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Drama and Song

Writing and Publishing


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Ulster-Scots Dissenter American

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musician + singer

comedienne + dramatist

songwriter

June Carter Cash

a.k.a. Valiria June Carter

nativity of June Carter Cash

Earthbody-Entry 23-Jun-1929

Earthbody-Exit 15-May-2003 (age 73)

singer with the historic Carter Family, popularizers of Appalachian Scots-Irish American "country-western" Music

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  • Proletarian singer-songwriter

  • Musical Stage Performer

  • Prison Reform Advocate

Johnny Cash

a.k.a. Man in Black

Earthbody-Entry 26-Feb-1932

Earthbody-Exit 12-Sept-2003 (age 72)


born 9 months after

born 3 months after

born 2 months after

born one day before

born four days after

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Rockabilly singer, songwriter, entertainer * 1932-2003 * Johnny Cash

birth data from http://en.wikipedia.org/wiki/Johnny_Cash * tentatively rectified by BP Lama

charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama

Rising Nakshatra

Masculine Nativities

Uttaraphalguni * Aryaman


BPL commentary

For Uttaraphalguni births of a masculine valence, the condition of radiant, romantic, intelligent, creative, idealistic, central, confident, gaming, self-reflexive, pitrikaraka Surya may considerably affect the outcome.

For those born into the Surya-ruled paradigm of Uttora, father-figures, politicians, celebrity, royalty, entitled roles, brilliant dramatists, radiant deities, sparkling genius, glittering creativity, intelligentsia, speculators, poets, romantic lovers, gamblers, and game-players may be especially influential.

Uttara-phalguni chaps are famously hot-headed.

Instructional guidance provided by emissaries from the civilizations of Denebola. Their purpose to brighten and glorify the divine intelligence through spectacular creativity.


Brilliantly dramatic

Simha-Leya pada-1 = radiant confidence, flamboyance, and remarkable intelligence. While much depends upon the characteristics of nakshatrapathi Surya, the Falgun birth of masculine valence favors dramatic displays of celebrity, romance, creativity, and entitlement.

Kanya pada 2-3-4 = equally smart and authoritative, but more focused upon personal enclosure and distant lands, often wielding power from a private, sanctuary, or secluded location. May be an empowered politician according to the strengths of nakshatrapathi Surya.

Although Shil Ponde's description often fits the Kanya pada 2-3-4 of Uttaraphalguni, the Simha pada-1 is rarely rough or ungrateful. Still, they can be impatient with others who are less confident or less intelligent.

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 83


"A proud and arrogant disposition,

  • with a tendency to ride roughshod over other peoples' opinions.

Uttara natives are extremely intelligent

but because of their inordinate pride,

  • they accept favors ungraciously even when in need

and are ungrateful to those from whom they receive these favors."


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Ring of Fire 1932-2003 rockabilly Johnny Cash overlaid photo with Old Time Feeling 1929-2003 music-comedy June Carter Cash

Biographical details matched to the Vimshottari Dasha calendar


Guru Mahadasha

26-Feb-1932 Earth-birth in Kingstead, Arkansas, USA * Guru-Shani bhukti

20-May-1944 grieved the tragic death of 15-yo elder brother in mill-saw accident * Guru-Rahu bhukti


Shani mahadasha

Janma Sade-Sati via Thula-5 = Nov-1952 until Nov-1955

07-Aug-1954 exchange of vows in marriage-1 (JC age 22) * Shani-Zukra bhukti * samchara Rahu-Ketu via Dhanuzya-Mithunaya contact Dhanuzya swamsha

24-May-1955 celebrated the birth of child-1 * Shani-Zukra bhukti * Zukra rules Chandra-Thula


Budha Mahadasha

01-Mar-1969 exchange of vows in marriage-2 with fellow musician June Carter Cash (JC age 36) * Budha-Zukra bhukti * samchara Rahu-Ketu via Meena-Kanya contact radical R-K


Ketu Mahadasha

23-Dec-1985 grieved the decease of father Ray Cash (JC age 53) * Ketu-Guru bhukti * Guru rules 2nd-from-Surya ++ Sade-Sati


Zukra Mahadasha * age 60.7 until decease age 72

11-Mar-1991 grieved the decease of mother Carrie Cloveree * Zukra-Zukra swabhukti * Zukra rules 12th-from-4th

15-May-2003 grieved the decease of June Carter Cash * Zukra-Shani bhukti * Shani rules 12th-from-7th

12-Sep-2003 decease (JC age 72) * Zukra-Shani bhukti * Shani maraka rules 7

Distinctive Features of the Nativity


year 1958: Johnny Cash (born 1932) with Heartbreak Hotel 1935-1977 Graceland Elvis Presley (born 1935)

Surya * pitrikaraka * jyotikaraka

lagnesha

  • Surya-Kumbha * Arka * the radiator * radio
  • Surya in bhava-7 * center of relationships * focus on agreements * brightly negotiating *confident in brokerage and trade * intelligence for representation * equity * peerage entitlements * father-figure plays partnership * advocate roles * eye on fair contracts * sparkling center of the deal-making drama
  • Surya-yuti-Kuja * confidently progressive * bright warrior * moves in alignment with the spiritual rays of the Sun * creatively intelligent brother-figures * self-reflexive political pursuits * champion of brilliant ideals * competitive father-figure * entitled to conquer * focused on winning * radiantly pioneering
  • Surya-yuti-Budha * confidently conversational * bright messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * gestures conduct the spiritual rays of the Sun * radiantly descriptive * articulate in drama * smart game-player * self-confident announcements * talks about ideals * narrative of power-politics * recites love poems * describes divine romance

Sparkling Surya occupies 5th-from-Chandra entertainment, celebrity, drama

Proletarian Hero

Surya-yuti-Kuja + Surya-yuti-Budha in Kumbha = the-masses-and-the-classes

Prolific song writer

JC wrote more than 1000 songs *


Chandra * matrikaraka

  • Chandra-Thula * comforted by rhythmic negotiation of agreements
  • Chandra in Visaka-Radha * comforted by expansive shocks * protectors of widening energy channels * soothed by sudden growth surge pada 1-2-3
  • Chandra in classroom-3 * comfort in cohort * familiar with communication * calming repetitive announcements * needs to feel the tidal pulse of daily chat * sheltered in the parlor * soothed by younger siblings * intuitive information delivery * settled into the habits of writing and commerce * accustomed to routine messaging; emotionally attuned to the rhythms of conversation * undulating signals * ethno-cultural gestures * intuitive handcraft

MOTHER

MARRIAGE emotional support partnership

Ring of Fire 1932-2003 rockabilly Johnny Cash was married for 15 years to his first wife, who served as a housewife, accountant, and caretaker of their children while her husband toured the land performing his increasingly popular music.

The musical performance tours consumed his attention and kept him away from home (Ketu-2). His exceptionally strong uttama-atmakaraka-Zukra-yuti-Rahu . Whilst on the road performing, Cash entered a passionate, covert (8) and ultimately legendary relationship (Zukra) with his fellow (also married, Rahu) singer June Carter Cash. The second marriage was not a service arrangement, but rather a pairing of two artistic equals.


Kuja * bhratru-karaka * virya-karaka

  • Mangala-Kumbha * vigorous pursuit of community activism * warrior for economic progress * proactive linking * push toward regulated systems * pursues profitable roles * dominating energy in social networking * conquest of marketplace interactions * champion of distributed associations
  • Mangala in bhava-7 * drive toward bargaining * pursuit of agreement * impatient with stagnant arrangements * invasive negotiation * diplomatic dynamics * energized contracts * innovative conquests * pushes toward liaison * invigorates alliances
  • Kuja-yuti-Surya * invigorated creativity * * energized confidence * dynamic genius * masculine force joins willful charm * potential for aggressive political or dramatic actions * potential for aggressive political or dramatic actions
  • Kuja-yuti-Budha * communicative competitions * energized communication * dynamic reporting * outgoing force joins messaging signal * potential for aggressive gestures * speech * and writing

Mangala occupies 5th-from-Chandra entertainment, celebrity, drama

Dharmesha Kuja ++ lagnesha Surya + literate argumentative Budha

= in later life, Johnny Cash became a devoted Bible-reader and participant in religious discussions

later in life, became a proponent of fundamentalist Christian doctrine


Budha * bandhava-karaka * zisya-karaka

  • Budha-Kumbha * connecting communications * systematic pronouncements * articulation of social-scientific networks * descriptive inter-webbed definitions * diagrams the marketplace linkages *futuristic conversations * messages about communities * discusses economic transactions * explains large-scale social participation linkage * skilled weaving + knitting * hands-arms-shoulders make connective gestures
  • Budha in bhava-7 * narrative of relationships, contracts, deals * discusses relationships, trusts, betrothal, contracts, describer of deal-making, delivers instructions for negotiation, explainer of arrangements, talks about fairness, justice, settlement of quarrels, marriage, alliances, partnership, equity, parity, balance. Excellent placement for mediator, negotiator, bargainer, attorney.
  • Budha-yuti-Surya * amusing explanations * central roles in communication * bright, clear descriptions * confidently delivers instruction * articulation of radiant authority * political messenger * talkative father-figures
  • Budha-yuti-Mangala * competitive communications * scripted actions * impatient conversations * potential for sexualized messaging * penetrating explanations * direct instruction * signals forward action * pioneering movement * outspoken opinions * talkative brother-figures

Budha occupies 5th-from-Chandra entertainment, celebrity, drama


Guru * dhavakaraka * bahuta-karaka

  • Guru-Karkata * uttama * much shelter * many caretakers * many provisions * benevolent routines * believes in the comfortable old ways * diverse security * expansive patriotism * broad understanding of local cultures * develops gardens * prosperous settlements * multiple dwellings * many patronizing parent-figures
  • Guru in bhava-12 * swabhava * many retreats * much divination * many hospitalizations * many spiritual retreats * numerous psychic way-showers * much interiority * much generous privacy * extensive trance guidance * a patron of sanctuary enclosures * in a wifely nativity, husband-figure may be benevolently invisible

Guru-2 voice and song occupies the career-defining emotionally dignified , social-ordering, leadership-seeking; 10th-from-Chandra

Guru-2 also represents the public profile of the second marriage. There is a significant difference between the conflicted private emotional profile for the second marriage as indicated by 2nd-from-Chandra = bhava-6 versus the expansive and gloriously voiced public profile bhava-2 Guru-Karkata * uttama

Guru rules bhava-7 matching the Dhanuzya-Chandra of June Carter Cash

romantic, highly publicized second marriage * Guru-uttama-2


Zukra * svadhu-karaka * kalatra-karaka

atmakaraka

  • Zukra-Meena * uttama * appreciation of music * likes imagery * attracted to spiritual equity * intuitively artistic * pleasures of imagination * enjoys symbolic clairsentience * dreamlike aesthetic
  • Zukra-8 * seeks pleasure via occult secrets * enjoys rejuvenating relationships * balanced healing arts * aesthetic of non-disclosure * camouflaged arrangements * hidden equity * pleasing designs to adorn the sexual-reproductive organs * sensual sphincters * obscured finance * likes initiation * transformed by feminine-figures * delighted by sudden renewal * pleasant in-laws * appreciation of identity change
  • Zukra-yuti-Rahu * sweetened adventure * gracious ambition * appreciation for exciting opportunism * masked negotiations * over-reaching agreements * exceptional beauty * enjoys cultural mixing * barrier-bending, culturally unusual arrangements * diplomatic equity balanced with exhilarating risk * risk-rewarding contracts * typically an unconventionally attractive yet mesmerizing appearance

Sweets-seeking Shukra in the emotionally conflicted and self-medicating 6th-from-Chandra suggests behavioral addictions or substance addictions (typically alcohol, but other conflict-numbing sweetening practices also)

public (10) struggle with intoxicants = Zukra-yuti-Rahu occupies the self-medicating 6th-from-Chandra


Shani * duro-karaka * jara-karaka

  • Shani-Makara-Draco * heavy old institutions, obliged to conform to the time-clock * rigidly ranked hierarchies, strict governance regimes, pressure to complete socially required duties, vital energy compression stress zone = knees-calves-skeleton, strictly imposed hierarchies, rigidly unyielding public policies* must materialize time-ordered social approval * punitive judgments of elder regulators * must endure lowest-common-denominator proletarian structures * must continue to govern the public despite scarce available resources
  • Shani in Bhava-6 (beneficial placement) * Structured, orderly, time-conscious enemies * must serve the chronic victims * must outlast the adversaries * must survive military siege * tense digestion * cautious, conventional crimes * relentless criticism * regulated guilt * constitutional illness-injury * tolerance for servitude * physicians resist innovation * enduring diseases * service fatigue * helper's burnout * resentment toward new treatments or medications * superb position for professional social workers * patiently aids the disadvantaged * steady healthworker * accepts the rules of medical institutions * lawfully supports the sick * excellent for herbalist + pharmacist * follows protocols for social problems * mature approach to drug addiction + abuse + crime * government roles in poverty + debt + loans * respected elder of an oppressed people

Shani in Bhava-6 occupies the defensive, culturally-rooted, routine-loving, patriotic, nationalistic, comfort-seeking, home-loving, foundational, property-owning 4th-from-Chandra indicates material scarcity conditions in the childhood home, but this placement also grants stability and a regulated environment in the foundational years of life


Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Rahu-Meena-Antya * shimmering illusion of immersion * craving for symbolic guidance * mirage of imaginative wisdom * mesmerizing aura of concealing fog * mask of dreamlike Other Worlds * fascinating prayers *extraordinary ancestor guides * fabulous clairsentience * intriguing sleep-states * seeks special importance via apparent (but perhaps not authentic) attributes of deep trance, private intuition, interior guidance * seeks privilege via contemplative-roles
  • Rahu in bhava-8 * passion for secrets * in swabhava of Competitive Kuja, the Shadowy Specter seeks privilege via glamorous or unusual secrets, recycling, rebirth, reinvention; rejuvenation. The Chandala in 8 desires a special, important, therapeutic role in transformative, hidden knowledge, confidential, revolutionary, catastrophic role. May be the secretary (secret-keeper) of a powerful individual or group. Opportunistic in-laws, inheritance, alimonies. Exciting, ambitious family of the lifepartner (in-laws). Rahu-8 trespasses the cultural boundaries of undisclosed assets, dangerous secrets, emergency situations. Rahu the Poseur may pose as a tantric initiator, disaster manager, keeper of dangerous secrets, identity-changing healer, or holder of secret empowerments.
  • Rahu-yuti-Zukra * amplified attractions * magnified beauty * exotic art-music-architecture * tricky partners * opportunistic feminine-figures * fascinating (but perhaps illusory) appearance of luxurious pleasure * strange-and-wonderful designs * thrilling relationships * barrier-bending style of deal-making * unusual contracts * hypnotic arrangements * gracious balance of cross-cultural mixing

Ketu * kavandha-karaka * chidra-karaka * vasana-karaka (vacuum)

  • Ketu-Kanya * humbly dissociates from accusatory complaints * incomplete service * empty disagreements * odd arguments * not limited by stigmatized conditions * ignores restriction on helpfulness * eccentric service to the disadvantaged * releases a living green cloud of servitude into the misty abyss
  • Ketu in classroom-2 * surrenders preserved values * eccentric voice * odd face * disperses family affluence * disregards conventional limits on sound-music-language * disinterested in genetic lineage * abandons accumulated knowledge * odd food * peculiar precious goods * abdicates banker-conserver-collector roles * dissolves libraries * devalues treasuries * unless other graha in 2, may prefer to live without historic traditions

Ketu-Kanya occupies the dreamlike 12th-from-Chandra

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Singer, songwriter, musician * 1929-2003 * Valiria June Carter Cash

data from http://en.wikipedia.org/wiki/June_Carter_Cash * tentatively rectified by BP Lama

charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama

June Carter Cash


Rising Nakshatra

Feminine Nativity

Purvaphalguni * Yoni


BPL commentary

For Purvaphalguni * Yoni * births of a feminine valence, the condition of sweetly musical, artistic, harmony-seeking, negotiating, balancing, arranging, designing, matching, pairing, sensually pleasuring akarshana-karaka Bright Bhrigu may considerably affect the outcome.

Feminine figures such as sisters, aunts, and wives, along with partnerships, contracts, bargains, sensual pleasures, lovers, artistic beauty, luxurious scents, treasuries, financial arrangements, and music, may be especially influential.

Instructional guidance provided by emissaries from the civilizations of Zosma. Their purpose is to dramatize, glamorize, and politicize the grand theatre of creative life.


Diplomatic charm

Zukra-ruled Purvaphalguni ladies are often the diva type. Yoni-born are found in the sparkling bright worlds of political diplomacy, romance, entertainment, speculative finance, performance arts, and fashion design. Women born into a nakshatra of Zukra are often blessed by a special aptitude for music, beauty, treasuries, ornaments, design arts, and financial affairs.

Yoni-born are happiest when playing musical instruments, dancing on the theatrical stage, or performing a richly costumed dramatic role for an appreciative audience, Delighted by spectacle and applause, they glitter and radiate at parties, creative events, political campaigns, and games..

Depending upon the placements of dhanakaraka Zukra and dhanapathi Budha, the Purvarjuni-born may also display financial intelligence, deal-brokering ability, and glamour in romantic relationships. Queenly and self-referential, they require equity in marriage and business contracts. Honesty is deeply important to them. Yet, due to Zukra's bargaining nature, the insult of disloyalty may be balanced by financial compensation.

Like all Zukra-governed births, Bhagadaivata-born must take care to avoid the misuse of drugs and alcohol. Political and creative success depends upon the charisma of lagnesha Surya. Financial success depends upon the dual-dhanakaraka Zukra and Budha.

Themes of theatrical celebrity, lavish musical entertainments, arts and fashion, and financial agreements may contextualize Pubba's terrestrial experience. Applies also to Chandra-Purvaphalguni.

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 95

"... an oval face, whose features are well proportioned

  • and a quiet, well modulated voice, soft and cultured.
She is modest and unassuming
  • but has a strong and fine character beneath her quiet demeanor.

Very hospitable and sociable, she likes to meet people

  • and is interested in what they have to say and in their troubles.

She likes to sew or embroider

  • and is often occupied with such tasks.

She also is keenly interested in occult subjects

  • And likes to listen to discussions on these matters and to read about them.

She is scrupulous in her obligations

  • and a favor done to her will always be repaid promptly with something else added."


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Biographical details matched to the Vimshottari Dasha calendar

Valiria June Carter-Cash


Zukra Mahadasha * age birth until age 26

23-Jun-1929 Earth-birth in Maces Spring, Virginia, USA * Zukra-Budha bhukti


Surya Mahadasha * age 2.6 until age 9.6


Chandra Mahadasha * age 9.6 until age 19.6


Mangala Mahadasha * age 19.6 until age 26.6

09-July-1952 exchange of vows in marriage-1 (JCC age 23) * Mangala-Budha bhukti * samchara Rahu-Ketu via Kumbha-Simha contact radical Simha lagna


Rahu Mahadasha * age 26.6 until age 43.6

25-Sept-1955 celebrated the birth of child-1 * Rahu-Rahu swabhukti

11-Nov-1957 exchange of vows in marriage-2 (JCC age 27) * Rahu-Guru bhukti * Guru rules navamsha-7 * samchara Rahu-Ketu via Thula-Meza contact radical R-K

01-Mar-1969 exchange of vows in marriage-3 (JCC age 39) to Ring of Fire 1932-2003 rockabilly Johnny Cash * Rahu-Zukra bhukti * samchara Rahu-Ketu via Meena-Kanya contact swamsha


Guru Mahadasha * age 43.6 until age 59.6

22-Jan-1975 grieved the decease of father Ezra Carter (JCC age 46) * Guru-Guru swabhukti * Guru rules 7th-from-Surya

23-Oct-1978 grieved the decease of her famed musician mother Maybelle Carter (JCC age 49) * Guru-Budha bhukti * Budha rules 7th-from-Chandra


Shani mahadasha * age 59.6 until decease age 73

15-May-2003 (JCC age 73) Lightbody Lift-off * Shani-Rahu bhukti

Distinctive Features of the Nativity

Surya * pitrikaraka

lagnesha for Simha radical lagna

  • Surya-Mithunaya * Mithra * neighbor, companion
  • Surya in bhava-11 * center of community * radiates through large-group associations * brightly iconic earnings * intelligence for networks * focus on interlinked ecologies * marketplace revenue entitlements * exemplifies knotting and knitting behaviors * distributed light * eye on friendships * creative genius works within extensive systems * sparkling center of social-economic drama father may be an earner-socialite-organizer

Chandra * matrikaraka

Atmakaraka

  • Chandra-Dhanuzya * comforted by rhythmic catechesis of belief
  • Chandra in Purva-azadha * comforted by valued beliefs * protectors of inspirational music * needs philosophical harmony * soothed by expansively beautiful design
  • Chandra in classroom-5 * comfort in politics * familiar with speculation + gambling + games * soothed by celebrity * charmed by children * needs to feel the repeating pulse of confident self-expression * emotionally attuned to uniqueness * settled into the rhythm of romance * intelligent customary routines * calmed by artistic performance * undulating creativity
  • Somana-yuti-Shani * nishturabashi yoga * Emotionally constricted * punitive authority figures * sensitive to class boundaries * soothed by structure * needs rigid routines * heavy maternal workload * comfortable with elders * familiar with hierarchies * emotionally limited mother * calmed by strict rules * feels like a worker

MOTHER

Mom = Maybelle Carter, a nationally famous Old Time musician and singer in the Scotch-Irish immigrant heritage.

Mom was an icon of religious sentiment and deeply cherished doctrinal belief Chandra-Dhanuzya but also a taskmaster.Somana-yuti-Shani The famed Carter Family was constantly traveling in musical performance entourage (Chandra 3rd-from-3rd), singing the Old Familiar songs (Chandra).

MARRIAGE emotional support partnership

7th-from-Chandra-5

  • marriage-1 = bhava-11 friendship, shared material goals

8th-from-7th-from-Chandra-5 = 2nd-from-Chandra

  • marriage-2 = bhava-6 disagreement, medication

3rd-from-7th-from-Chandra-5

  • bhava-1 personality
  • Ring of Fire 1932-2003 rockabilly Johnny Cash

JCC was married three times and had one child with each husband. All of her children enjoyed careers in country music, and all of her children developed fatal or near-fatal drug-abuse habits.

Rulers of 6 (Shani) and 12 (Chandra) join in a nishturabhashi yoga within putrabhava-5

Sense of Belonging = Chandra

born into a faith community of rural American "Old Time Believers" the famous ballad singer Ms. Carter-Cash expressed an attitude of inseparable, organic, single-pulse perception of Presbyterian sacred doctrine, transplanted Scotch-Irish folk folkways, ancient customs, and established cultural norms, deep-rooted agricultural lifestyle, and the seasonal rhythms of the Appalachian Mountains. Her Somana-yuti-Shani-Mula-5 exemplifies the emotional response of emotional resistance patterns (Chandra-Shani) that fluctuate but do not change.


Kuja * bhratru-karaka * virya-karaka yogakaraka

Yogakaraka Mangala-1 rules 4-foundations, cultural rhythms, ethnic basis ++ 9-doctrine, philosophy, beliefs

  • Mangala-Singha * vigorous pursuit of fame * creatively moving political theatre * proactive drama * push toward celebrity entitlement * champion of pageantry * military parades * brilliantly energized celebrations *push toward parties and games * sexually active romance * flamboyant gambling
  • Mangala in bhava-1 * A fighter * a winner * a champion* drive toward embodied performance vitality * pursuit of competition * direct physical action * thrusting vigor * dominating personality * potentially a bully. Can dig * drill * dive * excavate * plumb * explode * explore (both physically and psychologically) dynamic innovator * lively push toward fast driving+ speedy transport * energized muscular conquests * athletic body.

Dharmesha Mangala-Simha-1 is a vigorous champion of her Faith. June Carter Cash was theatrically and politically identified with her sacred doctrine and her glory was much amplified by the drishti of Rahu-Meza coming from dharmasthana-9.

Mangala-1 generates a significant kuja dosha in bhava-7, contributing to three marriages.


Budha * bandhava-karaka * zisya-karaka

  • Budha-Vrishabha * financial communications * articulation of tonal * talks about stored goods * discusses collected assets * delivers descriptive evaluations * sends historic messages about worth and value * signals harmonious sound frequencies * hands-arms-shoulders send gathering gestures, gathering gestures
  • Budha in bhava-10 communications publicity * narrative of leadership * makes official pronouncements * describes social responsibilities * conversations about policy decisions * talks about maintaining order * explainer of governance * detailed executive announcements * delivers lawful information * chats about social authority * scripted hierarchies * dignified sibling-cohort * reputation for writing
  • Budha-yuti-Guru * explainer of doctrinal belief * affinity for preaching, professorial, theory-developing roles expressing skills of communication, explanation, description, instruction * articulation of charitable generosity, message of optimism and expansion, talkative teacher

Kutumbha-pathi Budha occupies bhava-10 with Guru-Vrizabha. June Carter came from a large and vociferous family. The sacred doctrine of their faith community formed the core of their family tradition.

Her family of singers performed a repertory of the hymns and devotional music expressing the traditional (Vrizabha) rural folk Christian values. The Carter Family were well known (10).

Budha ruling 2-11 is typically a moneymaker for the Simha nativity. Although there were few windfalls and graha in any artha-sthana indicate that one will need to work for the gain, her economic income was substantial due to ruler of 2-11 * Budha-yuti-Guru located in karmasthana-10.


Guru * dhavakaraka * bahuta-karaka

  • Guru-Urisha * much hoard * many voices * many collections * believes in history * doctrine of values fulfillment * financial guidance * many cattle * expands the scope of voice-speech-song * multiple treasuries
  • Guru in bhava-10 * many public roles * multiple diverse leadership duties * numerous recognized teachings * public theology * high visibility philosophical roles * extensive reputation * numerous obligations * often a respected preacher-teacher * public patron of enlightened social order * in a wifely nativity, husband-figure may be a doctrinal authority
  • Guru-yuti-Budha yukta-karaka * multiple sibling-teammate figures * permission to deliver information * abundant conversational messaging * believes in detailed communications * expansive dialog * many announcements * wide scope of evangelism * talks about philosophy * optimistic viewpoint in discussions

Guru rules 5 occupies-10 showing JCC's career in the entertainment industry with a religious quality of singing


Zukra * svadhu-karaka * kalatra-karaka

  • Zukra-Meza * appreciation of competitive movement * likes innovation * attracted to champions * pleasures of conquest, athletic sensuality * enjoys direct action * aristocratic arrangements
  • Zukra-9 * seeks pleasure via philosophical doctrine, enjoys paradigmatic beliefs, feminine-figures preach-teach on principles, global equity, appreciation of theory, philosophy of justice
  • Zukra-yuti-Rahu * sweetened adventure * gracious ambition * appreciation for exciting opportunism * masked negotiations * over-reaching agreements * exceptional beauty * enjoys cultural mixing * barrier-bending, culturally unusual arrangements * diplomatic equity balanced with exhilarating risk * risk-rewarding contracts * typically an unconventionally attractive yet mesmerizing appearance

Zukra-yuti-Rahu * over-reaching Rahu affects relationships, drugs-sweets-alcohol, speech, song, voice, face

Zukra occupies 5th-from-Chandra entertainment, celebrity, drama


Shani * duro-karaka * jara-karaka

  • Shani-Dhanuzya * heavy old doctrines, obliged to conform to the common ideology, rigid theories, unyielding dogma, pressure to accept the common catechesis, weight of old patronage, vital energy compression stress zone = hips, sacroiliac, sacral plexus * weight of doctrinal authority * must materialize principled worldviews* strictly imposed rules for enforced systems of belief, rigid outlook on life * slow elder professors * proletarian preachings * must continue to teach-and-preach despite scarce available resources
  • Shani in Bhava-5 * slow, time-structured resistance to drama * weighty responsibilities for children * must regulate financial speculation * strictly restrains celebrity entitlement * must prove individual intelligence with scarce confidence * dread of politics * socially applauded for acts of regulatory containment * frugal entertainments * mother's family is often rigidly conventional * fearfully cautious in romance * bitter tension in heart-and-spine * performance fatigue * limited ability to play games * resistance to procreativity * intolerant of time-wasting amusements * supports socially-approved, rigidly dutiful independent-actor roles * elders maintain creativity-constraining rules
  • Shani-yuti-Chandra * nishturabhashi yoga * social resistance to natural rhythms * imposition of pragmatic routines * delayed (but not denied) parenting * class-conscious mother * limited creature-comforts * parental policing * obligatory caretaking duties *emotional withholding * punitive parents * class-structured ethnicity * uncomfortable discipline * oppressed sensitivities * dries-freezes the flow of nourishing liquids * needs regulatory order * blocked feelings * strict foundational schooling * proletarian home-culture

Shani-yuti-Chandra putrasthana

June Carter Cash was married three times and had one child with each husband. All of her children enjoyed careers in country music, and all of her children developed fatal or near-fatal drug habits.

From Chandra-Dhanuzya lagna, sober serious structured hierarchical Shani rules

  1. the emotionally-motivated traditionalism, family lineage conserving, treasure-preserving, language-and-history remembering, acquisitive, genetic conservation of 2nd-from-Chandra
  2. the emotionally talkative, information-delivering, evangelical, publishing, announcing, script-reading, reporting, conversational, process-managing communications of 3rd-from-Chandra

Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Rahu-Meza-Arya * shimmering illusion of championship * craving for superiority * exotic use of dominating force * mask of competitive action * mirage of first-arrival pioneer * over-reaching urgency * extraordinary muscularity * mesmerizing forward movement * unusual athleticism * fascinating conquests * marvelous warriorship * seeks special importance via apparent (but perhaps not authentic) attributes of heroic action * seeks privilege via innovator-roles
  • Rahu in bhava-9 * passion for philosophy, preaching * in swabhava of Saptarishi Guru, the Shadowy Specter seeks privilege via glamorous or unusual doctrine, theory, dharma, worldview. Rahu-9 desires a thrilling, important guidance role in catechesis, principled discourses of abstract ideas, ideology, philosophy, indoctrination. Extraordinary father-figure, ambitious professors and holy teachers. Thrives in culturally-mixed preaching environments, university, temple, sangha, congregation. Surreptitious attempt to appear as a global, humanistic, ideologically-framed agent of understanding. Rahu the Poseur may pose as a charitable philanthropist, a wisdom-purveyor, a proselyte of principled understanding, a guru-figure, a philosopher, or a globalist humanitarian. Rahu-9 trespasses the cultural boundaries of patronage, fatherhood, paradigm of belief. Exciting, opportunistic third marriage (if any).
  • Rahu-yuti-Zukra * amplified attractions * magnified beauty * exotic art-music-architecture * tricky partners * opportunistic feminine-figures * fascinating (but perhaps illusory) appearance of luxurious pleasure * strange-and-wonderful designs * thrilling relationships * barrier-bending style of deal-making * unusual contracts * hypnotic arrangements * gracious balance of cross-cultural mixing

Risk-rewarding Rahu occupies 5th-from-Chandra entertainment, celebrity, drama


Ketu * kavandha-karaka * chidra-karaka * vasana-karaka (vacuum)

  • Ketu-Thula * justly dissociates from negotiation * wanders away from compromise * eccentric alliances * abandons agreements * apathetic trades * surrenders trust * ignores restriction on match-making * releases a pale pastel cloud of fair deals into the misty abyss
  • Ketu in classroom-3 * eccentric communications * disinterested in daily chat * writes on foggy abstract topics * dissolves messaging boundaries * wandering discussions * can handle esoteric information * irrelevance of normal mental narrative * abandons management tasks * dismisses the standard explanations * walks away from conventional discourse * unless other graha in 3, may prefer to live without sibling-cohort
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