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![]() Fine Arts and Architecture
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Statue of Leonardo da Vinci in front of the Uffizi Gallery in Firenze, Italia
polymath + musician + painter sculptor + architect draftsman + engineer scientist + inventor a.k.a. Leonardo di ser Piero da Vinci hailing from Vega (abhijita) in the constellation of Lyra. Vega civilization is famed for its celestial warfare. Earth-birth Saturday 15-Apr-1452 dematerialization 02-May-1519 (age 67) |
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Polymath + engineer + designer + painter + sculptor + writer * 1452 until 1519 CE * Leonardo di ser Peiro da Vinci birth data from https://en.wikipedia.org/wiki/Leonardo_da_Vinci * tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = produced by Shri Jyoti Star * adapted by BP Lama |
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Rising Nakshatra Masculine Nativities Azwini * Dasra BPL commentary For Aśvini births of a masculine valence, the condition of limitless, observing, uncoupling, surrendering, abandoning, disinterested, ethereal, wandering, dispersing Ketu may considerably affect the outcome. For those born into the paradigm of Ketu-ruled Nasatya, spirit guides, astral beings, ghosts, pilgrims, wanderers, cutters, dispersers, splitters, de-couplers, winds, flags, tails, cloudy figures, agents of impermanence and release, events of forgiveness and surrender, freedom from conventions, and inner listening may be especially influential. Instructional guidance is provided by emissaries from the civilizations of Mezarthim. Their purpose is hearing the higher frequencies and healing intuitively. "and now for something completely different" Innovating Observer Akasha-ruled chaps express the innovative, competitive vigor of Mangala through the observant, nebulizing filters of Ketu. Dasra fellows are famed for their pioneering inventions in medical, scientific, or technological fields. They are often obsessed with tools and gadgets. The 4th pada are nearly always physicians, nurses, or herbalists. Competitive and irascible, often reclusive and disregarding of others' feelings, boldly productive Dasra are found in medicine, engineering, scientific instrumentation, and all species of gadgetry. Azvikini are often found in medical or veterinary environments such as pharmacies, laboratories, hospitals, surgeries, and clinics. Due to their psychic (Ketu) capability to engage with astral patterns, Asvakini can also serve as medical intuitives and spiritual healers. When looking for new ideas, they pursue an intuitive instinct to tap into the Akashic grid. Unconcerned with conforming to conventional expectations, they may seem selfish or rude. However, their job is to innovate, not to submit to old paradigms. Criticism rarely affects them. Dasra-born hear the psychic instructions which guide their product design, surgical cutting, or drug formulation. Then, Aśvini actively pushes [Kuja] the ethereal vision into material realization. Whatever endeavor they choose to pursue, Aśvini tend to develop new methods and produce new things. Azvakini fellows tend to prefer the freedom of bachelorhood. If they choose to marry, the mate shoulders most of the family duties. In relationships, much depends upon their Chandra. Themes of eccentricity, invention, irritability, and psychic vitality may contextualize Aśvini's terrestrial experience. Applies also to Chandra in Aśvini-Dasra |
QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 84 "... a happy carefree disposition,
He will be quite successful and his financial status will be such that
In spite of his ability to achieve success,
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Biographical data matched with
Vimshottari Dasha
bhukti
Guru Mahadasha * age birth until age 15.5 15-Apr-1452 Earth-birth in Vinci, Etruskana, Italia * 1466 (age 14) begin enduring apprenticeship under the supervision of Andrea del Verrocchio in Firenza involving the crafts of leatherwork, metalwork, woodwork, drawing, color painting, and stone-sculpting * Guru-Rahu bhukti * Rahu-9 extraordinary professors Shani mahadasha * age 15.5 until age 34.5 1472 (age 20) Officially became a master artist in the Guild of Saint Luke and opened his own workshop (3) * Shani-Budha bhukti * Budha activates 3- workshop, atelier 1474 completes Annunciation * Shani-Shukra bhukti * Shukra activates 7-completion, occupies 2-saturation 1479 started Adoration of the Magi (unfinished) * Shani-Chandra bhukti 1482 reinvented himself as a military engineer producing designs for weaponry. Begins 17-year tenure under patronage of Ludovico Sforza, Duke of Milan * Shani-Rahu bhukti * Rahu-9 patronage * Rahu in 11th-from-11th economic revenue Budha Mahadasha * age 34.5 until age 51.5 1490 Lady with an Ermine * Budha-Shukra bhukti Ketu Mahadasha * age 51.5 until age 58.5 1506 (LdV age 54) meets young Francisco Melzi, who will be da Vinci's student and closest companion until death * Ketu-Rahu bhukti Shukra Mahadasha * age 58.5 until decease age 67 1513 after many years of tinkering, finally finishes the Mona Lisa * Shukra-Shukra svabhukti 02-May-1519 (LdV age 67) dematerialization * Shukra-Rahu bhukti | |
Among his engineering designs including new concepts (at the time) and improvements upon existing designs. He likely had access to some classical Greek inspirations such as Archimedes' prototype drawings. Naturally in context of his patronage sources being aristocratic strongmen and warriors, many of his designs had military purpose.
Skilled craft identities which Leonardo demonstrated were said to include
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Distinctive features of the Nativity
Surya * pitri-karaka (father) * jyoti-karaka (light)
FATHER Dad was a wealthy aristocrat who served the court as a notary. In modern terms, his dad would be a contract lawyer. CAREER DaVinci (both father and son) was a businessman and project manager. Surya occupies the mercantile, emotionally talkative, communicative cohort instructive descriptive team-working administrative managerial announcing publishing reporting explanatory conversational lyrical messaging 3rd-from-Chandra Whatever his other liabilities (especially his Shani) the drishti of uttama-Kuja-10 into uttama-Surya-1 creates an extremely vigorous, sexualized, brilliant, competitive, dominating, and regal warrior being. Chandra * matrikaraka (mother) * garha-karaka (village)
Chandra in classroom-11 activates bhava-4 childhood home, basic schooling MOTHER Da Vinci's mother was said to have been a peasant woman of undistinguished lineage. Nevertheless, she would have been networked into an economic community. MARRIAGE partnership emotional equity support expectations As a gay man belonging to the artistic, engineering communities of the Franco-Italian Renaissance , DaVinci would not have enjoyed the privilege of legal marriage. Yet, as an Azvakini native, he likely would not have been concerned with property contracts. DaVinci was known to have formed important relationships with numerous artistic and aristocratic men in his environment. 7th-from-Chandra-11 usually indicates a life-pattern of preference for entertaining, dramatic, flamboyant, fashionable, political partners. Kuja * bhratru-karaka (brother) * virya-karaka (virile) Atmakaraka pioneering, innovation, advancement, masculine energy, force, engineering, championship
Uttama Mangala occupies the private, imaginative, sanctuary-seeking 12th-from-Chandra Kuja activates 1-8 Budha * jamayah-karaka (sibling) * sandeza-karaka (message) * zisya-karaka (student) Budha activates 3-6, but harsha yoga protects against jail (6) and mental collapse (yet Ketu-3 indicates mental disorientation, unfinished projects)
Nichha-Budha occupies the family-oriented, treasure-accumulating, historical, values-based 2nd-from-Chandra The Hands Da Vinci was ambidextrous, meaning that his right hand and his left hand were equally capable of writing and painting. He was accounted by contemporaries as showing paranoid behaviors, and by modern standards he might be diagnosed with the learning disability called dyslexia. According to accounts of his peers, LdV could draw in a forward direction with one hand while writing in a backward direction with the other hand. One of his signature skills was a a mirror-image cursive Roman-alphabet script, which he personally could read and he taught his apprentices to read, but which baffled most others. LdV's pre-eminent skill was drawing. As a draftsman, he produced voluminous sketches for a broad range of ideas, inventions, and possibilities. Guru * dhava-karaka (husband) * bahuta-karaka (variety)
Brihaspati occupies Rahu-ruled Shatavisaka nakshatra, indicating a social network full of visionaries, philosophers, and cosmic-scale thinkers. Da Vinci was reputed to have had an enormous number of diversely talented friends, including mathematicians, musicians, architects, playwrights, engineers, singers, and poets. LdV was so popular and well-connected that the other normally ostracizing features of his identity (gay, illegitimate, left-handed, a flamboyant dresser, reputedly somewhat paranoid) were never obstacles to his success. Indeed, his remarkable social eccentricities were celebrated. Shukra * svadu-karaka (sweet) * kalatra-karaka (wife)
CAREER - SHUKRA Shukra occupies the patriotic, nationalistic, comfort-seeking, home-loving, foundational, property-owning 4th-from-Chandra, suggesting that he needed to live in gracious surroundings. Also, his mother's mother (maternal grandmother) is likely to have doted on little daVinci, perhaps providing luxuries and sweets to her grandchild. Shukra in svakshetra + svabhava + Shukra yogakaraka from Kumbha-Chandra + Shukra in kendra from Chandra-Kumbha Da Vinci was an accomplished musician. He played the lyre at a high level of artistic and technical proficiency. At his first introduction to the prestigious court of Milano, young Leonardo was presented as a musician, not as a fine artist. Shani * duro-karaka (endurance) * jara-karaka (years)
CAREER - SHANI Shani occupies the revolutionary, emotionally turbulent, perpetually transformative, trauma-inducing, discovering, revealing, danger-seeking 8th-from-Chandra = long life despite many threats to longevity, and a certain stalwart emotional rigidity. The Mother is usually long-lived as well. da Vinci died age 67, which was a healthy age for his era but not nearly so extended as the life of his adversary Michelangelo, who died age 88. Rahu * rajyalobha-karaka (ambition) * picchala-karaka (slippery)
CAREER - RAHU Design-oriented Rahu in Shukra-ruled Purvazadha occupies the emotionally associative, community-linking, economically gainful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra. DaVinci was known for having a large, economically supportive community network. He was well-known + well-liked, despite (or likely because of) his outré clothing style , never short of funds and never deprived of opportunity. Ketu * * kavandha-karaka (headless) * chidra-karaka (gaping) * vasana-karaka (vacuum)
CAREER - KETU Ketu rules the rising nakshatra of inventive Azwini Unlimited Ketu occupies the creative, showy 5th-from-Chandra. Generally also a signal of preference to not produce biological children but rather generate a higher creativity. Ketu-3 indicates mental disorientation, unfinished projects. Da Vinci finished only a small percentage of the projects that he conceived at the draft stage. When his painting of The Last Supper was delayed extremely, the monastery that had commissioned this work notoriously threatened to jail him into the monastery until the painting got done. | |
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