Flag of Sereněsima Repůblica Včneta * 607-1797
Vivaldi * c. 1723
anonymous oil-portrait held in the Museo Internazionale e Biblioteca della Musica di Bologna
Musician, Composer, Teacher
"The Red Priest"
Earthbody-Entry Friday-04-Mar-1678
Earthbody-Exit 28-July-1741 (age 63)
Musician, composer, operatist * 1678-1741 * Antonio Vivaldi
data fromhttps://en.wikipedia.org/wiki/Antonio_Vivaldi * tentatively rectified by BP Lama
charts, graphs, and tables produced by Shri Jyoti Star * adapted by BP Lama
Rising Nakshatra
Masculine Nativity
Purvazadha * Apah
BPL commentary
For Purva-azadha births of a masculine valence, the condition of sweetly musical, artistic, harmony-seeking, negotiating, balancing, arranging, designing, matching, pairing, sensually pleasuring akarshana-karaka Bright Bhrigu may considerably affect the outcome.
For those born into the Zukra-ruled paradigm of Ambudaiva, feminine figures such as sisters, aunts, and wives, along with partnerships, sensual pleasures, arrangements, valuation, pricing, equity, bargains, trades, treaties, trusts, adjustments, justice, finance, artistic beauty, treasuries, alignment, attunement, harmonies, and music, may be especially influential.
Instructional guidance is provided by emissaries from the civilizations of Sinnuntu. Their purpose is expansion of inspirational beauty and melodious sound.
Inspirational diplomatic grace
Purvazadha are often musical entertainers and poets, with a gift for playing many instruments and making lyrical arrangements that appeal to everyday folks. Typically Apah-born are attracted to sacred doctrine. They are self-indulgent and pure of heart. Their complexion may feature a Guru-golden glow. Male births in Asadhash tend toward a discordant costume sense representing the incommensurable agenda of Zukra vs. Guru.
In addition to Zukra endowments in diplomacy, beauty, and musical arrangements, their Guru-influenced humanism and compassion often includes inspirational roles that benefit women, musicians, and creative artists.
Like all Zukra-governed births, Apah-born must take care to avoid the misuse of drugs and alcohol. Ambudaiva's true purpose is inspirational guidance. Yet, Zukra's sweet-seeking may also attract the false balance of intoxication.
Themes of generous arrangements, affluence, favor, harmony, blessing, beauty, artistry, and luxurious indulgence may contextualize Apah's terrestrial experience. Applies also to Chandra in Purva-azadha
QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 86
"... corresponds to rather a low type of character .
One who does not wish for and does not get the gracious things out of life.
Stupid, yet ostentatious and vulgar ,
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with very few educational advantages.
Quarrelsome and low in appearance and manner.
While he must, because of educational handicaps,
go through life as a servant or at best an underling ,
He vainly considers himself above his station in life
and will be harsh and dominating
but ineffectual if put in authority ."
Four Seasons 1678-1741 Baroque sacred music Antonio Vivaldi
Shani Mahadasha * age birth until age-14.8
Friday-04-Mar-1678 Earth-birth principality of Venesia, Sereněsima Repůblica Včneta * Shani-Budha bhukti
Budha Mahadasha * age 14.8 until age 31.8
1704 (AV age 25) ordained as a Roman-rite Catholic priest * Budha-Rahu bhukti
Ketu Mahadasha * age 31.8 until age 38.8
Zukra Mahadasha * age 38.8 until age 58.8
1725 publishes the famed concerti The Four Seasons * Il Quattro Stagioni in Amsterdam* Zukra-Rahu bhukti * Rahu-12 distant lands, extraordinary events
06-May-1728 grieved the decease of mother (AV age 50) * Zukra-Guru bhukti * Surya-yuti-Guru * Guru gives effect of Surya rules 2nd-from-Chandra
14-May-1736 grieved decease of father (AV age 58) * Zukra-Ketu chidradasha
Surya Mahadasha * age 58.8 until decease age 63
28-July-1741 Lightbody Lift-off (AV age 63, due to poverty and bacterial infection) * Surya-Budha bhukti
Four Seasons 1678-1741 Baroque sacred music Antonio Vivaldi
Surya * pitrikaraka * jyotikaraka
- Surya-Kumbha * Arka * the radiator * radio
- Surya in bhava-3 * center of commerce * intelligence for reports * dramatic instructional delivery * creative descriptions * self-referential announcements * confident handcraft * splendid technology * teamwork roles * entertaining explanations * administrative entitlements * focus on data * eye on process management * iconic messaging * bright center of discourse * brilliant gesturing * father may be a businessman-craftsman-communicator
- Surya-yuti-Kuja * confidently progressive * bright warrior * moves in alignment with the spiritual rays of the Sun * creatively intelligent brother-figures * self-reflexive political pursuits * champion of brilliant ideals * competitive father-figure * entitled to conquer * focused on winning * radiantly pioneering
- Surya-yuti-Budha * confidently conversational * bright messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * gestures conduct the spiritual rays of the Sun * radiantly descriptive * articulate in drama * smart game-player * self-confident announcements * talks about ideals * narrative of power-politics * recites love poems * describes divine romance
- Surya-yuti-Guru * confidently expansive in drama and games * permissive father-figure bright self-referential teachers * charitably manifests the spiritual rays of the Sun * creatively intelligent approach to doctrine * entitled to philosophize * radiantly generous
Surya occupies the relentlessly transformative, security-cycling 8th-from-Chandra
Dad = Giovanni Battista Vivaldi. Papa was a professional touring violinist. Before professionalizing in music, dad had worked as a barber. Dad taught little Antonio how to play the violin, then father and son toured together. Vivaldi was said to possess an extensive musical knowledge reflecting his acquisition of musical skills at a very young age, and being in the friendly, dense company of musicians for his entire life.
Chandra * matrikaraka * garha-karaka
- Chandra-Karkata * comforted by rhythmic tidal maternal soothing * swakshetra
- Chandra in Pushya * Sidhya * comforted by lawful customs * protectors of the ethno-social structure, sensitive legislators, sober caretakers, legally minded environmentalists
- Chandra in classroom-8 * comfort in crisis * familiar with catastrophic events * needs to feel the pulse of repeating identity transformation * soothed by secrecy * accustomed to regular routines of upheaval * seeks the deep rhythm of initiations * acculturated to exploratory occult sensitivities * need for unsettling discoveries * nourished by self-reinvention * emotionally attuned to patterns of undulating shakti-shocks
Vivaldi was a Roman-rite Catholic priest. He never married and had no (known) children. He lived in his birthplace Venezia Italia for many years, serving primarily as a music teacher in a local orphanage.
His music teaching was generally successful and the musical performances of the children that Vivaldi orchestrated earned important income for the sheltering institution.
AV remained devoted to his parents, who lived either with him or nearby, and they lived long lives. His mother died when Antonio was 50 and his father died when Antonio was 58. Only four years after his life-supporting father parent died, Vivaldi himself took ill on a foreign journey (Rahu) and died suddenly.
Kuja * bhratru-karaka * virya-karaka
- Mangala-Kumbha * vigorous pursuit of community activism * warrior for economic progress * proactive linking * push toward regulated systems * pursues profitable roles * dominating energy in social networking * conquest of marketplace interactions * champion of distributed associations
- Mangala in bhava-3 * drive toward commerce * push toward scripted communication * active touring * invasive management * energized process * hyperactive mentality * athletic sibling-figures * promotional sales * photographs of the muscular physique * dynamic marketing * champion of teamwork * pursuit of business
- Kuja-yuti-Surya * active creativity * high-energy confidence * dynamic genius * championship force joins willful charm * potential for aggressive politics * brilliant competitions * self-promoting * vigorous theatrical displays
- Kuja-yuti-Budha * communicative competitions * energized signaling * dynamic reporting * clipped speech patterns * abrupt announcements * masculine messaging patterns * pushes toward direct commands * potential for aggressive gestures * incisive speech * forceful writing
- Kuja-yuti-Guru * multiple competitions * many brother-figures * energized growth * dynamic generosity * masculine force joins optimistic expansion * champion of humanistic worldview * potential for aggressive preaching * indoctrinating actions
Mangala occupies the relentlessly transformative, security-cycling 8th-from-Chandra
Budha * bandhava-karaka * zisya-karaka
- Budha-Kumbha * connecting communications * systematic pronouncements * articulation of social-scientific networks * descriptive inter-webbed definitions * diagrams the marketplace linkages * futuristic conversations * messages about communities * discusses economic transactions * explains large-scale social participation linkage * skilled weaving + knitting * hands-arms-shoulders make connective gestures
- Budha in bhava-3 * narrative of cohort, siblings, announcements * discusses commerce, management, reporting, administration, describer of detailed information, explainer of publication, delivers instructions for books, scripts, lyrics, media-messaging, talks about communications, sales, marketing, advertising, manufacturing, process, collaboration, teamwork
- Budha-yuti-Surya * amusing explanations * central roles in communication * bright, clear descriptions * confidently delivers instruction * articulation of radiant authority * political messenger * talkative father-figures
- Budha-yuti-Mangala * competitive communications * scripted actions * impatient conversations * potential for sexualized messaging * penetrating explanations * direct instruction * signals forward action * pioneering movement * outspoken opinions * talkative brother-figures
- Budha-yuti-Guru * explainer of doctrinal belief * affinity for preaching, professorial, theory-developing roles expressing skills of communication, explanation, description, instruction * articulation of charitable generosity, message of optimism and expansion, talkative teacher
Writing Budha in bhava-3 + lagnesha Guru expander
Budha occupies the relentlessly transformative, security-cycling 8th-from-Chandra
AV was a tremendously prolific writer of Baroque music. according to wikipedia
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"Vivaldi wrote more than 500 concertos. About 350 of these are for solo instrument and strings, of which 230 are for violin, the others being for bassoon, cello, oboe, flute, viola d'amore, recorder, lute, or mandolin.
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About forty concertos are for two instruments and strings, and about thirty are for three or more instruments and strings.
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As well as about 46 operas, Vivaldi composed a large body of sacred choral music.
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Other works include sinfonias, about 90 sonatas and chamber music. "
Guru * dhavakaraka * bahuta-karaka
lagnesha for Dhanuzya radical lagna- Guru-Kumbha * much networking * many group associations * scientific beliefs * doctrine of economic linkage * distributed guidance * expands the scope of social participation * multiple communities * diversity of friendships
- Guru in bhava-3 * many messages * extensive commerce * many photographs * numerous publications * diverse collaborators * multiple transactions * many tours * frequent business trips * many sales * numerous discussions * much detailed interaction * extensive planning operations * variety of ensemble performances * evangelistic growth * so many meetings * patron of communications technologies * in a wifely nativity, husband-figure may be a businessman-writer
- Guru-yuti-Surya pitri-karaka * multiple father-figures * abundant confidence * much radiance * believes in light * widens the scope of theatrical display * permission to be the center of attention * humanistic political philosophy * large-scale dramatic radiance
- Guru-yuti-Mangala bhratri-karaka * multiple brother-figures, expansive conquests, much humanistic progressive-invasive philosophy, large-scale competitions, vigorous champion of doctrine and belie
- Guru-yuti-Budha yukta-karaka * multiple sibling-teammate figures * permission to deliver information * abundant conversational messaging * believes in detailed communications * expansive dialog * many announcements * wide scope of evangelism * talks about philosophy * optimistic viewpoint in discussions
Guru occupies the relentlessly transformative, security-cycling 8th-from-Chandra
Bhava-3 writing, scripts, notation, choreography, staging, teamwork, announcements = Guru-yuti-Surya + Guru-yuti-Mangala + Guru-yuti-Budha
AV produced voluminous (Guru) musical works including concerti, opera, and children's choir pieces. He wrote in both sacred and secular modalities. His works were performed throughout Europe
Zukra * svadhu-karaka * kalatra-karaka *
- Zukra-Meza * appreciation of competitive movement * likes innovation * attracted to champions * pleasures of conquest, athletic sensuality * enjoys direct action * aristocratic arrangements
- Zukra-5 * seeks pleasure via refined gaming * enjoys center-stage beauty * creative feminine-figures * financially talented students-and-children * graciously political environments * aesthetic designs to adorn the heart * graceful solar plexus * dramatic relationships * sweet celebrity romance * delights in fine arts * appreciation of entitlements
CAREER in Music = Zukra
Zukra occupies the career-defining, emotionally dignified , social-ordering, leadership-seeking; 10th-from-Chandra
Zukra vriddhipathi = AV earned his living from musical writings and performances. He directed a famously talented orphan-children's choir whose earnings paid the entire operating expenses of their school.
Shani * duro-karaka * jara-karaka
- Shani-Vrizabha * heavy old valuables * must endure the sounds of proletarian speech-and-song * obliged to conform to the official bankers * dry, antique genetic stock * required preservation of aging assets * must materialize orderly values conservation * slow elderly evaluators judge the worth of hoards * must endure pressure to store the precious inventories * must bear the weight of historic treasuries * vital energy compression stress zone = neck-jaw * strictly imposed rules governing warehoused collections * lack of necessary seeds and foodstuffs * must preserve lineage knowledge despite scarce available resources
- Shani in Bhava-6 (beneficial placement) * Structured, orderly, time-conscious enemies * must serve the chronic victims * must outlast the adversaries * must survive military siege * tense digestion * cautious, conventional crimes * relentless criticism * regulated guilt * constitutional illness-injury * tolerance for servitude * physicians resist innovation * enduring diseases * service fatigue * helper's burnout * resentment toward new treatments or medications * superb position for professional social workers * patiently aids the disadvantaged * steady healthworker * accepts the rules of medical institutions * lawfully supports the sick * excellent for herbalist + pharmacist * follows protocols for social problems * mature approach to drug addiction + abuse + crime * government roles in poverty + debt + loans * respected elder of an oppressed people
- Shani-yuti-Ketu * resistance against dispersion * distancing style of social conformity * pragmatic dissociation * limited surrender * lawful abandonment * spiritual paralysis * disinterested in outdated protocols * disciplined apathy *constrained wandering * regulated dissolution
Shani in Bhava-6occupies the emotionally associative, community-linking, economically gainful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra
Typical of Shani in Bhava-6 , AV endured a chronic medical condition. Despite his musical genius, AV could not play wind instruments due to a type of breathing illness which might have been equivalent to modern asthma.
Rahu * rajyalobha-karaka * picchala-karaka (slippery)
Visaka shakti root-split * Rahu-Vrizchika * shimmering illusion of mystery * craving for rebirthed identity * expedient gains from dangerous threats * over-reaching engagement with explosive hidden forces * preposterous camouflage * mesmerizing power of rejuvenation * fabulous surgeries * exotic secret initiations * mask of deep inner transformations * fascinating arcane knowledge * intriguing enactment of revolutionary force * marvelous hidden liaisons * seeks special importance via apparent (but perhaps not authentic) attributes of healing shakti * thrilling emergency intervention * seeks privilege via revelatory disclosures * amazingly shocking insights * self-promotion via exciting discovery-roles
- Rahu in bhava-12 * passion for privacy * in swabhava of Saptarishi Guru, the Shadowy Specter seeks privilege via glamorous or unusual retreat environments, withdrawal, sanctuary; desires an important, invisible role in invisibility, intuitive guidance, private prayer, isolation, enclosures, research laboratories and libraries, Other-Worlds. Exciting, opportunistic, ambitious ancestor guides. Thrives in culturally-mixed monasteries, spiritual sanctuaries, hospitals, prisons, rehab centers, and other secluded spaces. Rahu-12 trespasses the cultural boundaries of dreamwork, imagination, sanctuary, and sleep. Rahu the Poseur may pose as a dream-interpreter, an ancestor spirit-guide, a magician from distant lands.
Risk-rewarding Rahu occupies the creative, genius, celebrity-seeking 5th-from-Chandra
Ketu * kavandha-karaka * chidra-karaka
- Ketu-Urisha * financially dissociates from collections * incomplete acquisition * empty conservation * dissolved treasury * disregards conventional valuations * not limited by historical knowledge * incoherent lineage * ignores restriction on speech-voice-sight * releases a rich blue cloud of hoarded goods into the misty abyss
- Ketu in classroom-6 (beneficial)* ungrounded enemies * disregards criminal boundaries * absentee maternal relatives * dissolves limits on medications * ambivalent toward exploitations * disinterested in disagreement * disregards accusations * ignores the physicians * walks away from sickness * abandons suffering * vacuous conflicts * liberation via surrender of guilt-and-blame * unless other graha in 6, may prefer to live without mother's relatives
- Ketu-yuti-Shani * surrendered conformity, empty structures, disconnected elders, unsustainable rules, abandoned achievements, eccentric profession, chronological disorientation. irregular order, apathetic boss, fragmented materialism, incoherent legislation, social disregard, dissolution of normal conventions, absence of survival fear. Spiritual liberation via release of public approval.
Ketu occupies the emotionally associative, community-linking, economically gainful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra
file update:
14-Dec-2019
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