![]() |
||
Flag of Sereněsima Repůblica Včneta * 607-1797 |
Vivaldi c. 1723 anonymous oil-portrait held in the Museo Internazionale e Biblioteca della Musica di Bologna
Musician Composer Teacher // The Red Priest / / Earth-birth Friday-04-Mar-1678 dematerialization 28-Jul-1741 [age 63] |
|
Musician composer operatist children's choirmaster 1678-1741 Antonio Vivaldi birth data from https://en.wikipedia.org/wiki/Antonio_Vivaldi tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = generated by Shri Jyoti Star - www.vedicsoftware.com - adapted by BP Lama |
||
Rising Nakshatra Masculine Nativity Pūrvāṣāḍhā - Apah Asadhash - Pooraadam - Purvasharha - AmbudaivaBPL COMMENTARY For Pūrvāṣāḍhā births of a masculine valence, the condition of sweetly musical, artistic, harmony-seeking, negotiating, balancing, arranging, designing, matching, pairing, sensually pleasuring akarshana-karaka Bright Beautiful Bhrigu may considerably affect the outcome. For those born into the Shukra-ruled paradigm of Ambudaiva, feminine figures such as sisters, aunts, and wives, along with partnerships, sensual pleasures, arrangements, valuation, pricing, equity, bargains, trades, treaties, trusts, adjustments, justice, finance, artistic beauty, treasuries, alignment, attunement, harmonies, and music , may be especially influential. Instructional guidance is provided by emissaries from the civilizations of Sinnuntu. Their purpose is expansion of inspirational beauty and melodious sound. Inspirational diplomatic grace Pūrvāṣāḍhā are often musical entertainers and poets, with a gift for playing many instruments and making lyrical arrangements that appeal to everyday folks. Typically, apah-born are attracted to sacred doctrine. They are self-indulgent and pure of heart. Their complexion may feature a Guru-golden glow. Masculine births in Asadhash tend toward a discordant costume sense representing the incommensurable agenda of Shukra vs. Guru. In addition to Shukra endowments in diplomacy, beauty, and musical arrangements, their Guru-influenced humanism and compassion often includes inspirational roles that benefit women, musicians, and creative artists. Like all Shukra-governed births, Apah-born must take care to avoid the misuse of drugs and alcohol. Ambudaiva's true purpose is inspirational guidance. Yet, Shukra's sweet-seeking may also attract the false balance of intoxication. Themes of generous arrangements, affluence, favor, harmony, blessing, beauty, artistry, and luxurious indulgence may contextualize Apah's terrestrial experience. Applies also to Chandra in Pūrvāṣāḍhā - Apah |
QUOTATION from Shil-Ponde. [1939] . Hindu Astrology Joytisha-Shastra . p 86 " ... corresponds to rather a low type of character . One who does not wish for and does not get the gracious things out of life.
Quarrelsome and low in appearance and manner.
He vainly considers himself above his station in life
|
|
Biographical Events matched to
Vimshottari dasha
[Shani Mahadasha] [age birth until age-14.8] Friday-04-Mar-1678 Earth-birth principality of Venesia, Sereněsima Repůblica Včneta - Shani-Budha bhukti [Budha Mahadasha] [age 14.8 until age 31.8] 1704 [AV age 25] ordained as a Roman-rite Catholic priest * Budha-Rahu bhukti [Ketu Mahadasha] [age 31.8 until age 38.8] [Shukra Mahadasha] [age 38.8 until age 58.8]
1725 [AV age 47] publishes the famed concerti, The Four Seasons * Il Quattro Stagioni in Amsterdam* Shukra-Rahu bhukti * Rahu-12 distant lands, extraordinary events 06-May-1728 [AV age 50] grieved the decease of mother - Shukra-Guru bhukti [Surya-yuti-Guru] Genables Surya activates 2nd-from-Chandra 14-May-1736 [AV age 58] grieved decease of father Shukra-Ketu chidra-dasha [Surya Mahadasha] [age 58.8 until decease age 63] 28-Jul-1741 [AV age 63] dematerialization via poverty and bacterial infection * Surya-Budha bhukti * maraka Budha rules 7 |
||
Prominent Features of the Nativity
[Surya] pitri-karaka [father] jyoti-karaka [light] [philosophical-doctrinal Dharmesha for Dhanus indriya-lagna] [bright focus of economic pronouncements] [confidently delivers marketplace descriptions] [center-stage roles in community communications] [friendly fundraiser-businessman-clerk father] ... [musical-traditional Purvabhadra-2] [navamsha Surya-Urisha] [Atmakaraka central roles, brilliant performance, father, radiance, reddishness, confidence, sparkle]
OUTCOMES - SURYA writing-pubishing, managing, commercial, administering, shouldering, manual, handcrafting, instrumental, technical, announcing [Surya in bhava-3] rules
CAREER - SURYA Surya occupies the relentlessly transformative, security-cycling 8th-from-Chandra FATHER Dad = Giovanni Battista Vivaldi. Papa was a professional touring violinist. Before professionalizing in music, dad had worked as a barber. Dad taught little Antonio how to play the violin, then father and son toured together. Vivaldi was said to possess an extensive musical knowledge reflecting his acquisition of musical skills at a very young age, and being in the friendly, dense company of musicians for his entire life. [Chandra] matrikaraka [mother] * garha-karaka [village] [svakshetra] [mysterious-initiatory randhresha for Dhanus indriya-lagna] [transformative initiating protective mother ] [culturally comfortable with hidden changes] [at some juncture in the lifespan, previous ethnic pulse utterly dies, catalyzing an emotional rebirth into new healing rhythms] ... [dramatizing-demonstrating Pushya-1] [navamsha-Chandra-Simha] intuitively sensitive to entertaining political display
OUTCOMES - CHANDRA mysterious, recycling, ever-changing, hidden, soothed by threats to life, erupting [Chandra in classroom-8] rules
CAREER - CHANDRA
[at some juncture in the lifespan, previous ethnic pulse utterly dies, catalyzing an emotional rebirth into new healing rhythms] MARRIAGE partnership emotional equity support expectations Vivaldi was a Roman-rite Catholic priest. Although romantically involved in undisclosed relationships Chandra in classroom-8, he never married and had no [known] children. HOME - SCHOOLING - CHILDREN For many years, AV remained in his birthplace Venezia, Italia, serving primarily as a music teacher in a local orphanage. Vivaldi's music teaching was praised but not much rewarded. The musical performances of the trained children were celebrated, and their singing earned important income for the sheltering institution. MOTHER - PARENTS AV remained devoted to his parents, who lived either with him or nearby, and they lived long lives. His mother died when Antonio was 50 and his father died when Antonio was 58. Only four years after his life-supporting father died, Vivaldi himself took ill on a foreign journey [Rahu] and died suddenly of complications from severe lifelong asthma. [Kuja] bhratru-karaka [brother] virya-karaka [virile] [creative-displaying vidya-pati for Dhanus indriya-lagna] [meditative-imaginative vyaya-pati for Dhanus indriya-lagna] ... [transformative- regenerating Dhanistha-4] [navamsha Mangala-Vrischika]
OUTCOMES - MANGALA Mangala occupies the relentlessly transformative, security-cycling 8th-from-Chandra [Budha] jamayah-karaka [sibling] Sandeza-karaka [message] * zisya-karaka [student] [svabhava] [bargaining-balancing jaya-pati for Dhanus - Haya indriya-lagna] [commanding-ordering karmesha for Dhanus - Haya indriya-lagna] [detailed economic discussions] [executive advising roles in business relationships] [massive systems instructional delivery within profitable networks] [talks about community-connectivity] ... [transformative-disguising Dhaniṣṭha-4] [navamsha Budha-Vrischika] intuitively explaining describing mysterious profound transformative process
OUTCOMES - BUDHA Writing Budha in bhava-3 [svabhava] + lagnesha Guru expander Budha occupies the relentlessly transformative, security-cycling 8th-from-Chandra AV was a tremendously prolific writer of Baroque music. according to wikipedia
[Guru] dhava-karaka [husband] bahuta-karaka [variety] [energizing-identifying lagnesha for Dhanus - Haya indriya-lagna] [homebound-anchoring bandhesha for Dhanus - Haya indriya-lagna] [multiple broadly-connected businesses] [many community-linked doctrinal announcements] [numerous marketplace publications] [Guru ashtangata harana] ... [champion-challenger Purvabhadra-1] [navamsha Guru-Mesha] intuitively expansive conquesting doctrinal comprehensive philosopher
OUTCOMES - BRIHASPATI Guru occupies the relentlessly transformative, security-cycling 8th-from-Chandra Bhava-3 writing, scripts, notation, choreography, staging, teamwork, announcements = Guru-yuti-Surya + [Guru-yuti-Mangala] + [Guru-yuti-Budha] AV produced voluminous [Guru] musical works including concerti, opera, and children's choir pieces. He wrote in both sacred and secular modalities. His works were performed throughout Europe [Guru-yuti-Mangala] brother figures in abundance. Vivaldi was an ordained Roman-Rite Catholic priest, belonging to this vast brotherhood. [Shukra] svadu-karaka [sweet] kalatra-karaka [wifely companion] [inimical-medicating rogesha for Dhanus - Haya indriya-lagna] [profitable-networking labha-pati for Dhanus - Haya indriya-lagna] ... [collaborative-managing Aśvini-3] [navamsha Shukra-Mithuna] intuitively harmonizing ensemble writing event planning communications
OUTCOMES - SHUKRA theatrical, creative, romantic, entertaining, charismatic, gambling [Shukra-5] rules
CAREER-SHUkRA in Music = Shukra Shukra occupies the career-defining, emotionally dignified , social-ordering, leadership-seeking; 10th-from-Chandra Shukra vriddhi-pati = AV earned his living from musical writings and performances. He directed a famously talented orphan-children's choir whose earnings paid the entire operating expenses of their school. [Shani] duro-karaka [endurance] * jara-karaka [Jahre, years] [acquisitive-evaluative dhanesha for Dhanus - Haya indriya-lagna] [collaborative-communicative sahaja-pati for Dhanus - Haya indriya-lagna] ... [oratorical-heritage Rohiṇī-2] [navamsha Shani-Urisha] intuitively ordering systems of historically valued sound-and-color
OUTCOMES - SHANI [Shani in Bhava-6] occupies the emotionally associative, community-linking, economically gainful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra Typical of Shani in Bhava-6 , AV endured a chronic medical condition. Despite his musical genius, AV could not play wind instruments due to a type of breathing illness which might have been equivalent to modern asthma. [Rahu] rajyalobha-karaka [ambition] picchala-karaka [slippery] [for Dhanus indriya-lagna] check Mangala for defining source of Rahu's forward-pushing energy [Rahu casts passionately private secluding drishti into 4-6-8] [wants to be a prestigious healer, yet obsessed with privacy] [ambition for mysterious rebirth in invisible rooms] [catastrophic apparitions] [desires transformative imaginative understanding] [craves access to camouflaged research enclosures] [hungry for secret guiding initiations into other-worlds] [psychic invasions occur in dreamworld] [rejuvenating insights via interior counsel] [seeks importance via clandestine tantric empowerment] [seeks importance via clairsentient discoveries] ... [rhythmic-undulating Viśākha-4] [navamsha Rahu-Karkata]
Risk-rewarding Rahu occupies the creative, genius, celebrity-seeking 5th-from-Chandra [Ketu] kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum] [beneficial placement for Dhanus indriya-lagna] check Ketu's ruler Shukra for compensating agreements despite conflict disengagement [unconcerned with aesthetic quarrels in music-and-art] [disinterested in unbalanced evaluation] [scatters the traditional conflicts] [disengaged witness to unfair entreasurement] [liberated from disagreements with hoarding collectors] [disregard toward the complaints of the preservationists] ;[adversaries accuse one of empty accummulations] [dismisses the facial ailments] [apathetic toward financial arguments] ... [hierarchical-ranked Kritttika-2] [navamsha Ketu-Makara]
OUTCOMES - KETU Collapsing Ketu occupies the emotionally associative, community-linking, economically gainful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra [Ketu-yuti-Shani] typically belongs to a strictly class-and-rank regulated hierarchy [Shani] yet is disinterested in climbing the corporate ladder. May remain ambivalent regarding matters of ordination, leveling, and social position. Excused from Obligations of Rank and Position Vivaldi was an ordained Roman Catholic priest. He obtained a special excuse [Ketu excuses] which freed him from the normal [Shani] priestly obligation to perform the daily Mass [message] reuqired of all ordained priests. Having achieved this time-saving freedom while maintaining the protective dignity of his office and his church-guaranteed sustenance [{Urisha food], Vivaldi was able to devote more time to developing his music. [Ketu-Urisha] |
||
How Readings Work * Sample Sacred Jewels Ratna Recommendation [Seva] |
[Copyright © 1994-2024 by Barbara Pijan Lama] [Contact] [How to Request a Jyotishavidya Reading] Barbara Pijan Lama Jyotishavidya Vedic Astrology Surya Sun Chandra Moon Mangala Mars Budha Mercury Guru Jupiter Shukra Venus Shani Saturn Rahu Ketu Graha Planets Dasha Timeline Calendar Nakshatra Navamsha Marriage Children Treasury Career Spiritual Wisdom Cycles of re-Death and re-Birth The information on barbarapijan.com , including all readings and reports, is provided for educational purposes only. Wishing you every happiness and continuing success in studies! |