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Drama and Song

Writers


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Dramatist of live theatre and television

noted for The Golden Girls

playwright

autobiographer

Rue McClanahan

a.k.a. Eddi-Rue McClanahan

Earthbody-Entry Wednesday-21-Feb-1934

Earthbody-Exit 03-Jun-2010 (age 76)

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Golden Girls dramatist, writer, fashion designer * 1934-2010 * Rue McClanahan

birth data from http://en.wikipedia.org/wiki/Rue_McClanahan* tentatively rectified by BP Lama Jyotisha

charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama

born on Ashtami Shukla Paksha

Rising Nakshatra

Feminine Nativities

Uttaraphalguni * Aryaman * Bhaga * Falgun * Utthram


BPL commentary

For Uttaraphalguni births of a feminine valence, the condition of radiant, romantic, intelligent, creative, idealistic, central, confident, gaming, self-reflexive, pitrikaraka Surya may considerably affect the outcome.

For those born into the Surya-ruled paradigm of Uttora, father-figures, politicians, celebrity, royalty, entitled roles, brilliant dramatists, radiant deities, sparkling genius, glittering creativity, intelligentsia, speculators, poets, romantic lovers, gamblers, and game-players may be especially influential.

Instructional guidance provided by emissaries from the civilizations of Denebola. Their purpose to brighten and glorify the divine intelligence through spectacular creativity.


Brilliantly dramatic

Uttara-phalguni women are famously confident and willful. Monarchic entitlement pairs with aristocratic service via noblesse oblige. While much depends upon the characteristics of sparkling nakshatrapathi Surya, the feminine Falgun is often found in bright environments of royalty, celebrity, theatre, creative arts, amusements, and games.

Uttaraphalguni ladies radiate a profound love for living creatures, both wild and domestic. On behalf of the animal kingdom and its denizens, the women of Aryaman may undertake political activism. As righteous (and self-righteous) human mistresses of the animal world, their political style may include fiery displays of romantic idealism. They may collect animals.

Simha-Leya pada-1 features charismatic centrality and stage presence, focused into the physical embodiment. Pada-1 must hold the center of attention, whether in celebrity politics, entertainment and fashion, dramatic acting, or all three. Typically an elder husband and many romances.

Kanya Pada 2-3-4 = equally dazzling, idealistic, smart, and flamboyant, but more focused upon expressing the genius of the imagination. Often a splendid dramatist and performing musician due to nakshatrapathi Surya. Typically a younger husband and many romances.

Themes of political power, radiant confidence, and bright celebrity drama may contextualize Utthram's terrestrial experience. Applies also to Chandra in Uttaraphalguni

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 95


"A joyous healthy disposition yet quietly so.

  • She has a very soft pleasing voice,

  • bubbling over with fun and humor.

She is born to a family with social background

and loves to mingle with her friends in various social activities

  • yet she is not frivolous,

  • but beneath her joyous manner, rather serious minded.

She has fixed principles from which she will not deviate.

She prefers to choose her friends

  • from among the people who are artistically inclined and cultured.

She is efficient and adept at managing her home and her domestic life."

Vimshottari Dasha Narrative Biographical Events


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Rue McClanahan and ensemble dramatists from the iconic Golden Girls television comedy


Chandra Mahadasha * age birth until age 3.2

21-Feb-1934 Earth-birth in Healdton, Oklahoma, USA * Chandra-Budha bhukti

Janma Sade-Sati Vrizabha Jun-1941 until Aug-1943


Mangala Mahadasha * age 3.2 until age 10.2


Rahu Mahadasha * age 10.2 until age 28.2

1956 earned bachelors diploma University of Tulsa College * Rahu-Zukra bhukti

1958 (age 24) exchange of vows in marriage-1 * Rahu-Zukra bhukti * samchara Rahu-Ketu via Vrischika-Vrishabha * contact Chandra-Vrishabha

1958 celebrated the birth of child-1 * Rahu-Zukra bhukti * Zukra rules Chandra

1958 Divorce-1 * Rahu-Surya bhukti * Surya rules 12-divorce

1959 exchange of vows in marriage-2 -of-6 * Rahu-Chandra bhukti * Chandra rules navamsha-7 * samchara Rahu-Ketu via Simha-Kumbha contact navamsha R-K


Guru Mahadasha age 28.2 until age 44.2

1964 exchange of vows in marriage-3 * Guru-Shani bhukti * Shani rules Makara swamsha * samchara Rahu-Ketu via Makara-Karkata contact radical R-K

1975 Marriage-4 * Guru-Rahu bhukti * samchara Rahu-Ketu via Vrischika-Vrishabha * contact Chandra-Vrishabha


Shani mahadasha age 44.2 until age 63.2

1984 Marriage-5 * Shani-Zukra bhukti * samchara Rahu-Ketu via Vrischika-Vrishabha * contact Chandra-Vrishabha

1984 begins the famed roles of "Blanche" in the Golden Girls * Shani-Zukra bhukti * Zukra rules 9-fortune, theatre, celebrity * Zukra rules 10th navamsha

1986 gains Golden Globe Award for drama * Shani-Zukra bhukti * Zukra rules 9-fortune, theatre, celebrity * Zukra rules 10th navamsha

1986 gains Emmy Award for drama *Shani-Zukra bhukti * Zukra rules 9-fortune, theatre, celebrity * Zukra rules 10th navamsha

1986 gains another Emmy Award for drama * Shani-Zukra bhukti * Zukra rules 9-fortune, theatre, celebrity * Zukra rules 10th navamsha

1987 gains another Golden Globe Award for drama * Shani-Zukra bhukti * Zukra rules 9-fortune, theatre, celebrity * Zukra rules 10th navamsha

1992 end of the Golden Girls ensemble drama * Shani-Rahu bhukti


Rue_McClanahan_2007photo.jpgBudha Mahadasha age 63.2 until decease age 76

1997 Marriage-6 (age 63) * Budha-Budha swabhukti * Budha lagnesha

June-1997 (age 63) diagnosed with breast cancer and successfully treated * Budha-Budha swabhukti * Budha lagnesha

20-Feb-1999 (Rue's age 65) grieved decease of father * Budha-Budha swabhukti * Budha rules 2nd-from-9th ++ Sade-Sati

04-Nov-2009 triple bypass surgery (age 76) * Budha-Guru bhukti * Guru maraka rules-7

03-Jun-2010 Lightbody Lift-off (brain hemorrhage, age 76) * Budha-Guru bhukti * Guru maraka rules-7

Salient Features of the Nativity

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Surya * pitrikaraka * jyotikaraka

* Vimala Yoga

  • Surya-Kumbha * Arka * the radiator * radio
  • Surya in bhava-6 * center of sparkling service, brightly conflicted, focus on imbalance, eye on injustice * intelligence for helping ministries of social work, injury and disease, medical entitlements, broken contracts and litigation, accusation, divorce + disagreement, pollution + exploitation, poverty and crime, usury and debt, pharmacy and addiction, military and war * bright center of the conflict-drama
  • Surya-yuti-Kuja * confidently progressive, bright warrior, creatively intelligent brother-figures, self-reflexive political pursuits, champion of brilliant ideals, competitive father, entitled to conquer and win, radiantly pioneering
  • Surya-yuti-Budha * confidently conversational, bright messenger, entitled to discuss, creatively intelligent sibling-cohort, radiantly descriptive, articulate in drama and games, self-confident announcements, talks about politics

FATHER

Dad = a road builder. The family moved constantly with road-building projects throughout the American South * Surya-yuti-Kuja * Kuja bandesha constant change, camp-to-camp.


Chandra * matrikaraka * garha-karaka

  • Chandra-Vrishabha * uttama * moolatrikona 4-30* comforted by rhythmic historical tonal values
  • Chandra in Rohini * mulatrikona * comforted by lavish appreciation * protectors of luxurious domiciles, beautiful caretaking, rhythmic arrangements, sensitive security
  • Chandra in classroom-9 * comfort in the paradigm of belief, familiar with doctrine, routine patronage, soothed by globalist perspective, needs to feel the repeating pulse of preaching sermons, settled into the rhythm of philosophical humanism; undulating understanding

MOTHER

Mother was a beautician who owned and operated a beauty parlor * Chandra-Rohini-10 * mother, glamour, fashion. Mom was well-known socially.

MARRIAGE emotional support partnership

7th-from-Chandra-9

  • exchange of vows in marriage-1 = bhava-3

2nd-from-7th-from-Chandra-9

  • exchange of vows in marriage-2 = bhava-10

9th-from-7th-from-Chandra-9

  • marriage-3 = bhava-5

4th-from-7th-from-Chandra-9

  • marriage-4 = bhava-12

11th-from-7th-from-Chandra-9

  • marriage-5= bhava-7

6th-from-7th-from-Chandra-10

  • marriage-6 = bhava-2

Dhana-yoga


Kuja * bhratru-karaka * virya-karaka

* sarala yoga

  • Mangala-Kumbha * vigorous pursuit of community systems * proactive linking * push toward regulated networks * champion of distributed associations
  • Mangala in bhava-6 * drive toward conflict, pursuit of service,, litigious dynamics, energized adversarial conquests
  • Kuja-yuti-Surya * invigorated creativity, invigorated creativity, energized confidence, dynamic genius, masculine force joins willful charm, potential for aggressive political or dramatic actions , potential for aggressive political or dramatic actions
  • Kuja-yuti-Budha * communicative competitions, energized communication, dynamic reporting, masculine force joins messaging signal, potential for aggressive gestures, speech, and writing

Mangala rules-3 * writing * wrote screenplays, film-scripts, and a best-selling autobiography

Physically direct, innovative, impatient Kuja is typically a challenging graha for the Kanya nativity. As ruler of 8 and 8th-from-8, Mangala introduces a narrative of identity change, initiation, and a degree of secrecy


Budha * bandhava-karaka * zisya-karaka

lagnesha

Budha rules Karakamsha Kanya-1 personality, appearance

  • Budha-Kumbha * connecting communications, systematic pronouncements, articulation of social-scientific networks, descriptive inter-webbed definitions, messages about communities and economies, explains large-scale social participation linkage
  • Budha in bhava-6 * narrative of argument, accusation, pollution, complaint * discusses conflict, medical treatment plans, remedies, litigation. Detailed argument, accusation. Dialog of treason, describer of broken promise, explainer of toxicity, . Delivers instructions for ministries of service, talks about injustice, articulates the case against adversaries, ailments, debts. Excellent position for medical, military, or service-ministry professionals
  • Budha-yuti-Surya * explainer of dramatic intelligence * affinity for central roles expressing skills of communication, explanation, description, instruction * articulation of radiant authority, message of willpower and charisma, confidently talkative father
  • Budha-yuti-Mangala * explainer of competitive energies, articulation of forward action, message of innovation and forward movement, outspoken, fraternal conversations, aggressive communications, talkative brother-figures

Guru * dhavakaraka * bahuta-karaka

Guru Atmakaraka

  • Guru-Kanya * much ministry of service, many servants, many argumentations, much medication, exploitable beliefs, doctrine of humility
  • Guru in bhava-1 * dig-bala * much vitality, jolly personality, generous disposition, numerous identities, much jovial competition, many cheerful sporting activities, may signal expansive aura, tall height, or wide girth, embodiment of optimistic belief

Guru in bhava-1

  • remained a subscribing Christian Methodist throughout life.(identity with doctrine)
  • Guru resides in 5th-from-Chandra providing abundant optimism and faith, expansion of dramatic roles, and creative attitude supporting growth even with criticism and errors along with path (Kanya)

Guru casts expansive, charitable, inclusive drishti upon

  • 5 = Rahu + Shani + Zukra-5 * creative intelligence, drama = 3rd-from-3rd = publications, drama, intelligence, games
  • 7 = Ketu-7 = multiple marriages
  • 9 = Chandra-9-uttama = mother, fortune, paradigm of belief

McClanahanRue_midyears.jpgZukra * svadhu-karaka * kalatra-karaka

yogakaraka * Zukra rules 5-10

  • Zukra-Makara-Draco * appreciation of social status, pleasures of structure, hierarchical arrangements
  • Zukra-5 * pleasure of dramatic gaming, enjoys center-stage equity, feminine-figures are prominent in the creative, political environments, literary and fine arts, appreciation of creativity
  • Zukra-yuti-Shani * sweetened structures, mature relationships, gracious lawfulness, beautiful bones, appreciation for neutrality, strict negotiations, pleasant legal mediation, architectural rigor, enduring agreements * arrangements abide by regulatory law. This benevolent combination signals success in artistic endeavor of a pragmatic, materialistic character, such as music composition or fashion design. Deepens the artistic discipline. Shani contributes mature realism to Zukra's love of balance and beauty. In a husbandly nativity, may prefer a senior, responsible wife.
  • Zukra-yuti-Rahu * sweetened adventure, gracious ambition, appreciation for exciting opportunism, masked negotiations, over-reaching agreements, exceptional beauty, enjoys cultural mixing * arrangements support diplomatic equity balanced with exhilarating risk, risk-rewarding contracts. A mesmerizingly (Rahu) attractive (Zukra) appearance.

Yoga for fame = Zukra-5 rules-9 ++ Chandra in Rohini-9

Dharmesha-Zukra occupies celebrity, creative, dramatic-5

Zukra rules Thula 10th navamsha

The creative, celebrity-oriented cluster of Zukra-yuti-Shani ++ Zukra-yuti-Rahu in bhava-5 entertainments also occupies the philosophical, celebrated, patronage-seeking 9th-from-Chandra

9th-from-Chandra = the amplifying influence of the mother's father, mother's beliefs-faith, mother's worldview


Shani * duro-karaka * jara-karaka

Shani rules Makara swamsha = competitive Dhaniztha

  • Shani-Makara-Draco * heavy old institutions, obliged to conform to the time-clock * rigidly ranked hierarchies, strict governance regimes, pressure to complete socially required duties, vital energy compression stress zone = knees-calves-skeleton, strictly imposed hierarchies, rigidly unyielding public policies* must materialize time-ordered social approval * punitive judgments of elder regulators * must endure lowest-common-denominator proletarian structures * must continue to govern the public despite scarce available resources
  • Shani in Bhava-5 * Structured, orderly, time-conscious children. One must create drama with scarce confidence; cautious of politics, conventional intelligence; heavy weight of children; resistance to genius, tense performance, creative fatigue, chronic pressure on the heart + spine ; heavy resistance to individual authenticity. Resistance to new fashions and romance. Resentment toward changes in games and amusements. Support for socially-approved, rigidly dutiful roles as gambling regulator, scholar, constrained speculator, royally, celebrity figure. + spine ; heavy resistance to free creativity
  • Shani-yuti-Zukra * resistance against equity, limited luxury, contractual discipline, constrained harmony, regulated pleasures
  • Shani-yuti-Rahu* resistance against ambition, disciplined risk, limited privilege, constrained opportunism, irregular elders

Highest professional success playing the role of mature, self-sufficient, independent woman who interacts with other mature, self-sufficient, independent women

achieved peak fame via the role of Blanche when representing social roles of socially and physically mature, aging women in the Golden Girls drama

Shani in Bhava-5 disciplined behavior in the theatre = the philosopher-respecting, faithful, humanistic, global-scope 9th-from-Chandra

Zukra-Makara-Draco ++ Zukra-yuti-Shani = beautiful bones, a lovely facial structure,

Zukra-yuti-Rahu risky often expedient relationships but dignified public facade due to proximity to Shani in Bhava-5 * her career peaked and sustained at that high peak during her 50's Shani Mahadasha


Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Rahu-Makara-Draco * shimmering illusion of dignity * craving for social status *mirage of elite identity * mask of hierarchy * mirage of privileged social position * over-reaching institutional leadership * fascinating laws and judgments * unusual claims to hierarchical rank * extraordinary status-markers * seeks special importance via apparent (but perhaps not authentic) attributes of lawful responsibility, boss authority, regulator-roles
  • Rahu in bhava-5 * passion for politics, celebrity, games * in swabhava of Splendid Surya, the Shadowy Specter seeks privilege via glamorous or unusual children; out-of-bounds creativity, and amplified poetic romance; Risk-rewarding Rahu generates a charismatic individuality, center-of-attention displays of creative genius. Desires a special, important role in performance arts, literary arts, entertainments, royalty roles, pageantry, celebrity events, or dramatic splendor. Exciting, opportunistic, ambitious children and lovers. Rahu the Poseur may wear the persona (mask) of a dramatic actor, a celebrated intellectual, or a politician. Craves the center stage, the lights, the glory. Rahu-5 trespasses the cultural boundaries in matters of unique personal creativity, children, speculation, gaming. Seeks flamboyant fashion, exceptional offspring, and the thrill of political theatre.
  • Zukra-yuti-Rahu * amplified attractions, magnified beauty. exotic art-music, tricky partners, opportunistic feminine-figures, fascinating (but perhaps illusory) appearance of luxuriously lovely pleasures, hypnotic arrangements, gracious balance of cross-cultural mixing
  • Shani-yuti-Rahu * amplified orderliness, magnified systematics, exotic rules, tricky regulations, opportunistic elders, fascinating (but perhaps illusory) appearance of strictly lawful structures, hypnotic social ranking, pragmatic order of cross-cultural mixing

The personality-and-appearance defining cluster of Zukra-yuti-Shani ++ Zukra-yuti-Rahu in bhava-5 also occupies the philosophical, celebrated, patronage-seeking 9th-from-Chandra

Rahu residing in 9th-from-Chandra also indicates the amplifying influence of the mother's father


Ketu * kavandha-karaka * chidra-karaka

  • Ketu-Karkata *dissociates from protective boundaries, incomplete security, empty shelter, dissolute caretaking, not limited by customary routines, ignores restriction on farming, real-estate, disarrayed home-making
  • Ketu in classroom-11 * absent from friendships, disregards profitability * no barriers in community, dissolves the social network, vacuous associations, irrelevance of the material goals, ambivalence toward economic empowerment. One abandons the elder siblings, ignores marketplace earnings, surrenders the electro-magnetic connections. May prefer to live without electricity, or off-the-grid.
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