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Drama-Song ** Writers


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2nd husband of

Beatle bandmate of

friend and collaborating musician with

acquaintance of


born 11 mos. after

born 2 mos. after

born 6 weeks before

born 4 months before

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Beatle Paul McCartney in mid-1960's, approx. age 25

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poet

touring musician

popular song-writer

generational counter-culture icon

Beatle

James Paul McCartney

Earthbody-Entry Thursday-18-Jun-1942

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Beatle songwriter performer * 1942-_______ * Paul James McCartney

birth data from http://en.wikipedia.org/wiki/Paul_McCartney * tentatively rectified by BP Lama

charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama

Rising Nakshatra

Masculine Nativity

Purvazadha * Apah


BPL commentary

For Purva-azadha births of a masculine valence, the condition of sweetly musical, artistic, harmony-seeking, negotiating, balancing, arranging, designing, matching, pairing, sensually pleasuring akarshana-karaka Bright Bhrigu may considerably affect the outcome.

For those born into the Zukra-ruled paradigm of Ambudaiva, feminine figures such as sisters, aunts, and wives, along with partnerships, sensual pleasures, arrangements, valuation, pricing, equity, bargains, trades, treaties, trusts, adjustments, justice, finance, artistic beauty, treasuries, alignment, attunement, harmonies, and music, may be especially influential.

Instructional guidance is provided by emissaries from the civilizations of Sinnuntu. Their purpose is expansion of inspirational beauty and melodious sound.


Inspirational diplomatic grace

Purvazadha are often musical entertainers and poets, with a gift for playing many instruments and making lyrical arrangements that appeal to everyday folks. Typically Apah-born are attracted to sacred doctrine. They are self-indulgent and pure of heart. Their complexion may feature a Guru-golden glow. Male births in Asadhash tend toward a discordant costume sense representing the incommensurable agenda of Zukra vs. Guru.

In addition to Zukra endowments in diplomacy, beauty, and musical arrangements, their Guru-influenced humanism and compassion often includes inspirational roles that benefit women, musicians, and creative artists.

Like all Zukra-governed births, Apah-born must take care to avoid the misuse of drugs and alcohol. Ambudaiva's true purpose is inspirational guidance. Yet, Zukra's sweet-seeking may also attract the false balance of intoxication.

Themes of generous arrangements, affluence, favor, harmony, blessing, beauty, artistry, and luxurious indulgence may contextualize Apah's terrestrial experience. Applies also to Chandra in Purva-azadha

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 86


"... corresponds to rather a low type of character .

One who does not wish for and does not get the gracious things out of life.

  • Stupid, yet ostentatious and vulgar ,

  • with very few educational advantages.

Quarrelsome and low in appearance and manner.

  • While he must, because of educational handicaps,

    go through life as a servant or at best an underling ,

He vainly considers himself above his station in life

  • and will be harsh and dominating

  • but ineffectual if put in authority ."


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Biographical details matched to the Vimshottari Dasha calendar


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Portrait of Paul by his wife, Photographer 1941-1998 vegetarian activist Linda Eastman McCartney


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Paul McCartney age 76 in 2018

Budha Mahadasha * age birth until age 9-months

18-June-1942 Earth-birth in Liverpool, Mercia, England * Budha-Shani bhukti * Shani rules 2-song, music


Ketu Mahadasha * age 9-months until age 7.9


Zukra Mahadasha * age 7.9 until age 27.9

31-Oct-1956 * grieved the decease of mother (Paul's age-14) * Zukra-Mangala bhukti * Mangala rules 2nd-from -4th

1958 creates the first musical band The Quarrymen * Zukra-Rahu bhukti * Rahu-9 globalism

June-1962 (age 20) signs first recording contract with Beatles * Zukra-Guru bhukti * Guru lagnesha

12-Mar-1969 exchange of vows in marriage-1 to Photographer 1941-1998 vegetarian activist Linda Eastman McCartney * Zukra-Budha bhukti * Budha rules swamsha * samchara Rahu-Ketu via Meena-Kanya contact Kanya swamsha

1969 adoption of wife's daughter from her previous marriage * Zukra-Guru bhukti * Guru putriki-karaka

28-Aug-1969 bio-celebrated the birth of child-1 Mary McCartney * Zukra-Budha bhukti * Budha legal contract

1970 break-up of the Beatles * Zukra-Chandra bhukti * Chandra randhresha sudden change of identity


Surya Mahadasha * age 36.3 until age 42.3

18-Mar-1976 * decease of father (Paul's age 35) * Surya-Zukra chidradasha * Sade-Sati * Zukra rules 12th-from-Surya


Chandra Mahadasha * age 42.3 until age 52.3


Mangala Mahadasha * age 52.3 until age 59.3


Rahu Mahadasha * age 59.3 until age 78.3

1995 wife Linda Eastman is diagnosed with breast cancer * Rahu-Rahu swabhukti * Rahu-9 in 8th-from=7th-from-Chandra = dangerous conditions for wife-1 (2) and family (2)

11-Mar-1997 * knighted by UK-Queen 1926- Elizabeth-2 * Rahu-Gurui bhukti * Guru lagnesha

17-Apr-1998 * Lightbody Lift-off of wife-1 Linda E. McCartney died of breast cancer * Rahu-Guru bhukti * Guru-7 rules 7th-from-7th

11-Jun-2002 exchange of vows in marriage-2 to fashion model Heather Mills * Rahu-Budha bhukti * Budha rules swamsha * samchara Rahu-Ketu via Vrishabha Vrizchika * contact navamsha-Zukra

2007 Angioplasty to unblock heart valves * Rahu-Zukra bhukti * Zukra rogesha illness, injury, medical treatment

2008 acrimonious divorce from second marriage * Rahu-Chandra bhukti * Chandra rogesha change of identity, exposure of hidden information


Guru Mahadasha * age 78.3 until age 93.3

09-Oct-2011 exchange of vows in marriage-3 to businesswoman Nancy Shevell * Guru-Guru swabhukti * Guru rules navamsha-7 * samchara R-K Vrischika-Vrishabha * contact navamsha-Zukra


Shani mahadasha * age 93.3 until age 117.3

Distinctive Features of the Nativity

  • Silly Love Songs 1942- Beatle Paul McCartney

  • the name Paul is derived from Apollo = Surya Sun-god


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Paul McCartney with life-partner-1 Linda Eastman


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Paul McCartney with life-partner-2 Heather Mills 2003 * 2nd marriage for Chandra-8 = Simha dramatic, celebrity entertainments * contains risk-taking and potentially fraudulent Rahu


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Paul McCartney in 2011 with third lifepartner Nancy Shevell, * 3rd marriage for Chandra-8 = retirement, security, routines, comfortable rhythms bhava-4

Surya * pitrikaraka * jyotikaraka

  • Surya-Mithunaya * Mithra * neighbor, companion
  • Surya in bhava-7 * center of agreements, brightly negotiating, focus on trade, intelligence for equity, peer entitlements, eye on contractual relationships
  • Surya-yuti-Guru * confidently expansive, bright self-referential teachers, creatively intelligent approach to doctrine, entitled to philosophize, radiantly generous

Surya occupies the private, sanctuary-seeking 12th-from-Chandra

FATHER

Dad = a cotton broker at the Liverpool docks Surya in bhava-7 broker

McCartney has long been an advocate of animal rights ++ social policy activist seeking cto de-criminalize marijuana and promote vegetarian lifestyle = * Surya-7 fair contract, equity + Rahu-Singha humanism


Chandra * matrikaraka * garha-karaka

atmakaraka

  • Chandra-Karkata * comforted by rhythmic tidal maternal soothing
  • Chandra in Azlesa-Naga * comforted by restraining embrace * protector of defensive communications, familiar folk messages, emotional evangelism, signaling ethno-cultural boundaries
  • Chandra in classroom-8 * comfort in crisis, familiar with catastrophic events, needs to feel the pulse of repeating identity transformation, soothed by secrecy, regular routine of sudden changes, seeks the deep rhythm of initiations, exploratory occult sensitivities, need for unsettling discoveries, nourished by self-reinvention; emotionally attuned to patterns of undulating shakti-shocks
  • Somana-yuti-Kuja * Emotionally competitive, sensitive to brotherly figures, needs forward movement, invigorates the undulating routine, soothed by innovation, feels like a champion

Azlesa-Chandra = Compatibility match to Azlesa bandmate Beatle Richard Starkey

MOTHER

Mary Patricia McCartney was a Liverpool working class midwife Chandra in classroom-8, deeply involved in the delivery of vigorous, pushing, emerging, new birth experiences Somana-yuti-Kuja. She died of embolism following treatment for breast cancer when young son Paul was 14 years old.

MARRIAGE emotional support partnership expectations

Guru in bhava-7 indicates multiple marriages

Typical of Chandra-Karkata the first wife was elder (Linda Eastman was 9 months older born 1941)

  1. exchange of vows in marriage-1 = 7th-from-Chandra-8 = bhava-2 Makara = wife-1 primarily concerned with family lineage, family affluence, music-song, food
  2. exchange of vows in marriage-2 = 2nd-from-7th-from-Chandra-8 = bhava-9 containing over-reaching Rahu- Singha globalism, charity worldview
  3. Marriage-3 = 9th-from-7th-from-Chandra-8 = bhava-4 = retirement, home household, estate

Kuja * bhratru-karaka * virya-karaka

* nichha

Vimala Yoga

Yogakaraka Mangala rules 5-10 from Chandra-lagna

  • Mangala-Karkata * nichha * pursuit of security * proactive nourishment, drive toward rooting and settling, vigorous policing * push toward land ownership and farming * champion of local, ethnic, land-based cultures
  • Mangala in bhava-8 * drive toward discovery, pursuit of rebirth, revolutionary dynamics, invasive transformations, vigorous revelations, energized mysterious conquests
  • Kuja-yuti-Chandra * invigorated feelings, energized intuition, dynamic nurturance, masculine force joins parental care, potential for aggressive emotionalized actions , potential for aggressive emotionalized actions

Yogakaraka Kuja-yuti-Chandra is an empowered combination for self-reinvention and for an emotional affinity toward entertainment (5) with high-visibility roles (10). This yoga provides the blessing of resurrection and the famed financial benefits associated with Chandra-Mangala yoga. Barring a few bhukti of setback, McCartney has maintained an active career in musical performance well into his 70's.

McCartney's remarkable capacity for renaissance both personally and professionally is comparable to a similar pattern in the life-unfolding of Be Here Now 1931- Baba Ram Dass * Kuja-1 parivartamsha Chandra-5

Vimala Yogaa protects from excessive harm in matters of imprisonment or troubles in distant lands. There may be experience of these miseries such as when McCartney was imprisoned in Japan for marijuana possession. But the protected one will emerge nearly unscathed, having been inconvenienced rather than injured

FINANCE

11th-from-Arudha-Lagna is reckoned by Jaimini as a fortunate place. McCartney has the recognized financial yoga of Chandra-yuti-Mangala in Karakta-8 = 11th-from-Arudha-Lagna


Budha * bandhava-karaka * zisya-karaka

  • Budha-Vrishabha * financial communications, articulation of historic, tonal, stored, collected values
  • Budha in bhava-6 * narrative of argument, accusation, pollution, complaint * discusses conflict, medical treatment plans, remedies, litigation. Detailed argument, accusation. Dialog of treason, describer of broken promise, explainer of toxicity, . Delivers instructions for ministries of service, talks about injustice, articulates the case against adversaries, ailments, debts. Excellent position for medical, military, or service-ministry professionals
  • Budha-yuti-Shani * explainer of rules and systems * affinity for regulatory, law-imposing roles expressing skills of communication, explanation, description, instruction * explainer of rules and systems * affinity for regulatory, law-imposing roles expressing skills of communication, explanation, description, instruction * articulation of maturity and responsibility, message of institutional order, talkative elders, talkative elders

Budha in bhava-6 occupies the emotionally associative, community-linking, economically fruitful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra producing a lifelong affinity for the working class language

Shani-yuti-Budha * proletarian songwriting


Guru * dhavakaraka * bahuta-karaka

lagnesha

  • Guru-Mithunaya * much communication, many merchants, conversations about belief, doctrine of inclusive messaging, expansive evangelism, detailed guidance, expands the scope of management, multiple administrative projects
  • Guru in bhava-7 * many contracts, much negotiation, much partnership, abundant agreement, numerous alliances, extensive bargaining, multiple deal-making events, expansion of advocacy, fertile match-making, typically more than one spouse.
  • Guru-yuti-Surya * pitri-karaka * multiple father-figures, abundant confidence, much radiance, much global humanistic political philosophy-policy

Guru's rays = ashtangata within 5 degrees of proximity to Burning Surya

Guru in bhava-7 occupies the private, imaginative, contemplative, meditative 12th-from-Chandra


Zukra * svadhu-karaka * kalatra-karaka

  • Zukra-Meza * appreciation of competitive movement, likes innovation, attracted to champions, pleasures of conquest, athletic sensuality, enjoys direct action, aristocratic arrangements
  • Zukra-5 * pleasure of dramatic gaming, enjoys center-stage equity, feminine-figures are prominent in the creative, political environments, literary and fine arts, appreciation of creativity

Career

Zukra-5 creative arts performance rules Purvazadha lagna +++ sweet-seeking Zukra resides in the career-defining 10th-from-Chandra

Zukra occupies the emotionally motivated, social-ordering, iconic, high0recognition, leadership-seeking; 10th-from-Chandra


Shani * duro-karaka * jara-karaka

  • Shani-Vrizabha * heavy old valuables * must endure the sounds of proletarian speech-and-song * obliged to conform to the official bankers * dry, antique genetic stock * required preservation of aging assets * must materialize orderly values conservation * slow elderly evaluators judge the worth of hoards * must endure pressure to store the precious inventories * must bear the weight of historic treasuries * vital energy compression stress zone = neck-jaw * strictly imposed rules governing warehoused collections * lack of necessary seeds and foodstuffs * must preserve lineage knowledge despite scarce available resources
  • Shani in Bhava-6 (beneficial placement) * Structured, orderly, time-conscious enemies. One must serve the problematic. One must outlast the adversaries. Endurance in military siege. Tense digestion, Cautious, conventional crimes; chronic conditions of criticism and guilt; constitutional illness-injury syndromes; Physicians resist innovation. Heavy legacy pressure against change in disease condition. Service fatigue; burnout. Resentment toward new treatments or medications. Support for socially-approved dutiful roles as social worker or disadvantaged, healthworker or sick, pharmacist or drug addict, criminal or cop, debtor or loanmaker, underpaid or underpayer, victim or victimizer, slaver or slave.
  • Shani-yuti-Budha * resistance against signaling, limited interaction, disciplined messaging, constrained communication, regulated conversations

Shani in Bhava-6 indicates chronic legal battles. One generally will prevail due to endurance, by outlasting the onslaught of the enemies.

Shani in Bhava-6 occupies the emotionally associative, community-linking, economically fruitful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra = also describes the mother's economic gains. Mom's demanding, 24-7 on-call job (Shani) as a mwsixL midwife = childhood family's primary income.

Shani in 11th-from-Chandra gives an obligation to the fans, and a responsibility for earnings. Community orientation. Budha contributes a successful career in musical touring and an enduring body of songwriting which uses a simple vocabulary and appeals to the masses-and-the-classes.

Shani-yuti-Budha in Vrishabha melodies, songs = Budha writing, Shani proletarian songwriting.

Shani rules 7-8 + Shani occupies the emotionally associative, community-linking, economically fruitful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra and Shani-yuti-Budha writing.

Much of McCartney's marketplace income arises from activities of partnership (7) and assets of partnership (8). Shani-yuti-Budha and Budha rules ensemble performance, touring, writing, publishing, production business, cinema. Income also produced via management (3) of a highly profitable catalogue (3) of copyrights (7 legal contract) for songs and dramatic plays. Typical of duro-karaka Shani, he has continued to work in all of these activities into his 70's. Budha-yuti-Shani-11 suggests a mentality of ready-to-work and economic engagement with fans (11). McCartney has demonstrated consistent responsibility and respect (11) toward his fan-community which has stood him in good stead through the fluctuations of a long, productive public career.

Shani-yuti-Budha simple, elegant, plebian verbalization

Over a bhukti of sixty years, Silly Love Songs 1942- Beatle Paul McCartney wrote and co-wrote a corpus of legendary songs that used a very simple English vocabulary deriving from the spoken register of the working classes of Mercia. Since they are accessible even to listeners with a very limited inventory of English words, Mr. McCartney's best songs are recognized and sung worldwide.

Shani rules the revolutionary, emotionally turbulent, perpetually transformative, trauma-inducing 8th-from-Chandra

Shani-yuti-Budha-6 indicates McCartney's long-lasting role as a vegetarian and advocate for decriminalization of marijuana.


Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Purvaphalguni musical entertainment * Rahu-Singha * nichha * shimmering illusion of charisma * craving for attention * extraordinary entertainments * mask of radiant confidence * over-reaching, unique intelligence * marvelous drama * fascinating entitlements * illusory flash of brilliant gambling and games* seeks special importance via apparent (but perhaps not authentic) attributes of brilliant risk-taking, fabulousspeculation, political power, celebrity roles
  • Rahu in bhava-9 * passion for philosophy, preaching * in swabhava of Saptarishi Guru, the Shadowy Specter seeks privilege via glamorous or unusual doctrine, theory, dharma, worldview. Rahu-9 desires a thrilling, important guidance role in catechesis, principled discourses of abstract ideas, ideology, philosophy, indoctrination. Extraordinary father-figure, ambitious professors and holy teachers. Thrives in culturally-mixed preaching environments, university, temple, sangha, congregation. Rahu the Poseur may pose as a charitable philanthropist, a wisdom-purveyor, a proselyte of principled understanding, a guru-figure, a philosopher, or a globalist humanitarian. Rahu-9 trespasses the cultural boundaries of patronage, fatherhood, paradigm of belief. Exciting, opportunistic third marriage (if any).

over-reaching Rahu-Singha * nichha in bhava-9 occupies 2nd-from-Chandra = 2nd marriage

Rahu-9 globalism, ideology, worlview, rights and entitlements, glamour


Ketu

  • Ketu-Kumbha * dissociates from distribution webs, dissociates from distribution webs, incomplete economy, empty profits, dissolute systems, severed connections, not limited by community, disarrayed ecology, ignores restriction on network linkage, applies linkage to the misty abyss, severed connections, not limited by community, disarrayed ecology, ignores restriction on network linkage
  • Ketu in classroom-3 * absentee sibling, off-topic communications, disinterested in daily discourse, dissolved messaging boundaries, disregards conventional discussions, eccentric or esoteric modes of writing, irrelevance of the mental narrative. One abandons the management tasks, dismisses the standard explanations, walks away from the usual descriptions.

Ketu occupies the emotionally transformative, identity-changing 8th-from-Chandra

Often associative with depression or a dissociative mentality

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animal rights activist, food-products, photographer, musician, partner of Beatle * 1941-1998 * Linda Eastman McCartney

birth data from http://en.wikipedia.org/wiki/Linda_McCartney * tentatively rectified by BP Lama

charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama

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Beatles 1964

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