Fine Arts and Architecture
Statue of Leonardo da Vinci
in front of the Uffizi Gallery in Firenze, Italia
musician + painter
sculptor + architect
draftsman + engineer
scientist + inventor
a.k.a. Leonardo di ser Piero da Vinci
hailing from Vega [abhijita] in the constellation of Lyra. Vega civilization is famed for its celestial warfarer.
Earth-birth Saturday 15-Apr-1452
dematerialization 02-May-1519 [age 67]
1452 until 1519 CE
Leonardo di ser Piero da Vinci
birth data from https://en.wikipedia.org/wiki/Leonardo_da_Vinci
tentatively rectified by BP Lama Jyotishavidya
charts + graphs + tables = produced by Shri Jyoti Star - www.vedicsoftware.com
- adapted by BP Lama
born in "the third hour of the night" = near midnight, 3 hours following compline [9pm]
Leonardo da Vinci
Masculine NativityPūrvāṣāḍhā - Apah Asadhash - Pooraadam - Purvasharha - Ambudaiva
For Pūrvāṣāḍhā births of a masculine valence, the condition of sweetly musical, artistic, harmony-seeking, negotiating, balancing, arranging, designing, matching, pairing, sensually pleasuring akarshana-karaka Bright Beautiful Bhrigu may considerably affect the outcome.
Due to the definitive influence of kalatra-karaka Shukra, gentlemen born into the realms of Bharani - Yamya, Pūrvaphalgunī - Yonī, or Pūrvāṣāḍhā may find that their worldview is greatly shaped by the character of the feminine companion.
For those born into the Shukra-ruled paradigm of Ambudaiva, feminine figures such as sisters, aunts, and wives, along with partnerships, sensual pleasures, arrangements, valuation, pricing, equity, bargains, trades, treaties, trusts, adjustments, justice, finance, artistic beauty, treasuries, alignment, attunement, harmonies, and music , may be especially influential.
Instructional guidance is provided by emissaries from the civilizations of Sinnuntu. Their purpose is expansion of inspirational beauty and melodious sound.
Inspirational diplomatic grace
Pūrvāṣāḍhā are often musical entertainers and poets, with a gift for playing many instruments and making lyrical arrangements that appeal to everyday folks. Typically, Apah-born are attracted to sacred doctrine.
They are self-indulgent and pure of heart. Their complexion may feature a Guru-golden glow. Masculine births in Asadhash tend toward a discordant costume sense representing the incommensurable agenda of Shukra vs. Guru.
In addition to Shukra endowments in diplomacy, beauty, and musical arrangements, their Guru-influenced humanism and compassion often includes inspirational roles that benefit women, musicians, and creative artists.
Like all Shukra-governed births, Apah-born must take care to avoid the misuse of drugs and alcohol. Ambudaiva's true purpose is inspirational guidance. Yet, Shukra's sweet-seeking may also attract the false balance of intoxication.
Themes of generous arrangements, affluence, favor, harmony, blessing, beauty, artistry, and luxurious indulgence may contextualize Apah's terrestrial experience. Applies also to Chandra in Pūrvāṣāḍhā - Apah
QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 86
" ... corresponds to rather a low type of character .
One who does not wish for and does not get the gracious things out of life.
Quarrelsome and low in appearance and manner.
He vainly considers himself above his station in life
Biographical data matched with
[Guru Mahadasha] [age birth until age 3.6]
15-Apr-1452 Earth-birth in Vinci, Etruskana, Italia . According to his paternal grandfather's diary, born in "the third hour of the night" [near midnight, in the medieval system] * Guru-Chandra bhukti
[Shani Mahadasha] [age 3.6 until age 22.6]
1457 [LdV age 5] moves out of his mother's peasant home, into the more grand home of his noble father * Shani-Shani svabhukti * Shani rules 12th-from-4, dissolution of maternal home
1466 [LdV age 14] under the supervision of Andrea del Verrocchio in Firenza, begins an enduring apprenticeship involving the crafts of leatherwork, metalwork, woodwork, drawing, color painting, and stone-sculpting * Shani-Surya bhukti * Surya rules 9-patronage, theory, first principles, higher learning
1472 [LdV age 20] Officially became a master artist in the Guild of Saint Luke and opened his own workshop  Dad paid for the new studio. * Shani-Guru chidra-dasha * Guru rules 4-license, diploma
[Budha Mahadasha] [age 22.6 until age 38.6]
1474 [LdV age 22] completes Annunciation * Budha-Budha svabhukti * Budha karmesha reputation, public visibility
1479 [LdV age 27] started Adoration of the Magi [unfinished due to wars] * Budha-Shukra bhukti* Shukra -6 = ongoing territorial wars
1481 until 1499 [LdV age 30] reinvented himself as a military engineer, producing designs for weaponry. Begins 17-year court tenure under patronage of Ludovico Sforza, Duke of Milan * Budha-Surya bhukti * Surya rules 9-patronage, entitlement, fortune
1490 [LdV age 38] Lady with an Ermine * Budha-Shani chidra-dasha * Shani rules 3-handcraft
[Ketu Mahadasha] [age 38.6 until age 45.6]
1494 [LdV age 42] grieved the decease of mother, Caterina * Ketu-Rahu bhukti
[Shukra Mahadasha] [age 45.6 until age 65.6
1499 [LdV age 47] Milan is invaded by the French army. Leonardo leaves Ludovico's Sforza's court and goes to other cities, where he has friends. * Shukra-Shukra svabhukti* Shukra -6 conflict, Shukra rules 11-friends
09-July-1504 [LdV age 52] grieved the decease of father, Piero Fruosino di Antonio da Vinci * Shukra-Chandra bhukti * Chandra rules 12th-from-pitristhana
1506 [LdV age 54] young artist-apprentice Francisco Melzi [age 14] joins DaVinci's household. Melzi will be da Vinci's student and closest companion until death * Shukra-Rahu bhukti
1513 [LdV age 61] after many years of tinkering, finally finishes the Mona Lisa * Shukra-Shani bhukti * Shani rules 3-handcraft
1516 travels to France for new appointment with King Francis-1, who held daVinci in great personal esteem. * Shukra-Budha bhukti * Budha karmesha, professional appointments
[Surya Mahadasha] [age 65.6 decease age 67
02-May-1519 [LdV age 67] dematerialization. buried in the Chapel of Saint-Hubert, Château d'Amboise, France. * Surya -Chandra bhukti [Somana-yuti-Budha] Makara Budha rules Ketu-7
Distinctive features of the Nativity
pitri-karaka [father] * jyoti-karaka [light]
[philosophical-doctrinal dharmesha for Dhanus - Haya indriya-lagna]
[competitively intelligent centre-stage certainty]
[dominantly entitled expression of globalist beliefs]
[radiant self-displaying political championship]
[brilliantly confident celebrity performance]
[father may be gambler-dramatist-entertainer-politician]
[calculating-strategic Bharani-2] [navamsha Surya-Kanya]
OUTCOMES - SURYA
self-referential, brilliantly creative, blazingly intelligent, romantic, poetic, artistically performing, genius [Surya in bhava-5] rules
CAREER - SURYA
dharmesha [Surya in bhava-5] [uchcha] creates a fortunate, vigorous, sexualized, brilliant, competitive, dominating, and regal engineering warrior being.
Dad = Messer Piero Fruosino di Antonio da Vinci, a Florentine legal notary. Dad hailed from a lineage of notaries. Dad was a wealthy gentleman who served the court as a notary. In modern terms, da Vinci's dad would be called a contract lawyer.
LdV's dad's dad [Antonio di Piero, represented by Rahu-Pūrvāṣāḍhā-1] was a notary-attorney and commercial trader. Grandad, LdV's guardian, did business in Spain and Morocco.
Dad's marriages and Leonardo's many, but distant, siblings
Following Leonardo's birth to a 15-year-old peasant mom, Dad married four times to various ranked ladies. Offspring were produced by dad's marriages 3-and-4.
As a result, Leonardo had 12 step-siblings. The brothers-and-sisters were as much as 40 years younger than him, and Leonardo had little contact with them beyond occasional legal wrangling about money. [3rd-from-Chandra = Shukra-6 financial disagreements.]
matrikaraka [mother] * garha-karaka [village]
[mysterious-initiatory randhresha for Dhanus - Haya indriya-lagna]
[comforted by stable habitual private reflection]
[culturally sensitive to transformative imaginative vision]
[needs to sense the fluid pulse of intuitive guidance]
[protector of the ancestral sanctuaries]
[emotionally aligned to entrancing meditative rhythms]
[environmentalist feelings attuned to watery lake-dwelling deva]
[anchoring mother may be a charitable schoolteacher-householder-local musician]
[algorithmic-oceanic Pegasus-4][navamsha Karkata Chandra ] intuitively sensitive ancestrally rhythmic worldview [Pushkara Pada]
OUTCOMES - CHANDRA
undulating, rhythmic, patterning, landscaping, transporting, routinized, caretaking, agricultural, defensive [Chandra in classroom-4] rules
CAREER -- CHANDRA[folk reputation 10th-from-Chandra = uniquely individualized, physically kinetic, embodied, inspirational optimistic dogmatic Dhanus-1]
Typical of [Chandra-4] da Vinci was known for being da Vinci.
Public Familiarity Profile
Purvashadha the Uplifting Musical Artist = kalpasthana.
Da Vinci's beauty-loving, philosophical character and his passion for the visual pleasures of the human body [Rahu-Purvashadha-3, double Shukra-ruled] would constitute the publically familiar profile [10th-from-Chandra, familiar to public].
Mom = Caterina di Meo Lippi, a 15-year-old peasant orphan of the Vinci settlement.
MARRIAGE partnership emotional equity support expectations
As a gay man belonging to the artistic-engineering communities of the Franco-Italian Renaissance , DaVinci would have been welcomed into the homosocial realms of design, architecture, finance, trade, and military.
DaVinci was known to have formed important personal and professional relationships with numerous men in his environment. However, a combination of Shani in 10th-from-Chandra plus [Ketu in classroom-7] does suggest that LdV would have been unconcerned with marriage as a lifestyle.
the 2-12 angle of Chandra-Guru shows a preincarnational plan that does not favor children. Marriage would thus have limited-or-no utility for LdV's life purposes.
Shukra-6 indicates attraction to servants, and two of his apprentice-servants did become life companions.
bhratru-karaka [brother] * virya-karaka [virile]
[creative-displaying vidya-pati for Dhanus indriya-lagna]
[meditative-imaginative vyaya-pati for Dhanus indriya-lagna]
[arranging-bargaining Dhanistha-3] [navamsha Mangala-Tula]
pioneering, innovation, advancement, masculine energy, force, engineering, championship]
OUTCOMES - MANGALA
Annunciation 1452-1519 logic Leonardo daVinci ldV conducted his life as a competitive, sexualized, military engineering campaign that promoted new ideas, achieved high status, designed new weapons. A dominating if brilliant personality, LdV frequently attacked his competitors. [Which was required evidence of ability within the patronage culture of the time.]
[Kuja-yuti-Guru] occupies the private, imaginative, sanctuary-seeking [12th-from-Chandra]
jamayah-karaka [sibling] * sandesha-karaka [message] * zisya-karaka [student]
[balancing-bargaining yuvati-pati for Dhanus - Haya indriya-lagna]
[dutiful-commanding karmesha for Dhanus - Haya indriya-lagna]
[profitable-connected Revatī-3] [navamsha Budha-Kumbha]
OUTCOMES - BUDHA
dhava-karaka [husband] * bahuta-karaka [variety]
[energizing-identifying lagnesha for Dhanus - Haya indriya-lagna]
[homebound-anchoring bandhesha for Dhanus - Haya indriya-lagna]
[multiple broadly-connected businesses]
[many community-linked doctrinal announcements]
[numerous marketplace publications]
[many announcements about property ownership-stewardship ]
[much patriotic bluster]
[imaginative interpretation of ancestral customs]
[systematic-collectivist Varuna-3] [vargottamsha] [navamsha Guru-Kumbha]
OUTCOMES - GURU
manufacturing, handcraft, commerce [Guru in bhava-3] rules
svadu-karaka [sweet] * kalatra-karaka [wifely companion]
[inimical-medicating rogesha for Dhanus - Haya indriya-lagna]
[friendly-gainful labha-pati for Dhanus - Haya indriya-lagna]
[financial adjustment achieves toxic harmony]
[feminine lifepartner may have well-resourced service ministry]
[sensual pleasure from self-medication]
[satisfying relationships with servants]
[wealth gained from medicine, military, assistance to women, artists, financiers]
[imaginative-charitable Kṛttikā-4][navamsha Shukra-Meena-uchcha]
OUTCOMES - SHUKRA
Shukra rules Purvashadha
Da Vinci was an accomplished musician. He played the lyre at a high level of artistic and technical proficiency. At his first introduction to the prestigious court of Milano, young Leonardo was presented as a musician, not as a fine artist.
Shukra-6 occupies skilled, designing, handcrafting 3rd-from-Chandra
Shukra rules 8th-from-Chandra discovery/rediscovery
Among LdV's engineering designs including new-or-rediscovered concepts [at the time] and improvements upon existing designs. He likely had access to some classical Greek inspirations such as Archimedes' prototype drawings. Naturally in context of his patronage sources being aristocratic strongmen and warriors, many of his designs had military purpose.
Skilled craft identities which Leonardo demonstrated were said to include
duro-karaka [endurance] *jara-karaka [Jahre, years]
[collecting-banking dhanesha for Dhanus - Haya indriya-lagna]
[teamworking-managing sahaja-pati for Dhanus - Haya indriya-lagna]
[calculating-logistical Chitra-2] [navamsha Shani-Kanya] [vargottamsha] intuitively ordering hierarchical class-conscious duty to serve
[Atmakaraka structure, skeleton, architectonic, system, regulatory apparatus, lawcourts]
OUTCOMES - SHANI
[Shani in Bhava-10] rules
rajyalobha-karaka [ambition] * picchala-karaka [slippery]
[for Dhanus - Haya indriya-lagna]
[Rahu casts passionate drishti into 5-7-9]
[entrancing cult of wisdom-preaching personality]
[identified with prestige of doctrine-ideology-belief]
[vital embodiment of fascinating inspiration]
[appears as a uniquely special doctrinal guide]
[designing-balancing Pūrvāṣāḍhā-3] [navamsha Rahu-Tula]
OUTCOMES - RAHU
kavandha-karaka [headless] * chidra-karaka [gaping] * vasana-karaka [vacuum]
[for Dhanus - Haya indriya-lagna]
[dispersed engagement with business partnership]
[dissolution of commercial advocacies]
[surrenders useless publishing contracts]
[apatheticly forgives the trespass of disoriented chattering companions]
[abandons unsustainable detailed arrangements]
[absent from empty conversational alliances]
[disregards explanatory discourse conventions]
[eccentric clerical communications]
[passively fixated on ambitiously inspirational-dogmatic Rahu-Dhanus-1 ambitious physical embodiment]
[inventive-dominating Punarvasu-1] [navamsha Ketu-Mesha]
OUTCOMES - KETU
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