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Drama and Song


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born 18 months after

  • Avant-gardiste 1933- Beatle-pair Yoko Ono

born 12 months after

born ten months after

born six months after

born five months after

born eight days after

born four months before

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cinematic actress

iconic symbol of vital forces

dancer, singer, philanthropist

animal rights activist

Brigitte Bardot

a.k.a. Brigitte Anne-Marie Bardot

Earthbody-Entry Friday-28-Sept-1934


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Brigitte Bardot, age 18 in 1952

cinema icon, dramatist, singer, animal-rights activist * 1934- * Brigitte Bardot

birth data from http://en.wikipedia.org/wiki/Brigitte_Bardot * tentatively rectified by BP Lama Jyotisha

charts, graphs, and tables produced by Shri Jyoti Star * adapted by BP Lama


born on Shasti Krishna Paksha

Rising Nakshatra

Feminine Nativities

Uttaraphalguni * Aryaman * Bhaga * Falgun * Utthram


BPL commentary

For Uttaraphalguni births of a feminine valence, the condition of radiant, romantic, intelligent, creative, idealistic, central, confident, gaming, self-reflexive, pitrikaraka Surya may considerably affect the outcome.

For those born into the Surya-ruled paradigm of Uttora, father-figures, politicians, celebrity, royalty, entitled roles, brilliant dramatists, radiant deities, sparkling genius, glittering creativity, intelligentsia, speculators, poets, romantic lovers, gamblers, and game-players may be especially influential.

Instructional guidance provided by emissaries from the civilizations of Denebola. Their purpose to brighten and glorify the divine intelligence through spectacular creativity.


Brilliantly dramatic

Uttara-phalguni women are famously confident and willful. Monarchic entitlement pairs with aristocratic service via noblesse oblige. While much depends upon the characteristics of sparkling nakshatrapathi Surya, the feminine Falgun is often found in bright environments of royalty, celebrity, theatre, creative arts, amusements, and games.

Uttaraphalguni ladies radiate a profound love for living creatures, both wild and domestic. On behalf of the animal kingdom and its denizens, the women of Aryaman may undertake political activism. As righteous (and self-righteous) human mistresses of the animal world, their political style may include fiery displays of romantic idealism. They may collect animals.

Simha-Leya pada-1 features charismatic centrality and stage presence, focused into the physical embodiment. Pada-1 must hold the center of attention, whether in celebrity politics, entertainment and fashion, dramatic acting, or all three. Typically an elder husband and many romances.

Kanya Pada 2-3-4 = equally dazzling, idealistic, smart, and flamboyant, but more focused upon expressing the genius of the imagination. Often a splendid dramatist and performing musician due to nakshatrapathi Surya. Typically a younger husband and many romances.

Themes of political power, radiant confidence, and bright celebrity drama may contextualize Utthram's terrestrial experience. Applies also to Chandra in Uttaraphalguni

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 95


"A joyous healthy disposition yet quietly so.

  • She has a very soft pleasing voice,

  • bubbling over with fun and humor.

She is born to a family with social background

and loves to mingle with her friends in various social activities

  • yet she is not frivolous,

  • but beneath her joyous manner, rather serious minded.

She has fixed principles from which she will not deviate.

She prefers to choose her friends

  • from among the people who are artistically inclined and cultured.

She is efficient and adept at managing her home and her domestic life."


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Brigitte Bardot, 2014, age 80

Biographical details matched to Vimshottari Dasha Calendar

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Brigitte Bardot in elder years

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Chandra Mahadasha * * age birth until age 6.2

Earthbody-Entry 28-Sep-1934 in Paris, France * Chandra-Guru bhukti


Mangala Mahadasha * age 6.2 until age 13.2


Rahu Mahadasha * age 13.2 until age 31.2

1950 (BB age 16) the first of Ms. Bardot's well-reported suicide attempts * Rahu-Rahu swabhukti * Shani-yuti-Rahu + Rahu in bhava-6

21-Dec-1952 exchange of vows in marriage-1 (her age 18) to the cinema director Roger Vadim Plemiannikov * Rahu-Guru bhukti * Guru rules Dhanuzya swamsha * samchara Rahu-Ketu via Makara-Karkata * contact radical R-K

1956 career-establishing film And God Created Woman (her age 22) * Rahu-Budha bhukti * Budha-3 cinema rules 10th-navamsha

1958 divorce-1 (her age 24) * Rahu-Ketu bhukti

18-Jun-1959 exchange of vows in marriage-2 (BB age 25) to Jacques Charrier * Rahu-Zukra bhukti * samchara Rahu-Ketu via Simha-Kumbha * contact Simha lagna

11-Jan-1960 celebrated the birth of child-1 * Rahu-Zukra bhukti * Zukra rules Chandra

1960 publically noted suicide attempt * Rahu-Zukra bhukti * Zukra rules 6th-from-Chandra

1962 divorce + enforced separation from her son * Rahu-Zukra bhukti * Zukra rules 6th-from-Chandra


Guru Mahadasha * age 31.2 until age 47.2

14-Jul-1966 exchange of vows in marriage-3 (BB age 32) with international playboy Gunther Sachs * Guru-Guru swabhukti * Guru rules Dhanuzya swamsha * samchara Rahu-Ketu via Simha-Kumbha * contact Simha lagna

1973 formally announced exit from cinema career * Guru-Ketu bhukti + Sade-Sati

1975 grieved the decease of father * Guru-Zukra bhukti * Zukra rules 2nd-from-Surya

1978 grieved the decease of mother (Brigitte's age 44) * Guru-Mangala bhukti * Kuja rules 7th-from-Chandra


Shani mahadasha * age 47.2 until age 66.2

28-Sep-1983 * publicized suicide attempt via drug-alcohol overdose * Shani-Shani swabhukti * Shani maraka rules-7 + Shani in Bhava-6 * Shani-yuti-Rahu

16-Aug-1992 exchange the vows of Marriage-4 (BBr age 58) with the right-wing politician Bernard d'Ormale * Shani-Surya bhukti * samchara Rahu-Ketu via Dhanuzya-Mithunaya * contact Dhanuzya swamsha

Sept-1997 fined for inciting racial hatred * Shani-Rahu bhukti * accusation, blaming, exploitation Shani in Bhava-6 * Shani-yuti-Rahu

Jan-1998 fined for inciting racial hatred * Shani-Rahu bhukti * accusation, blaming, exploitation Shani in Bhava-6 * Shani-yuti-Rahu


Budha Mahadasha * age 66.2 until age 83.2

Jun-2004 fined for inciting racial hatred* Budha-Zukra bhukti * Zukra rules 6th-from-Chandra

Jun-2008 fined for inciting racial hatred** Budha-Chandra bhukti * Chandra rules 12-foreigners + Ketu-yuti-Kuja-nichha

2019 charged with inciting racial violence in French territory Reunion


Ketu Mahadasha * age 83.2 until age 90.2

Ketu-Budha bhukti exit


Zukra Mahadasha * age 90.2 until age 110.2

Salient features of the Nativity

Surya * pitrikaraka * jyotikaraka

lagnesha

  • Surya-Kanya * Poshanya * Pushna * the nourisher
  • Surya in bhava-2 * center of values, intelligence for storage, conservation, containment, values; focus on treasuries, banking entitlements, bright face-speech-song, eye on capitalization-banking, * father = center of family* sparkling center of the treasury-drama

FATHER

Dad was an engineer who worked alongside her paternal grandfather in the family-owned business. Louis Bardot managed a factory which produced liquid air and acetylene. Surya-Hasta works in manual process, factories, manufacture. Surya in bhava-2 is generally focused upon natural resources, banking, finance, record-keeping, and asset inventory.

CAREER

Surya in bhava-2 face-eyes-hair-speech-song-teeth-mouth-jaw == rules bhava-1 physical appearance.

Surya in bhava-2 rules 9th navamsha = drama, politics, celebrity, paradigm of belief


Chandra * matrikaraka * garha-karaka

  • Chandra in Rohini * mulatrikona * comforted by lavish appreciation * protectors of luxurious domiciles, beautiful caretaking, rhythmic arrangements, sensitive security
  • Chandra-Vrishabha * uttama * moolatrikona 4-30* comforted by rhythmic historical tonal values
  • Chandra in classroom-10 * comfort in order, familiar with protocol, rank, soothed by systems, routine leadership, settled into the rhythm of iconic roles, needs to feel the repeating pulse of visibility, recognition, respect; undulating lawfulness

MOTHER

Since BB's childhood dance lessonsBardot's mother was her boss and executive director Chandra in classroom-10

MARRIAGE partnership support expectations

7th-from-Chandra-10

  • marriage-1 = bhava-4 == cinema director Roger Vadim = security

2nd-from-7th-from-Chandra-10

  • marriage-2 = bhava-11 friendship

9th-from-7th-from-Chandra-10

  • marriage-3 = bhava-6 conflict

4th-from-7th-from-Chandra-10

  • marriage-4 = bhava-1 = personality, identity, alignment

Kuja * bhratru-karaka * virya-karaka

Yogakaraka Mangala rules 4-foundations, cultural rhythms, ethnic basis ++ 9-doctrine, philosophy, beliefs

  • Mangala-Karkata (Azlesa) * nichha * pursuit of security * proactive nourishment, drive toward rooting and settling, vigorous policing * push toward land ownership and farming * champion of local, ethnic, land-based cultures
  • Mangala in bhava-12 * drive toward privacy, pursuit of inner guidance, invaders from distant lands, hyperactive ancestors, seeking sanctuary, clairsentient dynamics, energized invisible conquests, phantoms of aggressive competition, innovative research, progressive action in distant lands, imaginative discovery
  • Ketu-yuti-Kuja * energized pilgrimage, dynamic wandering, masculine force joins apathetic surrender, potential for aggressive annihilation of initiations
Chandra in classroom-10 rules Ketu-yuti-Kuja-nichha-12 bringing scenes of the bedroom into the public visibility role-10

Kuja in 3rd-from-Chandra emotionalized messages

  • Ketu-yuti-Kuja occupies the emotionally talkative, communicative cohort evangelical instructional team-working administrative managerial announcing publishing reporting explanatory conversational lyrical messaging 3rd-from-Chandra = commerce, media-messaging, cinema

Azlesa Kuja-yuti-Ketu * may be a factor in suggested borderline personality disorder ++ multiple suicide attempts in earlier life; alienated from her only child

Children + Grandchildren

Ketu-yuti-Kuja occupies 8th-from-5 ++ bhava-5 = 8th-from-Chandra

BB's only child was taken from her and raised by her ex-husband's family. Although mother-and-son formed a polite but distant relationship in adulthood, she nevertheless eschews contact with her grandchildren citing non-belief in family ties. nichha-Kuja-yuti-Ketu


Budha * bandhava-karaka * zisya-karaka

  • Budha-Thula * articulation of contracts, equable arrangements, balanced designs, agreeable pronouncements, messages about negotiation and parity
  • Budha in bhava-3 * narrative of cohort, siblings, announcements * discusses commerce, management, reporting, administration, describer of detailed information, explainer of publication, delivers instructions for books, scripts, lyrics, media-messaging, talks about communications, sales, marketing, advertising, manufacturing, process, collaboration, teamwork
  • Budha-yuti-Guru * explainer of doctrinal belief * affinity for preaching, professorial, theory-developing roles expressing skills of communication, explanation, description, instruction * articulation of charitable generosity, message of optimism and expansion, talkative teacher

Bantering Budha rules Kanya 10th navamsha * ministry of service to animals, but also accusatory hate speech

Budha rules bhava-2 family lineage values. The family are generally described as haute bourgeois metropolitans.

Blustering Budha accepts the verbally aggressive drishti coming from the disturbed imagination of Mangala-Karkata (Azlesa) * nichha-12.. Her political narrative as expressed in books and public talk (Budha) has been focused tightly upon issues of immigration, nationalism, and ethnic protectionism (Karkata).

Budha Mahadasha * age 66.2 until age 83.2

Appearing in public media-messaging formats, BB aggressively (Kuja) promoted a fiercely anti-immigration policy for her native France. She was censured in the courts and fined multiple time for inciting racial hatred.

Budha-3 resides in the emotionally exploited, victimizing 6th-from-Chandra. BB notoriously suffered from predators breaking the gates and climbing the walls of her home enclosures. There may have been other invasions both physical and psychic earlier in life, leaving a pattern of self-protectionism and fear of strangers.

During Budha Mahadasha = exceptionally outspoken political commentary * Guru-yuti-Budha expansive speech


Guru * dhavakaraka * bahuta-karaka

  • Guru-Thula * many trades, exchanges, much negotiation, believes in justice, doctrine of contractual exchange, multiple alliances and arrangements, equable guidance, expands the scope of balanced design
  • Guru in bhava-3 * many messages, much commerce, many photographs, many publications, many collaborators, many transactions, many tours, frequent business trips, many sales, numerous discussions, much detailed interaction, extensive communications. Sibling-cohort ensemble identity = evangelistic growth, expansion of message, more meetings
  • Guru-yuti-Budha yukta-karaka * multiple sibling-teammate figures, abundant conversational messaging, believes in detailed communications, many announcements, wide scope of evangelism, much humanistic philosophy, broad viewpoint in discussions

Guru in bhava-3 rules Dhanuzya swamsha

Guru-Thula occupies the adversarial 6th-from-Chandra.


Zukra * svadhu-karaka * kalatra-karaka

  • Zukra-Singha * appreciation of royal confidence, pleasures of radiant central roles, enjoys intellectual display, brightly theatrical arrangements
  • Zukra-1 * pleasure of handsome embodiment; graciously feminine qualities of the appearance, enjoys athletic style of balancing, vigorous physical adjustments, appreciation of new birth * identified with beauty, equity, and fairness

Zukra-1 rules the emotionally problematic 6th-from-Chandra =Thula = Guru + Budha

Zukra-Singha karmesha. Zukra rules 3-cinema, publications, photography, commerce ++ 10-public roles, career, leadership

women, marriages, promises, and human relationships in general. There may be stronger affinity with the animal kingdom.


Shani * duro-karaka * jara-karaka

  • Shani-Makara-Draco * heavy old institutions, obliged to conform to the time-clock * rigidly ranked hierarchies, strict governance regimes, pressure to complete socially required duties, vital energy compression stress zone = knees-calves-skeleton, strictly imposed hierarchies, rigidly unyielding public policies* must materialize time-ordered social approval * punitive judgments of elder regulators * must endure lowest-common-denominator proletarian structures * must continue to govern the public despite scarce available resources
  • Shani in Bhava-6 (beneficial placement) * Structured, orderly, time-conscious enemies. One must serve the problematic. One must outlast the adversaries. Endurance in military siege. Tense digestion, Cautious, conventional crimes; chronic conditions of criticism and guilt; constitutional illness-injury syndromes; Physicians resist innovation. Heavy legacy pressure against change in disease condition. Service fatigue; burnout. Resentment toward new treatments or medications. Support for socially-approved dutiful roles as social worker or disadvantaged, healthworker or sick, pharmacist or drug addict, criminal or cop, debtor or.loanmaker, underpaid or underpayer, victim or victimizer, slaver or slave.
  • Shani-yuti-Rahu* resistance against ambition, disciplined risk, limited privilege, constrained opportunism, irregular elders

Shani Marriage

Strict Shani rules Karakamsha Bhava-7 Kumbha = marriages, arrangements, contracts, alliances

Yuvathipathi Shani in Bhava-6 + Shani-yuti-Rahu would suggest a pattern of severe disappointment in the character of the lifemate (4 marriages) ++ risk-rewarding Rahu can challenge social morality while over-reaching for privilege on Rahu-6 platform of divorce, disease (BPD), accusation

Shani-yuti-Rahu occupies the elder-respecting, old-faith, strict philosophies, punitive, scarcity-preaching 9th-from-Chandra

extreme beliefs produce hate-crime activism

ultra-right anti-immigration ideologue ++ vigorous animal-rights activist


Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Rahu-Makara-Draco * shimmering illusion of dignity * craving for social status *mirage of elite identity * mask of hierarchy * mirage of privileged social position * over-reaching institutional leadership * fascinating laws and judgments * unusual claims to hierarchical rank * extraordinary status-markers * seeks special importance via apparent (but perhaps not authentic) attributes of lawful responsibility, boss authority, regulator-roles
  • Rahu in bhava-6 * (beneficial placement) passion for conflict, remedies * in swabhava of Busy Budha, the Shadowy Specter seeks privilege via glamorous or unusual arguments, thrilling defense of victims, conflicts, miseries, medicines, servants, accusation, injustices. Craves an environment of disagreement, injustice, misuse. Desires an important role in matters of disease, injury, warfare, labor, unfairness, toxicity * Exciting enemies. Rahu-6 trespasses the cultural boundaries in matters of debt, drugs, slavery, betrayal, exploitation, war. Rahu the Poseur may pose as a victim, a druggist, a litigator, a problem-solver, an abuser, a diseased person, an enslaved person, a relative of the mother's people. Risk-rewarding, boundary-breeching Rahu thrives in Bhava-6 where He finds opportunity in the worlds of crime, war, pharmacy, self-medication, toxicity.
  • Shani-yuti-Rahu * amplified orderliness, magnified systematics, exotic rules, tricky regulations, opportunistic elders, fascinating (but perhaps illusory) appearance of strictly lawful structures

Rahu occupies the ideological 9th-from-Chandra


Ketu * kavandha-karaka * chidra-karaka

  • Ketu-Karkata *dissociates from protective boundaries, incomplete security, empty shelter, dissolute caretaking, not limited by customary routines, ignores restriction on farming, real-estate, disarrayed home-making
  • Ketu in classroom-5 * ambivalent toward entitlements, may have eccentric children, disregards limitations on financial speculation, displays fragmented or esoteric intelligence, dissolves the glamour of center-stage roles, disperses the romantic adoration. One abandons the usual political behaviors, ignores the conventional creativity, plays an incoherent game.
  • Mangala-yuti-Ketu * surrendered championship, empty actions, disconnected brothers, unsustainable domination, apathetic competition, disability

Ketu occupies the emotionally talkative, communicative cohort evangelical instructional team-working administrative managerial announcing publishing reporting explanatory conversational lyrical messaging 3rd-from-Chandra

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