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Drama and Song

Writers

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Dramatist of live theatre and television

noted for The Golden Girls

playwright and autobiographer

Rue McClanahan

a.k.a. Eddi-Rue McClanahan

Earthbody-Entry Wednesday-21-Feb-1934

Earthbody-Exit 03-Jun-2010 (age 76)

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Golden Girls dramatist, writer, fashion designer * 1934-2010 * Rue McClanahan

birth data from http://en.wikipedia.org/wiki/Rue_McClanahan* tentatively rectified by BP Lama Jyotisha

charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama

born on Ashtami Shukla Paksha

Rising Nakshatra

Feminine Nativities

Dhaniztha * Vasu

  • QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 100

BPL commentary:

For Dhaniztha natives, the condition of pioneering, direct, yang-energy, forward-pushing bhratru-karaka Mangala considerably affects the outcome.

Brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, drivers, drillers, diggers, exploders, aggressors, pursuers, and competitions and battles may be especially influential.

Instructional guidance from the civilizations of Delphinus

"This is a talkative and interesting person,

  • particularly successful in lecturing and debating .

She is capable of writing mystic novels

  • and is good at story telling .

She will be happy in domestic life.

She loves nice dresses,

  • especially blue, pink, and purple,

  • and likes curios and antiques. "

Vimshottari Dasha Narrative Biographical Events


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Rue McClanahan and ensemble dramatists from the iconic Golden Girls television comedy


Chandra Mahadasha * age birth until age 8.3

21-Feb-1934 Earth-birth * Chandra-Rahu period

Janma Sade-Sati Vrizabha Jun-1941 until Aug-1943


Mangala Mahadasha * age 8.3 until age 15.3


Rahu Mahadasha * age 15.3 until age 33.3

1956 earned bachelors diploma University of Tulsa College * Rahu-Shani period * Shani lagnesha

1958 (age 24) Marriage-1 * Rahu-Budha period * samchara Rahu-Ketu via Vrischika-Vrishabha * contact Chandra-Vrishabha

1958 child-1 * Rahu-Budha period * Budha rules 5th-from-Chandra

1958 Divorce-1 * Rahu-Budha period * Budha rules 6-divorce

1959 Marriage-2 * Rahu-Zukra period * samchara Rahu-Ketu via Simha-Kumbha contact navamsha R-K

1964 Marriage-3 *Rahu-Chandra period * * samchara Rahu-Ketu via Makara-Karkata contact radical R-K


Guru Mahadasha age 33.3 until age 49.3

1975 Marriage-4 * Guru-Zukra period * samchara Rahu-Ketu via Vrischika-Vrishabha * contact radical Chandra-Vrishabha


Shani mahadasha age 49.3 until age 68.3

1984 Marriage-5 * Shani-Shani swabhukti * samchara Rahu-Ketu via Vrischika-Vrishabha * contact radical Chandra

1984 begins the famed roles of "Blanche" in the Golden Girls * Shani-Shani swabhukti * Shani lagnesha

1986 gains Golden Globe Award for drama * Shani-Budha period * Budha rules 10th navamsha

1986 gains Emmy Award for drama * Shani-Budha period * Budha rules 10th navamsha

1986 gains another Emmy Award for drama * * Shani-Budha period * Budha rules 10th navamsha

1987 gains another Golden Globe Award for drama * Shani-Budha period * Budha rules 10th navamsha

1992 end of the Golden Girls ensemble drama * Shani-Zukra period

1997 Marriage-6 (age 63) * Shani-Rahu period

June-1997 diagnosed with breast cancer and successfully treated * Shani-Rahu period\

20-Feb-1999 grieved decease of father * Shani-Rahu period\


Budha Mahadasha age 68.3 until decease age 76

04-Nov-2009 triple bypass surgery * Budha-Chandra period

03-Jun-2010 Lightbody Lift-off (brain hemorrhage, age 76) * Budha-Chandra period * Chandra rules-7

Salient Features of the Nativity

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Surya * pitrikaraka * jyotikaraka

  • Surya-Kumbha * Arka * the radiator * radio
  • Surya in bhava-2 * center of values, intelligence for storage, conservation, containment, values; focus on treasuries, bright face-speech-song, eye on capitalization-banking, * father = center of family
  • Surya-yuti-Kuja * confidently progressive, bright warrior, entitled to conquer
  • Surya-yuti-Budha * confidently conversational, bright messenger, entitled to discuss

FATHER

Her father was road builder and the family moved constantly with road-building projects throughout the American South * Surya-yuti-Kuja * Kuja Road Builder bandesha-4


Chandra * matrikaraka * garha-karaka

MOTHER

Mother was a beautician who owned and operated a beauty parlor * Chandra-Rohini-5 * mother, glamour, fashion

MARRIAGE emotional support partnership


Kuja * bhratru-karaka * virya-karaka

  • Mangala-Kumbha * vigorous pursuit of community systems; push toward networked linkage
  • Mangala in bhava-2 * drive toward values lineage, pursuit of treasuries, energized face-speech-song, aggressivefamily hoarding, vigorous capitalization-banking, storage, assets, conservation, acquisitive conquests
  • Kuja-yuti-Surya * energized confidence, dynamic genius, masculine force joins willful charm
  • Kuja-yuti-Budha * energized communication, dynamic reporting, masculine force joins messaging signal

Dhana-yoga

Mangala rules-11 * Mangala occupies-2


Budha * bandhava-karaka * zisya-karaka

Budha rules Kanya swamsha

Budha rules Karakamsha Kanya-9

Budha rules Mithunaya 10th navamsha

  • Budha-Kumbha * connecting communications, articulation of systematic social-scientific networks
  • Budha in bhava-2 * narrative of speech-song, values, history, stories, storage, family lineage, treasury, natural resources
  • Budha-yuti-Surya * articulation of radiant confidence, message of willpower and charisma
  • Budha-yuti-Mangala * articulation of forward action, message of innovation and forward movement, outspoken

Guru * dhavakaraka * bahuta-karaka

Guru Atmakaraka

  • Guru-Kanya * much ministry of service, many servants, many argumentations, much medication, exploitable beliefs, doctrine of humility
  • Guru in bhava-9 * karako bhavo nashto *swabhava * many doctrines, multiple beliefs, much preaching, multiple father-figures, many guru-professor

Guru-9

  • remained a subscribing Christian Methodist throughout life.

Guru casts expansive, charitable, inclusive drishti upon

  • Rahu + Shani + Zukra-1 * physical appearance + social identity
  • bhava-3 writing * wrote screenplays, film-scripts, and a best-selling autobiography
  • Chandra-5-uttama = 3rd-from-3rd containing uttama-Chandra = publications, drama, intelligence, games

Zukra * svadhu-karaka * kalatra-karaka

yogakaraka * Zukra rules 5-10

  • Zukra-Makara-Draco * appreciation of social status, pleasures of structure, hierarchical arrangements
  • Zukra-1 * pleasure of handsome embodiment; enjoys athletic, vigorous physical equity, appreciation of new birth * identified with partnership
  • Zukra-yuti-Shani * gracious diligence, restrained beauty, sweet orderly structure
  • Zukra-yuti-Rahu * gracious opportunism, amplified beauty, sweetly ambitious desire

The personality-and-appearance defining cluster of Zukra-yuti-Shani ++ Zukra-yuti-Rahu in bhava-1 also occupies the philosophical, celebrated, patronage-seeking 9th-from-Chandra

9th-from-Chandra also indicates the amplifying influence of the mother's father

achieved peak fame via the role of "Blanche" when representing social roles of socially and physically mature, aging women in the Golden Girls drama * Chandra-5; Shani+ Zukra-yuti-Rahu-1


Shani * duro-karaka * jara-karaka

lagnesha

Shasaya Yoga

  • Shani in Bhava-1 * must act under pressure, move but slowly, push forward against resistance; cautious, conventional identity; chronic impeded movement
  • Shani-Makara-Draco * old hierarchies, pressured duty, old rules, pressured knees, imposed laws, must govern with scarce resources
  • Shani-yuti-Zukra * resistance against equity, contractual discipline, constrained harmony
  • Shani-yuti-Rahu* resistance against ambition, disciplined risk, constrained opportunism, irregular elders

Highest professional success playing the role of mature, self-sufficient, independent woman who interacts with other mature, self-sufficient, independent women

Zukra-Makara-Draco and Zukra-yuti-Shani beautiful bones, a lovely facial structure, Zukra-yuti-Rahu risky often expedient relationships but dignified public facade due to proximity to Shani-1 * her career peaked and sustained at that high peak during her 50's Shani Mahadasha


Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Rahu in bhava-1 * privilege via glamorous, mesmerizing, exotic, or unusual physical appearance, competitive movement, championship;; seeks social mobility via fascinating, energized physical body-form. Opportunistic, ambitious conditions of birth. Cult of personality.
  • Rahu-Makara-Draco* mask of status hierarchy, institutional rank; fascinated by regulation, imposed order, elite positions
  • Zukra-yuti-Rahu * amplified attractions, exotic art-music, tricky sweets, opportunistic feminine-figures
  • Shani-yuti-Rahu * amplified orderliness, exotic rules, tricky rules, opportunistic elders

The personality-and-appearance defining cluster of Zukra-yuti-Shani ++ Zukra-yuti-Rahu in bhava-1 also occupies the philosophical, celebrated, patronage-seeking 9th-from-Chandra

9th-from-Chandra also indicates the amplifying influence of the mother's father


Ketu * kavandha-karaka * chidra-karaka

  • Ketu-Karkata * incomplete security, empty shelter, dissolute caretaking
  • Ketu in classroom-7 * ambivalent toward promises and agreements, absentee spouse, disregards contractual loyalties, dissolves the alliances, irrelevance of terms of partnership
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