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![]() Fine Arts and Architecture
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Statue of Leonardo da Vinci in front of the Uffizi Gallery in Firenze, Italia https://commons.wikimedia.org/wiki/File:Statue_of_Leonardo_da_Vinci_in_Florence.jpg
polymath musician + painter sculptor + architect draftsman + engineer scientist + inventor a.k.a. Leonardo di ser Piero da Vinci hailing from Vega [abhijita] in the constellation of Lyra. Vega civilization is famed for its celestial warfare Earth-birth Saturday 15-Apr-1452 dematerialization 02-May-1519 [age 67] |
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Polymath - engineer - designer fine-arts painter - sculptor - writer 1452 until 1519-CE Leonardo di ser Piero da Vinci birth data from https://en.wikipedia.org/wiki/Leonardo_da_Vinci tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = produced by Shri Jyoti Star - www.vedicsoftware.com - adapted by BP Lama Some biographers claim to have seen LdV's paternal grandfather's diary, from which they cite = born in "the third hour of the night" [which would be 3 hours following medieval office of compline = near 10pm, in the medieval system] however 10pm is not supportable in rectification ; the actual BT is likely near to 13h-45m |
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![]() 1474-CE, by Leonardo da Vinci Annunciazione |
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Rising Nakshatra Masculine Public-Figure Examples BPL COMMENTARY For Rohiṇī births of a masculine valence, the condition of reflective, sheltering, undulating, rhythmic, habitual, culturally rooted, boundary-defending, security-seeking, nourishing, parental, matrikaraka Chandra may considerably affect the outcome. For those born into the paradigm of Soma-ruled Suravi, mother-figures, protectors, guardians, elemental spirits, natural environments, waters, roots, eggs, gardeners, farmers, fisher-folk, caretakers, foundation-builders, police, schoolteachers, parents, providers of nourishment , and defenders of the root culture, may be especially influential. Throughout life, whatever their travels for safety or financial need, Rohiṇī-born remain profoundly patriotic toward their homeland and anchored in familiar domestic routines. Often devoted to the ancestral rituals of the ethno-religion, due to Chandra. Guidance for the Rohiṇī-born is provided by instructors from the civilizations of Al-debaran. Their purpose is to sweetly protect , defend, and shelter all the creatures and environments which come under their care. Praujapatya-born gentlemen are often found in architecture and the building arts, in caretaking and protective roles, or in specialties of real-estate and property valuation. Their focus = on defensibility and sustainability. Typically masculine births in Rohiṇī indicate a comfortable, grounded focus into the Shukra-realms of finance, music and fine-arts, craftwork with color and design, luxury goods, and family treasuries. All four Rohiṇī pada occur within Vrishabha rashi. Surabhi-born thus express a tension between the materialistic, partnership-driven duality of Shukra versus the emotionally based, need-driven behaviors of Chandra. One needs to be soothed in a sensual fashion. Rohiṇī marriages and financial partnerships are subject an undulating pattern. They feel affectionate appreciation followed by an urge to careful re-evaluation, like the cycle of high tide and low tide. Known for their intuitive negotiation and equity-seeking skills, Rohiṇī fellows are found in the worlds of environmental science, real-estate, finance, food, investment, evaluation, collections, and treasuries, with special emphasis on sustainability of nutrient and shelter. Themes of luxury accommodation, sensual nourishment, family affluence, and personal beauty may contextualize Rohiṇī's terrestrial experience. Applies also to Chandra in Rohiṇī - Aldebaran |
QUOTATION Rohiṇī from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 80. " ...a thin person, decidedly underweight,
His critical attitude toward everything and everybody develops, unless checked,
He is inordinately fond of the opposite sex
a time will come eventually when his fault-finding propensities will exert themselves in this direction." [end quote, Shil Pondey, 1939]
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Biographical data matched with
Vimshottari Dasha
bhukti
[Guru Mahadasha] = [age birth until age 14.4]
1451 [LdV age pre-natal] [Caterina age 14] in their peasant dwelling, death of the mother of LdV's mother, Caterina. * Guru-Guru svabhukti * Guru rules 2nd-from-4th-from-4 = decease of maternal grandmother Sat-15-Apr-1452 = Earth-birth in Vinci, Etruskana, Italia * Guru-Guru svabhukti 1457 [LdV age 5] moves out of his mother's peasant home, into the more grand home of his noble bio-father * Guru-Ketu bhukti * Ketu evacuation [Shani Mahadasha] = [age 14.4 until age 33.4]
1466 [LdV age 14] under the supervision of Andrea del Verrocchio in Firenza, begins an enduring apprenticeship involving the crafts of leatherwork, metalwork, woodwork, drawing, color painting, and stone-sculpting * Shani-Shani svabhukti * yogakaraka Shani-rules 9+10 1472 [LdV age 20] Officially became a master artist in the Guild of Saint Luke [10, respect] and opened his own workshop. Dad paid for the new studio. * Shani-Shukra bhukti * Shukra lagnesha, Shukra finance 1474 [LdV age 22] LdV and three other young men, at least one a member of the noble Medici family, are accused of the Bibilical crime of sodomy involving a male prostitute. Due to Medici influence, the legal charges are dropped. The stigma remained with LdV, although he seemed not to care. * Shani-Ketu bhukti * Ketu does-not-care 1474 [LdV age 22] completes the celebrated painting, Annunciazione * Shani-Shukra bhukti * Shukra lagnesha 1479 [LdV age 27] started Adoration of the Magi [unfinished due to wars] * Shani-Chandra bhukti * Chandra rules 3-workshop, handcraft 1482 [LdV age 30] After his atelier collapsed during a time of territorial wars, LdV re-invented himself [8] as a military engineer, producing designs for weaponry. Begins 17-year court tenure under patronage of Ludovico Sforza, Duke of Milan = 1481 until 1499 * Shani-Rahu bhukti * Rahu-8 self-reinvention [Budha Mahadasha] = [age 33.4 until age 50.4]
1490 [LdV age 38] completes the celebrated fine-arts painting, Lady with an Ermine * Budha-Shukra bhukti * Shukra-1 lagnesha 1493 [LdV age 41] [mom age 56] LdV's widowed mother, Caterina, comes to stay with LdV in Milan * Budha-Chandra bhukti * Matrikaraka Chandra 1494 [LdV age 42] [mom age 57] grieved the bio-decease of mother, Caterina di Meo Lippi. LdV pays funeral expenses. * Budha-Guru bhukti * Guru rules 2nd-from-matrikaraka Chandra 1499 [LdV age 47] Milan is invaded by the French army. Leonardo leaves Ludovico's Sforza's court and goes to other cities, where he has friends. * Budha-Guru bhukti * Guru randresha upheaval, emergency, sudden change [Ketu Mahadasha] = [age 50.4 until age 57.4] 09-Jul-1504 [LdV age 52] grieved the bio-decease of father, entreasured legal notary, Piero Fruosino di Antonio da Vinci * Ketu-Chandra bhukti * Chandra rules 7th-from-pitristhana 1506 [LdV age 54] young artist-apprentice Francisco Melzi [age 14] joins DaVinci's household. Melzi becomes da Vinci's student, heir, and closest companion until the Master's death * Ketu-Rahu bhukti [Shukra Mahadasha] = [age 57.4 until decease age 67]
1513 [LdV age 61] after many years of tinkering, finally finishes the Mona Lisa * Shukra-Shukra svabhukti * Shukra-1 lagnesha 1516 [LdV age 64] Leonardo travels to France for new appointment via his patron, King Francis-1, who held daVinci in great personal esteem. * Shukra-Mangala bhukti * uchcha-Kuja rules uchcha-Surya-12, distant lands + Surya nobility 02-May-1519 [LdV age 67] blessed liberation from the Earthen-body. Enterrée dans la chapelle Saint-Hubert, au sein du château de saint Amboise, France. * Shukra-Rahu bhukti |
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Distinctive features of the Nativity
[Sparkling Splendid Surya] pitri-karaka [father] -- jyoti-karaka [light] = [uchcha] [homebound-anchoring bandesha for Urisha indriya-lagna]
[brilliant center of innovative imagination] [land-owning bandesha champion of personal privacy] [patriotic political action behind-the-scenes] [pioneering genius founder bandesha of creative sanctuary] [fantasizing warrior father may be householding bandesha dreamer, quiet engineer, invisible inventor, claiming nobility from distant-lands] ... [calculating-strategic Bharani-2] = [navamsha Surya-Kanya]
OUTCOMES - MAGNIFICENT MARTANDA self-reflexively imaginative, brightly ghostlike visage, sparkling Other-worldly charm, regal style of creative seclusion, quietly focused on interior understanding, radiantly dreamlike, politically visionary, splendidly private research intelligence, center-stage theatre of symbolic ideas [Surya in bhava-12] rules
CAREER - SPARKLING SURYA occupies the mercantile, emotionally talkative, communicative cohort instructive descriptive team-working administrative managerial announcing publishing reporting explanatory conversational lyrical messaging 3rd-from-Chandra
[Surya-Mesha] = [uchcha] lagnesha
assists philosophy, comprehensive confident worldview -- but uchcha-karako bhavo nashto for father
although his father was effectively an attorney-at-court [called Notary, or contract-lawyer] nevertheless his father refused to pursue a legal paperwork process of Legitimation. This witness-signed ceremony with attestation was commonly performed by entreasured merchants and nobility who wished to pass their assets to offspring from relationships not sanctified by public formal weddings.
FATHER
Annunciazione 1452-1519 Renaissance light Leonardo daVinci [calculating-strategic Bharani-2]
Dad = Messer [Ser] Piero Fruosino di Antonio da Vinci, dad's primary weapon-and-toolkit was the inkpot and quill-pen occupies handcrafting 3rd-from-Chandra Surya-uchcha-12 occupies 3rd-from-Chandra-10 governance, elites Dad was a Florentine legal notary. For magistrates of the city and other businessmen, Ser Piero authenticated [Surya] and witnessed legal contracts. Effectively, father was a contract-attorney in Florence during the 1400's. Like his own father before him, LdV's Dad hailed from a lineage of notaries. Dad was an entreasured gentleman who served the legal documentation needs of traders, bankers, and nobility of the court. Paternal Grandfather LdV's dad's dad [Antonio di Piero, represented by Rahu-Pūrvāṣāḍhā-5] was a notary-attorney and commercial trader. Grandad, LdV's guardian, conducted business in Spain and Morocco. Dad's marriages and Leonardo's many, but distant, siblings Following Leonardo's birth to a 15-year-old peasant mom, dad married four times to various status-ranked ladies. Offspring were produced by dad's marriages 3-and-4. As a result, Leonardo had 12 step-siblings. The brothers-and-sisters were as much as 40 years younger than him, making Leonardo a father-figure to them [9] LdV had little contact with them beyond occasional legal wrangling about revenues = Chandra in 11th-from-Surya [Comfortable Caretaking Chandra] matrikaraka [mother] -- garha-karaka [village] [busy-communicative bhratru-pati for Urisha indriya-lagna]
[comforted by stable habitual collaborative bhratru-pati interlinkage in governance positions] [culturally sensitive to organizational networks] [needs to sense the electrical pulse of community leadership] [socially visible friendly protector of customary ancestral folkways] [emotionally aligned to mentalized bhratru-pati gridworked executive rhythms] [systematic performance of socially prominent duties] [environmentalist feelings attuned to airy commanding communicative bhratru-pati deva] [elite socialite mother may be economically responsible ruler, mass-participation figurehead, popular official, well-connected in her respected social role] ... [inventive-pioneering Pūrvābhādra-1] = [navamsha Chandra-Mesha] intuitively sensitive pursuing competitive champion + [Pūrvābhādra-Somana-yuti-Guru-Varuna]
OUTCOMES - ANCESTRAL SOMA sensitively ordering, protectively lawful, routinely governing, parentally regulating, rhythmically dutiful, customary commander, predictable hierarch, culturally respected, emotionally responsible, needs to hold elite positions [Chandra in classroom-10] rules
CAREER - CARETAKING CHANDRA
Chandra-10-Kumbha rules 3-handcraft, workshops, manual skills, cohort, management It is a complex emotional disposition which produces a deeply private, contemplative person who is comfortable in crowds [Kumbha] and who has a flair for brilliant display.
Public Familiarity Profile Purvashadha the Uplifting Musical Artist = kalpasthana. Da Vinci's beauty-loving, philosophical character and his passion for the visual pleasures of the human body [Rahu-Pūrvāṣāḍhā-3, double Shukra-ruled] would constitute the publically familiar profile [10th-from-Chandra, familiar to public]. TWO-plus MOTHERS = Somana-yuti-Guru bio-Mom = Caterina di Meo Lippi, a 15-year-old peasant orphan of the Vinci settlement. Leonardo was removed from his mother's hut and relocated to his father's close-by larger, more opulent home. However, he remained emotionally aligned to his mother Caterina
Additionally, LdV enjoyed a supportive relationship with the first of his four step-mothers Her name was Albieri Amadora. Shani-5 bonus-mom-1 = karmesha.
Later bonus-moms were not so beneficial. # 3 + # 4 of his dad's wives were younger than Leonardo MARRIAGE partnership emotional equity support expectations
As a gay man belonging to the artistic-engineering communities of the Franco-Italian Renaissance , daVinci would have been welcomed into the homosocial realms of design, architecture, finance, trade, and military. DaVinci was known to have formed important personal and professional relationships with numerous men in his environment who spanned a broad age-range and social spectrum. Somana-yuti-Guru generally indicates at least one child. Historians have speculated that gay-identified Leonardo may nonetheless have spawned a so-called illegitimate child. However Shani-5 largely prevents that potential. [Competitive Champion Kuja] bhratru-karaka [brother] -- virya-karaka [virility] = [uchcha] = [uchcha] [balancing-bargaining yuvati-pati for Urisha indriya-lagna] [contemplative-imagining vyaya-pati for Urisha indriya-lagna] [karako bhavo nashto for patron, chieftain, father, indoctrinator]
[dynamic humanistic, patronizing lawful fighter] [broad global understanding of principled governance] [energized ideological pontification on regulatory order] [institutionally-driven dominant celebrity] [worldview based in forceful championship of corporate wisdom] [vigorously promotes philosophical convictions about organizational structure] [professionally competitive father may be patron, patriarch, pushy believer, conformist indoctrinator, bureaucratic pro-active preacher] ... [analytical-logistical Dhaniṣṭha-2] = [navamsha Mangala-Kanya] [uchcha] = [ātmakāraka pioneering, innovation, advancement, masculine energy, force, engineering, championship]
OUTCOMES - MOVING MANGALA dynamically philosophical, vigorously globalist, forward-pushing preacher, innovatively dogmatic, pro-actively ideological worldview, kinetically charitable, energetically patronizing, champion of extensive philanthropic action [Mangala in bhava-9] rules
CAREER - COMPETITIVE KUJA [uchcha] = [ātmakāraka] occupies the private, imaginative, sanctuary-seeking [12th-from-Chandra] = orderly [Makara] pursuit of a world-view imagination = [uchcha] creates a fortunate, vigorous, dominating, and actively engineering warrior being. uchcha-Mangala drishti into 12 + 3 + 4 LdV conducted his life as a forward-pushing, structurally informed, competitive, sexualized, military engineering campaign. He embodied the lifestyle of discovery [Kuja] -- promoting new ideas, achieving high status via vigorous demonstrative performance of his skills. He designed new weapons. Attacking the Artistic Competitors - a fact of funding life Reckoned as a brilliant and actively curious, pursuing personality, LdV was obliged to battle other artists for entreasured patronage funding. The aristocratic, financially endowed patronage culture of the time required all artists to provide evidence of their ability. Like his sculptor peer Michelangelo and everyone else scrambling for arts money, LdV frequently attacked his competitors as incompetent and inferior. He was successful in these volleys and generally well-subsidized throughout life. [Busy Bantering Budha] jamayah-karaka [sibling] -- sandesha-karaka [message] -- shisya-karaka [student] = [nīcha] + [potentially nīcha-bhanga if yuti uchcha-Shukra] [collecting-evaluating dhana-pati for Urisha indriya-lagna] [witty-creative vidya-pati for Urisha indriya-lagna]
[Dhanayoga = nicha-Budha-11 rules 2] ... [profitable-connected Revatī-3] = [navamsha Budha-Kumbha]
OUTCOMES - BANTERING BUDHA friendly discussion, articulate distributor, community communicator, busy profitable networking, mercurial revenues, associatively gesturing, mass-participation messenger, fundraising conversations, chatty socialite, economic explainer [Budha in bhava-11] rules
CAREER BUSY-BUDHA Budha occupies Revati = nakshatra of Budha The Hands received constant instruction from astral sources and produced masterpieces of art and engineering [Budha Meena rules Kanya-2] Da Vinci was ambidextrous, meaning that his right hand and his left hand were equally capable of writing and painting. He was reckoned by contemporaries as showing paranoid behaviors, and by modern standards he might be diagnosed with the learning disability called dyslexia. [Budha in bhava-8] = secret scripts According to peer accounts, LdV could draw in a forward direction with one hand while writing in a backward direction with the other hand. One of his signature skills was a a mirror-image cursive Roman-alphabet script, which he personally could read and he taught his apprentices to read, but which baffled most others. Budha-ruled Navamsha-Kanya contains empowered Chitra-Mangala [drafting skills, design] + Shani-Surya
[Generous Growing Guru] dhava-karaka [husband] -- bahuta-karaka [variety]
[mysterious-initiatory randhresha for Urisha indriya-lagna] [friendly-gainful vriddhi-pati for Urisha indriya-lagna]
... [systematic-collectivist Varuna-3] = [vargottamsha] [navamsha Guru-Kumbha] + [Varuna-Guru-yuti-Chandra-Pūrvābhādra]
OUTCOMES - GENEROUS GURU philosophical inspirational leadership, expansively regulatory, abundantly executive, jovial governor, multiple social responsibilities, numerous public duties, optimistic organizational directorships, broad-scope of elite authority positions [Guru in bhava-10] rules
CAREER - BENEVOLENT BRIHASPATI [Sweetly Suave Shukra] svadu-karaka [sweet] -- kalatra-karaka [wifely companion] = [svakshetra] = [Malavya Yoga] [energizing-identifying lagnesha for Urisha indriya-lagna] [inimical-complaining rogesha for Urisha indriya-lagna] [beautiful addictive rogesha fleshly pleasure-body] [satisfaction from engagement heritage values] [harmonious personal alignment with money and banking] [sensually attractive appearance lagnesha] ;[pleasantly evaluating personality] [acquisitive physically-focused relationships] [identified with enriching contract negotiations] [unbalanced conflict rogesha ; within financial partnerships] ; ;[embodies graciously entreasured bio-energy] ... [imaginative-charitable Kṛttikā-4] = [navamsha Shukra-Meena-uchcha]
OUTCOMES - SWEETENING SHUKRA pleasantly competitive, aesthetically postured, balanced style of movement, natural maker of arrangements, energetic mediator, fair bargains, gracious appearance, diplomatic personality, harmoniously embodied, prefering luxurious attributes, attracted to active companions [Shukra-1] rules
CAREER - BRIGHT BHRIGU-TANAYA
enjoyed the company of many gifted artists and musicians, was mentioned as strikingly beautiful in appearance, and rarely suffered financial indignity = color = values, historical knowledge, scientific knowledge - expert player of the Lyre Da Vinci was an accomplished musician. He played the lyre at a high level of artistic and technical proficiency. At his first introduction to the prestigious court of Milano, young Leonardo was presented as a musician, not as a fine artist. Shukra rules 8th-from-Chandra discovery/rediscovery Among LdV's engineering designs including new-or-rediscovered concepts [at the time] and improvements upon existing designs. He likely had access to some classical Greek inspirations such as Archimedes' prototype drawings. Naturally in context of his patronage sources being aristocratic strongmen and warriors, many of his designs had military purpose.
Skilled craft identities which Leonardo demonstrated were said to include
[Sober Structural Shani] duro-karaka [endurance] -- jara-karaka [Jahre, years] [Yogakaraka believing-philosophical dharmesha for Urisha indriya-lagna] [Yogakaraka dutiful-executive karmesha for Urisha indriya-lagna]
[rigid politics of institutional health services] [tight restrictions on medical genius] [responsible for legitimating karmesha formalized clinical treatments] [must apply logical argument to maintain order among children and students] [principled dharmesha obligation to prevent labor entitlements] [must rationally classify intelligence by rank-and-status] [heavy burden of helping the underserved may cause cardiac fatigue] [repressed accusations may ossify heart-and-spine] [must regulate philosophical convictions dharmesha and professional duties karmesha to reduce calculated creative display ] ... [calculating-logistical Chitra-2] [vargottamsha] [navamsha Shani-Kanya]] intuitively ordering hierarchical class-conscious duty to serve
OUTCOMES - STRUCTURAL SHANI formally disciplined showmanship, chronic political pressures, fear of unruly children, rigidly legalistic demonstration, constricted romance, enduring obligations for ceremonial performance, regulated creativity, orthodox approach to gambling and games, conventional intelligence, responsible for maintaining order in dramatic scenarios, systematically speculative, imposing structure upon artistic performance, lawfully entitled to hold central roles, seriously legitimating political ideas [Shani in Bhava-5] rules
CAREER - SOBER SHANI + + [Yogakaraka] + + [vargottamsha Shani-5]
[Risk-rewarding Rāhu] rajyalobha-karaka [ambition] -- picchala-karaka [slippery] [for Urisha indriya-lagna] [Rahu-8 casts passionately secretive revelatory drishti into 12-2-4]
[transformative convictions in times of revolutionary change] [prestige doctrinal initiations] [desire to transform the beliefs] [hungers for secret philosophy] [taboo-challenging occulted sacred understanding] [craves privilege from camouflaged sacerdotal power] ...... [designing-balancing Pūrvāṣāḍhā-3] = [navamsha Rahu-Tula]
OUTCOMES - RISK-REWARDING RAHU [Rahu rules Arudra indriya-lagna]
[Rahu-Dhanus] in profitable 11th-from-Chandra
[Collapsing unshackling Ketu] kavandha-karaka [headless] -- chidra-karaka [gaping] -- vasana-karaka [vacuum] [for Urisha indriya-lagna]
[eccentric management of collected resources] [may signal disregard for traditional pricing conventions] [banking documents disburse stored accruals] [second marriage, if any, may be prone to mentalized wandering, manual distancing, or discursive spiritualized ennui] [typically no second marriage, yet potentially unlimited number of sibling-like placeholder alliances] [typically disconnected from commercial family-of-origin] [peculiar talkative scripted discourse ] [speaks quickly but can be speech-impediment]
[ambivalent interpretation of family heritage values] [incoherently communicative hand-gesture] [may find airy food-and-drink to be distasteful] ... [inventive-dominating Punarvasu-1] = [navamsha Ketu-Mesha]
OUTCOMES - EVACUATING KETU Like most working artists of his era, da Vinci moved from patronage to patronage, and city to city. In his final phase of life, LdV moved quite far away to France, where he died. At age 4, LdV was taken out of his mother's hut and moved into his father's larger, more prestigious home. Mom was of humble peasant origin but her relationship with Ser Piero was a source of abundance.
Budha-1 bandesha would identify LdV more decidely with his father's noble status [Rahu-10] and the paternal treasuries [uchcha-Surya-2]. Despite not living with his mom, bandesha Budha-1 identified him with his maternal basis and Shani in 4th-from-4 signals social obligation to maintain a low-resource relationship. LvD did keep loose contact with his mom. Caterina di Meo Lippi died when her eldest son, Leonardo da Vinci, was 43 y-o. |
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