Fine Arts and Architecture
|
Statue of Leonardo da Vinci in front of the Uffizi Gallery in Firenze, Italia https://commons.wikimedia.org/wiki/File:Statue_of_Leonardo_da_Vinci_in_Florence.jpg
polymath musician + painter sculptor + architect draftsman + engineer scientist + inventor a.k.a. Leonardo di ser Piero da Vinci hailing from Vega [abhijita] in the constellation of Lyra. Vega civilization is famed for its celestial warfare Earth-birth Saturday 15-Apr-1452 dematerialization 02-May-1519 [age 67] |
|
Polymath - engineer - designer fine-arts painter - sculptor - writer 1452 until 1519 CE Leonardo di ser Piero da Vinci birth data from https://en.wikipedia.org/wiki/Leonardo_da_Vinci tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = produced by Shri Jyoti Star - www.vedicsoftware.com - adapted by BP Lama Some biographers claim to have seen LdV's paternal grandfather's diary, from which they cite = born in "the third hour of the night" [which would be 3 hours following medieval office of compline = near 10pm, in the medieval system]
however 10pm is not supportable in rectification ; the actual BT is likely near to 13h-45m |
||
1474-CE, by Leonardo da Vinci Annunciazione |
||
Rising Nakshatra Masculine Nativity Yoni - Bhagadaivata - Prakphalguni - Arjuni BPL COMMENTARY For Purvaphalguni - Yoni - births of a masculine valence, the condition of sweetly musical, artistic, harmony-seeking, negotiating, balancing, arranging, designing, matching, pairing, sensually pleasuring akarshana-karaka Bright Beautiful Bhrigu may considerably affect the outcome. Due to the definitive influence of kalatra-karaka Shukra, gentlemen born into the realms of Bharani - Yamya, Pūrvaphalgunī - Yonī, or Pūrvāṣāḍhā may find that their worldview is greatly shaped by the character of the feminine companions. For those born into the Shukra-ruled paradigm of Vutavabana, feminine figures such as sisters, aunts, and wives, along with partnerships, contracts, bargains, sensual pleasures, lovers, artistic beauty, luxurious scents, treasuries, financial arrangements, and music , may be especially influential. Instructional guidance provided by emissaries from the civilizations of Zosma. Their purpose is to dramatize, glamorize, and politicize the grand theatrical values of creative life. Diplomatic charm [Sweetly Suave Shukra] -ruled Purvaphalguni gentlemen are often found in the sparkling bright worlds of politics , romantic idealism, entertainment, speculative finance, and spectator sports. Yoni-born chaps often display a thick mane of leonine hair and a charming sense of humor. They are happiest when enjoying a choreographed sport, playing music, dancing with agility and grace, or performing a richly costumed dramatic role for an appreciative audience, delighted by spectacle and applause, they glitter and smile at parties, political campaigns, gambling and games.. Depending upon the placements of dhanakaraka Shukra and dhana=pati Budha, the Purvarjuni-born may also excel in financial showmanship, bargaining toward a political or commercial agreement, and the high drama of romantic relationships. Like all Shukra-governed births, bhagadaivata-born must take care to avoid the misuse of drugs and alcohol. Political success depends upon the charisma of lagnesha Surya. Financial success depends upon the dual-dhanakaraka Shukra and Budha. Themes of political celebrity, lavish musical entertainments, arts and fashion, and financial agreements may contextualize Pubba's terrestrial experience. Applies also to Chandra-Purvaphalguni. |
QUOTATION Pūrvaphalgunī from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra. p 83 " A physical rather than a mental type.
He must guard against impulsiveness since he is apt to to act without sufficient thought
He is very active physically and will be proficient at various sports
These people seem never to rest and are constantly in motion.
[end quote]
|
|
Biographical data matched with
Vimshottari Dasha
bhukti
[Guru Mahadasha] [age birth until age 15.7]
1451 [LdV age pre-natal] [Caterina age 14] in their peasant dwelling, death of the mother of LdV's mother, Caterina. * Guru-Budha bhukti * Budha rules 2nd-from-4th-from-Chandra, decease of maternal grandmother Sat-15-Apr-1452 Earth-birth in Vinci, Etruskana, Italia . * Guru-Budha bhukti 1457 [LdV age 5] moves out of his mother's peasant home, into the more grand home of his noble father * Guru-Chandra bhukti * Chandra rules 6th-from-Chandra, distress to Mother [Shani Mahadasha] [age 15.7 until age 34.7]
1466 [LdV age 14] under the supervision of Andrea del Verrocchio in Firenza, begins an enduring apprenticeship involving the crafts of leatherwork, metalwork, woodwork, drawing, color painting, and stone-sculpting * Shani-Budha bhukti * Budha rules 2+11 fruitfulness, rewards + Budha-handcraft, workshop, studentship 1472 [LdV age 20] Officially became a master artist in the Guild of Saint Luke [10, respect] and opened his own workshop. Dad paid for the new studio. * Shani-Shukra bhukti * Shukra karmesha, Shukra finance 1474 [LdV age 22] LdV and three other young men, at least one a member of the noble Medici family, are accused of the Bibilical crime of sodomy involving a male prostitute. Due to Medici influence, the legal charges are dropped. The stigma remained with LdV, although he seemed not to care. * Shani-Chandra bhukti * Chandra rules 12 clandestine environments, jail, invisibility 1474 [LdV age 22] completes the celebrated painting, Annunciazione * Shani-Chandra bhukti * Chandra effect of Guru rules 5-brilliant display 1479 [LdV age 27] started Adoration of the Magi [unfinished due to wars] * Shani-Guru Chidradasha * Guru rules 8-circumstances of upheaval [Budha Mahadasha] [age 34.7 until age 51.7]
1482 [LdV age 30] After his atelier collapsed during a time of territorial wars, LdV re-invented himself [8] as a military engineer, producing designs for weaponry. Begins 17-year court tenure under patronage of Ludovico Sforza, Duke of Milan = 1481 until 1499 * Budha-Budha svabhukti * Budha rules 8th-from-Chandra = transformation 1490 [LdV age 38] completes the celebrated fine-arts painting, Lady with an Ermine * Budha-Mangala bhukti * uchcha-Kuja rules 4-foundations + 9-fortunes 1493 [LdV age 41] [mom age 56] LdV's widowed mother, Caterina, comes to stay with LdV in Milan * Budha-Rahu bhukti 1494 [LdV age 42] [mom age 57] grieved the decease of mother, Caterina di Meo Lippi. LdV pays funeral expenses. * Budha-Guru bhukti * Guru rules 2nd-from-matrikaraka Chandra [Ketu Mahadasha] [age 51.7 until age 58.7]
1499 [LdV age 47] Milan is invaded by the French army. Leonardo leaves Ludovico's Sforza's court and goes to other cities, where he has friends. * Ketu-Shukra bhukti * Shukra rules 10-reputation + 3-commerce, merchants 09-Jul-1504 [LdV age 52] grieved the decease of father, entreasured legal notary, Piero Fruosino di Antonio da Vinci * Ketu-Shani bhukti [Shukra Mahadasha] [age 58.7 until decease age 67]
1506 [LdV age 54] young artist-apprentice Francisco Melzi [age 14] joins DaVinci's household. Melzi becomes da Vinci's student, heir, and closest companion until the Master's death * Shukra-Shukra svabhukti * Shukra rules 3-workshops, apprentices 1513 [LdV age 61] after many years of tinkering, finally finishes the Mona Lisa * Shukra-Rahu bhukti 1516 [LdV age 64] Leonardo travels to France for new appointment via his patron, King Francis-1, who held daVinci in great personal esteem. * Shukra-Guru bhukti * Guru rules 11th-from-Chandra = revenues, awards 02-May-1519 [LdV age 67] blessed liberation from the Earthen-body. Enterrée dans la chapelle Saint-Hubert, au sein du château de saint Amboise, France. * Shukra-Shani bhukti * maraka Shani rules-7 |
||
Distinctive features of the Nativity
[Sparkling Splendid Surya] pitri-karaka [father] * jyoti-karaka [light] [uchcha] [karako bhavo nashto for father, patrons, chieftains, indoctrinators] [energizing-identifying lagnesha for Simha indriya-lagna] check Mangala + Mangala-drishti to source Surya's forward-pushing certainty, noble entitlements, competitive displays [birth-right champion of ideological credenda] [believes in flashy shows of aristocratic patronage] [brilliantly self-referential conquesting center of entitled worldview] [one is profoundly self-identified with the charismatic supremacist father] [glorious shining pageantry of physical athletics and weapons display] [narcissistic, self-righteous, innovative knightly warrior father] [dominating dad may be splendidly self-dramatizing] [forcefully pushing father may radiantly politicize the tenets of faith]
... [calculating-strategic Bharani-2] [navamsha Surya-Kanya]
OUTCOMES - SURYA self-reflexively sermonizing, brightly philosophical, charmingly self-righteous, regal style of pontificating, doctrinally focused, radiantly patriarchal, politically ideological, splendidly patronizing, center-stage religious guide [Surya in bhava-9] rules
CAREER - SURYA occupies the mercantile, emotionally talkative, communicative cohort instructive descriptive team-working administrative managerial announcing publishing reporting explanatory conversational lyrical messaging 3rd-from-Chandra
[Surya-Mesha] -- [uchcha] lagnesha [Surya in bhava-9] -- [uchcha] creates a fortunate, vigorous, sexualized, brilliant, competitive, dominating, and regal engineering warrior being. Lagnesha [Surya in bhava-9] occupies 9th-from-9 = fortunate conditions of ceremonial display, patronage, patriarchal authority assists philosophy, comprehensive confident worldview -- but uchcha-karako bhavo nashto for father
although his father was effectively an attorney-at-court [called Notary, or contract-lawyer] nevertheless his father refused to pursue a legal paperwork process of Legitimation. This witness-signed ceremony with attestation was commonly performed by entreasured merchants and nobility who wished to pass their assets to offspring from relationships not sanctified by public formal weddings.
FATHER Dad = Messer [Ser] Piero Fruosino di Antonio da Vinci, Dad was a Florentine legal notary. For magistrates of the city and other businessmen, Ser Piero authenticated [Surya] and witnessed legal contracts. Effectively, father was a contract-attorney in Florence during the 1400's. Like his own father before him, LdV's Dad hailed from a lineage of notaries. Dad was an entreasured gentleman who served the legal documentation needs of traders, bankers, and nobility of the court. Paternal Grandfather LdV's dad's dad [Antonio di Piero, represented by Rahu-Pūrvāṣāḍhā-5] was a notary-attorney and commercial trader. Grandad, LdV's guardian, conducted business in Spain and Morocco. Dad's marriages and Leonardo's many, but distant, siblings Following Leonardo's birth to a 15-year-old peasant mom, dad married four times to various status-ranked ladies. Offspring were produced by dad's marriages 3-and-4. lagnesha Surya-uchcha-9 occupies 3rd-from-Chandra-7 contracts As a result, Leonardo had 12 step-siblings. The brothers-and-sisters were as much as 40 years younger than him, making Leonardo a father-figure to them [9] LdV had little contact with them beyond occasional legal wrangling about revenues = Chandra in 11th-from-Surya [Comfortable Caretaking Chandra] matrikaraka [mother] * garha-karaka [village] [retreating-contemplative vyaya-pati for Simha indriya-lagna] check Shani + Shani-drishti to source Chandra's friendly feelings, community rhythms, mass-participation sensibilities [intangible sensitivity to equity in the populist marketplace] [comforted by relationship with goal-achieving privacy-seeking mother] [soothed by invisible partnership in mass-participation events] [culturally attuned to community connections] [needs to feel friendly pulse of associative ritual ordering] [protector of private economic agreements] [environmentalist feelings attuned to local air-element deva] [revenue-earning mother may be schoolteacher, householder, gardener, parental property-holder] ... [evaluating-heritage Purvabhadra-2] [navamsha Chandra-Urisha] intuitively sensitive preserving historical financial-aesthetic values [Purvabhadra-Somana-yuti-Guru-Varuna]
OUTCOMES - CHANDRA sensitively adjusting, protectively harmonious, routinely bargaining, parentally equalizing, rhythmically arranging, customary middleman, predictably meddling, culturally agreeable, emotionally adjudicating, needs to hold mediating positions [Chandra in classroom-7] rules
CAREER - CHANDRA
Chandra-7-Kumbha rules 12, imagination It is a complex emotional disposition which produces a deeply private, contemplative person who is comfortable in crowds [Kumbha] and who has a flair for brilliant display.
Public Familiarity Profile Purvashadha the Uplifting Musical Artist = kalpasthana. Da Vinci's beauty-loving, philosophical character and his passion for the visual pleasures of the human body [Rahu-Pūrvāṣāḍhā-3, double Shukra-ruled] would constitute the publically familiar profile [10th-from-Chandra, familiar to public]. TWO-plus MOTHERS = Somana-yuti-Guru bio-Mom = Caterina di Meo Lippi, a 15-year-old peasant orphan of the Vinci settlement. Leonardo was removed from his mother's hut and relocated to his father's close-by larger, more opulent home. However, he remained emotionally aligned to his mother Caterina [Chandra-7] and cared for her in his own home when she was elderly near death. Additionally, LdV enjoyed a supportive relationship with the first of his four step-mothers [# 3-4 of his dad's weddings were younger than Leonardo] Her name was Albieri Amadora. Childless until her death, bonus-mom-1 had sufficient social status to received a formal marriage troth. She was reckoned a generous and benevolent influence upon Leonardo's education and upbringing. MARRIAGE partnership emotional equity support expectations
As a gay man belonging to the artistic-engineering communities of the Franco-Italian Renaissance , daVinci would have been welcomed into the homosocial realms of design, architecture, finance, trade, and military. DaVinci was known to have formed important personal and professional relationships with numerous men in his environment who spanned a broad age-range and social spectrum. Somana-yuti-Guru generally indicates at least one child. Historians have speculated that gay-identified Leonardo may nonetheless have spawned a so-called illegitimate child. [Competitive Champion Kuja] bhratru-karaka [brother] * virya-karaka [virile] [uchcha] [Yogakaraka homebound-securing bandesha for Simha indriya-lagna] [Yogakaraka doctrinal-believing dharmesha for Simha indriya-lagna] check Shani + Shani-drishti to source Kuja's upward social-climbing, normalized aggressions, class-conscious conquest [hierarchically energized enemies] [fights-and-wins against class-conscious injustice] ... [analytical-logistical Dhaniṣṭha-2] [navamsha Mangala-Kanya] [uchcha] -- [ātmakāraka pioneering, innovation, advancement, masculine energy, force, engineering, championship]
OUTCOMES - MANGALA vigorously helping the disadvantaged ones, laboring competitively, energized litigation, pro-actively dominates the enemies, innovatively warlike, progressively remediating, forcefully pursues aggrieved resentments, promotes physical confrontation in unfair conditions, champion of physical ministries of service, wins every contest against the adversaries [Mangala in bhava-6] rules
CAREER - KUJA [uchcha] -- [ātmakāraka] -- [Yogakaraka]
LdV conducted his life as a forward-pushing, structurally informed, competitive, sexualized, military engineering campaign. He embodied the lifestyle of discovery [Kuja] -- promoting new ideas, achieving high status via vigorous demonstrative performance of his skills. He designed new weapons. Attacking the Artistic Competitors - a fact of funding life Reckoned as a brilliant and actively curious, pursuing personality, LdV was obliged to battle other artists for entreasured patronage funding. The aristocratic, financially endowed patronage culture of the time required all artists to provide evidence of their ability. Like his sculptor peer Michelangelo and everyone else scrambling for arts money, LdV frequently attacked his competitors as incompetent and inferior. He was successful in these volleys and generally well-subsidized throughout life. [Mangala in bhava-6] occupies the private, imaginative, sanctuary-seeking [12th-from-Chandra] [Busy Bantering Budha] jamayah-karaka [sibling] * sandesha-karaka [message] * shisya-karaka [student] [nīcha] [historical-evaluating dhanesha for Simha indriya-lagna] [profitable-friendly labha-pati for Simha indriya-lagna] check Guru + Guru-drishti to source Budha's abstract conversation, dreamy discourse, imaginative descriptions [dhanayoga = rules of 2+11 occupies masked-8] ... [profitable-connected Revatī-3] [navamsha Budha-Kumbha]
OUTCOMES - BUDHA talkative initiator, camouflage manager, articulate disrupter, transformative communicator, identity-changing conversation, mysterious gesturing, rebirth explainer, detailed describer of occult process [Budha in bhava-8] rules
Budha occupies a nakshatra of Budha The Hands received constant instruction from astral sources and produced masterpieces of art and engineering [Budha Meena rules Kanya-2] Da Vinci was ambidextrous, meaning that his right hand and his left hand were equally capable of writing and painting. He was reckoned by contemporaries as showing paranoid behaviors, and by modern standards he might be diagnosed with the learning disability called dyslexia. [Budha in bhava-8] = secret scripts According to peer accounts, LdV could draw in a forward direction with one hand while writing in a backward direction with the other hand. One of his signature skills was a a mirror-image cursive Roman-alphabet script, which he personally could read and he taught his apprentices to read, but which baffled most others. Budha-ruled Navamsha-Kanya contains empowered Chitra-Mangala [drafting skills, design] + Shani-Surya
[Generous Growing Guru] dhava-karaka [husband] * bahuta-karaka [variety] [witty-creative vidya-pati for Simha indriya-lagna] [mysterious-revealing randhresha for Simha indriya-lagna] check Shani + Shani-drishti to source Brihaspati's systematic expansion, distributive inclusiveness, community-connected abundance ... [systematic-collectivist Varuna-3] [vargottamsha] [navamsha Guru-Kumbha] [Varuna-Guru-yuti-Chandra-Purvabhadra]
OUTCOMES - GURU expansively agreeable, abundantly contractual, multiple alliances, numerous arrangements, optimistic negotiator, broad-scope of brokerage [Guru in bhava-7] rules
CAREER - BRIHASPATI [Sweetly Suave Shukra] svadu-karaka [sweet] * kalatra-karaka [wifely companion] --- [svakshetra] -- [Malavya Yoga] [dutiful-hierarchical karmesha for Simha indriya-lagna] [busy-messaging vikrama-pati for Simha indriya-lagna] [sweetly preserving commander of elite treasuries] sweetly preserving commander of elite treasuries] [public roles in ornamentation-art-music] [visibly enriched social position] [opulent icon of commercial finance] [luxurious diplomatic style of governance] [womenfolk may have values seniority] ... [imaginative-charitable Kṛttikā-4] [navamsha Shukra-Meena-uchcha]
OUTCOMES - SHUKRA recognized for pleasantly sensual qualities, enjoys elite social position, harmoniously hierarchical, aesthetic of institutional decision-making, public finance, prefers a luxurious profession, musical-artistic leadership roles, appreciates having a respected rank [Shukra-10] rules
CAREER - SHUKRA [Shukra rules Purvaphalguni indriya-lagna] Da Vinci was an accomplished musician. He played the lyre at a high level of artistic and technical proficiency. At his first introduction to the prestigious court of Milano, young Leonardo was presented as a musician, not as a fine artist. [Shukra-10] occupies skilled, designing, handcrafting 3rd-from-Chandra Shukra rules 8th-from-Chandra discovery/rediscovery Among LdV's engineering designs including new-or-rediscovered concepts [at the time] and improvements upon existing designs. He likely had access to some classical Greek inspirations such as Archimedes' prototype drawings. Naturally in context of his patronage sources being aristocratic strongmen and warriors, many of his designs had military purpose.
Skilled craft identities which Leonardo demonstrated were said to include
[Sober Structural Shani] duro-karaka [endurance] *jara-karaka [Jahre, years] [inimical-medicating rogesha for Simha indriya-lagna] [balancing-bargaining yuvati-pati for Simha indriya-lagna] check Budha + Budha-drishti to source Shani's dutiful assistance, orderly aid, materialist logic ... [calculating-logistical Chitra-2] [vargottamsha] [navamsha Shani-Kanya]] intuitively ordering hierarchical class-conscious duty to serve
OUTCOMES - SHANI obliged to family heritage, cautious speech, naarratives of duty, financial responsibility, has to conserve natural resources, oppressed by old vows, mature evaluation, collects valuable old artifacts, limited food, must preserve secret treasuries, must regulate the lineage assets, structured style of singing, slowed [but not prevented] acquisition of enduring pleasure, burdensome historical precedent, family-of-origin may impose heavy restraints [Shani in bhava-2] rules
CAREER - SHANI [Risk-rewarding Rāhu] rajyalobha-karaka [ambition] * picchala-karaka [slippery] [for Simha indriya-lagna] [Rahu-5 casts passionately dramatic speculative drishti into 9-11-1] check Guru + Guru-drishti to source Rahu's apparently generous, mirage of philosophical conviction [compelling desire to demonstrate acts of inspired preaching] [enthusiastic display of principled understanding] [craving for exhilarating doctrinal politics] [glamourized celebration of theological-ideological worldview] [potential for fraudulently or fabulously exaggerated wisdom, in matters of politics, drama, celebrity, romance, creative performance, game-playing and gambling, financial speculation, and children] [over-reaching humanistic generosity in uniquely attention-getting artistic performance] [excitingly, astoundingly faith-centered, philosophical drama] [may involve globalist believers showcase roles for extraordinary children] ...... [designing-balancing Pūrvāṣāḍhā-3] [navamsha Rahu-Tula]
OUTCOMES - RAHU [Rahu-Dhanus] in 11th-from-Chandra enjoyed the company of many gifted artists and musicians, was mentioned as strikingly beautiful in appearance, and rarely suffered financial indignity [Collapsing unshackling Ketu] kavandha-karaka [headless] * chidra-karaka [gaping] * vasana-karaka [vacuum] [for Simha indriya-lagna] check Budha + Budha-drishti to source Ketu's spacey sentences, vague instructions, disinterested discourse [dispersed engagement with commercial earnings] [dissolution of business profits] [restless apathy toward marketplace transactions] [surrenders management revenues] [apatheticly forgives the talktive trespass of sibling-cousins] [abandons unsustainable conversational friendships] [absent from empty chattering connections] [disregards detailed community gatherings] [eccentricly articulated achievements] [passively fixated on ambitiously opportunistic inspirational-dogmatic Rahu-Dhanus-5 children, celebrities, idealists, creative artists, politicians, speculators] ... [inventive-dominating Punarvasu-1] [navamsha Ketu-Mesha]]
OUTCOMES - KETU Like most working artists of his era, da Vinci moved from patronage to patronage, and city to city. In his final phase of life, LdV moved quite far away to France, where he died. At age 4, LdV was taken out of his mother's hut and moved into his father's larger, more prestigious home. Mom was of humble peasant origin but her relationship with Ser Piero was a source of abundance. Fifteen y-o at the time of LvD's birth, unmarried mom may have held more the status of being dad's property [7] and likely not having any legal rights. Budha-1 bandesha would identify LdV more decidely with his father's noble status [Rahu-10] and the paternal treasuries [uchcha-Surya-2]. Despite not living with his mom, bandesha Budha-1 identified him with his maternal basis and Shani in 4th-from-4 signals social obligation to maintain a low-resource relationship. LvD did keep loose contact with his mom. Caterina di Meo Lippi died when her eldest son, Leonardo da Vinci, was 43 y-o. |
||
[How Readings Work] -- [Sample Sacred Jewels Ratna Recommendation] -- [Seva] |
file update =
09-Oct-2024
[Copyright 1994-2094 by Barbara Pijan Lama] -- [Contact] -- [How to Request a Jyotishavidya Reading] Barbara Pijan Lama Jyotishavidya Vedic Astrology Surya Sun Chandra Moon Mangala Mars Budha Mercury Guru Jupiter Shukra Venus Shani Saturn Rahu Ketu Graha Planets Dasha Timeline Calendar Nakshatra Navamsha Marriage Children Treasury Career Spiritual Wisdom Cycles of re-Death and re-Birth The information on barbarapijan.com , including all readings and reports, is provided for educational purposes only. Wishing you every happiness and continuing success in studies! |
|
" My Lord! Increase me in knowledge."
Qur'an 20:114 * Surah Ta-Ha |