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Master of Intimidating Images
cinematic director, film noir genre
psychological narratives of mystery, murder, crime, terror, anxiety, bondage, fear, hysteria, and loss of control
Earth-birth Sunday-13-Aug-1899
dematerialization 29-Apr-1980 (age 80)
Film Noir cinematic director + producer * 1899-1980 * Alfred Hitchcock
birth information from http://en.wikipedia.org/wiki/Alfred_Hitchcock * tentatively rectified by BP Lama Jyotishavidya
charts + graphs + tables = produced by Shri Jyoti Star software * adapted by BP Lama
Kala Amrita Yoga KSY * Ketu2-Rahu8
Rising Nakshatra
Masculine Nativities
Mraga * Marga-ziraza * Agrahayani * Ena-ziras
BPL commentary
For Mriga-zirshana births of a masculine valence, the condition of pioneering, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome.
For those born into the paradigm of Mangala-ruled Invaka, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, drivers, drillers, diggers, exploders, aggressors, pursuers, competitions and battles may be especially influential.
Instructional guidance is provided by the civilizations of Orion. Their purpose is to promote engaging, instinctive messages that conquer, compete, startle, stimulate, pioneer, attack, and provoke.
Verbally Incisive and Commanding
Gentlemen born within a nakshatra of Mangala are gifted with a knack for competition. Shrewd, verbally intimidating, and goal-directed in Mriga-Sirasa, they strive for dominance within their cohort. Mriga are often found in business management, commercial finance, sales, marketing, advertising, script-writing, publishing, propaganda, cinema, and media-communications.
Kuja-ruled Mriga-zirasa chaps tend to be pro-active, and energetic in pursuit of the win. Although their physique could be quite heavyset, their agility is surprising. Agrahayani-born are often found in politics, manufacturing, media-messaging, and commerce, especially in sales, marketing, and advertising roles where their energy delivers competitive advantage.
Mraga are often accurate marksmen, able to handle weapons and metal equipment. Agrahayani fellows may have a special affinity for quadruped animals, bands of brothers, and soldiers. Due to the crystalline structure of their noses, Mraga-born have an extraordinarily acute sense of smell.
Vrishabha - Urisha pada 1-2 represent the 7-12 angle and the Zukra-Kuja attraction. Those born in pada 1-2 pursue artistic communications, legal contracts, equity, and brokerage in secluded enclosures, such as research laboratories, private rooms, or the imagination. They have special gifts for fantasy, imagery, and distant worlds. Their goal is the formation of vitally valuable partnerships. Depending upon Yogakaraka Shani ruler of 9+10, the Vrishabha pada of Krittika have a stronger propensity toward governance roles,
Mithunaya-Dvamdva pada 3-4 represent the 6-11 angle and the Budha-Kuja tension. Pada 3-4 are profit-driven and not averse to theft or breaking contracts for advantage. They have a special gift for marketplace systems. Friends (11) and enemies (6) have equal influence. Pada 3-4 may focus on friendships, economics, and dominating the competition..
Themes of forward movement, group activity, and sporting competition may contextualize Mriga's terrestrial experience. Applies also to Chandra in Mrigazirshana-Invaka.
QUOTATION from: Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra . p 80
"Unless other testimonies in the chart predominate to modify the effect of Mraga rising,
these people may be very unpleasant characters.
They are inclined to be misanthropic in their attitude toward life and people.
They seem always to see the worst side of people and of conditions.
They are suspicious of other peoples' motives
and even vicious at times.
Unless checked, these thoughts will lead to vicious action
and they can be quite dangerous to others whom they dislike.
Possibly this attitude is caused and aggravated by some permanent organic disability
which is usually the lot of those who are born with Mraga rising."
Alfred Hitchcock 1970's
Psycho 1899-1980 film noir Alfred Hitchcock
Guru Mahadasha * age birth until age 13.2
13-Aug-1899 Earth-birth in Leytonstone, Essex, East London, England * Guru-Shani bhukti * Shani rules 8-9 * Shani yogakaraka from Chandra-Thula * sarala yoga
Shani Mahadasha * age 13.2 until age 32.2
12-Dec-1914 decease of father (Alfred's age 15) quit day-school, switch to night-school, and go to full-time work * Shani-Shani swabhukti * Shani pitrimaraka rules 7th-from-Surya
02-Dec-1926 marriage to Alma Reville * Shani-Rahu bhukti * R-K samchara Dhanuzya-Mithunaya contact radical R-K
celebrated the birth of child-1 Patricia Hitchcock 07-Jul-1928* Shani-Rahu bhukti * gochara R-K Dhanuzya-Mithunaya contact radical R-K
Budha Mahadasha * age 32.2 until age 49.2
March-1939 Hitchcock signs a 7-year contract with David Selznick. Shortly afterward, the family shifts to California * Budha-Chandra bhukti * Somana-yuti-Guru Chandra gives effect of Guru ruler of 11 = 8th-from-4th, shift to "step-country"
27-Feb-1941 Hitchcock's film Rebecca win Oscar for Best Picture * Budha-Mangala bhukti * Budha rules-5 celebrity Mangala occupies-5
26-Sep-1942 decease of mother * Budha-Rahu bhukti * while gochara-Shani contact Vrishabha lagna
Ketu Mahadasha * age 49.2 until age 56.2
Zukra Mahadasha * age 56.2 until age 76.2
- Zukra-3 * Zukra-Karkata * Zukra-yuti-Surya * Zukra-3 parivartamsha Chandra-6
1958 Hitchcock receives the Golden Globe award for his television show (1955-1965) Alfred Hitchcock Presents * Zukra-Zukra swabhukti * Zukra-3 lagnesha * Zukra-parivartamsha Chandra = familiar face (Soma) on television (3)
08-Feb-1960 Hitchcock receives two Hollywood stars * Zukra-Surya bhukti * Surya-3 produces results of lagnesha Zukra = promotion, marketing of the identity
1962 Hitchcock is offered a CBE award from the British crown, but he declines it * Zukra-Mangala bhukti * Mangala occupies-5 royalty but Mangala-Kanya is critical of the pretense
Surya Mahadasha * age 76.2 until decease age 80
30-Jan-1979 decease of immediate elder sister Nellie
29-Apr-1980 dematerialization (via renal failure, age 80) * Surya-Budha bhukti * Budha maraka rules-2
Psycho 1899-1980 film noir Alfred Hitchcock
Alfred Hitchcock by Jack Mitchell
Surya * pitri-karaka (father) * jyoti-karaka (light)
Atmakaraka = Surya * drama, camera, eye
- Surya-Karkata * Bhanu * ray of light
- Surya in bhava-3 * center of commerce * mercantile intelligence * smart reports * dramatic instructional delivery * creative descriptions * splendid games of manual-skill * self-referential announcements * admirable handcraft * splendid technology * focus on teamwork * cinematic genius * entertaining explanations * administrative entitlements * confident writing * eye on process management * regal messaging * bright center of discourse * brilliant gesturing * father may be a businessman-craftsman-communicator
- Surya-yuti-Zukra * confidently harmonious * brightly creative bargainer * uniquely intelligent feminine-figures * entitled to pleasures * aesthetic expressions align with the spiritual rays of the Sun * financial politics * graciously creative * dramatic promises * radiantly diplomatic * self-reflexively attractive * father may be artist-broker-arranger
Father
AH father and paternal grandfather were green-grocers. Later, dad's business expanded into managing a series of small shops selling fish + fish-and-chips. Bhava-3 shopkeeping.
Surya the Eye in bhava-3 the Message
camera , narrative via photographic image + Zukra-3 message-media about human-to-human relationships
Chandra * matrikaraka (mother) * garha-karaka (village)
- Chandra-Thula * comforted by ritual negotiation of agreements * sensitive to balance * needs to trade
- Chandra in Visaka-Radha * soothed by expansive shocks * protectors of widening energy channels * needs root-splitting growth surge pada 1-2-3
- Chandra in classroom-6 * comfortable with caretaking * accustomed to nursing * calmed by humility * ill-or-exploited-or-adversarial mother * familiar with animosity * acculturated to accusation * familiar with betrayal * habituated to indictment * needs to be helpful * feels the pulse of service ministry * protects the sick-and-vulnerable * routine domestic conflict * emotionally attuned to victims * settled into the rhythm of problematics * seeks ritual remedies * soothed by medication * suffers rhythmically repeating ailments * undulating imbalances
- Somana-yuti-Guru * Emotionally effusive * needs to expand * seeks familiar guidance * sheltered by doctrine * comforted by customary worship * protected by sacred ritual * nourished by beliefs * soothed by fertility * inspirational parents * multiple mothers * feels like a teacher-preacher
- Chandra-6 parivartamsha Zukra-3
MOTHER
AH's mother according to his biography was a customary stay-at-home wife and housekeeper. She was widowed when Alfred was 15, and he supported her financially until her death in 1942 (his age 43).
Siblings
AH sibling rank was 3 of 3. His immediate elder sibling was a sister with whom he was said to have maintained cordial contact over the decades. However, he was said to have had almost no contact with his elder brother, #1 of 3; this brother left the family home when AH was small.
11th-from-Chandra contains Budha-Simha for the elder sister, indicating some degree of conversation. However 11th-from-11th-from-Chandra indicates the eldest sibling brother, showing no contact despite all three of the siblings enjoying fairly long lives.
Worldwide recognizable face
Zukra-parivartamsha Chandra = familiar face on television
MARRIAGE emotional support partnership
Kuja * bhratru-karaka (brother) * virya-karaka (virile)
- Mangala in bhava-5 * drive toward creativity, games, drama, political conquests
- Mangala-Kanya * penetrating logic * proactive helping * thrust toward service * energetic assistance to the needy * pushy complaints * (potentially) vindictive * champion of litigious accusation * military planning * aggressive indictments * investigative journalism * medical treatment interventions
Budha * jamayah-karaka (sibling) * sandeza-karaka (message) * zisya-karaka (student)
- Budha-Simha * political communications * articulation of unique creativity * delivers celebratory announcements * manufacturers bright displays * explains celebrity entitlements * romantic messages * declares poetic adoration * delights in glittering phrases * manages entertainments * details the procedure for theatrical amusements * speaks with royal flamboyance * talks about gambling * plays intelligent games * hands-arms-shoulders send dramatic gestures
- Budha in bhava-4 * narrative of cultural roots * skillfully describes parochial routines * delivers ritual instructions * discusses protective parenting * talks in rhythmic comfortable style * analysis of foundational security * conversations about defense * handcraft of fenced shelter * explainer of homeland customs * patriotic slogans * detailed communication about nourishment * team collaboration in farming-and-fishing * transportation scheduling * seasonal planning * familiar sibling conversations
Budha rules 10th navamsha = ruled and occupied by Mithuna-Budha = communications, scripts, media industry, craft
Budha rules Arudha lagna = bhava-5 drama * Kanya logistics, exploitation, illness * Mangala ruler-of-12 subconscious yuvatipathi-7 his wife Alma was his professional partner in the dramatic cinema enterprise
Guru * dhava-karaka (husband) * bahuta-karaka (variety)
sarala yoga = Guru rules 8 occupies 6
- Guru-Thula * many trades * variety of exchanges * optimistic negotiations * believes in justice * doctrine of contractual exchange * multiple alliances * permission to bargain * diversity of arrangements * equable guidance * widens the scope of balanced design
- Guru in bhava-6 * broad ranging ministries of service * extensive distress * ideological disagreements * many injuries * much victimization * tolerance for diverse diagnoses * abundant digestive imbalance * many grievances * much betrayal * numerous unfair accusations * broad scope of disorderly conduct * cheerful acceptance of human misery * believes in problematicity * patron of pharmacies * many medicaments * in a wifely nativity, husband-figure may aid the suffering
- Guru-yuti-Chandra matri-karaka * multiple mother-figures * permission to do what feels good (not always beneficial, see Chandra's nakshatra) * much expansion of folkways * much humanistic cultural philosophy * many gardens * broad scope of sheltering settlements * generous nourishment * believes in defending the old ways of life * usually rather stout
Chandra-yuti-Guru = Typically, a generous-sized fleshly figure
Guru rules Karakamsha = Meena * radix-11 = income, friends, awards, prizes, social network
Change of Countries under auspice of vriddhipathi-11 Guru
Budha-Chandra bhukti * Somana-yuti-Guru Chandra gives effect of Guru ruler of 11 = 8th-from-4th, shift to "step-country"
Psycho 1899-1980 film noir Alfred Hitchcock settled with his family into a 200-acre California estate and stayed there for his life
Zukra * svadu-karaka (sweet) * kalatra-karaka (wife) lagnesha for Urisha radical lagna
- Zukra-Karkata * values comforting routine * likes to nourish * attracted to settled habits * prefers a home-loving partner * taste for folk-lifestyle * appreciates farmers-and-fishers * pleased by secure borders * enjoys rhythmic seasons * adorns beautiful gardens * seeks balanced parenting arrangements * aesthetic of domestic sharing
- Zukra-3 * seeks pleasure via communications * talks about relationships * sweetens the administrative tasks * pleasant style of messaging * enjoys commercial harmony * satisfied by literacy * balanced numeracy skills * prefers collaborative teamwork * aesthetically phrased announcements * appreciation of conversation * nice designs to adorn the ears * attractive shoulders * lovely arms * graceful hands * chatty sisters- aunts-neighbors * attuned to the cohort * likes musical groups * fair-and-balanced management
- Zukra-yuti-Surya * balanced roles in drama * appreciation for political display * pleasantly charming * self-focused diplomacy * radiant bright beauty * self-reflexive bargaining * sweet entitlements * negotiating father-figure * self-directed arrangements * focus on trade exchange * solipsistic romance * idealistic contracts * enjoys the game of deal-making * prefers self-confident partners
- Zukra-3 parivartamsha Chandra-6
Lagnesha = azlesha Zukra-3, beauty in communicative messaging, teams, ensemble, cooperation
Shani * duro-karaka (endurance) * jara-karaka (years)
- Shani-Vrizchika * heavy old secrets * obliged to uncover the camouflaged realities * burdened by responsibility for mass transformation * must regulate the occult identity changes * must explore masked trauma * must resist self-destruction * mandatory recycling * bodily stress zone = ovaries + testes + anus * imposes strict confidentiality rules * cautiously exposes hidden knowledge * must regulate the threat of disaster * at times, penetration of the mysteries requires great effort * must work with sudden eruptions * must accept the healing systems of elder shamans * respects the slow-moving cycles of proletarian revolution * scarce healing resources
- Shani in Bhava-7 * digbala * (beneficial placement) * enduring partnerships * heavy vows * must balance-and-rebalance * cautiously conventional relationships. * tense bargaining * chronic marital responsibilities * compression of the visible genitalia * pressure against free bargaining * negotiation fatigue * unyielding alliances * slow-moving advisors * resists new arrangements * elders maintain old contractual obligations
Public Facade of Marriage = yuvatibhava-7
Shani in bhava-7 = durable marriage. ruler-of-12 subconscious imagery = Shani in bhava-7 * dig-bala
No divorce due to Shani-7 Much dalliance with leading ladies; However, the y generally rejected him.
karmesha-10 Shani in 7 shows that his spouse's participation was structurally essential to his career.
Rahu * rajyalobha-karaka (ambition) * picchala-karaka (slippery)
"Reverse Karkotaka KSY" Kala-Amrita-Yoga = all graha between Ketu and Rahu
- Mula * Rahu-Dhanuzya * shimmering illusion of wisdom * craving for philosophical principle * mirage of generous patronage * extraordinary theory * extravagant preaching * unorthodox approach to higher truth * mask of global humanism* fascinating doctrine * over-reaching catechisms * fabulous proselytism * seeks special importance via apparent (but perhaps not authentic) attributes of philosophical belief * seeks privilege via guru-roles
- Rahu in bhava-8 * passion for mystery * in swabhava of Competitive Kuja, the Shadowy Specter seeks privilege via glamorous veiling * surreptitious recycling * exciting rebirth * fascinating self-reinvention * surgical rejuvenation * outsider who cleverly insinuates into revelatory roles * desires an important role in trauma-healing * fabulous transformations * reveals occult truths * shocking discovery of confidential information * mixed-culture revolutionary * finds opportunity in catastrophe * magical masquerade * poses as a secretary (secret-keeper) of a powerful entity * risk-rewarding in-laws * irregular inheritance * unusual alimonies * boundary-breeching disclosure * camouflage of undisclosed assets * stimulated by dangerous emergencies * may appear as a tantric initiator * alluring identity changes * pursues social mobility via hidden empowerments
Shani-Rahu bhukti * R-K samchara Dhanuzya-Mithunaya contact radical R-K
- 02-Dec-1926 Hitchcock celebrated a first-and-only marriage to the brilliant film editor Alma Reville. Their union endured 54 years until his death. Mrs. Hitchcock is widely credited as the invisible genius partner that transformed (8) Hitchcock's twisted, disturbed vision into a mesmerizing (Rahu) new film genre - film noir . Rahu-8, and his 7th-from-Chandra = 12 invisible mate
Ketu * * kavandha-karaka (headless) * chidra-karaka (gaping) * vasana-karaka (vacuum)
- Ketu-Mithunaya * dissociates from conversation * incomplete messages * empty instructions * absent from discussion * wandering mentality * fragmented signals * not limited by conventional talk * dialog of liberation * ignores normal business * forgives the sibling-cohort * incoherent scripts * releases a plant-green cloud of explanatory gestures into the misty abyss
- Ketu in classroom-2 * surrenders preserved values * eccentric voice * odd face * disperses family affluence * disregards conventional limits on sound-music-language * disinterested in genetic lineage * surrenders the hoard * odd food * peculiar precious goods * abdicates banker-conserver-collector roles * dissolves libraries * devalues treasuries * unless other graha in 2, may prefer to live free from historic traditions
Generally, Ketu-2 suggests a considerable distancing due to disinterest from the family of origin. Hitchcock was said to have maintained a minimal contact with his few family members, no contact with most of them, and unlike his wife Alma he did not move his London-based near-and-dear to the safety of California during WW-2. In other words, they were not near-and-dear.
file update:
01-Jul-2020
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