Ulster-Scots Dissenter American
musician + singer
comedienne + dramatist
songwriter
a.k.a. Valiria June Carter
nativity of June Carter Cash
Earthbody-Entry 23-Jun-1929
Earthbody-Exit 15-May-2003 (age 73)
singer with the historic Carter Family, popularizers of Appalachian Scots-Irish American "country-western" Music
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Proletarian singer-songwriter
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Musical Stage Performer
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Prison Reform Advocate
a.k.a. Man in Black
Earthbody-Entry 26-Feb-1932
Earthbody-Exit 12-Sept-2003 (age 72)
born 9 months after
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Be Here Now 1931- Baba Ram Dass
born 3 months after
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God's Dream 1931- Anglican Archbishop Desmond Mpilo Tutu
born 2 months after
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Tantra 1931-1990 professor OSHO Rajneesh
born one day before
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Cleopatra 1932-2011 AIDS activist Elizabeth Taylor
born four days after
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USA-Sen-Mass 1932-2009 Teddy Kennedy
Rockabilly singer, songwriter, entertainer * 1932-2003 * Johnny Cash
birth data from http://en.wikipedia.org/wiki/Johnny_Cash * tentatively rectified by BP Lama
charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama
Rising Nakshatra
Masculine Nativities
Uttaraphalguni * Aryaman
BPL commentary
For Uttaraphalguni births of a masculine valence, the condition of radiant, romantic, intelligent, creative, idealistic, central, confident, gaming, self-reflexive, pitrikaraka Surya may considerably affect the outcome.
For those born into the Surya-ruled paradigm of Uttora, father-figures, politicians, celebrity, royalty, entitled roles, brilliant dramatists, radiant deities, sparkling genius, glittering creativity, intelligentsia, speculators, poets, romantic lovers, gamblers, and game-players may be especially influential.
Uttara-phalguni chaps are famously hot-headed.
Instructional guidance provided by emissaries from the civilizations of Denebola. Their purpose to brighten and glorify the divine intelligence through spectacular creativity.
Brilliantly dramatic
Simha-Leya pada-1 = radiant confidence, flamboyance, and remarkable intelligence. While much depends upon the characteristics of nakshatrapathi Surya, the Falgun birth of masculine valence favors dramatic displays of celebrity, romance, creativity, and entitlement.
Kanya pada 2-3-4 = equally smart and authoritative, but more focused upon personal enclosure and distant lands, often wielding power from a private, sanctuary, or secluded location. May be an empowered politician according to the strengths of nakshatrapathi Surya.
Although Shil Ponde's description often fits the Kanya pada 2-3-4 of Uttaraphalguni, the Simha pada-1 is rarely rough or ungrateful. Still, they can be impatient with others who are less confident or less intelligent.
QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 83
"A proud and arrogant disposition,
with a tendency to ride roughshod over other peoples' opinions.
Uttara natives are extremely intelligent
but because of their inordinate pride,
they accept favors ungraciously even when in need
and are ungrateful to those from whom they receive these favors."
Ring of Fire 1932-2003 rockabilly Johnny Cash overlaid photo with Old Time Feeling 1929-2003 music-comedy June Carter Cash
Biographical details matched to the Vimshottari Dasha calendar
Ring of Fire 1932-2003 rockabilly Johnny Cash
26-Feb-1932 Earth-birth in Kingstead, Arkansas, USA * Guru-Shani bhukti
20-May-1944 grieved the tragic death of 15-yo elder brother in mill-saw accident * Guru-Rahu bhukti
Janma Sade-Sati via Thula-5 = Nov-1952 until Nov-1955
07-Aug-1954 exchange of vows in marriage-1 (JC age 22) * Shani-Zukra bhukti * samchara Rahu-Ketu via Dhanuzya-Mithunaya contact Dhanuzya swamsha
24-May-1955 celebrated the birth of child-1 * Shani-Zukra bhukti * Zukra rules Chandra-Thula
01-Mar-1969 exchange of vows in marriage-2 with fellow musician June Carter Cash (JC age 36) * Budha-Zukra bhukti * samchara Rahu-Ketu via Meena-Kanya contact radical R-K
- Janma Sade-Sati via Thula-3 = Oct-1982 until Dec-1984
23-Dec-1985 grieved the decease of father Ray Cash (JC age 53) * Ketu-Guru bhukti * Guru rules 2nd-from-Surya ++ Sade-Sati
Zukra Mahadasha * age 60.7 until decease age 72
11-Mar-1991 grieved the decease of mother Carrie Cloveree * Zukra-Zukra swabhukti * Zukra rules 12th-from-4th
15-May-2003 grieved the decease of June Carter Cash * Zukra-Shani bhukti * Shani rules 12th-from-7th
12-Sep-2003 decease (JC age 72) * Zukra-Shani bhukti * Shani maraka rules 7
Distinctive Features of the Nativity
Ring of Fire 1932-2003 rockabilly Johnny Cash
year 1958: Johnny Cash (born 1932) with Heartbreak Hotel 1935-1977 Graceland Elvis Presley (born 1935)
Surya * pitrikaraka * jyotikaraka
- Surya-Kumbha * Arka * the radiator * radio
- Surya in bhava-7 * center of relationships * focus on agreements * brightly negotiating *confident in brokerage and trade * intelligence for representation * equity * peerage entitlements * father-figure plays partnership * advocate roles * eye on fair contracts * sparkling center of the deal-making drama
- Surya-yuti-Kuja * confidently progressive * bright warrior * moves in alignment with the spiritual rays of the Sun * creatively intelligent brother-figures * self-reflexive political pursuits * champion of brilliant ideals * competitive father-figure * entitled to conquer and win * radiantly pioneering
- Surya-yuti-Budha * confidently conversational * bright messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * speaks and gestures in alignment with the spiritual rays of the Sun * radiantly descriptive * articulate in drama and games * self-confident announcements * talks about ideals, power-politics, poetic love, and romance
Sparkling Surya occupies 5th-from-Chandra entertainment, celebrity, drama
Proletarian Hero
Surya-yuti-Kuja + Surya-yuti-Budha in Kumbha = the-masses-and-the-classes
Prolific song writer
JC wrote more than 1000 songs *
- Chandra-Thula * comforted by rhythmic negotiation of agreements
- Chandra in Visaka * Radha * comforted by expansive shocks * protectors of widening energy channels, sudden growth surge, outreaching vitality pada 1-2-3
- Chandra in classroom-3 * comfort in cohort * familiar with communication * calming repetitive announcements * needs to feel the tidal pulse of daily chat * sheltered in the parlor * soothed by younger siblings * intuitive information delivery * settled into the habits of writing and commerce * accustomed to routine messaging; emotionally attuned to the rhythms of conversation * undulating signals * ethno-cultural gestures * intuitive handcraft
MOTHER
MARRIAGE emotional support partnership
Ring of Fire 1932-2003 rockabilly Johnny Cash was married for 15 years to his first wife, who served as a housewife, accountant, and caretaker of their children while her husband toured the land performing his increasingly popular music.
The musical performance tours consumed his attention and kept him away from home (Ketu-2). His exceptionally strong uttama-atmakaraka-Zukra-yuti-Rahu . Whilst on the road performing, Cash entered a passionate, covert (8) and ultimately legendary relationship (Zukra) with his fellow (also married, Rahu) singer June Carter Cash. The second marriage was not a service arrangement, but rather a pairing of two artistic equals.
Kuja * bhratru-karaka * virya-karaka
- Mangala-Kumbha * vigorous pursuit of community activism * warrior for economic progress * proactive linking * push toward regulated systems * pursues profitable roles * dominating energy in social networking * conquest of marketplace interactions * champion of distributed associations
- Mangala in bhava-7 * drive toward bargaining * pursuit of agreement * impatient with stagnant arrangements * invasive negotiation * diplomatic dynamics * energized contracts * innovative conquests * pushes toward liaison * invigorates alliances
- Kuja-yuti-Surya * invigorated creativity * * energized confidence * dynamic genius * masculine force joins willful charm * potential for aggressive political or dramatic actions * potential for aggressive political or dramatic actions
- Kuja-yuti-Budha * communicative competitions * energized communication * dynamic reporting * outgoing force joins messaging signal * potential for aggressive gestures * speech * and writing
Mangala occupies 5th-from-Chandra entertainment, celebrity, drama
Dharmesha Kuja ++ lagnesha Surya + literate argumentative Budha
= in later life, Johnny Cash became a devoted Bible-reader and participant in religious discussions
later in life, became a proponent of fundamentalist Christian doctrine
Budha * bandhava-karaka * zisya-karaka
- Budha-Kumbha * connecting communications * systematic pronouncements * articulation of social-scientific networks * descriptive inter-webbed definitions * diagrams the marketplace linkages * futuristic conversations * messages about communities * discusses economic transactions * explains large-scale social participation linkage * hands-arms-shoulders send distributive-associative gestures
- Budha in bhava-7 * narrative of relationships, contracts, deals * discusses relationships, trusts, betrothal, contracts, describer of deal-making, delivers instructions for negotiation, explainer of arrangements, talks about fairness, justice, settlement of quarrels, marriage, alliances, partnership, equity, parity, balance. Excellent placement for mediator, negotiator, bargainer, attorney.
- Budha-yuti-Surya * explainer of dramatic intelligence * affinity for central roles expressing skills of communication, explanation, description, instruction * explainer of dramatic intelligence * affinity for central roles expressing skills of communication, explanation, description, instruction * articulation of radiant authority * message of willpower and charisma * confidently talkative father
- Budha-yuti-Mangala * explainer of competitive energies * affinity for engineering, invasive, exploratory roles expressing skills of communication, explanation, description, instruction *articulator of competitive energies, signals forward action, message of innovation and forward movement, outspoken, fraternal conversations, aggressive communications, talkative brother-figures
Budha occupies 5th-from-Chandra entertainment, celebrity, drama
Guru * dhavakaraka * bahuta-karaka
- Guru-Karkata * uttama * much shelter, many caretakers, believes in ancestral ways and rhythms, doctrine of ancient ways, expansive security, expands the scope of the local settlement, develops farms and gardens, multiple dwellings, many parent-figures
- Guru in bhava-12 * swabhava * many retreats * much divination * many hospitalizations * much private expansion * numerous ancestor way-showers * much interiority * much going on behind closed doors * extensive capacity for trance guidance * a patron of sanctuary enclosures
Guru-2 voice and song occupies the career-defining emotionally dignified , social-ordering, leadership-seeking; 10th-from-Chandra
Guru-2 also represents the public profile of the second marriage. There is a significant difference between the conflicted private emotional profile for the second marriage as indicated by 2nd-from-Chandra = bhava-6 versus the expansive and gloriously voiced public profile bhava-2 Guru-Karkata * uttama
Guru rules bhava-7 matching the Dhanuzya-Chandra of June Carter Cash
romantic, highly publicized second marriage * Guru-uttama-2
Zukra * svadhu-karaka * kalatra-karaka
atmakaraka
- Zukra-Meena * uttama * appreciation of music * likes imagery * attracted to spiritual equity * intuitively artistic * pleasures of imagination * enjoys symbolic clairsentience * dreamlike arrangements
- Zukra-8 * pleasure of occult secrets * enjoys rejuvenating relationships * balanced healing arts * aesthetic of secrecy * camouflaged arrangements * hidden equity * pleasing designs to adorn the sexual-reproductive organs * sensual sphincters * feminine-figures initiate and transform * pleasant in-laws * appreciation of identity change
- Zukra-yuti-Rahu * sweetened adventure * gracious ambition * appreciation for exciting opportunism * masked negotiations * over-reaching agreements * exceptional beauty * enjoys cultural mixing * barrier-bending, culturally unusual arrangements * diplomatic equity balanced with exhilarating risk * risk-rewarding contracts * typically an unconventionally attractive, pleasantly mesmerizing appearance.
Sweets-seeking Shukra in the emotionally conflicted and self-medicating 6th-from-Chandra suggests behavioral addictions or substance addictions (typically alcohol, but other conflict-numbing sweetening practices also)
public (10) struggle with intoxicants = Zukra-yuti-Rahu occupies the self-medicating 6th-from-Chandra
Shani * duro-karaka * jara-karaka
- Shani-Makara-Draco * heavy old institutions, obliged to conform to the time-clock * rigidly ranked hierarchies, strict governance regimes, pressure to complete socially required duties, vital energy compression stress zone = knees-calves-skeleton, strictly imposed hierarchies, rigidly unyielding public policies* must materialize time-ordered social approval * punitive judgments of elder regulators * must endure lowest-common-denominator proletarian structures * must continue to govern the public despite scarce available resources
- Shani in Bhava-6 (beneficial placement) * Structured, orderly, time-conscious enemies. One must serve the problematic. One must outlast the adversaries. Endurance in military siege. Tense digestion, Cautious, conventional crimes; chronic conditions of criticism and guilt; constitutional illness-injury syndromes; Physicians resist innovation. Heavy legacy pressure against change in disease condition. Service fatigue; burnout. Resentment toward new treatments or medications. Support for socially-approved dutiful roles as social worker or disadvantaged, healthworker or sick, pharmacist or drug addict, criminal or cop, debtor or loanmaker, underpaid or underpayer, victim or victimizer, slaver or slave.
Shani in Bhava-6 occupies the defensive, culturally-rooted, routine-loving, patriotic, nationalistic, comfort-seeking, home-loving, foundational, property-owning 4th-from-Chandra indicates material scarcity conditions in the childhood home, but this placement also grants stability and a regulated environment in the foundational years of life
Rahu * rajyalobha-karaka * picchala-karaka (slippery)
- Rahu-Meena-Antya * shimmering illusion of immersion * craving for symbolic guidance * mirage of imaginative wisdom * mesmerizing aura of concealing fog * mask of dreamlike Other Worlds * fascinating prayers *extraordinary ancestor guides * fabulous clairsentience * intriguing sleep-states * seeks special importance via apparent (but perhaps not authentic) attributes of deep trance, private intuition, interior guidance * seeks privilege via contemplative-roles
- Rahu in bhava-8 * passion for secrets * in swabhava of Competitive Kuja, the Shadowy Specter seeks privilege via glamorous or unusual secrets, recycling, rebirth, reinvention; rejuvenation. The Chandala in 8 desires a special, important, therapeutic role in transformative, hidden knowledge, confidential, revolutionary, catastrophic role. May be the secretary (secret-keeper) of a powerful individual or group. Opportunistic in-laws, inheritance, alimonies. Exciting, ambitious family of the lifepartner (in-laws). Rahu-8 trespasses the cultural boundaries of undisclosed assets, dangerous secrets, emergency situations. Rahu the Poseur may pose as a tantric initiator, disaster manager, keeper of dangerous secrets, identity-changing healer, or holder of secret empowerments.
- Rahu-yuti-Zukra * amplified attractions * magnified beauty * exotic art-music-architecture * tricky partners * opportunistic feminine-figures * fascinating (but perhaps illusory) appearance of luxurious pleasure * strange-and-wonderful designs * thrilling relationships * barrier-bending style of deal-making * unusual contracts * hypnotic arrangements * gracious balance of cross-cultural mixing
Ketu * kavandha-karaka * chidra-karaka
- Ketu-Kanya * dissociates from accusatory complaints * incomplete service * empty disagreements * dissolute arguments * not limited by stigmatized conditions * ignores restriction on imbalance * ministry of service to those who are homeless, wandering, or in medical disorder
- Ketu in classroom-2 * wanders from the preserved values, eccentric voice, disperses family affluence, absent from lineage history, surrenders the accumulated knowledge, irrelevance of the mouth, the foods, and the stored goods; disregards conventional boundaries of speech-language. One abandons a collection, dismisses the treasuries, or walks away from the hoard.
Ketu-Kanya occupies the dreamlike 12th-from-Chandra
Singer, songwriter, musician * 1929-2003 * Valiria June Carter Cash
data from http://en.wikipedia.org/wiki/June_Carter_Cash * tentatively rectified by BP Lama
charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama
June Carter Cash
Rising Nakshatra
Feminine Nativity
Purvaphalguni
* Yoni
BPL commentary
For Purvaphalguni * Yoni * births of a feminine valence, the condition of sweetly musical, artistic, harmony-seeking, negotiating, balancing, arranging, designing, matching, pairing, sensually pleasuring akarshana-karaka Bright Bhrigu may considerably affect the outcome.
Feminine figures such as sisters, aunts, and wives, along with partnerships, contracts, bargains, sensual pleasures, lovers, artistic beauty, luxurious scents, treasuries, financial arrangements, and music, may be especially influential.
Instructional guidance provided by emissaries from the civilizations of Zosma. Their purpose is to dramatize, glamorize, and politicize the grand theatre of creative life.
Diplomatic charm
Zukra-ruled Purvaphalguni ladies are often the diva type. Yoni-born are found in the sparkling bright worlds of political diplomacy, romance, entertainment, speculative finance, performance arts, and fashion design. Women born into a nakshatra of Zukra are often blessed by a special aptitude for music, beauty, treasuries, ornaments, design arts, and financial affairs.
Yoni-born are happiest when playing musical instruments, dancing on the theatrical stage, or performing a richly costumed dramatic role for an appreciative audience, Delighted by spectacle and applause, they glitter and radiate at parties, creative events, political campaigns, and games..
Depending upon the placements of dhanakaraka Zukra and dhanapathi Budha, the Purvarjuni-born may also display financial intelligence, deal-brokering ability, and glamour in romantic relationships. Queenly and self-referential, they require equity in marriage and business contracts. Honesty is deeply important to them. Yet, due to Zukra's bargaining nature, the insult of disloyalty may be balanced by financial compensation.
Like all Zukra-governed births, Bhagadaivata-born must take care to avoid the misuse of drugs and alcohol. Political and creative success depends upon the charisma of lagnesha Surya. Financial success depends upon the dual-dhanakaraka Zukra and Budha.
Themes of theatrical celebrity, lavish musical entertainments, arts and fashion, and financial agreements may contextualize Pubba's terrestrial experience. Applies also to Chandra-Purvaphalguni.
"... an oval face, whose features are well proportioned
- and a quiet, well modulated voice, soft and cultured.
but has a strong and fine character beneath her quiet demeanor.
Very hospitable and sociable, she likes to meet people
and is interested in what they have to say and in their troubles.
She likes to sew or embroider
and is often occupied with such tasks.
She also is keenly interested in occult subjects
And likes to listen to discussions on these matters and to read about them.
She is scrupulous in her obligations
and a favor done to her will always be repaid promptly with something else added."
Biographical details matched to the Vimshottari Dasha calendar
Old Time Feeling 1929-2003 music-comedy June Carter Cash
Valiria June Carter-Cash
Zukra Mahadasha * age birth until age 26
23-Jun-1929 Earth-birth in Maces Spring, Virginia, USA * Zukra-Budha bhukti
- Janma Sade-Sati Dhanuzya-5 = Dec-1928 until Apr-1931
Surya Mahadasha * age 2.6 until age 9.6
Chandra Mahadasha * age 9.6 until age 19.6
- Shani Ashtamsha via Karkata-12 = Sep-1945 until Jul-1948
Mangala Mahadasha * age 19.6 until age 26.6
09-July-1952 exchange of vows in marriage-1 (JCC age 23) * Mangala-Budha bhukti * samchara Rahu-Ketu via Kumbha-Simha contact radical Simha lagna
Rahu Mahadasha * age 26.6 until age 43.6
25-Sept-1955 celebrated the birth of child-1 * Rahu-Rahu swabhukti
11-Nov-1957 exchange of vows in marriage-2 (JCC age 27) * Rahu-Guru bhukti * Guru rules navamsha-7 * samchara Rahu-Ketu via Thula-Meza contact radical R-K
- Janma Sade-Sati Dhanuzya-5 = Feb-1958 until Feb-1961
01-Mar-1969 exchange of vows in marriage-3 (JCC age 39) to Ring of Fire 1932-2003 rockabilly Johnny Cash * Rahu-Zukra bhukti * samchara Rahu-Ketu via Meena-Kanya contact swamsha
Guru Mahadasha * age 43.6 until age 59.6
22-Jan-1975 grieved the decease of father Ezra Carter (JCC age 46) * Guru-Guru swabhukti * Guru rules 7th-from-Surya
- Shani Ashtamsha via Karkata-12 = Jul-1975 until Sep-1977
23-Oct-1978 grieved the decease of her famed musician mother Maybelle Carter (JCC age 49) * Guru-Budha bhukti * Budha rules 7th-from-Chandra
- Janma Sade-Sati Dhanuzya -5 = Dec-1987 until Mar-1990
Shani mahadasha * age 59.6 until decease age 73
15-May-2003 (JCC age 73) Lightbody Lift-off * Shani-Rahu bhukti
Old Time Feeling 1929-2003 music-comedy June Carter Cash
- Surya-Mithunaya * Mithra * neighbor, companion
- Surya in bhava-11 * center of community * radiates through large-group associations * brightly iconic earnings * intelligence for networks * focus on interlinked ecologies * marketplace revenue entitlements * father-figure plays community participation roles * exemplifies knotting and knitting behaviors * distributed light * eye on friendships * creative genius works within extensive systems * sparkling center of social-economic drama
- Chandra-Dhanuzya * comforted by rhythmic catechesis of belief
- Chandra in Purva-azadha * comforted by valued beliefs * protectors of inspirational music * needs philosophical harmony * soothed by expansively beautiful design
- Chandra in classroom-5 * comfort in politics * familiar with gambling and games * soothed by celebrity, charm, children * needs to feel the repeating pulse of confident self-expression * emotionally attuned to uniqueness * settled into the rhythm of romance * intelligent customary routines * calmed by artistic performance * undulating creativity
- Somana-yuti-Shani * nishturabashi yoga * Emotionally constricted * pressured by punitive authority figures * sensitive to class boundaries * soothed by structure * needs rigid routines * heavy maternal workload * comfortable with elders * familiar with strict hierarchies * mother emotionally limited * needs rules * feels like a worker
MOTHER
Mom = Maybelle Carter, a nationally famous Old Time musician and singer in the Scotch-Irish immigrant heritage.
Mom was an icon of religious sentiment and deeply cherished doctrinal belief Chandra-Dhanuzya but also a taskmaster.Somana-yuti-Shani The famed Carter Family was constantly traveling in musical performance entourage (Chandra 3rd-from-3rd), singing the Old Familiar songs (Chandra).
MARRIAGE emotional support partnership
- marriage-1 = bhava-11 friendship, shared material goals
8th-from-7th-from-Chandra-5 = 2nd-from-Chandra
- marriage-2 = bhava-6 disagreement, medication
3rd-from-7th-from-Chandra-5
- bhava-1 personality
- Ring of Fire 1932-2003 rockabilly Johnny Cash
JCC was married three times and had one child with each husband. All of her children enjoyed careers in country music, and all of her children developed fatal or near-fatal drug-abuse habits.
Rulers of 6 (Shani) and 12 (Chandra) join in a nishturabhashi yoga within putrabhava-5
Sense of Belonging = Chandra
born into a faith community of rural American "Old Time Believers" the famous ballad singer Ms. Carter-Cash expressed an attitude of inseparable, organic, single-pulse perception of Presbyterian sacred doctrine, transplanted Scotch-Irish folk folkways, ancient customs, and established cultural norms, deep-rooted agricultural lifestyle, and the seasonal rhythms of the Appalachian Mountains. Her Somana-yuti-Shani-Mula-5 exemplifies the emotional response of emotional resistance patterns (Chandra-Shani) that fluctuate but do not change.
Kuja * bhratru-karaka * virya-karaka yogakaraka
Yogakaraka Mangala-1 rules 4-foundations, cultural rhythms, ethnic basis ++ 9-doctrine, philosophy, beliefs
- Mangala-Singha * vigorous pursuit of fame * creatively moving political theatre * proactive drama * push toward celebrity entitlement * champion of pageantry * military parades * brilliantly energized celebrations *push toward parties and games * sexually active romance * flamboyant gambling
- Mangala in bhava-1 * A fighter * a winner * a champion* drive toward embodied performance vitality * pursuit of competition * direct physical action * thrusting vigor * dominating personality * potentially a bully. Can dig * drill * dive * excavate * plumb * explode * explore (both physically and psychologically) dynamic innovator * lively push toward fast driving+ speedy transport * energized muscular conquests * athletic body.
Dharmesha Mangala-Simha-1 is a vigorous champion of her Faith. June Carter Cash was theatrically and politically identified with her sacred doctrine and her glory was much amplified by the drishti of Rahu-Meza coming from dharmasthana-9.
Mangala-1 generates a significant kuja dosha in bhava-7, contributing to three marriages.
Budha * bandhava-karaka * zisya-karaka
- Budha-Vrishabha * financial communications * articulation of tonal * talks about stored goods * discusses collected assets * delivers descriptive evaluations * sends historic messages about worth and value * signals harmonious sound frequencies * hands-arms-shoulders send gathering gestures, gathering gestures
- Budha in bhava-10 narrative of leadership, responsibility, maintenance of the social order * explainer of governance, describer of decision-making, delivers instructions about the lawful procedures, talks about social authority, hierarchy, promotion, rank, class, status, respect, dignity, position
- Budha-yuti-Guru * explainer of doctrinal belief * affinity for preaching, professorial, theory-developing roles expressing skills of communication, explanation, description, instruction * articulation of charitable generosity, message of optimism and expansion, talkative teacher
Kutumbha-pathi Budha occupies bhava-10 with Guru-Vrizabha. June Carter came from a large and vociferous family. The sacred doctrine of their faith community formed the core of their family tradition.
Her family of singers performed a repertory of the hymns and devotional music expressing the traditional (Vrizabha) rural folk Christian values. The Carter Family were well known (10).
Budha ruling 2-11 is typically a moneymaker for the Simha nativity. Although there were few windfalls and graha in any artha-sthana indicate that one will need to work for the gain, her economic income was substantial due to ruler of 2-11 * Budha-yuti-Guru located in karmasthana-10.
Guru * dhavakaraka * bahuta-karaka
- Guru-Urisha * much treasury, many voices, many collections, believes in history, doctrine of values containment, financial guidance, expands the scope of voice-speech-song, multiple treasuries
- Guru in bhava-10 * many public roles * multiple diverse leadership duties * numerous recognized teachings * much respect * broad social visibility * extensive reputation * numerous obligations * often a professor, preacher, philosopher, proselyte, presbyter, bishop, or priest * seen by the public as a patron of the social order
- Guru-yuti-Budha yukta-karaka * multiple sibling-teammate figures * permission to deliver information * abundant conversational messaging * believes in detailed communications * expansive dialog * many announcements * wide scope of evangelism * talks about philosophy * optimistic viewpoint in discussions
Guru rules 5 occupies-10 showing JCC's career in the entertainment industry with a religious quality of singing
Zukra * svadhu-karaka * kalatra-karaka
- Zukra-Meza * appreciation of competitive movement, likes innovation, attracted to champions, pleasures of conquest, athletic sensuality, enjoys direct action, aristocratic arrangements
- Zukra-9 * pleasure of philosophical doctrine, enjoys paradigmatic beliefs, feminine-figures preach-teach on principles, global equity, appreciation of theory, philosophy of justice
- Zukra-yuti-Rahu * sweetened adventure * gracious ambition * appreciation for exciting opportunism * masked negotiations * over-reaching agreements * exceptional beauty * enjoys cultural mixing * barrier-bending, culturally unusual arrangements * diplomatic equity balanced with exhilarating risk * risk-rewarding contracts * typically an unconventionally attractive, pleasantly mesmerizing appearance.
Zukra-yuti-Rahu * over-reaching Rahu affects relationships, drugs-sweets-alcohol, speech, song, voice, face
Zukra occupies 5th-from-Chandra entertainment, celebrity, drama
Shani * duro-karaka * jara-karaka
- Shani-Dhanuzya * heavy old doctrines, obliged to conform to the common ideology, rigid theories, unyielding dogma, pressure to accept the common catechesis, weight of old patronage, vital energy compression stress zone = hips, sacroiliac, sacral plexus * weight of doctrinal authority * must materialize principled worldviews* strictly imposed rules for enforced systems of belief, rigid outlook on life * slow elder professors * proletarian preachings * must continue to teach-and-preach despite scarce available resources
- Shani in Bhava-5 * Structured, orderly, time-conscious children. One must create drama with scarce confidence; cautious of politics, conventional intelligence; heavy weight of children; resistance to genius, tense performance, creative fatigue, chronic pressure on the heart + spine ; heavy resistance to individual authenticity. Resistance to new fashions and romance. Resentment toward changes in games and amusements. Support for socially-approved, rigidly dutiful roles as gambling regulator, scholar, constrained speculator, royally, celebrity figure.
- Shani-yuti-Chandra * nishturabhashi yoga * resistance against protection, pragmatic routines, materialistic mother, limited comfort, emotional discipline. constrained flow, regulated feelings
Shani-yuti-Chandra putrasthana
June Carter Cash was married three times and had one child with each husband. All of her children enjoyed careers in country music, and all of her children developed fatal or near-fatal drug habits.
From Chandra-Dhanuzya lagna, sober serious structured hierarchical Shani rules
- the emotionally-motivated traditionalism, family lineage conserving, treasure-preserving, language-and-history remembering, acquisitive, genetic conservation of 2nd-from-Chandra
- the emotionally talkative, information-delivering, evangelical, publishing, announcing, script-reading, reporting, conversational, process-managing communications of 3rd-from-Chandra
Rahu * rajyalobha-karaka * picchala-karaka (slippery)
- Rahu-Meza-Arya * shimmering illusion of first-arrival * craving for superiority * exotic use of dominating force * mask of competitive action * mirage of innovative pioneering * over-reaching urgency * extraordinary muscularity * mesmerizing forward movement * unusual athleticism * fascinating conquests * marvelous warriorship * seeks special importance via apparent (but perhaps not authentic) attributes of heroic action; winning of contests, natural chief * seeks privilege via champion-roles
- Rahu in bhava-9 * passion for philosophy, preaching * in swabhava of Saptarishi Guru, the Shadowy Specter seeks privilege via glamorous or unusual doctrine, theory, dharma, worldview. Rahu-9 desires a thrilling, important guidance role in catechesis, principled discourses of abstract ideas, ideology, philosophy, indoctrination. Extraordinary father-figure, ambitious professors and holy teachers. Thrives in culturally-mixed preaching environments, university, temple, sangha, congregation. Surreptitious attempt to appear as a global, humanistic, ideologically-framed agent of understanding. Rahu the Poseur may pose as a charitable philanthropist, a wisdom-purveyor, a proselyte of principled understanding, a guru-figure, a philosopher, or a globalist humanitarian. Rahu-9 trespasses the cultural boundaries of patronage, fatherhood, paradigm of belief. Exciting, opportunistic third marriage (if any).
- Rahu-yuti-Zukra * amplified attractions * magnified beauty * exotic art-music-architecture * tricky partners * opportunistic feminine-figures * fascinating (but perhaps illusory) appearance of luxurious pleasure * strange-and-wonderful designs * thrilling relationships * barrier-bending style of deal-making * unusual contracts * hypnotic arrangements * gracious balance of cross-cultural mixing
Risk-rewarding Rahu occupies 5th-from-Chandra entertainment, celebrity, drama
Ketu * kavandha-karaka * chidra-karaka
- Ketu-Thula * dissociates from bargaining, incomplete alliance, empty trades, surrendered trust, dispersed negotiations, ignores restriction on deal-making, applies balanced equity to the misty abyss
- Ketu in classroom-3 * absentee sibling, off-topic communications, disinterested in daily discourse, dissolved messaging boundaries, disregards conventional discussions, eccentric or esoteric modes of writing, irrelevance of the mental narrative. One abandons the management tasks, dismisses the standard explanations, walks away from the usual descriptions.
file update:
09-Nov-2019
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