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Celebrity Operatic Tenor

World Affairs Activist, Children's Charities

http://www.lucianopavarotti.com

Luciano Pavarotti

Lightbody Descent into Fleshbody (birth) 12-Oct-1935

fleshdeath 06-Sep-2007 (age 71)

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Operatic tenor, philanthropist *1935-2007 * Luciano Pavarotti

birth information from http://en.wikipedia.org/wiki/Luciano_Pavarotti * tentatively rectified by BP Lama

charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama

Rising Nakshatra

Masculine Nativities

Pushya * Sidhya


BPL commentary:

For Pushya nativities, the influence of rigid, chronological, lawful, enduring strictly structural sober serious systematic Shani can considerably affect the outcome.

Elder persons, old rules, rigid structures, status hierarchies, public opinion, legal systems, and corporate or institutional officials may be especially influential.

Guided by instructors from the civilizations of Asellus

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra. p 82.


"An earnest, thoughtful character,

intelligent and quite religious in his outlook.

  • Quite often a regular attendant at church services

  • and a supporter of church and religious activities.


Withal, he is possessed of the qualities which make for success in the material world,

and has the ability to rise in position

  • and to command the respect of his associates.

He will fill a position of executive requirements

  • and be admired and respected by his immediate family."

Biographical Details matched to Vimshottari Dasha periods


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Pavarotti-Mantovani marriage in Dec-2003

Budha Mahadasha * age birth until 10.9

Lightbody Descent into Fleshbody (birth) 12-Oct-1935 * Budha-Zukra period * Zukra song, voice


Ketu Mahadasha * age 10.9 until 17.9


Zukra Mahadasha * age 17.9 until 37.9

1954 marriage-1 * Zukra-Zukra swabhukti * samchara Rahu-Ketu via Dhanuzya-Mithuna contact radical R-K axis


Surya Mahadasha* age 37.9 until age 43.9


Chandra Mahadasha * age 43.9 until age 53.9


Mangala Mahadasha * age 53.9 until age 60.9


Rahu Mahadasha * age 60.9 until decease age 71

1996 divorce-1 * Rahu-Rahu swabhukti

1999 tax-evasion accusation by Italian government * Rahu-Rahu swabhukti

2001 agreed to pay USD-8-million in owed taxes. Criminal charges were dropped * Rahu-Shani period * Shani rules 8-taxes, 8-hidden assets

13-Dec-2003 marriage-2 to Nicolette Mantovani * Rahu-Shani period * Shani makes a marriage of necessity (bride expecting) * samchara Rahu-Ketu via Mesha-Thula * contact navamsha Thula-1

24-May 2004 decease of Father * Rahu-Shani period * Shani rules 12th-from-9th

06-Sep-2007 Lightbody Lift-off (age 71) * via complexities of obesity and pancreatic cancer * Rahu-Ketu period

Distinctive Features of the Nativity

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Luciano Pavarotti had one sibling, his sister Gavriella. She was a physical educator instructor, and a volleyball athlete in her youth.

Like both of their parents and her brother Luciano, Ms. Gavriella left her terrestrial body by disease of pancreatic cancer in 2013.

Surya * pitrikaraka * Jyotikaraka

  • Surya-Kanya * Poshanya * Pushna * the nourisher
  • Surya in bhava-3 * center of commerce, brightly explaining, focus on communication, eye on messaging

FATHER


Chandra * matrikaraka * garha-karaka

  • Chandra in classroom-9 * comfort in the paradigm of belief, familiar with doctrine, soothed by humanistic perspective, globalism; undulating understanding
  • Chandra-Meena * comforted by rhythmic ancestral guidance
  • Chandra in Revatika * comforted by wayfaring rhythms * protector of poetic interpretations, wise familiar lyrics, soothing dreamlike songs, ancient folk narratives * Pushana * The Pied Piper

MOTHER

MARRIAGE partnership support expectations

two marriages suggested by Surya + Zukra in navamsha

Marriage-1 = 7th-from-Chandra-9

The first wife of Ave Maria 1935-2007 tenor Luciano Pavarotti was his manager (Surya-Kanya-3).

  • Shani rules-7 however Shani-8 suggests extramarital interests. Pavarotti remained married for decades to his first wife and mother of his first three daughters * despite his legendary profligacy and mutual affection having left the union many years previously.

Marriage-2 = 7th-from-Chandra-9

  • Second wife and mother of his 4th daughter, who also worked as his personal secretary (3) was a public personality (10) often photographed and interviewed in the press.

Kuja * bhratru-karaka * virya-karaka

  • Mangala-Vrizchika * Swakshetra * vigorous pursuit of secrets; push toward discovery
  • Mangala in bhava-5 * drive toward creativity, pursuit of games, invasive drama, energized by romantic and political conquests
  • Kuja-yuti-Guru * energized growth, dynamic generosity, masculine force joins optimistic expansion, potential for aggressive preaching, indoctrinating actions

Budha * bandhava-karaka * zisya-karaka

  • Budha-Thula * articulation of agreeable contracts, equable arrangements, balanced designs
  • Budha in bhava-4 * narrative of mother-figure, comfort, security, protection, familiarity, homeland, roots, routine, ritual

Guru * dhavakaraka * bahuta-karaka

  • Guru-Vrizchika * much mystery, many discoveries, believes in transformation, many masks, hidden doctrine
  • Guru in bhava-5 * much creativity, many intelligences, many entitlements, numerous games, much speculation, many performances
  • Guru-yuti-Mangala bhratri-karaka * multiple brother-figures, expansive conquests, much humanistic progressive-invasive philosophy

Expansion

tremendous gain of bodyweight, peaking at 300 lbs. Guru drishti upon BOTH the radical Karkata lagna AND lagnesha Chandra-9 ++ Guru rules Chandra lagnesha-9.


Zukra * svadhu-karaka * kalatra-karaka

  • Zukra-Singha * appreciation of royal confidence, pleasures of radiant central roles, brightly theatrical arrangements
  • Zukra-2 * swabhava * pleasure of gathered assets, enjoys banked, collected equity; feminine-figures predominate the family, gracious storyteller, preserved, linguistic, voiced, historical values , appreciation of assets

Zukra is generally a challenging graha for the Chandra-Meena nativity

His theatrical, international lifestyle offered continuous opportunity for out-of-contract romance. Zukra-Simha-in 8th-from-7


Shani * duro-karaka * jara-karaka

  • Shani-Kumbha * moolatrikona 0-20 deg * old economies, pressured linkage, pressured skin-nerves, imposed connections, proletarian earnings, must earn profits with scarce resources
  • Shani in Bhava-8 * must transform the old order, regenerate while maintaining the system; cautious, conventional discoveries; tense transformations, fear of emergencies, chronic trauma patterns; hidden features of sexual-reproduction

Shani-8 estate, testate, inheritance

After death, the distribution of Mr. Pavarotti's estate became conflicted. His substantial investment portfolio (Zukra-2, the keep) had generated a large estate, but his debt portfolio (Rahu-6, debt) was also significant. The total largesse was ultimately more moderate once the debt was taken into financial consideration.


Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Rahu-Dhanuzya *craving for philosophical principle, theory, higher truth * mask of global humanistic belief * fascinated by doctrine, catechism * * seeks special importance via generosity, patronage, fatherliness
  • Rahu in bhava-6 * the Shadowy Specter seeks privilege via glamorous or unusual arguments, defense of victims, conflicts, miseries, medicines, servants, accusation, injustices; desires a special, important role in matters of disease, injury, warfare, labor, unfairness, toxicity * Opportunistic, ambitious enemies. Rahu the Poseur may pose as a victim, a druggist, a litigator, a problem-solver, an abuser, a diseased person, an enslaved person, a relative of the mother's people. Bhava-6 crime, war, pharmacy = a materially successful environment for boundary-breeching, risk-seeking Rahu.

Rahu-Dhanuzya in 6-animals

keen equestrian, owner of precious horses

Magnificent Rahu-Dhanuzya-6 the Pretender * colossal trickery * in Zukra-ruled (singing) Purvazadha * high visibility roles and privileges accorded to ... a prerecorded performance.

"On 10 February 2006, Pavarotti sang "Nessun Dorma" at the 2006 Winter Olympics opening ceremony in Turin, Italy, at his final performance. In the last act of the opening ceremony, his performance received the longest and loudest ovation of the night from the international crowd. Leone Magiera, who directed the performance, revealed in his 2008 memoirs, Pavarotti Visto da Vicino, that the performance was prerecorded weeks earlier. [ "The orchestra pretended to play for the audience, I pretended to conduct and Luciano pretended to sing. The effect was wonderful," he wrote. ..." https://en.wikipedia.org/wiki/Luciano_Pavarotti


Ketu * kavandha-karaka * chidra-karaka

  • Ketu-Mithunaya * incomplete message, empty conversation, dissolute signals, not limited by commerce
  • Ketu in classroom-12 * ambivalent toward enclosures, absentee ancestor spirits, disregards fantasy boundaries, dissolves the sanctuaries, irrelevance of sleep * Ketu facilitates imaginative work by removing the veil between perceptual worlds
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Luciano Pavarotti and Kofi Annan, United Nations chief, in 2001

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