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Drama and Song

Commerce and Material Economy


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International Fashion Model

clothing designer

stage performer, dramatic actor

dancer

Aishwarya Rai

Earthbody-Entry Thursday-01-Nov-1973

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cinema drama-model-commerce * 1973- _________* Aishwarya Rai

birth data from http://en.wikipedia.org/wiki/Aishwarya_Rai * tentatively rectified by BP Lama

charts, graphs, and tables produced by Shri Jyoti Star * adapted by BP Lama

Rising Nakshatra

Feminine Nativities

Chitra-Tvastri * Citthirai * Vismakarma * Azinech * Alaraph * Arista * Dana


BPL commentary

For Chitra-Tvastri births of a feminine valence, the condition of pioneering, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome.

Brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, builders, drivers, drillers, diggers, exploders, aggressors, pursuers, competitions and battles may be especially influential.

Guided by instructors from civilizations of Spica. Their purpose is architectural engineering and crafting of beautiful, functional, and artistic alliances, arrangements, and designs.


Kuja-ruled Vismakarma ladies are blessed with direct, muscular physical and sexual energy. They are often found in environments where beautiful designs plus physical agility are valued. Chitrani typically excel in competitive, vitality-focused fields such as fashion modeling, cinematic acting, musical performance, choreography and dance, and athletics which emphasize balanced movement.

Kanya pada 1-2 expresses Kuja's rulership of 3-writing-commerce + 8-secret transformations, while also displaying the frustrating tension of chatty Budha versus active Kuja. Budha's Writing skills may emerge in pada 1-2. Kanya-Chaitra are often found in media communications and commercial aspects of design work, where their pro-active process management is distinctive. Trust and relationship integrity may be challenging.

Thula Pada 3-4 emphasizes Kuja's rulership of 2-collections, treasuries + 7-contracts, alliances. Zukra's bargaining behavior and financial skills rise in pada 3-4 due to the pleasant attractions of Zukra-Mangala. Ladies often enjoy considerable wealth via face, voice, marriage, and family lineage. In music, arts, and partnership-craft, they pursue harmonious arrangements. They often play stringed instruments, and write beautiful songs. In the arts, entertainment, beauty, and design industries, their contractual deals are often luxuriously beneficial.

Themes of competitive movement, agile beauty, dynamic design, and financial equity may contextualize Chaitra's's terrestrial experience. Applies also to Chandra in Chitra

QUOTATION from Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra . p 96.


"An expensive and luxurious person.

  • One who is fond of clothes and beautiful surroundings and revels in them.

  • She spends much money on jewels, perfumes, cosmetics

  • and her taste in these matters is expensive .

She likes to change costumes several times a day

  • and always look like an animated fashion plate .

Variety is the spice of life to this woman

  • and she will be inconstant and fickle in love affairs,

  • having many during her life and marrying often.

Many actresses, musicians, artists and opera singers have Chitra rising.

Biographical events matched to the Vimshottari Dasha calendar

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Zukra Mahadasha * age 0.2 until 9.6

01-Nov-1973 Earth-birth in Mangaluru, Karnataka, India * Zukra-Guru bhukti


Surya Mahadasha * age 9.6 until 15.6


Chandra Mahadasha * age 15.6 until 25.6


Mangala Mahadasha * age 25.6 until 32.6


Rahu Mahadasha * age 32.6 until 50.6

20-April-2007 Marriage * Rahu-Rahu swabhukti

16-Nov-2011 celebrated the birth of child-1 * Rahu-Guru bhukti


Guru Mahadasha * age 50.6 until 66.6


Shani mahadasha * age 66.6 until 85.6

Distinctive Features of the Nativity

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Surya * pitrikaraka * jyotikaraka

  • Surya-Vanika * nichha * Hiranya-garbha * golden fetus
  • Surya in bhava-1 * center of identity, brightly embodied vitality, intelligence for competition, focus on appearance, eye on personality

Chandra * matrikaraka * garha-karaka

  • Chandra in classroom-3 * comfort in cohort, familiar with communication, conversation, parlor, soothed by information delivery, messaging, signals
  • Chandra-Dhanuzya * comforted by rhythmic catechesis of belief
  • Chandra in Purva-azadha * comforted by valued beliefs * protectors of inspirational music, philosophical harmony, expansively beautiful design
  • Somana-yuti-Zukra * Emotionally indulgent, sensitive to sisterly figures, needs pleasuring, feels like a partner
  • Somana-yuti-Rahu * Emotionally expedient, sensitive to exotic figures, need opportunities, feels unusual, exceptional

Chandra rules 10th navamsha = Chandra familiar to the people; motherhood, schoolteacher, cultural roots

Atmakaraka = Chandra familiar faces, patriotism, folkways, motherlandnichha-Guru-4 rules Chandra


Kuja * bhratru-karaka * virya-karaka

  • Mangala-Meza * moolatrikona 0-18 deg. * vigorous pursuit of championship, innovation, first-arrivals; push toward conquest
  • Mangala in bhava-7 * drive toward bargaining, pursuit of agreement, invasive negotiation, energized contractual conquests

Budha * bandhava-karaka * zisya-karaka

  • Budha-Vrizchika * hidden communications, articulation of transformative secrets, emergency pronouncements, messages about camouflaged, undisclosed mysteries, defined masking, expertly detailed disguise
  • Budha in bhava-2 * narrative of values, natural resources, history, conservation, banking, treasuries * discusses sound values, speech-song, eyes-face, tells stories, defines storage, describer of family lineage , explainer of wealth preservation, delivers instructions for preservation of collected assets, talks about knowledge base, libraries, databases, languages, memory

Guru * dhavakaraka * bahuta-karaka

  • Guru-Makara * nichha * much social structure, many rules, materialistic beliefs, doctrine of rank and structure
  • Guru in bhava-4 * many roots, much owned property, many homes and homelands, multiple mother-figures

Zukra * svadhu-karaka * kalatra-karaka

lagnesha = Zukra + Rahu + Chandra-atmakaraka

  • Zukra-Dhanuzya * appreciation of humanistic belief, pleasures of theory, dogmatic arrangements, aesthetic of philosophical worldview
  • Zukra-3 * pleasure of explanatory description, gracious messaging, enjoys commercial harmony, feminine-figures (sisters, aunts, neightbors) dominate the cohort, appreciation of communications
  • Zukra-yuti-Chandra * gracious sensitivity, soothing beauty, sweet emotional response, enjoys folkways
  • Zukra-yuti-Rahu * gracious opportunism, amplified beauty, sweetly ambitious desire

Zukra rules Karakamsha bhava-1 fleshbody personality physical appearance


Shani * duro-karaka * jara-karaka

Yogakaraka Shani rules 4-foundations, schooling + 5-intelligence, creativity

  • Shani in Bhava-9 * Structured, orderly, time-conscious paradigm of belief. One must preach the old doctrine, old principles; punitive, unyielding ideologies, cautious, conventional father-figures; tense and fearful religious teachers, chronic rigidity of worldview; heavy legacy pressure against freely chosen convictions. Resistance to new teachings. Preacher's fatigue. Resentment toward changes in catechism. Intolerance for sacerdotal innovation. Support for socially-approved, rigidly dutiful roles as high priest, guru-figure, professor, rabbi, sermonizer, proselyte, Old Believer.
  • Shani-Mithunaya * old messages, old conversations, imposed instructions, proletarian descriptions, pressured hand-arm, must signal with scarce resources
  • Shani-yuti-Ketu* resistance against dispersion, disciplined apathy, constrained wandering

Shani rules Arudha lagna bhava-5 creativity fashion drama romance

From Chandra-Dhanuzya lagna, the mature voice of sober serious structured hierarchical Professor Shani rules

  1. the emotionally-motivated traditionalism, family lineage conserving, treasure-preserving, language-and-history remembering, acquisitive, genetic conservation of 2nd-from-Chandra
  2. the emotionally motivated information-delivering, evangelical, publishing, announcing, script-reading, reporting, conversational, process-managing communications of 3rd-from-Chandra

Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Rahu-Dhanuzya *craving for philosophical principle, theory, higher truth * mask of global humanistic belief * fascinated by doctrine, catechism * * seeks special importance via apparent (but perhaps not authentic) guidance, generosity, patronage, proselytism, fatherliness
  • Rahu in bhava-3 * privilege via glamorous or unusual writing, reporting, news announcements, cinema, commentary, messaging, publishing; seeks a special, important explanatory, descriptive, or instructional role in commercial business, internet, cinema, or communications media. Opportunistic, ambitious sibling-cousin, cohort, or touring ensemble.
  • Chandra-yuti-Rahu * amplified emotion, magnified familiarity exotic habits, tricky comforts, opportunistic mother
  • Zukra-yuti-Rahu * amplified attractions, magnified beauty. exotic art-music, tricky sweets, opportunistic feminine-figures

Ketu * kavandha-karaka * chidra-karaka

  • Ketu-Mithunaya * incomplete message, empty conversation, dissolute signals, not limited by commerce
  • Ketu in classroom-9 * ambivalent toward the credenda; wandering worldview; absentee father-figures * no barriers in doctrine, disregards teachings, vacuous philosophy, irrelevance of the catechesis
  • Ketu-yuti-Shani * surrendered structures, empty governance, apathetic endurance
Recommended Jyotisha-ratna Gems :

Thula lagna

  • Panna * emerald for wise world-traveling dharmapatidharmesha-9 + imaginative ruler-of-12 Budha

  • Hira * Azira * diamond for physical vitality lagnesha-1 + occult randhresha-8 lagnesha Zukra

  • Nilamani * blue sapphire for parenting, patriotic bandesha-4 + creative political intelligence vidyapathi-5 yogakaraka Shani

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How Readings Work * Sample Gem Recommendation Report * Seva

Om_mani.jpgfile update: 18-May-2019

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