Flag of Sereněsima Repůblica Včneta * 607-1797
Vivaldi c. 1723
anonymous oil-portrait held in the Museo Internazionale e Biblioteca della Musica di Bologna
// The Red Priest / /
dematerialization 28-Jul-1741 [age 63]
birth data from https://en.wikipedia.org/wiki/Antonio_Vivaldi
tentatively rectified by BP Lama Jyotishavidya
charts + graphs + tables = produced by Shri Jyoti Star * adapted by BP Lama
Masculine NativityPūrvāṣāḍhā - Apah
Asadhash - Pooraadam - Purvasharha - Ambudaiva
For Pūrvāṣāḍhā births of a masculine valence, the condition of sweetly musical, artistic, harmony-seeking, negotiating, balancing, arranging, designing, matching, pairing, sensually pleasuring akarshana-karaka Bright Beautiful Bhrigu may considerably affect the outcome.
For those born into the Shukra-ruled paradigm of Ambudaiva, feminine figures such as sisters, aunts, and wives, along with partnerships, sensual pleasures, arrangements, valuation, pricing, equity, bargains, trades, treaties, trusts, adjustments, justice, finance, artistic beauty, treasuries, alignment, attunement, harmonies, and music , may be especially influential.
Instructional guidance is provided by emissaries from the civilizations of Sinnuntu. Their purpose is expansion of inspirational beauty and melodious sound.
Inspirational diplomatic grace
Pūrvāṣāḍhā are often musical entertainers and poets, with a gift for playing many instruments and making lyrical arrangements that appeal to everyday folks. Typically, apah-born are attracted to sacred doctrine. They are self-indulgent and pure of heart. Their complexion may feature a Guru-golden glow. Masculine births in Asadhash tend toward a discordant costume sense representing the incommensurable agenda of Shukra vs. Guru.
In addition to Shukra endowments in diplomacy, beauty, and musical arrangements, their Guru-influenced humanism and compassion often includes inspirational roles that benefit women, musicians, and creative artists.
Like all Shukra-governed births, Apah-born must take care to avoid the misuse of drugs and alcohol. Ambudaiva's true purpose is inspirational guidance. Yet, Shukra's sweet-seeking may also attract the false balance of intoxication.
Themes of generous arrangements, affluence, favor, harmony, blessing, beauty, artistry, and luxurious indulgence may contextualize Apah's terrestrial experience. Applies also to Chandra in Pūrvāṣāḍhā - Apah
QUOTATION from Shil-Ponde.  . Hindu Astrology Joytisha-Shastra . p 86
" ... corresponds to rather a low type of character .
One who does not wish for and does not get the gracious things out of life.
Quarrelsome and low in appearance and manner.
He vainly considers himself above his station in life
Biographical Events matched to
[Shani Mahadasha] [age birth until age-14.8]
Friday-04-Mar-1678 Earth-birth principality of Venesia, Sereněsima Repůblica Včneta - Shani-Budha bhukti
[Budha Mahadasha] [age 14.8 until age 31.8]
1704 [AV age 25] ordained as a Roman-rite Catholic priest * Budha-Rahu bhukti
[Ketu Mahadasha] [age 31.8 until age 38.8]
[Shukra Mahadasha] [age 38.8 until age 58.8]
1725 [AV age 47] publishes the famed concerti, The Four Seasons * Il Quattro Stagioni in Amsterdam* Shukra-Rahu bhukti * Rahu-12 distant lands, extraordinary events
06-May-1728 [AV age 50] grieved the decease of mother - Shukra-Guru bhukti [Surya-yuti-Guru] Genables Surya activates 2nd-from-Chandra
14-May-1736 [AV age 58] grieved decease of father Shukra-Ketu chidra-dasha
28-Jul-1741 [AV age 63] dematerialization via poverty and bacterial infection * Surya-Budha bhukti * maraka Budha rules 7
Prominent Features of the Nativity
pitri-karaka [father] jyoti-karaka [light]
[bright focus of economic pronouncements]
[confidently delivers marketplace descriptions]
[center-stage roles in community communications]
[friendly fundraiser-businessman-clerk father]
[musical-traditional Purvabhadra-2] [navamsha Surya-Urisha]
[Atmakaraka central roles, brilliant performance, father, radiance, reddishness, confidence, sparkle]
OUTCOMES - SURYA
Surya occupies the relentlessly transformative, security-cycling 8th-from-Chandra
Dad = Giovanni Battista Vivaldi.
Papa was a professional touring violinist.
Before professionalizing in music, dad had worked as a barber. Dad taught little Antonio how to play the violin, then father and son toured together. Vivaldi was said to possess an extensive musical knowledge reflecting his acquisition of musical skills at a very young age, and being in the friendly, dense company of musicians for his entire life.
matrikaraka [mother] * garha-karaka [village]
[transformative initiating protective mother ]
[culturally comfortable with hidden changes]
OUTCOMES - CHANDRA
MARRIAGE partnership emotional equity support expectations
Vivaldi was a Roman-rite Catholic priest. Although romantically involved in undisclosed relationships Chandra in classroom-8, he never married and had no [known] children.
HOME - SCHOOLING - CHILDREN
For many year, AV lived in his birthplace Venezia, Italia, serving primarily as a music teacher in a local orphanage. Vivaldi's music teaching was praised. The musical performances of the trained children earned important income for the sheltering institution.
MOTHER - PARENTS
AV remained devoted to his parents, who lived either with him or nearby, and they lived long lives. His mother died when Antonio was 50 and his father died when Antonio was 58.
Only four years after his life-supporting father died, Vivaldi himself took ill on a foreign journey [Rahu] and died suddenly of complications from severe lifelong asthma.
bhratru-karaka [brother] virya-karaka [virile]
[hidden-power Dhanistha-4] [navamsha Mangala-Vrischika]
OUTCOMES - MANGALA
Mangala occupies the relentlessly transformative, security-cycling 8th-from-Chandra
jamayah-karaka [sibling] Sandeza-karaka [message] * zisya-karaka [student]
[detailed economic discussions]
[executive advising roles in business relationships]
[massive systems instructional delivery within profitable networks]
[talks about community-connectivity]
[hidden-power Dhaniṣṭha-4] [navamsha Budha-Vrischika] intuitively explaining describing mysterious profound transformative process
OUTCOMES - BUDHA
Writing Budha in bhava-3 [svabhava] + lagnesha Guru expander
Budha occupies the relentlessly transformative, security-cycling 8th-from-Chandra
AV was a tremendously prolific writer of Baroque music. according to wikipedia
dhava-karaka [husband] bahuta-karaka [variety]
[multiple broadly-connected businesses]
[many community-linked doctrinal announcements]
[numerous marketplace publications]
[Guru ashtangata harana]
[champion-challenger Purvabhadra-1] [navamsha Guru-Mesha] intuitively expansive conquesting doctrinal comprehensive philosopher
OUTCOMES - BRIHASPATI
Guru occupies the relentlessly transformative, security-cycling 8th-from-Chandra
AV produced voluminous [Guru] musical works including concerti, opera, and children's choir pieces. He wrote in both sacred and secular modalities. His works were performed throughout Europe
[Guru-yuti-Mangala] brother figures in abundance. Vivaldi was an ordained Roman-Rite Catholic priest, belonging to this vast brotherhood.
svadu-karaka [sweet] kalatra-karaka [wifely companion]
[collaborative-managing Aśvini-3] [navamsha Shukra-Mithuna] intuitively harmonizing ensemble writing event planning communications
OUTCOMES - SHUKRA
CAREER in Music = Shukra
Shukra occupies the career-defining, emotionally dignified , social-ordering, leadership-seeking; 10th-from-Chandra
Shukra vriddhi-pati = AV earned his living from musical writings and performances. He directed a famously talented orphan-children's choir whose earnings paid the entire operating expenses of their school.
duro-karaka [endurance] * jara-karaka [Jahre, years]
[oratorical-heritage Rohiṇī-2] [navamsha Shani-Urisha] intuitively ordering systems of historically valued sound-and-color
OUTCOMES - SHANI
Typical of Shani in Bhava-6 , AV endured a chronic medical condition. Despite his musical genius, AV could not play wind instruments due to a type of breathing illness which might have been equivalent to modern asthma.
rajyalobha-karaka [ambition] picchala-karaka [slippery]
[for Dhanus indriya-lagna]
[Rahu casts passionate drishti into 4-6-8]
[ambition for mysterious rebirth in private rooms]
[desires transformative imaginative understanding]
[craves secret access to research enclosures]
[hungry for guiding initiations into other-worlds]
[intuitive healing known via dreams]
[rejuvenating insights via interior counsel]
[seeks importance via clandestine tantric empowerment]
[rhythmic-undulating Viśākha-4] [navamsha Rahu-Karkata]
Risk-rewarding Rahu occupies the creative, genius, celebrity-seeking 5th-from-Chandra
kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum]
[for Dhanus indriya-lagna]
[class-conscious Kritttika-2] [navamsha Ketu-Makara]
OUTCOMES - KETU
Collapsing Ketu occupies the emotionally associative, community-linking, economically gainful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra
file update = 28-Sep-2022
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