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QUOTATION from 300 Combinations 1912-1998 Jyotishavidya BV Raman comment upon Yuga yoga

= seven graha located inside only two rashi.

  • "Yuga renders one poor, ostracized by society, heretical and a drunkard. "
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scandalous author

celebrated litterateur

art critic

romantic poet of forbidden love

Charles Baudelaire

Earthbody-Entry Monday-09-Apr-1821

Earthbody-Exit 31-Aug-1867 (age 46)

Takshaka Kala Sarpa Yoga

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romantic poet of forbidden love * 1821-1867 * Charles Baudelaire

birth data from http://en.wikipedia.org/wiki/Charles_Baudelaire * tentatively rectified by BP Lama

charts, graphs, and tables produced by Shri Jyoti Star * adapted by BP Lama

Karkotaka Kala Sarpa Yoga * Yuga Yoga

Rising Nakshatra

Masculine Nativities

Uttaraphalguni * Aryaman


BPL commentary

For Uttaraphalguni births of a masculine valence, the condition of radiant, romantic, intelligent, creative, idealistic, central, confident, gaming, self-reflexive, pitrikaraka Surya may considerably affect the outcome.

For those born into the Surya-ruled paradigm of Uttora, father-figures, politicians, celebrity, royalty, entitled roles, brilliant dramatists, radiant deities, sparkling genius, glittering creativity, intelligentsia, speculators, poets, romantic lovers, gamblers, and game-players may be especially influential.

Uttara-phalguni chaps are famously hot-headed.

Instructional guidance provided by emissaries from the civilizations of Denebola. Their purpose to brighten and glorify the divine intelligence through spectacular creativity.


Brilliantly dramatic

Simha-Leya pada-1 = radiant confidence, flamboyance, and remarkable intelligence. While much depends upon the characteristics of nakshatrapathi Surya, the Falgun birth of masculine valence favors dramatic displays of celebrity, romance, creativity, and entitlement.

Kanya pada 2-3-4 = equally smart and authoritative, but more focused upon personal enclosure and distant lands, often wielding power from a private, sanctuary, or secluded location. May be an empowered politician according to the strengths of nakshatrapathi Surya.

Although Shil Ponde's description often fits the Kanya pada 2-3-4 of Uttaraphalguni, the Simha pada-1 is rarely rough or ungrateful. Still, they can be impatient with others who are less confident or less intelligent.

Themes of political power, radiant creativity, and bright celebrity drama may contextualize Utthram's terrestrial experience. Applies also to Chandra in Uttaraphalguni

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 83


"a proud and arrogant disposition,

  • with a tendency to ride roughshod over other peoples' opinions.

Uttara natives are extremely intelligent

but because of their inordinate pride,

  • they accept favors ungraciously even when in need

and are ungrateful to those from whom they receive these favors."


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Charles Baudelaire in 1864, age 43

Wonderfully concise Excerpt from the biographers at http://www.astro.com/astro-databank/Baudelaire,_Charles
QUOTATION

"French poet tormented by religion and the struggle between good and evil in man, suffused with his deeply Catholic sense of sin and remorse. His "Flowers of Evil" was condemned as immoral in 1857, confiscated by authorities for offending public morals. He was a Catholic and a Satanist, a debauchee and mystic, cynical sensualist and yearner for purity. Sexually morbid and a sadist, he sought the unbathed women "of the streets."

In his extraordinarily complicated life, he had a suffocatingly intimate relationship with his bewildered mother , who lovingly nurtured and then callously ignored his lifelong dependence on her which reached classically Oedipal proportions. He was the son of a lapsed Catholic priest , a ... cultured epicurean who passed onto his son his love of art. After his dad died in 1827, his mom married Col. Jacques Aupicki, a dour career diplomat who, disgusted by his high-strung stepson's eccentricities, tried to impose military standards of discipline and conduct, values that Baudelaire disavowed in a rebellion that lasted the rest of his life.

By the time he came into his inheritance from his birth father in 1842, he was already exorbitantly precocious and foppish, squandering over a half of his considerable fortune in 18 months. His taste ran to elegant fashion , and he would have gone through the entire amount had not his stepfather brought the spending spree to a halt with legal intervention. Much to his humiliation, Baudelaire was then forced to petition an attorney for his funds, cap in hand, living on a meager monthly allowance.

His spending spree was the only time in his short and miserable life that he was ever without financial stress. His writings were not only scandalous , but paid poorly, and he once remarked that his income for years was the equivalent of the price of two cigars a day.

He lived in dilapidated fleabag hotels, eking out a precarious existence as a poet, art critic and translator of Edgar Allan Poe. He changed his address in Paris about 30 times during his adult life, once moving six times in a single month in 1885, seeking to evade creditors.

Baudelaire's "Les Fleurs du Mal," came out in 1857, unleashing a fire storm of criticism and nearly a century of acrimonious litigation.

Addicted to ether capsules and laudanum (opium), he sought to numb himself to the ravaging effects of syphilis , contacted in the Paris Latin Quarter as a young man. He was a cynical voluptuary, an amoral aesthete who shocked his friends by dying his hair green and sprinkling his conversation with non sequiturs. He referred to"the intoxicating pleasure of displeasing, "as he refused any semblance of conventionality but formed a lifelong liaison with Jeanne Duval, the "Black Venus" of his "Fleurs,"a mixed-race drug-addicted prostitute.

The first signs of insanity appeared in 1862. In his final years his skin was discolored and his joints affected. He collapsed in March 1866 while admiring an architectural point of beauty with friends in Belgium. He returned to Paris in a private railroad car some months later and over the next 12 months suffered a slow death from syphilis (GPI). By early 1867 he scarcely remembered his own name; by April he had lost his will to live and on 8/31/1867, he died in his mother's arms in Paris."

Biographical events matched to the Vimshottari Dasha Calendar


Rahu Mahadasha * age birth until age 1.9

09-Apr-1821 Earth-birth in Paris, France * Rahu-Chandra bhukti


Guru Mahadasha * age 1.9 until age 17.9

Feb-1827 grieved decease of father (Charles age 6) * Guru-Budha bhukti * Budha rules 7th-from-Surya

Nov-1828 mother's remarriage to a military commander-general followed by his despair that he no longer possessed a central place in his mother's attentions * Guru-Ketu bhukti * Ketu loss, disconnection, despair

Apr-1839 expelled from Lycee-Louise-le-Grand for acts of impropriety, indolence, and indiscipline *


Shani mahadasha * age 17.9 until age 36.9

1840 started law school, but did no studying

June-1841 purported voyage to Kolkata India, cut short when Charles jumped ship in Mauritius and after a few weeks relaxing in the islands, returns to France * Shani-Shani swabhukti * Shani rules 3rd-from-3rd, short travels, tours

Feb-1842 returns to Paris

Apr-1842 receives large inheritance from his father's estate * Shani-Shani swabhukti * Shani rules 5-luck, gambling, fortune

1843 within 18 months, Baudelaire had squandered more than half of his considerable forture * * Shani-Shani swabhukti * Shani rules 6-indebtedness, imbalance, poverty

1845, 1846 publication of critical essays "Salons" garnered favorable attention * Shani=Zukra bhukti * Zukra rules 9-celebrity, fame

1856 publication of Baudelaire's praised translations of Edgar Allen Poe * Shani-Guru bhukti * Guru rules 6 graha in bhava-7 relationships

1857 his seminal work, symbolist and modernist, Les fleurs du mal. It was considered either a brilliant masterpiece of modernist genre or unwholesome trash, depending upon the social class of the critic.* Shani-Guru bhukti * Guru rules 6 graha in bhava-7 relationships


Budha Mahadasha * age 36.9 until decease age 46

1866 massive stroke followed by paralysis * Budha-Mangala bhukti * Mangala rules 8-conditions of death

decease 31-Aug-1867 (of syphilis, age 46) * Budha-Rahu bhukti


posthumous

1871 decease of mother

Distinctive features of the Nativity

Surya * pitrikaraka * jyotikaraka

Atmakaraka

  • Surya-Meena * Bhaskara * the illuminator
  • Surya in bhava-7 * center of agreements, brightly negotiating, focus on trade, intelligence for equity, peer entitlements, eye on contractual relationships
  • Surya-yuti-Kuja * confidently progressive, bright warrior, creatively intelligent brother-figures, self-reflexive political pursuits, champion of brilliant ideals, competitive father, entitled to conquer and win, radiantly pioneering
  • Surya-yuti-Budha * confidently conversational * bright messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * speaks and gestures in alignment with the spiritual rays of the Sun * radiantly descriptive * articulate in drama and games * self-confident announcements * talks about ideals, power-politics, poetic love, and romance
  • Surya-yuti-Guru * confidently expansive in drama and games * permissive father-figure bright self-referential teachers * charitably manifests the spiritual rays of the Sun * creatively intelligent approach to doctrine * entitled to philosophize * radiantly generous
  • Surya-yuti-Zukra * confidently harmonious, brightly creative bargainer, artistic father-figure, uniquely intelligent sister-figures, entitled to pleasures, aesthetic expressions align with the spiritual rays of the Sun, financial politics, radiantly diplomatic, self-reflexively attractive features
  • Surya-yuti-Shani * confidently lawful * bright regulator * entitled to impose order * creatively intelligent authority-figures * radiantly hierarchical * sober father-figure * cautiously orderly expression of the spiritual rays of the Sun * limited entertainments * politically disciplined

FATHER

Dad = a complex person as demonstrated by the FIVE graha accompanying pitrikaraka Surya-Meena. a disavowed priest, a high-ranking civil servant in the capital city of Paris Surya in bhava-7, an artist Surya-yuti-Zukra-uttama, a poet, a musician, a creative personality. His father was 34 years elder to his mother. Dad had compounded a significant financial estate before he died, and little Charles was bequeathed a large financial inheritance.

Step-Father = 8th-from-Surya = bhava-2 Thula

When little Charles was seven years old his mother remarried a strict disciplinarian retired military officer . = Shani transit to bhava 10 Mithunaya + Sade-Sati + Shani drishti to 7-relationship, equity, fairness. His step-father was accounted to have been the person who prevented Baudelaire from squandering his paternal inheritance (which Charles spent frivolously and wildly in his 22nd year) by intervening through the lawcourts. Baudelaire wrote that he despised his stepfather for his disciplining, constraining ways, and for taking his mother's attentions. However most observers recognized that his stepfather was a force of balance (Zukra) and order (Shani) who acted in a paternally responsible fashion in regard to the inheritance money (2-Thula treasury ruled by luxurious uttama-Zukra-7 in 6th-from-2 accusations, conflict)


Chandra * matrikaraka * garha-karaka

  • Chandra-Mithunaya * comforted by communicatively signaling, rhythmic messaging transactions
  • Chandra in Arudra * comforted by exciting signals * protectors of stormy wildness, sensitive to animal instincts, undulating entrancement, sensitive swaying seduction
  • Chandra in classroom-10 * comfort in orderly ranks * socially recognized for emotional qualities * parental style of leadership * familiar with strict protocol * accustomed to regulations * soothed by systems * acculturated to executive routines * settled into the rhythm of iconic roles * needs to feel the repeating pulse of visibility * calmed by hierarchical steps + sequences * anchored into roles of recognition + respect; * undulating lawfulness

MOTHER

Mom was socially well-placed following her first marriage to a wealthy civil servant 34-years her elder, then remarriage to a pensioned retired military commander. She represented the social ordering influence in Baudelaire's life, and in the Paris of the 1840-50's she was an icon of bourgeois respectability. Although perhaps not quite, since his Chandra in Arudra suggests mom's wild side. Mom cared for him without interruption , and accepted her only child in whole, despite his political, literary, and sexual antics. He died in mom's arms, age 46.

MARRIAGE partnership support expectations

7th-from-Chandra-10

= bhava-5 creativity, romance, celebrity, games, performance art, intelligene

Baudelaire's primary stabilizing relationship was with his mom, 4. Bandesha Guru in bhava-7 shows the adventurous complexity of his multiple secondary partnerships.


Kuja * bhratru-karaka * virya-karaka

  • Mangala-Meena * vigorous pursuit of intuition *warrior for dreamlike imagery * proactive envisioning * push toward imaginative perception * pursues clairsentient roles * sound-healing engineer * conquest in private enclosures * champion of sanctuary
  • Mangala in bhava-7 * drive toward bargaining, pursuit of agreement, impatient with stagnant arrangements, invasive negotiation, diplomatic dynamics, energized contracts, innovative conquests
  • Kuja-yuti-Surya * invigorated creativity,, energized confidence, dynamic genius, masculine force joins willful charm, potential for aggressive political or dramatic actions , potential for aggressive political or dramatic actions , potential for aggressive political or dramatic actions
  • Kuja-yuti-Budha * communicative competitions, energized communication, dynamic reporting, outgoing force joins messaging signal, potential for aggressive gestures, speech, and writing
  • Kuja-yuti-Guru * multiple competitions, many brother-figures, energized growth, dynamic generosity, masculine force joins optimistic expansion, champion of humanistic worldview, potential for aggressive preaching, indoctrinating actions
  • Kuja-yuti-Zukra * dual sexuality, energized bargaining, dynamic trading, masculine force joins feminine allure, potential for aggressive mating, partnering actions, innovative arrangements, potential for aggressive mating, partnering actions
  • Kuja-yuti-Shani * repressed movements, energized rules, dynamic structuring, masculine force joins disciplined regulation, potential for aggressive or punitive reactions to change , potential for aggressive or punitive reactions to change

Mangala sexual pursuit rules Vrischika 10th navamsha


Budha * bandhava-karaka * zisya-karaka

lagnesha

  • Budha-Meena * nichha * intuitive communications * articulation of private spiritual guidance * imaginative pronouncements * explains the procedure for reading the astral patterns * abstract conversations * symbolic information * foggy thinking * psychic instructions *. messages about astral visions * hands-arms-shoulders send dreamlike gestures
  • Budha in bhava-7 * narrative of relationships, contracts, deals * discusses relationships, trusts, betrothal, contracts, describer of deal-making, delivers instructions for negotiation, explainer of arrangements, talks about fairness, justice, settlement of quarrels, marriage, alliances, partnership, equity, parity, balance. Excellent placement for mediator, negotiator, bargainer, attorney.
  • Budha-yuti-Surya * explainer of dramatic intelligence * affinity for central roles expressing skills of communication, explanation, description, instruction instruction * articulation of radiant authority * message of willpower and charisma * confidently talkative father
  • Budha-yuti-Mangala * explainer of competitive energies * affinity for engineering, invasive, exploratory roles expressing skills of communication, explanation, description, instruction *articulator of competitive energies, signals forward action, message of innovation and forward movement, outspoken, fraternal conversations, aggressive communications, talkative brother-figures
  • Budha-yuti-Guru * explainer of doctrinal belief * affinity for preaching, professorial, theory-developing roles expressing skills of communication, explanation, description, instruction  *  articulation of charitable generosity, message of optimism and expansion, talkative teacher
  • Budha-yuti-Zukra * explainer of balanced arrangements * affinity for diplomatic, parity-seeking roles expressing skills of communication, explanation, description, instruction * explainer of balanced arrangements, articulation of equity in agreements, message of justice and fairly bargained contracts; songwriting , chatty partners, talkative sister-cousin-cohort, lyricist , talkative sister-cousin-cohort, lyricist
  • Budha-yuti-Shani * explainer of rules and systems * affinity for regulatory, law-imposing roles expressing skills of communication, explanation, description, instruction * explainer of rules and systems * affinity for regulatory, law-imposing roles expressing skills of communication, explanation, description, instruction * articulation of maturity and responsibility, message of institutional order, talkative elders, talkative elders

Budha rules Karakamsha = bhava-10 public reputation

Budha rules Arudha lagna = bhava-10 containing Chandra in Arudra passions


Guru * dhavakaraka * bahuta-karaka

* Hamsha Yoga

  • Guru-Meena * much sleep. inner guidance, many imaginings, many dreams, intuitive beliefs, doctrine of esoteric understandings, expands the scope of contemplative awareness, multiple prayers and visions
  • Guru in bhava-7 * many contracts, much negotiation, much partnership, abundant agreement, numerous alliances, extensive bargaining, multiple deal-making events, expansion of advocacy, fertile match-making, typically more than one spouse., extensive bargaining
  • Guru-yuti-Surya pitri-karaka * multiple father-figures, abundant confidence, much radiance, much humanistic political philosophy-policy, large-scale dramatic radiance
  • Guru-yuti-Mangala bhratri-karaka * multiple brother-figures, expansive conquests, much humanistic progressive-invasive philosophy, large-scale competitions, vigorous champion of doctrine and belief, large-scale competitions
  • Guru-yuti-Budha yukta-karaka * multiple sibling-teammate figures, abundant conversational messaging, believes in detailed communications, many announcements, wide scope of evangelism, much humanistic philosophy, broad viewpoint in discussions
  • Guru-yuti-Zukra sodarya-karaka * multiple sisterly-figures * abundant pleasures + treasures * much humanistic diplomatic philosophy * large-scale alignments * broad scope of partnerships * many financial arrangements
  • Guru-yuti-Shani atta-karaka * multiple elder-figures, abundant structure, many rules, expansive hierarchies and systems, much humanistic social philosophy, large-scale responsibilities


Zukra * svadhu-karaka * kalatra-karaka

* Malavya Yoga

* karaka bhavo nashto * imaginative dreamlike relationships

  • Zukra-Meena * uttama * appreciation of music-arts, pleasures of imagination, enjoys symbolic clairsentience, dreamlike arrangements
  • Zukra-7 * swabhava * pleasure of interpersonal relationships * enjoys contractual harmony * pleasant partnerships * pleasing designs to adorn the lower back * kidney-adrenal over-use * external genitalia * feminine-figures advise and bargain * appreciation of equity
  • Zukra-yuti-Surya * balanced roles in drama, appreciation for political display, theatrical negotiations, self-focused arrangements, radiant bright beauty * self-reflexive bargaining, sweetly confident entitlements, enjoys politics, negotiating father-figure, intelligently focused on trades, arrangements, contracts * arrangements according to father's choice or self-will
  • Zukra-yuti-Mangala * sweetened conquests, gracious competition, appreciation for pioneering innovation, proactive negotiations, musical brother-figure, competitive contracts, musical brother-figure, competitive contracts
  • Zukra-yuti-Budha * sweetened messages * gracious explanations * singing and songwriting * articulate negotiations * talkative sister-figures * pleasant conversations * bargaining for business * sibling-cohort communicative arrangements * youthful beauty
  • Zukra-yuti-Guru * sweetened expansions, gracious diversity, appreciation for philosophical doctrine, adjustable catechism, numerous negotiations, humanistic agreements, generous beauty, balanced patronage * arrangements according to priestly paradigm of belief
  • Zukra-yuti-Shani * sweetened structures, mature relationships, gracious lawfulness, beautiful bones, appreciation for neutrality, strict negotiations, pleasant legal mediation, architectural rigor, enduring agreements * arrangements abide by regulatory law. This benevolent combination signals success in artistic endeavor of a pragmatic, materialistic character, such as music composition or fashion design. Deepens the artistic discipline. Shani contributes mature realism to Zukra's love of balance and beauty. In a husbandly nativity, may prefer a senior, responsible wife.

Shani * duro-karaka * jara-karaka

  • Shani-Meena * heavy old dreams, tightly regulated imagination, obliged to conform to the will of the cetaceans, vital energy compression stress zone = feet, strictly imposed conditions of sanctuary, must endure lowest-common-denominator proletarian prayer, slow elder diviners, limited access to ancient ancestor guides, must materialize the vision, must sustain the effort of connecting the material senses with the astral vision despite scarce available resources
  • Shani in Bhava-7 * digbala * (beneficial placement) * Structured, orderly, time-conscious partnerships. One must balance and re-balance. Cautious, conventional relationships. Tense negotiations. Chronic responsibilities toward the spouse; compression of the visible genitalia; heavy legacy pressure against freely chosen contracts.  Bargaining fatigue. Resistance to new arrangements. Resentment toward changes in partner's behavior. Support for socially-approved, rigidly dutiful roles as married person, contract-holder, match-maker, attorney, diplomat, judge.
  • Shani-yuti-Surya * resistance against creativity, pragmatic politics. materialistic father, limited entitlements, suppression of romance, effortful creativity, disciplined intelligence, constrained willpower, regulated games
  • Shani-yuti-Mangala * resistance against vital birth, pragmatic actions, cautious innovation, limited progress, physical discipline, constrained movement, regulated competition. Tension from contradictory push-pull in the body-personality.
  • Shani-yuti-Budha * resistance against signaling, materialistic sibling, pragmatic coupling, limited interaction, disciplined messaging, constrained communication, regulated conversations, regulated conversations
  • Shani-yuti-Guru * resistance against expansion, elder teachers, pragmatic philosophy, limited understanding, doctrinal discipline, constrained growth, regulated beliefs
  • Shani-yuti-Zukra * resistance against equity, limited luxury, contractual discipline, constrained harmony, regulated pleasures

Rogesha Shani occupies bhava-7 relationships

Flowers of Evil 1821-1867 symbolist poet Charles Baudelaire enjoyed the company of prostitutes. The great love of his life was an African lady of the night whom he adored as the "Black Venus " * "Vénus noire". Like most of his lovers, he died of venereal disease.


Rahu * rajyalobha-karaka * picchala-karaka (slippery) Kala-Amrita-MahaPadma-KSY * Rahu-6 + Ketu-12

  • Rahu-Kumbha (swakshetra) * shimmering illusion of webwork * craving for community * over-reaching voluntary connections * mirage of material science * fabulous marketplace associations * extraordinary friendliness * intriguing ecologies * mask of lawfully interlinked systems * fascinating networks * seeks special importance via apparent (but perhaps not authentic) attributes of  futurism, social participation linkage, economic distributions, community-knitting, socialite-roles
  • Rahu in bhava-6 * passion for conflict, remedies * in swabhava of Busy Budha, the Shadowy Specter seeks privilege via glamorous or unusual arguments, thrilling defense of victims, conflicts, miseries, medicines, servants, accusation, indictments, injustices. Craves an environment of disagreement, injustice, misuse. Desires an important role in matters of disease, injury, warfare, labor, unfairness, toxicity * Exciting enemies. Rahu-6 trespasses the cultural boundaries in matters of debt, drugs, slavery, betrayal, exploitation, war. Rahu the Poseur may pose as a victim, a druggist, a litigator, a problem-solver, an abuser, a diseased person, an enslaved person, a relative of the mother's people. Risk-rewarding, boundary-breeching Rahu thrives in Bhava-6 where He finds opportunity in the worlds of crime, war, pharmacy, self-medication, toxicity.

Ketu * kavandha-karaka * chidra-karaka

Kala-Amrita-MahaPadma-KSY

Rahu-6 + Ketu-12

  • Ketu-Singha * dissociates from creative performance, incomplete entitlement, empty intelligence, dissolute brilliance, not limited by celebrity roles, ignores restriction on political opinion, applies theatrical solipsism to the misty abyss
  • Ketu in classroom-12 * (beneficial) * ambivalent toward enclosures, absent from the ancestor spirits, disregards fantasy boundaries, dissolves the isolated sanctuaries, irrelevance of sleep * Ambivalence toward clairsentient empowerment, disinterested in invisibility. One abandons the veil between perceptual worlds, ignores the dreams, surrenders the fear of imprisonment.
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