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Royalty and Celebrity

Politics


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Imperial Standard of Russia before 1917


Rasputin was born 9 months before

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Young Rasputin colorized by Klimbim


Advisor to the Romanov Family of Russia

spiritual healer, hypnotic dancer

peasant icon

Grigori Yefimovich Rasputin

Earthbody-Entry Thursday-21-Jan-1869

Earthbody-Exit 30-Dec-1916 (age 47, assassinated)

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Romanov family advisor, spiritual healer, peasant icon * 1869-1916 * Grigori Yefimovich Rasputin

birth data from https://en.wikipedia.org/wiki/Grigori_Rasputin* tentatively rectified by BP Lama

charts, graphs, and tables produced by Shri Jyoti Star * adapted by BP Lama

Rising Nakshatra

Masculine Nativities

Azlesa * Naga * Azreshasha * Hydra * Aayilyam * Bhujamaghabha


BPL commentary

For Azlesa births of a masculine valence, the condition of conversational, discursive, explanatory, instructional, argumentative, commercializing, evangelical Kumara may considerably affect the outcome.

For those born into the Budha-ruled paradigm of Uraga, siblings, cousins, schoolmates, bandmates, team-mates, entourage, ensemble, neighbors, managers, cohort, coterie, collaborative group, publishers, messengers, merchants, commercial agents, reporters, writers, scripts, plans, schedules, instructions, radio-television-internet, news-media, conferences, committees, discussions, travel itineraries, and texts may be especially influential.

Instructional guidance provided by emissaries from the civilizations of Hydra. Their purpose is to hold securely, twist, and control.


Call to Roots

Budha-ruled Asresas are typically storytellers. They are protective, parentally concerned, emotionally responsive communicators. Intensely patriotic and often xenophobic, Naga-born harken to the old ways, the ancient rhythms, the folk stories which bind an ethnic people to their roots.

Azresa have a particular genius for evoking ethnic narratives and ancient resentments.

Emotionally engaged and gesturing (Budha) in their messaging style, Hydra-born are often accomplished writers in literary genre ranging from political speech-scripters to parenting advice to folktale raconteurs. They specialize in tropes of root-culture, customs and habits, protection of the genetic stock, stabilization of the place of settlement, and defense of a way of life.

Bhujamaghabha speak the stories of a people in their land. It is the tale of a beginning in the watery mists, travel by ship, the struggle to farm and build, the cry for protection of a parental god, and finally the rooted possession of their place. They are natural environmentalists who prefer conversations about parenthood, ritual worship and holidays, food and farms, schools, roads and housing, with an emphasis on ensuring continuity of culture. Depending upon the condition of parental Chandra, Azlesa fathers may bind their children closely.

In leadership roles, the Naga-born may communicate in a swaying, hypnotic jargon, talking in the most common style, appealing to the base layers of the society, recalling an ancient past. Their sentimental audience is rapt with feeling. Their rhetoric is soothing, repetitive, simple, and familiar, like a parental lullaby, soothing the baby's cries.

Once lulled, the Naga's quarry may be bound and captured, lashed to the safe place. It is a bondage ritual, repeated to ensure that nourishment can continue and familiar customs can repeat in an unbroken, rhythmic flow.

Asresa-born may be found in socially powerful messaging roles. They come to prominence when a tribe is weakened at the root and feeling vulnerable. An ancient racial narrative is invoked. This storyline may beseech a people to strap themselves to the land and waters which give sustenance. Its clarion call rallies the fyrd, the farmers' army, the simple folk's defense of their habits, their sustenance. To this place they are bound by hunger, by vulnerability, by a need for protection.

Themes of tight bindings, holding to roots, emotional restraint, and defense of ancient folkways may contextualize Naga's terrestrial experience. Applies also to Chandra in Azlesa.

QUOTATION from: Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra. p 82.


"Outstanding characteristic of these people

  • is their rather unpleasant and unsociable disposition.

They are awkward and gauche in their manners

  • and are not quick to profit by their mistakes

  • because of their inability to adapt themselves to their surroundings

  • and their apparent reluctance to be gracious or kind to others.

This attitude militates against success in life

  • and is a barrier to progress.


These people should live less introspectively

  • and learn to appreciate the good in other people.

They should cultivate the habit of doing things for others."


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[BPL comment: Mr. Ponde often repeats his particular aversion to Azlesa nativities. Yet whether male or female, Azlesa "the leash" produces many of the world's great writers, poets, and lyricists.

As well, Azlesa often show mastery of Budha-type manipulative skills including verbal acuity in public speaking, literary publishing, business administration, and handcraft. When twisted under pressure, this handiness could become squeezing, strangling, or extortion -- but rarely.

Azlesa are typically eccentric Budha-ruled creatures who are tightly focused on their information (choreography, lyrics, sequencing, plots, characters) ...

This feature of their mentality does not naturally parlay into unkindness or uncleanness ... only a rather grumpy intolerance for people and things irrelevant to their task.]

Biographical data matched to Vimshottari Dasha Calendar

Zukra Mahadasha * birth until age 17

21-Jan-1869 Earth-birth in Pokrovskoye, Tobolsk Governorate (Siberia), Russian Empire * Zukra-Zukra bhukti

02-Feb-1886 exchange the vows of marriage-1 (age 17) * Zukra-Ketu bhukti * Ketu-7 * samchara Rahu-Ketu via Simha-Kumbha contact navamsha R-K


Surya Mahadasha * age 17 until 23


Chandra Mahadasha * age 23 until 33


Mangala Mahadasha * age 33 until 40


Rahu Mahadasha * age 40 until 47

30-Dec-1916 Earthbody-Exit (age 47, assassination) * Rahu-Shani bhukti * Shani rules maraka-7

Distinctive features of the nativity

Surya * pitrikaraka * jyotikaraka

  • Surya-Makara-Draco * Savitra * the stimulator
  • Surya in bhava-7 * center of relationships, focus on agreements, brightly negotiating, confident in brokerage and trade, intelligence for equity, peer entitlements, eye on contractual relationships * sparkling center of thedeal-making drama
  • Surya-yuti-Budha * confidently conversational * bright messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * speaks and gestures in alignment with the spiritual rays of the Sun * radiantly descriptive * articulate in drama and games * self-confident announcements * talks about ideals, power-politics, poetic love, and romance , creatively intelligent sibling-cohort, radiantly descriptive
  • Surya-yuti-Ketu * confidently detached * bright observer * entitled to surrender * apathetic toward the spiritual rays of the Sun * creatively intelligent abandonment * politically disinterested * wandering father-figure * radiantly unconcerned

Chandra * matrikaraka * garha-karaka

lagnesha

  • Chandra-Meza * comforted by rhythmic forward pursuit
  • Chandra in Bharani * Yamuna * Yamya * comforted by carrying valuable burdens * protectors of assets, treasuries, contractual trust, natural resources, reserves
  • handra in classroom-10 * comfort in orderly ranks * socially recognized for emotional qualities * parental style of leadership * familiar with strict protocol * accustomed to regulations * soothed by systems * acculturated to executive routines * settled into the rhythm of iconic roles * needs to feel the repeating pulse of visibility * calmed by hierarchical steps + sequences * anchored into roles of recognition + respect; * undulating lawfulness

Kuja * bhratru-karaka * virya-karaka

Yogakaraka Mangala rules 5-intelligrnce, creativity, celebrity ++ 10 social visibility, respect, reputation, leadership

  • Mangala-Singha * vigorous pursuit of fame * creatively moving political theatre * proactive drama * push toward celebrity entitlement * champion of pageantry * military parades * brilliantly energized celebrations *push toward parties and games * sexually active romance * flamboyant gambling
  • Mangala in bhava-2 * drive toward values lineage, pursuit of treasuries, energized face-speech-song, champion of hoarding, competitive family prone to shouting, vigorous capitalization-banking, storage, assets, sporting approach toward finance, conservation, hyperactive family dynamics, acquisitive conquests

Shani-Kuja mutual aspect

Kuja = karmesha-10


Budha * bandhava-karaka * zisya-karaka

  • Budha-Makara-Draco * bureaucratic communications * articulation of lawfully orderly process * proletarian phrasing * delivers procedure for imposing rules * descriptive explanations of the social order *  messages about governance * documentation of regulatory procedures * diagrams the hierarchies * status-conscious mentality * hands-arms-shoulders send normalizing gestures
  • Budha in bhava-7 * narrative of relationships, contracts, deals * discusses relationships, trusts, betrothal, contracts, describer of deal-making, delivers instructions for negotiation, explainer of arrangements, talks about fairness, justice, settlement of quarrels, marriage, alliances, partnership, equity, parity, balance. Excellent placement for mediator, negotiator, bargainer, attorney. * discusses  relationships, trusts, betrothal, contracts, describer of deal-making, delivers instructions for negotiation, explainer of arrangements, talks about fairness, justice, settlement of quarrels, marriage, alliances, partnership, equity, parity, balance. Excellent placement for mediator, negotiator, bargainer, attorney.
  • Budha-yuti-Surya * explainer of dramatic intelligence * affinity for central roles expressing skills of communication, explanation, description, instruction * explainer of dramatic intelligence * affinity for central roles expressing skills of communication, explanation, description, instruction * articulation of radiant authority * message of willpower and charisma * confidently talkative father
  • Budha-yuti-Ketu * explainer of impermanence * affinity for dissociative, dissolving roles expressing skills of communication, explanation, description, instruction * explainer of impermanence, articulation of surrender, signals abandonment, message of the observing Witness, talkative spirits

Guru * dhavakaraka * bahuta-karaka

  • Guru-Meena * much sleep. inner guidance, many imaginings, many dreams, intuitive beliefs, doctrine of esoteric understandings, expands the scope of contemplative awareness, multiple prayers and visions
  • Guru in bhava-5 * much creativity * many intelligences * many entitlements * numerous games + entertainments * many romances * extensive self-glorification * Children identified with paradigmatic beliefs * expansion of political display * development of drama * Optimistic in speculations * patron of creative performance

Zukra * svadhu-karaka * kalatra-karaka

  • Zukra-Dhanuzya * appreciation of humanistic belief * likes broad perspectives * attracted to teachers and priests * pleasures of theory * dogmatic arrangements * enjoys indoctrination * aesthetic of philosophical worldview
  • Zukra-6 * pleasure of self-medication; enjoys exploitive arrangements, addictions, imbalanced equity, feminine employees, attracted to servants, and slaves; appreciation of enemies, toxicity from sugars, aesthetic of slavery, unfair contracts, relationship injustice, criminal bargains, adjustability in times of poverty and war

addiction * Rasputin suffered from chronic alcoholism


Shani * duro-karaka * jara-karaka

  • Shani-Vrizchika * heavy old secrets * obliged to uncover the camouflaged realities of mass transformation * pressured to regulate the flow of occult identity changes * must explore masked trauma * vital energy compression stress zone = genitals-anus * strictly imposed rules for confidential matters must be respected * must materialize dangerous hidden knowledge * must regulate the threat of disaster * must work with tightly regulated conditions of emergency * must accept the conventional methods of rigidly slow elder shamans * sustained conditions of proletarian revolution * must engage in continued discovery despite scarce available resources
  • Shani in Bhava-5 * Structured, orderly, time-conscious children. One must create drama with scarce confidence; cautious of politics, conventional intelligence; heavy weight of children; resistance to genius, tense performance, creative fatigue, chronic pressure on the heart + spine ; heavy resistance to individual authenticity. Resistance to new fashions and romance. Resentment toward changes in games and amusements. Support for socially-approved, rigidly dutiful roles as gambling regulator, scholar, constrained speculator, royally, celebrity figure.

Shani-5 rules

  • 7 = contracts, agreements, arrangements, alliances, equity, bargaining, deals
  • 8 = secrecy, non-disclosure, taxes, hidden relationships, camouflaged assets, first lifepartner's family (in-laws)

Shani-Kuja mutual aspect

yuvatipathi-7 occupies 11th-from-7th * indicates a friendly marital partner, and social-material gains (11) via the marital contract (7). Rasputin's wife accepted his profligate, wandering lifestyle. She demanded only that he must return to their agricultural peasant village once every year to contribute his labor to the autumnal grain harvest. This agreement also satisfied the village community (11) that he was a contributing member and deserving of membership in their network.

Shani in Bhava-5 suggests that politics, royalty, celebrity, entitlement, games and gambling, showmanship, intelligence, and self-radiance, were among the most frustrating experiences for Rasputin. He would have hated being in the limelight and no doubt held the fragile, privileged royalty in deep contempt.

According to the collective known as Ra, GR was a bona-fide 4th-dimensional-negative entity. His job was to open a new era of violence and a strangling enslavement of the Russian masses. The mission would appear to have been successful.


Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Rahu-Karkata * shimmering illusion of security * craving for customary rhythms * risky policing * mirage of home and shelter * mask of ancestral belonging to a habitual place * tantalizing acts of protective defense * over-reaching patriotism * fabulous farms and fisheries * fascinating ethnic routines * marvelous localities * intriguing owned properties * extraordinary cetaceans * seeks special importance via apparent (but perhaps not authentic) attributes of motherliness, nationalism, loyalty to the homeland * seeks privilege via parent-roles
  • Rahu in bhava-1 * passion for vitality * in swabhava of Competitive Kuja, the Shadowy Specter seeks privilege via glamorous, exotic, or mesmerizing physical visage, extraordinary athletic movement. Smoky, oily aura. Craves an exceptional appearance, exhilarating energy, thrilling champion of non-standard lifestyles. Seeks social mobility via vital, dynamic muscularity. Exciting personality. Challenges the norms with innovative behavior. Unusual combination of identities. Embodiment of socio-cultural mixing. Seeks opportunity via ability to cross customary boundaries. Double agent, representing two or more groups. Over-reaching characteristics. Stirring ambition. Trespasses the conventional dividing cultural boundaries. Remarkable conditions of birth. A fascinating figure.. May represent a cult of personality.

Ketu * kavandha-karaka * chidra-karaka

  • Ketu-Makara-Draco * dissociates from strict regulations * * incomplete hierarchy * empty rules * dissolute laws * meaningless social authority positions * severed execution of duties * not limited by public conventions * ignores restriction on rank * disregards status barriers * applies institutional structure to the misty abyss
  • Ketu in classroom-7 * ambivalent toward agreements, absentee spouse, disregards contractual loyalties, disinterested in negotiations, wanders from the middle-balance, dissolves the alliances, irrelevance of equity and partnership. One abandons the usual covenants, ignores the conventional bargains, delivers incoherent promises.
  • Ketu-yuti-Surya * surrendered creativity, empty drama, unsustainable confidence, disconnected father, apathetic intelligence, intellectual disengagement, dispersed vision, disinterest in games, unfulfilled genius, fragmented politics, incoherent entertainments, wandering focus. Spiritual liberation via release of egocentricity.
  • Ketu-yuti-Budha * surrendered articulation, empty talk, unsustainable explanations, disconnected siblings, apathetic evangelism, incomplete details, misnomers, fragmented schedules, unfulfilled deliveries, illogical messaging, impermanent plans, spiritual liberation via gestures and discussion. For commercial nativities, may dissolve the ensemble, workgroup, cohort, or team.

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