Flag of Sereněsima Repůblica Včneta * 607-1797 |
Vivaldi c. 1723 anonymous oil-portrait held in the Museo Internazionale e Biblioteca della Musica di Bologna
Musician Composer Teacher "The Red Priest" Earth-birth Friday-04-Mar-1678 dematerialization 28-Jul-1741 [age 63] |
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Musician composer operatist children's choirmaster 1678-1741 Antonio Vivaldi birth data from https://en.wikipedia.org/wiki/Antonio_Vivaldi tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = generated by Shri Jyoti Star - www.vedicsoftware.com - adapted by BP Lama |
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Rising Nakshatra Masculine Nativity Pūrvāṣāḍhā - Apah Asadhash - Pooraadam - Purvasharha - AmbudaivaBPL COMMENTARY For Pūrvāṣāḍhā births of a masculine valence, the condition of sweetly musical, artistic, harmony-seeking, negotiating, balancing, arranging, designing, matching, pairing, sensually pleasuring akarshana-karaka Bright Beautiful Bhrigu may considerably affect the outcome. For those born into the Shukra-ruled paradigm of Ambudaiva, feminine figures such as sisters, aunts, and wives, along with partnerships, sensual pleasures, arrangements, valuation, pricing, equity, bargains, trades, treaties, trusts and treaties, adjustments, justice, finance, artistic beauty, treasuries, storage, align ment, attunement, harmonies, and music , may be especially influential. Instructional guidance is provided by emissaries from the civilizations of Sinnuntu. Their purpose is expansion of inspirational beauty and melodious sound. Inspirational diplomatic grace Pūrvāṣāḍhā are often musical entertainers and poets, with a gift for playing many instruments and making lyrical arrangements that appeal to everyday folks. Typically, apah-born are attracted to sacred doctrine. They are self-indulgent and pure of heart. Their complexion may feature a Guru-golden glow. Masculine births in Asadhash tend toward a discordant costume sense representing the incommensurable agenda of Shukra vs. Guru. In addition to Shukra endowments in diplomacy, beauty, and musical arrangements, their Guru-influenced humanism and compassion often includes inspirational roles that benefit women, musicians, and creative artists. Like all Shukra-governed births, apah-born must take care to avoid the misuse of drugs and alcohol. Ambudaiva's true purpose is inspirational guidance. Yet, shukra's sweet-seeking may also attract the false balance of intoxication. Themes of generous arrangements, affluence, favor, harmony, blessing, beauty, artistry, and luxurious indulgence may contextualize Apah's terrestrial experience. Applies also to Chandra in Pūrvāṣāḍhā - Apah |
QUOTATION Pūrvāṣāḍhā from Shil-Ponde. [1939] . Hindu Astrology Joytisha-Shastra . p 86 " ... corresponds to rather a low type of character . One who does not wish for and does not get the gracious things out of life.
Quarrelsome and low in appearance and manner.
He vainly considers himself above his station in life
[end quote] |
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Biographical Events matched to
Vimshottari dasha
[Shani Mahadasha] [age birth until age-14.8]
Friday-04-Mar-1678 Earth-birth principality of Venesia, Sereněsima Repůblica Včneta * Shani-Budha bhukti [ Budha Mahadasha] [age 14.8 until age 31.8]
1704 [AV age 25] ordained into the priesthood of the Roman-Rite * Budha-Rahu bhukti [Ketu Mahadasha] [age 31.8 until age 38.8]
[Shukra Mahadasha] [age 38.8 until age 58.8]
1725 [AV age 47] publishes the famed concerti, The Four Seasons * Il Quattro Stagioni in Amsterdam* Shukra-Rahu bhukti * Rahu-12 distant lands, extraordinary events 06-May-1728 [AV age 50] grieved the decease of mother * Shukra-Guru bhukti [Surya-yuti-Guru] Genables Surya activates 2nd-from-Chandra 14-May-1736 [AV age 58] grieved decease of father * Shukra-Ketu chidra-dasha [Surya Mahadasha] [age 58.8 until decease age 63]
28-Jul-1741 [AV age 63] blessed liberation from the Earthen-body, via poverty and bacterial infection * Surya-Budha bhukti * maraka Budha rules 7 |
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Prominent Features of the Nativity
[Sparkling Splendid Surya] pitri-karaka [father] jyoti-karaka [light] [philosophical-doctrinal dharmesha for Dhanus-born] [theatrical creativity in mass-merchandising campaigns] [media-management genius for mass-participation events] [interlinked manager for sangha fundraising] [business intelligence for distributive systems] [evangelical outreach radiates proletarian preaching] [bright focus of principled economic pronouncements] [confidently delivers marketplace information] [center-stage roles in arrayed community communications] [friendly talkative socialite father may be fundraiser, businessman, clerk, manager, collaborator, ensemble performer, writer] ... [musical-traditional Pūrvābhādra-2] [navamsha Surya-Urisha] intuitively musical, certainty in historical knowledge, evaluation of sound, tone, value [ātmakāraka central roles, brilliant performance, father, radiance, reddishness, confidence, sparkle] [Pūrvābhādra-Surya-yuti-Kuja-Dhaniṣṭha] [Pūrvābhādra-Surya-yuti-Budha-Dhaniṣṭha] [Pūrvābhādra-Surya-yuti-Guru-Pūrvābhādra]
OUTCOMES - MAGNIFICENT MARTANDA self-reflexively announcing, bright messages, regal style of gesture, communicative intelligence, radiantly descriptive, politically collaborative, splendidly explanatory [Surya in bhava-3] rules
CAREER - SPARKLING SURYA Surya occupies the relentlessly transformative, security-cycling 8th-from-Chandra FATHER Dad = Giovanni Battista Vivaldi. Papa was a professional touring violinist. Before professionalizing in music, dad had worked as a barber. Dad taught little Antonio how to play the violin, then father and son toured together. Vivaldi was said to possess an extensive musical knowledge reflecting his acquisition of musical skills at a very young age, and being in the friendly, dense company of musicians for his entire life. [Comfortable Caretaking Chandra] matrikaraka [mother] * garha-karaka [village] --- [svakshetra] [mysterious-initiatory randhresha for Dhanus indriya-lagna] [securely comfortable with cultural crisis] [familiar with routine changes of identity] [at some juncture in the lifespan, previous ethnic pulse utterly dies, catalyzing an emotional rebirth into new healing rhythms] [needs to feel the pulse of sudden intuitive rebirth] [deep rhythmic cycles of trauma-and-recovery] [if stability is threatened, shelters the ancient ways] [householding mother may be emotionally unpredictable, volatile protectress, nourishing healer, sensitive midwife] ... [dramatizing-demonstrating Pushya-1] [navamsha-Chandra-Simha] intuitively sensitive to entertaining political display
OUTCOMES - ANCESTRAL SOMA sentimentally undisclosing, emotionally secretive, caretaker in dangerous situations, needs chaotic feelings, securely grounded through disastrous upheaval, anchored into sudden emergency response, sensitive to disguised dependencies, protected by camouflaged assets, sense of having hidden empowerments [Chandra in classroom-8] rules
CAREER - CARETAKING CHANDRA
MARRIAGE partnership emotional equity support expectations Vivaldi was a Roman-Rite adherent priest. Although romantically involved in undisclosed relationships Chandra in classroom-8, he never married and had no [known] children. HOME - SCHOOLING - CHILDREN For many years, aV remained in his birthplace Venezia, Italia, serving primarily as a music teacher in a local orphanage. Vivaldi's music teaching was praised but not much rewarded. The musical performances of the trained children were celebrated, and their singing earned important income for the sheltering institution. MOTHER - PARENTS AV remained devoted to his parents, who lived either with him or nearby, and they lived long lives. His mother died when Antonio was 50 and his father died when Antonio was 58. Only four years after his lifestyle-supporting father died, Vivaldi himself took ill on a foreign journey [Rahu] and died suddenly of complications from severe lifelong asthma. [Competitive Champion Kuja] bhratru-karaka [brother] virya-karaka [virile] [creative-displaying vidya-pati for Dhanus indriya-lagna] [meditative-imaginative vyaya-pati for Dhanus indriya-lagna] ... [transformative- regenerating Dhaniṣṭha-4] [navamsha Mangala-Vrischika] [Dhaniṣṭha-Kuja-yuti-Surya-Pūrvābhādra] [Dhaniṣṭha-Kuja-yuti-Budha-Dhaniṣṭha] [Dhaniṣṭha-Kuja-yuti-Guru-Pūrvābhādra]
OUTCOMES - MOVING MANGALA competitively scripted, vigorously discussing, energetically commercial, creatively productive, imaginatively signaling, kinetically handcrafting, pro-actively managing, dominatingly teamworking, champion of popular media communications [Mangala in bhava-3] rules
CAREER - COMPETITIVE KUJA Mangala occupies the relentlessly transformative, security-cycling 8th-from-Chandra [Busy Bantering Budha] jamayah-karaka [sibling] sandesha-karaka [message] * shisya-karaka [student] [svabhava] [bargaining-balancing jaya-pati for Dhanus - Haya indriya-lagna] [commanding-ordering karmesha for Dhanus - Haya indriya-lagna] check Shani + Shani-drishti to source Budha's interlinking discourse, associative conversations, systematic explanations [detailed economic teamwork discussions] [executive advising roles in marketplace business relationships] [massive systems instructional delivery] [describes media-messaging within profitable networks] [talks about community-connectivity] [collaborative cohort conversations about mass-marketing] [plans and schedules to manage crowds] ... [transformative-disguising Dhaniṣṭha-4] [navamsha Budha-Vrischika] intuitively explaining describing mysterious profound transformative process [Dhaniṣṭha-Budha-yuti-Surya-Pūrvābhādra] [Dhaniṣṭha-Budha-yuti-Mangala-Dhaniṣṭha] [Dhaniṣṭha-Budha-yuti-Guru-Pūrvābhādra]
OUTCOMES - BANTERING BUDHA commercially adept, administratively detailed, skilled manager, articulately gesturing, descriptive writer, mercantile mentality, cohort communicating, committeeworker, defining announcer, specific explanations, chatty conversations, handcraft manufacturing, neighborly meeting [Budha in bhava-3] rules
CAREER - BUSY BUDHA Writing Budha in bhava-3 [svabhava] + lagnesha Guru expander Budha occupies the relentlessly transformative, security-cycling 8th-from-Chandra AV was a tremendously prolific writer of Baroque music. according to https://en.wikipedia.org/wiki/Antonio_Vivaldi
[Generous Growing Guru] dhava-karaka [husband] bahuta-karaka [variety] [energizing-identifying lagnesha for Dhanus - Haya indriya-lagna] [homebound-anchoring bandhesha for Dhanus - Haya indriya-lagna] check Shani + Shani-drishti to source Brihaspati's systematic expansion, distributive inclusiveness, community-connected abundance [multiple broadly-connected businesses] [many community-linked doctrinal announcements] [numerous marketplace publications] [Guru ashtangata harana] ... [champion-challenger Pūrvābhādra-1] [navamsha Guru-Mesha] intuitively expansive conquesting doctrinal comprehensive philosopher [Pūrvābhādra-Guru-yuti-Surya-Pūrvābhādra] [Pūrvābhādra-Guru-yuti-Mangala-Dhaniṣṭha] [Pūrvābhādra-Guru-yuti-Budha-Dhaniṣṭha]
OUTCOMES - GENEROUS GURU expansively describing, abundantly publishing, multiple teamworks, numerous projects, optimistic manager, many itineraries, broad-scope of collaborative interaction [Guru in bhava-3] rules
CAREER - BENEVOLENT BRIHASPATi Guru occupies the relentlessly transformative, security-cycling 8th-from-Chandra Bhava-3 writing, scripts, naotation, choreography, staging, teamwork, announcements = Guru-yuti-Surya + [Guru-yuti-Mangala] + [Guru-yuti-Budha] AV produced voluminous [Guru] musical works including concerti, opera, and children's choir pieces. He wrote in both sacred and secular modalities. His works were performed throughout Europe [Guru-yuti-Mangala] brother figures in abundance. Vivaldi was an ordained Roman-Rite adherent priest, belonging to this vast brotherhood. [Sweetly Suave Shukra] svadu-karaka [sweet] kalatra-karaka [wifely companion] [inimical-medicating rogesha for Dhanus - Haya indriya-lagna] [profitable-networking labha-pati for Dhanus - Haya indriya-lagna] check Kuja + Kuja-drishti to source Shukra's competitive bargaining, innovative diplomacy, kinetic attractions [pleased by vigorous celebrity] ;[sweetly forward-pushing political goal achievement] ;[harmoniously pioneering game-playing] ;[appreciation for warrior-style artistic ; fashions] [graciously dramatic display of entitled championship] [adores theatrical innovation] [delight in winning competitive romantic ; games] [enjoys drama of speculative conquest] [pleased by actively moving intelligent children] ... [collaborative-managing Aśvini-3] [navamsha Shukra-Mithuna] intuitively harmonizing ensemble writing event planning communications
OUTCOMES - SWEETENING SHUKRA sensually charismatic, agreeably theatrical, appreciative of romantic entitlements, harmoniously creative, aesthetically entertaining, graciious dramatic performance, financially speculative, musical-artistic students-adolescents, enjoys gambling, idealistic political relationships [Shukra-5] rules
CAREER - BRIGHT BHRIGU Music = Shukra Shukra occupies the career-defining, emotionally dignified , social-ordering, leadership-seeking; 10th-from-Chandra Shukra vriddhi-pati = AV earned his living from musical writings and performances. He directed a famously talented orphan-children's choir whose earnings paid the entire operating expenses of their school. [Sober Structural Shani] duro-karaka [endurance] jara-karaka [Jahre, years] [acquisitive-evaluative dhanesha for Dhanus - Haya indriya-lagna] [collaborative-communicative sahaja-pati for Dhanus - Haya indriya-lagna] check Shukra + Shukra-drishti to source Shani's entreasuring discipline, evaluating strictures, traditional rules [staunchly traditional old enemies] [complaining storytelling elders} [lawfully manages historically conflicted bloodlines] [laboring mercantile family lineage yet financial adequacy] [chronic mouth-teeth disorders yet reliable singing voice] [sweet simple proletarian melodies] [health limitations on food-and-drink] [must restrict pleasure drugs and alcoholic liquors] ... [oratorical-heritage Rohiṇī-2] [navamsha Shani-Urisha] intuitively ordering systems of historically valued sound-and-color [Rohiṇī-Shani-yuti-Ketu-Kṛttikā]
OUTCOMES - STRUCTURAL SHANI formally aggrieved, chronic complaints, old injuries, rigidly adversarial, constricted crime, enduring accusations, regulatory litigation, orthodox exploitation, conventionally laboring, responsible service ministry, systematically helping, imposing argumentation, lawfully unjust, seriously serves the disadvantage [Shani in Bhava-6] rules
CAREER - SOBER SHANi [Shani in Bhava-6] occupies the emotionally associative, community-linking, economically gainful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra Typical of Shani in Bhava-6 , aV endured a chronic medical condition. Despite his musical genius, aV could not play wind instruments due to a type of breathing illness which might have been equivalent to modern asthma. [Risk-rewarding Rāhu] rajyalobha-karaka [ambition] picchala-karaka [slippery] [for Dhanus indriya-lagna] check Kuja + Kuja-drishti to source Rahu's apparently recycling, mesmerizingly transformative, thrilling evolutionary force [wants to be a prestigious healer, yet obsessed with privacy] [ambition for mysterious rebirth in invisible rooms] [fascinated by catastrophic apparitions] [desires transformative imaginative understanding] [craves access to camouflaged research enclosures] [hungry for secret guiding initiations into other-worlds] [exciting psychic invasions occur in dreamworld] [rejuvenating insights via interior counsel] [seeks importance via clandestine tantric empowerment] [passion for revolutionary change via clairsentient discoveries] [Rahu-12 casts passionately private secluding drishti into 4-6-8] ... [rhythmic-undulating Viśākha-4] [navamsha Rahu-Karkata] intuitively rhythmic instigation of hidden transformative flow
OUTCOMES RAHU Risk-rewarding Rahu occupies the creative, genius, celebrity-seeking 5th-from-Chandra [Collapsing unshackling Ketu] kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum] [beneficial placement for Dhanus indriya-lagna] check Shukra + Shukra-drishti to source Ketu's vacuously sweet, ambivalently evaluating, arbitrarily enriching sensuality [unconcerned with aesthetic quarrels in music-and-art] [disinterested in unbalanced historical evaluation] [scatters the traditional biased accusations] [dissociated untestifying witness to unfair entreasurement] [liberated from disagreements with hoarding collectors] [compensating agreements despite disengagement from financial litigation] [disregard toward the complaints of the wealthy preservationists] [adversaries accuse one of empty accumulations] [dismisses the facial-vocal ailments] [apathetic toward heritage arguments] [passively fixated on ambitiously secretive-emerging Rahu-Vṛścika-12 symbolists, ancestor spirits, private guides] ... [hierarchical-ranked Kṛttikā-2] [navamsha Ketu-Makara] [Kṛttikā-Ketu-yuti-Shani-Rohiṇī]
OUTCOMES - EVACUATING KETU Collapsing Ketu occupies the emotionally associative, community-linking, economically gainful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra [Ketu-yuti-Shani] typically belongs to a strictly class-and-rank regulated hierarchy [Shani] yet is disinterested in climbing the corporate ladder. May remain ambivalent regarding matters of ordination, leveling, and social position. Excused from Obligations of Rank and Position Vivaldi was an ordained Roman-Rite priest. He obtained a special excuse [Ketu excuses] which freed him from the normal [Shani] priestly obligation to perform the daily Mass [message] reuqired of all ordained priests. Having achieved this time-saving freedom while maintaining the protective dignity of his office and his church-guaranteed sustenance [{Urisha food], Vivaldi was able to devote more time to developing his music. [Ketu-Urisha] |
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