Santa Catherina de Sienne painted by Matteo di Giovanni (1435–1495)
Musée du Petit Palais d'Avignon
Ordo Praedicatorum Tertiarum
Third Order of Lay Preachers (Dominican)
Saint
a.k.a. Santa Catarina Benincasa
a.k.a. Catherine de Sienne de Toscane
Earthbody-Entry Sunday-25-Mar-1347
Earthbody-Exit 29-Apr-1380 (age 33)
Patron Saint of Italy * 1347-1380 CE * Saint Catherine of Siena, Third Order of Saint Dominic
birth data from https://en.wikipedia.org/wiki/Catherine_of_Siena * tentatively rectified by BP Lama
charts, graphs, and tables generated by Shri Jyoti Star * adapted by BP Lama
born on Thrayodashi * Pradosha * Shukla Paksha
Rising Nakshatra
Feminine Nativities
Uttarazadha * Vaizva
BPL commentary
For Uttara-azadha births of a feminine valence, the condition of radiant, romantic, intelligent, creative, idealistic, central, confident, gaming, self-reflexive, pitrikaraka Surya may considerably affect the outcome.
For those born into the paradigm of Surya-ruled Iswara, father-figures, politicians, celebrity, royalty, entitled roles, brilliant dramatists, radiant deities, sparkling genius, glittering creativity, intelligentsia, speculators, poets, romantic lovers, gamblers, and game-players may be especially influential.
Instructional guidance is provided by emissaries from the civilizations of Nunki. Their purpose is to express the radiant clear light of truth in an orderly, institutional framework.Psychic intelligence
Dhanuzya Pada-1 can show Brihaspati's rulership of 1-embodiment + 4-cultural foundations. Nakshatrapathi Surya + Guru enjoy high-compatibility yang patterns which stimulate creativity and authority. Pada-1 tends to be paternalistic, creative, self-referential to the point of self-righteousness, and generously friendly. Iconic and inspirational teachers of the patriarchal lineages are found here. Assess the role of Brihaspati to determine character. A woman born in Pada-1 is likely to teach- preach via her husband, although other arrangements are possible.
Makara-pada 2-3-4 express the tension between structural Shani and solipsistic nakshatrapathi Surya. From the Makara lagna, Surya becomes randhresha. Thus pada 2-3-4 are mystical and gender-neutral (Shani). Pada 2-3-4 respect age and governance ordering. Yet their purpose is visionary (Surya). Psychics and seers are found here. Depending on the vigor of Shani, hierarchical institutions may be constructed around their secret light. A woman born in Pada-2-3-4 may be a spiritual healer in her own right. Her emotional dedication to the lifepartner's wellbeing arises from Chandra = yuvathipathi.
Themes of clairsentient vision, lawful transformation, and prophecy may contextualize Ishwara's terrestrial experience. Also applies to Chandra in Uttarazadha.
QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra. p 87
"...a contented nature.
She is one who is interested in forming societies and clubs,
and who makes a good manager and organizer.
She is fluent in speech,
forceful and logical in writing.
She is extremely devoted to her husband ."
ikon of Santa Catarina Benincasa di Siena
Biographical Details matched to Vimshottari Dasha periods
Dialogue 1347-1380 St. Catherine of Siena
Sunday-25-Mar-1347 Earth-birth in Sienna, Etruscany
29-Apr-1380 Lightbody Lift-off (age 33)
Distinctive Features of the Nativity
Dialogue 1347-1380 St. Catherine of Siena
Santa Caterina di Siena, Italia * Chiesa Prati (Roma) * unknown date (likely painted centuries after her death) Northern style
Atmakaraka * Surya-3 writing, meetings
FATHER
Dad was a prominent businessman
Chandra * matrikaraka * garha-karaka
- Chandra-Simha * comforted by creatively radiant, rhythmic confident dramatic display
- Chandra in Purvaphalguni * comforted by sparkling luxury * protectors of musical entertainments, radiant style, brilliant beauty
- Chandra in classroom-8 * comfort in crisis, familiar with catastrophic events, needs to feel the repeating pulse of repeating identity transformation, soothed by secrecy, routine of sudden changes, settled into the rhythm of initiations, occult sentience, discovery, settled into the rhythm of self-reinvention; undulating shakti-shocks
- Somana-yuti-Rahu * Emotionally expedient, sensitive to exotic figures, needs exciting opportunities, soothed by unusual environments, undulating desires, craves nurturing, feels exceptional
Kuja * bhratru-karaka * virya-karaka
Budha * bandhava-karaka * zisya-karaka
- Budha-Meena * nichha * intuitive communications, articulation of private spiritual guidance, imaginative pronouncements, messages about dreams and visions
- Budha in bhava-3 * narrative of cohort, siblings, announcements * discusses commerce, management, reporting, administration, describer of detailed information, explainer of publication, delivers instructions for books, scripts, lyrics, media-messaging, talks about communications, sales, marketing, advertising, manufacturing, process, collaboration, teamwork
- Budha-yuti-Surya * explainer of dramatic intelligence * affinity for central roles expressing skills of communication, explanation, description, instruction * explainer of dramatic intelligence * affinity for central roles expressing skills of communication, explanation, description, instruction * articulation of radiant authority, message of willpower and charisma, confidently talkative father
- Budha-yuti-Mangala * explainer of competitive energies * affinity for engineering, invasive, exploratory roles expressing skills of communication, explanation, description, instruction *articulator of competitive energies, signals forward action, message of innovation and forward movement, outspoken, fraternal conversations, aggressive communications, talkative brother-figures, outspoken, fraternal conversations, aggressive communications, talkative brother-figures
Guru * dhavakaraka * bahuta-karaka
Guru rules Arudha lagna * bhava-3 writing
Guru rules karakamsha 3-writing, announcements, cohort communications
Guru rules 10th navamsha * Dhanuzya doctrine
Zukra * svadhu-karaka * kalatra-karaka
Yogakaraka Zukra rules 5-creativity, intelligence, games ++ 10-leadership, social respect, profession
Shani * duro-karaka * jara-karaka
Rahu * rajyalobha-karaka * picchala-karaka (slippery)
Ketu * kavandha-karaka * chidra-karaka
Gregoire XI recoit Catherine de Sienne d'Avignon, Fresque de Giovanni di Paolo, vers 1460, Musee Thyssen-Bornemisea, Madrid
Pope Gregory the 10th meets Catherine of Siena at Avignon * Fresco by Giovanni di Paolo, c. 1460
all that is true, all that is noble,
all that is just and pure,
all that is loveable and gracious,
whatever is excellent and admirable -
fill all your thoughts with these things."
~~ Epistle to the Philippians 4:8
file update:
16-Jun-2019
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