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Drama-Song

Commerce and Material Economy

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Ginger Rogers

a.k.a. Virginia Katherine McMath

fleshbirth 16-July-1911 * fleshdeath 25-Apr-1995 (age 83)

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dramatist, comedienne, dancer, choreographer, activist * 1911-1995 * Ginger Rogers

birth data from http://en.wikipedia.org/wiki/Ginger_Rogers * tentatively rectified by BP Lama

charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama

FEMALES

Revati radical lagna

  • Shil-Ponde (1939). Hindu Astrology Joytisha-Shastra. p 101


BPL commentary: For Revati nativities, the condition of Budha considerably affects the outcome

"... defect in hearing.

the native is a person of clean morals

  • and is popular with her own sex.

She is fond of pets and animals.

She is a very good housekeeper

  • and likes interior decoration and design .

Her face is laughing, always with dimples,

  • and she usually has black or dark brown eyes with curly hair."

Biographical Data

Swing Time 1911-1995 Ginger Rogers


RogersGinger_c1935.png

16-July-1911 fleshbirth


1928 (age 16) first nationwide vaudeville dance tour, accompanied by mother

1929 first minor cinema roles

29-Mar-1929 (age 17) Marriage-1 * duration less than 3 months * Ketu samchara Rahu-Ketu via Mesha-Thula contact radical R-K

1931* divorce-1 * Shani-Ketu period, Ketu-7 + Guru

1931 (age 19) * Ginger becomes an overnight star in Girl Crazy

1933-1939 * period of famed musical cinema with dancing partner Fred Astaire

1934 * Marriage-2 * samchara Rahu-Ketu via Makara-Karkata

1941 * divorce-2

1940 won Academy Award for Best Actress in cinema drama Kitty Foyle. highest paid actress in Hollywood


1943 * Marriage-3* samchara Rahu-Ketu via Simha-Kumbha contact navamsha R-K

1949 * divorce-3


1953 * Marriage-4 * gochara Rahu-Ketu via Karkata-Makara

1957 * divorce-4

1961 * Marriage-5 * gochara Rahu-Ketu via Simha-Kumbha contact navamsha R-K

1971 * divorce-5

25-May-1977 * fleshdeath of mother * Chandra-Mangala period * Mangala rules 2nd-from-Chandra


25-Apr-1995 * fleshdeath by heart-attack (age 83) * Chandra-Guru period Guru maraka rules-7 * ashes interred with her mother's remains

Distinctive Features of the Nativity

Swing Time 1911-1995 Ginger Rogers



Surya * pitrikaraka


Chandra * matrikaraka


Kuja * bhratrukaraka


Budha * bandhava-karaka * zisyakaraka


Guru * dhavakaraka

Guru-yuti-Zukra


Zukra * kalatra-karaka * svadhu-karaka

Guru-yuti-Zukra


Shani * duro-karaka * jara-karaka


Rahu * rajyalobha-karaka


Ketu * kavandha-karaka


Arudha lagna = Vrishabha-3 song, media-messaging, cinema, the production processes of drama, ensemble work centered on face, voice, song, speech, sensual pleasures, valuable goods

Karakamsha * Vrizchika-9 drama, paradigms of belief, sahanga. lifelong Christian Scientist and Republican Party

10th navamsha * Thula balancing arts, dance, contract negotiation

Meena radical lagna * communicative Budha-ruled Revati radical nakshatra


Surya in bhava-5 * Surya-Karkata

Surya-yuti-Budha


Chandra-Meena * Chandra in Uttarabhadrapada

Rogers started theatrical touring at the vulnerable age of 17; however, her mother generally travelled with her for protection. Chandra-1 strongly identified with the Mother-figure. mother was a newspaper theatre critic and journalistic writer, familiar with the ways of Hollywood and the New York drama culture, and always close with Ginger.

Ginger started performing via influence of her mom. Chandra rules 5 theatre, and 5 = 3rd-from-3rd writing filmscripts theatre critic

Ms. Rogers' long-term relationship with her mother was unbroken, and their ashes were ultimately interred together. Virginia (Ginger) Rogers was cremated and her ashes buried alongside her mother's ashes. Chandra-1 mother is the identity.


Mangala-Meza * moolatrikona 0-18

Shani-yuti-Mangala

endured a contentious environment within the family of origin


Budha-Karkata * Budha in bhava-5

Surya-yuti-Budha


lagnesha Guru-Thula yuti Ketu-Thula

Guru-yuti-Ketu Brihaspati multiplies and Ketu disconnects her marriage experience.

Guru spreads many blessings of grace and balance (Thula) via Guru-drishti to Chandra, Surya, Mangala, Rahu, and Shani.


Zukra in bhava-6 * Zukra-Simha

Viparita sarala yoga ruler of 8 occupies 6 no harm from intrigue, disaster, or sudden changes of identity

Although Rogers' earnings from entertainment performances began to dwindle in the late 1940's, the twenty-year mahadasha of Shukra vriddhipathi ruler of 11 ran from 1950 until 1970. She managed her own stock portfolio (again a very unusual action for a woman then). The long-lasting Shukra Mahadasha combined with the signature speculative-finance advantage of Chandra vidyapathi-5 in the Meena lagna ensured her financial comfort.


nichha a-Shani-2 Shani-Meza * nichha + Mangala-Meza *

Kuja-yuti-Rahu * nichha-Shani-yuti-Mangala * nichha-Shani-yuti-Rahu

Atmakaraka


Rahu-Meza yuti Mangala-Meza

Guru-yuti-Ketu Brihaspati multiplies and Ketu disconnects her marriage experience.

Guru-Thula yuti Ketu-Thula


only child of her parents, who divorced after her birth and fought over her custody.

Raised partly by maternal grandparents Ginger Rogers completed 73 films over the period of 50 years. She performed on film, live theatre, television, and radio through the Great Depression and two world wars.

An appreciative audience found in Ginger Rogers an icon of the light-hearted, unmarried "working girl". This new social identity started in US society just about when Ginger started, in the late 1920's.

She remains best known for her oft-repeated role as Fred Astaire's romantic and dancing partner in a series of hugely popular and iconic Hollywood musical films.

In 1940 Rogers won an Oscar for dramatic, as well as dancing, prowess on the theatrical stage.

Most remember Ginger Rogers as a remarkably talented, attractive, and vivacious dancer who wore a spectacular array of beautiful, flattering costumes as she played various female roles to the leading male performers of the time.

She was also however a shrewd businesswoman who successfully managed her own stock portfolio, bought and sold property, negotiated her own Hollywood contracts, and had little patience for those who lacked her lifelong passion (Rahu), discipline (Shani) and drive (Kuja).

A brightly charismatic and dynamically energized theatrical personality with Rahu + Shani-yuti-Mangala in 2-face-song while Ketu-Guru stay in 8 indicating her quick-turning cycle of marriages and divorces. She married and divorced five times. Her life-partnership pattern based in Chandra-1 suggests that the first spouse would be parental figure (7 4th-from-4th) and he was indeed a family friend of long standing. Guru-yuti-Ketu-8 accepting drishti of Rahu + Shani-yuti-Mangala suggests that expectations of the husband-role (Guru) were much weakened by incoherent Ketu and stressed by aggressive Mangala emitting from her family of origin.

The overall nativity while strong for theatre (Surya-5) is weak for interpersonal relationships, producing a multiplicity (Guru) of disoriented and bewildered (Ketu) alliances. Once her marriages were all completed, she focused on financial investments and became a financially privileged woman.

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