Master of Intimidating Images
cinematic director, film noir genre
psychological narratives of mystery, murder, criminalization / crime, terror, anxiety, bondage, fear, hysteria, and loss of control
dematerialization 29-Apr-1980 (age 80)
Film Noir cinematic director + producer
birth information from https://en.wikipedia.org/wiki/Alfred_Hitchcock
tentatively rectified by BP Lama Jyotishavidya
tentatively rectified by BP Lama Jyotishavidya
charts + graphs + tables = produced by Shri Jyoti Star software - adapted by BP Lama
Kala Amrita Yoga KSY * Ketu2-Rahu8
Mrigashirsha - Mrigashiras - Mraga - Mruka - Marga-ziraza - Agrahayani - Ena-ziras
For Mriga-shiras births of a masculine valence, the condition of kinesthetic, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome.
For those born into the paradigm of Mangala-ruled Invaka, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, drivers, drillers, diggers, exploders, aggressors, pursuers, competitions and battles may be especially influential.
Instructional guidance is provided by the civilizations of Orion. Their purpose is to promote engaging, instinctive messages that conquer, compete, startle, stimulate, pioneer, attack, and provoke.
Verbally Incisive and Commanding
Gentlemen born within a nakshatra of Mangala are gifted with a knack for competition. Shrewd, verbally intimidating, and goal-directed in Mriga-Sirasa, they strive for dominance within their cohort. Mriga are often found in business management, commercial finance, sales, marketing, advertising, script-writing, publishing, propaganda, cinema, and media-communications.
[Kuja] -ruled Mriga chaps tend to be pro-active, and energetic in pursuit of the win. Although their physique could be quite heavyset, their agility is surprising. Agrahayani-born are often found in politics, manufacturing, media-messaging, and commerce, especially in sales, marketing, and advertising roles where their energy delivers competitive advantage.
Mraga are often accurate marksmen, able to handle weapons and metal equipment. Agrahayani fellows may have a special affinity for quadruped animals, bands of brothers, and soldiers. Due to the crystalline structure of their noses, Mraga-born have an exceptionally acute sense of smell.
[Vrishabha - Urisha] pada 1-2 represent the 7-12 angle and the Shukra-Kuja attraction.
Those born in pada 1-2 pursue artistic communications, legal contracts, equity, and brokerage in secluded enclosures, such as research laboratories, private rooms, or the imagination. They have special gifts for fantasy, imagery, and distant worlds. Their goal is the formation of vitally valuable partnerships. Depending upon [Yogakaraka] Shani ruler of 9+10, Urisha pada-1-2 of Mriga have a stronger propensity toward guidance (9) and governance roles (10)....
Themes of forward movement , group activity, and sporting competition contextualize Mriga's terrestrial experience. Incoming drishti from Kuja can mobilize their progressive, pioneering actions. Also applies to Chandra in Mrigashira - Invaka.
QUOTATION from: Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra . p 80
" Unless other testimonies in the chart predominate to modify the effect of Mraga rising,
They are inclined to be misanthropic in their attitude toward life and people.
They are suspicious of other peoples' motives
Unless checked, these thoughts will lead to vicious action
Possibly this attitude is caused and aggravated by some permanent organic disability
Alfred Hitchcock 1970's
Alfred Hitchcock by Jack Mitchell
Biographical events matched to the
[Guru Mahadasha] [age birth until age 13.2]
13-Aug-1899 Earth-birth in Leytonstone, Essex, East London, England * Guru-Shani bhukti * Shani activates 8-9 * Shani yogakaraka from Chandra-Tula * [Sarala Yoga]
[Shani Mahadasha] [age 13.2 until age 32.2]
12-Dec-1914 [AH age 15] grieved decease of father, quit day-school, switch to night-school, enters full-time work * Shani-Shani svabhukti * Shani pitrimaraka rules 7th-from-Surya
02-Dec-1926 [AH age 27] consecration of marriage-1-of-1 with Alma Reville * Shani-Rahu bhukti * R-K samchara Dhanus-Mithuna contact radical R-K
07-Jul-1928 [AH age 29] celebrated the birth of child-1 Patricia Hitchcock * Shani-Rahu bhukti * gochara R-K Dhanus-Mithuna contact radical R-K
[Budha Mahadasha] [age 32.2 until age 49.2]
Mar-1939 [AH age 40] Hitchcock signs a 7-year contract with David Selznick. Shortly afterward, the family shifts to California * Budha-Chandra bhukti [Somana-yuti-Guru] Chandra enables Guru ruler of 11 = 8th-from-4th, shift to " step-country"
27-Feb-1941 [AH age 42] Hitchcock's film Rebecca wins Oscar for Best Picture * Budha-Mangala bhukti * Budha activates 5 celebrity Mangala occupies-5
26-Sep-1942 [AH age 43] grieved the decease of mother - Budha-Rahu bhukti * while gochara-Shani contact Urisha indriya-lagna
[Ketu Mahadasha] [age 49.2 until age 56.2]
[Shukra Mahadasha] [age 56.2 until age 76.2]
1958 [AH age 59] AH receives the Golden Globe award for his television show (1955-1965) Alfred Hitchcock Presents - Shukra-Shukra svabhukti* Shukra -3 lagnesha* Shukra -parivartamsha Chandra = familiar face (Soma) on television (3)
08-Feb-1960 [AH age 61] Hitchcock receives two Hollywood stars * Shukra-Surya bhukti * Surya -3 produces results of lagnesha Shukra = promotion, marketing of the identity
1962 [AH age 63] AH is offered a CBE award from the British crown, but he declines it * Shukra-Mangala bhukti * Mangala occupies-5 royalty but Mangala-Kanya is critical of the pretense
[ Surya Mahadasha] [age 76.2 until decease age 80
30-Jan-1979 [AH age 79] grieved the decease of immediate elder sister NNellie
29-Apr-1980 [AH age 80] dematerialization via renal failure * Surya-Budha bhukti * Budha maraka activates-2
Distinctive features of the nativity
pitri-karaka (father) * jyoti-karaka (light)
[homebound-anchoring bandesha for Urisha indriya-lagna]
[bright center of messages about local culture]
[radiant evangelist of folkways]
[confidently communicates about familiar habits]
[dramatically presents protective information]
[center-stage roles in signaling about security]
[sparkling Surya emanates confidence in fields of parenting, homecare, property ownership-stewardship , security]
[father may be a process manager, communicator, or writer-publisher]
[imaginative Aśleṣa-4] [navamsha Surya-Karkata]
[ Atmakaraka royalty, entitlement, sparkle, center-stage roles, celebrity, genius, creativity, gambling, father, drama, camera, eye]
AH father and paternal grandfather were green-grocers. Later, dad's business expanded into managing a series of small shops selling fish + fish-and-chips. Bhava-3 shopkeeping.
Surya the Eye in bhava-3 the Message
camera , narrative via photographic image + Shukra-3 message-media about human-to-human relationships
matrikaraka (mother) * garha-karaka (village)
[busy-communicative vikrama-pati for Urisha indriya-lagna]
[innovative Viśākha-1] [navamsha Chandra-Mesha] intuitively sensitive pursuing competitive champion
[Chandra-6 parivartamsha Shukra-3]
OUTCOMES - CHANDRA
CAREER - 10th-from-Chandra
AH's mother according to his biography was a customary stay-at-home wife and housekeeper. She was widowed when Alfred was 15, and he supported her financially until her death in 1942 (his age 43).
AH sibling rank was 3 of 3. His immediate elder sibling was a sister with whom he was said to have maintained cordial contact over the decades. However, he was said to have had almost no contact with his elder brother, #1 of 3; this brother left the family home when AH was small.
11th-from-Chandra contains Budha-Simha for the elder sister, indicating some degree of conversation. However 11th-from-11th-from-Chandra indicates the eldest sibling brother, showing no contact despite all three of the siblings enjoying fairly long lives.
Worldwide recognizable face
Shukra-parivartamsha Chandra = familiar face on television
MARRIAGE partnership emotional equity support expectations
bhratru-karaka (brother) * virya-karaka (virile)
[balancing-bargaining yuvati-pati for Urisha indriya-lagna]
[contemplative-enclosing vyaya-pati for Urisha indriya-lagna]
[innovative-champion Hasta-1] [navamsha Mangala-Mesha]
OUTCOMES - MANGALA
jamayah-karaka (sibling) * sandesha-karaka (message) * shisya-karaka (student)
[collecting-preserving dhanesha for Urisha indriya-lagna]
[creative-witty vidya-pati for Urisha indriya-lagna]
[ensemble-managing Magha-3] [navamsha Budha-Mithuna] intuitively explaining detailed teamwork collaborative dramatic scripts
OUTCOMES - BUDHA
busy, mentalized [Budha in bhava-4] rules
Budha activates Mithuna [10th navamsha] = ruled and occupied by Mithuna-Budha = communications, scripts, media industry, crafi
Budha activates Arudha lagna = bhava-5 drama * Kanya logistics, exploitation, illness * Mangala ruler-of-12 subconscious yuvati-pati-7 his wife Alma was his professional partner in the dramatic cinema enterprise
dhava-karaka (husband) * bahuta-karaka (variety)
[mysterious-initiatory randhresha for Urisha indriya-lagna]
[friendly-gainful vriddhi-pati for Urisha indriya-lagna]
[hierarchical-lawful Arcturus-2] [navamsha Guru-Makara-nicha] intuitively expanding optimistic understanding of materialistic class-conscious status positioning
OUTCOMES - GURU
Chandra-yuti-Guru = Typically, a generous-sized fleshly figure
Guru activates Karakamsha = Meena * radix-11 = income, friends, awards, prizes, social network
Change of Countries under auspice of vriddhi-pati-11 Guru
Budha-Chandra bhukti [Somana-yuti-Guru] Chandra enables Guru ruler of 11 = 8th-from-4th, shift to " step-country"
Psycho 1899-1980 film noir Alfred Hitchcock settled with his family into a 200-acre California estate and stayed there for his life
svadu-karaka (sweet) * kalatra-karaka (wifely companion)
[energizing-identifying lagnesha for Urisha indriya-lagna]
[inimical-medicating rogesha for Urisha indriya-lagna]
[optimistic-dogmatic Aśleṣa-1] [navamsha Shukra-Dhanus]
[Chandra-6 parivartamsha Shukra-3]
OUTCOMES - SHUKRA
lagnesha = azlesha Shukra-3, beauty in communicative messaging, teams, ensemble, cooperation
duro-karaka (endurance) *jara-karaka [Jahre, years]
[Yogakaraka dutiful-hierarchical karmesha for Urisha indriya-lagna]
[Yogakaraka believing-philosophical dharmesha for Urisha indriya-lagna]
[stubbornly lawful, responsibly orderly, contract-respecting, mature, unyielding, rigidly doctrinal, optimistic, hiding, camouflaging lifepartner]
[profitable-gridworked Jyeṣṭha-3] [navamsha Shani-Kumbha] intuitively ordering systems-participation marketplace distribution networks
OUTCOMES - SHANI
required maintenance of transformative relationships * hidden pressure of secret agreements
Public Facade of Marriage = yuvatibhava-7
Shani in bhava-7 = durable marriage.
Shani-Vṛścika rules 12- subconscious imagery =
No divorce due to Shani-7 Much dalliance with leading ladies; However, the y generally rejected him.
karmesha-10 Shani in 7 shows that his spouse's participation was structurally essential to his career.
rajyalobha-karaka (ambition) * picchala-karaka (slippery)
[for Urisha indriya-lagna]
[transformative beliefs in times of revolutionary change]
[prestige doctrinal initiations]
[desire to transform the beliefs]
[financial-evaluating Mūla-2] [navamsha Rahu-Urisha-uchcha]
"Reverse Karkotaka KSY" Kala-Amrita-Yoga = all graha between Ketu and Rahu
Shani-Rahu bhukti * R-K samchara Dhanus-Mithuna contact radical R-K
kavandha-karaka (headless) * chidra-karaka (gaping) * vasana-karaka (vacuum)
[for Urisha indriya-lagna]
[disregards traditional pricing conventions]
[disbursement banking transactions release accruals]
[passively fixated on ambitious inspirational-dogmatic Rahu-Dhanus-8 healers, explorers, transformers]
[eruptive-shocking Mriga-4] [navamsha Ketu-Vrischika-uchcha]
OUTCOMES - KETU
Generally, Ketu-2 suggests a considerable distancing due to disinterest from the family of origin. Hitchcock was said to have maintained a minimal contact with his few family members, no contact with most of them.
Unlike his wife Alma, AH did not move his London-based near-and-dear to the safety of California during WW-2. In other words, they were not near-and-dear.
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