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Master of Intimidating Images cinematic director, film noir genre psychological narratives of mystery, murder, crime, terror, anxiety, bondage, fear, hysteria, and loss of control Earth-birth Sunday-13-Aug-1899 dematerialization 29-Apr-1980 (age 80) | ||||
Film Noir cinematic director + producer * 1899-1980 * Alfred Hitchcock birth information from http://en.wikipedia.org/wiki/Alfred_Hitchcock * tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = produced by Shri Jyoti Star software * adapted by BP Lama Kala Amrita Yoga KSY * Ketu2-Rahu8 | ||||
Rising Nakshatra Masculine Nativities Mrigazirsha * Mraga * Marga-ziraza * Agrahayani BPL commentary For Mriga-zirshana births of a masculine valence, the condition of kinesthetic, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome. For those born into the paradigm of Mangala-ruled Invaka, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, drivers, drillers, diggers, exploders, aggressors, pursuers, competitions and battles may be especially influential. Instructional guidance is provided by the civilizations of Orion. Their purpose is to promote engaging, instinctive messages that conquer, compete, startle, stimulate, pioneer, attack, and provoke. Verbally Incisive and Commanding Gentlemen born within a nakshatra of Mangala are gifted with a knack for competition. Shrewd, verbally intimidating, and goal-directed in Mriga-Sirasa, they strive for dominance within their cohort. Mriga are often found in business management, commercial finance, sales, marketing, advertising, script-writing, publishing, propaganda, cinema, and media-communications. Kuja-ruled Mriga chaps tend to be pro-active, and energetic in pursuit of the win. Although their physique could be quite heavyset, their agility is surprising. Agrahayani-born are often found in politics, manufacturing, media-messaging, and commerce, especially in sales, marketing, and advertising roles where their energy delivers competitive advantage. Mraga are often accurate marksmen, able to handle weapons and metal equipment. Agrahayani fellows may have a special affinity for quadruped animals, bands of brothers, and soldiers. Due to the crystalline structure of their noses, Mraga-born have an extraordinarily acute sense of smell. Vrishabha-Urisha pada 1-2 represent the 7-12 angle and the Zukra-Kuja attraction. Those born in pada 1-2 pursue artistic communications, legal contracts, equity, and brokerage in secluded enclosures, such as research laboratories, private rooms, or the imagination. They have special gifts for fantasy, imagery, and distant worlds. Their goal is the formation of vitally valuable partnerships. Depending upon Yogakaraka Shani ruler of 9+10, Urisha pada-1-2 of Mriga have a stronger propensity toward governance roles.... Themes of forward movement, group activity, and sporting competition contextualize Mriga's terrestrial experience. Incoming drishti from Kuja can mobilize their progressive, pioneering actions. Also applies to Chandra in Mrigazirshana-Invaka. |
QUOTATION from: Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra . p 80 "Unless other testimonies in the chart predominate to modify the effect of Mraga rising,
They are inclined to be misanthropic in their attitude toward life and people.
They are suspicious of other peoples' motives
Unless checked, these thoughts will lead to vicious action
Possibly this attitude is caused and aggravated by some permanent organic disability
Alfred Hitchcock 1970's Alfred Hitchcock by Jack Mitchell
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Biographical events matched to the
Vimshottari Dasha
Guru Mahadasha * age birth until age 13.2 13-Aug-1899 Earth-birth in Leytonstone, Essex, East London, England * Guru-Shani bhukti * Shani activates 8-9 * Shani yogakaraka from Chandra-Tula * sarala yoga Shani Mahadasha * age 13.2 until age 32.2 12-Dec-1914 decease of father (Alfred's age 15) quit day-school, switch to night-school, and go to full-time work * Shani-Shani svabhukti * Shani pitrimaraka rules 7th-from-Surya 02-Dec-1926 marriage to Alma Reville * Shani-Rahu bhukti * R-K samchara Dhanuzya-Mithunaya contact radical R-K celebrated the birth of child-1 Patricia Hitchcock 07-Jul-1928* Shani-Rahu bhukti * gochara R-K Dhanuzya-Mithunaya contact radical R-K Budha Mahadasha * age 32.2 until age 49.2 March-1939 Hitchcock signs a 7-year contract with David Selznick. Shortly afterward, the family shifts to California * Budha-Chandra bhukti * Somana-yuti-Guru Chandra gives effect of Guru ruler of 11 = 8th-from-4th, shift to "step-country" 27-Feb-1941 Hitchcock's film Rebecca win Oscar for Best Picture * Budha-Mangala bhukti * Budha activates 5 celebrity Mangala occupies-5 26-Sep-1942 decease of mother * Budha-Rahu bhukti * while gochara-Shani contact Vrishabha lagna Ketu Mahadasha * age 49.2 until age 56.2 Zukra Mahadasha * age 56.2 until age 76.2
1958 Hitchcock receives the Golden Globe award for his television show (1955-1965) Alfred Hitchcock Presents * Zukra-Zukra svabhukti * Zukra-3 lagnesha * Zukra-parivartamsha Chandra = familiar face (Soma) on television (3) 08-Feb-1960 Hitchcock receives two Hollywood stars * Zukra-Surya bhukti * Surya-3 produces results of lagnesha Zukra = promotion, marketing of the identity 1962 Hitchcock is offered a CBE award from the British crown, but he declines it * Zukra-Mangala bhukti * Mangala occupies-5 royalty but Mangala-Kanya is critical of the pretense Surya Mahadasha * age 76.2 until decease age 80 30-Jan-1979 decease of immediate elder sister Nellie 29-Apr-1980 dematerialization (via renal failure, age 80) * Surya-Budha bhukti * Budha maraka activates-2 | |||
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Distinctive features of the nativity
Surya * pitri-karaka (father) * jyoti-karaka (light) Atmakaraka = royalty, entitlement, sparkle, center-stage roles, celebrity, genius, creativity, gambling, father, drama, camera, eye
Father AH father and paternal grandfather were green-grocers. Later, dad's business expanded into managing a series of small shops selling fish + fish-and-chips. Bhava-3 shopkeeping. Surya the Eye in bhava-3 the Message camera , narrative via photographic image + Zukra-3 message-media about human-to-human relationships Chandra * matrikaraka (mother) * garha-karaka (village)
MOTHER AH's mother according to his biography was a customary stay-at-home wife and housekeeper. She was widowed when Alfred was 15, and he supported her financially until her death in 1942 (his age 43). Siblings AH sibling rank was 3 of 3. His immediate elder sibling was a sister with whom he was said to have maintained cordial contact over the decades. However, he was said to have had almost no contact with his elder brother, #1 of 3; this brother left the family home when AH was small. 11th-from-Chandra contains Budha-Simha for the elder sister, indicating some degree of conversation. However 11th-from-11th-from-Chandra indicates the eldest sibling brother, showing no contact despite all three of the siblings enjoying fairly long lives. Worldwide recognizable face Zukra-parivartamsha Chandra = familiar face on television MARRIAGE emotional support partnership Kuja * bhratru-karaka (brother) * virya-karaka (virile)
Budha * jamayah-karaka (sibling) * sandeza-karaka (message) * zisya-karaka (student)
CAREER - BUDHA Budha activates Mithuna 10th navamsha = ruled and occupied by Mithuna-Budha = communications, scripts, media industry, craft Budha activates Arudha lagna = bhava-5 drama * Kanya logistics, exploitation, illness * Mangala ruler-of-12 subconscious yuvati-pati-7 his wife Alma was his professional partner in the dramatic cinema enterprise Guru * dhava-karaka (husband) * bahuta-karaka (variety) sarala yoga = Guru activates 8 occupies 6
CAREER - GURU Chandra-yuti-Guru = Typically, a generous-sized fleshly figure Guru activates Karakamsha = Meena * radix-11 = income, friends, awards, prizes, social network Change of Countries under auspice of Vriddhi-pati-11 Guru Budha-Chandra bhukti * Somana-yuti-Guru Chandra gives effect of Guru ruler of 11 = 8th-from-4th, shift to "step-country" Psycho 1899-1980 film noir Alfred Hitchcock settled with his family into a 200-acre California estate and stayed there for his life Zukra * svadu-karaka (sweet) * kalatra-karaka (wife) lagnesha for Urisha radical lagna
CAREER - ZUKRA Lagnesha = azlesha Zukra-3, beauty in communicative messaging, teams, ensemble, cooperation Shani * duro-karaka (endurance) * jara-karaka (years)
CAREER - SHANI Public Facade of Marriage = yuvatibhava-7 Shani in bhava-7 = durable marriage. ruler-of-12 subconscious imagery = Shani in bhava-7 * dig-bala No divorce due to Shani-7 Much dalliance with leading ladies; However, the y generally rejected him. karmesha-10 Shani in 7 shows that his spouse's participation was structurally essential to his career. Rahu * rajyalobha-karaka (ambition) * picchala-karaka (slippery) "Reverse Karkotaka KSY" Kala-Amrita-Yoga = all graha between Ketu and Rahu
Shani-Rahu bhukti * R-K samchara Dhanuzya-Mithunaya contact radical R-K
Ketu * * kavandha-karaka (headless) * chidra-karaka (gaping) * vasana-karaka (vacuum)
CAREER - KETU Generally, Ketu-2 suggests a considerable distancing due to disinterest from the family of origin. Hitchcock was said to have maintained a minimal contact with his few family members, no contact with most of them, and unlike his wife Alma he did not move his London-based near-and-dear to the safety of California during WW-2. In other words, they were not near-and-dear. | |||
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