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Drama and Song

Writers


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born 13 days before

born 2 months before

  • Purple Rain 1958-2016 Prince

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Entertainer * Actress * Dancer * Singer

Producer * Cinema Director

Writer * Choreographer * Designer

Hatha Yogini

Madonna

a.k.a. Louise Ciccone

Earthbody-Entry Saturday-16-Aug-1958

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celebrity entertainer, writer, producer, dramatist * 1958- * Madonna * Louise Ciccone

birth data from https://en.wikipedia.org/wiki/Madonna_(entertainer)* tentatively rectified by BP Lama

charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama

Rising Nakshatra

Feminine Nativities

Arudra-Orion * Trinetra


BPL commentary

For Arudra births of a feminine valence, the disposition of mesmerizing, hypnotic, shadowy, exciting, passionate, ambitious, opportunistic, privilege-seeking Professor Rahu may considerably affect the outcome.

Exotics, ethnic mixers, opportunists, fascinators, mesmerizers, privilege-seekers, impostors, rogues, intensifiers of passion and desire, self-proclaimers, self-promoters, agents-provocateur, charlatans, masters of smoke and oils, and entrancingly ambitious persons may be especially influential.

Instructional guidance is provided by emissaries from Orion. Their purpose is to communicate the passionate animal vitality via stormy, turbulent, swaying, exciting gesture and signal.


Passionate

Rahu-ruled Arudra ladies have stormy temperament. They may be considered capricious, inconsistent, and demanding. Often they are found in sensuous, writhing, twisting, fascinating roles. Mesmerizing dancers, they use the communicative signaling of hands, shoulders, legs, hips, and pelvic thrust to great advantage.

Depending upon Arudra's social environment, their seductive appeal may express as private or public When professionalized, Tiruvaatira-born may be stage performers of high excellence, who send waves of desire (Rahu) through an audience numbering one or one-million.

Arudra women are often the diva type who are sensuously clever (Rahu) verbally quick, and impatient with those who are less communicatively responsive. Thiruvaathira-born may be gifted in handcraft, commerce, painting, descriptive writing, evocative song-writing, and the arts of seductive imagery such as photography, costume, and arts-of-style (Budha).

Themes of stimulating signal patterns, passionate messaging, volatility, intense cycles of attraction-and-repulsion, and stormy outbursts may contextualize Arudra's terrestrial experience. Applies also to Chandra in Arudra.

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra, p 93.


"A critical fault-finding disposition is apparently conferred ...

Her disagreeable disposition,

coupled with a sarcastic manner and speech,

  • makes it difficult for other people to tolerate her.

Although she is extremely clever in her conversation

and many people will be impressed by her speech,

  • while still disliking her.

She is extravagant to the point of wastefulness,

  • but on herself rather than on others,

  • although at times she will be grudgingly generous

  • to those with whom she comes in contact.

She has weak lungs and should be careful of colds and coughs,

  • as there is a tendency towards tuberculosis."

Biographical details matched to the Vimshottari Dasha
  • Material Girl 1958- dance song cinema Madonna


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Zukra Mahadasha * age birth until 17.7

Sat-16-Aug-1958 Earth-birth in Bay City, Michigan, USA * Zukra-Zukra swabhukti

01-Dec-1963 grieved the decease of mother * Zukra-Rahu bhukti


Surya Mahadasha * age 17.7 until 23.7


Chandra Mahadasha * age 23.7 until 33.7

Janma Sade-Sati Simha Sep-1977 until Nov-1979

16-Aug-1985 exchange of vows in marriage-1 to dramatist Sean Penn * Chandra-Guru bhukti


Mangala Mahadasha * age 33.7 until 40.7

19-Oct-1996 celebrated the birth of child-1 Lourdes Leon * Mangala-Budha bhukti * Budha lagnesha


Rahu Mahadasha * age 40.7 until 58.7

22-Dec-2000 exchange of vows in marriage-2 cinema producer Guy Ritchie * Rahu-Rahu swabhuti * Rahu rules Arudra lagna

Janma Sade-Sati Simha Nov-2006 until Sep-2009


Guru Mahadasha * age 58.7 until 74.7


Shani Mahadasha * age 74.7 until 93.7

Janma Sade-Sati Simha Aug-2036 until Oct-2048


Budha Mahadasha * age 93.7 until 110.7

Distinctive features of the nativity
  • Material Girl 1958- dance song cinema Madonna


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Louise Ciccone, 2017

Surya * pitrikaraka * jyotikaraka

  • Surya-Karkata * Bhanu * ray of light
  • Surya in bhava-2 * center of values, intelligence for storage, conservation, containment, values; focus on treasuries, bright face-speech-song, eye on capitalization-banking, * father = center of family
  • Zukra-yuti-Surya * balanced roles in drama, appreciation for political display, theatrical negotiations, self-focused arrangements, radiant bright beauty * self-reflexive bargaining, sweetly confident entitlements, enjoys politics, negotiating father-figure, intelligently focused on trades, arrangements, contracts * arrangements according to father's choice or self-will
  • Surya-2 parivartamsha Chandra-3

Chandra * matrikaraka * garha-karaka


Kuja * bhratru-karaka * virya-karaka

  • Mangala-Meza * moolatrikona 0-18 deg. * vigorous pursuit of championship * dynamic, competitive winner * proactive innovation, first-arrival; push toward conquest, innovation, first-arrivals; push toward conquest
  • Mangala in bhava-11 * drive toward connectivity, pursuit of earnings, invasive networking, energized economic conquests
  • Ketu-yuti-Kuja * energized pilgrimage, dynamic wandering, masculine force joins apathetic surrender

Budha * bandhava-karaka * zisya-karaka

lagnesha

  • Budha-Simha * dramatic communications, articulation of celebrity entitlements
  • Budha in bhava-3 * narrative of cohort, siblings, reports, announcements, instructions, lyrics
  • Budha-yuti-Chandra * articulation of comfortable routines, message of sensitivity and emotional flow

Budha * writing, communications, publications, narrative, lyrics, coupling


Guru * dhavakaraka * bahuta-karaka

  • Guru-Thula * many trades, exchanges, much negotiation, believes in justice, doctrine of contractual exchange, expands the scope of balanced design, multiple alliances and arrangements
  • Guru in bhava-5 * much creativity, many intelligences, many entitlements, numerous games, much speculation, many performances
  • Guru-yuti-Rahu mizra-karaka * multiple mix-master figures, abundant opportunity for ambitions

Zukra * svadhu-karaka * kalatra-karaka

  • Zukra-Karkata * appreciation of comforting routine, pleasures of secure borders, enjoys rhythmic seasons, aesthetic of domestic arrangements
  • Zukra-2 * pleasure of gathered assets, enjoys banked, collected harmony; gracious, preserved, linguistic, voiced, historical values
  • Zukra-yuti-Surya * balanced roles in drama, appreciation for political display, theatrical negotiations, self-focused arrangements, radiant bright beauty * self-reflexive bargaining, sweetly confident entitlements, enjoys politics, negotiating father-figure, intelligently focused on trades, arrangements, contracts * arrangements according to father's choice or self-will


Shani * duro-karaka * jara-karaka

  • Shani-Vrizchika * old secrets, pressured discovery, must explore, pressured genitals-anus, imposed secrecy, must transform with scarce resources
  • Shani in Bhava-6 * (beneficial placement) * Structured, orderly, time-conscious enemies. One must serve the problematic. One must outlast the adversaries. Endurance in military siege. Tense digestion, Cautious, conventional crimes; chronic conditions of criticism and guilt; constitutional illness-injury syndromes; Physicians resist innovation. Heavy legacy pressure against change in disease condition. Service fatigue; burnout. Resentment toward new treatments or medications. Support for socially-approved dutiful roles as social worker or disadvantaged, healthworker or sick, pharmacist or drug addict, criminal or cop, debtor or loanmaker, underpaid or underpayer, victim or victimizer, slaver or slave.

Shani rules 8 occupies 6 = sarala yoga


Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Rahu-Thula *craving for trade * mask of fairly bargained contracts; fascinated by arrangements, deals, term of agreement * seeks special importance via negotiation, via apparent (but perhaps not authentic) diplomacy, advising
  • Rahu in bhava-5 * passion for politics, celebrity, games * in swabhava of Splendid Surya, the Shadowy Specter seeks privilege via glamorous or unusual children; out-of-bounds creativity, and amplified poetic romance; Risk-rewarding Rahu generates a charismatic individuality, center-of-attention displays of creative genius. Desires a special, important role in performance arts, literary arts, entertainments, royalty roles, pageantry, celebrity events, or dramatic splendor. Exciting, opportunistic, ambitious children and lovers. Rahu the Poseur may wear the persona (mask) of a dramatic actor, a celebrated intellectual, or a politician. Craves the center stage, the lights, the glory. Rahu-5 trespasses the cultural boundaries in matters of unique personal creativity, children, speculation, gaming. Seeks flamboyant fashion, exceptional offspring, and the thrill of political theatre.
  • Guru-yuti-Rahu * amplified generosity, exotic beliefs, tricky teachings, opportunistic preachers

Ketu * kavandha-karaka * chidra-karaka

  • Ketu-Meza * incomplete nobility, empty arrival, dissolute conquest
  • Ketu in classroom-11 * disregards community * no barriers in community, absent from network, vacuous friendships
  • Mangala-yuti-Ketu * surrendered championship, empty actions, unsustainable domination, apathetic competition

Mangala-yuti-Ketu in bhava-11 may indicate an older sibling (11) who is male and somewhat aggressive (Kuja) suffering mental-health issues perhaps (Ketu)

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