Rising
Nakshatra
Masculine Nativity
Pūrvāṣāḍhā-Apah
Asadhash * Pooraadam * Purvasharha * Ambudaiva
BPL commentary For Pūrvāṣāḍhā
births of a masculine valence, the condition of sweetly musical, artistic, harmony-seeking, negotiating, balancing, arranging, designing, matching, pairing,
sensually pleasuring akarshana-karaka Bright Beautiful Bhrigu may considerably affect the outcome.
For those born into the Shukra-ruled paradigm of Ambudaiva,
feminine figures such as sisters, aunts, and wives,
along with partnerships, sensual pleasures, arrangements, valuation, pricing,
equity, bargains, trades, treaties, trusts, adjustments, justice,
finance, artistic beauty, treasuries, alignment, attunement,
harmonies, and music,
may be especially influential. Instructional guidance is provided by emissaries from the civilizations of Sinnuntu. Their purpose is expansion
of inspirational beauty and melodious sound.
Inspirational diplomatic grace
Pūrvāṣāḍhā are often musical entertainers and poets, with a gift for
playing many instruments and making lyrical arrangements
that appeal to everyday folks. Typically, apah-born are attracted to
sacred doctrine. They are self-indulgent and pure of heart.
Their complexion may feature a Guru-golden glow. Male births in Asadhash
tend toward a discordant costume sense representing the incommensurable
agenda of Shukra vs. Guru. In
addition to Shukra endowments in diplomacy, beauty, and musical
arrangements, their Guru-influenced
humanism and compassion often includes
inspirational roles that benefit women, musicians, and creative
artists. Like all Shukra-governed births, Apah-born must take care to avoid the misuse of drugs and alcohol. Ambudaiva's true purpose is inspirational guidance. Yet, Shukra's sweet-seeking may also attract the false balance of intoxication. Themes of
generous arrangements, affluence, favor, harmony, blessing, beauty, artistry, and
luxurious indulgence may contextualize Apah's terrestrial experience. Applies also to Chandra in Pūrvāṣāḍhā-Apah |
QUOTATION from Shil-Ponde. (1939).
Hindu Astrology Joytisha-Shastra . p 86
"... corresponds to rather a low type of character .
One who does not wish for and does not get the gracious things out of life.
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Stupid, yet ostentatious and vulgar ,
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with very few educational advantages.
Quarrelsome and low in appearance and manner.
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While he must, because of educational handicaps, go through life as a servant or at best an underling ,
He vainly considers himself above his station in life
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Prominent Features of the Nativity
Surya *
pitri-karaka (father) * jyoti-karaka (light)
[Atmakaraka]
central roles, brilliant performance, father, radiance, reddishness,
confidence, sparkle
- Surya-Kumbha * Arka
* the radiator * radio * brightly charismatic confidence of
Center-stage Surya radiates through the linking networked connecting rashi of
Shani
- Surya in bhava-3 * center of commerce *
mercantile intelligence * smart reports * dramatic instructional delivery
* creative descriptions * sparkling retinue * splendid games of manual-skill * self-referential announcements * admirable handcraft * cinematic genius * smart technology * focus on teamwork * entertaining explanations * administrative entitlements
* confident writing * eye on process management * regal messaging * bright center of discourse *
brilliant gesturing * father may be a businessman-craftsman-communicator
- Surya-yuti-Kuja
* confidently progressive * bright warrior * moves in alignment with the spiritual rays of the Sun * creatively intelligent brother-figures * self-reflexive political pursuits * champion of brilliant ideals * competitive father-figure * entitled to conquer * focused on winning *
radiantly pioneering
- Surya-yuti-Budha
* confidently conversational * bright messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * gestures conduct the spiritual rays of the Sun * radiantly descriptive *
articulate in drama * skillful game-player * self-confident announcements * talks about ideals * narrative of power-politics * recites love poems * describes divine romance
- Surya-yuti-Guru
* confidently expansive in drama * generous in games * smart children * multiple father-figures * brightly self-referential teachers * charitably manifests the spiritual rays of the Sun * creatively intelligent doctrine * entitled to philosophize * inclusively idealistic in romance
Surya occupies the relentlessly transformative, security-cycling
8th-from-Chandra
Dad = Giovanni Battista Vivaldi. Papa was a professional touring
violinist. Before professionalizing in music, dad had worked as a
barber. Dad taught little Antonio how to play the violin, then father
and son toured together. Vivaldi was said to possess an extensive
musical knowledge reflecting his acquisition of musical skills at a
very young age, and being in the friendly, dense company of musicians
for his entire life.
Chandra * matrikaraka (mother) * garha-karaka (village)
-
Chandra-Karkata [svakshetra] comforted by maternal soothing * settled into tidal rhythms * needs to protect
- Chandra in Pushya * Sidhya
*
soothed by lawful customs * protectors of the ethno-social structure * needs dignified orderly habits
- Chandra in
classroom-8 * comfortable with crisis * familiar with catastrophe * unpredictable mother * feels the pulse of cyclical rebirth * soothed by secrecy * revolutionary sentiment * accustomed to frequent upheaval * seeks deeply rhythmic initiation * acculturated to exploration * occult sensitivities * needs eruptive energies * nourished by non-disclosure * emotionally attuned to trauma * undulating shakti-shocks * mother may be a mystic, healer, concealer, agent of disguise
CAREER - CHANDRA
Vivaldi was a Roman-rite Catholic priest. Although romantically
involved in undisclosed relationships Chandra in
classroom-8, he never married and had no
(known) children.
For many year, AV lived in his birthplace Venezia, Italia, serving primarily as a music teacher in a local orphanage.
Vivaldi's
music teaching was praised. The musical performances of
the trained children earned important income for the sheltering institution.
AV remained devoted to his parents, who lived either with him or
nearby, and they lived long lives. His mother died when Antonio was 50
and his father died when Antonio was 58. Only four years after his
life-supporting father died, Vivaldi himself took ill on a foreign
journey [Rahu] and died suddenly of complications from severe lifelong
asthma.
Kuja *
bhratru-karaka (brother) * virya-karaka (virile)
- Mangala-Kumbha
* vigorous community activism * warrior for economic progress
* proactive linking * push
toward regulated systems * pursues profitable roles * spearhead of mass interconnectivity * futuristic thrust * dominating energy in social networking * conquest of marketplace
interactions * champion of distributed associations
-
Mangala in bhava-3
* drive toward commerce * push toward scripted communication * active touring * vigorous pronouncements * invasive management * energized process * hyperactive mentality * athletic sibling-figures
* promotional sales * photographs of the muscular physique * dynamic marketing
* champion of teamwork * pursuit of business
- Kuja-yuti-Surya
* kinetic creativity * glorious innovator * high-energy confidence * dynamic genius * dominating force joins willful charm * competitive politics * brilliant winner * physically active father-figure * vigorous theatrical display
-
Kuja-yuti-Budha
* proactive communications * energized signaling * dynamic
reporting * clipped speech patterns * abrupt announcements *
masculine messaging patterns * pushes toward direct commands *
forward thrusting gestures * incisive speech * forceful
writing
-
Kuja-yuti-Guru
* multiple competitions * many brother-figures * energized growth * dynamic generosity * masculine force joins optimistic expansion * champion of philosophy * potential for aggressive preaching * promotes broad worldview * indoctrinating actions
CAREER - MANGALA
Mangala occupies the relentlessly transformative, security-cycling
8th-from-Chandra
Budha *
jamayah-karaka (sibling) * sandeza-karaka (message) * zisya-karaka (student)
- Budha-Kumbha
* connecting communications * systematic pronouncements * articulation of social-scientific networks * descriptive inter-webbed definitions * diagrams the marketplace linkages * futuristic conversations * messages about communities * discusses economic transactions * explains social participation linkage * large-scale logic * skilled weaving * deft knitting * hands-arms-shoulders make connective gestures
- Budha in bhava-3
[svabhava] narrative of cohort collaboration * chatty siblings * articulate announcements * discusses commerce * instructions for management * conversations about information technology * clever programming * logical reporting * talks about daily business * handles information * skillful printing * scripted dialog * text instructions * writes lyrics * detailed media-messaging * communication tactics * explains marketing * quick manufacturing * descriptive process * signaling gestures
- Budha-yuti-Surya
* amusing explanations * entertaining chatter * central roles in communication * brightly clear descriptions * dramatic enunciation * confidently delivers instruction * articulation of radiant certainty * political messenger * talkative father-figures
- Budha-yuti-Mangala
* competitive communications * scripted actions * impatient conversations * potential for sexualized messaging * penetrating explanations * direct instruction * signals forward action * pioneering movement * outspoken opinions * talkative brother-figures
- Budha-yuti-Guru
* explainer of ideology * affinity for preaching, professorial,
theory-developing roles expressing skills of communication, explanation,
description, instruction * articulation of charitable generosity, message of optimism and
expansion, talkative teacher
Writing Budha in bhava-3
[svabhava]
+ lagnesha Guru expander
Budha occupies the relentlessly transformative, security-cycling
8th-from-Chandra
AV was a tremendously prolific writer of Baroque music.
according to
wikipedia
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"Vivaldi wrote more than 500 concertos. About 350 of these are for solo instrument and strings, of which 230
are for violin, the others being for bassoon, cello, oboe, flute, viola
d'amore, recorder, lute, or mandolin.
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About forty concertos are for two instruments and strings, and about
thirty are for three or more instruments and strings.
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As well as about 46 operas, Vivaldi composed a large body of sacred
choral music.
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Other works include sinfonias, about 90 sonatas and chamber music. "
Guru *
dhava-karaka (husband) * bahuta-karaka (variety)
lagnesha for
Dhanus indriya-agna
[ashtangata harana]
- Guru-Kumbha
* much networking * many marketplaces * optimistic about big associations * permission to connect * scientific beliefs * doctrine of economic linkage * distributed guidance * expands the scope of social participation * multiple communities *
diversity of friendships
- Guru in bhava-3
* many messages * extensive commerce * many photographs * numerous publications * diverse collaborators * multiple transactions * many tours * frequent business trips * many sales * numerous discussions * much detailed interaction * extensive planning operations * variety of ensemble performances * evangelistic growth * so many meetings * patron of communications technologies * in a wifely nativity, husbandly-companion may be a businessman-writer
- [ashtangata harana] Guru-yuti-Surya
pitri-karaka * multiple father-figures * abundant confidence * much radiance * believes in light * widens the scope of theatrical display * permission to be the center of attention * humanistic political philosophy * large-scale dramatic radiance
- Guru-yuti-Mangala
bhratri-karaka * multiple brotherly-figures * permission
to compete-and-win * expansive conquests
* progressive philosophy * large-scale invasive actions
* vigorous champion of optimistic belief
- Guru-yuti-Budha
yukta-karaka * multiple sibling-teammate figures * permission to deliver information * abundant conversational messaging * believes in detailed communications * expansive dialog * many announcements * wide scope of evangelism * talks about philosophy * optimistic viewpoint in discussions
CAREER - BRIHASPATI
Guru occupies the relentlessly transformative, security-cycling
8th-from-Chandra
Bhava-3 writing, scripts, notation, choreography, staging, teamwork,
announcements = Guru-yuti-Surya + Guru-yuti-Mangala
+ Guru-yuti-Budha
AV produced voluminous [Guru] musical works including concerti,
opera, and children's choir pieces. He wrote in both sacred and secular
modalities. His works were performed throughout Europe
Guru-yuti-Mangala
brother figures in abundance. Vivaldi was an ordained Roman-Rite
Catholic priest, belonging to this vast brotherhood.
Shukra * svadu-karaka (sweet) *
kalatra-karaka (wifely companion)
- Shukra-Mesha
* appreciation of direct movement * likes innovation * aesthetic of physicality * attracted to champions * pleasures of conquest * kinetic sensuality * prefers a lithely sporting partner * sweetly competitive * aristocratic agreements
- Shukra-5 *
seeks pleasure via refined gaming * enjoys center-stage beauty * creative feminine-figures * pleasing children * talented students * delights in financial speculation * political grace *
aesthetic designs to adorn the heart * graceful solar plexus *
dramatic relationships * sweet celebrity romance * delights in fine
arts * appreciation of entitlements * in a husbandly nativity, wifely-companion may be a dramatist-politician-artist-genius
CAREER in Music = Shukra
Shukra occupies the career-defining, emotionally dignified , social-ordering, leadership-seeking;
10th-from-Chandra
Shukra Vriddhi-pati = AV earned his living from musical writings and
performances. He directed a famously
talented orphan-children's choir whose
earnings paid the entire operating expenses of their school.
Shani * duro-karaka (endurance) * jara-karaka (years)
- Shani-Urisha
* heavy old valuables * must endure the sounds of proletarian
speech-and-song * obliged to conform to the official bankers
* antiquated genetic stock * required preservation of aging assets *
must normalize conservation * slow elderly evaluators * must judge the worth of hoards * must endure pressure to store the
precious inventories * must bear the weight of historic treasuries * structural compression upon neck-jaw
* orderly warehousing * fixed rules govern collection * must gather seeds * must eat dry foodstuffs * must preserve lineage knowledge * scarce financial resources * maintainer of old heritage
- Shani in Bhava-6 (beneficial placement) * intrepid assistance * steady time-structured resistance to enemies * must serve the chronic victims * outlasts the adversaries * survives military siege * tense digestion * relentless criticism * constitutional illness-injury * tolerance for servitude * aging physicians *
enduring diseases * service fatigue * helper's burnout * prevents innovative treatments * blocks new medications * professional social workers * patiently aids the disadvantaged * dutiful healthworker * accepts the rules of medical institutions * lawfully supports the sick * reliable herbalist * conventional pharmacist * protocols for problematizing * realistic about addiction * accepts abuse * neutral to crime * military discipline *
governs the poor * regulates debt * legislates loans * respected elder of an oppressed people
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Shani-yuti-Ketu * delayed dispersion * distancing
style of social conformity * pragmatic
dissociation * limited surrender * lawful abandonment * spiritual paralysis *
disinterested in outdated protocols * disciplined apathy * constrained wandering
* systematic dissolution
CAREER - SHANI
Shani in Bhava-6 occupies the emotionally associative, community-linking, economically gainful, profit-regulated, friendly, participatory,
goal-oriented, socially-networked
11th-from-Chandra
Typical of Shani in Bhava-6
, AV endured a chronic medical condition. Despite his musical genius, AV
could not play wind instruments due to a type of breathing illness which
might have been equivalent to modern asthma.
Rahu * rajyalobha-karaka (ambition) * picchala-karaka (slippery)
Risk-rewarding Rahu occupies the creative, genius, celebrity-seeking
5th-from-Chandra
Ketu * kavandha-karaka * chidra-karaka
- Ketu-Urisha
* financially dissociates from collections * breaks-up compulsive acquisition * incomplete containment * dissolved treasury * disregards conventional valuations * not limited by historical knowledge * incoherent lineage *
ignores restriction on speech-voice-sight
* releases a rich blue cloud of hoarded goods into the misty abyss
- Ketu in
classroom-6 (beneficial)* ungrounded enemies * disregards criminal boundaries * absentee maternal relatives * dissolves limits on medications *
ambivalent toward exploitations * disinterested in disagreement * disregards accusations * ignores the physicians * walks away from sickness * abandons suffering * vacuous conflicts * liberation via surrender of guilt-and-blame * unless other graha in 6, may prefer to live free from mother's relatives
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Ketu-yuti-Shani
* nonconforming * surrendered status * empty structures * disconnected elders
* unsustainable rules * abandoned achievements * peculiar profession *
chronological disorientation * irregular order * apathetic boss *
fragmented materialism * incoherent legislation * disregard for rigid social conventions * free from survival fear * liberation via release of
concern for public approval
Ketu occupies the emotionally associative, community-linking, economically gainful, profit-regulated, friendly, participatory,
goal-oriented, socially-networked
11th-from-Chandra
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