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cinematic dramatist

commercial businesswoman

Catherine Zeta Jones

nativity of Catherine Zeta Jones

Earthbody-Entry 25-Sept-1969


cinematic dramatist

commercial producer

Michael Kirk Douglas

nativity of Michael Douglas, dramatist

Earthbody-Entry 25-Sept-1944

DouglasMichael_22h30m_d1d9d10.png

cinematic dramatist and commercial producer * 1944 - * Michael Kirk Douglas

birth information from http://en.wikipedia.org/wiki/Michael_Douglas * tentatively rectified by BP Lama

charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama

Rising Nakshatra

Masculine Nativities

Mriga-zirasa * Mraga * Marga-ziraza * Agrahayani


BPL commentary

For Mriga-sirasa births of a masculine valence, the condition of pioneering, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome.

For those born into the paradigm of Mangala-ruled Invaka, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, drivers, drillers, diggers, exploders, aggressors, pursuers, competitions and battles may be especially influential.

Instructional guidance is provided by the civilizations of Orion. Their purpose is to promote engaging, instinctive messages that conquer, compete, startle, stimulate, pioneer, attack, and provoke.


Verbally Incisive and Commanding

Gentlemen born within a nakshatra of Mangala are gifted with a knack for competition. Shrewd, verbally intimidating, and goal-directed in Mriga-Sirasa, they strive for dominance within their cohort. Mriga are often found in business management, commercial finance, sales, marketing, advertising, script-writing, publishing, propaganda, cinema, and media-communications.

Kuja-ruled Mriga-zirasa chaps tend to be pro-active, and energetic in pursuit of the win. Although their physique could be quite heavyset, their agility is surprising. Agrahayani-born are often found in, politicsmmanufacturing, media-messaging, and commerce, especially in sales, marketing, and advertising roles where their energy delivers competitive advantage.

Mraga are often accurate marksmen, able to handle weapons and metal equipment. Agrahayani fellows may have a special affinity for quadruped animals, bands of brothers, and soldiers. Due to the crystalline structure of their noses, Mraga-born have an extraordinarily acute sense of smell.

Vrishabha-Urisha pada 1-2 represent the 7-12 angle and the Zukra-Kuja attraction. Those born in pada 1-2 pursue artistic communications, legal contracts, equity, and brokerage in secluded enclosures, such as research laboratories, private rooms, or the imagination. They have special gifts for fantasy, imagery, and distant worlds. Their goal is the formation of vitally valuable partnerships. Depending upon Yogakaraka Shani ruler of 9+10, the Vrishabha pada of Krittika have a stronger propensity toward governance roles,

Mithunaya-Dvamdva pada 3-4 represent the 6-11 angle and the Budha-Kuja tension. Pada 3-4 are profit-driven and not averse to theft or breaking contracts for advantage. They have a special gift for marketplace systems. Friends (11) and enemies (6) have equal influence. Pada 3-4 may focus on friendships, economics, and dominating the competition..

Themes of forward movement, group activity, and sporting competition may contextualize Mriga's terrestrial experience. Applies also to Chandra in Mriga-zirasa.

QUOTATION from: Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra . p 80


"Unless other testimonies in the chart predominate to modify the effect of Mraga rising,

  • these people may be very unpleasant characters.

They are inclined to be misanthropic in their attitude toward life and people.

  • They seem always to see the worst side of people and of conditions.

They are suspicious of other peoples' motives

  • and even vicious at times.

Unless checked, these thoughts will lead to vicious action

  • and they can be quite dangerous to others whom they dislike.

Possibly this attitude is caused and aggravated by some permanent organic disability

  • which is usually the lot of those who are born with Mraga rising."


DouglasMichael_c2014.jpg

Dramatist cinema producer Michael Douglas, approximately 2014, age 70

Biographical details matched to the Vimshottari Dasha calendar


born 14 months after

born one month after

born 9 months before


MichaelDouglas_1969.JPG

Michael Douglas in 1969, the year Catherine Zeta Jones was born

Zukra Mahadasha * age birth until age 14.3

25-Sep-1944 Earth-birth in New Brunswick, New Jersey, USA * Zukra-Chandra bhukti


Surya Mahadasha * age 14.3 until age 20.3


Chandra Mahadasha * age 20.3 until age 30.3

1966 earned BA in drama from UC-Santa Barbara * Chandra-Mangala bhukti * Mangala rules 4th-from-4th diploma

1968 begin film career (MKD age 24) *Chandra-Guru bhukti * Guru rules 10th navamsha


Mangala Mahadasha * age 30.3 until age 37.3

Mar-1977 exchange the vows of marriage-1 with Diandra Luker Douglas (MKD age 32; DLD age 19) * Mangala-Guru bhukti * Guru rules navamsha-7 * R-K samchara Thula-Mesha contact Zukra-Vanika

13-Dec-1978 celebrated the birth of child-1 * Mangala-Budhai bhukti * Budha rules 5-Kanya

1980 delayed recovery from severe skiing accident results in 3-year absence from films * Mangala-Zukra * Zukra rogesha


Rahu Mahadasha * age 37.3 until age 55.3

17-Sep-1992 began alcohol and drug residential treatment (MKD age 48)* Rahu-Ketu bhukti * Rahu-3 occupies transformative 8th-from-Chandra

1995 announced marital separation (legal divorce 2000) * Rahu-Zukra bhukti * Zukra rogesha


Guru Mahadasha * age 55.3 until age 71.3

2000 divorce-1 * Guru-Guru swabhukti * Guru rules 8 identity transformation

08-Aug-2000 child-2 * Guru-Guru swabhukti

18-Nov-2000 exchanged the vows of marriage-2 with Catherine Zeta Jones (MKD age 56, CZJ age 31) * Guru-Guru swabhukti * Guru rules Meena 7th navamsha * R-K samchara Mithunaya-Dhanuzya contact Chandra-Dhanuzya

2006 awarded honorary D. Litt from St Andrews University (Scotland) * Guru-Budha bhukti * Budha rules 5- ceremonies, celebrations

2007 Catherine Zeta Jones diagnosed with bipolar disorder * Guru-Ketu bhukti * Ketu located in 2nd-from-Chandra = 2nd marriage

16-Aug-2010 announcement of diagnosis of terminal tongue cancer * Guru-Surya bhukti * Surya rules 4-conclusions

2011-2013 marital separation * Guru-Chandra bhukti * Chandra in classroom-8 rules 8th-from-8th * identity transformation, crisis, upheaval

Nov-2013 reconciliation of marriage following a 1-year separation * Guru-Rahu chidradasha * Rahu occupies 8th-from-8th * cyclical transformation

03-July-2015 (MKD age 71) grieved the decease of mother * Guru-Rahu chidradasha ++ third Sade-Sati


Shani Mahadasha * age 71.3 until age 90.3

Distinctive features of the nativity

Michael Douglas with lifepartner-1 (married 23 years) Diandra Douglas

Surya * pitrikaraka * jyotikaraka

  • Surya-Kanya * Poshanya * Pushna * the nourisher
  • Surya in bhava-5 * swabhava * center of sparkling, poetic romance * intelligence for speculation * father-figure plays central, entitled roles * radiates brightly political, celebrity * focus on glamour * genius for dramatic entertainments * eye on gambling + games * bright center of creative performance
  • Surya-yuti-Kuja * confidently progressive * bright warrior * moves in alignment with the spiritual rays of the Sun * creatively intelligent brother-figures * self-reflexive political pursuits * champion of brilliant ideals * competitive father-figure * entitled to conquer and win * radiantly pioneering
  • Surya-2 parivartamsha Budha-1

FATHER

Dad = famed dramatist of cinema and television, Kirk Douglas a.k.a. Issur Danielovitch Surya in bhava-5

MKD's father = the widely recognized theatrical actor and progressive social activist Issur Danielovitch known publicly by his stage name Kirk Douglas.

Kanya Surya-yuti-Kuja occupies the emotionally dignified , social-ordering, leadership-seeking; 10th-from-Chandra showing the defining career identity with his dramatist father.

Kirk Douglas was a well-known cinema actor and entertainment industry businessman. 10th-from-Surya-5 = father's career, containing Shani-2 indicates the father's enduring (Shani) face-and-eyes image (2) in cinema and television (Mithunaya)

Speculative Finance

Surya in bhava-5 rules 4-real-estate

Douglas amassed a fortune in international real-estate


Chandra * matrikaraka * garha-karaka

  • Chandra-Dhanuzya * comforted by rhythmic catechesis of belief
  • Chandra in Purva-azadha * comforted by valued beliefs * protectors of inspirational music * needs philosophical harmony * soothed by expansively beautiful design

  • Chandra in classroom-8 * comfort in crisis * familiar with catastrophic events * needs to feel the pulse of repeating identity transformation * soothed by secrecy * accustomed to regular routines of upheaval * seeks the deep rhythm of initiations * acculturated to exploratory occult sensitivities * need for unsettling discoveries * nourished by self-reinvention * emotionally attuned to patterns of undulating shakti-shocks

Parents

Michael Douglas = child of two professional dramatists. Chandra in classroom-8 mother rules 3-cinema.

Chandra in classroom-8 receives incoming, longevity-extending drishti from Shani-2 + Guru-4 + Mangala-5

Rahu in bhava-3 occupies the revolutionary, emotionally turbulent, perpetually transformative, trauma-inducing 8th-from-Chandra , suggesting that both parents would be long-lived.

MOTHER

Diana Webster Douglas Dill was a professional dramatic actress from Bermuda. She was married to MKD's father Kirk Douglas from 1943 until 1951. Mom was a celebrity actress and fashion figure; son naturally comfortable in the limelight. An accomplished actress and fashion model, she familiarized her son with the culture of the USA entertainment industry.

MARRIAGE emotional support partnership

7th-from-Chandra-8

  • bhava-2 contains Shani-Mithunaya
  • potentially younger spouse (Mithunaya ruled by student-like Kumara
  • Duro-karaka Shani predicts an enduring socially recognized marital union, likely tolerant of commercial and interpersonal couplings-Mithunaya

8th-from-7th-from-Chandra-8 = 2nd-from-Chandra

  • bhava-9 contains Ketu-Makara-Draco
  • potentially disarrayed disconnected spouse who nevertheless retains social respect
  • Shani rules Makara conferring dignity, but Shani occupies 6th-from-9th suggesting stress patterns in the alliance, related to age, rigid behaviors, and legal obligations
  • chidra-karaka Ketu predicts a pattern of surrender to episodes of uncertainty and break-up

Kuja * bhratru-karaka * virya-karaka

Mangala = ashtangata within 17 degrees of Surya

critical Mangala-Kanya drishti into 8 + 11 + 12

  • Mangala-Kanya * vigorous pursuit of logical argumentation * proactive medication * thrust toward service * push toward unfairness * champion of litigious accusation, medical treatment plans, aggressive indictments, investigative journalism
  • Mangala in bhava-5 * drive toward creativity * pursuit of games * invasive drama * dynamic style of flamboyant display * competitive children * energized by romance * political conquests * productive intelligence * push toward speculative adventures
  • Kuja-yuti-Surya * active creativity * high-energy confidence * dynamic genius * championship force joins willful charm * potential for aggressive politics * brilliant competitions * self-promoting * vigorous theatrical displays , potential for aggressive political or dramatic actions


Budha * bandhava-karaka * zisya-karaka

  • Budha-Simha * political communications * articulation of unique creativity * delivers announcements about celebration * manufacturers bright displays * explains celebrity entitlements * delivers messages about romance * declares poetic adoration * delights in glittering phrases * manages entertainments * details the procedure for theatrical amusements * speaks with royal flamboyance * talks about gambling * plays intelligent games * hands-arms-shoulders send dramatic gestures
  • Budha in bhava-4 * narrative of parents, homeland, roots, routine, ritual * discusses the mother-figure, parenting, comfort, security, defense , describer of sheltering protection, fences, boundaries, policing, guardianship, familiarity, explainer of homeland customs, delivers instructions for anchoring, patriotic slogans, talks about farms, fishing, nourishment, transportation, vehicles, schooling, foundations, folkways, customary rhythms, seasons
  • Budha-yuti-Guru * explainer of doctrinal belief * affinity for preaching, professorial, theory-developing roles expressing skills of communication, explanation, description, instruction * articulation of charitable generosity, message of optimism and expansion, talkative teacher
  • Surya-5 parivartamsha Budha-4

Guru * dhavakaraka * bahuta-karaka

  • Guru-Simha * many lights, many displays, much drama, believes in special entitlement, doctrine of intelligence and unique personality, expands the scope of politics, multiple games, many celebrities and celebrations, much drama, believes in creativity and special entitlement
  • Guru in bhava-4 * many roots * growth of homes and gardens * many diploma and licenses * abundant owned property * many vehicles + modes of transport * multiple caretakers * diverse mother-figures * extensive lands + deeds of title * a patron of environmental stewardship
  • Guru-yuti-Budha yukta-karaka * multiple sibling-teammate figures * permission to deliver information * abundant conversational messaging * believes in detailed communications * expansive dialog * many announcements * wide scope of evangelism * talks about philosophy * optimistic viewpoint in discussions

Zukra * svadhu-karaka * kalatra-karaka

lagnesha

  • Zukra-Vanika * swakshetra * appreciation of negotiation * taste for balanced color schemes * attracted to beautiful designs + likes designers * preference for brokering roles * equable alliances * seeks the sweet balance of a favorable bargain * pleasures of harmonious arrangements * enjoys equity * aesthetic of the fair-trade deal
  • Zukra-6 * pleasure of self-medication; enjoys exploitive arrangements, addictions, imbalanced equity, feminine employees, attracted to servants, and slaves; appreciation of enemies * pleasing designs to adorn the lower abdomen, digestive areas * toxicity from sugars, aesthetic of slavery, unfair contracts, relationship injustice, criminal bargains, adjustability in times of poverty and war

Zukra rules Vrishabha-1 personality = 6th-from-Chandra

Zukra moolatrikona * * rogesha

Zukra-6 signifies pleasures, tongue mouth, throat


Shani * duro-karaka * jara-karaka

Yogakaraka Shani rules 9-patronage, father, paradigm of belief (contains Ketu) ++ 10-profession, respect, responsibilities, social authority

  • Shani-Mithunaya * tiresome old documents * resistance to change of explanations * obliged to conform to the hierarchical managers * must materialize orderly information delivery * rigid process handling * heavy old discussions * obligatory, strictly scripted conversations * inflexible instructions * must endure the lowest-common-denominator proletarian communication * slow elderly messengers * vital energy compression stress zone = hand-arm-shoulder * restricted breathing * insufficient team cooperation * must continue to collaborate, cooperate, gesture, and signal despite scarce available resources
  • Shani in bhava-2 * Structured, orderly, time-conscious family lineage. One must preserve, have to collect, catalog, must tell tales, obligation to speak-and-sing; cautiously constrained banking; tense eyes, punitive rules for speech, non-permitted comments, financial fatigue, chronic financial depression, undernourished eye-teeth , heavy legacy pressure against speaking out; insufficient nourishment, desiccated preserved food. Limited sight, blindness. Ossified, rigid, rule-bound family culture. Resistance to new languages and direct speech. Resentment toward family ignorance. Support for socially-approved presentationvia face, hair, song, speech, vision, treasuries of older knowledge.

From Chandra-Dhanuzya lagna, sober serious structured hierarchical Shani rules

  1. the emotionally-motivated traditionalism, family lineage conserving, treasure-preserving, language-and-history remembering, acquisitive, genetic conservation of 2nd-from-Chandra
  2. the emotionally talkative, information-delivering, evangelical, publishing, announcing, script-reading, reporting, conversational, process-managing communications of 33rd-from-Chandra

Tendency to enduring contractual arrangements despite internal vicissitudes

MKD first marriage endured for 23 years legally, albeit his extramarital adventures became normalized (Shani normalcy).

During * Guru-Guru swabhukti, ex-wife-1 DD received a celebrated divorce payment of 45-million USD reflecting the lawcourt's belief that she had supplied a steady, decades-long (Shani) partnering contribution

Shani rules 9-paradigm of belief, worldview, patronage


Rahu * rajyalobha-karaka * picchala-karaka (slippery)

Rahu in 8th-from-Chandra

  • Punarvasu restoration of knowledge, storytelling * Rahu-Karkata * shimmering illusion of security * craving for customary rhythms * risky policing * mirage of home and shelter * mask of ancestral belonging to a habitual place * tantalizing acts of protective defense * over-reaching patriotism * fabulous farms and fisheries * fascinating ethnic routines * marvelous localities * intriguing owned properties * extraordinary cetaceans * seeks special importance via apparent (but perhaps not authentic) attributes of motherliness, nationalism, loyalty to the homeland * seeks privilege via parent-roles
  • Rahu in bhava-3 * passion for communication * in swabhava of Busy Budha, the Shadowy Specter seeks privilege via glamorous or unusual writing, photography, journalistic reporting, news announcements, cinema, commentary, messaging. Craves publication. Desires a special, important explanatory, descriptive, or instructional role. Over-reaching in commercial business, internet, cinema, or communications media. Exciting, opportunistic engagement with process management, manufacturing, business administration, instructions, information technology. Trespasses cultural boundaries of cohort-conversations and evangelistic proclamations. Ambitious character of the sibling-cousin, collaborative team, or touring ensemble.

constant transformation of an opportunistic personality, due to a salient the revolutionary, emotionally turbulent, perpetually transformative, trauma-inducing 8th-from-Chandra


Ketu * kavandha-karaka * chidra-karaka

  • Ketu-Makara-Draco * dissociates from strict regulations * * incomplete hierarchy * empty rules * dissolute laws * meaningless social authority positions * severed execution of duties * not limited by public conventions * ignores restriction on rank * disregards status barriers * applies institutional structure to the misty abyss
  • Ketu in classroom-9 * incoherent ideology, disinterested in the credenda; wandering worldview; absentee father-figures * no barriers in doctrine, disregards teachings, vacuous philosophy, irrelevance of the catechesis, ambivalence toward the power of principled conviction. One abandons the usual paradigm of belief, ignores the conventional understandings, delivers incoherent theory.

ZetaJonesCatherine_08h46m_d1d9d10.png

dramatist, dancer, fashion model * 1969 - * Catherine Zeta Jones

birth information from http://en.wikipedia.org/wiki/Catherine_Zeta Jones * tentatively rectified by BP Lama

charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama

Rising Nakshatra

Feminine Nativities

Chitra-Tvastri * Citthirai * Vismakarma * Azinech * Alaraph * Arista * Dana


BPL commentary

For Chitra-Tvastri births of a feminine valence, the condition of pioneering, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome.

For those born into the Mangala-ruled paradigm of Visvakarma, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, builders, drivers, drillers, diggers, exploders, aggressors, pursuers, competitions and battles may be especially influential.

Guided by instructors from civilizations of Spica. Their purpose is architectural engineering and crafting of beautiful, functional, and artistic alliances, arrangements, and designs.


Designs + Arrangements

Kuja-ruled Vismakarma ladies are blessed with direct, muscular physical and sexual energy. They are often found in environments where beautiful designs plus physical agility are valued. Chitrani typically excel in competitive, vitality-focused fields such as fashion modeling, cinematic acting, musical performance, choreography and dance, and athletics which emphasize balanced movement.

Kanya pada 1-2 expresses Kuja's rulership of 3-writing-commerce + 8-secret transformations, while also displaying the frustrating tension of chatty Budha versus active Kuja. Budha's Writing skills may emerge in pada 1-2. Kanya-Chaitra are often found in media communications and commercial aspects of design work, where their pro-active process management is distinctive. Trust and relationship integrity may be challenging.

Thula-Vanika Pada 3-4 emphasizes Kuja's rulership of 2-collections, treasuries + 7-contracts, alliances. Zukra's bargaining behavior and financial skills rise in pada 3-4 due to the pleasant attractions of Zukra-Mangala. Ladies often enjoy considerable wealth via face, voice, marriage, and family lineage. In music, arts, and partnership-craft, they pursue harmonious arrangements. They often play stringed instruments, and write beautiful songs. In the arts, entertainment, beauty, and design industries, their contractual deals are often luxuriously beneficial.

Themes of competitive movement, agile beauty, dynamic design, and financial equity may contextualize Chaitra's terrestrial experience. Applies also to Chandra in Chitra

QUOTATION from Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra . p 96.


"An expensive and luxurious person.

  • One who is fond of clothes and beautiful surroundings and revels in them.

  • She spends much money on jewels, perfumes, cosmetics

  • and her taste in these matters is expensive .

She likes to change costumes several times a day

  • and always look like an animated fashion plate .

Variety is the spice of life to this woman

  • and she will be inconstant and fickle in love affairs,

  • having many during her life and marrying often.

Many actresses, musicians, artists and opera singers have Chitra rising. "


ZetaJonesCatherine2003.jpg

in 2003, while expecting second child

Biographical details matched to the Vimshottari Dasha calendar

born seven months after


ZetaJones_catherine_cxx.jpgGuru Mahadasha * age birth until 1.9

25-Sep-1969 Earth-birth in Abertawe, Cymrig (Swansea, Wales) * Guru-Rahu chidra-dasha


Shani Mahadasha * age 1.9 until age 20.9

1973-74 begins dancing school * Shani-Shani swabhukti * Shani rules 5-creative performance

1987 (age 17) after serving as a young second understudy for the role, chosen to play key role in West-End London theatrical production (Westside Story) * Shani-Rahu bhukti * Rahu gives effect of vidyapathi-Shani


Budha Mahadasha * age 20.9 until 37.9

08-Aug-2000 celebrated the birth of child-1 *Budha-Rahu bhukti * Rahu gives effect of putrapathi-Shani

18-Nov-2000 exchange of vows in marriage-1 with Basic Instinct 1944- drama-commerce Michael Douglas * Budha-Rahu bhukti * R-K samchara Mithunaya-Dhanuzya contact navamsha R-K

2002 wins Academy award for her widely acclaimed performance in the film Chicago * Budha-Rahu bhukti * Rahu gives effect of vidyapathi-Shani


Ketu Mahadasha * age 37.9 until 44.9

2007 diagnosed with bipolar-2 mental disorder * Ketu-Ketu swabhukti

2009 * moves with her family from Atlantic island nation of Bermuda to New York * Ketu-Chandra bhukti * Chandra rules 8th-from-4th, transformation of home-base

2009-2012 sabbatical from dramatic performance * Ketu sabbatical

2011 husband oropharyngeal cancer diagnosis (low survival prognosis) * Ketu-Rahu bhukti ** Rahu gives effect of rogesha-Shani

2013 martial separation, due to illness of both partners * Ketu-Shani bhukti * rogesha Shani rules 6 conflict, illness


Zukra Mahadasha * age 44.9 until 64.9

2014 reunification of marriage and family * Zukra-Zukra swabhukti * Zukra rules 2-family

2016 family moves to upstate New York * Zukra-Zukra swabhukti * Zukra rules 11th-from-4th, step forward re: domicile property residency


Surya Mahadasha * age 64.9 until 70.9


Chandra Mahadasha * age 70.9 until 80.9


Mangala Mahadasha * age 80.9 until 87.9


Rahu Mahadasha * age 87.9 until age 105.9

Distinctive features of the nativity

ZetaJones_younger.jpg



JonesCZeta_photo.jpgSurya * pitrikaraka * jyotikaraka

  • Surya-Kanya * Poshanya * Pushna * the nourisher
  • Surya in bhava-1 * center of identity * bright embodiment, intelligence for competition * focus on appearance, athletic entitlements * father-figure plays self-directed * champion roles * eye on personality *sparkling center of the vitality-drama
  • Surya-yuti-Budha * confidently conversational * bright messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * speaks and gestures in alignment with the spiritual rays of the Sun * radiantly descriptive * articulate in drama and games * self-confident announcements * talks about ideals, power-politics, poetic love, and romance
  • Surya-yuti-Guru * confidently expansive in drama and games * permissive father-figure bright self-referential teachers * charitably manifests the spiritual rays of the Sun * creatively intelligent approach to doctrine * entitled to philosophize * radiantly generous

FATHER

Dad owned a sweets-producing factory in Swansea Surya-yuti-Budha businessman, manufacturing


Chandra * matrikaraka * garha-karaka

  • Chandra-Meena * comforted by rhythmic ancestral guidance
  • Chandra in Purvabhadrapada * comforted by expansive understanding * protectors of philosophical caretaking * soothed by charitable parenting needs to provide shelter for teachers * preaches a broad perspective on human needs
  • Chandra in classroom-7 * comfort in arrangements * familiar with security-focused bargaining * soothed by match-making * needs to feel the repeating pulse of deal-making * accustomed to routine habits of matched partnership * settled into the rhythm of negotiations * need for balanced contracts * nourished by undulating agreements * undulating equity

Chandra in classroom-7 receives drishti from Mangala, Budha, Guru, and Surya

MOTHER

Mom was primarily a homemaker, also worked as a seamstress


Kuja * bhratru-karaka * virya-karaka

Kuja-Mula rules * Chitra lagna

  • Mangala-Dhanuzya * Mula * vigorous pursuit of humanistic worldview* push toward doctrinal expansion, proactive teaching-preaching, philosophical globalism
  • Mangala in bhava-4 * drives local transport * champion of building and vehicle production *digging, drilling, mining, pushing into the underground * construction mechanic * erecting foundations * energized domestic conquests * engineering approach toward lands and properties * invigorating defensive action * competitive household dynamics * farm tillage, plowing, plunder * navy + marine defense * pushy parents * physical action, sporting challenge, or fighting within the childhood home

Budha * bandhava-karaka * zisya-karaka

lagnesha * karmesha

mulatrikona 16-20 deg *

Bhadra Yoga * digbala

  • Budha-Karkata * comfortable communications * hand, arm, shoulders make protective gestures * articulation of rhythmic root culture * discussions about security * describes routine behaviors * instructions for foundational stability * describes the folkways * reports on walls, moats, fencing, and policing * defensive posture in discourse * converses with parental personalities * environmental wardens * issues customary pronouncements * delivers messages about sustainable settlements * habitual topics of patriotism, land use, shielding, cultivation, and nourishment
  • Budha in bhava-1 * digbala * narrative of body, bifurcated self-image, discusses physical appearance, describer of embodiment, explainer of tangible self, delivers instructions for self-characterization, articulation of communicative movement, animated gestures, talks about personality, details the two-sided identity
  • Budha-yuti-Surya * explainer of dramatic intelligence * affinity for central roles expressing skills of communication, explanation, description, instruction * explainer of dramatic intelligence * affinity for central roles expressing skills of communication, explanation, description, instruction * articulation of radiant authority * message of willpower and charisma * confidently talkative father
  • Budha-yuti-Guru * explainer of doctrinal belief * affinity for preaching, professorial, theory-developing roles expressing skills of communication, explanation, description, instruction * articulation of charitable generosity, message of optimism and expansion, talkative teacher

Guru * dhavakaraka * bahuta-karaka

lagnesha

  • Guru-Kanya * much ministry of service, many servants + employees, much labor, many argumentations, much medication, exploitable beliefs, doctrine of humility
  • Guru in bhava-1 * dig-bala * much vitality * jolly personality * generous disposition * numerous identities * much jovial competition * many cheerful sporting activities * believes in direct action * expansive aura * extra height-or-girth * embodiment of jovial cheer * a patron of generous optimism
  • Guru-yuti-Surya pitri-karaka * multiple father-figures * abundant confidence * much radiance * believes in light * widens the scope of theatrical display * permission to be the center of attention * humanistic political philosophy * large-scale dramatic radiance
  • Guru-yuti-Budha yukta-karaka * multiple sibling-teammate figures * permission to deliver information * abundant conversational messaging * believes in detailed communications * expansive dialog * many announcements * wide scope of evangelism * talks about philosophy * optimistic viewpoint in discussions

Zukra * svadhu-karaka * kalatra-karaka

  • Zukra-Singha * appreciation of royal confidence, likes admiration and applause, attracted to creative performers, pleasures of radiant central roles, attracted to celebrity, enjoys intellectual display, brightly theatrical arrangements
  • Zukra-12 * pleasure of imagination * enjoys spiritually guided partnership *, intuitive feminine-figures* agreeable sleep * visions of harmony and beauty * aesthetic designs to adorn the feet * appreciation of distant lands * seeks interior balance
  • Zukra-yuti-Ketu * sweetened surrender, gracious abandonment, vacuous feminine-figures, appreciation for fair terms of dissolution, disoriented negotiations, unconcerned with conventional beauty, empty contracts * arrangements according to impermanent agreement

Sweets-seeking Zukra in the emotionally conflicted and self-medicating 6th-from-Chandra suggests behavioral addictions or substance addictions (typically alcohol, but other conflict-numbing sweetening practices also)

The husband's bitter divorce-1, drug and alcohol abuses, smoking addiction (6) as well as his life-defining struggle with STD-transmitted (6) oropharyngeal cancer, have also played a role as agents of marital distress.


Shani * duro-karaka * jara-karaka

  • Shani-Meza * nichha * heavy old blood-feuds * brain cramp, blocked blood-flow, muscle seizure * limits on innovation * must bear the weight of old aggressions * social limitations on individual championship * social restrictions on expression of new ideas * obliged to conform to the dominating winners * pressure to launch dry explosives * attacked by proletarian weaponry * must endure race-fighting * must materialize orderly competition for survival energies * must endure exhausting contests * insufficient initiative for pioneering invasions * at times, survival requires great effort * vital energy compression stress zone = head-brain * strictly imposed consequences of conquest * must continue to sustain forward movement despite scarce available resources
  • Shani in Bhava-8 * (beneficial placement) * Structured, orderly, time-conscious partnerships. One must balance and re-balance. Cautious, conventional relationships. Tense negotiations. Chronic responsibilities toward the spouse; compression of the visible genitalia; heavy legacy pressure against freely chosen contracts. Bargaining fatigue. Resistance to new arrangements. Resentment toward changes in partner's behavior. Support for socially-approved, rigidly dutiful roles as married person, contract-holder, match-maker, attorney, diplomat, judge.

Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Rahu-Kumbha (swakshetra) * shimmering illusion of profitable webworks * craving for community * over-reaching voluntary connections * mirage of material science * fabulous marketplace associations * extraordinary friendliness * intriguing ecologies * mask of lawfully interlinked systems * fascinating achievements * culturally mixed social networks * seeks special importance via apparent (but perhaps not authentic) attributes of futurism, + social participation activism * finds opportunity in economic distribution + community-linkage * seeks privilege via socialite-roles
  • Rahu in bhava-6 * passion for conflict, remedies * in swabhava of Busy Budha, the Shadowy Specter seeks privilege via glamorous or unusual arguments, thrilling defense of victims, conflicts, miseries, medicines, servants, accusation, injustices. Craves an environment of disagreement, injustice, misuse. Desires an important role in matters of disease, injury, warfare, labor, unfairness, toxicity * Exciting enemies. Rahu-6 trespasses the cultural boundaries in matters of debt, drugs, slavery, betrayal, exploitation, war. Rahu the Poseur may pose as a victim, a druggist, a litigator, a problem-solver, an abuser, a diseased person, an enslaved person, a relative of the mother's people. Risk-rewarding, boundary-breeching Rahu thrives in Bhava-6 where He finds opportunity in the worlds of crime, war, pharmacy, self-medication, toxicity.

Ketu * kavandha-karaka * chidra-karaka

  • Ketu-Singha * dissociates from creative performance, incomplete entitlement, empty intelligence, dissolute brilliance, not limited by celebrity roles, ignores restriction on political opinion, applies theatrical solipsism to the misty abyss
  • Ketu in classroom-12 (beneficial) * ambivalent toward enclosures, absent from the ancestor spirits, disregards fantasy boundaries, dissolves the isolated sanctuaries, irrelevance of sleep * Ambivalence toward clairsentient empowerment, disinterested in invisibility. One abandons the veil between perceptual worlds, ignores the dreams, surrenders the fear of imprisonment.
  • Ketu-yuti-Zukra * surrendered arrangements * unfulfilled promises * disconnected bargaining * unsustainable contracts * incomplete harmony * fragmented negotiations * abandoned alliances * absence of equity * apathetic brokerage * eccentric music * distrust * dissatisfaction in relationships * Spiritual liberation via release of vows * For husbandly nativities, may dissolve the wifely-figures.
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