born two months after
born 11 months before
born 20 months before
Swing Time 1911-1995 musical theatre Ginger Rogers and frequent dance partner Fred Astaire in the musical cinema Top Hat, 1935. Ginger Rogers dazzled and distracted sad audiences during the Great Depression, bringing a ray of sunshine to many during that dark time.
Ginger Rogers in c. 1930
Golden Age of Hollywood
musical theatre cinema star
dramatist, dancer, singer, choreographer, writer
backwards and in high heels
a.k.a. Virginia Katherine McMath
Earthbody-Exit 25-Apr-1995 (age 83)
dramatist, comedienne, dancer, choreographer, activist * 1911-1995 * Ginger Rogers
birth data from http://en.wikipedia.org/wiki/Ginger_Rogers * tentatively rectified by BP Lama
charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama
Bharani * Yamuna
For Bharani natives, the condition of sweetly musical, artistic, harmony-seeking, negotiating, balancing, arranging, designing, matching, pairing, sensually pleasuring akarshana-karaka Bright Bhrigu considerably affects the outcome.
Feminine figures such as sisters, aunts, and wives, along with partnerships, sensual pleasures, arrangements, valuation, pricing, equity, bargains, trades, treaties, trusts, adjustments, justice, finance, artistic beauty, treasuries, alignment, attunement, harmonies, and music, may be especially influential.
Guidance by instructors from the civilizations of Apis.
QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 79
"...a rather quarrelsome and treacherous nature.
She will have a tendency towards wicked, vicious and envious thoughts
to her husband and friends,
Underneath it all
Biographical data matched to Vimshottari Dasha timeline
Photo of Ginger Rogers from the March 1941 issue of International Photographer (her age 30)
Guru Mahadasha * age birth-11
16-July-1911 Earthbody-Entry * Guru-Budha period
Shani Mahadasha age 11-30
1928 (age 16) first nationwide vaudeville dance tour, accompanied by mother * Shani-Budha period * Budha rules 3-ensemble performance
1929 (age 17) first minor cinema roles * Shani-Zukra period * Zukra-5 entertainment, Zukra-2 voice, face, song
1931 * divorce-1 * Shani-Zukra period * Zukra rules 2-divorce
1931 (age 19) * Ginger becomes an overnight star in Girl Crazy * Shani-Zukra period * Zukra-5 celebrity
core SadeSati Kumbha Mar-1934 until Mar-1937
1940 won Academy Award for Best Actress in cinema drama Kitty Foyle. highest paid actress in Hollywood * Shani-Guru chidradasha* Guru rules 9-celebrity, awards for achievement (11th-from-11th)
1941 * divorce-2 * Shani-Guru chidradasha* Guru rules 12-disagreement in marriage 6th-from-7th * Guru-yuti-Ketu-chidrakaraka
Budha Mahadasha * age 30-47
1949 * divorce-3 * Budha-Chandra period * Chandra rules 6th-from-Chandra
1957 * divorce-4* Budha-Shani chidradasha * Shani rules 12th-from-Chandra + 6th navamsha
Ketu Mahadasha * age 47-54
core SadeSati Kumbha Jan-1964 until De-1966
Zukra Mahadasha * age 54-74
1971 * divorce-5 * Zukra-Mangala period * Mangala rules 8-transformation of identity
25-May-1977 * decease of Mother (Ginger's age 66) * Zukra-Guru period * Guru rules 2nd-from-Chandra
Surya Mahadasha * age 74-80
Chandra Mahadasha * age 80 until decease age 83
1991 publication of autobiography Ginger, My Story * Chandra-Chandra swabhukti * Chandra rules 4-end of things, conclusions
25-Apr-1995 * Lightbody Lift-off by heart-attack (age 83) * Chandra-Guru period * Guru-7 gives effect of Ketu
Distinctive Features of the Nativity
Swing Time 1911-1995 musical theatre Ginger Rogers in a 1930's movie card
Surya rules the empowered 10th navamsha containing Rahu-yuti-Zukra in Simha entertainment, glamour, glitter, celebrity
Surya-3 filmscripts touring schedules rules 5 theatre, and 5 = 3rd-from-3rd writing
Raised partly by maternal grandparents (4th-from-Chandra = bhava-2 family)
Rogers started theatrical touring at the vulnerable age of 17; however, her mother generally travelled with her for protection. Chandra-11 bandhesha provides security, stable basis = Chandra-11 Mother-figure = mentor, elder-sister role. Mom was a newspaper theatre critic and journalistic writer, familiar with the ways of Hollywood and the New York drama culture, and always close with Ginger.
Ginger Roger's mother was her best friend and her most reliable companion during a lifetime fraught with demanding work schedules, unpredictable husbands, and extraordinary public exposure. Chandra-11 friendly mother. The pair were so close, and her other relationships (with father and husbands and business partners) were so weakened by Guru-Ketu-7, that they created for each other the primary life support relationship. After her fleshdeath, Ginger Rogers ashes were interred with her mother's remains
MARRIAGE expectations of partnership support
mate-1 = bhava-5
mate-2 = bhava-12
mate-3 = bhava-7
mate-4 = bhava-2
mate-5 = bhava-9
A brightly charismatic and dynamically energized theatrical personality with Rahu + Shani-yuti-Mangala in 1-identity, physique, movement
It was said that Rogers had little patience (Kuja-1 impatient) for those who lacked her lifelong passion (Rahu), discipline (Shani) and drive (Kuja).
Budha rules Karakamsha Mithunaya-3 = ensemble performance = song, media-messaging, cinema, the production processes of drama, ensemble work centered on face, voice, song, speech, sensual pleasures, valuable goods
Shani-Guru period 1940 * Rogers won an Oscar for dramatic, as well as dancing, prowess on the theatrical stage. * Guru rules-9 fame and Guru rules the financially gainful 2-11 from Chandra
Zukra mutual aspect with Chandra provides her glowingly attractive countenance
Zukra rules financially savvy Bharani lagna
Although Rogers' earnings from entertainment performances began to dwindle in the late 1940's, the twenty-year mahadasha of Zukra ran from 1965 until 1985. She managed her own stock portfolio ( a very unusual action for a woman then). The long-lasting Zukra Mahadasha combined with the signature speculative-finance advantage of Zukra-5 gambling ensured her financial comfort.
Most remember Ginger Rogers as a remarkably talented, attractive, and vivacious dancer who wore a spectacular array of beautiful, flattering costumes as she played various female roles to the leading male performers of the time.
She was also however a shrewd businesswoman who successfully managed her own stock portfolio, bought and sold property (Zukra rules-7 4th-from-4th), negotiated her own Hollywood contracts (7),
Zukra-5 entertainment, fame, creative performance rules 7-partnership
She remains best known for her oft-repeated role as Fred Astaire's romantic and dancing partner in a series of hugely popular and iconic Hollywood musical films.
Shani * duro-karaka * jara-karaka
Shani-1 rules Arudha lagna = bhava-10 high public visibility, iconic roles
Shani-yuti-Mangala-1 is incredibly productive. Ginger Rogers produced 70 movies, many of which represented the best Euro-American performance dancing of her century. Her dance partner Fred Astaire commented that Ginger was the hardest-working woman he had ever known.
Shani Mahadasha 1922-1941
An appreciative audience found in Ginger Rogers an icon of the light-hearted, unmarried working girl (Shani-1 work identity) This new social identity started in US society just about when Ginger started, in the late 1920's.
1933-1939 * era of famed musical cinema with dancing partner Fred Astaire * Shani-Surya until Shani-Guru period (remainder of hardworking Shani Mahadasha)
Shani-Rahu-Mangala in 3rd-from-Chandrs siblings = only child of her parents, who divorced after her birth and fought over her custody
Rahu * rajyalobha-karaka * picchala-karaka (slippery)
Ketu * kavandha-karaka * chidra-karaka
file update: 08-Nov-2018
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