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Drama and Song

Writing and Publishing


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Ulster-Scots Dissenter American

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musician + singer

comedienne + dramatist

songwriter

June Carter Cash

a.k.a. Valiria June Carter

nativity of June Carter Cash

Earth-birth 23-Jun-1929

dematerialization 15-May-2003 (age 73)

singer with the historic Carter Family, popularizers of Appalachian Scots-Irish American "country-western" Music

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  • Proletarian singer-songwriter

  • Musical Stage Performer

  • Prison Reform Advocate

Johnny Cash

a.k.a. Man in Black

Earth-birth 26-Feb-1932

dematerialization 12-Sept-2003 (age 72)


born 9 months after

born 3 months after

born 2 months after

born one day before

born four days after

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Rockabilly singer + songwriter + touring entertainer * 1932-2003 * Johnny Cash

birth data from http://en.wikipedia.org/wiki/Johnny_Cash * tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = produced by Shri Jyoti Star * adapted by BP Lama

Rising Nakshatra

Masculine Nativities

Uttaraphalguni * Aryaman


BPL commentary

For Uttaraphalguni births of a masculine valence, the condition of radiant, romantic, intelligent, creative, idealistic, central, confident, gaming, self-reflexive, pitrikaraka Surya may considerably affect the outcome.

For those born into the Surya-ruled paradigm of Uttora, father-figures, politicians, celebrity, royalty, entitled roles, brilliant dramatists, radiant deities, sparkling genius, glittering creativity, intelligentsia, speculators, poets, romantic lovers, gamblers, and game-players may be especially influential.

Uttara-phalguni chaps are famously hot-headed.

Instructional guidance provided by emissaries from the civilizations of Denebola. Their purpose to brighten and glorify the divine intelligence through spectacular creativity.


Brilliantly dramatic

Simha - Leya pada-1 = radiant confidence, flamboyance, and remarkable intelligence. While much depends upon the characteristics of nakshatrapathi Surya, the Falgun birth of masculine valence favors dramatic displays of celebrity, romance, creativity, and entitlement.

Kanya pada 2-3-4 = equally smart and authoritative, but more focused upon personal enclosure and distant lands, often wielding power from a private, sanctuary, or secluded location. May be an empowered politician according to the strengths of nakshatrapathi Surya.

Although Shil Ponde's description often fits the Kanya pada 2-3-4 of Uttaraphalguni, the Simha pada-1 is rarely rough or ungrateful. Still, they can be impatient with others who are less confident or less intelligent.

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 83


"A proud and arrogant disposition,

  • with a tendency to ride roughshod over other peoples' opinions.

Uttara natives are extremely intelligent

but because of their inordinate pride,

  • they accept favors ungraciously even when in need

and are ungrateful to those from whom they receive these favors."


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Ring of Fire 1932-2003 rockabilly Johnny Cash overlaid photo with Old Time Feeling 1929-2003 music-comedy June Carter Cash

Biographical details matched to the Vimshottari Dasha calendar


Guru Mahadasha

26-Feb-1932 Earth-birth in Kingstead, Arkansas, USA * Guru-Shani bhukti

20-May-1944 grieved the tragic death of 15-yo elder brother in mill-saw accident * Guru-Rahu bhukti


Shani mahadasha

Nov-1952 until Nov-1955 Janma Sade-Sati via Thula

07-Aug-1954 (JC age 22) exchange of vows in marriage-1 * Shani-Zukra bhukti * samchara Rahu-Ketu via Dhanuzya-Mithunaya contact Dhanuzya swamsha ++ Sade-Sati

24-May-1955 celebrated the birth of child-1 * Shani-Zukra bhukti * Zukra rules Chandra-Thula ++ Sade-Sati


Budha Mahadasha

01-Mar-1969 (JC age 36) exchange of vows in marriage-2 with fellow musician June Carter Cash * Budha-Zukra bhukti * samchara Rahu-Ketu via Meena-Kanya contact radical R-K


Ketu Mahadasha

23-Dec-1985 (JC age 53) grieved the decease of father Ray Cash * Ketu-Guru bhukti * Guru rules 2nd-from-Surya ++ Sade-Sati


Zukra Mahadasha * age 60.7 until decease age 72

11-Mar-1991 (JC age 56) grieved the decease of mother Carrie Cloveree * Zukra-Zukra swabhukti * Zukra rules 12th-from-4th

15-May-2003 (JC age 663) grieved the decease of June Carter Cash * Zukra-Shani bhukti * Shani rules 12th-from-7th

12-Sep-2003 (JC age 72) dematerialization * Zukra-Shani bhukti * Shani maraka rules 7

Distinctive Features of the Nativity


year 1958: Johnny Cash (born 1932) with Heartbreak Hotel 1935-1977 Graceland Elvis Presley (born 1935)

Surya * pitrikaraka * jyotikaraka

lagnesha for Simha radical lagna

  • Surya-Kumbha * Arka * the radiator * radio * brightly charismatic confidence of Center-stage Surya radiates through the linking networked connecting rashi of Shani
  • Surya in bhava-7 * sparkling center of relationships * focus on agreements * brightly negotiating * confident in brokerage * self-referential partners * makes smart trades * intelligence for representation * seeks political equity * peerage entitlements * eye on fair contracts * agent of deal-making drama * father may be a broker-attorney-advocate
  • Surya-yuti-Kuja * confidently progressive * bright warrior * moves in alignment with the spiritual rays of the Sun * creatively intelligent brother-figures * self-reflexive political pursuits * champion of brilliant ideals * competitive father-figure * entitled to conquer * focused on winning * radiantly pioneering
  • Surya-yuti-Budha * confidently conversational * bright messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * gestures conduct the spiritual rays of the Sun * radiantly descriptive * articulate in drama * skillful game-player * self-confident announcements * talks about ideals * narrative of power-politics * recites love poems * describes divine romance

Sparkling Surya occupies 5th-from-Chandra entertainment, celebrity, drama

Proletarian Hero

Surya-yuti-Kuja + Surya-yuti-Budha in Kumbha = the-masses-and-the-classes

Prolific song writer

JC wrote more than 1000 songs *


Chandra * matrikaraka

  • Chandra-Thula * comforted by ritual negotiation of agreements
  • Chandra in Visaka-Radha * soothed by expansive shocks * protectors of widening energy channels * needs root-splitting growth surge pada 1-2-3
  • Chandra in classroom-3 * comfortable with the cohort * familiar with interactive communication * calmed by repetitive announcements * feels the tidal pulse of daily chat * feels sheltered in the parlor * soothed by siblings * intuitive information delivery * settled into the habits of writing and commerce * accustomed to routine messaging * emotionally attuned to the rhythms of conversation * undulating signals * ethno-cultural gestures * intuitive handcraft

MOTHER

MARRIAGE emotional support partnership

Ring of Fire 1932-2003 rockabilly Johnny Cash was married for 15 years to his first wife, who served as a housewife, accountant, and caretaker of their children while her husband toured the land performing his increasingly popular music.

The musical performance tours consumed his attention and kept him away from home (Ketu-2). His exceptionally strong uttama-atmakaraka-Zukra-yuti-Rahu . Whilst on the road performing, Cash entered a passionate, covert (8) and ultimately legendary relationship (Zukra) with his fellow (also married, Rahu) singer June Carter Cash. The second marriage was not a service arrangement, but rather a pairing of two artistic equals.


Kuja * bhratru-karaka * virya-karaka

  • Mangala-Kumbha * vigorous pursuit of community activism * warrior for economic progress * proactive linking * push toward regulated systems * pursues profitable roles * dominating energy in social networking * conquest of marketplace interactions * champion of distributed associations
  • Mangala in bhava-7 * drive toward bargaining * pursuit of agreement * impatient with stagnant arrangements * invasive negotiation * diplomatic dynamics * energized contracts * innovative conquests * pushes toward liaison * invigorates alliances
  • Kuja-yuti-Surya * invigorated creativity * energized confidence * dynamic genius * masculine force joins willful charm * potential for aggressive political or dramatic actions * potential for aggressive political or dramatic actions
  • Kuja-yuti-Budha * vigorous debate * energized explanations * boisterous broadcasting * dynamic reporting * outgoing force joins messaging signal * forward thrusting gestures * competitive speech * forceful writing

Mangala occupies 5th-from-Chandra entertainment, celebrity, drama

Dharmesha Kuja ++ lagnesha Surya + literate argumentative Budha

= in later life, Johnny Cash became a devoted Bible-reader and participant in religious discussions

later in life, became a proponent of fundamentalist Christian doctrine


Budha * bandhava-karaka * zisya-karaka

  • Budha-Kumbha * connecting communications * systematic pronouncements * articulation of social-scientific networks * descriptive inter-webbed definitions * diagrams the marketplace linkages *futuristic conversations * messages about communities * discusses economic transactions * explains large-scale social participation linkage * skilled weaving + knitting * hands-arms-shoulders make connective gestures
  • Budha in bhava-7 * narrative of partnership * discusses contracts * debates on deals * analysis of relationships * discourse on trusts * banters about betrothal * crafting of covenants * delivers negotiating instructions * explainer of arrangements * talks about fairness * advocate for justice * gestures toward settlement of quarrels * mentality of marriage * formulates alliances * defines equity * balanced bargains
  • Budha-yuti-Surya * amusing explanations * central roles in communication * brightly clear descriptions * dramatic enunciation * confidently delivers instruction * articulation of radiant certainty * political messenger * talkative father-figures
  • Budha-yuti-Mangala * competitive communications * scripted actions * impatient conversations * potential for sexualized messaging * penetrating explanations * direct instruction * signals forward action * pioneering movement * outspoken opinions * talkative brother-figures

Budha occupies 5th-from-Chandra entertainment, celebrity, drama


Guru * dhavakaraka * bahuta-karaka

  • Guru-Karkata * uttama * big shelters * many caretakers * many provisions * benevolent routines * believes in the comfortable old ways * diverse security * expansive patriotism * broad understanding of local cultures * develops gardens * prosperous settlements * multiple dwellings * many patronizing parent-figures
  • Guru in bhava-12 * swabhava * many retreats * much divination * many hospitalizations * many spiritual retreats * numerous psychic way-showers * much interiority * much generous privacy * extensive trance guidance * a patron of sanctuary enclosures * in a wifely nativity, husband-figure may be benevolently invisible

Guru-2 voice and song occupies the career-defining emotionally dignified , social-ordering, leadership-seeking; 10th-from-Chandra

Guru-2 also represents the public profile of the second marriage. There is a significant difference between the conflicted private emotional profile for the second marriage as indicated by 2nd-from-Chandra = bhava-6 versus the expansive and gloriously voiced public profile bhava-2 Guru-Karkata * uttama

Guru rules bhava-7 matching the Dhanuzya-Chandra of June Carter Cash

romantic, highly publicized second marriage * Guru-uttama-2


Zukra * svadhu-karaka * kalatra-karaka

atmakaraka

  • Zukra-Meena * uttama * appreciation of music * likes fantasy * often looks beautiful * visions of harmony * attracted to dreamy artists * intuitively balanced designs * sensual feet * pleasures of imagination * enjoys symbolic clairsentience * contemplative aesthetic
  • Zukra-8 * seeks pleasure via occult secrets * enjoys rejuvenating relationships * balanced healing arts * aesthetic of non-disclosure * camouflaged arrangements * hidden equity * pleasing designs to adorn the sexual-reproductive organs * sensual sphincters * obscured finance * likes initiation * transformed by feminine-figures * delighted by sudden renewal * pleasant in-laws * appreciation of identity change
  • Zukra-yuti-Rahu * sweetened adventure * gracious ambition * appreciation for opportunities * thrilling negotiations * passionate sensuality * over-reaching agreements * exceptional beauty * enjoys cultural mixing * barrier-bending relationships * unorthodox arrangements * diplomatic equity balances exhilarating chance * risk-rewarding contracts * typically an unconventionally attractive, pleasantly mesmerizing appearance * prefers exciting partners

Sweets-seeking Shukra in the emotionally conflicted and self-medicating 6th-from-Chandra suggests behavioral addictions or substance addictions (typically alcohol, but other conflict-numbing sweetening practices also)

public (10) struggle with intoxicants = Zukra-yuti-Rahu occupies the self-medicating 6th-from-Chandra


Shani * duro-karaka * jara-karaka

  • Shani-Makara - Draco * heavy old institutions * obliged to conform to the time-clock * rigidly ranked hierarchies * strict regimes * pressure to complete socially required duties * structural compression upon knees-calves-skeleton * strictly imposed protocols * must normalize old rules * unyielding pressure of public judgment * class-conscious elders * punitive regulators * must endure proletarian manners * must continue to work * scarce building resources
  • Shani in Bhava-6 (beneficial placement) * Structured, orderly, time-conscious enemies * must serve the chronic victims * outlasts the adversaries * survives military siege * tense digestion * cautiously conventional crimes * relentless criticism * obligatory guilt * constitutional illness-injury * tolerance for servitude * aging physicians * enduring diseases * service fatigue * helper's burnout * prevents innovative treatments * blocks new medications * professional social workers * patiently aids the disadvantaged * steady healthworker * accepts the rules of medical institutions * lawfully supports the sick * excellent for herbalist + pharmacist * follows protocols for social problems * mature approach to drug addiction + abuse + crime * governs the poor * regulates debt * legislates loans * respected elder of an oppressed people

Shani in Bhava-6 occupies the defensive, culturally-rooted, routine-loving, patriotic, nationalistic, comfort-seeking, home-loving, foundational, property-owning 4th-from-Chandra indicates material scarcity conditions in the childhood home, but this placement also grants stability and a regulated environment in the foundational years of life


Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Rahu-Meena - Antya * shimmering illusion of immersion * craving for symbolic guidance * extravagant imagination * mirage of dreamlike wisdom * mesmerizing aura of concealing fog * mask of Other-Worldly wisdom * fascinating prayers *extraordinary ancestor guides * fabulous clairsentience * intriguing sleep-states * seeks special importance via apparent (but perhaps not authentic) attributes of deep trance * exceptional private intuition * unorthodox interior guidance * seeks privilege via contemplative-roles
  • Rahu in bhava-8 * passion for mystery * in swabhava of Competitive Kuja, the Shadowy Specter seeks privilege via glamorous veiling * surreptitious recycling * exciting rebirth * fascinating self-reinvention * surgical rejuvenation * outsider who cleverly insinuates into revelatory roles * desires an important role in trauma-healing * fabulous transformations * reveals occult truths * shocking discovery of confidential information * mixed-culture revolutionary * finds opportunity in catastrophe * magical masquerade * poses as a secretary (secret-keeper) of a powerful entity * risk-rewarding in-laws * irregular inheritance * unusual alimonies * boundary-breeching disclosure * camouflage of undisclosed assets * stimulated by dangerous emergencies * may appear as a tantric initiator * alluring identity changes * pursues social mobility via hidden empowerments
  • Rahu-yuti-Zukra * amplified attractions * magnified beauty * exotic taste * tricky partners * opportunistic feminine-figures * fascinating (but perhaps illusory) appearance of luxurious pleasure * strange-and-wonderful designs * thrilling relationships * barrier-bending brokerage * unusual contracts * hypnotic arrangements * gracious balance of cross-cultural mixing * entrancing music

Ketu * kavandha-karaka * chidra-karaka * vasana-karaka (vacuum)

  • Ketu-Kanya * humbly dissociates from accusatory complaints * incomplete service * empty disagreements * odd arguments * not limited by stigmatized conditions * ignores restriction on helpfulness * eccentric service to the disadvantaged * releases a living green cloud of servitude into the misty abyss
  • Ketu in classroom-2 * surrenders preserved values * eccentric voice * odd face * disperses family affluence * disregards conventional limits on sound-music-language * disinterested in genetic lineage * surrenders the hoard * odd food * peculiar precious goods * abdicates banker-conserver-collector roles * dissolves libraries * devalues treasuries * unless other graha in 2, may prefer to live free from historic traditions

Ketu-Kanya occupies the dreamlike 12th-from-Chandra

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Singer, songwriter, musician * 1929-2003 * Valiria June Carter Cash

data from http://en.wikipedia.org/wiki/June_Carter_Cash * tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = produced by Shri Jyoti Star * adapted by BP Lama

June Carter Cash


Rising Nakshatra

Feminine Nativity

Purvaphalguni * Yoni


BPL commentary

For Purvaphalguni * Yoni * births of a feminine valence, the condition of sweetly musical, artistic, harmony-seeking, negotiating, balancing, arranging, designing, matching, pairing, sensually pleasuring akarshana-karaka Bright Bhrigu may considerably affect the outcome.

Feminine figures such as sisters, aunts, and wives, along with partnerships, contracts, bargains, sensual pleasures, lovers, artistic beauty, luxurious scents, treasuries, financial arrangements, and music, may be especially influential.

Instructional guidance provided by emissaries from the civilizations of Zosma. Their purpose is to dramatize, glamorize, and politicize the grand theatre of creative life.


Diplomatic charm

Zukra-ruled Purvaphalguni ladies are often the diva type. Yoni-born are found in the sparkling bright worlds of political diplomacy, romance, entertainment, speculative finance, performance arts, and fashion design. Women born into a nakshatra of Zukra are often blessed by a special aptitude for music, beauty, treasuries, ornaments, design arts, and financial affairs.

Yoni-born are happiest when playing musical instruments, dancing on the theatrical stage, or performing a richly costumed dramatic role for an appreciative audience, Delighted by spectacle and applause, they glitter and radiate at parties, creative events, political campaigns, and games..

Depending upon the placements of dhanakaraka Zukra and dhanapathi Budha, the Purvarjuni-born may also display financial intelligence, deal-brokering ability, and glamour in romantic relationships. Queenly and self-referential, they require equity in marriage and business contracts. Honesty is deeply important to them. Yet, due to Zukra's bargaining nature, the insult of disloyalty may be balanced by financial compensation.

Like all Zukra-governed births, Bhagadaivata-born must take care to avoid the misuse of drugs and alcohol. Political and creative success depends upon the charisma of lagnesha Surya. Financial success depends upon the dual-dhanakaraka Zukra and Budha.

Themes of theatrical celebrity, lavish musical entertainments, arts and fashion, and financial agreements may contextualize Pubba's terrestrial experience. Applies also to Chandra-Purvaphalguni.

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 95

"... an oval face, whose features are well proportioned

  • and a quiet, well modulated voice, soft and cultured.
She is modest and unassuming
  • but has a strong and fine character beneath her quiet demeanor.

Very hospitable and sociable, she likes to meet people

  • and is interested in what they have to say and in their troubles.

She likes to sew or embroider

  • and is often occupied with such tasks.

She also is keenly interested in occult subjects

  • And likes to listen to discussions on these matters and to read about them.

She is scrupulous in her obligations

  • and a favor done to her will always be repaid promptly with something else added."


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Biographical details matched to the Vimshottari Dasha calendar

Valiria June Carter-Cash


Zukra Mahadasha * age birth until age 26

23-Jun-1929 Earth-birth in Maces Spring, Virginia, USA * Zukra-Budha bhukti


Surya Mahadasha * age 2.6 until age 9.6


Chandra Mahadasha * age 9.6 until age 19.6


Mangala Mahadasha * age 19.6 until age 26.6

09-July-1952 exchange of vows in marriage-1 (JCC age 23) * Mangala-Budha bhukti * samchara Rahu-Ketu via Kumbha-Simha contact radical Simha lagna


Rahu Mahadasha * age 26.6 until age 43.6

25-Sept-1955 celebrated the birth of child-1 * Rahu-Rahu swabhukti

11-Nov-1957 (JCC age 27) exchange of vows in marriage-2 (* Rahu-Guru bhukti * Guru rules navamsha-7 * samchara Rahu-Ketu via Thula-Meza contact radical R-K

Feb-1958 until Feb-1961 Janma Sade-Sati Dhanuzya-5

01-Mar-1969 (JCC age 39) exchange of vows in marriage-3 to Ring of Fire 1932-2003 rockabilly Johnny Cash * Rahu-Zukra bhukti * samchara Rahu-Ketu via Meena-Kanya contact swamsha


Guru Mahadasha * age 43.6 until age 59.6

22-Jan-1975 grieved the decease of father Ezra Carter (JCC age 46) * Guru-Guru swabhukti * Guru rules 7th-from-Surya

23-Oct-1978 grieved the decease of her famed musician mother Maybelle Carter (JCC age 49) * Guru-Budha bhukti * Budha rules 7th-from-Chandra

Dec-1987 until Mar-1990 Janma Sade-Sati Dhanuzya -5


Shani mahadasha * age 59.6 until decease age 73

15-May-2003 (JCC age 73) dematerialization * Shani-Rahu bhukti

Distinctive Features of the Nativity

Surya * pitrikaraka

lagnesha for Simha radical lagna

  • Surya-Mithunaya * Mithra * neighbor, companion * brightly charismatic confidence of Center-stage Surya radiates through the conversational gesturing rashi of Budha
  • Surya in bhava-11 * center of community * genus for associative systems * radiates through the gridwork * entitled to work-and-earn * network intelligence * focus on interlinked ecologies * uniquely creative marketplace revenues * exemplifies knotting-netting-knitting connectivity * distributed light * eye on friendships * celebrated by crowds * sparkling center of social-economic drama* father may be an earner-socialite-organizer

Chandra * matrikaraka

Atmakaraka

  • Chandra-Dhanuzya * comforted by familiar doctrinal beliefs
  • Chandra in Purva-azadha * calmed by valued beliefs * protectors of inspirational beauty * needs philosophical harmony
  • Chandra in classroom-5 * comfortable with politics * familiar with speculation * intelligent confident mother * soothed by playing games * charmed by children * needs the repeating pulse of self-expression * feels entitled * emotionally attuned to romantic drama * settled into the rhythm of artistic performance * routinely seeks amusement * calmed by admiration * undulating celebrity
  • Somana-yuti-Shani * nishturabashi yoga * Emotionally constricted * punitive parents * sensitive to class boundaries * soothed by structure * needs rigid routines * heavy maternal workload * comfortable with elders * familiar with hierarchies * fearful mother * calmed by strict rules * feels like a worker

MOTHER

Mom = Maybelle Carter, a nationally famous Old Time musician and singer in the Scotch-Irish immigrant heritage.

Mom was an icon of religious sentiment and deeply cherished doctrinal belief Chandra-Dhanuzya but also a taskmaster.Somana-yuti-Shani The famed Carter Family was constantly traveling in musical performance entourage (Chandra 3rd-from-3rd), singing the Old Familiar songs (Chandra).

MARRIAGE emotional support partnership

7th-from-Chandra-5

  • marriage-1 = bhava-11 friendship, shared material goals

8th-from-7th-from-Chandra-5 = 2nd-from-Chandra

  • marriage-2 = bhava-6 disagreement, medication

3rd-from-7th-from-Chandra-5

  • bhava-1 personality
  • Ring of Fire 1932-2003 rockabilly Johnny Cash

JCC was married three times and had one child with each husband. All of her children enjoyed careers in country music, and all of her children developed fatal or near-fatal drug-abuse habits.

Rulers of 6 (Shani) and 12 (Chandra) join in a nishturabhashi yoga within putrabhava-5

Sense of Belonging = Chandra

born into a faith community of rural American "Old Time Believers" the famous ballad singer Ms. Carter-Cash expressed an attitude of inseparable, organic, single-pulse perception of Presbyterian sacred doctrine, transplanted Scotch-Irish folk folkways, ancient customs, and established cultural norms, deep-rooted agricultural lifestyle, and the seasonal rhythms of the Appalachian Mountains. Her Somana-yuti-Shani-Mula-5 exemplifies the emotional response of emotional resistance patterns (Chandra-Shani) that fluctuate but do not change.


Kuja * bhratru-karaka * virya-karaka yogakaraka

Yogakaraka Mangala-1 rules 4-foundations, cultural rhythms, ethnic basis ++ 9-doctrine, philosophy, beliefs

  • Mangala-Singha * vigorous pursuit of fame * creatively moving political theatre * proactive drama * push toward celebrity entitlement * champion of pageantry * military parades * brilliantly energized celebrations * invigorating parties * charmingly dominating at games * sexually active romance * flamboyant gambling
  • Mangala in bhava-1 * forward fighter * muscular champion * competitive winner * drive toward performance vitality * embodied action * primal sexuality * pursuit of progress * direct movement * physical engineering * thrusting vigor * dominating personality * pushy * dynamic innovator * energized conquests * athletic body

Dharmesha Mangala-Simha-1 is a vigorous champion of her Faith. June Carter Cash was theatrically and politically identified with her sacred doctrine and her glory was much amplified by the drishti of Rahu-Meza coming from dharmasthana-9.

Mangala-1 generates a significant kuja dosha in bhava-7, contributing to three marriages.


Budha * bandhava-karaka * zisya-karaka

  • Budha-Urisha * financial communications * articulation of tonal value * talks about stored goods * discusses collected assets * delivers descriptive evaluations * sends historic messages * skillfully signals the music * preservation methods * describes sound frequencies * hands-arms-shoulders send sensual gestures
  • Budha in bhava-10 communications publicity * narrative of leadership * makes official pronouncements * describes social responsibilities * conversations about policy decisions * talks about maintaining order * explainer of governance * detailed executive announcements * delivers lawful information * chats about social authority * scripted hierarchies * dignified sibling-cohort * reputation for writing
  • Budha-yuti-Guru * explainer of ideology * affinity for preaching, professorial, theory-developing roles expressing skills of communication, explanation, description, instruction * articulation of charitable generosity, message of optimism and expansion, talkative teacher

Kutumbha-pathi Budha occupies bhava-10 with Guru-Vrizabha. June Carter came from a large and vociferous family. The sacred doctrine of their faith community formed the core of their family tradition.

Her family of singers performed a repertory of the hymns and devotional music expressing the traditional (Vrizabha) rural folk Christian values. The Carter Family were well known (10).

Budha ruling 2-11 is typically a moneymaker for the Simha nativity. Although there were few windfalls and graha in any artha-sthana indicate that one will need to work for the gain, her economic income was substantial due to ruler of 2-11 * Budha-yuti-Guru located in karmasthana-10.


Guru * dhavakaraka * bahuta-karaka

  • Guru-Urisha * optimistic about capitalization * big hoard * many voices * many collections * believes in history * doctrine of values fulfillment * financial guidance * many cattle * expands the scope of voice-speech-song * multiple treasuries
  • Guru in bhava-10 * many public roles * multiple diverse leadership duties * numerous recognized teachings * public theology * high visibility philosophical roles * extensive reputation * numerous obligations * often a respected preacher-teacher * public patron of enlightened social order * in a wifely nativity, husband-figure may be a doctrinal authority
  • Guru-yuti-Budha yukta-karaka * multiple sibling-teammate figures * permission to deliver information * abundant conversational messaging * believes in detailed communications * expansive dialog * many announcements * wide scope of evangelism * talks about philosophy * optimistic viewpoint in discussions

Guru rules 5 occupies-10 showing JCC's career in the entertainment industry with a religious quality of singing


Zukra * svadhu-karaka * kalatra-karaka

  • Zukra-Meza * appreciation of direct movement * likes innovation * attracted to champions * pleasures of conquest * kinetic sensuality * dominant partner * sweetly competitive * aristocratic agreements
  • Zukra-9 * seeks pleasure via philosophical doctrine * enjoys paradigmatic beliefs * feminine-figures preach-teach on higher principles * bargains toward global equity * delights in ultimate worldview * pleasing designs to adorn the pelvic floor * graceful hips * balanced femoral sockets * sweet sacral plexus * appreciation of theory * philosophy of justice
  • Zukra-yuti-Rahu * sweetened adventure * gracious ambition * appreciation for opportunities * thrilling negotiations * passionate sensuality * over-reaching agreements * exceptional beauty * enjoys cultural mixing * barrier-bending relationships * unorthodox arrangements * diplomatic equity balances exhilarating chance * risk-rewarding contracts * unconventionally attractive, pleasantly mesmerizing appearance * prefers exciting partners

Zukra-yuti-Rahu * over-reaching Rahu affects relationships, drugs-sweets-alcohol, speech, song, voice, face

Zukra occupies 5th-from-Chandra entertainment, celebrity, drama


Shani * duro-karaka * jara-karaka

  • Shani-Dhanuzya * heavy old doctrines * class-conscious ideology * conventional beliefs * rigid theories * unyielding dogma * pressure to accept the common catechesis * weight of old patronage systems * structural compression upon hips + sacroiliac +sacral plexus * oppressive priests * doctrinal rules * must normalize the life-philosophy * limitations on global travel * slow elder professors * proletarian worldview * scarce preaching resources
  • Shani in Bhava-5 * slowly time-structured resistance to drama * responsibilities for students * must regulate financial speculation * strictly restrains glamorous entitlement * must prove individual intelligence with scarce confidence * dread of politics * frugal entertainments * mother's family often rigidly conventional * fearfully cautious in romance * bitter tension in heart-and-spine * performance fatigue * limited ability to play games * children weigh heavily * intolerant of time-wasting amusements * socially-approved dutiful use of celebrity * elders maintain creativity-constraining rules
  • Shani-yuti-Chandra * nishturabhashi yoga * social resistance to natural rhythms * imposition of pragmatic routines * delayed (but not denied) parenting * class-conscious mother * limited creature-comforts * parental policing * obligatory caretaking duties *emotional withholding * punitive parents * class-structured ethnicity * uncomfortable discipline * oppressed sensitivities * dries-freezes the flow of nourishing liquids * needs regulatory order * blocked feelings * must earn emotional affection

Shani-yuti-Chandra putrasthana

June Carter Cash was married three times and had one child with each husband. All of her children enjoyed careers in country music, and all of her children developed fatal or near-fatal drug habits.

From Chandra-Dhanuzya lagna, sober serious structured hierarchical Shani rules

  1. the emotionally-motivated traditionalism, family lineage conserving, treasure-preserving, language-and-history remembering, acquisitive, genetic conservation of 2nd-from-Chandra
  2. the emotionally talkative, information-delivering, evangelical, publishing, announcing, script-reading, reporting, conversational, process-managing communications of 3rd-from-Chandra

Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Rahu-Meza-Arya * shimmering illusion of championship * craving for superiority * exotic use of dominating force * mask of competitive action * mirage of first-arrival pioneer * over-reaching urgency * extraordinary birth * extravagant muscularity * mesmerizing forward movement * unusual athleticism * fascinating conquests * marvelous warriorship * seeks special importance via apparent (but perhaps not authentic) attributes of heroic action * seeks privilege via innovator-roles
  • Rahu in bhava-9 * * passion for preaching * in swabhava of Saptarishi Guru, the Shadowy Specter seeks privilege via glamorous guidance * thrilling theory * dazzling dharma * outsider who cleverly insinuates into patriarchal roles * seeks importance via sacred teachings * fantastic philosophy * compulsive catechesis * zealous proselytism * intriguing ideology * ambitious father-figures * extraordinary professors * barrier-breeching guru-figures * culturally-mixed worldview * poseur of high catechism * shimmering illusion of sangha * fabulous faith community * surreptitious appropriation of priesthood * may appear as a wisdom-purveyor * smoky specter of principled understanding * extravagant globalism * trespasses cultural boundaries of patronage * fabulous fatherhood * opportunistic third marriage (if any) * social mobility via paradigms of belief
  • Rahu-yuti-Zukra * amplified attractions * magnified beauty * exotic taste * tricky partners * opportunistic feminine-figures * fascinating (but perhaps illusory) appearance of luxurious pleasure * strange-and-wonderful designs * thrilling relationships * barrier-bending brokerage * unusual contracts * hypnotic arrangements * gracious balance of cross-cultural mixing * entrancing music

Risk-rewarding Rahu occupies 5th-from-Chandra entertainment, celebrity, drama


Ketu * kavandha-karaka * chidra-karaka * vasana-karaka (vacuum)

  • Ketu-Thula * justly dissociates from negotiation * wanders away from compromise * eccentric alliances * abandons agreements * apathetic trades * surrenders trust * ignores restriction on match-making * releases a pale pastel cloud of fair deals into the misty abyss
  • Ketu in classroom-3 * eccentric communications * disinterested in daily chat * writes on foggy abstract topics * dissolves messaging boundaries * implausible prophecy * wandering discussions * can handle esoteric information * irrelevance of normal mental narrative * abandons management tasks * dismisses the standard explanations * disregards conventional discourse * unless other graha in 3, may prefer to live free from younger siblings
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