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Graha * Bhava* Amsha * Rashi

indifferent to the brothers, to the competitions, to the war, to the championship (but check for other graha yuti this pair)

scattered muscular movements

discharged, disabled, impartial toward dynamic, forward-moving energy

physical disorientation

Om kram kreem kroum sah bhaumaya namah

Om shram shreem shroum sah ketave namah




physical disconnect

energized pilgrimage

dynamic wandering

masculine force joins apathetic surrender

Cauda Draconis

Dragon's Tail * Catabibazon


Mars * Ars


Shri Ganesha * "Tibetian Ganpati"

  • Kuja-yuti-Surya * kinetic creativity * glorious innovator * high-energy confidence * dynamic genius * dominating force joins willful charm * competitive politics * brilliant winner * physically active father-figure * vigorous theatrical display
  • Kuja-yuti-Chandra * invigorated feelings * energized intuition * dynamic nurturance * competitive caretaking * often the dominant parent * needs to win * forward thrusting emotions * seeks security via conquest
  • Kuja-yuti-Budha * energized communication, dynamic reporting, outgoing force joins messaging signal
  • Kuja-yuti-Guru * multiple competitions * many brother-figures * energized growth * dynamic generosity * masculine force joins optimistic expansion * champion of humanistic worldview * potential for aggressive preaching * indoctrinating actions
  • Kuja-yuti-Zukra * dual sexuality * energized bargaining * dynamic trading * masculine force joins feminine allure * competitive mating * vigorously balance-seeking in partnership * pursues diplomatic resolutions * innovative arrangements
  • Kuja-yuti-Shani * repressed movements, energized rules, dynamic structuring, masculine force joins disciplined regulation, potential for aggressive or punitive reactions to change
  • Kuja-yuti-Rahu * thrill of muscular action * competitive ambition * passion to win * fascinating physicality * pretense of heroic championship * dynamic desires * forward thrust toward opportunity * forceful pursuit of privilege
  • Ketu-yuti-Kuja * energized pilgrimage, dynamic wandering, masculine force joins apathetic surrender


Ketu-Meza yuti Mangala-Meza

Ketu-Urisha yuti Mangala-Urisha

Ketu-Mithunaya yuti Mangala-Mithunaya

Ketu-Karkata yuti Mangala-Karkata * nichha

Ketu-Singha yuti Mangala-Singha

Ketu-Kanya yuti Mangala-Kanya

Ketu-Thula yuti Mangala-Thula

Ketu-Vrizchika yuti Mangala-Vrizchika

Ketu-Dhanuzya yuti Mangala-Dhanuzya

Ketu-Makara-Draco yuti Mangala-Maraka-Draco * uttama

Ketu-Kumbha yuti Mangala-Kumbha

Ketu-Meena yuti Mangala-Meena

Ketu disperses Mangala's competitive, masculine, pioneering energy.

Yoga for alternative expressions of yang flow. May experience a dissolution and misting-away of the purported physical forms and formalities, such as prescribed athletic or aggressive actions, established protocols for making war and hunting, and various consensus-reality fixed interpretations of male identity. Breaks-up the hunter's instinctual pursuit of sex, game, blood, and alpha dominance.

Ketu and Mangala, co-rulers of Vrischika, are cooperators in specific tasks which promote the sudden upheaval of social expectations and quick identity changes.

In a feminine nativity, Ketu provides a tendency to ignore the socially imposed limits on use of yang energy. Ketu pulverizes the barriers which consensus reality may apply to women's use of sexual, creative, athletic, or inventive energies.

  • Avant-gardiste 1933- Beatle-pair Yoko Ono Ketu-Singha yuti Mangala-Singha * Guru-yuti-Ketu (8) = reported to have aggressively (Kuja) pursued her intended third husband Imagine 1940-1980 Beatle John Lennon, attending all of his recording sessions and waiting for opportunities to stay in his home when JL's then-wife was absent

  • Material Girl 1958- dance song cinema Madonna * Ketu-Meza yuti Mangala-Meza * sexual provocateur and overt disregarder of male privilege in prescribing performance behavior. Also, numerous high-profile dissolved relationships with men.

  • Two Women 1934- luxury eyeframes Sophia Loren * Ketu-Karkata yuti Mangala-Karkata (3) few barriers against a bedroom-location (12) performance in cinema roles

  • Contempt 1934- animal-activist Brigitte Bardot * Ketu-Karkata yuti Mangala-Karkata (12) * few barriers against a sexualized (Kuja) emotionally compelling (Azlesa) performance in cinema roles

May disregard social limits on innovation, pioneering, or creative performance

In a masculine nativity, tendency to ignore the socially imposed mandates to deploy yang energy. Dissociated from the stereotypical male pursuits; often disinterested in sports, military aggression, or sexual conquest. However one may freely choose to pursue the socially-boxed masculine activities as well, with no obligation but rather enjoying creative license to do so at one's own will.

If Zukra is significantly strengthened, while Mangala's prescribed formalities are dissolved by Ketu, one may prefer to disregard male prescribed behaviors and consort with women, or live in a peaceful asexual lifestyle, or live as a woman. Whichever options are chosen, one is not bound by formality or convention.

  • My Inventions 1856-1943 Nikola Tesla * Kuja-yuti-Ketu + Chandra-Hasta. A handsome, inarguably brilliant, and impeccably dressed man who nightly dined in the elegant restaurant of his residential hotel, Tesla is said to have appreciated the dinner company of intelligent persons of either gender. Tesla had no known romantic or sexual relationships; he did not marry.

  • Moneyball 1963- drama-commerce Brad Pitt * has an exceptionally complex nativity with Kuja-yuti-Ketu + Chandra-yuti-Budha + Surya-Dhanuzya, all concentrated in bhava-2 (second marriage). His relationships and profession have accommodated - indeed required - notable gender-role fluidity.

Professor Ketu teaches His curriculum in environments that are characterized as "out of conventional order". For example, Ketu-10 is out of the conventional social order whereas Ketu-4 is out of the conventional housing order or schooling order.

When Professor Ketu is born conjoint Mangala the Mover, the scattering patterns of Ketu-Akasha tend to disperse the intensity of Kuja's forward-driving pursuit.

Mangala's default drives are muscular movement and sexual conquest. All Mangala energy is forward moving and vitalizing. However, the goal varies according to Kuja's rashi and bhava. Uttama-Mangala directs His energies into socially motivated pursuit of class-rank and position, whereas nichha-Mangala directs His vitality into activities of emotionally motivated bondage and control.

  • POTUS-06 American System 1767-1868 John Quincy Adams described his disorienting marriage to Louisa Johnson Adams as the worst mistake of his life. His Chandra-yuti-Rahu-Makara-10 reveals his destiny for governance leadership roles. However, the foundation of any career is the homebase, and when Chandra-yuti-Rahu occupy 10 the home-base may be afflicted by a Ketu-ish spouse. The problems arose right from the beginning, when the misapprehension and misinterpretation characteristic of Budha-yuti-Ketu confused the inquiry into his wife's background. She was described (Budha) as a well-connected heiress. She actually was an anxiety-suffering daughter of a bankrupt merchant. They were able to have children, but their eldest committed suicide. The issues were much compounded via Azlesa-nichha-Kuja also in 4 with Budha-Ketu.

Kuja-Karka acts decisively to bind and secure. Nichha-Kuja made the marriage decision seem urgent. Along with his parents, J-Q would have felt an emotionally-motivated impulse to act quickly to secure the situation . The marriage vow was hastily sealed on the basis of incorrect understanding. Lifelong consequences included financial insufficiency and marital disagreements.

Therefore in order to correctly identify the environment of this extraordinary pair, it is essential to appreciate both their bhava location and their rashi qualities.

Dispersal in all directions, or a single rather peculiar direction, of the kinetic animal sexual impulse.

Detachment from the goal of conquest. Windy cooling of the heat of the chase.

Quixotic pursuit.

A male may be somewhat disconnected from one's own urgent, competitive sexuality. A female may feel rather ambivalent toward men in general.

Often the script calls for a dysfunctional brother or male cousin. Other males can be agents too.

  • Material Girl 1958- dance song cinema Madonna has a mentally ill, often homeless brother

  • King of Pop 1958-2009 Thriller Michael J. Jackson * accused multiple times of sexual misbehavior involving poor boundaries (Ketu) with underage male (Kuja) companions. Each scandal "settled out of court" to avoid the truth-telling of a jury-trial. Accusations were neither proven nor disproven.

Once the personal, embodied sexual and competitive impulses are dispersed in consciousness, it becomes possible to channel the dynamic, athletic, competitive, and sexual energies of others. Thus Kuja-yuti-Ketu helps male dramatists to project intensely male roles,

For both masculine-figures and feminine-figures (and those in-between) Kuja-yuti-Ketu generally assists the psychic projection of diffused sexual imagery into the public subconscious.

Disconnected from competition. Tends toward passive-aggressive style of action. Uses indirect methods to hunt, capture, and win. one is no less successful with this combination of Kuja-yuti-Ketu. However a manipulative rather than conquesting or boasting style of action is indicated.

Extremely sensitive abdominal region.

With the de-emphasis of animal impulse, raw sexual pursuit (Kuja) can be expressed in impersonal ways and diffused into non-fleshly channels:

into photography, literature , performance arts

into competitive political manipulation

or into social service projects

Ketu-yuti-Kuja may be perceived as being dishonorably manipulative and indirect in situations which which call for great straightforwardness. one may be surprised to discover that while one has "won" the goal through whatever devious strategy was effective, one is less admired for the achieved success and indeed more feared and disliked.

Dissatisfied and doubting of one's brothers (siblings) and one's sexual prowess.

Distrust of aggressive action, hunting, anyone with a dominant personality. Discontented in fraternal relationships.

Unable to fully connect with the brothers or comrades-in-arms. Also unable to fully disconnect from the brothers (in all senses of brother).

Even after death or a public declaration of separation, one longs for fulfillment of the fraternal presence.

Resignation to a separative, psychologically distanced relationship with one's brothers, comrades-in-arms, and fellow competitors.

  • My Inventions 1856-1943 Nikola Tesla suffered a bitter and lasting resentment toward his competitor General Electric 1847-1931 Thomas Edison . Tesla and Edison were in the same generational cohort. Tesla asserted that Edison was completely wrong-headed in his electrical development models. Even more acrimoniously, Tesla accused Edison of outright theft. Tesla became increasingly dismissive of Edison in later years, claiming that Edison had himself invented rather little; rather Edison stole hundreds of patent designs from hapless inventors like Tesla.

A deep and ineffable, sense of loss for the siblings, who seems to have been taken away by circumstances beyond one's control. A longing for the imagined satisfaction of completed union with the heroic brethren.

Chronically discontent with one's military, competitive, athletic, heroic, muscular skills and achievements. Always wanting to be stronger, faster, more warlike. Yet the animal instincts are too vague, and one cannot concentrate sufficient energy into the physique.

Ambivalent about the act of sexual pursuit. Wants to be sexually active and involved, but resigned to the flat feeling that one's sexual vitality is somewhat blunted.

(if other graha are involved in the Ketu yoga e.g. Moneyball 1963- drama-commerce Brad Pitt , the scope of 'saintly' resignation and ambivalence may be broad, and psychologically complex.)

Unacknowledged anger and diffused competitive instincts. Likes to fight but may take bribes on the outcome, or work for the opposing team without scruple. Natural double-agent , or mercenary soldier. Has no moral or political attachment to the outcome of the war.

Inability to register A sense of personal certainty regarding the portfolio of Kuja: competition, sexual pursuit, warfare, invasion, exploration, discovery, passion. one may compete indefinitely, driven by a need to dominate, without ever achieving a clear public victory or a clear personal sense of success.

Uncomfortable in their own skin. Ambivalent about winning or losing, yet very sensitive on the point. Sore loser.

Polarizing catalysis expressing clear physical directive. Ambivalent about the cycle of birth and death, and his place in it. Little patience for sustained efforts, and tendency toward passive-aggressive physical response.

Behaviorally, the effective equivalent of nichha-Kuja . Not overly attached to the physical body. Therefore, can accept - and often surmount - tremendous risks of life and limb.

Beneficial for high-risk occupations where safety is a dream. By transit, stimulates disease of connective tissue, blood coagulation, and other disconnection types of imbalance-seeking-a-remedy.


file update: 09-Jan-2020

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