born two months before + 350 miles NW of
born two months before + 400 miles W of
Prince eponymous album cover, 1979 [age 21] |
International Musical Celebrity entertainer guitar virtuoso fashion-designer artist a.k.a. Prince Rogers Nelson a.k.a. the artist formerly known as Prince a.k.a. Skipper Earth-birth 07-Jun-1958 dematerialization 21-Apr-2016 [age 57] |
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Touring musician songwriter fashion-designer artist 1958-2016 Prince Rogers Nelson birth information from https://en.wikipedia.org/wiki/Prince_[musician]
tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = generated by Shri Jyoti Star - www.vedicsoftware.com - adapted by BP Lama |
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Rising Nakshatra Masculine Public-Figure Examples Citthirai - Visvakarma - Azinech - Alaraph - Arista - Dana BPL COMMENTARY For Chitra - Tvastri births of a masculine valence, the condition of kinesthetic, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome. For those born into the Mangala-ruled paradigm of Visvakarma, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, builders, drivers, drillers, diggers, exploders, aggressors, pursuers, competitions and battles may be especially influential. Guided by instructors from civilizations of Spica. Their purpose is architectural engineering and crafting of beautiful, functional, and artistic alliances, arrangements, and designs. Designs + Arrangements [Competitive Champion Kuja]-ruled Chaitra fellows have a knack for competition. Goal-oriented and kinetic in building, patterning Tvastri, they strive for dominant power in engineering, artisan mechanics, architecture, and applied design arts such as skilled handcraft. As authors, chaitrika often illustrate their works with fine drawings. Tvastri-born have a natural affinity for tools, engines, driving, building. Kanya pada 1-2 express Kuja's rulership of 3-writing + 8-mystical transformations, while also displaying the frustrating tension of chatty Budha versus active Kuja. Literary Budha plays a stronger role for pada 1-2, producing scholars and writers who argue about architectonics, engineering design, color values, and mechanics. Pada 1-2 = also skilled in handcraft and may be professors-cum-tradesmen, fine-arts painters, model-builders, or manually gifted musicians. [Tula - Vanika] pada 3-4 express Kuja's rulership of 2-collections, assets + 7-contractual equity. Shukra's bargaining behavior and financial skills play a stronger role for pada 3-4, who enjoy the mutual attractions of Shukra-Mangala. In music, arts, and engineering, they pursue harmonious arrangements. They often play stringed instruments, and write beautiful songs. Chaitrika pada 3-4 can be found in the design world, in financial negotiations, and in dynamic meditator roles. Themes of productive touch including artistic design, musical instruments, mechanical engineering, and crafting of dynamic arrangements contextualize Vismakarma's terrestrial experience. Incoming drishti from Kuja can mobilize their progressive, pioneering actions. Also applies to Chandra in Chitra - Spica. |
QUOTATION Tvastri from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra. p 84 " Chitra natives are quiet, thoughtful, and profound. Very slow in movement and of great dignity in bearing and manner.
they make good students in their youth. they are also extremely clever with their hands ,
they like to do things or fashion things with their hands
[end quote]
Prince Rogers Nelson - known mononymously as Prince - in 1980 [his age 22] | ||
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Biographical Details matched to Vimshottari Dasha calendar
Sat-07-Jun-1958 Earth-birth in Mount Sinai Hospital in Minneapolis, minnesota, USA [44°58′21″N 93°15′43″W]. Parents both jazz musicians and members of the evangelical Seventh-Day Adventist faith. * Rahu-Rahu svabhukti Jan-1964 until Dec-1966 Janma Sade-Sati Kumbha
24-Sep-1968 [PRN age 10] parents divorce * Rahu-Ketu bhukti ++ R-K opposition 1970-1971 [PRN age 12-13] attends classical ballet training via Minneapolis Urban Arts program. Prince would become a lifelong advocate for dancers. * Rahu-Shukra bhukti 1978 [PRN age 20] first musical recording contract with Warner Bros. * Guru-Shani bhukti * Shani rules 5-entertainment 27-Oct-1982 [PRN age 24] commercial release of musical double-album, 1999. The production garnered widespread critical acclaim * Guru-Ketu bhukti * [Ketu-yuti-Shukra] Shukra 2- music + 9-celebrated works 28-Feb-1984 [PRN age 26] earns first Grammy Award * Guru-Shukra bhukti * Shukra 2- music + 9-celebrated works 1984 [PRN age 27] cinema-and-music production Purple Rain gains both critical and popular acclaim. PRN is acknowledged as a generational artist. * Guru-Shukra bhukti * Shukra 2- music + 9-celebrated works 1990 [PRN age 32] [MG age 16] after her mother [also a dancer] sent Mayte Garcia's audition video to Prince, the pair met backstage. Mayte's family was stationed in Germany, where she danced with Wiesbaden Ballet * Guru-Rahu chidradasha Mar-1993 until Jun-1995 - Janma Sade-Sati Kumbha
1992 [PRN age 34] [MG age 18] Four-year romance begins with dancer-choreographer, Mayte Garcia, asalaried member of PRN's stage entourage. * Shani-Shani svabhukti * Shani rules 5-romance 14-Feb-1996 [PRN age 38] [MG age 22] consecration of marriage-1-of-2 with dancer-choreographer, mayte Garcia * Shani-Budha bhukti * Budha rules Kanya svamsha ++ gochara R-K transit via Kanya-Meena contact Kanya svamsha 16-Oct-1996 [PRN age 38] birth of child-1 with Garcia* Shani-Budha bhukti * Budha lagnesha 22-Oct-1996 [PRN age 38] grieved the tragic decease of child-1, due to Pfeiffer syndrome congenital disorder of the skull. * Shani-Ketu bhukti 1998 [PRN age 40] miscarriage followed by marital separation * Shani-Shukra bhukti * [Ketu-yuti-Shukra] Ketu disconnect 2000 [PRN age 42] legal divorce from alliance-1 with dancer-choreographer, mayte Garcia. * Shani-Shukra bhukti * [Ketu-yuti-Shukra] Ketu disconnect 2000 [PRN age 42] legal divorce from alliance-1 with dancer-choreographer, mayte Garcia. * Shani-Shukra bhukti * [Ketu-yuti-Shukra] Ketu disconnect early-2001 [PRN age 43] joined Jehovah's Witness religious congregation * Shani-Shukra bhukti * Shukra rules 9-catechesis, belief, sangha 25-Aug-2001 [PRN age 43] grieved the decease of jazz-musician father * Shani-Surya bhukti * [Surya-yuti-Budha] * Budha rules 2nd-from-Surya 2001 [PRN age 43] [Manuela age 24] first meeting with philanthropist-businesswoman, manuela Testolini * Shani-Surya bhukti * [Surya-yuti-Budha] Budha rules Kanya svamsha 31-Dec-2001 [PRN age 43] [Manuela age 24] consecration of marriage-2-of-2 with philanthropist-businesswoman, manuela Testolini * Shani-Surya bhukti * [Surya-yuti-Budha] Budha rules Kanya svamsha ++ gochara R-K transit via Mithuna-Dhanus contact Dhanus-Chandra navamsha 15-Feb-2002 [PRN age 43] grieved the decease of jazz-singer mother * Shani-Surya bhukti * [Surya-yuti-Budha] * Budha rules 4th-from-matri-sthana 2004 [PRN age 45] marital separation * Shani-Mangala bhukti * Mangala randhresha, identity change Oct-2007 [PRN age 47] legal divorce-2 from alliance-2 with philanthropist-businesswoman, manuela Testolini * Shani-Guru chidradasha * Guru rules 6th-from-2 - divorce from second marriage
2015 [PRN age 56] onset of severe hip pain and drug dependency upon the painkiller medication * Budha-Shukra bhukti * [Ketu-yuti-Shukra] Shukra-8 hidden conditions ++ Shani-Return 21-Apr-2016 [PRN age 57] blessed liberation from the Earthen-body, via fatal overdose of opioid fentanyl . Death alone, inside an elevator carriage within his music compound, discovered the next day * Budha-Shukra bhukti * [Ketu-yuti-Shukra] [8] Ketu disconnect |
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Biographical Details matched to Vimshottari Dashahottari Dasha bhukti
[Sparkling Splendid Surya] pitri-karaka [father] jyoti-karaka [light] [righteously radiates interior doctrinal certainty] [entitled to imagined patronage roles] [may preach upon private spiritual guidance] [dreamlike use of language in music-arts] [clandestine luxury in patriarchal roles] [potentially engaged in foreign banking or distant travel for artistic performance] [intelligence for evoking symbolic sound-color values] [displays intuitive musical creativity] [father-figure may be a politician, entertainer, philosopher, preacher, professor of historical theory] ... [dramatic-displaying Mriga-1] [navamsha Surya-Simha] [Rohiṇī-Surya-yuti-Budha- Rohiṇī]
OUTCOMES - SURYA self-reflexively sermonizing, brightly philosophical, charmingly self-righteous, regal style of pontificating, doctrinally focused, radiantly patriarchal, politically ideological, splendidly patronizing, center-stage religious guide [Surya in bhava-9] rules
CAREER - SURYA FATHER Dad = John Lewis Nelson [b. 1916 d. 2001] [Rohiṇī-Surya-yuti-Budha- Rohiṇī] Dad was a jazz musician and songwriter. in the 1980's, dad collaborated as a credited co-songwriter with his son Prince. Prince and his younger sister were the product of Dad's second marriage. From Dad's earlier union, prince had many step-siblings [Surya in bhava-9] resides in the security-seeking, local-culture, parental, protective 4th-from-Chandra [Kumbha] [Comfortable Caretaking Chandra] matrikaraka [mother] * garha-karaka [village] [camouflaged secretive randhresha for Dhanus - Haya indriya-lagna] [Comforted by writing-publishing of mass-participation instructions] [Soothed by goal-oriented cooperative teamwork] [Attuned to the revolutionary rhythms of scripted communication] [Delivers emotional messages to remediate personal upheaval] [Busy production manager of mysterious futuristic narratives] [Profitably explains the mental rebirthing process] [Discusses hidden medicinal powers of healing transformation. ] [Mother may be friendly but distressed, handcrafter, businesswoman, shopkeeper, manager, writer, cohort-ensemble-bandmate] ... ... [inspirational-believing Varuna-1] [navamsha Chandra-Dhanus] intuitively sensitive guiding belief
OUTCOMES - CHANDRA sensitively ministering, protectively helping, routinely analyzing, parentally criticizing, rhythmically complaining, customary service, predictably laboring, culturally exploiting, emotionally unbalanced, needs to be argumentative [Chandra in classroom-6] rules
CAREER -CHANDRA
Comfortable with the rhythms of Suffering, injustice, and Mistrust Above all his astounding varieties of creative talent, prince is remembered primarily as a lyrical writer comfortable with cohort * familiar with messaging * needs to communicate Prince has been described by music critics as a music-marketing genius contains [Shani-Vṛścika] [Jyestha-4] ruler of 2-music + 3 business
owner of famed, sound-proofed [12] music studio for recording, cinema, private artistic performances. owner of substantial song-licensing operation. Legal [Shani] figure in famous author's song-copyright lawsuit. Shani rules 2- songs due to his persistent engagement with the cause of earnings [Kumbha]of songwriters [3] PRN was hailed as transformative agent within the musicians' community [8] * Guru-Chandra bhukti * Chandra randhresha * PRN's career was launched with an explosive combination [8] of sexually explicit lyrics appealing to restless younger audiences, along with unexpected musical arrangements. [8] MOTHER Mom = Mattie Della Shaw = a jazz ensemble musician-singer [Chandra-3 ensemble, handcraft, instruments] MARRIAGE partnership emotional equity support expectations challenges to sustainable partnership include:
Plus points
[7th-from-Chandra-6] lifepartnership-1-of-2 Mayta Garcia [marr. 1996-2000, separation after 2 years] theatrical bellydancer, ballerina, choreographer = artistic musical center-stage dance performer [Simha] international background, multi-cultural/multi lingual, imaginative [12]
8th-from- [7th-from-Chandra-6] lifepartnership-2-of-2 Manuela Testolini [marr. 2001-2007, separation after 2 years] = philanthropist. The pair met while MT assisted with PRN's charity [Meena]
7 contains dynamic, restless, forward-moving [Mangala-Meena] in helping, assisting Andromeda-pada-2 Kuja ruling 8 and 8th-from-8 - a challenging graha for Kanya-born [Competitive Champion Kuja] bhratru-karaka [brother] virya-karaka [virile] [busy-collaborative sahaja-pati for Parthya indriya-lagna] [mysterious-transformative randhresha for Parthya indriya-lagna] ... [calculating-assisting Andromeda-2] [navamsha Mangala-Kanya]
OUTCOMES - MANGALA competitive bargaining, self-promoting negotiator, pursues agreements, aggressive match-making, dynamic adjustment, fights for justice, forward-pushing diplomacy, conquering warrior in relationships, dominating advocacy, pro-active work in lawcourts, energetically innovative arrangements, champion of pioneering new harmonies [Mangala in bhava-7] rules
CAREER - KUJA rules 10th-from-Chandra = contains atmakaraka [Shani-Vṛścika] Legal Warrior after a long and persistent legal battle with a dominant entertainment corporation, in a landmark case that was celebrated by musicians worldwide, prince famously won the legal ownership rights to his catalog of songs [atmakaraka Shani-3] In the David-and-Goliath struggle for creative artists to retain the copyright to their works, prince became a champion-hero [Mangala] against the predation of the music-entertainment industry which often unfairly appropriated those rights. Second Marriage [2nd-from-Chandra] [Mangala in bhava-7] occupies [2nd-from-Chandra] contentious, argumentative family who are mainly sparring about philosophical, visionary issues ++ matters of promise, covenant, oath, pledge, contract [Busy Bantering Budha] jamayah-karaka [sibling] sandesha-karaka [message] shisya-karaka [student] [energizing-identifying lagnesha for Kanya indriya-lagna] [dutiful-hierarchical karmesha for Kanya indriya-lagna] check Shukra for defining source of Budha's sensual enriching musical knowledgeable acquisitiveness [talks about historical beliefs] [pronounces narratives of heritage doctrinal value] [detailed assessment of music-tone-color] [represents the wealth of tribal chieftains] [publicly identified with paternal legacy] [sonorous confessional testimony] [calculates the itemized treasury] [delivers storytelling guidance to youth] [exponent of financially principled charity] [father-figure may be banker-financier-musician] ......... [pioneering-champion Rohiṇī-1] [navamsha Budha-Mesha] intuitively explaining innovative distinctions in historical sound-color values [Rohiṇī-Budha-yuti-Surya- Rohiṇī]
OUTCOMES - BUDHA mercurially philosophical, paternally communicative, mercantile worldview, businesslike father-figure, naarrative of higher understanding, inspirational publishing, globally descriptive, broad-scope conversations [Budha in bhava-9] rules
CAREER - BUDHA [Budha in bhava-9] resides in the security-seeking, parental [4th-from-Chandra] Budha = lagnesha ++ karmesha [Budha-Urisha] Narrative focus on hedonistic sexual language. [Generous Growing Guru] dhava-karaka [husband] bahuta-karaka [variety] [dikbala] [kendra-adhipati-dosha] [homebound-anchoring bandesha for Kanya indriya-lagna] [bargaining-balancing yuvati-pati for Kanya indriya-lagna] [multiple ministering personality attributes] [embodiment of logical philosophical beliefs] [identified with an analytical credenda] [iconic personification of service-oriented worldview] [personality exemplifies working-class ideology] [paragon of laboring cheerfulness] [preacher-and-teacher may symbolize the wisdom of remediation strategies] [expansive bargaining skills with a personalized understanding of relationship imbalances] [often a benefactor to the local folk] [Guru-1 rules 4+7 = customary convictions with optimistic partnerships] [Masculine nativities identitifed with married status.] ... [ministering-complaining Chitra-2] [vargottamsha] [navamsha Guru-Kanya] intuitively expansive contemplative understanding of imbalanced inequity
OUTCOMES - GURU expansively active, abundantly energized, jovial competitor, multiple identities, naumerous offspring, optimistic innovator, generous grower of children-partnerships-worldview, broad-scope of embodied inspiration [Guru in bhava-1] rules
CAREER - BRIHASPATI Guru-1 rules 4-hometown built his own music compound in hometown of Minneapolis, staying and investingin a familiar place even though an international star Permanent cycle of self-transformation via [Guru in bhava-1] occupies the distruptive, emotionally transformative 8th-from-Chandra [Sweetly Suave Shukra] svadu-karaka [sweet] kalatra-karaka [wifely companion] [collecting-preserving dhanesha for Kanya indriya-lagna] [philosophical-believing dharmesha for Kanya indriya-lagna] .... [creative-displaying Bharani-1] [navamsha a Shukra-Simha] intuitively harmonizing balanced theatrical romantic arrangements [Bharani-Shukra-yuti-Ketu-Asvini]
OUTCOMES - SHUKRA graciously camouflaged, agreeably undisclosing, appreciative of hidden arrangements, harmoniously recycling, aesthetically rejuvenating, balanced response to emergency, financially secretive, initiates musical-artistic evolution, enjoys intrigue, suddenly changing agreements, transformative relationships [Shukra-8] rules
CAREER - BHRIGU Ketu fragments Shukra in areas of art, music, design, relationships.
Younger sister Shukra-yuti-Ketu resides in the mentalized, writing, lyrical 3rd-from-Chandra
According to the younger sister, despite most of their family tree being musically gifted, there was never collaboration with her famous elder brother.
[Sober Structural Shani] duro-karaka [endurance] * jara-karaka [Jahre, years] [witty-speculative vidya-pati for Kanya indriya-lagna] [inimical-medicating rogesha for Kanya indriya-lagna] ...... ... [imaginative-philanthropic Jyeṣṭha-4] [navamsha Shani-Meena] [Atmakaraka duty, structure, legal systems, persistence, naormalcy, conventional behavior]
OUTCOMES - SHANI dutifully project-managing, diligent instructor, responsibly communicative, mature teamworker, must regulate the cohort process, structured style of collaboration, slowed mentality, burdensome required maintenance of commercial transactions [Shani in Bhava-3] rules
CAREER - SHANI [Atmakaraka] [Shani in Bhava-3] resides in public-familiarity 10th-from-Chandra-6 was also a member of a religious group that forbids college education and requires rigorous uniformity of conduct and belief Known for imaginative, reflective, contemplative sense of imposed conditions Must conduct [3, writing, commercial music production, tours] [Risk-rewarding Rahu] rajyalobha-karaka [ambition] picchala-karaka [slippery] [for Kanya indriya-lagna] [Rahu-2 casts passionately enriching capitalizing drishti into 6-8-10] check Shukra for defining source of Rahu's apparently sweetening , contractual equity ... [mysterious-emerging Chitra-4] [navamsha Rahu-Vrischika] intuitively over-reaching passion for transformation-discovery
OUTCOMES - RAHU Rahu-Vrischika-3rd-navamsha = writing, commercial music production, tours Chitra-pada-4 Rahu-Chitra is fascinatingly gifted with the hands. In the Tula pada 2-4, musical instruments and cosmetic surgery. Design arts, drawing, architecture, financial contracts, family heritage of music. Capitalization, Voice-Face, rahu-challenge to rigid social practices in finance, politics, worthiness, truth. Entrancing speakers, cleverly sonorous values-based speech. [Rahu in bhava-2] seeks privilege via important - often risky - cultural-mixing roles in evaluation, assessment, language, memory, knowledge, voice-speech-song, face-genetics, heritage, tradition, family lineage, food, seeds, herds-hoards, storage-stories-history, libraries, museums, databases, collections, banking, reserves, preservation, assets, capital assets . resides in [9th-from-Chandra] ++ Rahu-2casts drishti into Chandra-6 Kumbha Mother's father has a risk-rewarded, exciting, boundary-breaching character Challenge to the Outdated Old Payments Hierarchy Prince was widely appreciated and admired among musical artists for his extraordinary, boundary-challenging decision to obtain the financial rights to his own musical works. [2] Via a prolonged series of lawsuits [Tula] against the powerful legal force of big-money in music, prince eventually won a precedent-setting judgment that the industry captains could not permanently own any artists creative work. [Collapsing unshackling Ketu] kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum] [beneficial placement for Kanya indriya-lagna] [dispersed engagement with innovative rebirths] [dissolution of wartime catastrophe] [surrenders pioneering initiations] check Mangala for defining source of Ketu's forward-pushing disintegrating action [forgives broken fresh-start transformations] [abandons unsustainable physical eruptions] [absent from empty blood eruptions] [disregards invasive surgical conventions] [eccentric kinetic trauma-healing] [passively fixated on ambitiously diplomatic-partnering Rahu-Tula-2 treasuries, store-holds, family-members, bankers, memory-collectors, warehousers, knowledge-preservers, or second-spouse] ... [musical-financial Aśvini-2] [navamsha Ketu-Urisha] [Asvini-Ketu-yuti-Shukra-Bharani]
OUTCOMES - KETU [Ketu-yuti-Shukra] may be an indication of self-medication with no limits, even when 6th-angles appear healthy. Rahu drishti into Shukra may exacerbate risk-taking in pursuit of pain-numbing or bitterness-sweetening. 21-Apr-2016 [PRN age 57] blessed liberation from the Earthen-body, via fatal overdose of opioid fentanyl * Budha-Rahu bhukti |
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