goals. One must connect, must earn with hard effort. Cautious, conventional marketplace linkage; tense and limited gainfulness, chronic pressure to produce revenues; heavy legacy pressure against freely chosen associations, Resistance to new friends. Resentment toward changes in economic systems. Intolerance toward unconventional earnings..Wage-earner's fatigue.. Support for socially-approved, rigidly dutiful roles as economist, community organizer, salary-worker, paymaster.
  • Shani-yuti-Ketu * resistance against dispersion * distancing style of social conformity * pragmatic dissociation * limited surrender * lawful abandonment * spiritual paralysis * disinterested in outdated protocols * disciplined apathy *constrained wandering * regulated dissolution

From Chandra-Dhanuzya lagna, the mature voice of sober serious structured hierarchical Professor Shani rules

  1. the emotionally-motivated traditionalism, family lineage conserving, treasure-preserving, language-and-history remembering, acquisitive, genetic conservation of 2nd-from-Chandra
  2. the emotionally talkative, information-delivering, evangelical, publishing, announcing, script-reading, reporting, conversational, process-managing communications of 3rd-from-Chandra

Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Rahu-Dhanuzya * shimmering illusion of wisdom * craving for philosophical principle * mirage of fatherly generosity * extraordinary theory * unusual approach to higher truth * mask of global humanistic belief * fascinating doctrine * over-reaching catechisms * fabulous patronage * seeks special importance via apparent (but perhaps not authentic) attributes of professorship, guidance * seeks privilege via proselytism * seeks privilege via guru-roles
  • Rahu in bhava-5 * passion for politics, celebrity, games * in swabhava of Splendid Surya, the Shadowy Specter seeks privilege via glamorous or unusual children; out-of-bounds creativity, and amplified poetic romance; Risk-rewarding Rahu generates a charismatic individuality, center-of-attention displays of creative genius. Desires a special, important role in performance arts, literary arts, entertainments, royalty roles, pageantry, celebrity events, or dramatic splendor. Exciting, opportunistic, ambitious children and lovers. Rahu the Poseur may wear the persona (mask) of a dramatic actor, a celebrated intellectual, or a politician. Craves the center stage, the lights, the glory. Rahu-5 trespasses the cultural boundaries in matters of unique personal creativity, children, speculation, gaming. Seeks flamboyant fashion, exceptional offspring, and the thrill of political theatre.
  • Rahu-yuti-Soma * amplified emotion, magnified familiarity exotic habits, tricky comforts, opportunistic mother, fascinating (but perhaps illusory) appearance of sympathetic caretaking, hypnotic rhythms, emotionally attuned to cross-cultural mixing, fascinating (but perhaps illusory) appearance of sympathetic caretaking, hypnotic rhythms, emotionally attuned to cross-cultural mixing
  • Rahu-yuti-Zukra * amplified attractions * magnified beauty * exotic art-music-architecture * tricky partners * opportunistic feminine-figures * fascinating (but perhaps illusory) appearance of luxurious pleasure * strange-and-wonderful designs * thrilling relationships * barrier-bending style of deal-making * unusual contracts * hypnotic arrangements * gracious balance of cross-cultural mixing

Ketu * kavandha-karaka * chidra-karaka

  • Ketu-Mithunaya * dissociates from conversation, * incomplete message * empty instructions * absent from the discussion * wandering mentality * fragmented signals * not limited by commerce * ignores restriction on communication * liberation by release of narratives * applies explanatory gestures to the misty abyss , applies explanatory gestures to the misty abyss
  • Ketu in classroom-11 * absent from friendships, disregards profitability * no barriers in community, dissolves the social network, vacuous associations, irrelevance of the material goals, ambivalence toward economic empowerment. One abandons the elder siblings, ignores marketplace earnings, surrenders the electro-magnetic connections. May prefer to live without electricity, or off-the-grid.
  • Ketu-yuti-Shani * surrendered conformity, empty structures, disconnected elders, unsustainable rules, abandoned achievements, eccentric profession, chronological disorientation. irregular order, apathetic boss, fragmented materialism, incoherent legislation, social disregard, dissolution of normal conventions, absence of survival fear. Spiritual liberation via release of public approval.
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