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musical bandmate of

friend and fellow musician of:

associated with

born three months after

born three weeks before

born 8 months before

potential alternate incarnation of



John W. Ono Lennon with Yoko Ono Lennon in New York City, 1980


John Lennon

Earth-birth Wed-09-Oct-1940

dematerialization 08-Dec-1980 [age 40]

“Everything will be okay in the end.

If it's not okay, it's not the end.”

~ John Lennon

social activist

installation artist


Yoko Ono

Earth-birth Sunday-19-Feb-1933

nativity of Yoko Ono



Imagine Beatle



John Lennon

birth information from

tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = produced by Shri Jyoti Star - adapted by BP Lama

born on day-9 Navami of Shukla Paksha

Rising Nakshatra

Masculine Nativities

Revatika - Pausan

Pashu - Pushana-vana - Antyabha

BPL commentary

For Revatika births of a masculine valence, the condition of conversational, discursive, explanatory, instructional, argumentative, commercializing, evangelical Kumara may considerably affect the outcome.

Pashu the Pastor is delicately attuned to the signals of the animal kingdom. Hearing [Budha] the voices of mineral, plant, animal, and human worlds, Antyabha-born often work for the welfare of all creatures. Many veterinarians and animal-welfare activists are Revatī-born. These way-showers are also found in all aspects of music and dancing, producing melodies, beats, and lyrics.

Whatever the Pashu folk say, others will follow and believe.

For those born into the Budha-ruled paradigm of Antyabha, siblings, cousins, schoolmates, bandmates, team-mates, entourage, ensemble, neighbors, managers, cohort, coterie, collaborative group, publishers, messengers, merchants, commercial agents, reporters, writers, scripts, plans, schedules, instructions, radio-television-internet, news-media, conferences, committees, discussions, travel itineraries, and texts -- and beasts of every description - may be especially influential.

Instructional guidance is provided by emissaries from the civilizations of stars clustered near Zeta Piscium. Their purpose is to shepherd the flocks in safe passage, calling them to follow with an imaginative, sweet sound and rhythm

The Way-Shower

Revatika expresses the natural tension between Busy Bantering Budha and Guiding Generous Guru. Commercially oriented Budha is a master of writing, reporting, cinema, and detailed communication. Kumara naturally matches the vibration of chatty students and a younger audience. Yet, Brihaspati much prefers to preach on broad-scope topics, ideology and inclusive doctrine.

Paushna-born often find themselves in shepherding roles that require delivering a message to their herd of followers. The usual delivery style is musical, oratorical, or imaginative, but any method of Showing the Way may be chosen. Pashu the Pastor combines a broad welcoming vision with a beckoning repeating signal frequency such as a slogan, a jingle, or a melody.

Themes of pastoral guidance, musical messaging, and benevolent outreach to all creatures may contextualize Revatika's terrestrial experience. Applies also to Chandra in Revati - Pashu

QUOTATION from Shil-Ponde. [1939] . Hindu Astrology Joytisha-Shastra . p 89

" ... often distinguished by a birthmark on the thigh.

They usually have well formed and beautiful physiques

  • although not necessarily large or robust

They are fond of their family and friends

  • and very sociable and hospitable .

They may not be born to wealth

  • but they have the ability to accumulate the good things of life

  • through their own efforts and usually will.

They will know how to enjoy wisely and well the fruits of their endeavors.

These people are wise and intelligent

  • and make excellent counselors to those who are in trouble
  • or are in a dilemma over some problem of life."



Beatle John Lennon [JL age 20] with his first wife Cynthia Lennon in 1960



John Lennon = childhood school photo

Biographical information matched to the Vimshottari Dasha calendar

[Chandra Mahadasha] [age birth until age 9.6]

09-Oct-1940 Earth-birth in Liverpool, Mercia, England * Chandra-Chandra svabhukti

[Mangala Mahadasha] [age 8.6 until age 15.6

[Rahu Mahadasha] [age 15.6 until age 33.6]

Feb-1961 until Jan-1964 Janma Sade-Sati Makara [age-19 until age-22]

15-Jul-1958 [JWL age 17] grieved the decease of mother * Rahu-Rahu svabhukti

23-Aug-1962 [JWL age 21] consecration of marriage-1-of-2 * Rahu-Shani bhukti [Guru-yuti-Shani] Grules Meena Svamsha [marriage mandated by a pregnancy] * gochara R-K via Karkata-Makara * R-K contact Chandra-Makara ++ janma Sade-Sati

08-Apr-1963 [JWL age 22] celebrated the birth of child-1 * Rahu-Shani bhukti * Shani rules Chandra ++ janma Sade-Sati

Nov-1968 [JWL age 28] divorce from alliance-1 following seven year contract * Rahu-Ketu bhukti

20-Mar-1969 [JWL age 28] consecration of marriage-2-of-2 with financier-musician Yoko Ono - Rahu-Shukra bhukti * gochara R-K via Meena-Kanya * contact Meena indriya-lagna

Spring-1969 [JWL age 28] "Bed-in" conducted in hotels with extensive press coverage * Rahu-Shukra bhukti* Shukra activates 3-8 publicity-transformation

1969-1970 [JWL age 29-30] breakup of the Beatles musical ensemble * Rahu-Shukra bhukti* Shukra -6 rules activates 8-sudden change of identity [harsha yoga]

23-Mar-1973 [JWL age 33] suddenly issued a 60-day-notice USA deportation order as requested by Richard Nixon , who believed that JWL's anti-war activities posed a threat to RMN's re-election * Rahu-Chandra bhukti * Chandra activates 11 = 8th-from-4th = sudden evacuation from home

Jul-1973 [JL age 33] begin 18-month marital separation * Rahu-Chandra bhukti * Chandra rules 5-romances, creativity

Jan-1975 [JL age 35] end 18-month marital separation. Decision to conceive a child. * Rahu-Mangala chidra-dasha * Kuja rules 9 children

[Guru Mahadasha] [age 34.6 until decease age 40

08-Oct-1975 [JWL age 35] JWL wins a series of lawsuits against the deportation proceedings of the INS, instigated by Richard Nixon, withdrawn by Gerald R. Ford * Guru-Guru svabhukti * Guru lagnesha, karmesha

09-Oct-1975 [JWL age 35] on JL's 35th birthday, celebrated the birth of child-3, Sean Ono Taro Lennon * Guru-Guru svabhukti

01-Apr-1976 [JWL age 36] grieved decease of estranged father - Guru-Guru svabhukti * Guru activates 7th-from -Surya

08-Dec-1980 [JWL age 40] dis-embodiment murdered by gunshot * Guru-Budha bhukti * maraka Budha rules-7

LennonJohn_foto.jpg Distinctive Features of the Nativity


pitri-karaka [father] jyoti-karaka [light]

[inimical-medicating rogesha for Meena-Antya indriya-lagna]

[logically self-referential in relationships]

[bright center of helping advocacy]

[sparkling ministry of aid to animals]

[charismatic representation of mistreated parties]

[analytical intelligence serves the exploited]

[calculating father may be attorney-broker-middleman-landowner] [or driver-sailor-pilot]


[rhythmic Hasta-4] [navamsha Surya-Karkata] intuitively confident caretaking-protection

[Atmakaraka father, central-roles, unique entitlements, glamour, glitter, celebrity]


[Surya-yuti-Rahu ]

  • [Surya-Kanya] Poshanya * Pushna - the nourisher * brightly charismatic confidence of Center-stage Surya radiates through the analytical logical rashi of Budha
  • [Surya in bhava-7] center of relationships * focus on agreements * brightly negotiating * confident in brokerage * makes smart trades * intelligence for representation * political equity * peerage entitlements * eye on fair contracts * sparkling center of the deal-making drama * father may be a broker-attorney-advocate
  • [Surya-yuti-Kuja] confidently progressive * bright warrior * moves in alignment with the spiritual rays of the Sun * creatively intelligent brother-figures * self-reflexive political pursuits * champion of brilliant ideals * competitive father-figure * entitled to conquer * focused on winning * radiantly pioneering
  • [Surya-yuti-Rahu] confidently opportunistic * bright mesmerizer * passion for creative culture-mixing * boundary-breaching entitlements * craves important center-stage roles * ambitious father-figure * adventurously aligned with the spiritual rays of the Sun * radiant risk-taker



Dad = a merchant seaman. Kanya- [Surya in bhava-7] occupies 4th-from-4th transport, shipping.

Dad worked as a shipboard laborer for most of his adult life Surya-Kanya labor. Dad associated with a great diversity of persons of many backgrounds [Rahu] and his associates [7] were members of the service class Surya-yuti-Rahu Kanya. Dad traveled extensively to distant lands within the humble maritime service role. Surya activates -6 = 12th-from-Surya.

[Surya in bhava-7] = paternal identity with opportunistic [Rahu] contracts and world travel [7]

Rulers of 1 + 4 + 9 + Rahu the Amplifier occupy bhava-7 relationships


matrikaraka [mother] * garha-karaka [village]

[creative-gaming vidya-pati for Meena indriya-lagna]


[inventive-pioneering Śrāvaṇa-1] [navamsha [Chandra-Mesha] intuitively sensitive pursuing competitive champion

  • [Chandra-Makara-Draco] comforted by hierarchy * sensitive to class-status * needs ritual ordering
  • [Chandra in Śrāvaṇa - Hari] soothed by careful listening * protectors of undulating shamanic sound * needs customary lawfulness
  • [Chandra in classroom-11] comfort in networks * calmed by earnings * familiar with fellowship * routine associations * accustomed to distributive systems * settled into community rhythms * acculturated to social participation * needs popularity * feels the repeating pulse of connectivity * soothed by social linkage; * undulating friendships



Chandra receives incoming drishti from both

  • Rahu-Kanya-7
  • Shani-[nīcha] 2.

JWL's mother Julia Lennon was reckoned as a friendly [11] person. She came under pressure of criticism from raising her children with various fathers, while offering service work [Kanya drishti] in various bars and restaurants

Mom may have suffered an underlying mental health condition which could be indicated by the harsh drishti incoming to the soothing, routine-seeking Chandra-11 via both Shani and Rahu.

She was killed [her age 44] by a constable who claimed he was not responsible because he was an inexperienced driver [see bhava-7 Kanya irregular argumentation] . He was fully acquitted

Young Lennon [age 15] reckoned his mother's death as the definitive trauma of his life.

MARRIAGE partnership emotional equity support expectations

John Lennon was married twice, in addition to a significant extramarital union.


  • bhava-5
  • Karkata ruler Chandra
  • The first marriage partner would be a culturally familiar personality with a parental orientation. They married to legalize their parent-status due to a pregnancy.

Public facade of the Alliance

  • [Mangala-Kanya]
  • yuti Rahu-Kanya
  • yuti [Surya-Kanya]
  • complex first marriage afflicted by Surya rogesha in 7
  • Budha yuvati-pati in 8
  • combust mangala-7
  • boundary-challenging behaviors of Rahu-7

8th-from- [7th-from-Chandra-11]

  • Avant-gardiste 1933- Beatle-pair Yoko Ono

  • bhava-12 Kumbha
  • concerned with private spaces
  • famed Spring-1969 Bed-In conducted in hotels
  • hailing from a foreign land [Japan] relative to England

Public facade of the Alliance

  • [Shani-Mesha] [nīcha]
  • yuti lagnesha Guru
  • Yoko's Chandra matches JWL's 10th amsha in both D-1 and D-9
  • second marriage partner = very high visibility
  • emotionally the second life-partner would be somewhat dreamlike [12]
  • element of toxic blaming due to 12 ruler [nīcha] Shani

Shukra + Surya = navamsha

Typically in a husbandly-companion nativity, when Shukra has no companion graha there is only one marriage. However, Shukra joins Surya in navamsha showing the intention for two alliances. Navamsha reveals the underlying expectations.

Shukra located the revolutionary, emotionally turbulent, perpetually transformative, trauma-inducing 8th-from-Chandra suggests that women in general provide an emotionally identity-transforming influence.

Upheavals and sudden, unexpected changes in both marriage and peer relationships would be expected.


bhratru-karaka [brother] virya-karaka [virile]

[collecting-preserving dhanesha for Meena indriya-lagna]

[doctrinal-guiding dharmesha for Meena indriya-lagna]



[imaginative Uttaraphalgunī-4] [navamsha Kuja-Meena] intuitively competitive forward-driving imaginative poetic vision


[Kuja-yuti-Rahu ]

[ashtangata harana combust Mangala-Kanya ]

  • [Mangala-Kanya] penetrating logic * proactive helping * thrust toward service * energetic assistance to the needy * pushy complaints * [potentially] vindictive * champion of litigious accusation * military planning * aggressive indictments * investigative journalism * medical treatment interventions
  • [Mangala in bhava-7] drive toward bargaining * pursuit of agreement * impatient with stagnant arrangements * invasive negotiation * diplomatic dynamics * energized contracts * innovative conquests * pushes toward liaison * invigorates alliances
  • [Kuja-yuti-Surya] sparkling kinetic creativity * glorious innovator * high-energy confidence * dynamic genius * dominating force joins willful charm * fiercely competitive politics * brilliant winner * physically active father-figure * self-referential championship * vigorously moving theatrical display
  • [Kuja-yuti-Rahu] thrill of muscular action * competitive ambition * passion to win * fascinating physicality * compulsive drive toward heroic battle * dynamic desires * champion of culture-clash * forward thrust toward opportunity * forceful pursuit of privilege


sending amplified parashari drishti to

  • 10-career
  • 1-personality
  • 2-voice, face, song, genetics, memory


jamayah-karaka [sibling] sandeza-karaka [message] zisya-karaka [student]

bargaining-balancing jaya-pati for Meena indriya-lagna]

[homebound-anchoring bandhesha for Meena indriya-lagna]


[systematic-networked Arcturus-3] [navamsha Budha-Kumbha]

  • [Budha-Tula] articulation of contracts * equable discussions * balanced designs * commercial arrangements * explains procedure for fair agreements * descriptive bargaining * skillful matching * accommodating conversations * messages about negotiation * programming for trade exchanges * manufactures harmonious patterns * hands-arms-shoulders send equalizing gestures
  • [Budha in bhava-8] narrative of hidden information * mysterious facts * unexpected eruptions of factual data * shocking revelation * writes about revolutionary cycles * speaks-and-sings about dynamic rebirth * detailed discoveries * describes transformative change * explains initiation * delivers instructions for new identity * hand-arm gestures signal healing renewal


Busy Budha activates 4 and 7 ++ Budha resides in 8

Budha-8 governs the childhood home, including the foundational schooling and mother's folk.

ruler of 4-childhood home occupies 8-constant transformation. Lennon's mother suffered mental health challenges which resulted in his being raised by a devoted-but controlling aunt. The father was a rare visitor.

Learning disabilities in childhood; left school at 14


dhava-karaka [husband] bahuta-karaka [variety]

[energizing-identifying lagnesha for Meena-Antya]

[dutiful-hierarchical karmesha for Meena indriya-lagna ]


[arranging Bharani-3] [navamsha Guru-Tula]

[Guru-yuti-Shani ]

  • [Guru-Mesha] warrior dharma * philosophy of direct movement * many competitions * broad scope of pioneering action * permission to dominate * doctrine of conquest * invigorating guidance * expands the range of championship * believes in innovation
  • [Guru in bhava-2] much hoard * many songs * many stories * extensive history * generous reserves * several genetic lines * many accumulated goods * numerous languages * expansive oratory * large eyes * many voices * many valuations * extensive accounts * grows the family lineage * optimistic heritage * believes in historic conservation * patron of speech-and-song * in a wifely nativity, husbandly-companion may be a keeper-collector-preserver
  • [Guru-yuti-Shani] atta-karaka * multiple elder-figures * permission to hold respected positions * abundant structure * numerous law-makers * expansive hierarchies * tolerance for diverse systems * optimistic philosophy of social regulation * large-scale responsibilities


[Guru in bhava-2] activates

  • Rulers of 1, 11, 12, and 10, receiving drishti of Rahu-7.
  • A complex and often aggrieved [nīcha] Shani] pattern of speech and song.

The second wife Avant-gardiste 1933- Beatle-pair Yoko Ono [2] was a also a very complex public figure


svadu-karaka [sweet] kalatra-karaka [wifely companion]

[sarala yoga]

[busy-messaging sahaja-pati for Meena-Antya indriya-lagna]

[mysterious-revealing randhresha for Meena-Antya indriya-lagna]


[verbal empowerments from imbalanced pleasures]

[politically unfair financial arrangements]

[explosively but not harmfully dramatized sensuality]


[rhythmic Magha-4] [navamsha Shukra-Karkata]

  • [Shukra-Singha] appreciation of regal confidence * likes admiration * enjoys applause * prefers creative partners * attracted to artistic performers * bargains to play radiant central roles * delighted by celebrity * charmed by romantic pleasures * pleased by ceremonial display * brightly theatrical arrangements
  • [Shukra-6] seeks pleasure via self-medication * satisfied by service * ministry of aid to women * imbalanced agreements * feminine employees * attracted to animals * valuable servants * appreciation of enemies * lovely designs to adorn the lower abdomen * toxicity from sugars * aesthetic of slavery * pleasant addictions * unfair contracts * financial exploitation * sweet pollutions * criminal bargains * accepts injustice * accommodates poverty * adjusts to war * in a husbandly nativity, wifely-companion may be a pharmacist-clinician-servant-helper-aide


randhresha-8 [Shukra in bhava-6] = hidden power from pleasurable service

Shukra activates -3/8 for the Meena nativity, and Meena typically experience sudden unexpected challenges from those identified with the feminine gender

Shukra located in the revolutionary, emotionally turbulent, perpetually transformative, trauma-inducing [8th-from-Chandra] exacerbates the prognosis regarding women. JWL describes his boyhood as supported by five women, consisting of his mother and her sisters who all lived nearby. His young mom remained close but she had several children and she surrendered John into the nearby home of a childless aunt.

[Sarala Yoga] is protective against the dangers of disagreements, drugs and divorce, so that the potentially severe consequences both medical and legal of Lennon's extreme self-medication patterns did not harm him but were rather experiences as forces of identity transformation

Despite the multitude of talented partners, Shukra-6 indicates disagreement in matters of romance, creativity, music, finance, and terms of agreement. Shukra-6 usually indicates an attraction to women who are in some way identified with the victim narrative [story of being eaten] . The cluster of Kanya graha in bhava-7 adds several layers of intrigue to Lennon's relationship patterns.


duro-karaka [endurance] * jara-karaka [Jahre, years]


[gainful-friendly labha-pati for Meena-Antya indriya-lagna]

[contemplative-visionary vyaya-pati for Meena-Antya indriya-lagna]

[Dhanayoga Shani-2 rules-11]


[arranging Bharani-3] [navamsha Shani-Tula-uchcha] intuitively structured arrangments for equity and justice


  • [Shani-Mesha] harsh old blood-feuds * brain cramp * blocked bloodflow * muscle seizure * limits innovation * overburdened aggressions * fierce resistance * freezes new ideas * law of the winners * proletarian battles * must enforce dominance * contempt for independence * burdened by championship * cruel competitions * endurance contests * at times, survival requires great effort * obligation to fight * normalizes war * structural pressure upon head-brain * lurching forward push * conquest brings oppressive duty * must sustain physical supremacy * constricted vitality * maintainer of bitter old competition-for-resources
  • [Shani in bhava-2] steady time-structured values-fulfillment * scarcity of precious resources * must preserve historic traditions * must gather * must catalog * obstructionist family-of-origin * must remember * cautious use of words * boney face * tense eyes * class-conscious speech - speakers' fatigue * chronic financial insufficiency * undernourished eye-teeth * must use old libraries * cold dried food hoard * limited sight * ossified heritage * language regulator * appreciates ignorance * maintains treasuries of proven knowledge * hierarchies impose know-nothing rules * elders hold center of family
  • [Shani-yuti-Guru] social resistance to generous expansions * slow elder teachers * pragmatic philosophy * limited scope of understanding * doctrinal discipline * constrained growth * conventionally regulated beliefs * optimism limited by resistant old structures * faith in the rule of law * class-hierarchical ideology


Shani generates a powerful dhanayoga = ruler of 11 occupies 2, and vriddhi-pati-Shani yuti lagnesha -Guru

Nichha Shani-2 is ruled by Kuja in 6th-from-Shani.

[nīcha] Shani-2 would normally be an indicator of a highly dysfunctional family. Lennon's family history seems to exemplify the textbook definition of dysfunctionality, including children not being told of their various parents' deaths, a highly controlling maternal aunt, and family-members paying each other small monies for services [although this odd type of contractual exchange is mainly attributable to the Surya-Mangala-Rahu in Kanya-7 which indicates unusual contracts] .

Childhood challenges included learning disabilities [Shani-Mesha drishti to Chandra- inter alia] , school truancy, and regular outbursts of frustrated, sexualized anger resulting in spousal battery. Lennon famously admitted " I was a hitter. " Combust accusing Mangala-Kanya rules Shani and Kuja drishti to [nīcha] Shani-2.

Challenges in the family of origin [2] and indeed in the brain itself due to [nīcha] Shani but there are many compensations due to lagnesha-Guru-2. Although Lennon developed behavior problems, the primary-parenting aunt and uncle provided physical security for him until their deaths and wholeheartedly supported his musical education even when he was disruptive and difficult.


rajyalobha-karaka [ambition] picchala-karaka [slippery]

[for Meena-Antya indriya-lagna]


[publishing Hasta-3] [navamsha Rahu-Mithuna] intuitively over-reaching detailed scripted communications



  • [Rahu-Parthya] shimmering illusion of humility * craving for crime * mask of exploitive assistance * ambitious physicians * intriguing addictions * mirage of medication * fascinating injuries * over-reaching accusations * amazing illnesses * extraordinary arguments * may be obsessed with servants-and-servitude * seeks special importance via apparent [but perhaps not authentic] conflict management * shrewd dealings in sickness * ingenious divorce * extravagant litigation * seeks privilege via victim-roles
  • [Rahu in bhava-7] passion for partnership * in svabhava of Suave Shukra, the Shadowy Specter seeks opportunistic arrangements * strategic use of the law-courts * expediently amplified bargains * extraordinary relationships * extravagant promises * outsider who cleverly insinuates into partnerships * astounding advisors * unorthodox negotiations * marvellous match-making * thrilling surge of brokered agreement * non-standard pacts * surprisingly advantageous loop-holes * exaggerated equity * unusual exchange valuation * sweet mirage of fair treatment * enthralling mixed-culture treaties * may pose as an impartial counselor * disguised as a deal-maker * mesmerizing diplomat * appears as a pleasant advocate * social mobility sought via convenient contracts
  • [Rahu-yuti-Surya] amplified ambition for center-stage roles * magnified confidence * passion for exotic display * trickster with dramatic flair * opportunistic father * creative pursuit of social mobility * fascinating [but perhaps illusory] appearance of exceptional intelligence * thrilling political genius * hypnotic charm * seeks privilege via bright celebrity * sparkling center of cross-cultural mixing
  • [Rahu-yuti-Mangala] amplified competition * magnified championship * exotic pursuits * tricky innovation * opportunistic brother-warriors * fascinating [but perhaps illusory] appearance of dynamic energy * hypnotic attack * passion for engines * craves hot movement * invasive force of cross-cultural mixing


shad-ashtaka 6-8 challenge-angle from Shani-Mesha-2 toward the Kanya-7 cluster indicating partnerships

Complex and conflicted partnerships

Lennon was much influenced by his many partnerships. The public record documents an intimate friendship with Brian Epstein, the manager of the Beatles who arranged their early performance successes. Partner-songwriter Silly Love Songs 1942- Beatle Paul McCartney is acknowledged to have partially shaped Lennon's world. Partner-songwriter and financial manager Avant-gardiste 1933- Beatle-pair Yoko Ono is another documented identity-defining ally.


kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum]

[for Meena-Antya indriya-lagna]


  • [Ketu-Meena] sleepily dissociates from isolated ashrama * incomplete gestalt * unlimited visionary insight * wandering spirit guides * unsustainable sanctuary * dissolution of private prayer * foggy boundaries of distant worlds * permeable understanding of cetacean cultures * ignores restrictions on clairsentience * disarrayed dreams * releases a golden oceanic cloud of wisdom into the misty abyss
  • [Ketu in classroom-1] eccentric expression of the fleshly container * oddly unique identity * ambivalent toward kinetic movement * incoherent embodiment * other-defined chameleon * surrenders individual completeness * identity depends upon Important Others [Rahu-7] * liberation via abdication of birthrights


The core identity of personalities which choose to be born with Ketu-1 is often defined by themes of surrender, abandonment, amputation, disconnection, and apathy. One may live in the certainty that, regardless of the opinion of others, one has been abandoned.


conceptual-and-performance artist


financial manager

project developer

social-justice activist


Yoko Ono Lennon

birth information from

tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = produced by Shri Jyoti Star - adapted by BP Lama

Rising Nakshatra

Feminine Nativities

Chitra - Tvastri

Citthirai - Vismakarma - Azinech - Alaraph - Arista - Dana

BPL commentary

For Chitra - Tvastri births of a feminine valence, the condition of kinesthetic, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome.

For those born into the Mangala-ruled paradigm of Visvakarma, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, builders, drivers, drillers, diggers, exploders, aggressors, pursuers, competitions and battles may be especially influential.

Guided by instructors from civilizations of Spica. Their purpose is architectural engineering and crafting of beautiful, functional, and artistic alliances, arrangements, and designs.

Designs + Arrangements

[Kuja] -ruled Vismakarma ladies are blessed with direct, muscular physical and sexual energy. They are often found in environments where beautiful designs plus physical agility are valued. Chitrani drawing skills often place them into garment-making and decoration. They typically excel in competitive , vitality-focused fields such as fashion modeling , cinematic acting, musical performance, choreography and dance, and athletics which emphasize balanced movement.

Kanya pada 1-2 expresses Kuja's rulership of 3-writing-commerce + 8-secret transformations, while also displaying the frustrating tension of chatty Budha versus active Kuja. Budha's Writing skills may emerge in pada 1-2. Kanya-Chaitra are often found in media communications and commercial aspects of design work, where their pro-active process management is distinctive. Trust and relationship integrity may be growth-challenging.

[Tula-Vanika] Pada 3-4 emphasizes Kuja's rulership of 2-collections, treasuries + 7-contracts, alliances. Shukra's bargaining behavior and financial skills rise in pada 3-4 due to the pleasant attractions of Shukra-Mangala. Ladies often enjoy considerable wealth via face, voice, marriage, and family lineage. In music, arts, and partnership-craft, they pursue harmonious arrangements. They often play stringed instruments, and write beautiful songs. In the arts, entertainment, beauty, and design industries, their contractual deals are often luxuriously beneficial.

Themes of competitive movement , agile beauty, dynamic design, and financial equity may contextualize Chaitra's terrestrial experience. Incoming drishti from Kuja can mobilize their progressive, pioneering actions. Also applies to Chandra in Chitra - Spica.


Yoko Ono as a young child with her parents, 1930's

QUOTATION from Shil-Ponde.[1939] . Hindu Astrology Joytisha-Shastra . p 96.

" An expensive and luxurious person.

  • One who is fond of clothes and beautiful surroundings and revels in them.

  • She spends much money on jewels, perfumes, cosmetics

  • and her taste in these matters is expensive .

She likes to change costumes several times a day

  • and always look like an animated fashion plate .

Variety is the spice of life to this woman

  • and she will be inconstant and fickle in love affairs,

  • having many during her life and marrying often.

Many actresses, musicians, artists and opera singers have Chitra rising.



Yoko Ono born 11 months after

Yoko Ono born 6 months before

Yoko Ono born 9 months before

Yoko Ono born 6 months before

Born one year before

Biographical information matched to the Vimshottari Dasha calendar

[Budha Mahadasha] [age birth until age 14.4]

18-Feb-1933 Earth-birth in Tokio, Nippon [Japan] Budha-Ketu bhukti

[Ketu Mahadasha] [age 14.4 until age 21.4]

1952 [YO age 19] enters Gakusuin University in Tokio *Ketu-Guru bhukti * Guru rules 7-schooling

1952 [YO age 19] begin relationship with Japanese celebrity musical composer, Julliard pianist, Toshi Ichiyanagi *Ketu-Shani bhukti * Shani rules Kumbha 7th navamsha

[Shukra Mahadasha] [age 21.4 until age 41.4]

1956 [YO age 22] consecration of marriage-1-of-3 with Toshi Ichiyanagi * Shukra-Shukra svabhukti ++ janma Sade-Sati

1959 [YO age 26] attended Sarah Lawrence College in New York * Shukra-Chandra bhukti * Chandra rules 11-social connections

1962 [YO age 29] divorce from alliance-1 following seven years contract. After a mental breakdown, her family has her institutionalized * Shukra-Rahu bhukti

28-Nov-1962 [YO age 29] consecration of marriage-2-of-3 with American jazz musician, promoter, and film producer Anthony " Tony" Cox [not legal] Shukra-Rahu bhukti

01-Mar-1963 [YO age 30] annulment of unapproved marriage contract * Shukra-Rahu bhukti

06-Jun-1963 [YO age 30] [legal remarriage] Shukra-Rahu bhukti

08-Aug-1963 [YO age 30] celebrated the birth of child-1 Kyoko Chan Cox * Shukra-Rahu bhukti

21-Nov-1968 [YO age 36] birth of child-2 John Ono Lennon II [miscarriage/died at birth] Shukra-Shani bhukti * Shani rules 2nd-from-5 decease of child

02-Feb-1969 following a 5-year separation, divorce from alliance-2 * Shukra-Shani bhukti * Shani rules 6-divorce

20-Mar-1969 [YO age 36] consecration of marriage-3-of-3 with John Lennon - Shukra-Shani bhukti * Shani rules Kumbha 7th-navamsha * gochara R-K via Meena-Kanya contact Kanya indriya-lagna

Jun-1969 [YO age 36] car accident injures both John and Yoko * Shukra-Shani bhukti * Shani rogesha accident, injury

Jul-1973 [YO age 40] following four years of marriage-3 [to Lennon], begin 18-month marital separation * Shukra-Ketu chidra-dasha

1971 father of her daughter Kyoko disappears [Ketu] after joining a cult and absconding with their 8-yo daughter * Shukra-Ketu chidra-dasha

[Surya Mahadasha] [age 41.4 until age 47.4]

Jan-1975 [YO age 42] end of marital separation, decision to have a child * Surya-Chandra bhukti * Chandra rules 11-goals

09-Oct-1975 [YO age 42] celebrated the birth of child-3, Sean Ono Taro Lennon * Surya-Rahu bhukti

[Chandra Mahadasha] [age 47.4 until age 57.4]

[Mangala Mahadasha] [age 57.4 until age 64.4]

08-Dec-1980 [YO age 47] widowed via murder of husband-3 John Lennon [JWL age 40] Chandra-Chandra svabhukti

1982 won Grammy Award for album Double Fantasy with John Lennon * Chandra-Rahu bhukti

Dec-1984 until Dec-1987 Janma Sade-Sati Vṛścika [age 51-54]

1994 [YO age 61] reunited with her kidnapped daughter Kyoko, following 23 years of separation * Mangala-Budha bhukti

[Rahu Mahadasha] [age 64.4 until age 82.4]

15-Jan-1999 [YO age 66] grieved decease of mother, Isoko Ono * Rahu-Rahu svabhukti

[Guru Mahadasha] [age 82.4 until age 98.4]

Nov-2014 until Jan-2017 Janma Sade-Sati Vṛścika [age 81-84]

[Shani Mahadasha] [age 98.4 until age 117.4]

lennon_ono1.jpgDistinctive Features of the Nativity


pitri-karaka [father] jyoti-karaka [light]

[Vimala Yoga]

[retreating-contemplative vyaya-pati for Kanya indriya-lagna]

[bright minister of distributed network service]

[populist politics of community grievance]

[political focus of marketplace complaint]

[systematic intelligence for economic lawsuits]

[celebrated entitlement to argue about systemic injustice]

[may confidently illuminate crimes of exploitation]

[father may be a military officer-laborer-loanmaker]


[hidden-power Dhaniṣṭha-4] [navamsha Surya-Vrischika] intuitively confident revelation of secet empowerment



  • [Surya-Kumbha] Arka [the radiator - radio] brightly charismatic confidence of Center-stage Surya radiates through the linking networked connecting rashi of Shani
  • [Surya in bhava-6] center of sparkling service * brightly conflicted * focus on imbalance * eye on exploitation * charming social worker * poverty entitlements * shines light into broken promises * confident litigation * self-righteous accusations * politics of pollution * intelligence for medicine * smart crimes * dramatizes suffering * gambles with addictions * central roles in conflict zones * bright center of war * father may serve in medicine-military-ministry * or father may be sick-addicted-abusive-poor
  • [Surya-yuti-Budha] confidently conversational * bright messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * gestures conduct the spiritual rays of the Sun * radiantly descriptive * articulate in drama * skillful game-player * self-confident announcements * talks about ideals * narrative of power-politics * recites love poems * describes divine romance
  • [Surya-yuti-Rahu] confidently opportunistic * bright mesmerizer * passion for creative culture-mixing * boundary-breaching entitlements * craves important center-stage roles * ambitious father-figure * adventurously aligned with the spiritual rays of the Sun * radiantly risk-rewarding



Dad was Eisuke Ono [b. 1902] a financial speculator + international banker from an aristocratic family of To-kyo [Surya-yuti-Rahu] .

Dad had been trained as a classical western pianist. However, his elite family required him to enter the world of international banking, with extended service in California.

Clandestine international economics

Dad's banking work caused many long absences from his family [Surya rules 12, but harsha yoga] . Yoko met her father for the first time after she turned two years of age. She saw Dad only sporadically during her childhood.

The family moved freely between Japan and USA, except during WW-2. During WW-2. dad's whereabouts were unknown for several years. [Surya-yuti-Rahu] is often involved in rule-bending, multi-cultural activities. In Kumbha, economic distribution systems.

Financial Family

Continuing a multi-generational financial family lineage going back to her grandfather, YO's sister also worked for the World Bank in Suisse.

Yoko herself earned a reputation for financial savvy by putting John Lennon's musical works in legal order, ensuring a flow of royalties.


matrikaraka [mother] * garha-karaka [village]


[friendly-gainful vriddhi-pati for Kanya indriya-lagna]

comfortable with profits, community-minded


[ideological Jyeṣṭha -1] [navamsha Chandra-Dhanus] intuitively sensitive pontificating inspirational-guiding

  • [Chandra-Vṛścika] comforted by mystery * sensitive to trauma-healing * needs healing discovery
  • [Chandra in Jyeṣṭha - Antares] calmed by competitive signals * protector of prophetic messages * familiar face of direct announcements * soothed by provocative talk

  • [Chandra in classroom-3] comfortable with cohort-collaboration * familiar with interactive communication * calmed by repetitive announcements * feels the tidal pulse of daily chat * feels sheltered in the parlor * soothed by siblings * intuitive information delivery * settled into the habits of writing * needs continuous commerce * accustomed to routine messaging * emotionally attuned to the rhythms of conversation * undulating signals * ethno-cultural gestures * intuitive handcraft * mother may be a manager, administrator, shopkeeper, craftswoman, publisher



MARRIAGE partnership emotional equity support expectations

[7th-from-Chandra-3] lifepartnership 1-of-3

  • bhava-9 celebrity. In the early 1960's, Toshi Ichiyanagi was the darling of the Tokyo elite artists.
  • Urisha music

2nd-from [7th-from-Chandra-3] lifepartnership 2-of-3

  • bhava-4 parent
  • Dhanus promoter, producer [inspirational]

9th-from [7th-from-Chandra-3] lifepartnership 3-of-3

Imagine 1940-1980 Beatle John Lennon

  • bhava-11 social networking, community linkage, economic gains
  • Karkata household rhythms, cultural routines

Guru-yuti-Kuja multiple marriages

* although YO undertook a series of marriages to three musicians, the best-known and most defining socially was her third husband ohn Lennon


bhratru-karaka [brother] virya-karaka [virile]

[Sarala Yoga]

[Kuja Dosha for alliance-1]

[busy-messaging sahaja-pati for Kanya indriya-lagna]

[mysterious-revealing randhresha for Kanya indriya-lagna]

[vigorous heart-centered clandestine sexuality]

[behind-the-scenes fiery entitled romance]

[flamboyantly dramatizes romantic private conversations]

[brilliantly active imagination]

[unseen energies promote sudden political change]

[creative drive produces energized messaging-conflict-bargains]


[arranging Pūrvaphalgunī- 3] [navamsha Kuja-Tula] intuitively innovative brokerage-bargaining



  • [Mangala-Singha] vigorous pursuit of fame * creatively moving political theatre * proactive drama * push toward celebrity entitlement * champion of pageantry * military parades * brilliantly energized celebrations * invigorating parties * charmingly dominating at games * s exually active romance * flamboyant gambling
  • [Mangala in bhava-12] drive toward privacy * pursuit of inner guidance * invaders from distant lands * hyperactive ancestors * restless sanctuary * fights isolation * clairsentient dynamics * bedroom vitality * invisible conquests * aggressive phantoms * innovative research * progressive action in distant lands * imaginative discovery
  • [Kuja-yuti-Guru] multiple competitions * many brother-figures * energized growth * dynamic generosity * masculine force joins optimistic expansion * champion of philosophy * potential for aggressive preaching * promotes broad worldview * indoctrinating actions
  • [Kuja-yuti-Ketu] vigorous break-ups * enervated * passive-aggressive * high-energy collapse * fierce pursuit of impermanence * pointless fights * diffused sexuality * dynamic wandering * apathetic brother-figures * potential for aggressive self-annihilation * pushes toward non-attachment * liberation by force


[Mangala in bhava-12] rules

  • 3-ensemble, committee, musical-band, siblings, commerce, publication, messaging, business, administration, writing, correspondence
  • 8-sudden unexpected transformative events, identity change, tantric initiations, volatile eruptive energies, surgery, mysterious forces, hidden assets, interventions


jamayah-karaka [sibling] sandeza-karaka [message] zisya-karaka [student]


[energizing-identifying lagnesha for Kanya indriya-lagna]

[dutiful-hierarchical karmesha for Kanya indriya-lagna]

[service ministry of futuristic public duty]

[conflicted personality undertakes leadership responsibilities]

[logical complaint against systemic economic injustice]

[narrative of marketplace imbalances]

[friendship linkage exchanges detailed social grievances]

[sibling-cousin may be victim advocate, physician, or public-servant]


[systematic, profitable Shatataraka-3] [navamsha Budha-Kumbha] intuitively explaining mass-assemblies

[ashtangata harana]



  • [Budha-Kumbha ] connecting communications * systematic pronouncements * articulation of social-scientific networks * descriptive inter-webbed definitions * diagrams the marketplace linkages *futuristic conversations * messages about communities * discusses economic transactions * explains social participation linkage * large-scale logic * skilled weaving * deft knitting * hands-arms-shoulders make connective gestures
  • [Budha in bhava-6] [svabhava] narrative of detailed complaint * explains toxicity * discusses conflict * medical treatment * military strategy * litigation against unfair deals * itemized argument * precisely specific accusation * treacherous dialog * describes broken promises * instructs on ministries of service * talks about injustice * articulately gesturing adversaries * debates about debt
  • [Budha-yuti-Surya] amusing explanations * entertaining chatter * central roles in communication * brightly clear descriptions * dramatic enunciation * confidently delivers instruction * articulation of radiant certainty * political messenger * talkative father-figures
  • [Budha-yuti-Rahu] thrillingly risky narrative * culturally mixed communication skills * ambitious descriptions * exotic instructions * desire to explain fascinating facts * message of exciting opportunities * chatty foreigners * documents the dialog of outsiders * talkative interlopers


[ashtangata harana]


dhava-karaka [husband] bahuta-karaka [variety]


[homebound-securing bandhesha for Kanya indriya-lagna]

[negotiating-brokering yuvati-pati for Kanya indriya-lagna]

[abundance of private creative sanctuaries]

[many dramatic ancestor spirits]

[broad scope of intuitively guided drama]

[many wise dreamy artistic performances]

[owns celebrated properties in distant lands]


[ideological Uttaraphalgunī-1] [navamsha Guru-Dhanus] intuitively expanding principled optimistic humanistic philosophical doctrinal preaching

[Atmakaraka theory, philosophy, international worldview, wide-scope, humanism]

[Guru-yuti-Mangala ]


  • [Guru-Simha] many lights * big political displays * much drama * doctrine of divine right * expands the scope of unique personality * great splendor * multiple games * diverse theatrical performances * multiple celebrations * romantic permissiveness * self-reflexive worldview * abundant creativity * believes in special entitlements
  • [Guru in bhava-12] great interiority * many meditations * much divination * many hospitalizations * many spiritual retreats * numerous psychic way-showers * many large private spaces * extensive trance guidance * a patron of sanctuary enclosures * in a wifely nativity, husbandly-companion may be benevolently invisible
  • [Guru-yuti-Mangala] bhratri-karaka * multiple brotherly-figures * permission to compete-and-win * expansive conquests * progressive philosophy * large-scale invasive actions * vigorous champion of optimistic belief
  • [Guru-yuti-Ketu] upeksha-karaka * multiple options for severance * broad permission to abandon unsustainable connections * diverse wanderings * many occasions of surrender * philosophy of impermanence * large-size vacuums * many holy pilgrimages


Generous Guru activates Dhanus-4 karakamsha

Rogesha Guru-yuti-Mangala with Ketu.

Guru-yuti-Ketu-yuti-Mangala * drishti from ruler Surya-5

The eldest child of Avant-gardiste 1933- Beatle-pair Yoko Ono was kidnapped during a custody battle. The child was successfully hidden from her mother until a first reunion when the child was 31. Ono's second child was stillborn.

[multiple imaginative husband-figures]


svadu-karaka [sweet] kalatra-karaka [wifely companion]

[collecting-valuing dhanesha for Kanya indriya-lagna]

[believing-doctrinal dharmesha for Kanya indriya-lagna]

[delights in hierarchical ranking games] [pleasure from elite status romance]


[rhythmic Śrāvaṇa-4] [navamsha Shukra-Karkata] intuitively harmonizing diplomatic protective domesticity


  • [Shukra-Makara-Draco] appreciation of authoritative status * likes architectural structure * attracted to officials * conducts lawful negotiations * beautiful bones * enjoys social position * class-conscious aesthetic * pleased by social regulation * hierarchical arrangements * prefers an orderly partner
  • [Shukra-5] seeks pleasure via refined gaming * enjoys center-stage beauty * creative feminine-figures * pleasing children * talented students * delights in financial speculation * political grace * aesthetic designs to adorn the heart * graceful solar plexus * dramatic relationships * sweet celebrity romance * delights in fine arts * appreciation of entitlements * in a husbandly nativity, wifely-companion may be a dramatist-politician-artist-genius * in a husbandly nativity, wifely-companion may be a dramatist-politician-artist-genius
  • [Shukra-yuti-Shani] * sweetly serious deal-making * mature relationships * graciously responsible * beautiful bones * appreciation for neutrality * strict negotiations * pleasant legal mediation * rigorous bargaining * enduring agreements * regulated contracts * architectural elegance * pragmatic design * lawful arrangements * realistic finance * prefers relationships with orderly partners * in a husbandly nativity, preference for a seasoned, class-conscious wife


center-stage [Shukra-5] rules

  • 9 - fortunes for entertainment especially music and fine-arts, creative performance, celebrity applause


  • During the rock-and-roll years, Ono was a heroin user
  • [Shukra-yuti-Shani-rogesha]
  • However, typically Shukra-yuti-Shani is disciplined in matters of drugs and sweet pleasures. The addiction was likely somewhat experimental due to taboo-breaking Rahu in bhava-6 , and it was temporary.


duro-karaka [endurance] * jara-karaka [Jahre, years]


[witty-creative vidya-pati for Kanya indriya-lagna]

[inimical-medicating rogesha for Kanya indriya-lagna]

[imposes lawful order upon creative arts]

[social limitations on children]

[politics of government hierarchy]


[collaborative Śrāvaṇa-3] [navamsha Shani-Mithuna] orderly publications


  • [Shani-Makara-Draco] heavy old institutions * obliged to conform to the time-clock * rigidly ranked class-systems * strict regimes * pressure to complete socially required duties * structural compression upon knees-calves-skeleton * strictly imposed protocols * must normalize old rules * unyielding pressure of public judgment * class-conscious elders * punitive regulators * must endure proletarian manners * must continue disciplined work * scarce building resources * maintainer of old hierarchies
  • [Shani in Bhava-5] steady time-structured intelligence * heavy responsibility for children * pessimistic in romance * cautious financial speculation * resists ceremony * limits special entitlements * obligatory entertainments * dreads political games * tightly disciplined creativity * mother's family often rigidly conventional * blocked heart-and-spine * subdued sparkle * performance fatigue * intolerant of time-wasting amusements * elders maintain ordinary rights
  • [Shani-yuti-Shukra] slow system imposes lawful equity * limited luxuries * sturdily handsome * orderly feminine figures * pragmatic finance * contractual discipline * socially constrained harmony * conventionally regulated pleasures * trust in age * mutuality over time * class-structured arrangements


legal manager of creative publications, royalties, permissions, image-regulation


rajyalobha-karaka [ambition] picchala-karaka [slippery]


[for Kanya indriya-lagna]


[networking-profitable Shatataraka-3] [navamsha Rahu-Kumbha] [vargottamsha]



  • [Rahu-Kumbha] shimmering illusion of webwork * craving for community * over-reaching voluntary connections * mirage of material science * fabulous marketplace associations * extraordinary friendliness * intriguing ecologies * mask of lawfully interlinked systems * fascinating networks * seeks special importance via apparent [but perhaps not authentic] attributes of futurism, social participation linkage, economic distributions, community-knitting * seeks privilege via socialite-roles
  • [Rahu in bhava-6] [beneficial placement] passion for prestige conflicts * in svabhava of Busy Budha, the Shadowy Specter seeks hostile environments * glamorous ministries of service * unusual servants * exotic arguments * thrilling surge of accusations * unorthodox medications for miseries * fascinating criminal lawsuits * outsider who cleverly insinuates into military-medical-ministry roles * craves the delusion of disagreement * mesmerizing mistreatment of laborers and animals * desires an important role in litigation * exciting injuries * opportunistic warfare * disguised as a victim * marvelous assistance to the disadvantaged * entrancing claims of alleged misdoing * may pose as a poor-sick-harmed patient * may appear as a helpful relative of the mother's people * social mobility sought via cunning assistance
  • [Rahu-yuti-Surya] amplified ambition for center-stage roles * magnified confidence * passion for exotic display * trickster with dramatic flair * opportunistic father * creative pursuit of social mobility * fascinating [but perhaps illusory] appearance of exceptional intelligence * thrilling political genius * hypnotic charm * seeks privilege via bright celebrity * sparkling center of cross-cultural mixing
  • [Rahu-yuti-Budha] amplified evangelism * magnified communications * thrilling messages * exotic information * tricky signals * opportunistic cohort * fascinating [but perhaps illusory] appearance of critically important details * hypnotic gestures * explanatory descriptions of cross-cultural mixing



Rahu-ruled Shatataraka = an extra-strong placement for Rahu. Social-progressive networking opportunism.

Capitalization, Voice-Face, Rahu-challenge to rigidly brittle, constraining social practices in finance, worthiness, truth. Family lineage is ambitiously connected to the masses-and-the-classes [Kumbha] fascinating speakers, values-based speech.

Rahu in bhava-2 seeks privilege via important - often risky - cultural-mixing roles in evaluation, assessment, language, memory, knowledge, voice-speech-song, face-genetics, heritage, tradition, family lineage, food, seeds, herds-hoards, storage-stories-history, libraries, museums, databases, collections, banking, reserves, preservation, assets, capital wealth.

Rahu in bhava-5 craves drama, center-stage roles, games, romantic idealism, financial speculation, unusual children


kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum]

[for Kanya indriya-lagna]




  • [Ketu-Singha] brightly dissociates from creative performance * fragmented entitlements * eccentric intelligence * peculiar brilliance * not limited by celebrity roles * ignores restriction on political opinion * releases a sparkling crimson cloud of divine charisma into the misty abyss
  • [Ketu in classroom-12] eccentric research * limitless imagination * scattered intuitive insights * ambivalent toward foreigners * peculiar paternal grandmother * blurs fantasy boundaries * unstructured meditations * passive isolation * foggy clairsentience * releases invisibility * dissolves privacy * abandons the veil between perceptual worlds * ignores imprisonment * unless other graha in 12, may prefer to live free from father's mother + mother's father
  • [Ketu-yuti-Kuja] restless * surrendered championship * abandons fighting * inconsistent actions * disconnected brethren * odd innovations * unsustainable domination * apathetic competitions * peculiar disability * unfulfilled quest * pushes toward impermanence * incomplete births * liberation via vigorous movement
  • [Ketu-yuti-Guru] misunderstandings * unsustainable convictions * abandons empty theories * believes in non-existence * vacuous catechism * wandering teachers * apostasy * wisdom of surrender * incomplete comprehension * doctrines of impermanence * Other-Worldly viewpoint * walks away in disbelief * liberating philosophy * for wifely nativities, Ketu may release the dhavakaraka husbandly-companion.



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