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Drama and Song

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cinematic actress * iconic symbol of vital forces

dancer, singer, philanthropist

animal rights advocate

Brigitte Bardot

a.k.a. Brigitte Anne-Marie Bardot

Earthbody-Entry Friday-28-Sept-1934


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Brigitte Bardot, age 18 in 1952

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cinema icon, dramatist, singer, animal-rights activist * 1934- * Brigitte Bardot

birth data from http://en.wikipedia.org/wiki/Brigitte_Bardot * tentatively rectified by BP Lama Jyotisha

charts, graphs, and tables produced by Shri Jyoti Star * adapted by BP Lama

born on Shasti Krishna Paksha

Rising Nakshatra

Feminine Nativities

Revatika * Pashu


BPL commentary:

For Revatika gentlewomen, the condition of conversational, discursive, explanatory, instructional, argumentative, commercializing Kumara may considerably affect the outcome.

Pashu is delicately attuned to the signals of the animal kingdom, and often works for the betterment of animals.

Siblings, cousins, schoolmates, bandmates, team-mates, entourage, ensemble, neighbors, managers, cohort, coterie, collaborative group, publishers, messengers, merchants, commercial agents, reporters, writers, scripts, plans, schedules, instructions, radio-television-internet, news-media, conferences, committees, discussions, travel itineraries, and texts -- and beasts of every description - may be especially influential.

Guidance from instructors in the civilizations of stars clustered near Zeta Piscium

BPL commentary:

For Revatika fellows, the condition of conversational, discursive, explanatory, instructional, argumentative, commercializing Kumara may considerably affect the outcome.. Pashu the Pastor is delicately attuned to the signals of the animal kingdom, and He often works for the betterment of all creatures.  These way-showers are also found in all aspects of music, producing melodies, beats, and lyrics.

Whatever the Pashu folk say, others will follow and believe.

Siblings, cousins, schoolmates, bandmates, team-mates, entourage, ensemble, neighbors, managers, cohort, coterie, collaborative group, publishers, messengers, merchants, commercial agents, reporters, writers, scripts, plans, schedules, instructions, radio-television-internet, news-media, conferences, committees, discussions, travel itineraries, and texts -- and beasts of every description - may be especially influential.

Guidance from instructors in the civilizations of stars clustered near Zeta Piscium

Revatika ladies expresses the natural tension between Busy Bantering Budha and Guiding Generous Guru. Commercially oriented Budha is a master of writing, cinema, and detailed communication. Kumara naturally matches the vibration of chatty students and a younger audience.  Yet Brihaspati much prefers to preach on ideology and inclusive doctrine.

Revatika-born often find themselves in shepherding roles that require delivering a message to their herd of followers. The usual delivery style is musical, oratorical, or imagistic-imaginative, but any method of Showing the Way may be chosen. Pashu the Pastor combines a broad humanistic  vision with a beckoning repeating signal frequency such as a slogan, a jingle, or a melody.

 Themes of pastoral guidance, musical or imagistic messaging, and benevolent outreach to all creatures may contextualize Revatika's terrestrial experience. Applies also to Chandra in Revatika.

QUOTATION from Shil-Ponde (1939). Hindu Astrology Joytisha-Shastra. p 101


"... defect in hearing.

the native is a person of clean morals

  • and is popular with her own sex.

She is fond of pets and animals.

She is a very good housekeeper

  • and likes interior decoration and design .

Her face is laughing, always with dimples,

  • and she usually has black or dark brown eyes with curly hair."

Biographical details matched to Vimshottari Dasha periods

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Brigitte Bardot in elder years

The family are generally described as haute bourgeois metropolitans.

Chandra Mahadasha * * age birth until age 1

Earthbody-Entry 28-Sept-1934 * Chandra-Zukra period


Mangala Mahadasha * age 1 until age 8


Rahu Mahadasha * age 8 until age 26

1950 (her age 16) the first of Ms. Bardot's well-reported suicide attempts * Rahu-Shani period * Shani-yuti-Rahu

21-Dec-1952 Marriage-1 (her age 18) to the cinema director Roger Vadim * Rahu-Budha period Budha rules navamsha-7 * samchara Rahu-Ketu via Makara-Karkata * contact radical R-K

1956 career-making film And God Created Woman (her age 22) * Rahu-Zukra period * Zukra rules 3-cinema

1958 divorce-1 (her age 24) * Rahu-Surya bhukti * Surya rules 6-divorce

18-June-1959 Marriage-2 (her age 25) to Jacques Charrier * Rahu-Chandra bhukti * Chandra rules R-K axis* samchara Rahu-Ketu via Kanya-Meena * contact Meena-1 lagna

11-Jan-1960 Child-1 * Rahu-Mangala chidradasha* Mangala rules bhava-5 ++ Ketu-yuti-Kuja

1960 publically noted suicide attempt * Rahu-Mangala chidradasha* Ketu-yuti-Kuja-nichha


Guru Mahadasha * age 26 until age 42

1962 divorce, enforced separation from her son * Guru-Shani period * Shani rules 12-divorce, 8th-from-5

14-July-1966 Marriage-3 (her age 32) to the international playboy Gunther Sachs * Guru-Budha period * Budha rules navamsha-7 * samchara Rahu-Ketu via Kanya-Meena * contact Meena-1 lagna

1973 formally announced exit from cinema career * Guru-Mangala bhukti + Sade-Sati * Mangala rules 9 = 12th-from-10th dissolution of public roles

1975 decease of father * Guru-Rahu chidradasha


Shani mahadasha * age 42 until age 60

1978 decease of mother (Brigitte's age 44) * Shani-Shani swabhukti *

28-Sep-1983 * publicized suicide attempt via drug-alcohol overdose * Shani-Ketu period

16-Aug-1992 Marriage-4 (her age 58) to the right-wing politician Bernard d'Ormale * Shani-Rahu bhukti * Shani-yuti-Rahu * samchara Rahu-Ketu via Dhanuzya-Mithunaya * contact Dhanuzya swamsha


Budha Mahadasha * age 60 until age 77

Sept-1997 fined for inciting racial hatred * Budha-Budha swabhukti * Budha-8 occupies 6th-from-Chandra animosity

Jan-1998 fined for inciting racial hatred * Budha-Ketu period

Jun-2004 fined for inciting racial hatred* Budha-Mangala period * Ketu-yuti-Kuja-nichha

Jun-2008 fined for inciting racial hatred* Budha-Rahu period


Ketu Mahadasha * age77 until age 83

Ketu-Budha period exit


Zukra Mahadasha * age 83 until age 103

Salient features of the Nativity

Surya * pitrikaraka * jyotikaraka

  • Surya-Kanya * Poshanya * Pushna * the nourisher
  • Surya in bhava-7 * center of agreements, brightly negotiating, focus on trade, intelligence for equity, peer entitlements, eye on contractual relationships

FATHER

Dad was an engineer who worked alongside her paternal grandfather in the family-owned business * Dad managed a factory which produced liquid air and acetylene. Surya-Hasta works in manual process, factories, manufacture.


Chandra * matrikaraka * garha-karaka

  • Chandra in Rohini * comforted by lavish appreciation * protectors of luxurious domiciles, beautiful caretaking, rhythmic arrangements, sensitive security
  • Chandra-Vrishabha * uttama * moolatrikona 4-30* comforted by rhythmic historical tonal values
  • Chandra in classroom-3 * comfort in cohort, familiar with communication, conversation, parlor, soothed by siblings, intuitive information delivery, routine messaging; undulating signals

MOTHER

Bardot's mother was her manager (3) since childhood dance lessons

MARRIAGE partnership support expectations

Surya in bhava-7 rules 6 disagreements, forecasting considerable stress in marriage. Budha yuvathipathi also occupies-8, adding volatility to partnership arrangements.

  1. 7th-from-Chandra-3 = marriage-1 = bhava-9 == cinema director Roger Vadim (9, father-figure, celebrity)
  2. 2nd-from-7th-from-Chandra-3 = marriage-2 = bhava-4
  3. 9th-from-7th-from-Chandra-3 = marriage-3 = bhava-11
  4. 4th-from-7th-from-Chandra-3 = marriage-4 = bhava-6

Kuja * bhratru-karaka * virya-karaka

Kuja * Azlesa

  • Mangala-Karkata * nichha * * vigorous pursuit of security * proactive nourishment, settling, roots * push toward land ownership
  • Mangala in bhava-5 * drive toward creativity, pursuit of games, invasive drama, display dynamics, energized by romantic and political conquests
  • Ketu-yuti-Kuja * energized pilgrimage, dynamic wandering, masculine force joins apathetic surrender, potential for aggressive annihilation of initiations

Celebrity creative career

Ruler of 9 dhramesha Mangala occupies bhava-5, ++ Chandra ruler of Kuja occupies 11th-from-Kuja

Auspicious for an excellent career in creative arts with fame

Ketu occupies the emotionally motivated communicative cohort evangelical instructional team-working administrative managerial announcing publishing reporting explanatory conversational lyrical messaging 3rd-from-Chandra

Ketu-yuti-Kuja in putrasthana = Ms. Bardot's only child was taken from her and raised by her ex-husband's family. Although mother-and-son formed a polite but distant relationship in adulthood, she nevertheless eschews contact with her grandchildren citing non-belief in family ties. nichha-Kuja-yuti-Ketu

Azlesa Kuja-yuti-Ketu * may be a factor in suggested borderline personality disorder and multiple suicide attempts in earlier life; alienated from her only child


Budha * bandhava-karaka * zisya-karaka

  • Budha-Thula * articulation of contracts, equable arrangements, balanced designs, agreeable pronouncements, messages about negotiation and parity
  • Budha in bhava-8 * narrative of hidden information, mysterious facts, shocking revelations, detailed discoveries, describer of unexpected circumstances, explainer of sudden change, delivers instructions for new identity
  • Budha-yuti-Guru * articulation of charitable generosity, message of optimism and expansion, talkative teacher

Budha rules Karakamsha Bhava-7 Kanya = marriages, arrangements, contracts, alliances

Budha rules Kanya 10th navamsha * ministry of service to animals, but also accusatory hate speech

Budha accepts the verbally aggressive drishti coming from nichha-Azlesa-Kuja-5. Her political narrative as expressed in books and public talk (Budha) has been focused tightly upon immigration, nationalism, and ethnic protectionism.

Beginning in Budha Mahadasha, she aggressively (Kuja) promoted a fiercely anti-immigration policy for her native France. However she was censured in the courts and fined for inciting racial hatred.

Budha-8 resides in the criminal 6th-from-Chandra. Ms. Bardot notoriously suffered from predators breaking the gates and climbing the walls of her home enclosures.

During Budha Mahadasha = exceptionally outspoken political commentary * Guru-yuti-Budha expansive speech


Guru * dhavakaraka * bahuta-karaka

lagnesha

  • Guru-Thula * many trades, exchanges, much negotiation, believes in justice, doctrine of contractual exchange
  • Guru in bhava-8 * much secrecy, many sudden changes. many confidences, numerous identity transformations, abundant initiation
  • Guru-yuti-Budha yukta-karaka * multiple sibling-teammate figures, abundant conversational messaging, much discursive humanistic philosophy

Guru lagnesha rules Dhanuzya swamsha

Guru-8 occupies the adversarial 6th-from-Chandra.


Zukra * svadhu-karaka * kalatra-karaka

* sarala yoga

  • Zukra-Singha * appreciation of royal confidence, pleasures of radiant central roles, enjoys intellectual display, brightly theatrical arrangements
  • Zukra-6 * pleasure of self-medication; enjoys exploitive arrangements, addictions, imbalanced equity, feminine employees, servants, and slaves; appreciation of enemies, slavery, exploitation, war

Zukra-6 rules the emotionally problematic 6th-from-Chandra = rashi of Thula

Zukra is a notoriously catalytic graha for the Meena nativity

Rules 8 and 8th-from-8 creating challenges with women, marriages, promises, and human relationships in general. There may be stronger affinity with the animal kingdom.


Shani * duro-karaka * jara-karaka

  • Shani-Makara-Draco * old hierarchies, pressured duty, old rules, pressured knees-calves, imposed laws, proletarian laws, must govern with scarce resources
  • Shani in Bhava-11 * must connect, must earn with hard effort; cautious, conventional marketplace linkage; tense and limited mentoring, chronic pressure to produce revenues; heavy pressure against freely chosen friendships
  • Shani-yuti-Rahu* resistance against ambition, disciplined risk, limited privilege, constrained opportunism, irregular elders

Shani occupies the ideological 9th-from-Chandra


Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Rahu-Makara-Draco * craving for social status * mask of hierarchy, institutional authority; fascinated by regulation * * seeks special importance via imposed order, elite positions, via apparent (but perhaps not authentic) class, rank, status-markers
  • Rahu in bhava-11 * in Roguish Rahu's swabhava co-ruled with Sober Shani ,* the Shadowy Specter seeks privilege via glamorous or unusual social goals and economic attainments. Desires a special, important, linkage role in social participation and financial networks. Exciting, opportunistic, ambitious friends. Craves profit and gain. Thrives in culturally-mixed commodity-exchange systems. Rahu the Poseur may pose as a friend, a voluntary linker, an economic achiever, a relative of the father's people. Bhava-11 profits, revenue, connections = a highly successful environment for boundary-breeching, risk-rewarding Rahu.
  • Shani-yuti-Rahu * amplified orderliness, magnified systematics, exotic rules, tricky regulations, opportunistic elders, fascinating (but perhaps illusory) appearance of strictly lawful structures

Rahu occupies the ideological 9th-from-Chandra


Ketu * kavandha-karaka * chidra-karaka

  • Ketu-Karkata *dissociates from protective boundaries, incomplete security, empty shelter, dissolute caretaking, not limited by customary routines, ignores restriction on farming, real-estate, disarrayed home-making
  • Ketu in classroom-5 * ambivalent toward entitlements, absentee children, disregards political boundaries, eccentric unsustainable cut-off intelligence, dissolves the game, disperses the creative intelligence
  • Mangala-yuti-Ketu * surrendered championship, empty actions, disconnected brothers, unsustainable domination, apathetic competition, disability

Ketu occupies the emotionally motivated communicative cohort evangelical instructional team-working administrative managerial announcing publishing reporting explanatory conversational lyrical messaging 3rd-from-Chandra

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Brigitte Bardot, age 80

Om_mani.jpgfile update: 16-Feb-2019

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