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Divinity and Doctrine

Writers


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born one month after

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  • Way of Zen 1915-1973 radio philosopher Alan Watts

born two months before

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Integral Yoga brand Yogaville

hatha-yoga educator

community leader

Swami Satchidananda

a.k.a. C. K. Ramaswamy Gounder

Earthbody-Entry Tuesday-22-Dec-1914

Earthbody-Exit 19-Aug-2002 (age 87)

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Yogaville (Virginia) Swami Satchidananda * 1914-2002 * C. K. Ramaswamy Gounder

birth data from: http://en.wikipedia.org/wiki/Swami_Satchidananda * tentatively rectified by BP Lama

charts, graphs, and tables produced by Shri Jyoti Star * adapted by BP Lama

Rising Nakshatra

Masculine Nativities

Swatika * Chotthi * Vayu * Nishtya


BPL commentary

For Swatika births of a masculine valence, the disposition of mesmerizing, hypnotic, shadowy, exciting, passionate, ambitious, opportunistic, privilege-seeking Professor Rahu may considerably affect the outcome.

Exotics, ethnic mixers, opportunists, fascinators, mesmerizers, privilege-seekers, impostors, rogues, agents of passion and desire, self-proclaimers, self-promoters, charlatans, masters of smoke and oils, and entrancingly ambitious persons may be especially influential.

Guided by the instructing intelligences of Arcturus. Their purpose is to broker trade agreements and balance the interests of multiple ambitious stakeholders.


Social justice, personal power

Rahu-ruled Swatika gentlemen are Mix-Master Middlemen. They tend to be fascinating figures. By skillfully mixing and trading with different folks, Swatika chaps build exotic new exchange relationships. They are often found in policy organizations and government agencies, where their social equity work is distinctively multi-cultural. Their roles include trader, exchanger, bridge-builder, diplomat, negotiator, deal-maker, bargainer, marriage-matcher, alliance-designer, and other balancing activities that engage two mismatched sides within one functional agreement.

Swatika represents Rahu's desire to amplify Zukra's quest for harmony. Rahu combines unusual people and agendas to generate a previously unthinkable opportunity for trade in commodities, ideas, or services.

In politics, Swatika fellows may be associated with social, economic, or political integration of previously hostile or excluded participants. Their special talent is dealing with those who may be rogues, outsiders, stigmatized, or posturing frauds. Vayu-born graciously mix people and environments that were once segregated, making successful pairings between ethnicities, religions, nations, or individuals of differing practice.

Their pursuit of a social justice agenda is not entirely idealistic. It is ultimately motivated by their desire to obtain privilege by facilitating partnership, barter, brokerage, and exchange.

Themes of opportunity, fascination with appearances, and acquisition of privilege may contextualize Swatika's terrestrial experience. Applies also to Swatika-Chandra

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra. p 84.


"a quiet and unassuming person,

thoughtful and meditative

  • yet given to sudden outbursts of temper.

Lives in the mental world rather than in the physical.

Prefers solitude to the company of others.

  • Does not care for small talk

  • and finds social contact rather tiresome.

Many astrologers and philosophers found with Shatataraka on the Rising Point."

A light eater and moderate in most things."


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Biographical events matched to the Vimshottari Dasha timeline


SatchidSwami_1988.jpgRahu Mahadasha age birth-15

22-Dec-1914 Earth-birth in Chettipalayam, Coimbatore, India * Rahu-Rahu swabhukti


Guru Mahadasha age 15-31

Janma SadeSati Kumbha Mar-1934 until Mar-1937

1935 exchange the vows of marriage--1 (age 23) * Guru-Zukra bhukti ++ SadeSati

1937 celebrated the birth of child-1 -of-2 (his age 25) * Guru-Zukra bhukti * Zukra rules 9th-from-Chandra

1940 grieved decease of wife (five years after marriage) * Guru-Rahu chidra-dasha


Shani mahadasha age 31-50

1946 departure to old holy place (Rishi-kesha) and separation from children * Shani-Shani swabhukti

10-July-1949 ordination by Swami Sivananda as "Satchidananda Saraswati" * Shani-Budha bhukti * Budha Dharmesha-9 priesthood, doctrine, holy orders (Shani-9)

1951 assigned by Swami Sivananda to teaching, medical, and social-outreach mission in Sri Lanka * Shani-Budha bhukti * Budha ruler-of-12 distant lands


Budha Mahadasha age 50-67 *

janma SadeSati Kumbha Jan-1964 until Dec-1966

1965 invited to visit New York by USA artists who knew him in Sri Lanka * atmakaraka Budha-Budha swabhukti * SadeSati * Budha Dharmesha-9 doctrinal teaching and Budha in 10th-from-Chandra

1966 split from Swami Sivananda's Divine Life program, establishes a new program Integral Yoga * atmakaraka Budha-Budha swabhukti * Budha ruler-of-12 from 10 dissolution of previous position

1969 historic exposure as calming speaker at the famed Woodstock Festival * Budha-Zukra bhukti * atmakaraka Budha-yuti-Zukra lagnesha in 10th-from-Chandra-yuti-Rahu-5 artistic performance. Both Zukra and Budha occupy Vrischika, suggesting tantric arts such as hatha yoga, pranayama, and mystical sound.

1976 (age 62) becomes USA citizen * Budha-Rahu bhukti

1979 established the Yogaville community on 750 acre tract in western Virginia USA * Budha-Shani bhukti * Shani bandesha-4 lands properties


Ketu Mahadasha age 67-74

1986 construction of the interfaith Lotus Shrine * Ketu-Rahu bhukti


Zukra Mahadasha age 74 until decease age 87

1990-91 nine long-term female devotees stepped forward to accuse the Swami of ongoing sexual abuses * Zukra-Zukra swabhukti * female sex scandal * Zukra randhresha ++ SadeSati

19-Aug-2002 Lightbody Lift-off (age 87) * Zukra-Ketu * chidra-dasha

Distinctive features of the nativity

Surya * pitrikaraka

  • Surya-Dhanuzya* Aditya * the unsplit, undivided
  • Surya in bhava-3 * center of commerce, intelligence for reports, announcements, descriptions, * brightly explaining, administrative entitlements, focus on communication, eye on management of messaging* bright center of the signaling, gesturing-drama
  • Surya-yuti-Kuja * confidently progressive, bright warrior, creatively intelligent brother-figures, entitled to conquer, radiantly pioneering

Chandra * matrikaraka * garha-karaka

  • Chandra-Kumbha * comforted by rhythmic pulsing network linkage
  • Chandra in Shata-taraka * comforted by mixed networks * protectors of universal mingling, risky marketplaces, expedient social connections
  • Chandra in classroom-5 * comfort in politics, familiar with gambling and games, charm, children, soothed by celebrity, needs to feel the repeating pulse of confident self-expression, emotionally attuned to uniqueness, settled into the rhythm of romance, routine intelligence, artistic performance; undulating creativity
  • Somana-yuti-Rahu * Emotionally expedient, sensitive to exotic figures, needs exciting opportunities, soothed by unusual environments, undulating desires, craves nurturing, feels exceptional

Emotional conflicts exacerbated by ambitious Rahu = Chandra rules 6th-from-Chandra

MOTHER

MARRIAGE partnership support expectations


Kuja * bhratru-karaka * virya-karaka

  • Mangala-Dhanuzya * vigorous pursuit of humanistic worldview* push toward doctrinal expansion, proactive teaching-preaching, philosophical globalism
  • Mangala in bhava-3 * drive toward commerce, pursuit of messaging, active touring, invasive management, energized, hyperactive sibling-figures, aggressive sales and marketing, teamwork dynamics, administrative conquests
  • Kuja-yuti-Surya * invigorated creativity, invigorated creativity, energized confidence, dynamic genius, masculine force joins willful charm, potential for aggressive political or dramatic actions , potential for aggressive political or dramatic actions

Kuja rules Vrischika-2 = 10th-from-Chandra


Budha * bandhava-karaka * zisya-karaka

atmakaraka

  • Budha-Vrizchika * hidden communications, articulation of transformative secrets, emergency pronouncements, messages about camouflaged, undisclosed mysteries, defined masking, expertly detailed disguise
  • Budha in bhava-2 * narrative of values, natural resources, history, conservation, banking, treasuries * discusses sound values, speech-song, eyes-face, tells stories, defines storage, describer of family lineage , explainer of wealth preservation, delivers instructions for preservation of collected assets, talks about knowledge base, libraries, databases, languages, memory
  • Budha-yuti-Zukra * explainer of balanced arrangements * affinity for diplomatic, parity-seeking roles expressing skills of communication, explanation, description, instruction * explainer of balanced arrangements, articulation of equity in agreements, message of justice and fairly bargained contracts; songwriting , chatty partners, talkative sister-cousin-cohort, lyricist , talkative sister-cousin-cohort, lyricist

Budha in Vrizchika resides in the emotionally dignified , social-ordering, leadership-seeking; 10th-from-Chandra


Guru * dhavakaraka * bahuta-karaka

  • Guru-Makara-Draco * nichha * much social structure, many rules, materialistic beliefs, doctrine of rank and structure, realistic guidance, pragmatic worldview, expands the scope of philosophical realism, multiple interactions with government and institutional authority
  • Guru in bhava-4 * many roots, growth of homes and gardens, many diploma and licenses, abundant owned property, many vehicles and modes of transport, multiple caretakers and mother-figures, extensive lands and deeds of title

Zukra * svadhu-karaka * kalatra-karaka

  • Zukra-Vrizchika * appreciation of penetrating discovery, pleasures of covert power, enjoys hidden assets, aesthetic of occult secrecy
  • Zukra-2 * swabhava * pleasure of gathered assets, enjoys banked, collected equity; feminine-figures predominate the family, gracious storyteller, preserved, linguistic, voiced, historical values , appreciation of assets
  • Zukra-yuti-Budha * sweetened messages, gracious explanations, singing and songwriting, articulate negotiations, sibling-cohort communicative arrangements, youthful beauty, sibling-cohort communicative arrangements, youthful beauty

Notable challenges regarding women and marriage, including sexual harassment lawsuits during Zukra Mahadasha *


Shani * duro-karaka * jara-karaka

Yogakaraka Shani rules 4-foundations, schooling + 5-intelligence, creativity

  • Shani-Mithunaya * old documents, old conversations, imposed instructions, proletarian descriptions, elder messengers, pressured hand-arm, must signal with scarce available resources, imposed instructions, proletarian descriptions, pressured hand-arm, must signal with scarce resources
  • Shani in Bhava-9 * Structured, orderly, time-conscious paradigm of belief. One must preach the old doctrine, old principles; punitive, unyielding ideologies, cautious, conventional father-figures; tense and fearful religious teachers, chronic rigidity of worldview; heavy legacy pressure against freely chosen convictions. Resistance to new teachings. Preacher's fatigue. Resentment toward changes in catechism. Intolerance for sacerdotal innovation. Support for socially-approved, rigidly dutiful roles as high priest, guru-figure, professor, rabbi, sermonizer, proselyte, Old Believer.

Shani-9 and Shani in 5th-from-Chandra. Although SS produced two sons during his marriage age 23-28, after widowhood age 28 he left the boys in care of his own mother and rarely saw them afterwards


Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Rahu-Kumbha (swakshetra)* craving for community * mask of lawfully interlinked systems; fascinated by networks * seeks special importance via social participation programs, futurism; via apparent (but perhaps not authentic) friendliness
  • Rahu in bhava-5 * passion for politics, celebrity, games * in swabhava of Splendid Surya, the Shadowy Specter seeks privilege via glamorous or unusual children; out-of-bounds creativity, and amplified poetic romance; Risk-rewarding Rahu generates a charismatic individuality, center-of-attention displays of creative genius. Desires a special, important role in performance arts, literary arts, entertainments, royalty roles, pageantry, celebrity events, or dramatic splendor. Exciting, opportunistic, ambitious children and lovers. Rahu the Poseur may wear the persona (mask) of a dramatic actor, a celebrated intellectual, or a politician. Craves the center stage, the lights, the glory. Rahu-5 trespasses the cultural boundaries in matters of unique personal creativity, children, speculation, gaming. Seeks flamboyant fashion, exceptional offspring, and the thrill of political theatre.
  • Chandra-yuti-Rahu * amplified emotion, magnified familiarity exotic habits, tricky comforts, opportunistic mother, fascinating (but perhaps illusory) appearance of sympathetic caretaking, hypnotic rhythms, emotionally attuned to cross-cultural mixing, fascinating (but perhaps illusory) appearance of sympathetic caretaking, hypnotic rhythms, emotionally attuned to cross-cultural mixing

Ketu * kavandha-karaka * chidra-karaka

  • Ketu-Singha * dissociates from creative performance, incomplete entitlement, empty intelligence, dissolute brilliance, not limited by celebrity roles, ignores restriction on political opinion, applies theatrical solipsism to the misty abyss
  • Ketu in classroom-11 * absent from friendships, disregards profitability * no barriers in community, dissolves the social network, vacuous associations, irrelevance of the material goals, ambivalence toward economic empowerment. One abandons the elder siblings, ignores marketplace earnings, surrenders the electro-magnetic connections. May prefer to live without electricity, or off-the-grid.
"and now my friends,

all that is true, all that is noble,

all that is just and pure,

all that is loveable and gracious,

whatever is excellent and admirable -

fill all your thoughts with these things."

~~ Epistle to the Philippians 4:8

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